OH MY GOD THAT’S THE FUNKY SHIT

This sent me down the rabbit hole of music in psychological warfare. Truly an abomination.

I went from “kinda like The Cure + Cranberries” to “ehh, that was way too much credit — more like Oasis” to “OK enough is enough, this should have ended a half hour ago.” 2.75/5

I was most familiar with Elizabeth Fraser on vocals for Massive Attack’s Teardrop and discovered Cocteau Twins (and this album) from there.

When aliens land and demand to hear our “rock and roll,” cue it up.

In 2020, the album was ranked 93 on Rolling Stone's 500 Greatest Albums of All Time.

Particularly enjoyed Unfinished Sympathy, which had to have influenced Moby’s “Porcelain.”

The Ramones also covered "California Sun."

I'll go 2.5 stars.

2.5. This is #3 on “100 Best Australian Albums.” I was excited for this and expected to like it more.

Seems fine. Have no idea how to contextualize this with a list of 1000 additional albums.

All killer. No filler.

“She got a light skinned friend look like Michael Jackson. Got a dark skinned friend look like Michael Jackson.”

TIL what a murder ballad is. 3.5.

If you don't remember Halcyon + On + On from the intro of Hackers (1995), add that film to your list.

A master class in mediocrity. Lacks substance. Or, as Pitchfork.com puts it: "...feels almost weightless, an astral take on the blues that seems to drift by on cosmic winds. It’s one of the most gentle rock records of its time, with spaced-out guitars and rolling bass lines tenderly nudging Jason Pierce’s vocal melodies along like a weathered stone rolling slowly down a hill."

Forgettable.

Solid gold blue-eyed soul.

Thoroughly enjoyed it — twice. Honorable mention for “Wearin’ That Loved On Look.”

Wholesome. Intimate.

I'll go 2.5 stars.

Really, really liked. 4.5.

I’m looking forward to listening again and again, and this could be a 5 star for me in the near future.

Started strong. Initially excited to hear some non-radio hits, but lost interest quick. I like Aerosmith, but I doubt I’ll return to this one. 2.5.

What a treat. 4.5.

In 1999, Q magazine wrote that the album "shows him as the authentic voice of love's pain and purity on such wonders as 'How Can You Mend A Broken Heart?'" and that "[H]is cover of the Bee Gees' [song] took the soul ballad to new levels of artistry and refinement."

This is one I’ll probably throw on again. 3.25.

When aliens land and demand to hear our “rock and roll,” cue it up.

2.5.

All the elements for “Bang a Gong” were there, they just couldn’t pull it together.

Solid 3.25.

There are a few salvageable loops, but mostly a car wreck for me.

Not too shabby.

Nothing stands out as particular good or bad. I may explore the style a bit more, but likely won’t return to this album or artist.

A favorite.

Loretta Lynn radio is now part of my Spotify rotation. Just shy of a 4 star.

I appreciated the heavy organ on Lever Street. Almost a 3.

If only he’d have someone else sing. Just shy of a 3.

First track wasn’t available on Spotify. Short and sweet.

Capacity of University of Leeds Refectory: 2,100. Excellent intimate session with The Who in top form. 5/5 live album, 4/5 on-stage banter.

Lovely compilation.

I’ll be adding Mellow Yellow and The Hurdy Gurdy Man into the rotation, too.

Pleasantly surprised.

Sgt Pepper: June 2, 1967 Moby Grape: June 6, 1967 Jerry Miller of Moby Grape: “We sold better in Marin County than Sgt Pepper.” Likely a 4-star if I could spend a little more time with it.

Really enjoyed this ride. I am also now on a mission to find the earliest known use (this is 1974) of the god awfulness indie pop/soulless corporate sales jingle that is the first 30 seconds of “Talent is an Asset.”

This scratches an itch better than The Queen Is Dead. It’s The Smiths how I like The Smiths.

This music is all reds and greens and I’m sitting here colorblind.

The elephant on trumpet on “Work It” get me every time — though Method Man on “Bring the Pain” is my favorite bit here.

“Initially, the band had two running ideas for band names: Nazipenis and Turbonegro. They were advised that a band named Nazipenis would never sell records, so they chose Turbonegro as a more consumer-friendly choice.”

Wow.

Also now checking out The Sugarcubes.

Real good.

If I could only remember listening to this album.

Satisfied.

Up next: Snatch and the Poontangs

Objectively a 5/5, personally a 4/5.

