1001 Albums Summary

Great album. Probably VU’s best, certainly their most consistent.

It is ok. I was familiar with the more popular songs from radio and clubs back in the day. Loved some of the lyrics, phrasing and delivery. Outstayed its welcome pretty quickly though. Good, rugged no frills production.

I enjoyed this more than I thought I would. Bright and energetic, but not enough to hold my interest. I got through the whole album though. Good for what it is, but can’t see me revisiting it.

A classic. Bought it when it came out and it defined our time as kids for that year, at least. Still holds up, albeit sounding a little dated now. They made better records, but never made that definitive record.

What an absolute joy this album was. When it came up, I wasn’t sure if I was in the mood for Otis. I stuck it on anyway and thoroughly enjoyed it. Despite already knowing a few songs, this album was just an overall injection of positivity. A definite addition to my library, and a good example of the 1001 generator being very effective.

Title track aside, I wasn’t familiar. This album is front loaded, and painfully goes downhill after track 3. Beige country rock. Good for what it is. I’m aware it’s a very successful album, but upon hearing it in its entirety it’s surprising that it is. Ruined my drive home.

Snoop Dogg’s best work. An album from my younger days. Great fun.

I’d never heard of this band prior to getting this album in the generator, so was excited to listen. Well played, but ultimately a bland record. I enjoy similar musics played better by others, so this flew over me. I can see how folk might enjoy it but - without wanting to sound pretentious - anybody with more than a fleeting interest in music will know this ground is covered better elsewhere.

I was surprised to see this album here. Loved it for many years. Classic Zappa. I’d be curious to read what first time listeners in 2025 would make of it. Well ahead of its time. A constantly evolving and interesting anthropological journey into 60’s America.

This was awful. I’d never heard of them, so when I saw it billed as “punk” I was keen to listen. Nothing “punk” about this at all. American college garage rock would be a more apt description. Only hints at being “punk” if it were punk performed by privileged white frat boys bored out of school. Instantly forgettable songs, terrible lyrics and not much going for it at all. I genuinely question (again) why this has made any list. No emoticon for half a star.

I was pleased when this came up because it occurred to me how long it had been since I listened to it. A great album. I’m not overly enamoured with Dylan’s entire catalogue, but this and Freewheelin’ stand out for me. Really good to hear it again.

I’d heard his music previously, but couldn’t remember much about it. I appreciated this for what it is, but isn’t really my thing. I could tell this was an album that would benefit from multiple listens (as is the case for a lot of albums, obviously) but I’m not sure I enjoyed it enough to give it more time. The songs just went over my head and didn’t keep my attention. I felt it needed it should have been more varied and challenging, but I appreciate I might have missed the entire point. Either way, just not for me.

Enjoyed this more than I thought I would. Her vocals are good, and some of the instrumentation is too. It’s all a little too safe though. Towards the end it dwindled into acoustic guitar and vocal tracks which tested my patience. Good for what it is. Did not add.

Nice surprise. Pound for pound, my favourite Sabbath album. Groove, heaviness…and at the top of their game. My first ⭐️⭐️⭐️⭐️⭐️ rating..

Bland and poor. Limp indie guitar rock. Puny production. Forgettable songs and base level musicality. I have no idea why this record made this list.

I was surprised by this. Put off by the scene, image and hype at the time and the painful indie discos that followed. Didn’t hate it. It has substance and musicality, and had a nice 80s feel to it for me.

I enjoyed this. Obviously, Willie Nelson is a legend. His voice is great. For what it is, this album is good. I kept wanting the music to do more, but that isn’t the music’s fault (if that makes sense).

Really enjoyed this. Some really well crafted songs on here and the album is consistent. Needs more listens. A nice 80’s vibe, not sure if that helps or hinders it. Either way, very enjoyable.

This sounds very much of its time. Whether that is a plus point or not, I don’t know. It’s good for what it is, but not really to my tastes. Sandy Denny’s voice grated on me after a few songs too.

This wasn’t great. Did little to hold my interest. Bland, obvious “psychedelic” overtones. Some substance to the music, but it never really goes anywhere. I think this is the bullshit Zappa warned everyone about.

Didn’t really enjoy this. It had its moments, but overall it is dull and uninspiring. Very overrated band. Good for what it is, but no plans on revisiting.

Another tough one. From what I knew of Beck’s music previously, I expected more excitement, innovation and risks. I get that this is about his break up, but the result is a maudlin, ploddy record. Musically it’s ok. Some arrangements that hint at being really good but never quite get there in my opinion. Again, I’m aghast that this is ranked here among truly great albums.

Enjoyed this. Would never have ventured into listening to this had it not been for this generator, especially based on how Rod presents these days. This is a good album. Rod sounds fantastic, the band behind him are great and the songs are too. Love the production too. Nice to hear after a couple of duff albums!

This was good. Having only previously heard his later, more ambient works I was curious about this. For the first listen, obviously a lot went over my head. It’s very dense, but kept me interested. Musically it’s solid and is interesting throughout.

Great album. Not my favourite KC album, but a fantastic album nonetheless. 21st Century Schizoid Man aside, this is a moody listen. Like a lot of their output, you have to be in the mood for it. The musicianship is flawless. I love Michael Giles’ drumming on this. Production is almost claustrophobic - it has the intensity it needs. More than 50 years on, the songs still hold up. And of course, the iconic cover art.

Impeccably executed, but exceedingly dull. One thing that stood out was how much the hit singles needed trimming. Had they not been edited, I don’t think they would have been as popular. Not bad by any means, but nothing exciting either.

Crushing album. Catchy, heavy beats and rhymes as you’d expect from the Wu-pedigree involved. I don’t know much about its creation or the intricacies of the record itself other that GZA and other contributors past endeavours (namely Wu-Tang and Gravediggaz), but the result is a superb album. Savage and entertaining throughout. It *might* just overstay its welcome by about ten minutes or so for me. Otherwise it would have got 5.

This is a solid album. The songs are good, catchy and memorable. Musicianship is on point. Probably my least favourite Peter Tosh album though. He certainly bettered it with Equal Rights, Bush Doctor and No Nuclear War, but Legalize It is worth the listen for sure. The whole weed thing is always immediately tired, whoever does it and in whatever medium. Get passed that and it’s very enjoyable.

Not much to say, other than it’s Kraftwerk at their best. A lot more instant and catchier than Trans Europe Express and Autobahn (the only other records of theirs I’ve heard), and just fun throughout.

This is a good album. Well written, well performed and the production is great. No arguments there. It’s front loaded, and - for me - it begins to lose its appeal around the half hour mark. Well executed, but too safe.

Another album to file under the “Why?” category. It’s good for what it is, but I genuinely struggle to see why somebody would recommend this to be featured in this list. Bland, safe and predictable.

This was alright. Lost its impact quickly on me though. I can see why it was lauded in the mid 90s perhaps, but that didn’t make my experience any better.

Good to hear this again. Not my favourite Tull album, but some great moments here nonetheless - the title track, Cross-Eyed Mary, Locomotive Breath… Some really good subtle hooks that draw you in, which I think you only truly notice after multiple listens. I’m conscious that first time listeners won’t give this a second listen, which is a shame. A patchy week on the generator, so Aqualung was welcomed.

I wouldn’t have usually ventured into this, but it was enjoyable. I guess that is the whole point of this generator. Grooves, catchy tunes and just generally pleasant. Not sure how many times I’d revisit it, but that doesn’t detract from its validity.

I was pleased when this came up being a fan of 80s early 90s Hip Hop, yet never actually hearing this album in full. I had high expectations, with it being lauded as a classic. I was left colder than I thought I would be. Overall it has a nice feel to it and some good tracks, but just didn’t seem to hit with me. The skits are awkward bordering on cringe. That said, for a debut album it’s solid. Definitely finds its niche around half way.

I liked this. Never listened to a Stones album in its entirety. Very much of the time, but a great feel to it. Looking forward to listening further, particularly within the list. Good start to the week.

This had its moments. It never really went anywhere though, or did anything to catch my attention. Musically it’s good, albeit a little too cautious. Well produced, but very easily background music and all bit new age.

I thought this was boring. All the talk of her potentially being bigger had she stuck around isn’t substantiated here. Reeks of Michelle Gayle levels of notoriety. Front loaded with some very cringeworthy lyrics and overall, ideas above its station. No idea why it is on the list. Musically it’s ok. Good for what it is, but no real substance.

⭐️⭐️⭐️⭐️⭐️ One of my favourite albums, and one of the funkiest albums of all time. This, along with On The Corner, epitomise funk for me. The playing is magnificent. The grooves groove. Timeless music. Sounds as fresh as it did when it was released. Nice to have this on this list to be enjoyed. Monumental.

I found this album interesting. Wasn’t what I expected at all - long, ten minute plus songs, some meandering grooves and some unique ideas. I expected short soul tunes and more focus on actual songwriting. I enjoyed it though because it totally blindsided me. As an album I felt it did come up a little short. I either wanted it to go deeper and darker or lighter and snappier. I’m left curious about Hayes’ other work, particularly around the same period. The 8 minute-odd spoken word section in By The Time I Get To Phoenix left me wondering what the fuck was going on though.

Original, ever evolving and constantly interesting. I discovered Talking Heads quite recently and have enjoyed ploughing through their back catalogue Remain In Light is a definite highlight. Great orchestration and holds your attention throughout. I wish I’d have discovered them in the 80s as their innovation is largely lost on just their singles. Bloody good.

