1001 Albums Summary

The album opens with a line from Mussorgsky's Pictures at an Exhibition, so that got me intrigued at the start. I'm not a big enough rap fan to be able to appreciate the nuances of this album so I don't have a ton to say it. It's cool and has a nice flow throughout. I have never listened to the Wu-Tang clan before, so it's nice to get an idea of their style through one of the members. My favourite tracks are Release Yo' Delf, Mr. Sandman, and Stimulation. I'll say 6.5/10.

I don't think I really get why people love The Beach Boys so much, but I can definitely appreciate their unique sound and overall musicality. They were certainly ahead of their time. The harmonies in many of their songs are quite elegant and precise. God Only Knows is a great song and I like that it has french horn. Wouldn't It Be Nice is a classic too. It's a pleasant album, but not groundbreaking for me. 7.5/10.

This group is like The Beach Boys meets ABBA. Their sound isn't totally generic though - there are some unique songs on the album too. My favourite song is California Dreamin', which seems to be the album's most popular track. I know a clip of that song was trending on reels (presumably also TikTok) for a while, so not surprising. This was a fun and light listen. 7/10.

Aretha is amazing! Her voice is powerful and she has so much control over it. Every song has soul (so the album title is apt) and the backup singers enhance the musicality even more with their harmonies. Natural Woman 🙌 🙌 Other bangers include Chain of Fools and Ain't No Way. 9/10.

What a great album! Before now, I only knew Mr. Blue Sky because I sang it in high school choir. I don't know what it is about ELO's sound, but the vibes are excellent. They've got "orchestral" elements like strings and piano, cool electronic elements and sound effects, lovely harmonies and falsettos, and a je ne sais quoi. The album is a journey and has a good amount of variety. I have heard good things about this album and now I can see why. 9/10.

This album really dragged on for me. I like Bob Dylan's folkier songs and ballads, but the bluesy stuff just all sounds the same and isn't that engaging in my opinion. The songs on this album that I did enjoy were Like a Rolling Stone and Ballad of a Thin Man. I actually don't mind his voice or how out of tune the vocals and harmonica often are or how basic the songs are in terms of harmony and structure - I think all of that could have its charm. If the vocals were more emotionally expressive, I think that would go a long way, but they aren't so it kinda falls flat. 5/10.

I am a fan of Paul Simon, but had never listened to this album before. I liked the simpler, more pared down version of his musical style. This was only his second album, so it seems that his music became more experimental later in his career. My most-enjoyed songs were Mother and Child Reunion, Duncan, and Run That Body Down. 8/10.

This is the only properly danceable album we've had on the list, so I'm glad I finally gave it a listen. Le Freak is obviously a classic song, but the rest of the album also grooves. This got me dancing around my apartment while getting my chores done - great Saturday morning vibes. A fun disco album! 8/10.

The Beatles were my favourite band in middle school but this wasn't one of the albums I owned so I only know about half of the songs really well. The Beatles are always a nostalgic listen for me. This is an eclectic album for sure. Some of the songs are silly/theatrical, some are reminiscent of their earlier albums, and some are more experimental like Within You Without You. The title track is a great tune. My favourite song that I don't know well is Lovely Rita. A Day in the Life is by far my favourite from this album though. 8/10.

I can understand why this made the list because it's a piece of music history. Very cool to hear the audience going wild for James Brown. He has a lovely voice with a lot of power and emotion. This recording isn't the most engaging to listen to though and likely doesn't do this performance full justice. 7/10.

I'm not a punk fan, but I do think this is the best punk album on this list so far. It feels like proper punk rock. Both vocalists have great voices that blend well and they create some really interesting harmonies. I particularly like Exene's voice and the tracks she sings. The songs I enjoyed the most were The Once Over Twice, Some Other Time, and When Our Love Passed out on the Couch. 7/10.

Nina Simone's voice is so emotive. She brings so much subtlety and elegance and heart to each song and really tells a story. I love that she's a contralto too. Four Women is such a cool song that I've never heard before. That last line, "My name is Peaches!" is fucking great. I love Lilac Wine, but had only heard a Miley Cyrus cover of it (also great). Nina's version is lovely. It reminds me of my favourite Nina Simone song called Stars. 9.5/10.

I went through a classic rock phase as a tween, but never really listened to Aerosmith. This album is exactly what I expected it would be though. It's a totally fine album, but nothing to write home about imo. My favourite song is Home Tonight - I love me a rock ballad. 6.5/10.

Lol I actually didn't mind this album, though it is quite grating overall. I have to say, the micro songs are fun and provide lots of variety. Plus they give the opportunity for so many more edgy song names. I got a kick out of the spooky, unintelligible vocals and some of the more consonant instrumentals. A lot of the songs actually made me laugh because of the grunting and higher-pitched, goblin-like screeching. I'll give this 4/10.

First off, In The End is a classic and great song that automatically adds a star to this album for me. My step-dad introduced me to the song and I listened to it 100 times as a kid and did a sweet rendition of it at karaoke this year. I don't fully know what sub-genre of rock this is, but there are some cool, metallic sounds. It sounds hip-hop/rap adjacent, which is interesting. It's very angsty and a bit cheesy, but I think it's a solid album. 8/10.

This is a great album! The band is tight, the horns are giving it their all, and the vocals from Louis and Keely are fantastic. I always enjoy this style of jazz when it's well done. The New Orleans jazz tracks are a standout on this album. I really enjoyed this instrumental version of Body and Soul and the little snippet of "In the Hall of the Mountain King" at the end. The horns killed it on that track and on Night Train. A really solid album overall. 8.5/10.

This wasn't my cup of tea. I actually thought every aspect of it sounded quite good except for the pop punk/rock opera vocals. All of the instrumentals were really solid and it was cool to listen through a prog rock album. The idea of having an overarching story that plays out throughout the album is interesting and reminds me of classical tone poems. 5.5/10

My first review! I enjoyed this album. I liked the talk-singing style of the vocals. Bill's voice reminded me of the band Friendship. The album had a quirky, eccentric quality that made it a fun listen. 7/10.

I didn't have strong feelings about this album. I liked all of the songs but none of them stood out to me. Solomon has a nice, soulful voice. Lyrics were pretty generic. 6/10

This album made me laugh at first because it is a bit cheesy. I got into it though as I listened further and some of the songs really got me groovin'. There were lots of cool instrumental moments, like sweet brass lines and some jazzy flute. 7/10.

I really liked this one. It is very powerful and has lots of emotional depth. And vocal depth! I appreciate the existential quality of this album - a man coming to terms with the end of his life and trying to make sense of it all. I think the title track is my favorite. You can hear the grief in the vocals, but the choral interludes are reverent. It really captures the duality of life and death. 8.5/10

I mean, it's Elvis. He's obviously a very talented singer and was ahead of his time. I enjoyed the album, but it didn't blow my mind. I think Elvis shone as a live performer so recordings don't convey his charm as much. Still a 7.5/10 for me. I have a special appreciation for 'In the Ghetto' because of that one scene in New Girl.

This album was not my fave. It's not bad music, but I think I just don't like whatever genre this is. Every song sounds essentially the same. I kinda just felt like I was being Rick Rolled. Lol. Still objectively fine so 5/10.

Maybe I'm being influenced by my Icelandic roots, but I actually enjoyed this album. I've always been curious about Björk but have been apprehensive to listen because I thought her music would be too weird for me. This album is definitely strange, but I liked the strangeness. The last half of the album didn't capture me as much, but I got a kick out of the first five songs. 8/10.

Cool to see the DR of Congo represented! This was a pleasant listen. Some sweet percussion and a nice groove. I got a kick out of the fact that he was often singing in French. 7/10.

This one was cool. I, too, was stoked to hear Bitter Sweet Symphony - it's a great song! I wasn't blown away by this album but did really enjoy the more ballad-like songs (Sonnet, The Drugs Don't Work). I can appreciate the grungy, 90s sound. 6.5/10

This album is unique and pretty intense. It acts as David Bowie's swan song because he released it two days before he died of cancer. The songs on this album are darker and even more bizarre than his earlier music, though they still have his signature sound. I'm a fan of David Bowie so I actually really enjoyed this one! I like almost all of the songs. My favorite is probably Dollar Days because I love the saxophone. 8/10.

This is an interesting one. Though the songs are about heavier topics, the music feels less emotional and more clean and technical. Musically interesting with lots of complex and precise rhythms and very quick tempos. I like the character of the vocals, and the song titles are definitely entertaining. The funniest song title is Stealing People's Mail. I agree with James that I'd have to be in a very specific mood to want to listen to this album - amped and maybe a little angry. I liked the little waltz interlude in Chemical Warfare. Also the Viva Las Vegas cover was unexpected and funny to me. 7/10.

This album has some really cool percussion, saxophone, and brass. I appreciate the jazz influence on the afrobeat sound. All of the songs feel pretty chill, but it is actually quite a political album (thanks Kerri for referencing the Wikipedia page about the album - the backstory is wild). Fela Kuti seems to have been an important political activist in Nigeria. He also apparently had 27 wives at one point. Knowing the context, I can definitely see why this album is on the list. My favorite song was Mistake. 7/10.

