619
Albums Rated
3.43
Average Rating
57%
Complete
470 albums remaining
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1950s
Favorite Decade
Funk
Favorite Genre
US
Top Origin
Balanced
Rater Style
43
5-Star Albums
4
1-Star Albums
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You Love More Than Most
Albums you rated higher than global average
| Album | You | Global | Diff |
|---|---|---|---|
| Born To Be With You | 5 | 2.62 | +2.38 |
| Jack Takes the Floor | 5 | 2.71 | +2.29 |
| Oedipus Schmoedipus | 5 | 2.79 | +2.21 |
| Street Signs | 5 | 2.87 | +2.13 |
| Maxwell's Urban Hang Suite | 5 | 2.91 | +2.09 |
| Qui sème le vent récolte le tempo | 5 | 3.09 | +1.91 |
| Virgin Suicides | 5 | 3.24 | +1.76 |
| A Christmas Gift For You From Phil Spector | 5 | 3.28 | +1.72 |
| Trout Mask Replica | 4 | 2.28 | +1.72 |
| Gunfighter Ballads And Trail Songs | 5 | 3.34 | +1.66 |
You Love Less Than Most
Albums you rated lower than global average
| Album | You | Global | Diff |
|---|---|---|---|
| Fetch The Bolt Cutters | 1 | 3.19 | -2.19 |
| Q: Are We Not Men? A: We Are Devo | 1 | 3.13 | -2.13 |
| Siamese Dream | 2 | 3.83 | -1.83 |
| The Cars | 2 | 3.67 | -1.67 |
| Ramones | 2 | 3.58 | -1.58 |
| Dirt | 2 | 3.47 | -1.47 |
| Chocolate Starfish And The Hot Dog Flavored Water | 1 | 2.47 | -1.47 |
| Hybrid Theory | 2 | 3.38 | -1.38 |
| Lost In The Dream | 2 | 3.38 | -1.38 |
| Pretenders | 2 | 3.35 | -1.35 |
Artist Analysis
Favorite Artists
Artists with 2+ albums
| Artist | Albums | Average |
|---|---|---|
| Marvin Gaye | 2 | 5 |
| Funkadelic | 2 | 5 |
| Miles Davis | 2 | 5 |
| Simon & Garfunkel | 3 | 4.33 |
| Pink Floyd | 3 | 4.33 |
| Jimi Hendrix | 3 | 4.33 |
| Steely Dan | 3 | 4.33 |
| Led Zeppelin | 3 | 4.33 |
| Joni Mitchell | 3 | 4.33 |
| Bob Dylan | 5 | 4 |
5-Star Albums (43)
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Popular Reviews
Rufus Wainwright
4/5
I wasn't sure what to expect from a Rufus "the Hallelujah guy" Wainwright, but this definitely exceeded my expectations. It has many sounds to be later found in later alt / indie music of the next few years. Specifically reminiscent of artists like Andrew Bird and Sufjan Stevens. Really excellent songwriting with a lot of eccentric charm throughout the different styles. Heartfelt and theatrical, bits of whimsy intercede with deep emotion. Put it on early thinking it'd be casual but it really gripped me while listening
18 likes
Bruce Springsteen
2/5
9/11 had a profound effect on the music industry, and I don't think any of it was good. This is a prime example.
Its awash with patriotism and self-pride. The music is simple and uninspired while being littered with a bunch of over complicated melismatic strings. It feels lazy overall. It's the shadow of albums like Born to Run and Wild, Innocent, E-Street band.
I love Bruce, but this is not the version of him I love. If anything I feel like this still belongs on the list to show the significance of 9/11 in music
7 likes
Jeff Buckley
5/5
John Mayer once said to never cover Jeff Buckley.
It's amazing, especially as a debut. It makes sense that originally it wasn't as highly received, but many that have listened in the decades since have recognized the glory and intimacy of this album. It's so personal and emotive. It ropes you in with feelings, good and bad, that feel like your own. An amazing performance that deserves such a high rating
5 likes
Fiona Apple
1/5
This album sounds like a nervous breakdown
Constant, crashing, warlike, eastern percussion takes over much of the album residing over dissonant tones. There is some peaceful breaks, but even then it just seems the brief time you'd spend just holding yourself trying to calm down before becoming enraged once more.