Solid. Not a fan of the Little Richard cover.

First jazz album to sell over a million copies.

Spellbinding. Produced by Booker T.

Good not great.

Original track listing: 3.75, maybe 4. I was expecting more psychedelia and less Mamas & Papas.

IP: What’s that needle bouncin’ back and forth on the board there? Engineer: That’s the volume unit meter… if if gets into the red, things may get a bit distorted. IP: You ‘erd him boys, keep it in the red.

Maybe top 3 Heartbreakers albums. Maybe top 5 if we include solo Tom Petty.

Some folks put on Pink Floyd and watch Wizard of Oz. Some folks put on Carole King and watch Gilmore Girls. I’ve done both.

Favorite track: Dr. Feelgood

In summary, https://m.youtube.com/watch?v=b2_vbou3kxE

Regarding B-Real’s choice of singing style, he “barely liked it,” but “learn to like it.” I haven’t.

First time with Sonic Youth. I probably would have loved a lot of these tracks in high school. 3.3.

Deep cut pick: Peace Like a River

I like their sound.

It’s OK. I wouldn’t turn it on or up, but I wouldn’t turn it off.

2.9

I like all these pretty songs.

+1 for cover art.

Will likely check out more Swedish electronic.

Originally going by the name "The Pineapples", a name clash with another local band prompted a change…” I wonder if this clash came to blows. I also wonder what the OG Pineapples are up to.

Best female pop vocal ‘93. Runners up: Mariah Carey, Celine Dion, Annie Lennox, Vanessa Williams.

“Avant-garde, a French phrase meaning "vanguard" or (literally, "advance guard"), describes movements or individuals at the forefront of innovation and experimentation in their fields. Implicit in the term are the rejection of the status quo, a critique of popular convention and taste, and a striving for originality that can be intentionally provocative or alienating.” allmusic.com

Can’t beat The Big Come Up, Thickfreakness, and Rubber Factory for nasty — but Brothers has got groove. Deep cut pick: These Days

I didn’t see a need to change it up after 1987’s “Faith.”

Almost a 3. Maybe after another listen.

Was this meant to be a film soundtrack? The horn, bells and snare on “In the Neighborhood” make it a nice addition to any Christmas playlist. It’s a shame Frank took out the dog with the house fire.

Starts strong, but I can’t maintain that energy for the full 67 minutes. Cut ‘All in the Family’ and everything after except the top notch Cheech & Chong cover and we’ve got a 4 star album.

A great find. I’m not crazy for the sea shanty elements, but I should have heard this before now. Really enjoyed ‘The Calvary Cross.’ 3.5

I like this one more than the last Stooges album.

Nothing grabbin’ me here.

Lots to love here. Better than anything from Firth, Wynn, and Meyer. 3.5.

Being generous with the 3. I’m mostly indifferent, though “I Looked Away,” “Bell Bottom Blues” and “Anyday” were nice. Shame what they did to Little Wing.

Pleasantly surprised. Lotta soul. Lotta funk. 4.5.

2.75. There are better ways to scratch this itch. It’s fun to think about which 3 bands you’d mash together for this sound. Simple Minds/ABC/Deep Blue Something

“After rejecting the names REN, Pinnacles of Cream, and Turd Goes Back, the band settled on Lambchop…”

Thumbs up to Standing in the Doorway, Trying to get to Heaven, and Not Dark Yet. And the organ on Love Sick. 3.75.

The whole is most definitely greater than the sum of its parts.

3.75

Rough start, but each track is better than the last. Was “Fodderstompf” intended to be a Monty Python sketch? Being generous with a 3. I liked (3) it today, but not sure I’d be more than indifferent (2) any other day.

3.75 stars, all for Rod Stewart.

Love it. Also enjoyed reading about the evolution of Doktor Avalanche: https://en.m.wikipedia.org/wiki/Doktor_Avalanche

You can’t tell me “Almost Cut My Hair” wasn’t a huge influence on Derek Stevens’ work: https://m.youtube.com/watch?v=VUrbtUwsRXo

Better than expected.

Even if there was something here you can’t bury it in 3 hours of indie folk.

I really like Foo Fighters. 3.33.

Could use more Paul Simon.

Eh

OH MY GOD THAT’S THE FUNKY SHIT

There are things to like here, but the vocal sits on top of some tracks in a karaoke kind of way.

As far as art rock goes: enjoyed more than Roxy Music, not as much as Sparks.