Great album. I hadn’t listened to this for a while and it is stacked full of bangers. Beefheart gets an unfair rap due to people not understanding Trout Mask, but at the core of everything is his voice. Fantastic, powerful and versatile, nobody brings it like Beefheart and it’s on show in a different glory on SAM. Musically it’s awesome too. The songs on here could have and should have been bigger. Safe As Milk isn’t my favourite Beefheart album but it’s definitely worthy of being on this list.

This was interesting. Never heard of Michael Kiwanuka so I was pumped to listen. Enjoyed it. I think I kept expecting it do do more, but it is brilliantly executed and well performed throughout with a good production.

Looking back having not been aware of Fugazi at the time, it’s clear to see the influence they had. It would have been a different story had they succumbed to a major label, but then things would have been different for everyone else too. Around the time of Repeater I was entrenched in death metal… This album holds up. The band have a natural tightness. Comfortable balance of aggression and innovation. Makes me curious to how it would have been at the time of its release watching everything unfold. Worthy of your time.

This was poor. Never really got going. At times hinting at a low-rent poor Hawkwind and at others invoking Sonic Youth For Beginners, this has no conviction or substance at all. I was thinking “why?” more than anything, but not in a good way. Maybe I’m completely missing the point, as I’ve heard the name previously but never their music. Completely baffled why this album would be ranked here. Student gig night, £1 for a pint of watered down lager. Use of strobe light essential.

I remember this coming out and The Cult reinventing themselves with it. Didn’t make a massive impact on me at the time but the rock press creamed over it, and obviously the singles were played everywhere. It’s a solid enough, rock and roll-by-numbers album. The no frills Rick Rubin production is good. A lot of the songs fall short though. The Born To Be Wild cover is completely unnecessary too. When this came up I initially thought 3/5. Now I’m listening to it again, it has to be a 2 for me.

Great album. So varied and interesting. The second half in particular. Looking back, it’s admirable how many risks Bowie took with this album, and a lot of his albums. One of his best albums in my opinion.

As someone of a certain age, when SOAD emerged I found them cringeworthy as I did most “nu-metal” at the time. Anyone that cut their teeth on proper metal felt the same, so just kinda let them get on with it. Which of course, they did. Let’s not pretend this is anything spectacular though. It’s performed well and produced well, but it was never the groundbreaking debut some made it out to be. Judging from their music that followed this (what I’ve heard of it at least) they cultivated and perfected their sound and obviously built on the foundations on display here, selling millions in the process. But yeah, neither heavy nor that clever. One for the youth, and still sounds that way all these years later.

This was hard for me to listen to. That’s the point of this list though, so I persevered. Musically of course it’s well played. Some nice ideas here and there that sadly often descend into the same snare shuffle or “jig”. MacGowan has a mean scream though, and I liked that it hinted at punk at times. Repetitive at times and far too jolly throughout. This has been the biggest ask of this challenge so far for me personally. It is what it is, but isn’t for me.

A banger, and a solid 5. Not my favourite Maiden album, but is pretty flawless. Invaders and Gangland may not rank amongst the other tunes, but are still good. Bruce’s first album and the album that was the flagship for Maiden’s ascendency into Metal godliness. That’s not to say their previous albums were poor in any way, just that this was a real statement of intent. A Metal classic, and no arguments.

I was intrigued with this. Heard the name previously but never really listened to their music. Quite dark and noisy in places which surprised me (god knows why it did!) and definitely territory that I wouldn’t have ventured into had it not been for this list. It didn’t sound of its time either, and could have been released today. Interesting, and with depth.

Second Bowie album in as many weeks. Great album. Varied, constantly interesting and typically Bowie. I had this on vinyl years ago and initially thought it didn’t hit the heights of some of his other output, but hearing it again today, it is strong. Lots of highlights. Thoroughly enjoyable.

Really enjoyed this. A proper rock album. High octane and as heavy as fuck for the time. I don’t know why Deep Purple bypassed me for the most part over the years, despite being raised on rock and metal. Love the production on this too - feels raw and live. Particularly Roger Glover’s bass. All involved shine here though. Great album

This is 5. A stalwart album and has definitely stood the test of time. Like Fade To Black on its predecessor, Sanitarium is still the duffer here but doesn’t take the shine off the album too much - not enough to dock it a star. I can’t see many arguments against this being a classic.

This was bollocks. Bland indie rock. I’d heard the name previously but never ventured into listening to them. Not for me.

Original and daring at the time, it was good to hear this album again. I preferred Ritual, but there’s no doubting the energy and recklessness here. Some great tunes, one or two that could have been omitted which is why I didn’t give it the full five. I never liked the production either - always thought it sounded a little stale for the most part. Nonetheless, an original and interesting album by a once original and interesting band. They bettered it with their next record though.

Really liked this. Aside from things here and there I’d never really listened to his music, but this was great. I’m no Hip Hop connoisseur by any means but I know what I like and this album had me nodding throughout. Like a lot of albums of its kind, it outstays its welcome. There’s some gumph on it, but it’s still a solid 4.

After loving Licensed To Ill when it came out, by the time Paul’s Boutique was released I’d kinda lost interest. It didn’t make an impact on me at the time, but that was due to me having less interest in what they were doing. Retrospectively, this still took a while. I think that was mainly due to me being more into their albums that followed this. Looking back now though, I can appreciate this. Energetic and fun, although definitely of its time it still works. A little bloated, but an easy 4.

This was pretty generic. I’d rather have watched an episode of the TV show.

This was a bit of an odd album. Seemed to blend into the background for the most part. It hints at being interesting but never really delivers it. I was only familiar with their singles previously, so had higher hopes. It is executed well enough (aside from the pretentious talking sections) but overall, it was just a bit dull.

Like a pub Zeppelin. Nothing really spectacular here. Executed well enough but unoriginal, predictable and eventually nauseating.

Solid album. Not my favourite Bob Marley album but he was very consistent, and Exodus is perhaps the ideal “catch all” or first listen Bob album. Some of the lesser known songs on here overshadow the more popular tracks for me, but there’s no arguing the overall quality of the album.

I enjoyed this. Certainly more than I thought I would. Aside from singles, hearing Hole played in clubs, and Courtney Love’s presence in the media I hadn’t actually heard their music much at all. This is good though. Not sure how many times I’d revisit it, but I liked it. Raucous and energetic. Played with intent with a good production. I wouldn’t have even thought about listening to it were it not on the list.

Only somewhat familiar with his output prior to hearing this, I loved it. Great with my morning coffee. Initially I wanted the music to do more and go to different places, but that was my expectation obstructing what the music actually is. Will definitely revisit, and am curious to investigate further.

Really enjoyed this. Brilliantly produced, ever evolving and constantly interesting. I was familiar with Loveless but none of their other output, and this surprised me. Completely different to what I expected. Does not sound like an album released in 1988. It feels wrong giving an album a 5 on the first listen, so a strong 4.

This is ok for what it is, but there is nothing remarkable here. Well made and well produced, just not very interesting.

This was completely uncharted territory for me. Familiar with electronic music but of this nature, so not really sure how to approach it or what to get from it. It was ok. It didn’t completely change my world. Didn’t really do enough to show me why it would be on this list either.

This was dull. Not sure why it is on the list. Being one of their early records, I expected this to be rawer and more rugged than it actually is. Evident it is before they honed their songwriting skills, or maybe before they started writing more commercial tunes. Fine for what it is, but flaccid and uninspiring.

Another bland album rounding off a tough week for me. I’m not sure how many times I’ll write “no idea why this is on the list”, but undoubtedly several times more. I’ve no idea why this is on the list. It’s nothing remarkable. Student rock that isn’t going to change anyone’s lives. Some second hand riffs and teenage lyrics. It’s ok for what it is. They got better when the girl joined as at least her vocals added something to their sound.

The singles are the obvious highlights here, but the rest is drab. Overall this album just sounds shallow and unauthentic. Nobody needs to hear this album before they die.

So many highlights. Never outstays its welcome. No bloat. Interesting throughout. An easy 5.

I’m not really sure I can say anything that hasn’t already been said about this album. Good to listen to it again as it had been a while.

This was new territory for me. I enjoyed it. I found it interesting, vast and rhythmic, but the songs seemed to all blur into one. At an hour and a half in length it did overstay its welcome a little for me, and I wanted the music to change direction but it never did. Out of my comfort zone but in a positive way. A strong 3.

I’d NEVER heard of Fever Ray until getting their album here. Totally enjoyed it. Original and unique for the most part, and held my interest. Curious to know more about them, but this is what makes doing this challenge fun - being exposed to things you haven’t yet been exposed to.

Great album. Fantastic songs. Very enjoyable and gives me an authentic Country feel.

Enjoyed this. I’d heard it previously but never really connected with them, but this is a good album. Original and odd. Interested to hear more and investigate them again.

Adele is fantastic and this is superb for what it is. I don’t think there can be any argument against that. Not really for me, but I appreciate it.

I found it a little heavy going and little contrived at points, but overall I enjoyed it. It struck me that under Rick Rubin this album could have been overblown in every area, and I really like the fact that it wasn't. The sound and feel is warming. I'm not sure how many times I'd return to it though, as an entire body of work at least.