This is a cool one. I like pairing of the sultry, ethereal vocals with rap. Very musically interesting and diverse album. All the songs are pretty vibey and chill. 6.5/10. There are a couple songs that I decidedly didn't really like, but others that I enjoyed. Least favorite: Ponderosa. Favorite: Hell is Around The Corner

A classic folk album with some bluesy influence. This is right up my alley. He's clearly a skilled guitar player and singer. There are some really cool guitar melodies on this album, like in Finches, Alice's Wonderland, Casbah, and Angie. The lyrics are a bit less inspired, so I enjoyed the purely instrumental songs a lot more. 7/10.

I don't have much to say about this one. Most of the songs kinda feel the same to me. Though I can appreciate some of the little details and nuances that make them all a bit different. I can get into In Da Club. And P.I.M.P. lol. Love that steelpan. Not my fave but not my least fave. 6.5/10.

It's the Boss, what more can I say? This is a great album. Born to Run was an anthem for me a couple years ago and I still love it. I hadn't listened through the rest of the album before, but it's great. The saxophone is amazing!! 8.5/10

I was rooting for this album because the album name and art are super cool, but the music is less cool. It's a typical 80s sound. I wasn't enthralled by it, but the songs were kinda soothing actually. Definitely more of an ambient album and a bit experimental too. 6.5/10

Pretty cool, lots of variety. I liked it. 7/10.

I really likes this album!! Apparently I like the Strokes. I knew a couple of these songs already but had never listened to the album before. I like that the music has a grungy quality to it but the melodies and harmonies are pleasing. Idk what I mean by that but they're onto something haha. 9/10.

I liked this whimsical little album. Her vocal tone bordered on being too nasal for me, but it does fit the music really well so I can let it slide. I loved the instrumentation and especially the harp - so ethereal. This felt like a fairy tale. Bonus points because Joanna Newsom is married to Andy Samberg and I love that for them. 8/10.

This was definitely a fun listen and I do like bongos so can't complain. I think it's funny that most of this album is just instrumental bongo covers of other songs. I don't know if I needed to listen to this before I die lol. But I did enjoy it. 7/10.

This is a very bluesy album with a bit of a psychedelic flavour. The Doors are pretty iconic tbh. My favorite songs were Love Her Madly, L.A. Woman and Hyacinth House. Riders on the Storm is a great tune too. There were some really cool musical elements on this album: sweet guitar lines, organ, interesting rhythms, and great vocals and lyrics. 8/10.

A nice, indie album. I was really vibing with He Would Have Laughed today. 7.5/10.

This is one of my all-time faves. This album reminds me of early covid because that's when I first got into it. I remember listening to it on the drive to pick up my hamster in Oakbank (RIP Sid). I love how weird and creative it is. There are so many unique musical elements. The lyrics are strange and cool and so are the melodies. The themes of this albums revolve around breaking out of chains and refusing to be silenced, which is very powerful. Favorite tracks are I Want You to Love Me, Shameika, Under the Table and Cosmonauts. 9.5/10.

All the versions of this album I could find were like 25 songs long, but I could only handle listening to the 10 songs that wikipedia says are from the original album. I dig this album. Very 80s. Tina has a bit of raspiness to her singing voice that I like. My favourite was her cover of Help. 7/10.

I did not enjoy this one much. The singing is more like talking/yelling and the music is very noisy and grating. I struggled to even listen through the entire first song but I did persevere until the end of the album. The weirdness of Fodderstompf somehow ended up being the best part of this album for me. 2/10.

I like this one. I'm a fan of Eric Clapton and I like the mellow, psychedelic vibes. The songs are varied enough to keep it interesting. This album is also nostalgic for me because I grew up listening to Sunshine of Your Love - I apparently bought it on iTunes in 2011. I also had this record at home as a kid and remember listening to it a few times. I like almost all of the songs on the album. 8/10.

Incredible! I don't know what style of jazz this is, but I love it. There's some classical in the mix, but also blues, and some other elements I can't put my finger on. Very improvisatory. Also I'm pretty sure I heard "the lick" at some point in the first song on the album lol (iykyk). IMO this is the best album on the list so far. 10/10

This is a solid album. There are some really great songs on it and some fairly forgettable ones. I got very into the Jacob Collier version of Bridge Over Troubled Water which led me to enjoy the S&G (original) version too. I'm also a fan of El Condor Pasa, Cecilia and The Boxer. 8/10.

This album started off very strong for me because I *love* the first song, Oh What a World. The song interpolates Ravel's Bolero which is super cool. I enjoyed the rest of the album, though none of the other songs stood out to me too much. I like the pleasant, folky vibe though. 8/10 (if the rest of the songs were as good as the first song I would give it 10/10).

This is an interesting one. It has a bit of a David Bowie/Tim Curry vibe that I like. It's a bit creepy and dark and includes scandalous themes throughout. It's musically interesting and I enjoyed it overall. To me the album sounds very 70s/80s though, so I'm surprised this came out in '95. 7/10.

I'm a big fan of this album. Ideal listening while cooking for Thanksgiving. The musical choices all feel very tasteful and clean, while also being expressive and creative. Bill Evans on the piano is lovely, and the bass and drums also shine throughout the set. I love this style of jazz - it feels comforting to me. 9/10.

I really enjoy the instrumental aspects of this album. There are some super cool sounds in the mix. Unfortunately the vocal quality of the singer isn't my favourite and reduced my overall impression of this album. I would probably give it 8 or 9/10 without the vocals, but with them it's a 7/10. A lot of the album reminded me of early Coldplay, which is a plus for me because I'm a big fan. The song I liked the most was probably Sea Song.

This is a cool album. It's pretty grungy and unpolished with really interesting drumming. The themes seem to be a bit dark and twisted. I prefer the slower, more ballad-like songs on the album like Where Is My Mind? That song must be having a moment because I've heard it before and it has like 400x as many plays as the other songs on the album. I also like Brick Is Red. The faster songs are a bit too relentless and noisy for me to want to listen again. 7/10 for this one.

I'm struggling to understand why this album made the list tbh. It sounds like Generic Rock Music. None of the songs are bad, but none of them stand out to me either. I'll give it a 4/10.

I really like David Bowie but this album doesn't stand out to me much. It's a totally fine album, but doesn't seem remarkable enough to belong on this list tbh. 6.5/10.

This album has a cool vibe. Reminds me of the Talking Heads. 7/10.

This is a great album! Dire Straits have such a unique sound as far as rock bands go. You can hear elements of folk and jazz music in the mix, which is very cool. The guitar weaves through the songs in a really mesmerizing way. I have loved Sultans of Swing for many years. There are some epic live versions of the song with amazing extended guitar solos. Another standout song for me is Wild West End. 8.5/10.

No complaints about this album, but there was nothing remarkable about it either. 5.5/10.

Moody and strange with many interesting instruments and sounds included. This reminded me of the Maxinquaye album from a few weeks ago. It's innovative and unique and just has a cool vibe. I'm not in the right mood for this album today, but I still think it's a good one. 7/10.

When I saw that this is a baroque/folk-rock album I was psyched. I'm a big fan of more traditional folk music. Some of the songs on the album are giving renaissance faire, while others feel more folky. I like both. The orchestration is cool and there are some really interesting time signature changes and irregular meters. The vocals fit the music well and there are some sweet harmonies when they sing together. I appreciate this album more because it is quite different from everything else we have listened to so far. It's really in its own lane. 7/10.

This album really reminds me of The Beatles' red compilation album from 1962-66. They're from the same era of early rock music that all kinda sounds the same. I saw one review calling it "mod rock". It's their debut album, so they obviously hadn't found their sound/musical niche yet. It's all decent music, but not captivating or all that interesting. 6/10.

This reminds me of the music from my childhood dance classes. This album is really well done and very cohesive. It has lots of variety and most of the songs are enjoyable. The interludes between songs are a cool touch too. I wouldn't go out of my way to listen again because I'm not a big fan of pop music, but I can respect this album for what it is. 7.5/10.

I knew of Nick Drake from a different album of his, Pink Moon, which is quite good if I remember correctly (apparently it's also one of the 1001 so I guess we'll find out). Five Leaves Left is a hell of a debut album. He has a unique vocal quality that I enjoy. This music is beautiful and conveys lots of emotion for being so simple. I listened to this while driving around in the rain tonight and it was the perfect soundtrack.

This is a fun album. Listened to Crazy Love and Diamonds on the Soles of Her Shoes a lot last year and had heard several of the other songs from this album too. The fusion of South African and American musical stylings is interesting and innovative. 8/10.

How to make cleaning my oven even worse: put on this album. I wasn't a fan of this one. Too noisy and abrasive for me. 2.5/10.

I was not expecting this style of music based on the album name and art, and it was a pleasant surprise. The vocals occasionally cross into being too bright and theatre-y for me, but for the most part I like her vocal quality. There is a jazzy, folky element that reminds me a bit of Joni Mitchell. Apparently Elton John was a big fan of Laura and he even wrote a tribute song for her with Brandi Carlile called "The Rose of Laura Nyro" - it's a very cool song. My favourite songs were Luckie, Stoned Soul Picnic, and Woman's Blues. 7.5/10.