Can't believe it took 6 years to record this, or that it was met with such acclaim
4 likes
Jane Weaver
2/5
Seems to not belong here. It's not bad, but I don't seem to see any significance to it
3 likes
1-Star Albums (4)
All Ratings
Jimmy Smith
3/5
Classic jazz patterns, great for a summer day or relaxing background. A vibe for sure
Amy Winehouse
3/5
The undisputed Queen of early 2000's R&B. Grimey, Fun, Dramatic, Classic
T. Rex
2/5
1972 was a great year for music. This album is not specifically notable to me, but its' influence can be heard throughout the next 50 years of music, especially in English music
Fiona Apple
1/5
This album sounds like a nervous breakdown
Constant, crashing, warlike, eastern percussion takes over much of the album residing over dissonant tones. There is some peaceful breaks, but even then it just seems the brief time you'd spend just holding yourself trying to calm down before becoming enraged once more.
Can't believe it took 6 years to record this, or that it was met with such acclaim
Alice In Chains
2/5
It's hard rock. Less grating than I thought, even some shoegazy sections, and I'm sure important in developing their genre, but not my deal. Drummer has a Meg White level of talent.
Silver Jews
3/5
Indicative of late 90's / early 00's indie. The subject hits personally; the whole album is tinged with disparate sadness through the clean, evenness of the music against unenthused and depressed vocals
It's smart honestly. Initially sounds like nothing notable, but the album does create a unique story through the play. Not reaching for it any time soon, but its a good blend of sad country and thoughtful indie. Makes sense on this list
Tim Buckley
3/5
Wide open and free. A classic late 60's sound emphasized by the basic patterns of the time and a huge carry on the vibraphone. Blends of jazz and folk stretch throughout a heartfelt, emotional album
Dexys Midnight Runners
3/5
Always thought of them as more of a one hit wonder, but I guess I was wrong. Album is timely, and sounds like it's inspired by the end of the 70's with notes of early Ska. Interesting to hear the influence of American Soul on British bands. Could do without the whispering or odd sound sections
Michael Kiwanuka
4/5
Artistic combination of Jazz and Soul brought in to the modern era. Music is very expressive through use of effects and space to envelop the listener in its' journey
David Bowie
4/5
A darker, more thoughtful Bowie. A majority of the album, Lazarus specifically, comes off as a Swan Song as many other reviews have contextualized the album.
There are lots of layers to this album. Most notably the feedback loop of art. When an artist has lived and created much, they have the option to evolve or stay constant. Hearing tinges of modern artists and their styles blended with an evolution of Bowie's music provides a new experience
Simon & Garfunkel
5/5
Classic.
One of the iconic soft folk albums from the period, filled with thoughtful songwriting and lush, synchronous harmonies of two guitars and two voices.
A reflection of a different time.
Mudhoney
2/5
Dramatic and fun, though not always pleasant to listen to. Most notably influenced by the Ramones, with notes of stadium rock and and metal. Clearly an originator of Seattle Grunge as described in reviews, you can really hear the two pedals the album is named for
Sister Sledge
4/5
Pinnacle disco. The Sledge sisters provides the main vocals while an orchestra of other musicians and singers color in the rest of the album. Did not know it was spearheaded by the guys in Chic or that they wrote the songs before knowing the Sledges.
An album defining of its' era and endlessly sampled in the modern age.
Various Artists
5/5
A stellar and fun Christmas album. A few of the songs are the best versions of the title, two are on the Christmas tape of 1984
Yeah Yeah Yeahs
3/5
Oh fuck, 'Maps' is THAT SONG. The late 90's aggression takes the front seat on the first half of the album, but it develops in to the complexity and finesse of other bands later in the decade. An important album showing the creation and influence of the main indie phase of the 00's
Warrants a relisten
The Saints
3/5
Surfy vibes meets more driven rock with R&B and a bit of the Ramones.
Big Brother & The Holding Company
3/5
Interesting to hear Janis Joplin in such a raw set of recordings. The "fake liveness" of the album is gimmicky and bad, but it was the 60's.