I expected to not enjoy this, but I was wrong. It’s an accomplished, enjoyable album. Preferred this to Murmur.

This wasn't that bad. Perfectly good for what it is. The singles are obvious highlights, but the album soon becomes quite samey and directionless. Not necessary to hear before death, by any means.

This was ok. At over an hour long, it certainly lost steam around the half hour mark for me. Some really good parts, coupled with some obvious cringe. I thought I heard some NIN influence in the music and it turns out Reznor was involved in the production, so… Better than I thought it would be.

There’s nothing wrong with this. It’s well played, some of the songs are good and the production is good. It’s very safe though, and as a result very dull.

My second R.E.M. album in the space of a week. For me, this one is better than Murmur but not as good as Automatic For The People. None of them, however, are necessary to be heard before death.

A solid, 70s rock album. This is the only ZZ Top album I’ve ever owned, and as much as I enjoy it I don’t feel the urge to check out the rest of their catalogue. I’m sure purists will say otherwise, but this is fulfilling enough. Some great songs. Worthy of your time. Not sure how “essential” it is, but a good album nonetheless.

Their sound becomes increasingly nauseating as the album goes on. Despite that, I appreciate the “garage” ethos and their intended presentation - which fails here. Not necessary to hear before death.

Only being familiar with the singles previously, this was good fun. True Confessions stood out as being my least favourite here, but overall a good listen. I was reminded just how good Teenage Kicks is. Enjoyed this!

This was pretty boring. I’d never heard of Khaled so was curious. The result was a bland and lifeless album. The cover of Imagine didn’t do it any favours either. Not essential to hear before death.

This was interesting and suitably odd. At first his voice reminded me a little of Don Van Vliet, but as the album progressed I thought that less. There’s a little psychedelia nonsense that overrides this album, but overall I thought it had some substance. Not sure how many times I would revisit it, but it’s a steady 3/5.

Didn’t hate this. I would say that a lot of the gushing about this album, and The Pixies in general is unfounded. I guess it’s about at what point in our lives we discover bands and albums. This was ok. Doubt I’d revisit it again. Personally, it’s not essential to experience before you die.

This was pretty good. Overhyped at the time - being lauded by the music press and teenagers put most folk over a certain age off. Anyone with even a slight interest in music could see how unoriginal they were and how their entire presentation by their masters was cliché after cliché. That said, I quite enjoyed it. I really liked New York City Cops. Wouldn’t revisit it, but it was entertaining enough.

I had difficulty passing this. This was a slog. A difficult, drab slog. Good for what it is, but to me it was uninspiring and far too safe. I’m not taking away anything from Harrison as a musician or as a former Beatle, but this was dull and far too long.

Out of my regular wheelhouse, though it needn’t be. I enjoyed this. Superb voice. It wasn’t what I expected, but then I’m not really sure what I expected. It’s quite sparse and her voice leads proceedings, the end result being quite solemn at times. A good listen following a difficult week of overrated pap.

Obviously this album has some great moments. I enjoyed it. I’d never listened to it in its entirety previously though. I like how scatty it is, and even amongst the monster singles it has a feeling of dishevelment rising through it. Great album.

This wasn’t bad. I was expecting it to be far more difficult to get through. It is well played and well executed. Their cover of Comfortably Numb made me smile thinking about all the enraged Floyd fans crying into their cat litter. This is a solid record for what it is.

This was ok. I expected it to be more raucous though. Probably wouldn’t visit it again..

One of my favourite Yes albums. The sound of the band really finding their feet and the perfect balance between their sound on the first two albums and the deep self indulgence of their later work on Relayer and Tales From Topographic Oceans. The musicianship is superb and the album flows really well. Several classic Yes songs that remain templates to this day. Production is solid like all the Eddie Offord productions, further enhanced by recent remastering. This won’t be for everyone, but it is for me. Solid 5/5.

Quite enjoyed this. Never really taken that much notice of The Smiths aside from singles and in clubs, but this album was good. Morrisey’s controversies interest me in that there seems to be a lot of ridiculousness surrounding him, but at the core of it he and the band really worked.

Great album. My third Bowie album in the list so far, all of which have been 4 star ratings. This is a 4 too. Creative, entertaining and solid.

I have to be in the mood for big band jazz. I have huge respect for Duke Ellington’s music and his influence, but never really ventured much into his music for that reason. I enjoyed this though. Very much of its time, but upbeat, uplifting and expertly played.

Nobody can really slate a band that has sold millions of records and are liked by so many. They must have done something right. For what it is, it’s a well crafted album. I’ve never liked Oasis though, and listening to this hasn’t changed that.

I enjoyed this. Entertaining enough. Definitely of its time, and seemed to get a little samey towards the end, but was still fun.

This was really annoying in places. Some parts were innovative and interesting, but for the most part it wasn’t great. Which is strange, because I enjoyed Here Come The Warm Jets. No idea why this would be necessary to hear before dying.

Never really listened to Neil Young before, but I kinda knew what to expect. Enjoyed this. Didn’t blow my world apart, but it was entertaining enough.

This was good. Head nodding beats. Slightly less shock value than AmeriKKKa’s Most Wanted, which is the only other Ice Cube album I’m familiar with. But yeah, enjoyed this.

My third Hip Hop album in the space of a week. This one was completely new to me. No idea what he is rapping about but it didn’t detract. This was good!

This was perfectly fine. It’s fantastic for what it is, just didn’t resonate with me too much. It certainly wasn’t shit, just isn’t for me.

The biggest surprise for me so far doing this project. Call me naive, but I had no idea Bee Gees did anything other than the disco smashes we are all familiar with. I certainly did not expect this - an odd Bee Gees journey into progressive rock via folk via Canterbury, via whatever. Wasn’t shit, but wasn’t fantastic either. Exactly what this list is all about though - expectations shattered!

This was pretty good. Kept my interest. Never heard of Sabu, so was curious and motivated to listen. It isn’t going to change any worlds, and despite being a little predictable in places was enjoyable overall.

Jangly 00’s rock. Not that bad, but got very samey after 15 minutes or so. Played well, produced well. Just not overly interesting. Not essential to hear before you die.

This was good. Hits aside it’s quite forgettable, but solid nonetheless.

I liked this a lot. Hadn’t heard Ali Farka Toure previously, but had heard some of Cooder’s work before having played with Beefheart. This album has a really nice atmosphere and sound. The playing is immaculate, as you’d expect. A nice end to an unchallenging week in the list.

This band were on the list of bands that I knew I would have to begrudgingly endure doing this. Listening to this and trying to equate it to the twittering of Morrison devotees is odd because there’s really not much to see here at all. Musically it’s ok. Certainly not the work of genius that some claim Morrison to be. Vastly overrated and dull. Struggled to a 2.

This served as background music more than anything else. Flat, felt repetitive and a bit one dimensional. I kept wanting solos to develop, but each song just finds a groove for a couple of minutes then leaves. Musically it’s not bad, just uninspiring. Can’t think why this should be something folk need to hear before they die.

This is such a unique album. It’s so lush and intriguing. Definitely one that has stuck over the years, despite me not really connecting with some of their other albums. I can’t give it anything other than a 5.

This was ok. Not really for me though. As the album went on I warmed a little to it but it never really went anywhere. The noisier sections hinted at the band being more raucous, only to dwindle back into safe indie territory. Wasn’t shit, but didn’t really hold my interest.

This was woeful. Desperately trying to sound “retro”, but instead sounding like a cruddy sixth form band. Vacuous and uninspiring. Definitely not an album that anyone needs to hear before they die. It’s been a tough week, made worse by this.

There’s no denying the impact this made to those of a certain age when RATM broke. Anthems for teenagers to be mad at their parents and the establishment, which every generation needs. Their tired political rhetoric quickly went stale for most though (obviously), and listening to this again in 2025 it seems the music has also. It hasn’t stood the test of time very well. Front loaded and quickly tiresome, and there’s some cringeworthy moments. It is well produced and well executed though.

I didn’t know a song on this album, which surprised me when I saw it first come up. Really enjoyed this. Well written, well played and well produced with seemingly no pretentiousness, which, as their last album together could have been present in abundance. A positive, after a patchy week.

Beautiful voice, excellent musicianship, good songs. It all became a bit sluggish for me though around the half way point. There’s nothing not to like here, just that it isn’t something that I’d revisit very often. Objectively it’s clearly a 5, but subjectively it’s a 4.

The first Beatles album to come up for me on this list and I know a lot of them are already 5s, so I am definitely a fan. But… Abbey Road is not the best Beatles album. Perhaps their most overrated though. Patchy. Production is good though.

Something a little different for me. It started well, started to wane for me significantly when the music was tainted with some awful rapping and vocals. Nothing really groundbreaking here. Good for what it is I guess, but overall repetitive, generic, uninteresting and uninspiring.

This was great. Nothing overly spectacular with it - it didn’t try rewriting any books or take many risks, but I found it entertaining and a good listen. Like many albums here I’d question how this is “essential” to hear, but that aside I liked it.

I would put this up there with the great live rock albums - Alive!, Strangers In The Night, Unleashed In The East… Raging Motörhead at their finest.

I’m not a massive Queen fan but this was pretty good. Innovative and executed brilliantly. All the pretentiousness of 70s progressive rock. Solid.

There’s nothing particularly remarkable about this. Played well enough, but sounds over-produced. Unsure why it is ranked among other albums in this list.