This album has so many varied sounds that make it really unique as a hip hop album. It is cool to hear the south asian musical elements and the inclusion of so many other musical traditions as well. This isn't an album I would personally be drawn to listen to again, but I think it is objectively well done and very creative. And Paper Planes is obviously iconic.

No real standouts on this album for me, though I didn't mind it. Apparently Syd Barrett was a member of Pink Floyd in their early days, and I can definitely hear that influence in the mix. The album sounds relatively unpolished and the songs are a bit odd/wonky. I honestly don't know how to feel about it, but it's kinda cool. 6.5/10.

Band On The Run is one of my all-time favourite songs and I think this entire album is fantastic. This is a nostalgic one for me because my parents had this CD when I was a kid so I heard it throughout my childhood and have grown to appreciate it more and more with age. I've always loved Band On The Run because it has multiple distinct sections that build nicely throughout and the story of the "band on the run" is fun too. It kinda reminds me of Bohemian Rhapsody. I honestly think this album has no bad songs. Each song has a unique musical style, which I really appreciate, and the lyrics tell interesting stories. I like that the last few songs include snippets of the earlier songs on the album. It creates a really cohesive and thoughtful feel. I love the instrumentation too, and the inclusion of organ, saxophone, clarinet, bassoon, cool percussion, etc. Paul McCartney is my favourite Beatle and I really like his work with the Wings. 9.5/10.

I sat on my balcony enjoying the view from my new apartment while listening to this tonight and it was a perfect pairing. This is a very cool album. It is so subtle yet intricate and precise. I haven't really listened to jazz fusion before, so this was a great introduction to it. All of the musicians were so skilled that they made the album sound effortless. The best moments for me were the slow, peaceful sections at the start and end of In a Silent Way. 8.5/10.

I don't think I've listened to Senegalese music before, so this was cool. There are some great guitar and drum moments throughout the album, plus some sweet percussion and flute on certain tracks. I'm not sure what is being sung, but Baaba Mal has a nice voice that interacts well with the backing vocalists. A pleasant listen. 7/10.

I was a big Nirvana fan in high school and I listened to this album many times. I even had the CD! I really enjoyed listening through it again because it has been a while. In Utero has some great tracks, like Serve The Servants, Heart-Shaped Box, Pennyroyal Tea, and All Apologies. There are some pretty dark themes on the album and some abrasiveness, but that's an essential aspect of their sound. I like the grittiness of Kurt Cobain's voice. My favourite Nirvana album is MTV Unplugged, but this might be my favourite of their studio albums. 8.5/10.

I played a french horn piece in university called Blues and Variations for Monk. I must've listened to at least some Thelonious Monk to prepare for that, but I have no recollection. Listening to this now, I can absolutely hear the aspects of Monk's style that the piece was drawing from. He makes use of interesting intervals and harmonies that are a bit dissonant, but the overall sound is still quite consonant. I really enjoyed this album. 8.5/10.

This is a really well-made album. The lyrics are thoughtful, interesting, and smoothly delivered. The beats are funky and the rhythmic activity is super cool and creative. This is definitely my favourite hip-hop/rap album on the list so far. 8/10.

The aspect of this album that stands out to me the most is how much I like the lead singer's voice. Must be the Scottish accent :P The melodies and harmonies are quite pleasing and I quite like the guitar throughout the album too. I have heard Take Me Out so many times and still really like the song, and there are several other standout tracks for me: The Dark of The Matinee, Auf Achse (apparently that translates to 'on the road' in German), Darts of Pleasure, Michael, Come On Home, and 40'. So pretty much every song. If anyone is wondering what the German phrases mean in Darts of Pleasure, they translate to "My name is Super Fantastic, I drink champagne with salmon". Turns out I'm an indie rock fan now because I've recently started liking The Strokes, The Arctic Monkeys, The Smiths, The Black Keys, Radiohead, and now apparently Franz Ferdinand! Younger me would never have expected this turn of events lol. I'll give this album 9/10.

A vibey and dreamy album. The mix of acoustic and electronic sounds is super cool and channels the imagery of Yoshimi battling against the evil, pink robots. The variety of different instruments and sounds on this album actually blows my mind a bit. The vocalist reminds me of Neil Young, which is interesting. I like that there's a loose concept/story, but the songs all stand on their own. The further I listened, the more I loved this one. There are so many beautiful songs on this album: In the Morning of the Magicians, It's Summertime, and Do You Realize?? stood out to me as particularly lovely. This feels like a very life-affirming album. I also think the album art is sweet. 9.5/10.

I haven't met a jazz album on this list that I haven't liked so far, and that continues to be true with this album. I like the composition of this album's ensemble. The saxophone and flugelhorn sound quite nice together and shine on their own and the piano has many sweet moments throughout. I like the motown-like quality of some of the songs. My three favourite songs are Minawa, Maseru, and Maesha. The matching intro and outro in Maesha is one of the coolest moments for me. 8.5/10. Fun Fact: Maseru is the capital city of Lesotho, which is a tiny country landlocked within South Africa.

I didn't expect to like this album and indeed I do not. A full hour of this was way too long for me. It's basic, incredibly cheesy, and the lyrics are not that interesting or creative. There's so much dumb, obvious innuendo. I have heard Pour Some Sugar On Me many times and have never enjoyed it. I actually don't mind other similar rock bands like AC/DC, Guns N' Roses, etc. Maybe I'm just nostalgic for the bands I listened to as a kid and Def Leppard wasn't one of them? Though I'd say there's definitely something about their sound that I just don't like. The album could be worse so I will give it a 4/10.

After reading about the concept of this album and the fact that it's a rock opera, I knew I was in for a strange listen. It's cool that they undertook such an ambitious project and had a vision, but it feels like they missed the mark. Musically, it is completely adequate. The vocals and overall story are where they lost me. The lyrics are way too on the nose. It reminds me of a bad movie or TV show where the characters are essentially narrating everything they are thinking and feeling because the creators don't know how to communicate any of that symbolically through music, set, lighting, body language, etc. Each track on the album sounds pretty musically similar and the lyrics are just saying exactly what happened to Tommy. This album would be much cooler if the lyrics were a bit more symbolic instead of literal and if some emotional context was communicated through the harmony, tempo, dynamics, instrumentation, etc. A lot of the songs are so literal that they come across as incredibly corny and some of them actually make me cringe. The story of Tommy is also whack and doesn't make any sense. I can still appreciate that the concept is creative and respect the fact that they tried something different. This is one of the first rock operas ever created, so at least they were trying to innovate and expand the genre. I do like a few of the songs: Overture, Pinball Wizard, Go To The Mirror!, and Smash The Mirror. 4.5/10.

I like a lot about this album. The genre is ambiguous but it seems to draw from rock, jazz, folk, blues, and maybe others too. The singer's voice is quite nice and I like the instrumentals too. The organ moments are cool and the flute is a unique element that sets this album apart. The flautist is truly giving it their all. Overall, this is a high quality album, but I feel like it's missing something that would make me rate it higher. 8/10.

Holy cow this is a long album for what it is. I was happy to hear some country music in the mix because the last many albums have been either rock or jazz and I was ready for some variety. I can't tell how satirical this album is supposed to be, but a rock opera about Lynyrd Skynyrd can't be fully serious. This is actually quite an enjoyable album overall. I like the grungy take on country. This reminded me of Neil Young and of some other Canadian rock/country bands that I like. The wide variety of subject matter really seems to encapsulate the culture and politics in the southern US in a fairly nuanced way (I assume, as I've never been there and don't know too much about it). Listening through the entire album was a bit of a slog and it definitely felt repetitive and slightly boring at times, but there were also great musical moments throughout. I'm not sure I would listen again, but this was really something! 7.5/10

This album brings me back to a very specific time in my life. I played horn in the pit band when my high school performed the musical Bye Bye Birdie and the drama teacher played Norah Jones every night in the auditorium before the show started. The music is not even remotely similar to the BBB tunes, so I think the drama teacher was just a big fan of this album. This is a pleasant album that gives early 2000s coffee shop vibes. I wasn't feeling it at first, but the music really grew on me as I listened through. All of the songs from Come Away With Me to Painter Song I particularly enjoyed. The music feels warm and inviting. It's not the most musically interesting, but it has its charm. 7/10.

I only knew Deep Purple from Smoke on the Water so I wasn't sure what to expect, but this is sweet! Child in Time is fantastic and the rest of the album goes hard too. This is exactly the kind of music I think of when I think of (high quality) classic/hard rock. The organ throughout the album adds a lot and all of the musicians are clearly very skilled. Each instrument really shines on this album. 9/10.

This is a super fun album! It's cool to listen to Bohemian Rhapsody within its original context - I have heard the song too much in my life to fully enjoy it anymore, but it is objectively great and I appreciate it more amongst the rest of the album. I'm aware that You're My Best Friend and Love of My Life are the other two big hits from this album, but my most-enjoyed songs were actually Death on Two Legs, The Prophets Song, and '39. Freddie Mercury's vocals are excellent, and it was nice to hear Brian May on a couple of tunes too. I appreciate that the songs on the album are quite varied, with several different styles represented. I like inclusion of sillier songs like Lazing On A Sunday, Seaside Rendezvouz, and God Save The Queen. The theatrical quality of this album represents the title of 'A Night At The Opera' well. Worst song is I'm In Love With My Car lol. All in all, this is an 8.5/10 for me.