Bon Jovi
3/5
Straight 80's time capsule. Some of the hits have persevered and have been prominent my whole life. Interesting write up in the article about how this was a breakthrough for metal to go mainstream, but this will always be Classic Rock for me
Billie Holiday
4/5
Hauntingly beautiful. Billie Holiday has always been a niche more than something to comfortably put on for all, but her style, presence, and personal tale is something to be appreciated. This album is like a time capsule as jazz quickly began to move towards fusion and bebop
Pretenders
2/5
It's poppy, it's punky, a precursor to divergence of music in the 80's. Second side is better than first
Ministry
2/5
Sounds like how someone who never listens to any metal would describe it the genre. Fast, gruff, weird. Leans heavily into religious aspects complete with recordings and choirs. Very intentional drama
I'd give 1.5 if I could, but I'll round up for significance
Pet Shop Boys
4/5
Fast paced synthesized dance hits written for popularity put against some lush, spacious, and dreamy bops. Would be fun to dance to undoubtedly. Silly talking parts included. Vaguely familiar
The Avalanches
3/5
Creative jaunt through multiple genres from dance pop to trip hop. Expectations met. Definitely not an every day listen, but hits when this genre is what you're looking for
Eagles
5/5
It's one of the greatest albums during the pinnacle of rock. Good mix of complexity, intricate lyricism, and classic songs.
Jane Weaver
2/5
Seems to not belong here. It's not bad, but I don't seem to see any significance to it
Nas
4/5
It sounds like a lot of the New York rap I wasn't allowed to listen to growing up. That made it seem briefly un-notable, until I realized that this is the album a lot of that pulled from. One of the first to produce and rap in this style. Shoutout NYC
Damn life was good when I was 5 and the world wasn't burning. Made me forget that the first half of this album is leagues better than the second.
Madonna
3/5
Hit after hit. Definitely a fun listen, trails off to more ballads towards the end
Black Sabbath
4/5
The original metal album. Spawned an entire genre of music. Learned about it in Metal 101 with Professor Duke
The Who
3/5
It sounds like the Beatles on the Ed Sullivan show. Definitely not the Who I know: a lot more blatant influence of the blues and similarly arranged into standard repeated sections. They even said themselves it doesn't quite capture their sound or what their sound will become
Fleetwood Mac
4/5
So many iconic songs on one album. The core of so many songs and albums in the future. Never was a personal favorite, but its reverence is noted
Scott Walker
4/5
A cinematic exploration of folk and orchestration. Really wowed through the listen. Resonant with classic 60's music while also leading a clear path to future use of orchestration by bands like Radiohead and the Flaming Lips
The Birthday Party
2/5
Punk and a bit of jazz with a lot of screaming and harsh tones. It took a while for me to think about why this would be ranked so high on Australia's albums of all time, but there's a straight line from this to KGLW
Count Basie & His Orchestra
4/5
Man do I love the Count
George Michael
2/5
Interesting to learn that it's his first album and that he wrote so much of it. It's a bit too... forwards for me. The 80's be wildin'
Worth another listen late night instead of 9 AM on a Tuesday. 2.5/5
The White Stripes
4/5
Thanks mom
Never realized there was no bass on the album, but it is the very distinctive sound of the White Stripes. Reminds me of going to science summer camp. 3.5/5 but round up for nostalgia.
Linkin Park
2/5
In the End is a classic, Cure for the Itch had some nice triphop vibes and no screaming. There's good parts and interesting components, otherwise, not really the album for me even though I remember a good amount of these songs. Divorced parents soundtrack
The Stooges
3/5
Like Black Sabbath, this album was before its' time. Songs were not particularly notable but are the core of punk rock
The National
4/5
Never explored this band as much as Declan suggested. There's a reason we all sought his musical wisdom.
It's clean, it's lush, it radiates warmth and emotion with crazy good drums
The Kinks
3/5
Baroque is the right way to describe most of the sounds of this album. An interesting blend of the classic late 60's Brit sound with classical influences moving more and more away from the norm. An interestingly peaceful listen with some quirks
Gene Clark
3/5
Another refreshing and peaceful jaunt through late 60's / early 70's singer / songwriter music. Interesting that he's from the Byrds and clearly contributed much
3/5
This is the album that did it for them. A good amount of the songs are instantly recognizable, but again they front loaded the album. u2 -> U2
Massive Attack
4/5
Some of the original triphop right there. Drags a bit in the middle but is an important origin
Megadeth
4/5
Classic, killer, thrash. Nothing overbearing or too overtop, just tasty metal
Hugh Masekela
3/5
Good Afrobeat, a bit long form
Stevie Wonder
3/5
Hard to go wrong with Stevie. Definitely some more mature themes from him laid over some fine grooves
TLC
4/5
Prime time 90's R&B. Not always right, but hits when it does
3/5
Good early punk sound. Both vocalists play off of each other well and keep the album sounding fresh when some of the riffs and songs otherwise sound similar.