This was a struggle. It had its moments, but really didn’t do anything to surprise me or make me sit up and take notice. I respect Ray Charles as an artist, but this really isn’t for me. At over an hour also, this was a bloated, difficult listen.

Didn’t really enjoy this all. Good for what it is, but it sounded just tired, clichéd and dull to me - despite it being highly rated. Some really poor lyrics stood out too (“He was like the ocean and I was the sand” and “He came to me like a thief in the night”). Yeah. Scraped to a 2.

Quite enjoyed this. I was expecting something different, and this was a nice ambient accompaniment to my morning coffee. I’d have been happy if it was longer.

This was good. Some interesting arrangements, and all typically Simon. Held my interest and I enjoyed it. Not much more to say really.

From the music of Missy Elliott’s that I’d heard prior to this, I was expecting risks, creativity and excitement. This albums wasn’t any of that. All pretty dull and forgettable.

This was pretty good. Never heard Solomon Burke’s music before. It was nothing to blow my world apart, but it is well sung and well delivered. I’m not sure what I’d get from listening to it again, but I’ve got no complaints.

I knew this was a rated album, and considered a classic. I’d never ventured into Elton John’s albums, only previously being exposed to his singles. I liked this. Interesting to hear Elton John not in the “singles” context. It got maybe a little too jolly for me towards the end, but this is a worthy addition to the list. Horrible cover art though.

Never heard of this band prior to this, so was keen to hear something I hadn’t previously. Didn’t really connect with it. Some nice instrumentation couple with annoying vocals. Nothing really spectacular here.

This is an album I’ve enjoyed for many years. I spent most of the time listening to it contemplating if it is a 5 or not, and which SY album is my favourite. I concluded that this is a 5. It’s consistent, it’s raucous, it’s enjoyable. There’s no real reason for me not to give this the full rating.

Despite the entity that they became, having never heard this before this was a reminder of the band they once were. Not ashamed to say that I really liked it. Has a nice 80’s production and feel to it, and I found it thoroughly enjoyable.

This was ok. I don’t know much about this type of music at all. Turned into background music quite quickly. Did nothing to really capture my imagination. Not sure why it would be deemed necessary to hear.

This was pretty dull. Good for what it is, but certainly nothing amazing. Plenty more interesting musics happening around the time of this release.

This was enjoyable enough. It has a nice live feel to it. Didn’t particularly rock my world, but it wasn’t bad.

Wasn’t really into this. The Way We Swing uses the riff from Who Knows (Hendrix) in such an obvious way that it seems insulting. Using the bass line for Chameleon in Underwater Rimes also just provoked an eye roll. The songs are overly long and all stagnate. I do get that if I had heard this when it came out I would more than likely have a different opinion, and for it’s time, it’s ok.

My second Stevie album on this list so far. Only slightly pales in comparison to Songs…, Talking Book and Innervisions but only slightly. Still a solid album, and a high 4.

I’d never really taken much notice of The Pretenders. Singles aside, I didn’t really care. This was great though. Really enjoyed it. Always bordering on stepping up a notch and venturing into punkier territory, each song did its own thing and I was on board for it all. A solid start to the week.

Great for what it is. Perfectly good pop music. I didn’t find it particularly interesting though, personally.

Beastie Boys at their peak. Assured, varied and enjoyable. The hardcore tracks on here deserve a mention just because they are great, but this is such a mixed bag, which is why it works. An absolute 5.

Good for what it is. I remember seeing him play some of these songs live on TV in his heyday with a real band and they came across so much better. I didn’t really connect with it though. Some great songs that didn’t seem to really benefit from the addition of electronics. Made it all sound like it was perhaps trying too hard to be “current”, when they would have been better off being performed more organically. Not essential to hear.

Everyone would have heard enough Elvis in their lives already, rendering this not essential. It’s ok, but certainly nothing spectacular on any level.

I expected this to be a 2. I had A Rush Of Blood Tor The Head previously in this list and whilst it was good for what it was, it wasn’t for me. This isn’t really my thing either but there is no denying the might of some of the songs here. As a result, I’m giving it a three.

I fucking loved this. Only familiar previously with Frontier Psychiatrist, I wasn’t expecting to be overly enamoured. But it’s great. Really well put together and completely entertaining throughout. My first blind 5 on this list.

This was ok. Well put together, but largely went over my head. I’m sure with more listens it becomes clearer, but I didn’t really connect with it.

This was new to me. The blurb on Apple Music describes it as “potent and scruffy”, which I liked, and it is quite apt. A nice feel to it, albeit very much of its time. The playing is great too. It doesn’t do anything to re-wire my brain, but it is enjoyable enough.

I enjoyed this bit after listening, I immediately felt I needed to hear it several times before fully getting it. It certainly dwindled off towards the end, but there was quite a lot for me to take in. Will listen again, which is a good sign.

Yeah, nothing really spectacular or unique here. Not sure what makes this remarkable. It’s like crap pub rock or busking. I’d never heard of her before getting this album, and there’s a reason for that.

I hadn’t heard this album before. Only previously familiar with Bridge and compilations. Brilliant for what it is. Superb songwriting - stripped down and never overproduced. High 3.

I bought Pretty Hate Machine when it came out but never listened to this album until today. It's fantastic for what it is, and obviously goes deeper than PHM. I’m just not sure what I - in 2025 - get from this. Not sure if I’d ever even return to it. It’s not NIN, it’s me.

I only really began delving into Talking Heads’ music this past year or so, and have thoroughly enjoyed everything I’ve heard. Any of their first four albums could be in this list (and probably are, I don’t know), but this is a brilliant album - probably their most cohesive. Original, solid, consistently interesting and exciting.

One of FZ’s best, and deservedly on this list. Easiest 5 so far. This was the first Zappa album I heard. Perhaps the best introduction to his work, and there are several directions to take from here which could determine the outcome for the listener drastically. Oddly, I unknowingly bypassed a lot of his more accessible early-mid 70’s work until much later. Hot Rats is colossal. It’s uplifting, intricate and unique. Still as exciting to me as it was when I first heard it.

This was ok. Quite jolly. Ran out of steam for me just over the half way mark, but had a nice 80’s feel to it. The other Dexy’s album on this list (Don’t Stand Me Down) was not as good as this. This was way more fun. Worth the price of entry for Gene alone, really.

This quickly descended into background music. Didn’t really do much for me at all. Big bland.

All in all, for me, this was unremarkable. Musically and vocally it’s fine, but there was nothing about this that I found particularly interesting.

I bypassed Soundgarden when they were around. I didn’t think they brought anything particularly remarkable to the table. I still don’t. Hearing this thirty years later it’s good for what it is. Some good songs, brilliantly produced. Black Hole Sun alone makes it a five, but as an entity it’s a three for me.

This was the first album in the list to not be on streaming services , so I had to listen via YouTube and my experience was marred with adverts. This was good. Didn’t really blow my mind, but it is well executed and produced. I expected it to be something different, though I’m not sure what. I think what is on offer here can be found better elsewhere, but that may be unfair as I had to deal with an advert between each song. Maybe I’ll revisit it one day.

Loved this. Brought me back to my youth and the Streetsounds Electro compilations (which should be reissued and made widely available!). Familiar with Bambaata through those comps, but never heard an album until now. Definitely of its time but very enjoyable!

For me, all pre 1978 Bob Marley albums are a high 4 minimum. Kaya and onwards they get patchier and patchier. Natty Dread is superb though. No filler on here. Has to be a 5.

A solid rock and roll album. You can hear how they influenced so many. Entertaining throughout.

I’d never heard of The Magnetic Fields until this album came up. This was absolutely awful. Unbearable, obvious songs executed lamely and with seemingly no conviction or originality. God knows why this would be on any list. At three discs and close to three hours I knew this would be a chore. I gave it my best shot. For me, this couldn’t be anything other than a 1.

Predictable, but was enjoyable. Played while vegetables were prepared. It’s all solid, let’s be honest. I followed this with John Zorn’s A Dreamers Christmas, which is a beautiful Christmas album that I would recommend to all.

This was better than I expected, but I’ve never liked Supertramp. Good for what it is, but not really for me.

Logically, there’s little argument about Mariah in her prime. This is fantastic for what it is. Not really my thing, but well crafted.

This wasn’t anything particularly fantastic. It’s good for what it is, but nothing that’s going to amaze anyone listening to 52 years after its release. It seemed to get better as it went on though. Violence was a stand out track for me.

I knew I’d struggle with this one. Not punk rock at all, more jolly singalong rock. It may stand the test of time for those who were into it upon release, but for someone coming to it in 2025 it has little impact. It’s a 2 because it is good for what it is, and plenty of folk like them so they must be doing something right. Well produced too.

This was odd, and not what I was expecting. Sounding like an instructional album, but once the music begins properly it is enjoyable and interesting simply because it is outside my wheelhouse. Got quite into it. Not sure how many times I’d return to it though.

This was really interesting. I expected it to be striving to be a pop album of songs written to be “hits”, but it’s original, different and brilliant for what it is. I would have never been exposed to this had it not featured on this list. A worthy 3.

Yeah, nothing particularly special or remarkable about this for me. I’d never heard of Giant Sand prior to this coming up. Nice production, and everything is played well but that’s about it. All a bit dull and maudlin.