I would have been more forgiving of this album if it was half the length. The full 1.2 hours was daunting because the music did not make me want to keep listening. A lot of this sounded just find, albeit strange and random. I'm all for strangeness when it feels more intentional than this, but there was just way too much going on in these songs. They all felt very similar too, so it was difficult to differentiate between songs or pick favourites. There are some cool sounds in the mix though and I don't mind the vocals either, even though they're a bit wild. They remind me a bit of the Talking Heads at times, which is a redeeming factor. I'll give this 4/10.

I remember not being a fan of U2 when I was younger, but I surprisingly enjoyed this album a lot. I love the 90s alt rock vibes and the 'edgy' album cover and name. Standout tracks for me are One, Until The End Of The World, Ultra Violet, Acrobat, and Love Is Blindness. Prior to this, I only knew Jack White's cover of Love Is Blindness, so it's cool to hear the original. I like the band's sound and really like Bono's voice. 8.5/10.

I'm not a country super fan, but I can get into most country music because it has a lot of the same elements that I like from other genres like folk and jazz. This is a nice album. The songwriting isn't pushing the boundaries of music or anything (at least not by today's standards), but George Jones's lovely voice adds a warmth that invites you in. He's a real country crooner for sure. The tone of the guitar is quite nice as well and the rest of the instrumental accompaniment and vocal harmonies enhance the musicality. Overall, the album has a comforting feeling and makes me feel nostalgic. 8/10.

The Pogues have been on my radar recently because I got really into one of their songs, Fairytale of New York, after hearing Hozier cover it on SNL last December. That tune is on another of their albums, 'If I Should Fall from Grace with God', which is also on this list. This album feels like a drunken night at the pub spent dancing the night away and celebrating life. I appreciate The Pogues's punk twist on Irish/Celtic folk music. Some of the songs are a lot of fun, while others are quite beautiful, and they all tell interesting stories. I love the sound of the traditional Irish band, complete with banjo, mandolin, accordion, fiddle, and tin whistle alongside the guitar, drums and bass. Add in Shane MacGowan's gravelly vocals and it all comes together. Top tracks for me are The Sick Bed of Cuchulainn, A Pair of Brown Eyes, And The Band Played Waltzing Matilda, A Pistol for Paddy Garcia and A Rainy Night in Soho. 9/10.

I really like what the instruments are doing on this album. The very beginning of The Fear has a cool synth(?) sound, the harmonica on Luv is sweet, and I like the contrast between the two sections of Slide Show. Honestly solid instrumentals on every song. The vocals don't feel super original/inspired (both in terms of vocal tone and lyrics) though, so this album isn't a home run for me, though I did enjoy it. Several of the songs remind me of Radiohead and Keane, two bands I'm a fan of, so I'm not mad about that. 7/10.

I don't think I've listened to the Grateful Dead before. I'm not offended by this album, but I didn't find it very impactful either. The image/aura of the band led me to expect bolder musical choices, but this feels like very standard folk rock. The one track that stands out to me is Attics of My Life. It has a more unique, almost ballad-like sound and showcases the close vocal harmonies well. Truckin' is a fun track too. Maybe you need to be high on psychedelics to love this album as much as Dead Heads do? It's a nice, mellow album, but I'm not sure I would listen again. I will say the band's visual art is pretty sweet though. The bears and skeletons are iconic and I stumbled across the music video for Ripple, which is super cool. It's basically an animated journey through a tarot reading - definitely worth checking out! The video actually made me appreciate the song more. 6/10.

Why write 10-12 really good songs when you could write 69 mediocre ones? I was actually enjoying the album at first, but it gradually lost its charm for me, particularly while trying to get through the last third tonight. There were some truly irritating songs throughout, but also a lot of decent ones. I lost the ability to focus on the smaller details of songs, so they all blended together by the end, except for the really bad ones. I did enjoy how deep Stephin's voice is though. His voice also at times reminded me of H. Jon Benjamin who voices Bob from Bob's Burgers, which I found amusing. There was one song that almost sounded like Bob and Tina singing a duet lol. I will say that I liked the few popular tracks from the album: All My Little Words, I Don't Want to Get Over You, I Think I Need a New Heart and The Book of Love. They all sound like they'd be in an indie movie, in a good way. I can see why they have millions of listens while all of the other songs have thousands or even only hundreds of listens (on YouTube Music). I would not be able to convince myself to listen through this again and a lot of it wasn't even worth listening through once. 4/10.

This album came out the year I was born and one of my friends used to call me Korn, so I guess I feel a connection to it. I don't think I liked it that much because my favourite tracks were the three that featured other artists so I clearly liked when the band sounded less like what they normally sound like. The track with Ice Cube was my favourite on the album. Of the nu metal albums on the list so far, I think Linkin Park is better. I'll give this 4/10.

Gorgeous french horn solo in Paris 1919 at 2:25 <3 The Endless Plain of Fortune is a great song too. I liked the orchestral sounds on those two tracks. This album didn't fully grab me, but there is a quality of John Cale's voice that I really like and a nice warmth/richness to the overall sound. Good variety of tracks too. 7.5/10.

I've been waiting for this album to pop up! I'm a Joni Mitchell fan and this is probably my favourite album of hers (though Blue is also excellent). I just finished reading a book about her life and music, so this is good timing. Nice to see another Canadian artist on this list too! I think the only other Canadians we've had so far are Leonard Cohen and Rufus Wainwright. This is one of the earliest of her albums where she shifts from a folk sound towards more of a jazz influence. I really enjoy the meeting of those two genres. The most iconic aspect of her music is her amazing voice that spans several octaves with ease and her creative and poetic lyrics. Both of those are on full display on this album. I think it's cool that she created her own alternate tunings on the guitar because she had polio as child so she had trouble playing traditional chords with her left hand. Her tunings make for very interesting chords and harmonies! I think all of the tracks on Court and Spark are fantastic. I've listened to the first three tracks a lot more than the rest of the album and still think they're great, but I particularly enjoyed listening from People's Parties onward for the first time in several years. I heard a lot of the songs with new ears and was particularly taken with The Same Situation, Car on a Hill and Down to You. I love the inclusion of woodwinds and horn on Down to You. Fun fact: Joni was born Roberta Joan Anderson, which is also my mom's name.

Big fan of this! It's got a great grooove.

Really lovely, ethereal album. This music reminds me of my visit to Iceland this summer. The country is isolated and the landscape and weather can be harsh, but it is also beautiful, peaceful, and majestic and the people are warm. This album captures that atmosphere very well.

Honestly a pretty cool and funky album. I wasn't expecting to like this, but I actually enjoyed it quite a bit. I saw some reviews comparing it to Massive Attack and I can see the what they're getting at - it's electronic and vibey. I also saw someone call this 'heist movie music' and I think that's both funny and accurate for some of the tracks.

This feels like the soundtrack for a weird, retro kids show. The music is funky and has its charm, but the talk-singing really isn't for me. I find it pretty annoying. Apparently the musicians in Tom Tom Club are also in Talking Heads, whose music I like a lot more than this. I really prefer David Byrne's singing. (Happy new year, y'all!)

Quintessential early 2000s folk. I was getting Shakey Graves and Patrick Watson vibes from some of the tracks, like A Sight to Behold, Fall, and Autumn's Child, and those were my preferred tracks on the album. I liked the vocal tone some of the time, and other times it bordered on being annoying. I absolutely agree with James about this album being perfect for an indie movie soundtrack.

Nothing to write home about here. The album isn't bad, but none of the songs really grabbed me.

I've heard Beastie Boys songs here and there, mostly in movies and TV, but have never listened to a full album. Turns out I'm a fan! There's so much variety track-to-track and the beats are super funky. This one definitely got me groovin' around my apartment. This is the kind of hip hop I really like. You can hear the jazz and rock influences throughout and that creates such a unique sound. To be able to write songs in so many different genres and styles well is impressive. Tracks like Sabotage hit the same mark for me as Rage Against The Machine. Perfect to listen to when you're pissed off. Flute Loop is such a cool, jazzy tune. It's neat to see some songs that incorporate Buddhist chants too (Shambala and Bodhisattva Vow). Apparently one of the band members, Adam Yauch, practiced Buddhism.

I've listened to Neil Young's solo albums and Crosby, Stills, Nash & Young, but never Buffalo Springfield (until now). This album showed me how much I like Neil Young's voice because my favourite tracks are the three that he sang. His tone is unique and I really like the way it comes across on this album. His tracks are also the most musically interesting to me. I especially like Expecting to Fly and Broken Arrow. I'm not a huge fan of Furay's tracks on this album, but there are some solid Stills tracks, like Bluebird and Hung Upside Down. The album isn't the most cohesive and some of the songs are on the generic side, but I like the overall sound. Without Neil Young, this would be a 3-star for me, but he bumps it up to a 4.

I used to listen to Metallica in high school - mainly Ride the Lightning (my favourite album of theirs). I definitely listened to Enter Sandman many times back then too. They are talented, but I find that I really don't connect with their music all that much as an adult and just can't get into it now. I still enjoy some of their songs though, like Nothing Else Matters. Miley Cyrus performed the song with Metallica a few times ~4 years ago and absolutely killed the vocals!