Pretty dark.

Solid 3.5

Some of these loops… fuck, by about minute 4 I’ve had enough and I’m just angry.

Not in the mood. Especially after Smokers Delight. Maybe a 3 on a good day.

I’d like to hear more John Doe and less Exene Cervenka. 2.75.

There are definitely 3, maybe even 4 Springsteen ‘75-‘87 albums I’d rank higher than Darkness on the Edge of Town.

Recently learned the guitar solo on the title track is played slow and the recording is sped up.

2.75

3.75

A couple likeable tracks. 2.375

Enjoyed ‘Rock Bottom’ and ‘If I Had.’

Michael McDonald AND Kenny Loggins on ‘Show You The Way?!’ Sexy.

TIL: Quiet storm is a subgenre of R&B — and I’m lovin’ every minute of it.

Not my cup of tea.

Let’s go track by track: 5-4-3-4-5-4-4-3-5 4.111 Bonham for MVP on ‘Good Times Bad Times’

Tubular

Is that Mark Ruffalo on the cover?

Sure, there are better S&G albums… Wednesday Morning 3am, The Sounds of Silence, Parsley Sage Rosemary and Thyme, Bridge Over Troubled Water…. but… I guess I’m not sure where I was going with that.

Love the Vox Continental organ. I’ll go (surprisingly) 3.5 considering how unmoved I was by Armed Forces. Did RHCP ever do (I Don’t Want To Go To) Chelsea?

1969 Grammy Awards, Best New Artist nominees included CSN, Chicago, Zeppelin.

I was hoping to find a hidden gem. I like their sound overall and the rest of the album sits nicely with Our House. Just barely a 3.

3.5

Chill. Funky. 3.333.

3.66

Good stuff.

Easy 5 and a treat to listen to on the HiFi.

This sent me down the rabbit hole of music in psychological warfare. Truly an abomination.

3.5. Pretty good.

As a kid I always thought this was a “Greatest Hits” album. 4.5.

A good all ‘rounder. I’m not sure how to explain it, but the piano and guitar sound about as close to being out of tune as you can get without being out of tune.Phenomenal siren whistle work on the title track. 3.75.

As I’m listening to Rodney Yates I’m thinking — this has an Ocean’s Eleven (2001) vibe… sure enough, David Holmes is all over that soundtrack.

Enjoying all the trip hop.

Which New Order album should I hear next?

A tour de force from one of the greatest male vocalists of all time.

Lose the tracks not written by John Fogerty (except for Grapevine) and you’ve got a 5 star album.

First few tracks had me leaning toward a 3, but by 2nd half I was over it. Other than Cult of Personality, +1 for Desperate People.

First time with anything other than “West End Girls.” Good stuff.

Overall an easy listen. I’d go 3 stars if “just” and “lost” weren’t sung as “juoist” and “lohiest.” 2.5.

3.5

“If I had been white, there never would have been an Elvis Presley.” -Little Richard

First couple of tracks were solid. Kind of a Fiona Apple meets Tiny Tim vibe. 2.3.

Ow-gettis Beer-yoon

Nothing exciting here.

Somewhere between Armed Forces and This Year’s Model.

3.6

Will keep this around.

I guess I’m a Pet Shop Boys fan now.

2.9

2.9

Good not great.

This is what happens when parents stay together.

David Browne from Entertainment Weekly 12/13/91: With the release of Pearl Jam’s debut album, the so-called ”Seattle Sound” has become, for better or worse, institutionalized, a lumbering monolith waiting for the Next Big Thing to usurp it. Ten abounds with everything you’d expect from a band from this part of the country — mountain-high guitar riffing that tips its Northwestern hat to Led Zeppelin; misty, elliptical lyrics that only hint at their subject matter; the primordial wail of the wah-wah guitar; and the lugubrious, druggy ambience of a young hippie commune. While there’s nothing wrong with any of that, you’ve heard it all before on records by fellow Northwestern rockers like Soundgarden, Alice in Chains, and the defunct Mother Love Bone (some of whose members are in Pearl Jam). Like many of its Seattle cohorts, Pearl Jam also flail about in search of a groove and a song. Occasionally, as in the single ”Alive,” they find both. More often, they lose themselves in a sound that only goes to show that just about anything can be harnessed and packaged. B-

The only time I get excited to hear Allman Brothers Band is when it means I’m about to watch an episode of Top Gear. Unimpressive, but not offensive.