I’ve loved this album for years, and it is always good to hear again. Not my favourite Rush album, but a solid 5 nonetheless. The recording and production still sounds so fresh and clear. Musically, it’s untouchable. I know Rush don’t appeal to everyone, but between 1977 and 1993 they made some superb albums and this is one of their best.

5. Not my favourite Kiss album, but still a 5. I’m surprised Alive! isn’t on the list in its place, but I think there could/should have been several Kiss albums on this list. Destroyer saw the band trying a new approach in the hands of Bob Ezrin. Some classics songs on here that have stayed in the set for years and have stood the test of time. Kiss have never had the production they deserved though - never on the level of Led Zeppelin or Rush, and that is the case here. Destroyer still sounds ok though, and Ezrin’s input was necessary. Had they put out a continuation of their first three studio albums - despite them all being brilliant - they could have fizzled out. Destroyer need to happen in the way it did. You either get Kiss or you don’t. They had the songs to back up the theatrics though. Their influence speaks for itself. The greatest rock and roll band of all time in my opinion, and a big part of my life.

I tried my best to get into Tom Waits several years ago. There was always something that stopped me gushing like others did over his music though. Closing Time, Rain Dogs and The Heart Of Saturday Night were exceptions, but for the most part I struggled and moved on. I had Bone Machine back then but never really rated it. Having not heard it for years though, I really enjoyed it. As with all Waits albums there are times when he sounds like a budget Beefheart, sometimes embarrassingly so, but overall this is a good album. It sounds good and is interesting throughout. I think I’ll always struggle with him, but this isn’t shit. He has better - and considerably worse - albums though.

My second Doors album on this list, and hopefully my last. Marginally more interesting than the last one I had (self-titled), but still a chore for me. Good for what it is - uninspiring, pedestrian and overrated. There was never anything spectacular about this band though, in my opinion.

I was surprised by how many songs on here I’d heard previously without being aware. It’s good for what it is, but ultimately it’s all pretty bland and middle-of-the-road.

My third Doors album on this list. Third. There’s no Whitehouse, Naked City or Death on this list but there are THREE Doors albums. Maybe there’s more, who knows? As per my other Doors reviews, there’s nothing remarkable or brilliant about this. Nothing that has really stood the test of time and it was an absolute chore to get through.

This was ok. It was exactly as I thought it would be, but was enjoyable. The title track and Let Me Roll It are obvious bangers, but as an album it was entertaining enough.

This was very dull. My second Neil Young album on this list and both have been poor. Musically it’s absolutely fine, just not captivating in the slightest.

This was ok for what it was. Not sure it was better than the last Smiths album this list gave me. Very much of its time.

This was pretty awful. I love the Velvet Underground albums but never heard and of John Cale’s solo work until this. Nothing spectacular or unique about this. Struggled to a 2.

5. This album is one of the best debut albums ever made. Even before the band took off, that was already a fact. Ok, some of the songs became a little over-played but as a whole it is still a brilliant rock album. The band are a pale shadow of the band heard here, which is a shame, but they are obviously considerably older. That said, everything that followed Appetite ranged from patchy and poor (both Use Your Illusion albums) to downright awful (Chinese Democracy). Hearing this again though reminds you what they were at the time though, and it is still fucking magnificent.

I quite enjoyed this. I remember when this came out and Block Rockin’ Beats was played everywhere, but never felt the need to investigate further. It got a bit repetitive, and is perhaps a little too long, but overall pretty good.

Great for what it is. Not really my thing, or particularly interesting to me though.

Nothing here particularly unique. Instant background music. Maybe that’s the point? Musically, aside from the annoying vocals, it’s put together well enough but just doesn’t do really do anything that isn’t done better elsewhere. I erred between a 1 and a 2 for that reason, but the longer it went on the more annoyed I got. So, 1.

What a magnificent album. I’ve loved it for years and it is still always a good listen. It’s interesting hearing other acts trying recreate similar atmospheres and failing badly. I would have loved to have been there when this came out - when any of his 70s albums came out - just to feel the impact and for some, shock. That aside, this is an original and unique record that is appealing to enthusiasts of all music. I never really get bored of it. If it isn’t in my Miles top five, then it definitely makes the top ten.

A raucous, energetic live album. Heavy for its time! This is the only MC5 album I’ve heard, so it was familiar territory. I wouldn’t say it has become a favourite over the years though, just doesn’t seem to stick with me. Ultimately, I think that’s down to the songs. Not shit though.

Superb album. I’ve enjoyed Endtroducing… since it came out, and this is a 5 for me. At the time it opened up a lot of new music for me (Ninja Tune) and this is one of few that stuck. Nothing else I’ve heard from DJ Shadow has held my interest, but this is a great album.

Enjoyed this. Stuart Copeland? Come on, of course it’s good. What struck me was the production - very much just the sound of the band, all of whom are experts in their field. Solid.

The term “punk” gets overused. Using it to describe this is wrong. Boring, jangly and uninteresting. Nothing about this was remarkable in any way. Struggled to a 2.

Personally, I checked out after …And Justice For All. Whilst it not may be the Metallica that I grew up on, it’s still a good record. The Bob Rock production still holds up and there’s no doubt the songs are there that cemented the band’s popularity.

After six tracks or so, I began to lose interest. The title track and Can’t Buy Me Love aside, it all sort of blended into one. I wanted the songs lesser known to me to pique my interest more than they did, but I was left underwhelmed.

Loved this. Innovative, original, interesting and brilliantly executed.

Didn’t enjoy this. I found it boring, meandering and pretentious. By the time I got to the “Tommy Can You Hear Me” part I confirmed to myself that it was bollocks. It is played well and is obviously is a part of rock history, but that doesn’t mean I have to like it.

Trying to be objective here. I despise this band but there’s no denying they are competent musicians. The production is good too. Personally I wouldn’t listen to this at all but it seems petty to give it a 1, so for those reasons I’m giving it a 2. It’s fucking horrible though.

My third Stones album here. Not quite as exhilarating as Sticky Fingers or Exile (both of which followed this), but still solid. There are no surprises here, but I’m not sure I’m a fan of the bluesier approach on this album. You Can’t Always Get What You Want is kinda monumental though. Even still, a solid 3.

I’d never heard of The Blue Nile in my life until this album came up. I didn’t hold out much hope for it initially, but I enjoyed it. Unassuming, pleasant 80’s pop. I didn’t find it tacky or overbearing, and it remained creative, original and interesting for the duration.

A perfectly acceptable 80’s pop album. Some good songs here, a typically 80’s production and some good playing. Enjoyed it.

Nothing to see here, dull 60’s rock. Absolutely not necessary to listen to before you die.

My second U2 album on this list, and like War, I enjoyed it. This was just before the band got unbearable in my opinion. It is front stacked, but was enjoyable enough. The more familiar songs certainly still hold up.

Never heard of this guy until today, and there’s a reason for that. Vapid, uninteresting and boring. For a while now I feel I’ve been too generous in giving albums 2 star ratings because for what they are, they are ok, but just aren’t any of my business. And this is the case here. This album doesn’t really need to be anyone’s business.

This was pretty good. When I read the words “indie rock” I shuddered a little, but there is far more substance and integrity to their music than describing them like that. One of the best things about this internet age is that we can listen for ourselves, and not be subjected to buzz words - and music journalism in general - which I’m grateful for. Good riddance. Anyway, for the fist time hearing TV On The Radio I enjoyed it. Vibrant and layered, interesting music. A worthy 3.

Very much a snapshot of its time, but I liked it. It may sound obvious, but this has such an “English” sound. The Clash have always bypassed me, but for what it is this is good. I expected it to be more raucous - maybe more distortion and swearing. Nonetheless, a good start to the week.

Loved this. Straight 5. Constantly interesting and vibrant, but I was not familiar with Barry Adamson until this. Nice reference to Mingus’ Freedom in Suck On The Honey Of Love too. Needs more listens obviously, but off the bat I know I will return to it. Welcome after patchy week (as always), I was only wondering this morning how long it had been since my last 5. Brilliant album.

Not sure what to write about this really. Listening to this and Leonard Cohen for the first time all these years later, I haven’t really got anything from it. It’s dull and insipid, and very much outstayed its welcome after about five songs.

I absolutely hated this. Musically it’s ok... …but her voice is horrible. The way she pronounces and phrases things, (like a Temu Bjork) just reminded me of those reels mocking indie singers. That aside, this is pretentious and annoying. Absolutely unbearable. This is all about opinions, and this happily goes quickly and forcefully into the 1s.

Personally, I’m not sure what anyone would get from listening to Elvis in 2026. I mean, it’s ok, but musically it’s nothing incredible. He didn’t write anything of the songs, so from a compositional perspective Elvis himself is redundant here. For cosmetics and performance, I guess you had to be there.

This was good. I expected more bland indie-rock, but this was mature and sophisticated compared to some of the crud this list has thrown my way so far. I definitely heard a Dylan influence, but overall I enjoyed this.

One of my favourite albums of all time. Bitches Brew had a part in changing my outlook on music. It’s a whole different world. Every time I listen to it I get something different from it. There’s no need to go into detail because it’s hard to put into words to make it relatable. But it’s always such a pleasure and has been a constant for me for most of my life. In my opinion, there should be at least another two or three Miles albums on this list. He changed music several times, but it is his 70s records that resonate and continue to astound me the most. FYI, Feio was an extra track added for the cd reissue so wasn’t part of the original album. Still a good track, but fits better elsewhere rather than as part of Bitches Brew itself in my opinion. Still an absolute joy, and the biggest 5.