The vibe of this album is a bit weird/confusing and the album art is cursed, but I actually think the music is decent. I liked the first half of the album (up to Jericho) more than the second half. I enjoyed the saxophone solos in Sad Old Red and Heaven. People really seem to hate this and there are some funny bad reviews, but I honestly don't get why people are so negative about this. There have been so many worse albums on the list in my opinion. I may even listen to a few of these tracks again.

Somehow I have gone through my life without hearing Killer Queen too much, so I still really enjoy the song and it is definitely my favourite on the album. The three following songs, Tenement Funster, Flick of the Wrist and Lily of the Valley are all standouts too. They have that theatrical sound that Queen does so well. In the Lap of the Gods (and the Revisited version at the end) is another cool tune. The rest of the songs don't stand out to me as much, though the musical skill is obvious.

There were some fun sounds on this album and I didn't hate it, but I struggle to understand how this made the list.

This album brings me back to middle school. My friend burned me a copy of this CD and I listened to it A LOT when I was maybe 12 or 13. I'm not an MJ super fan by any means, but when you have only a few CDs they end up getting lots of listens haha. I do think this is a great album and has no bad tracks. Crazy to think that Thriller, Beat It and Billie Jean are all from the same album. I've heard those songs a bit too much to enjoy them anymore (except Thriller - still iconic), so I now prefer the rest of the album. People are slandering The Girl Is Mine in the reviews, but that's one of my favourite songs from the album. I think it's a fun duet and I'm a big fan of Paul McCartney. I would give this album a five because I think it's objectively very good and it's nostalgic, but Michael Jackson weirds me out so I'm giving it a four.

I listened through this once and nothing stood out to me. During my second listen I paid more attention and liked it a bit more. There's some aspect of this music that reminds me of Blue Rodeo and I think that's what I am responding positively to. Overall, this is decent, but not my taste. What frightens me is that this is our first Elvis Costello album out of 6 on the list 😬

The reviews had me primed to hate this, but it's actually super cool! It reminds me of some of the modern indie bands I like and even has some elements of contemporary classical music. The avant garde sounds are interesting and they create a real soundscape. You can definitely pick up on the witchy feel that they were going for. My favourite song on the album is Flow My Tears The Spider Said. I love the song titles. "They Don't Want Your Corn, They Want Your Kids". The album cover is cool too, like an embroidered burlap sack or something. The image on the cover immediately made me think of Salvation Mountain (a gigantic outdoor art installation in California) for some reason.

A great, bluesy album. Also, have you seen their beards?

This is such a heartfelt, soulful album with a great groove throughout. Marvin's voice is 👌 The songs segue into one another nicely too, making it feel like one 35-minute-long musical experience. My top song on the album is Wholy Holy. It's so peaceful.

I listened to this multiple times and I still don't know how I feel about it. I think I like it? It's got a good groove throughout and is weird in an interesting, engaging way. There are some 𝘃𝗲𝗿𝘆 80s sounds on this album, which I always have mixed feelings about, but I think it works in this case. My favourite tracks on the album were three in a row: Out of the Blue, Heartland, and Angels of Deception.

An iconic Canadian band! The building on the album cover is the Ontario legislative building in Toronto and YYZ is referencing Toronto's Pearson Airport (probably Canada's most hated airport 🫠). I haven't listened to much Rush, though I have heard Tom Sawyer before. I have always been told by other people that Rush are great and that Neil Peart was one of the best drummers of all time. After listening through this album, neither of those statements have been proven wrong. I like Geddy Lee's voice. It's actually quite smooth and almost elegant at times. Rush are doing a lot of interesting things rhythmically, which is very cool. They're switching time signatures & using irregular meters, which is something I always appreciate. I enjoyed this album overall.

First of all, I really like the album cover. Apparently it's a minimalist version of the Marina City towers in Chicago where the band is from - the "corn cobs". I'm watching The Bear right now so I've got Chicago on my mind and this adds another layer for me. This album reminds me of my mom because she is a Wilco fan. She put me onto Jesus, Etc. so I have listened to that song a lot over the years. I like the album. The music is fairly simple in some ways but has a slightly unpolished/grungy quality that makes it interesting. There were certain moments while listening when I would pick up on something cool that they were doing. Other moments felt less engaging and the music seemed like pretty standard folk rock. I think I want to give this a 4 because I associate it with my mom, but the actual music is more of a 3-3.5 for me.

Very good heavy metal rock.

I like Iggy Pop's voice on this album. None of the songs blew me away, but there are some cool and psychedelic elements. I think 1969 was my most-enjoyed song. I can also appreciate We Will Fall with its drone-like sound and chanting. It's unique and definitely stands out on the album.

I guess this is the week for electronic German music. Das ist cool. This was vibey and ambient and I absolutely was not in the right headspace for it today but I still liked it. I think Sequent 'C' was my favourite song, and not just because it was only 2 mins and 22 seconds (though that was a factor in my enjoyment). This album really reminded me of some of the contemporary classical music I played and heard performed in music school.

This is Leonard Cohen at his best, in my opinion. There is a bittersweetness to this music that feels like what life feels like. The imagery is so specific and yet the emotion behind it feels very relatable. I love Suzanne. I first learned about the song in an Intro Music History course in my first year of uni. I don't fully remember why my prof brought up this song, but I believe he was likening Leonard Cohen to a medieval troubadour, which is apt I think. I liked the song as soon as I heard it and that is one of my only lasting memories from that course. Another moment I really loved on this album is the end of One of Us Cannot Be Wrong with the whistling, lyric-less singing, and some kind of flute. The singing is so raw and very beautiful. Perfect way to end the album.

This was nice enough, but sounds so generically 80s.

All I can say is 🐦➡️🤠 This ain't the Byrds we've heard before! I like this style of country music so I did find it enjoyable, but certainly nothing that special. I think the Byrds were more distinctive and memorable with their rock stuff. I'm pretty sure all of their albums thus far have been 3s for me though, so clearly I'm not much of a fan and honestly I liked this album more than the previous ones. The album cover is cool though and the cowboy aesthetic has been super popular in the last few years, so that aspects feels more relevant than the actual music.

This album feels a bit more experimental than Rum, Sodomy and the Lash. They were clearly playing around with different styles/genres in songs like Turkish Song of the Damned, Metropolis, Fiesta, Sketches of Spain. The variety is cool and helps to differentiate the two albums. Fairytale of New York is a fantastic song that I have a soft spot for. The Pogues lead singer Shane MacGowan passed away a few years ago and the song was performed at his funeral (the video is on YouTube). Everyone was singing along, clapping, and people started dancing towards the end and it struck me as a really lovely way to celebrate his life. Overall, this is album has great energy, lots of heart and soul, and makes me attempt to jig even though I don't really know how.

I think this was better than the last Elvis Costello album we had, but I still feel pretty lukewarm about it.

I've heard so many references to Steely Dan (most recently while watching Oh, Hello with John Mulaney & Nick Kroll) throughout my life but have never listened to them. Honestly their sound isn't what I was imagining. I thought they would be more straight ahead rock, but this has some jazzy elements that add interest. I thought it was a good album, though I don't have strong feelings about it or a desire to listen again. I feel like I need to start rating out of 10 again because I need more nuance. This would be a 7/10 for me.

I'm a sucker for strong vocals and Dusty definitely has a great voice. I know and like several of the songs on this album too (Mama Said, You Don't Own Me, Mockingbird). I think it just feels difficult to rate an album that is entirely covers of songs written for other artists like The Shirelles and Dionne Warwick. This doesn't feel like a particularly significant version of these songs, which makes me question this album's inclusion on the list. 7/10.

Can't go wrong with some CCR.

Who knew country music could feel so elegant? Marty's vocal tone is lovely and the guitar is very tasteful. Great storytelling throughout.

This is quirky in a way that I don't typically enjoy all that much. There is something about their voices that I like though. They're unmistakable. And how could I not like Rock Lobster? So many good sea creature references. "Rock Lobster" was my instagram bio for years and I'm not exactly sure what my inspo was, but the song was definitely part of it. I also just really like crustaceans.

This is a great album! I think I like it more than Get Behind Me Satan. Seven Nation Army still holds up even after hearing it so many times over the years. I am a big fan of Jack White's voice. While listening to this the vocals were reminding me of something and then I remembered that Jack White is also the singer for The Raconteurs and I used to listen to their album Broken Boy Soldiers quite a bit (and it's a good one - would recommend!).

I loved this album. I've never watched the Virgin Suicides, but after learning about the premise, I definitely want to check out the film. It seems really interesting and creepy. The last track on the album gives a good snapshot of the plot. I just finished watching the TV series Lupin (which is fantastic) when I listened to this and the album reminds me of the Lupin theme song, so the timing couldn't have been much better. Both are in the same vein of mystery/thriller/drama, so the similarity makes sense. I *love* a good mystery. This album has that mysterious quality in its melodies and harmonies, which is very enjoyable for me. There's a nice mix of acoustic and electronic sounds throughout. Some of the tracks sound a lot like Pink Floyd too, which is cool. I really enjoyed the entire album and found it very listenable for a soundtrack.