My second listen in the last few years after scoring this album at a Yankee Swap. Has inspired me to check out a few others from this era: Control (1986) and Janet (1993).

Not too shabby. Found myself groovin’ to Giggy Smile. 2.5.

I should listen to more metal.

Listened all weekend.

There’s room for this in the rotation. Also I think Percolator influenced Radiohead’s 15 Step.

Anything that isn’t on Back in Black is refreshing to hear.

Yeahh Booiiiiiiiiiiiiiiiiiiiiiiii

The band coming in on Mannish Boy hit me like a fuckin’ truck. 3.75

This guy is responsible for the Windows 95 startup sound. Wild. 2.75.

Is this what Technotronic wanted to pump up?

I’ve been here before but somehow missed the haunting beauty of Whispering Pines.

First time with this band.

2.8

Simon admits the drum track on Homeward Bound was a mistake. Check out any live performance with just him and a guitar and I suspect you’ll agree.

Couple of bangers for bookends, nothing striking in-between. Album goes from 100 to 0 pretty quick moving into track 2. I had to double check to make sure I wasn’t on shuffle.

Cool. I never would have guessed any of the instrumental stuff was Bowie. 3.3.

Starts strong, but lands toward the bottom half of the 5 Bowie albums we’ve seen. 2.75.

Life During Wartime gets the toe tappin’ and booty shakin’. 2.67.

At least a 3. Probably a 4, but I’d need to spend some more time with it. More ska elements than I would have guessed.

A joint effort between US and UK governments to wean people off of Tracy Chapman’s ‘Fast Car.’ 3.3.

3.9

Not sure if he intended to sing as a caricature of himself for the first half.

Having only heard (and not enjoying) Hey Ya, I wasn’t sure if I wasn’t a fan of just that song or OutKast. Now I know I’m not a fan of OutKast.

3.7

“I say right around minute 11 we get into a Beach Boys thing and then.. well, I don’t know, full on cathedral organ?” “Yeah let’s give it a go.” Or at least that’s how I’d like to think these things come together.

2ish.

3.3

Neat.

2.75

Flummoxed how this won a Grammy for Album of the Year. What am I missing?

+1s for The National Anthem and Morning Bell. 3.5/.75

I was most familiar with Elizabeth Fraser on vocals for Massive Attack’s Teardrop and discovered Cocteau Twins (and this album) from there.

Coulda used more Jew’s harp.

Interesting tidbit: 3/4 members would later become Love and Rockets.

High 3. Certainly top 5 Queen album but, maybe not top 3.

I’m afraid they’re just too darn loud.

The Broadway show chronicling my life will open with “1984.”

Hank Kingsley meets the Wu-Tang Clan: https://m.youtube.com/watch?v=gTpUqzpOm8U

I’ve now listened to 2/97 of Willie’s studio albums. This is my favorite.

There are elements here that I appreciate in other metal subgenres, but this is a little too nu metal.

This is put together a bit better than their self-titled debut (appeared earlier on this list).

Solid

I’ll take more dark/grunge sound (Jenny) and less shrill/punk sound (Words and Guitar). 2.75.

4.5

3.5

I should listen to more Black Sabbath.

“So, there are six cardinal colors: yellow, red, orange, green, blue, and purple. And there are 3,000 shades. And if you take these 3,000 shades and divide them by 6, you will come up with 500 — meaning there are at least 500 shades of the blues.” H2O Gate Blues

Bearable.

Recorded live at Sound City Studios.

A little something for everyone.

Airy

Album is on YouTube Music for those missing tracks on Spotify.

Amateurish. Aimless.

3/3.5

Wild that the Moog sound on Cars is so distinctively Cars, but it’s also on nearly every other track here.

I probably should’ve went 3 stars on the Bill Evans record.

I’ll be on a Latin jazz kick for a week now.

Wouldn’t turn it on, wouldn’t turn it off. The epitome of a 2.

+0.5 for Spotify subsequently suggesting the “Crate Diggin’ Sub Pop Records” playlist.

I grew up with a Greatest Hits album — the one with Elton in a white suit and hat on the cover. I always assumed they had put a live version of Bennie and the Jets on it. Imagine my surprise when I later picked up Goodbye Yellow Brick Road — finally, the “album” version…

Fun fact: Milton lends his talents to “Spirit Voices” on Paul Simon’s Latin American inspired album, Rhythm of the Saints.

I much prefer the thrash of earlier albums.