I remember buying this when it came out, having already enjoyed Bleach. Then they blew up. All the hype, buzzwords, trends and unnecessary fawning aside, this is a solid album. Full of well crafted, well produced songs that have stood the test of time. I rarely revisit it these days, but I can’t see this as anything but a 5.

This was ok. My second Costello album on this list and I think it was a little more palatable to me than the other one. Nothing overly impressive here for me though. Perfectly good for what it is, but I didn’t take away much from it at all. There’s certainly no need for two Elvis Costello albums on here, in my opinion.

This was good for what it is, but absolutely none of my business really. Absolutely 80s, but nothing really amazing about it. Cronky drum machine and effeminate vocals. Perfect Way surprised me as I was familiar with Miles’ version, but I was left underwhelmed.

I’ve enjoyed this album for years, ever since I first heard it. I have yet to hear anything else from Van Morrison that has come close. So many oddities in here, across all the instruments. No idea what the bass is doing at times, and it’s brilliant. Some of his phrasing is definitely unorthodox.A truly original sounding album. 5.

Enjoyed this. Groovy and enjoyable throughout. Expertly played. Constantly interesting, and I’m surprised I’d never listened to it all the way through before.

I’d never really listened to Echo And The Bunnymen before today. I didn’t hate it at all, and had a nice 80s feel to it. Personally, I’m not sure if it would be something I’d ever return to but nonetheless it was enjoyable.

When this was released I wasn’t quite sure about all the the hype. It seemed to me to get unnecessary praise - I liked it, but it wasn’t as good as some folks made it out to be. Over time though it grew on me more and more. And of course it’s a classic. Massive beats and lyrics, and just innovative - bringing a new level (from my perspective, at least) to the game. Solid 5, and no chore at all to listen to again.

Nothing particularly good about this at all. Vacuous, obvious and unoriginal for the most part. The third track “Someone Great” was a new a level of dreadful. Vocally, lyrically and the phrasing of it all I found cringeworthy. I knew it was going to be tough at that point. I had a high scoring week last week, but this was woeful.

This didn’t do anything for me. I saw live footage of Arcade Fire on a TV show years ago, and always meant to check them out as they sounded interesting and different. Here though, they offer nothing spectacular. Maybe their earlier stuff will be more to my tastes. Musically this album is ok, but it’s all very bland.

Perfectly acceptable pop rock. Unobtrusive and as a result, quite bland. Nothing here that is earth shattering. Not that there needs to be. Nice reference to Black Sabbath in Heartbreaker. Not sure about their Iron Man cover though. Lovefool is obviously the standout track.

Pleasantly surprised that this wasn’t another dull as shit blues album. I enjoyed this. Raucous, raw and fun. Not sure I’d ever revisit it again, but it was still good.

God, this was a tough one. Over two fucking hours. I had another SP album previously, which I thought was poor but this really takes the cake. This one is pretentious on every level. I’m conscious they were popular, and in terms of musicality they were good at what they did, but this is absolutely none of my business. With that in mind it gets a two. I feel I’d be being petty if I gave it a one. Not for everyone. Overrated and flaccid.

Obviously I’d heard the hits, but never the album in full. Before everything went mental and MJ was just good at what he did. Everything is completely solid here, of course it is. The musicians are tight, the production is stellar. For what it is, it’s great. Singles aside - which are regularly aired almost everywhere still to this day anyway (which says a lot) - I can’t see me returning to this too much.

Love this album. I heard Songs About Fucking a long time before Atomizer, and I don’t think there is much between the two - both 5. Steve Albini was a true free thinker and a true original. Big Black songs seem to get stuck in my head for days after listening to them. Here, Kerosene and Passing Complexion in particular. This is a classic for me.

Absolutely brilliant for what it is. Absolutely none of my business at the same time.

Never heard of her previously, at all. So I was interested to hear. As with Amy Winehouse yesterday, this is perfectly good for what it is. I appreciate it but it’s not for me. Not sure why it would be on this list as it does nothing particularly remarkable.

The White Album is a good, varied selection and is always worth a listen. It *maybe* could have benefited from a little trim, but nonetheless it’s still a solid four.

Familiar with The Specials’ first album, but nothing outside of that really, Ghost Town aside. This was good. An extension of their debut, but I wouldn’t expect anything more. Very English, and very enjoyable. Nice that it gives me nostalgic, UK in the 80s vibes. “Sock It To ‘Em, J.B.” was a highlight. The Specials are always good to listen to, despite them not being a regular revisit for me. Great band and solid album.

This was ok. Very middle of the road. Nothing particularly remarkable or interesting enough for me to deem it an album to be heard before you die.

Bought this when it came out, saw them on this tour. It’s a four for me. Yes, the production is an issue but it is what it is. Maybe not quite on the par of their first three albums but a ripper nonetheless and their last great album in my opinion. No real duffers on here, although I always skip One.

This was dreadful. Everything here can be found with more depth, integrity and honesty elsewhere. This was a long slog, made worse by having to listen to it on YouTube due to it not being on streaming services. Musically it’s ok, but the vocals were cringeworthy throughout. It gave me visions of a middle aged, semi-professional band playing a local “New Age” charity event. Drenched in patchouli and pissed on shit lager. I know Jah Wobble is a good bass player and has an extensive discography, and I’m sure this isn’t indicative of his entire catalogue, but I didn’t like this.

This didn’t particularly resonate with me. It was exactly as I’d expected it to be. I like that Grohl had written the songs purely for the sake of doing so, with no intention of them being realised as an album. But yeah, didn’t really do anything for me. Good for what it is, but not really anything special.

This is a good album but it always paled in comparison to PE’s first two. FOABP is enjoyable but definitely on a lesser scale to those. After Apocalypse 91… they really took a downturn for me (until Muse Sick…) Some good songs on here though, and every now and then I enjoy it. I find it a little patchy, but a solid 3.

I found this very dull, and very bland. Awful cover of Sweet Jane. Nothing much going on with this at all. Going with a 2 rather than a 1 as my interest was lost so quickly, it failed to annoy me and dwindled into background music. Resulting in it being in the “ok for what it is” category.

This was ok. I remember when they surfaced and lots of folk unnecessarily creaming over them. There were some good moments, but nothing that would stick with me if I’m honest. Listening to it, I constantly wanted them to go deeper and stretch out more but they never did. Resulting in a very safe and ultimately unimpressive experience.

This was terrible. Unoriginal, vacuous and annoying. I’ve tried to be objective - it’s executed well enough, but for me it can’t be more than a 1.

I enjoyed this. Not sure how often I’d return to it, but it was enjoyable nonetheless .

This was ok. The only Steely Dan album I was familiar with previously was Aja, which I loved. From one listen here’s nothing too much different about this. Certainly not shit, but I’d question whether anyone unfamiliar with the band would need to hear more than one of their albums. I could be wrong though of course, not being familiar with their entire catalogue. Enjoyable, yes. Essential? No.

This was better than I thought it would be. Obviously it’s got a very 80s feel to it, but it wasn’t bad. Time After Time is the highlight, but it’s a decent enough pop album.

Enjoyed this. It was exactly as I thought it would be, but I expected it to be a lot more generic. Absolutely of its time, but very good for what it is. I’ll probably never listen to it again, but even so.

Loved this. Didn’t particularly expect to, especially when the first track started, but I found myself very much enjoying the album as it went on. A shame I had to listen via YouTube, but didn’t let that detract from my enjoyment.

I hated everything about this. The very premise, the music, the name, the artwork, the “characters”, Damon Albarn… Some collaborators on this have substance, but it ends there. It was fucking difficult to get through this.

I love jazz, or what people percieve to be “jazz”, but I’ve always struggled with most big band jazz. The more instruments involved and the styling of music seems to provide me less to think about and results in me becoming less interested - particularly when the “orchestra” is used as it is here. Definitely a me thing. So this was enjoyable, but didn’t really do much for me sadly. Superb playing - particularly Basie himself - and perfectly good for what it is, just not really my thing.

This was nothing special. Competent enough, but nothing unique or interesting about it. A tough week. Next.

This was great. Even hits aside, it was an enjoyable listen throughout.

Didn’t like this at all. God knows why I’m having to endure a second Arcade Fire album. I wanted to give this a two, and point out that everything is done competently but the longer it went on the more it infuriated me. For me, it’s insulting that this is placed on the list next to some records that are in different leagues. I’m sure that can be said about a lot of albums here too. Maybe I’m just not receptive to it today, but I’ve got to be honest with myself and in approaching this list.

My second Hole album here. I enjoyed the Live Through This more. This is good for what it is, but LTT was a little looser and more raw. This isn’t going change any worlds.

This was good for what it is. Not exactly in my wheelhouse, but did what it was supposed to do. Not really much more to add. Short at 28 minutes, and some dubious fade outs.

Not really much to say about this. The singles are obviously great for what they are. The album sold millions. Not really my thing though.

Listening to this again reminded just how bizarre George Clinton / Parliament / Funkadelic was. This is great though. I definitely have to be in the mood, but it’s still fucking great.

This was good. Got a bit boring towards the end, but it’s good old English punk rock. Far more refreshing than some of the more modern false punk albums that are on this list, and sadly rated highly.