This didn't make much of an impression as I was listening through. It's not bad music, but just so generic and boring honestly. I can imagine this playing in a clothing store in the mall, like Garage or Forever 21, where no one is paying that much attention to the music. I feel like there are so many other R&B albums that are more interesting and deserving of a spot on this list.

Love me some Neil Young. First time listening to this album and I am a fan. His singing voice is contentious, but I really like it.

This album is all over the map. I was very surprised to hear Without You and even more surprised to hear the Coconut song right after it. He honestly does sound like a Beatle in lots of these tracks. Mostly Paul McCartney, but sometimes leaning John Lennon. This makes more sense after reading that he was actually friends with some of the Beatles members. I like his version of Without You - I love the drama of the song. Everything else on the album I would take or leave. Coconut I would just leave.

Easy 5/5. This is a fucking great album. I've been a fan of it since high school. I love the intensity and powerful messages behind these songs. They are also musically fantastic. There are some really funky guitar riffs and the drums are absolutely laying it down, which sets up the passionate vocals very well. There are so many bangers on this album.. maybe all bangers? And the themes of the album are just as relevant as ever. The album cover is super impactful too. It's a very famous picture of a Vietnamese Buddhist monk performing self-immolation to protest the persecution of Buddhists by the Southern Vietnamese government in power at the time.

I like the album name, cover art, and band name. I wanted to like the music too, but it was just OK. I enjoyed aspects of it like the dreaminess, but it was a bit too minimal for me to stay engaged while listening through the entire thing.

Wow, this was really excellent! I wasn't expecting that. The only Janelle Monae song I knew before this was Tightrope and I don't like it (not because it's bad but because I don't like a certain type of upbeat/cheerful music - I'm just a curmudgeon lol). The amount of variety on this album is wild... and all of the different styles are well-executed. There are elements of jazz, classical, choral music/church hymns, rock, pop, folk, r&b, and so much more. I don't love the poppy stuff (personal preference), but everything else is fantastic. The orchestral moments and choral harmonies are so lovely and are highlights for me. I also like when Clair de Lune is sampled in Say You'll Go. I have only listened once but I need go through again and pay closer attention because there are so many little details!

This album feels unhinged. Every time a new song starts I begin to question what all of the previous songs sounded like and how they could possibly relate to the current track. I like variety in an album, but this is too varied to the point of being disorienting. I will say I enjoyed probably more than half of the songs. When I heard Nick Cave singing on The Sweetest Embrace, that tipped the scales in a positive direction for me. I'm a big fan his singing voice and am looking forward to when we can rate some of his albums. It's Business As Usual is creepy af though and Vermillion Kisses is weird and also a bit creepy - I would happily never listen to those again. The overall vibe of most of the tracks really reminds me of the Virgin Suicides soundtrack, but I definitely prefer that album to this one. If I could watch the imagined movie that this is supposed to be the soundtrack for, maybe the songs would actually make sense together. I guess I'll never know.

This album has a very cool vibe.

I think there's potential for me to like other Gorillaz albums more, but this one was just okay for me. For their debut album, it is solid though. There are elements that I appreciate throughout, but something is missing for me (and idk what is it). Some tracks that stood out were Clint Eastwood, Rock The House, and Latin Simone. I think the concept of Gorillaz being a virtual band with cartoon members is very cool and I'd like to check out some of their other albums. I really like Feel Good Inc, so maybe I should start with that one.

Noise rock, emphasis on the noise. I didn't hate this but I still feel like I can't give it more than a 2/5.

I feel like I have no choice but to give this a 5/5. It may not be my personal favourite rock album, but it is objectively one of the best of all time. All of the tracks are pretty excellent. My faves are Stairway to Heaven, Going to California, and Misty Mountain Hop.

Cool Matisse-inspired album art. The music itself isn't as cool. I find it pretty average.

I thought the Pet Shop Boys were along the same lines as the Beach Boys. Turns out I was wrong! This album proved to me that I can actually enjoy new wave music. 8/10.

This is a simple and fun album, but it just doesn't grab me.

I've never really liked drum and bass music so I unsurprisingly didn't love this. There were some moments throughout that didn't have a relentless dnb beat and were more reminiscent of r&b/soul, like in State of Mind and Adrift, so I did enjoy those parts of the album.

Psycho Killer is such a great song! The rest of the album is solid, but it feels like it's missing the quality that makes me really like other Talking Heads music. Probably because this is their debut album so they hadn't blossomed into their quirky sound yet. Most of the album blended together for me without anything standing out.

Just a fantastic album. No one else sounds like Jimi Hendrix. Personal favourites are Hey Joe and May This Be Love.

I forgot that Morrissey was The Smiths' lead singer going into my first listen and was expecting another mediocre British album lol. I quickly made the connection once I recognized his singing voice. I've fairly recently become a Smiths fan and I really like Morrissey's vocals and the overall style of the music, so this was a pleasure. Some of the tracks really remind me of Fontaines DC, who are one of my favourite modern bands. Love me some indie/alt rock.

Groove Is in the Heart isn't a good enough reason for me to listen to this. After hearing the song World Clique, I knew I couldn't rate this album higher than 2. This entire album feels like music that would be written for a fictional band within a 90s sitcom. It's almost good, but just doesn't quite get there.

Finally more jazz! Surprisingly I haven't listened to this before, despite it being considered one of the best jazz albums of all time. This is an album of heavy-hitting musicians who are masters of their instruments, which gives it a really effortless sound. You can tell every musical choice is intentional and executed with care. This was a lovely listen.

After listening through a few times, I can confidently say that this is one of the best albums on this list for me. It's such a unique and special album, particularly because it's the only one he released during his relatively short life. Jeff Buckley is your favourite artist's favourite artist. So many musicians were inspired by him, including Radiohead, Coldplay, Eddie Vedder, Lana Del Rey, Adele, Phoebe Bridgers, and Mitski. I can hear foreshadows of most of these artists in his songs, especially Radiohead and Coldplay. I would almost believe that Mojo Pin is a Radiohead song. He was influenced by a wide array of artists too, spanning from rock to jazz to folk. Apparently one of his biggest musical inspirations was Nusrat Fateh Ali Khan, a Pakistani singer who performed Sufi Islamic devotional music called qawwali. You can see his eclectic musical tastes reflected in this album. It stays close to the alt-rock genre for the most part, but there are hints of other genres all over the place. The covers he chose for this album are so cool: Lilac Wine from the jazz catalogue, Leonard Cohen's Hallelujah, and Corpus Christi Carol, which is an old English hymn from the 16th century that was arranged by Benjamin Britten. His falsetto singing on Corpus Christi is so lovely. The other two covers are also fantastic, in my opinion. The entire album has such a satisfying arc and the variety is really refreshing. I've truly never heard anything quite like this. Safe to say I'm a fan!

There are some good throwback tunes on this album, but overall I didn't like it anywhere as much as Ill Communication. It's not super musically interesting and the lyrics are a bit generic. I also find the vocals to be kinda annoying at times. It's still a fun album but I wouldn't go out of my way to listen to it (except No Sleep Till Brooklyn - that's a great song).

A cool album, but I don't think I would ever enjoy this kind of music enough to give it more than 3 stars.

I saw Randy Newman perform on John Mulaney's talk show recently and that made me see his appeal a bit more, but I still don't think I really get his music.

I really wasn't in the right mood for this today but I think it's pretty good. Reminds me of Nirvana.

Love the 90s rock sound. The Mrs. Robinson cover is great.

Adele is such a talented vocalist. These aren't groundbreaking tracks, but they still hit because they are so well sung. The album definitely comes across like a typical pop album in that the harmonies aren't too interesting and the lyrics are pretty repetitive. I probably wouldn't like it nearly as much if it weren't for the soul/R&B quality of the music. I can't deny its success though because I've never listened to this album, but I have heard most of these songs before in the wild and I know at least 5 of these tracks were huge hits. Adele writes melancholy, wistful love songs really well and I do enjoy that. My favourite tracks from this album are When We Were Young and All I Ask. I would happily belt those out any time. I think the rest of the album is solid too. I personally can't enjoy Hello anymore because it has been overplayed, but that's not to say it's a bad song. I do think I got sick of it pretty soon after it came out though. I think my personal favourite Adele album is 21 which is also on this list.

I can't imagine anyone other than teenagers actually enjoying this music and I think people usually like JT's early albums like this because of nostalgia from their youth. I didn't grow up listening to this so for me it's just bad. He uses a lot of falsetto in a tone that I really don't enjoy and the lyrics make me cringe a bit. Overall, I just can't take this music seriously and one hour feels very long. The production of the album and backing tracks actually seem decent though. I don't have a problem with that aspect.

Weird, noisy, kinda dark. I wouldn't listen again, but I thought this was pretty interesting and it's wild that this is what Nick Cave was doing in his early career. The album cover is hilarious and tbh I think that's where most of my stars are coming from.

This was cool. I like how many different artists are included. It gives each track a different flavour. I think I enjoyed this a similar amount to the other Massive Attack album on the list, though I don't super remember it (but I see that I rated it 4 stars too). I really like Be Thankful For What You've Got and Hymn Of The Big Wheel.