Not incredible. I don’t recall hearing a many strings, either.

Steven Tyler plays the shit outta that sugar packet: https://m.youtube.com/watch?v=CQAwnN81tq4

Smoooooooth

Listened all weekend!

Poor recording — the sound regularly breaks up a bit. Could use a lot more piano and a lot less everything else.

Easily top 10 prog rock albums to come out of 1973. 3.3/5

Schneider, Pierson, and that Farfisa organ are hypnotic.

twangy [twang-ee] adjective. 1. having the sharp, vibrating tone of a plucked string. having a nasal voice quality.

From https://www.vice.com/amp/en/article/pkyqkv/cursive-singing-tiktok-trend-explained “…cursive singing or "indie singing" – a style characterised by diphthongisation, wherein vowel sounds are stretched beyond what is necessary. The typical cursive vocal will resemble a child mid-tantrum trying to articulate their distress but ever so slightly missing the mark, with many phrases being incomprehensible. For example, "flood" becomes "floyuid", "time" becomes "toyiuem" and so on.”

The vocals keep taking me to the Rocky Horror intro “Science Fiction/Double Feature.”

I don’t need a double album from The Clash, so I may take this over London Calling.

Same as it ever was.

2.5

Lemmy positioned his microphone in an uncommonly high position, angled so that he appeared to be looking up at the sky rather than at the audience. He said that it was for "personal comfort, that's all. It's also one way of avoiding seeing the audience. In the days when we only had ten people and a dog, it was a way of avoiding seeing that we only had ten people and a dog.”

When you’re 10 and watch Wayne’s World for the first time, some time after that you learn that Bohemian Rhapsody had been around for 20 years. Welp, TIL Alice Cooper (also of 10yr old me Wayne’s World fame) is not (solely) glam metal, and had a career that mostly spanned the early 70s. 3.5/5.

It’s no Gran Turismo.

Awesome!

That’s a voice that, while still sultry, has hit the bottle hard.

Loved every minute.

Had the makings of a 3, but went off the rails after “Johnny.” 2 + .5 for that sweet sweet Vox Continental sound.

Needs a lonesome fiddle or somber piano on the slower tracks.

Beautiful Freak is largely the solo work of musician Mark Oliver Everett. It is his first album using the full band name Eels, in an attempt to get the records in the same general location in the stores as his previous works under the name "E".

Every time I listen to Harry Nilsson I think — I should listen to more Harry Nilsson.

A tad more shoegaze than Darklands (3.5/5) — my intro to J&MC. Solid 3.

Mmmmm industrial. 3.5/5

A rollicking good time!

Super duper fly.

Something tells me the Stones put on a great show, but, for me, there isn’t anything spectacular here. 2.75/5

A little busy. Didgin’ Out was unexpectedly refreshing after the acid jazz onslaught.2.75/5

OK. 2.75/5

I went from “kinda like The Cure + Cranberries” to “ehh, that was way too much credit — more like Oasis” to “OK enough is enough, this should have ended a half hour ago.” 2.75/5

Could use more synth and less indie folk.

It’s all the parts of a prog rock album I skip.

Our 6th Bowie album!

Couldn’t get into it.

Lots to like. Certainly worth digging into if (like me) you hadn’t heard anything other than Get Together.

“In case of sonic attack on your district, follow these rules: if you are making love it is imperative to bring all bodies to orgasm simultaneously.” Spacey. Some of that guitar was surprisingly grungy.

Was it just me or did the production quality degrade as the album progressed?

Our 7th Bowie album! 2.8/5

Definitely worth tracking down all of the tracks on YouTube. 3.5/5

Reading a bit about drummer Bill Ward on Wikipedia: “According to Tony Iommi, he and the band would often set Ward's beard on fire and perform other harmful pranks on him. On one occasion, Ward even received third-degree burns.” “Ward almost died after a prank-gone-wrong during recording of Vol. 4 in 1972. The band were renting a Bel Air mansion belonging to John DuPont of the DuPont chemical company. The band found several spray cans of gold DuPont paint in a room of the house; finding Ward naked and unconscious after a night of heavy drinking, they thought it would be funny to cover the drummer from head to toe in gold paint. Ward soon became violently ill and had a seizure and an ambulance had to be called. The paint had blocked all of Ward's pores, which his bandmates were subsequently informed can be fatal.”

Jingly AND jangly.

No duds here — just a quiet storm of sultry smooth, jazzy sophisti-pop.