Not my favourite Sabbath album but of course it’s a 5. Cited - correctly or incorrectly - as the birth of metal, but regardless of that the album is solid. Revisiting this it was really evident to me how well it flows. Paired well with the gym too.

I’ve never been the biggest Queen fan, but this is brilliantly put together. I love the risks they take, and they all come good. I’ll probably never visit this again, but I’m glad I heard it.

Good for what it is, but none of my business. These songs sounded better with a full live band though, especially with Taylor Hawkins in the band.

Only familiar with the singles, so listening to the whole thing was good. It’s a solid 80’s rock album. It’s a lot glossier than his other output, I’m not sure I liked it more than his earlier albums but it was still enjoyable enough. It made for a good drive home from work.

It was good to hear this again. A friend got me into the Happy Mondays back in the day, and they were the only band part of the Manchester scene that I liked. I’d forgotten how good this was, and it still holds up. For me, they have so much more substance than their peers, who seemed to take everything far too seriously without having the music to back it up.

This was ok. For me, there was nothing particularly special about it. Curious as to why it was in the list, if I’m honest. Good for what it is, but instantly forgettable for the most part. My favourite tune was What’s Golden. I’ll probably never revisit it though.

Very much enjoyed this. I got a real sense of being at the show. Killer band. James Brown in his prime. Hearing the audience reactions added to it, none of which sounded overdubbed which is the case with a lot of live albums. Banger.

This was interesting. Certainly good to get something a little unique on this list, after a period of blandness with a gem few and far between. I like her voice, and reading about her other output (Henry Cow, Art Bears) I can imagine her stretching out further than on here (these are Hanns Eisler songs) Enjoyed this though. Annoyingly, had to listen via YouTube which is never great.

Cream have more or less bypassed me over the years. This is great - the playing and the songs, the presentation… That said, I doubt I’d ever need to hear it again. I wasn’t so completely enamoured with it to make it part of my life after all these years. I’ve got on fine without ever hearing it, but it’s not shit.

I absolutely loved this. Never heard Television before, only heard their name mentioned. The thing that struck me listening to this was how honest it sounded. I don’t know if that even makes sense, but it just reeks of a band invested in themselves and their sound. Will definitely revisit. One of the best things I’ve found on this list so far.

Curious as to why the self-titled or Rock For Light wasn’t selected over this. Quickness is a great record too. My initial thoughts, having had this album for years, was that it is a 4. Revisiting it today though, it’s a 5 for me. Plenty (mostly) bangers here. Sacred Love never resonated with me, but as an album it’s great. An album worthy of anyone’s time from a seminal band. Second 5 rating in a row too, so here’s hoping for a third tomorrow.

Absolute drivel. Not for me. Just as awful as their other album in this list.

So, yeah I didn’t hate this but there continues to be something I just don’t get - or keep missing - with Kendrick Lamar. He is the subject of so much gushing, on the internet and from people in real life whose opinion I value, but his music just seems to bypass me. There is nothing that stands out for me, other than him being obviously good at what he does i am always underwhelmed.

This was not what I was expecting at all. I had bland middle of the road 70s soft rock in my head, but this was far more enjoyable. A lot depth, some good playing and overall a good album. Solid.

This started really well - a brooding, almost post-rock instrumental which made me think I was wrong about this album. I wasn’t. It dwindled into dull, middle of the road indie rock. Good for what it is, but certainly nothing special or unique. Not necessary to hear before death. Maybe I am being too critical, because everything is played well and the band are more than capable, but yeah….nothing spectacular at all.

Nothing wrong with this. It’s exactly as you’d expect it, and anything else would be disappointing. Another band that has bypassed me completely over the years, but this did nothing for me to regret that. I only knew Bad Moon Rising on here. Great for what it is, but highly unlikely I’ll revisit it or feel the urge to hear CCR again.

This was perfectly fine. I’d only previously heard Live/Dead, which I enjoy and far prefer to this. But yeah, it’s good for what it is. Their music doesn’t accurately reflect the dedication of their fans though, in my opinion - it’s hardly that special, yet there is essentially an entire culture based around it which I find intriguing.

God, this was tough to get through. Not for me.

This is my third Queen album on this list. A lot more meat and potatoes than the other two, well executed in every department but still not for me. Hopefully there aren’t any more.

Perfectly good for what it is. I was only really familiar with the singles, but they were a competent and raucous trio. I doubt I’d revisit it, and it is hardly essential listening in my opinion, but it wasn’t too bad.

This was bland. Interesting hearing I See You having been familiar with the Yes version for years. But yeah, nothing special overall.

As soon as this started, I knew they were English. Every song pretty much sounded the same. Achingly 00’s. Nothing particularly interesting.

Great album. Smith was a master. This record very much creates a specific tone and vibe, which I’ve enjoyed for many years now. Not something I need to listen to every day, but valid nonetheless and very satisfying. Always loved the cover too.

This was pretty good. Really varied in styles, and interesting throughout. Couldn’t understand a word she said, never would have heard this album or heard of Elis Regina had it not been on this list. But this towers above some of the dross I’ve suffered here, from known bands and albums rated by others. The musicians on here are all great. This covers funk, soul, Samba, and pop. It all has a cinematic feel to it, but maybe that’s just me, because she’s singing in Portuguese. Solid 3.

This looked and sounded far more appealing than it actually was. I didn’t hate it though. It got better as it went on, the longer songs were more to my preference. It sounds like the music would have benefitted from being deeper and more explorative, but they were too conscious of keeping to “safer” realms. Wasn’t shit though.

Some good moments on this. Overall though, it descended into background music for me. I think I attributed that down to the music not really taking any risks. Very doubtful I’ll revisit it.

I bought the Money For Nothing 7” as a kid when it came out. Aside from that, Sultans Of Swing and Walk Of Life I was unfamiliar with anything else Dire Straits had done. I had higher expectations for this. It’s such a rated album, and it was incredibly dull. The first thing I thought was So Far Away should never have been the opener. Obviously, MFN is a banger, but the album falls significantly after it. Struggled to a 2 for me.

Couldn’t really connect with this. Janis Joplin had talent, but her voice grates too. Being there in 1968 might have been different, but listening now it’s ok for what it is but nothing particularly spectacular.

This was ok, but not really my thing. A friend recommended I check Sparks out and told me to start with their debut. I did, but wasn’t into it. I preferred this record to their debut, but Sparks still aren’t for me. Far too camp and jolly. This Town… is a banger though.

Really enjoyed this. For some reason I was expecting it to be full on Country, so I was pleasantly surprised. Accomplished and very enjoyable.

Good for what it is. All acapella. I imagine this music being better to witness live than on record. Like Doo Wop in many ways, but I’d rather listen to The Penguins. Wouldn’t return to it.

Didn’t hate this. A good, if a little uneventful accompaniment to my drive home. Was on the verge of becoming background music but didn’t quite go there, and for the most part it was enjoyable. Not going to change any worlds though, and probably wouldn’t revisit it.

Didn’t expect to like this but I did. Catchy, some good beats and I like her style. God that makes me sound fucking old… Ran out of steam for me towards the end but nonetheless, interesting and entertaining.

This is a 2, because let’s face it some songs are memorable and the sold plenty of units. Objectively, Blur were good at what they did. Absolutely none of my business though. Each member was infuriating in their own way, and this isn’t for me. Not necessary to hear.

Miles Davis is one of my favourite musicians. I like most of his output, but obviously I favour some of his periods over others. Whilst I enjoy Birth Of The Cool, I very much have to be in the mood for it - same for any really early, bigger band jazz. This is great, and Miles is great, but doesn’t quite warrant a 5 for me. Happy to provide my list of favourite Miles albums, but I’m not sure this would make the top twenty!

I enjoyed this. I’m sure I had this on cassette as a young kid. Obviously it’s very 80’s, but the band are tight and it’s really good at what it’s supposed to do.

I’d never heard this before. I’m curious as to why this is included and not Rated R or Songs For The Deaf. Nothing particularly fantastic here. I preferred Kyuss.

My second Eagles album on this list. Perfectly good for what it is, but so very unadventurous and vanilla. Not really for me.

Second Bunnymen album here. I think I preferred this one out of the two though. Nothing amazing about it, but solid in all departments and had a nice 80’s feel to it. Wouldn’t revisit, but wasn’t terrible.

Never heard of this band at all. This is the best thing about doing this list, encountering things I would have never come across otherwise. This wasn’t bad. Quirky, somewhat innovative, and always striving to be original. Like many such albums on this list, it started to grate towards the end. Wouldn’t revisit, but was good for what it was.

I used to have a Cat Steven’s compilation years ago, which I enjoyed. I have to be in the mood for his music, but this is a good album. Exactly as I expected it to be.

This was ok. Never heard of the band previously. Nothing out of the ordinary or spectacular, but good solid early 70s rock n roll.

This was good. I expected the jolly, glossy, bland commercial reggae which they have been known for, but this being their first album didn’t have any of that. It’s an honest and solid album prior to the band’s popularity increasing. That’s my assumption anyway. I enjoyed it.

I was early in on Nirvana with the Sliver 12”, but checked out prior to this coming out. Hearing it for the first time - singles aside - I enjoyed it. I like that they made the follow up to Nevermind THEIR way, when it could have been a glossy, commercial freight train. The production on On Utero is superb. Steve Albini was a god. This deserves a 4.