I can't say I'm sad that this is our last Barry Adamson album on the list. This guy made some truly odd musical choices in his soundtracks for non-existent films and I don't think I need to hear any more. I actually didn't have a bad time listening through the album though. It's got a jazzy sound and I like that there are no lyrics. That already makes it much better than Oedipus Schmoedipus with its creepy-ass songs. The film noir inspiration is so cheesy and funny and the quote on the album cover really gets me: "In a black and white world, murder brings a touch of colour." This album does have its charm even though it is completely all-over-the-place.

There are only a few songs on this album that have the quality of David Bowie's best work and the rest are a bit generic. I really enjoyed Time, The Prettiest Star, and Lady Grinning Soul.

Really cool. I think Lauryn Hill takes this to the next level for me. I really like her vocal tone and there's an effortlessness to her verses that draws me in. There are some very clever lines, interesting samples, and the flow is smooth throughout.

I like this kind of slightly unhinged alt rock. There's an interesting theatricality to this album that really reminds me of Ben Caplan & the Casual Smokers - a Canadian band I discovered at folk fest. I haven't actually listened to much Nick Cave, but every time I hear his songs in movies/TV shows they always stands out to me. I think he has a great voice. I've been excited to listen to more of his music throughout this project. I think the best is yet to come!

A little slow moving, but still a solid Bruce Springsteen album. There's something a bit meditative about this one for me.

I would've rated this higher when I was younger, but it has grown a bit tiresome for me. Especially the lyrics/vocals. So much stupid innuendo. Actually the rest of the band is tight, so it's mostly just the vocals that I don't love. There are lots of iconic singles on this album that are definitely overplayed, such as Scar Tissue, Otherside, and of course Californication. They all seemed great to me when I first started listening to this album in high school to be fair. The rest of the tracks on the album never really grabbed me 10 years ago and they still don't. Giving this 3 stars because of nostalgia and catchiness of songs.

This is not something I would ever choose to listen, but it's a great version of what it is. Obviously some iconic songs on the album and good vibes throughout. I honestly should listen to stuff like this to help me chill out and worry less lol.

The first Nick Cave song I ever heard that introduced me to him was O Children in Harry Potter and the Deathly Hallows, the scene when Harry and Hermoine are dancing. I think that's a lovely song and suited that scene perfectly. I enjoy the vibe of the rest of the album and definitely prefer it over Henry's Dream. It's a bit dramatic/theatrical at times with a dash of madness, but there are also some touching ballads and love songs. I'm a big fan of his vocal tone and I really like the choir that accompanies him in many of the songs. They create some really nice harmonies. Overall, I find this to be a very unique and enjoyable album.

I like Elton John, but this is pretty average. Even with Tiny Dancer.

This seems like a very well-produced album. The sound has a nice richness/depth to it. This isn't the type of music I usually gravitate towards, but I found this pretty cool. I've heard D.A.N.C.E. before (so much at the hive) and it's a great track! Controversially, I actually really like TTHHEE PPAARRTTYY! There's something satisfying about the pairing of that type of melody & lyrics with the underlying synth harmonies. It's a well-thought-out album with great cohesion.

Hot Buttered Soul is a great album title. That's a vibe I think I need to capture in my life a bit more. This is a cool album. It has a sweet groove and smooth vocals. By the time I get to Phoenix, Isaac Hayes will probably still be finishing his long-ass intro to that song, which is probably the least enjoyable part of the album. It's otherwise great though!

Did not enjoy. 80s plus baby voice is not a combo I would ever willingly choose.

This album came off really well in contrast with the Scritti Politti album before it haha. The music isn't remarkable, but I appreciate aspects of it. I quite like Scott's singing voice. It reminds me of Nick Cave and Dexy's Midnight Runners at times and is giving crooner vibes. There's good variety in the musical style of the tracks too.

Back to back songs about cars means that I can't rate this higher than a 3. There are some interesting songs though, mixed in with super average ones. I really like All I Really Need Is You. The changing meters and modal harmonies & guitar riffs are cool.

This really annoyed me when I listened to it last night, but it doesn't bug me as much today. While I'm not a country music hater, there's something about this album that I don't love. I think it's just boring? The songs kinda just plod along and they all sound pretty similar. I also don't particularly like Steve Earle's singing voice. Not a terrible album, but also not great.

This seems like a pretty standard indie pop/rock album. Quirky and mild and not all that interesting to me. I guess they were ahead of their time though because this sounds like it was made for the 2010s.

Superstition is a phenomenal song and has that funky sound that Stevie Wonder does so well. Most of the other songs on this album aren't quite on the same level in my opinion, though there are some lovely, soulful ballads. I especially like Blame It On The Sun. Looking forward to more Stevie Wonder on this list - especially Songs In The Key Of Life!

I found this to be pretty cool. I kinda wish it was an entirely instrumental album because the first 3 mins of the opening track are especially cool. The music reminds me of retro video games and, at times, Chick Corea. As much as this would be a sweet jazz fusion album, the vocals do add to the listening experience and take it in a different direction. The different sections of that first track are really interesting and the rest of the album's tracks each have a unique flavour that I can appreciate. I was torn between rating this a 3 or a 4, but the robotic armadillo on the album cover is worth a star.

One of the Beatles albums I grew up listening to was the red compilation album which has their hits from 1962-66. I've never actually listened to Rubber Soul until now, but six of these songs are included on the red album so I've listened to them many times (Drive My Car, Norwegian Wood, Nowhere Man, Michelle, Girl, and In My Life). Those six songs are great and the rest of the album is solid too. This album feels like the first one in their discography that ventures into more interesting territory and begins to carve out their distinct sound. I really like the folkier, acoustic sound on Norwegian Wood, Michelle and Girl. And In My Life is an all-around fantastic song. The lyrics and melodies are simple and lovely, the drums are doing something interesting (not coming in until 2nd beat of bar - idk drum lingo), and the baroque piano fugue interlude is iconic. Some (or even most) of the songs on this album would earn 4 stars from me, but the handful of excellent songs warrant 5 stars so that's where I'm going to land.

I'm a big fan of the crooners like Frank Sinatra, Bing Crosby, Tony Bennett, etc. I could listen to this kind of music all day - I love the atmosphere it creates. I played a few Frank Sinatra songs in high school jazz band and started to get into his music around that time. His singing voice is gorgeous and I love the style of the jazz accompaniments. A couple of songs from this album are in my library already (You Make Me Feel So Young & I've Got You Under My Skin) and there are a few jazz standards I'm familiar with, though this was my first time hearing Sinatra's versions. Not my favourite album of his, but still a pleasant listen. I can't believe this is one of only three Frank Sinatra albums on the list and none of them include any of his (imo) best songs: Strangers in the Night, My Way, Somethin' Stupid, That's Life, The World We Knew, Fly Me To The Moon, The Way You Look Tonight, Summer Wind, Luck Be A Lady, It Was A Very Good Year, The Best Is Yet To Come, Bewitched, and many more. All of these songs are worth checking out! He apparently recorded 59 albums during his career so I think his best songs are spread out across a bunch of those, but I still think he has several albums that could've represented his talent better than this one.

I'm taking this as parody because how could it not be. It is so funny to me. This is my first rap opera, so I don't know what a truly good one would sound like, but there's really no part of this that feels like it can be taken seriously, musically. The flow is non-existent and the lyrics are so silly. There's something almost endearing about how goofy this is and I have a soft spot for it. It's also much more entertaining than half of the albums on this list. I honestly wish this music came from a British comedy about an aspiring rapper because I feel like that would be a good and funny show.

I'm a relatively new Radiohead fan and haven't experienced all of their albums/eras yet. This album has a pretty minimal and electronic sound that I don't like quite as some of their other stuff. I still really appreciate the truly unique sound and immense creativity on this one though. I suspect this would grow on me if I listened through it a few more times and in different moods.

Good not great. There's something cool about Lenny Kravitz and some of these songs are pretty enjoyable, like Let Love Rule (that saxophone is where it's at). I think the album is a bit too long though and the songs do start to blend together. I will say that whatever violin/fiddle action is going on in Empty Hands is pretty cool.

Dolly is a treasure. Her voice has such a unique quality and is very pure. This is a lovely, traditional country album. Nothing too crazy on here but it is all well done.

This album is a vibe.

I honestly loved this album. Aside from Beautiful Day, I didn't know any of this music very well. There are so many great songs on here! The entire first half is particularly good. This album has a positive, uplifting feel that I really appreciate. I love the 2000s feel too. It seems like there are lots of U2 haters out there, but I'm not one of them.

There were some quirky aspects that made this interesting, but I wouldn't call it good.

Nothing like starting my Saturday by listening to an entire NIN album while playing the New York Times games and eating my oatmeal. This seems like a cool and well-done version of what it is, but I still couldn't wait for it to be over because I don't think I would ever be in the mood to listen to something like this (at least I hope not). I actually did enjoy Hurt though. That song is a bit more traditionally musical than the rest of the album.

I've heard so many good things about Frank Ocean but haven't gotten around to listening until now. The hype makes sense! This is such a creative and interestingly varied album. I feel like I will grow to like it more as I continue to listen, so I'm rounding up to 5 stars.