Bob Dylan
5/5
Its an absolute classic. One of my favorite Bobby D albums. A transitional phase to more complex songwriting both in terms of music and lyrics. The album is composed of mostly monumental songs known by many, but my favorite is still probably Bob Dylan's 115th Dream
Johnny Cash
4/5
Johnny Cash was one of the original country stars. This album showcases many of his talents: His deep, sultry voice, his natural story telling, and most of all his striking charisma. There's times when he voice cracks or he just asks for a glass of water a second time, and it shows how comfortable he is on stage. One hell of an artist
4/5
Interesting to go back and listen to these guys: their sound is a cinematic blend of US pop punk and UK Indie. right as everything was coming together in the mid 00's. Well made and produced
Talvin Singh
2/5
A fascinating story of travel recorded in a busy, heavily Asian influenced album. The synthesized drum beats in contrast with recordings of native choirs are a bit jarring at time but was an interesting journey
Van Morrison
3/5
Classic Van Morrison. The man cultivated quite a vibe before he slowly became an unbearable asshole
Jefferson Airplane
4/5
This album marks a transition to more expressive psychedelic and emotional music. Absolutely influential and, though rough at times, played a big roll in creating the revolution of the 60's. White Rabbit is the perfect analogy to exploring the unknown given its' consistent use to flash back to the Vietnam war
The Who
3/5
Unlike some critics, I would not go so far as to say this is the Who's best work. It is filled with well-written songs that sound especially 60's on top of its' status of notable social commentary. 3.5/5
Lightning Bolt
3/5
Interesting to see this on here. I definitely enjoyed this more than I thought, but am not running back to it for a casual listen. Good working or rotting music.
Fela Kuti
4/5
Fela Kuti always brings such energy to his performances, it's interesting to hear a live recording from so early on in his international career.Even before some of his biggest albums, he was always Fela, one of the main players in defining the Afrobeat genre.
Ray Charles
5/5
Jazzy, well-articulated, easy going tunes. Ray Charles nailed it.
Lush orchestration and classic tunes. A great collection to be made aware of
Pink Floyd
5/5
It's fucking Dark Side.
Recently read a conspiracy that the album is supposed to be played B side first then A side: Starting with Money and ending with Great Gig in the Sky. Listening to it like this definitely changes the tone of the album and is an interesting approach to something I've listened through many times. I'd recommend it to any long time listener as its easy on Vinyl and easier with modern services
Radiohead
3/5
Not the Radiohead album I would've thought to encounter here first, but also not one I'm too familiar with. Starting off in 7/4 is just such a classic Radiohead thing to do. Fairly mellow given Radiohead's body of work but with all of the notable stylistic choices of the band in the early 00's. A good album to listen back on
Deee-Lite
3/5
A vibe. Everything does sound vaguely like "Groove is in the Heart." Really interesting guests and directly influences the development of 90's music
Primal Scream
2/5
A lot more mellow and articulated than "an anarcho-syndicalist speedfreak road-movie record" made it sound. Certainly cinematic but overall a bit underwhelming. Everything from design to description made this sound like a thrash album and it just wasn't
Ozomatli
5/5
A really interesting blend of cultures and sounds. Anthems for the regular people of LA County. Full of energy, Ozomatli definitely delivered here. Will have to check more of their catalogue out
Spiritualized
3/5
Rich mid-90's psych-rock. Philosophical and spacious as implied by the name. Good heavy bits and good writing, nothing crazy though
Muddy Waters
4/5
Sounds like the 1950's again. Muddy big and proud on this album with tight backing. Some of the best mainstream blues
William Orbit
3/5
Though never explicitly stated, it seems these albums were an early blend of electronic and world music. It's groovy if not oddly distant at points. Becomes a bit repetitive towards the end of the album, but was an interesting listen.
Rahul Dev Burman
2/5
I am glad I took the time to read about the movie before listening. This album sounds like a soundtrack, obviously based heavily in Indian Culture. It is good for what it is, though I do not understand what qualified it for this list.