Another band completely new to me. This was ok. You can definitely hear the Velvet Underground influence, particularly in the vocal delivery. I’d rather listen to The Velvet Underground though. The album seemed to plateau after about four songs and I ultimately got pretty bored of it towards the end.

My second Police album here. This was ok. Musicianship obviously flawless. Most of it passed me by though, aside from the singles it was pretty bland.

This was uninteresting and dull. Nothing about this stood out for me. Like the last Neil Young album I had on this list, it’s just boring. Good for what it is I guess, but unless you were there when it came out it makes little impact now to someone who’s never heard it in 2026.

Another band completely new to me. I enjoyed this. Oddly, it reminded me of Hawkwind in places. I found it entertaining throughout and it didn’t really outstay its welcome.

I have to be in the mood for Sly and The Family Stone, but I do like this album. Been a while since I heard it though. Like “Riot…”, this is perfectly good for what it is. Sex Machine is the highlight for me. Solid 3.

My third Talking Heads album on the list, and another 4/5. A fantastic album. They certainly evolved from this, and seldom put a foot wrong. Great band. Enjoyable.

Regardless of the whole “manufactured band” stuff, this had such an impact and was influential and above all that it is still a great album. It has stood the test of time, and is an absolute 5.

This was atrocious. They sound like they were constantly trying to play 50’s rock n roll songs but putting their own “controversial” stamp on each. The result is embarrassing. Absolute bollocks.

This was ok. Got a bit boring a few songs in though. Obviously, a fantastic guitar player and a legend. Just not really my thing.

Total classic. Still holds up. It’s definitely front-loaded, but even the poorer songs are still memorable in their own way. The aggression and ridiculous lyrics make it all so bombastic, it’s great. 5.

I liked this. Never heard Bonnie Raitt before. I thought she was just some country singer. Really good voice, some good playing, enjoyable album.

I didn’t hate this but it wasn’t anything amazing. Middle of the road 80’s pop-rock. Unless I’m missing something? Some good playing throughout - Jeff Porcaro, Marcus Miller, the Brecker brothers - not sure it was enough to make me revisit it, but this wasn’t a terrible album.

Not sure what I expected from this, but it was flat and had little substance. Perfectly good for what it is - I’m sure at the time it had a lot more impact, but hearing it for the first time it was really nothing to write home about for me.

This didn’t really make an impact on me. I just kept thinking about Toy Story. Good for what it is, but not really for me.

There’s nothing I can say about this album that hasn’t already been said. One of the greatest and an obvious 5. Elvin Jones! Always a pleasure to listen to.

Nothing particularly spectacular about this. I could list hundreds of jazz albums that are more deserving of a place on the list. If there is a reason that I am not aware of as to why this album is included here then I’m happy to be enlightened, but upon listening, it was nothing special.

This was ok. Not really my thing though. Quite innovative in its own way I thought, but not something that really resonated with me. Good for what it was.

Really enjoyed this. Never heard Neu! before, but have seen them (and this album) referenced often. I expected more difficult, quirky music ala Faust and Can but this was very palatable. Will definitely revisit again.

Obviously this is one of the greats. I initially had a 4 in kind but upon hearing it again, I couldn’t see why this wouldn’t be a 5. Love You To is the duff track. Yellow Submarine can grate on me sometimes, but it’s not that bad really. Some of the songs seem to fade out quickly out of nowhere too. Regardless, it’s still a good album.

This is a solid album. Probably my favourite of his that I’ve heard. It’s got a good feel to it throughout. I’ve yet to hear a Springsteen album that blew me away. His advocates seem to gush hard and hear things that I just don’t hear. That said, this is a good record.

My second Beck album on this list. Once again very underwhelming, not as bad as the previous one though (Sea Change) which was dreadful. This is not for me.

This was ok. Nothing particularly special or memorable about it.

This was good. Never taken in a whole Eminem album at once before. Obviously, he’s fantastic and despite the album being a little patchy this was enjoyable.

Some absolute classics on here, there’s no denying that. I connected with IV less than other Led Zeppelin albums though. Still fantastic though obviously.

This was good. Eclectic in its own way and worthy of my time. I was familiar only with Starsailor previously, which I think I preferred. It seems Tim Buckley is underrated.

For some reason I thought this was my second Buddy Holly album on this list but apparently it isn’t. Enjoyed this. Uplifting and although very much of its time, it still holds up. Loved the backing vocals. Solid. It’s a 4.

One of the best rock albums of all time. No skips, every song is a banger. There is no argument here really. Some of the songs may be a little overplayed, but that is no reason to rate it any less. Massive production that has stood the test of time. They never bettered this album, but a remarkable band with a pretty consistent discography by sticking to what they do best. Has to be a 5.

This was good. Soulful, funky and Questlove holding things down on most of the tracks as well as some other credible contributors. Not really in my wheelhouse, and it didn’t really do enough to keep me interested throughout. Her voice is superb but at times it annoyed me. Great for what it is, but wouldn’t revisit.

This went down better than the previous Cohen album I’ve had on this list. It’s nice for what it is, some of the lyrics are good, and it is executed well. Not really for me though.

This was pretty horrible. I didn’t enjoy anything about this at all really. It sounds like she thinks she is being edgy, but this is the epitome of bland. None of my business.

This isn’t my favourite Bowie album. I think this the third of his on this list that I’ve got so far. It is perfectly good for what it is but he went on to make better albums.

This was ok, but nothing that special. I’d had a copy of this around the time it came out from a friend, and it didn’t resonate with me then either. I didn’t hate it, but didn’t really hold my interest. After three or four songs I was bored.

This was really dull. I had never heard their music before so had no expectations, but this really was boring. So much so in fact, that I fell asleep for some of it. I woke up a couple songs later and it was doing the same thing it was before I fell asleep. It isn’t a 1 as it didn’t infuriate me, but it isn’t any better than a 2.

I like Blonde On Blonde, but I do think it’s overrated. As a more casual Dylan fan, I prefer some of his other albums (Freewheelin’, Highway 61). That said, this is still a good record and it was good to listen to it again. It might overstay its welcome at over an hour, but that is debatable.

Nothing particularly interesting about this. It’s all played well enough, but the music isn’t remarkable or interesting in any way. Got annoying surprisingly quickly. No idea why it would be on this list.

Having enjoyed this album since its release, my initial thoughts were a 3 but that was mainly due to not revisiting it as album for a while. As an album it flows really well, and it has some bangers throughout. I think PE struggled with never reaching the heights of their first two albums with Fear… being a little patchy in my opinion, but Apocalypse 91 is solid and for the most part overlooked. It’s not a 5 for me, but it is a solid 4. Quite odd that is in this list though, to me only the first two PE albums would be list worthy. Good to revisit it.

This was ok. I checked out after Bigger And Deffer so never heard this until today. Nice old skool HipHop, but nothing that particularly excites me in 2026.

This wasn’t bad, but later U2 for me is far less exciting than some of their earlier work. This is glossy and perfectly produced and does exactly what it should, but didn’t hold my attention. Musically it’s fine, but did nothing to make me want to listen again.

This was great. Sometimes his voice annoyed me but overall i really enjoyed this. Of course Cars is still fantastic, but the album as a whole was entertaining.

I’ve tried to get into The Fall previously but never knew where to start. From the albums that I checked out, nothing really jumped out at me enough to pursue further. One thing that was apparent was the band’s unwavering modus operandi and originality. This album seems like a good representation of what they do. Had this been my first experience of The Fall, I would have probably continued to plough through their discography. The vocals and lyrics will be the sticking point for many. Unapologetically English, and a definite highlight for me. Musically it’s very much of its time (see “indie” and Manchester), and for that reason I’m not sure how much I’d revisit them. Mark E Smith aside, there’s little left to hold my interest. Still, an enjoyable listen and a good insight into the large catalogue of a truly original band.

This had its moments. The production is really good. Musically, for me every time something interesting happened it would descend in to blandness. The opening track seemed to lean on Father & Son too, which bothered me and I found that being apparent throughout listening (“Hold on, isn’t this…?”) which kinda put me off. Not a fan of the vocals. Pretentious and pompous. Would not revisit.

I didn’t hate this, but hearing it for the first time in 2026 feels a little pointless. It’s absolutely great for what it is but what Faces do is absolutely catered for me elsewhere, so I wouldn’t revisit it. It’s executed well though, and I did enjoy it. They sound like a lot of bands that followed, which says a lot. Even though I missed the Faces boat, it’s apparent that many didn’t.

Nothing particularly interesting about this. I found it pretty average on all levels and lost interest quickly.

This was awful. I felt it was meandering and directionless. Nothing stood out. Add to the list of substandard Beatle solo albums. Absolutely no need for it to be on this list.

I saw Sigur Ros just after this album came out, and thought then that they were good, but not as good as everyone else said they were. Labradford were far better that night. This album is ok, but revisiting it just reminded me that I have always thought they were overshadowed by their peers - GY!BE, Fly Pan Am, Labradford etc. And the vocals annoy me at times.

Superb album. One of his best. Of course massive props to the band on here - essentially Donny McCaslin’s band - and Mark Guiliana in particular. Chops aside, this is such a multi-layered, interesting album. I could write for ages about why this is so good, but I’m sure it’s all been said already. 5.