I haven't heard much Fatboy Slim prior to this, aside from classics like Rockafeller Skank and Praise You. This is a cool album! Lots of bangers. Though it's not on this album, I agree with Kori that the Weapon of Choice music video with Christopher Walken is one of the best of all time.

Nothing too special about this album. The version I listened to has a few bonus tracks at the end by Keith Relf and those are the best songs on the album IMO. Mr. Zero, Knowing, and Shapes in My Mind. If the whole album was that, I would've liked it more.

Too long for what it is. There are some good songs on here, mixed in with less remarkable ones. Half of this could have been trimmed to make this album more succinct and cohesive.

It's pretty gross for a middle-aged man to write a "pseudo-autobiographical" album about seducing a 15-year-old girl. The instrumental aspects of the music are actually pretty interesting and cool, but they are so entwined with the creepy subject matter. And the breathy narration only makes it worse. No thanks.

Soooo good! I love this. It's got such lightness and all of the artists made such tasteful choices in their delivery of the music. The saxophone is a highlight for me. And the album art is cool.

This is really entertaining! I like the theatricality and drama. I'm getting Radiohead and Panic! At The Disco vibes from this. I have heard plenty of Muse before and I like their sound. I think I was actually introduced to them in middle school because my band teacher was a fan of them. Of course I love Supermassive Black Hole because of the iconic baseball scene from Twilight, and I honestly think those movies have great soundtracks so that is a real compliment. Knights of Cydonia is another one I've heard before and it's so epic. I wouldn't really say there are any bad songs on the album - it's an enjoyable listen all the way through.

Two Stan Getz albums three days apart?! This is a nice album. The samba groove has intricacy to it, but it is played with such lightness. This would be fun to dance to, if I knew how to samba. Another great Getz album cover too. I think I prefer Getz/Gilberto over this album though because I like the more expressive saxophone playing & the fantastic vocals by João and Astrud Gilberto, and I honestly just think the music has a bit more heart to it than this does. Getz and Charlie Byrd definitely demonstrate musical proficiency on this album, but it could use a little bit more character/passion to be a five star for me.

What a classic album! We are having a great streak of jazz music, just in time for Jazz Fest next week. I think anyone who took jazz band in high school knows Blue Rondo a la Turk and Take Five. Both are very cool songs that play around with time signature, which is always a good time (lol)! They are the highlights of the album for me. The main melody of Blue Rondo is in 9/8 with a repeating pattern of three bars of 2+2+2+3 (syncopation) and then one bar of 3+3+3. After a few repetitions of this melody, some rhythmic variation is added to the 9/8 4-bar pattern. There's a pretty long duple section in the middle of the piece that's just in 4/4 and then it returns to 9/8 at the end. Take Five is a bit less complex and just stays in 5/4 (3+2). The irregular time signatures add an interesting, lilting quality to the music. I always enjoyed playing pieces with irregular or changing time signatures in music school so I'm a bit nerdy about this. I also played piano on a Pat Metheny piece in high school called First Circle that alternates between 12/8 (3+2+3+2+2) and 10/8 (3+3+2+2) every bar - it was tough to learn! There's no Pat Metheny on this list (even though I think there should be) so I'm mentioning this here. This was actually my first time listening to the rest of the album. The time signatures aren't as wild in the other songs, though there is some switching between 3/4, 4/4, and 6/4. It's a solid album overall.

I've always really liked the song Use Somebody. I remember listening to it when it was popular back in the 2000s but I think it holds up. Sex On Fire, on the other hand, I've always found to be a pretty bad song. The rest of the songs on the album are pretty average.

This is an interesting album that's a little all over the map. I'm hearing sounds that remind me of many different artists, including the King of Leon album we just had, so idk how to place this genre-wise. I don't love it, but it's decent.

Exactly what I would expect from an Elvis album.

I'll always have a soft spot for Willie Nelson because my grandpa likes his music (and he met Willie!) as does my step-dad. And I quite enjoy his music myself. I like his singing voice and the simple, wholesome quality of the music. A cool thing Willie Nelson did recently was duet with Orville Peck on a queer cowboy song called "Cowboys Are Frequently Secretly Fond of Each Other".

The first song had me sceptical because it sounds so 80s and that's not what I go to Leonard Cohen for. This actually turned out to be a great album though. Everybody Knows, I'm Your Man, and Take This Waltz are standouts. The rest of the album does have its charm too. This pleasantly surprised me.

This album is a good version of what it is but what it is I don't love. Good cohesion throughout though and a cool concept. I just experienced perhaps the best concert of my life tonight so this album kinda pales in comparison.

I like the title track of the album, but the tracks get progressively weirder from there and end on a terrible note with Toonerville Trolley.

Aside from Eleanor Rigby and Yellow Submarine, I had minimal knowledge of this album prior to today. It's quite good. Comparing The Beatles to other groups from the same genre and time period, it's easy to see that they were on a whole other level. You can hear the musical skill, creativity & innovation. There are some very cool psychedelic sounds on this one. Pretty sweet french horn solo on For No One too.

Not exactly what I prefer to listen to but I can acknowledge that this is a pretty excellent debut album.

Honestly this isn't my favourite sound, but I do think it's a good version of what it is and I can hear the influence of a bunch of different genres within this album, which is cool.

I think this is maybe a little on the long side for what it is, but none of the songs are bad.

Back to back Blur is crazy. I liked both albums a similar amount.

Easy 5. This album is number 3 on Rolling Stone's 500 Greatest Albums of All Time list and I think that spot is well-deserved. I was quite into this album for a time and I listened to it a lot. I first discovered River during music school and loved it right away. It's such a perfectly melancholic song. I got into the rest of the album in 2022 - I ended up buying it on itunes because she didn't have her music on spotify at the time. It's pretty excellent all the way through. A Case of You is a highlight (and probably Joni's most-loved song) and I also really like The Last Time I Saw Richard. Honestly, I would say I prefer Court & Spark to Blue at this point in my life. I think I'm not as blue as I used to be, which is probably a good thing :)

These three-part harmonies are next level. Three iconic voices coming together. Not the most groundbreaking song writing so the vocals are definitely the highlight.

This album is lucky that I'm not judging it by its cover because that album art is pretty bad. Big mistake to remove Emmylou's picture and name when this is essentially an album of duets with her (and she's definitely the more well-known artist of the two of them). I like the album. They both have nice voices and I like the harmonies. Pretty classic country sound.

This took me forever to listen through which is why my review is late lol. Earlier on I was planning to give it four stars but now I'm feeling five. So much variety on the album and I really enjoyed most of it. I liked that Speakerboxxx was more rap leaning and The Love Below was more r&b/jazz leaning. Some of the songs are a bit corny but not in a bad way. Overall, this was a very entertaining listen! Side note: there's an Outkast track on the live action Scooby Doo soundtrack so their sound always reminds me of that movie - an absolute classic.

I remember listening to The Wall as a kid, but I think the magnitude of this album was lost on me back then. A lot of the songs are familiar though. Now this is a rock opera! This is a pretty fantastic album all the way through. There's drama and darkness that is quite captivating. The music really takes you on a journey. Roger Waters definitely had some demons (and maybe still does, depending if he ever went to therapy or not) but that allowed him to create some amazing works of music like this one.

I've heard a lot of these songs already in the wild, not on purpose. Some of them I actively don't like and the rest are fine but on the boring side. Her singing voice is nice enough and the instrumentals are pretty basic, but not bad. I think the lyrics are where she loses me - they just don't resonate with me and some of them are a bit cringey imo. Also there's something about the combo of the pop-style singing with folky instrumentals that I really don't enjoy. From Taylor Swift's catalogue, I genuinely like the music from her earliest 2-3 albums when she was still in the country realm. Love Story, Our Song, Fearless, etc. Nostalgia is probably part of the reason for that. There are also a handful of her singles from more recent albums that I like, such as Lover. That's the proof that I'm not being a pretentious TSwift hater lol, I'm just not really a fan of her music post-2010. Pop is my least-enjoyed genre in general, so this isn't unique to Taylor Swift.

Very cool album. I like that it's entirely instrumental. Lots of sweet sounds in the mix that come together in an eclectic way. It's interesting that the album name comes from a Jehovah's Witness slogan that references the coming of Armageddon and the eternal life that would be granted to the people of that faith when the world ended (that's my understanding of it after a few mins of research, at least). Honestly it's kind of a cool phrase. I like the album art too.

I've got a lot of respect for Bruce Springsteen and I think this album has some of his best work. It's wearing the disguise of a good ol' patriotic classic rock album, but there's a lot of depth here. I'm On Fire, I'm Goin' Down, Dancing In The Dark, and My Hometown are highlights for me.

Very cool.

There are some big hits on this one. It sounds so 80s but is well done.

Lol this does totally sound like a folk fest daytime show. Ramblin' is an apt name for this guy. This is not super polished or succinct. Probably too much talking for my liking too. It does have its charm though.

This album cover is cursed. It reminds me of Willow's eyes when she becomes Dark Willow on Buffy. It made me expect the worst when I started to listen, but the music isn't cursed at all. It's actually quite good. This reminds me a bit of Rufus Wainwright, Andrew Bird, Iron and Wine, and the other quirky men of folk music. I enjoyed!