The Incredible String Band
3/5
Very distinct as late 60's psychedelic folk. A lot of renaissance themes to it, combined with their Scottish accents, makes it sound like it would fit in the Fox Robinhood universe. Theatrical and silly yet oddly satisfying.
Iggy Pop
4/5
Spooky Skeleton man has always had a refined blend of punk and appeal. It i interesting to listen to the differences in the tracks produced by Iggy and by Bowie.
Incredible Bongo Band
4/5
Instrumental, percussion heavy, covers album. Yes please. Lots of samples and inspiration from this one.
Cee Lo Green
3/5
Cee Lo has always been a little full off him self and it shows. This album has a great depth of production and interesting guests, but I'm not sure what put it on this list. A continuation of the exploration of Southern Style Hip Hop
Lloyd Cole And The Commotions
4/5
The refined sound blend of good 80's music with interesting lyrical content. Very cool how a lot of it references literature and recreates the feelings of being in love 4/5
Bob Dylan
5/5
One of my favorite albums of all time. The source of a few long running family remarks (SLOWLY DWADDLES) and fights (Is the Jack of Hearts alive at the end of the song???), and many fond memories of singing this in the backseat as early as I can remember.
It's also one of the best examples of the Bob Dylan's deservingness of the title "Poet Laureate of a Generation." A deeply emotional and complicated album that has stood the test of time and changed with me as I've grown
Peter Gabriel
4/5
Cinematic and wild. Many different layers of sounds and moments were expertly created and refined here. What a start to a solo career.
Violent Femmes
4/5
I can't believe this came out in 1983.. I have a whole new appreciation of the Violent Femmes. Killer Acoustic Bass Guitar and clearly influential to Alt and Indie music. Strikingly minimal while whimsical and calamitous
Brian Eno
2/5
Another high concept art album from legendary assholes. Important in terms of sampling and tracking but not a particularly enjoyable listen. Often sounds like the music from How It's Made
Stephen Stills
4/5
They don't make albums like they used to HOT DAMN.
Continuity through a thoughtful 4 part album?! Sign me up
Impressive segueing of styles and composition. A bit odd to listen to as such but really interesting
OutKast
4/5
One of the earlier examples of the melodic shift of Southern Hip Hop. Widely influential, not always what I'm looking for
Living Colour
4/5
Thought this would be a one hit wonder band with a guitar hero song, but it was a well put together combo of hard rock and funk with a laundry list of influences. Great instrumentation
U2
4/5
U2's body of music is really hard to grasp sometimes. Half of their body of music is from my lifetime and half before. Their sound changes by decades, but always holds the same stadium appeal. I've heard a good amount of the songs from this album prior but listening this intently makes me appreciate their significance much more.
This album feels more complete than All That You Can't Leave Behind and the songs I didn't know stood out more.
The Disposable Heroes Of Hiphoprisy
4/5
4/13 songs have been removed from Spotify.
High Quality early 90's Hip Hop beats with politics as the clear focus. Surprisingly doesn't feel patronizing or begging because it goes in so hard. So forwards its reminds of the Adventure Time POLITICAL RAP scene. It's almost hard to believe this guy went on to create Spearhead and write such cheery music if the politics weren't so consistent.
Otis Redding
3/5
A well done set of classics by a legend. Not groundbreaking, but it is genre defining. Enjoyable listen
Sonic Youth
4/5
Refined dissonance. This album has definitely influenced many of the indie bands I grew up listening to. The moments of harshness are surprisingly balanced and I enjoyed more than I thought
Dexys Midnight Runners
4/5
Again, I liked this more than I thought I would. Dexy's really did come out swinging, and the advent of the string section definitely helped that along on this one. It's a shame all of the horns left the band immediately after this release. Lots of early ska. Sounds like the drama kids just pulled a bunch people from Orchestra, Band, and Chorus by the song to help them record in a good way
New York Dolls
3/5
Filled with personality and that great early chugging of NYC Hard Rock, this is a stand out for sure. Nothing crazy or overcomplicated, the dolls delivered a fun album while telling Homophobia to fuck off.
N.W.A.
3/5
This album bred so many rappers for decades to come. Never could really lean into the aggression of it all, but the beats are crazy. So many samples to make groundbreaking songs and runs for a full hour.
Its' influence is the reason why I wasn't allowed to listen to rap growing up. Some parts of this definitely wouldn't fly today, but this was always meant to be something that made people scared and angry. Not my deal, but reverent of it.