OK. I was expecting something a tad more eery. 2.5/5

“Shortly before departing for Lagos, drummer Denny Seiwell and guitarist Henry McCullough left the group. With no time to recruit replacements, McCartney went into the studio with just his wife Linda and Denny Laine. McCartney therefore played bass, drums, percussion and most of the lead guitar parts.” 4.5/5

4.5/5

3.3/5

From “If…” If you were a horse I'd clean the crap out of your stable And never once complain We got ourselves a real Bill Shakespeare over here.

Not once, ever, after 6 hours of school, did I feel the overwhelming need to dance, dance, dance — mo matter how hot the beat.

‘72-‘76 was an incredible run.

2.666/5

2.5/5

Sexy

I can no longer listen to Won’t Get Fooled Again without hearing Conan’s intro: https://m.youtube.com/watch?v=Od5mgxiZkos

I like CAN.

3.5/5

2.75/5

Pretty solid for ambient electronic. Just enough going on to hold my interest, never jarring or repetitive.

2.75/5

2.5/5

Not that special.

Who doesn’t love The Fat Man?!

+1 for the intro/outro on In a Silent Way. Mesmerizing.

Deep cut pick: Song About the Moon

Eclectic. If I dig around a bit I find lots of little bits I like. 2.75/5

3.5/5

Be sure to watch the 2012 documentary Under African Skies for a look at the making of and the controversy surrounding the album.

Rocked a little harder than I expected.

13 Kinks songs I’ve never heard and I enjoyed them all! 3.5/5

Stumbled onto this one after our last Springsteen album and have been through it a few times. Excellent.

j’ai apprécié cette musique

Sideshow Bob vibes on a couple tracks.

2.5/5

Was hoping for a Christmas album, but this was fine. Ended up exploring electronic Christmas music as a result and wasn’t disappointed.

I recognized The Next Life from The Chase (1994) featuring the gorgeous Kristy Swanson. 10yr old me knew at that moment, without a doubt, that the E36 BMW would become one of the best generations of 3 Series.

I liked it more than anticipated — but unlikely to return. 2.75/5

That’s Steve Winwood on the Hammond organ for Voodoo Chile.

Nice groove on Join The Boys. 3.5/5

I like the energy of Zen Arcade a bit more. With half as many tracks this is a solid 3. 2.5/5

It sounds like the drummer has great posture.

2.75/5

Rockin’

Ya’ll sure this is Pink Floyd?

This is quite a debut. 3.5/5

This has got country AND western!

21 tracks in 35 minutes — I like the pace.

3.5/5

I ended up replacing speakers in my 2000 Impala due to how poorly mastered this album was.

Solid 3.5/5. I’ve not listened to any Kate Bush outside of Stranger Things last summer. I’ve loaded up Hounds of Love (1985) to check out next.

Rating the original release, which ends at Space Truckin’. Top notch performances by all.

Anyway… there’s Wonderwall.

3.5/5

2.7/5

2.7/5

The upside is the guitar lick on Let’s Run sent me down an INXS rabbit hole.

2.5/5

3.5/5

2.75/5

2.75/5

2.75/5

2.75/5

3.5

2.75

When I saw the album cover I thought, I bet these guys sound like Oasis. 2.275

Love the energy. See the album “The Killer Live 1964-1970” for a handful of songs (Mean Woman Blues, What’d I Say, Hound Dog) from the show that aren’t included on the album linked to Spotify. +1 for Money and Your Cheating Heart.

2.75

2.75

“We’re satirists, and we’re out to satirize everything.” - FZ

3.5

3.5

+1 for turntablism

The one and only Huey Lewis on harmonica for Baby Drives Me Crazy.

Eggs and Sausage started to grow on me.

Some nice grooves. Jasco and Itsári are welcome breaks from the guttural madness.

I always looked forward to the Criminal music video popping up on VH1 back in ‘97.

Check out Miles Davis’s cover of Perfect Way.

Like bad sex and cold pizza, my enthusiasm for this intensity peaks at about 10 seconds in, drops significantly after 90 seconds, and is completely gone at 3 minutes.

2.7

+1 for Till Tomorrow

I’ll admit it started to grow on me. Torn between Dead Joe versions 1 and 2.

Love that Bakersfield sound.

3.5

2.5

Got this in the mail with a sample of Tide. 3.75

3.5

Boyoyo boys bringin’ that South African groove! 2.75

Swappin’ the synth for the B3. Solid 3+

Half of the people can be part right all of the time Some of the people can be all right part of the time But all of the people can’t be all right all of the time I think Abraham Lincoln said that. “I’ll let you be in my dreams if I can be in yours” I said that

“I’m a bad mother fucker, don’t you know And I’ll crawl over fifty good pussies just to get to one fat boy’s asshole” Said Stagger Lee 2.5

Shame track 11 wasn’t a Springsteen cover. Or maybe not?

2.5

2.5

2.75

3.5

Would love to hear Matt Bellamy cover Tears Are Not Enough. Or maybe Muse should take this entire album on tour.

I thought I knew this voice from Wedding Bell Blues (I didn’t, I was thinking of The 5th Dimension version). Lo and behold, she wrote Wedding Bell Blues and Stoned Soul Picnic (also made popular by T5D). 3.5

Nothing remarkable here.

3.5

Album available on YouTube

Good drivin’ music.

This mother fucker so old, 4/4 time in country music is known as the “Ray Price beat.”

I always assumed (having never listened) this was a white indie rock band. I was pleasantly surprised. Needs to be 20 minutes shorter or my Spanish needs to be significantly better for a 3.

Per Wikipedia bio: [Piazzolla’s] disappointment of being forbidden [by his father] to join the tour proved to be fortunate, as it was on this tour in 1935 that Gardel and his entire orchestra perished in a plane crash. I’ll remember this anecdote when needing to discourage someone from following their dreams.

2.5

Maybe a 4.

Cooper has said he was inspired to write the song when answering the question, "What's the greatest three minutes of your life?". Cooper said: "There's two times during the year. One is Christmas morning, when you're just getting ready to open the presents. The greed factor is right there. The next one is the last three minutes of the last day of school when you're sitting there and it's like a slow fuse burning. I said, 'If we can catch that three minutes in a song, it's going to be so big."

The start of an incredible 4-year run.

John Frusciante on guitar and synth on Cicatriz Esp (maybe the best track here). Flea on bass for nearly the entire album. Lenny Castro (percussion on Toto’s Africa), too.

Not my favorite Liverpudlian band.

2.5

Steve played everything you hear on the album: lead and backing vocals, Prophet-5, Minimoog, Yamaha CS-80, Hammond B3 organ, Steinway piano, Ovation acoustic guitar, Fender Stratocaster electric guitar, Ibanez mandolin, bass guitar, Multimoog (also used for keyboard fretless bass), Hayman and Ludwig drums, Linn LM-1 programming, percussion, producer, engineer, mixing.

Swiss industrial punk with surreal cabaret sounds interesting in theory, but (at least in this case) doesn’t do it for me.

+1 for that humpin’ bass riff on The Suit.

Rating is for Director’s Cut

2.75

I like the concept of a soundtrack to an imaginary film, but maybe I need to see the film.

Could do with a little less sitar.

It insists upon itself.

I followed this up with Equinoxe and enjoyed it just as much.

A couple interesting tidbits from Roy Halee, sound engineer, for Paul’s recent audio book Miracle and Wonder: The drum crash in The Boxer is a snare played in an elevator shaft. The aahhhhhs on The Only Living Boy in New York were recorded in an echo chamber (small room with speakers and a mic to add reverb) at the studio, but he put Paul and Art IN the chamber instead of just piping the recording through the speakers in the chamber.

2.5

2.5

2.75

If you have 17 minutes check Purple Rain live in Syracuse 1985: https://m.youtube.com/watch?v=bm03wqLY3Nc

Can’t pick a favorite - toss up between Divine Death and The Kill.

Maybe a 3

Maybe a 3

Man that Cathy’s Clown chorus is a banger. Verse-chorus-verse? Fuck that — Chorus-bridge-chorus. Give ‘em what they want.

Who on Earth hears Randy Newman’s “I Think It’s Going to Rain Today” and thinks dammmmn this needs a reggae treatment?

Skip the 2006 reissue and save yourself 30 minutes.

Ain't nothin' like a gang bang To blow away the blues

Kept waiting for this 53 minute intro to drop into Love You Too.

A few tracks I like, a couple I don’t. +1 for Natalie Merchant’s harmony on track 3.

Maybe a 3

Maybe a 3

+1 for the instrumental tracks

2.75. Spotify version (titled “Third”) most closely matches the 1992 release.

Maybe a 3

2.5

Maybe a 3

2.5