The Magnetic Fields
4/5
Clocking in at nearly three hours total, I thought I would need a break. The variety of it all kept me invested. There is a lot of distinct indie charm and New York life mashed into these songs. It is impressive how many genres and styles this album goes through and how many different views of love are presented in these "Love Songs"
A lot of it doesn't quite reach that complex level of songwriting, but there's a lot of depth in the lyricism. I think its' concept is fun and that it realistically is more of a Revue than a consistent album. It comes off more silly than profound at times, but I think that's the point. A wild album to put together and record. I ended up liking this better than I thought
Bebel Gilberto
3/5
Album is good, though I think it's importance must lie in its' dreamy reintroduction of Bossa Nova music into the popular lens in Europe and America.
The most interesting things I learned: the Serbian producer of the album died due to smoke inhalation after a studio fire, and that Gilberto is a Brazilian Bossa Nova dynasty musician.
Van Morrison
4/5
Comes off as Post-Folk as it is obviously tinged with Morrison's older work but there is a much wider range of influences present. A sweeping soundscape of moods, this album came off much better than I anticipated.
Lou Reed
3/5
A true, full concept album. It's a well written and sad story about the ravages of addiction including ups and downs, all still smattered with Lou Reed's iconic NYC sound. It would be worth going back and trying to read through the lyrics or listening more consistently to the lyrics.
Jimi Hendrix
5/5
A love letter and introduction from Jimi. It includes many of his best known songs as well as some incredible instrumentation and songwriting. This album is one of the major sounds of the late 60's and inspired generations of guitarists to explore their artistry. Hard to believe that this is a debut album at times.
10cc
2/5
Didn't really do it for me. Hard to follow the vocal themes and is a bit zany and inconsistent. I don't believe I disliked it as much as it didn't settle as an important experience for me.
D'Angelo
4/5
90's Soul / R&B Incarnate. Refined and sexy . This album just feels good when this is the mood you want.
Elastica
3/5
Classic 90's Alt feel. Catchy while still holding to the edgy attitude. Interesting stories behind the band.
Steely Dan
5/5
A day in the life of a Hi-Fi Audiophile:
1) Plead with my wife to come back home
2) Crank that sweet, sweet Steely Dan
Dolly Parton
4/5
Country music back in the day just hits different. It's still free, artistic, and a memory of simpler times. Getting Flagels with Grampa out in NJ and his love of outlaw country. It's hard to think of Dolly anything other than the mega figure she has been my entire life. Short and sweet lil album here.
Super Furry Animals
3/5
Appropriate for the times, did not feel as weighty as the Wikipedia and Critical reviews would've made me guess. Likely worth a listen, definitely an influence to many of the British Indie favorites of mine.
Grateful Dead
4/5
This is it: the transition from jazz and blues and psychedelic rock to jam bands in recorded form. Utilizing the new 16 track recording, to capture a lot of the finer details of and emotion of a live show
Nick Cave & The Bad Seeds
3/5
So this is Gothic Rock, huh? Always nice to eb able to put a name to a genre I know. Nick Cave was interesting to learn about, as is a lot of Australian music. Not fully my deal but iconic for what it is. A double album is always appreciated.
The Isley Brothers
5/5
1973: A great year for music
A lot of classics from this album and songs I knew but didn't realize. Absolutely a vibe in and of itself. Interesting to learn that this is the album where the 3 brothers incorporated 3 other musicians for the first time, though now the name makes it seem obvious
Sparks
3/5
Whimsical and eccentric, this album has a lot of surprising notes to it. Everything from screeching guitar solos to silly, high pitched vocals, it almost comes off as a musical soundtrack sometimes. Interesting to learn about Sparks and who they've influenced, especially through this album.
When I started this album, I thought this wasn't going to be my style at all, but it surprisingly grew on me in a way I didn't expect. Warrants a re-listen
Beck
4/5
I immediately recognize this album cover, but had never really listened. Was just a bit early from when when I hit my big Indie pocket.
A soaring album of dramatic swells and emotions. Really keyed in on the lonesome aspect of heartbreak, highlighted by the use of space and small effects suspended in them.
The Byrds
3/5
Wonderful album, and definitely seems to be tipping the scale towards psychedelia. Had lots of classic early 60's charm. Always interesting to find out songs I didn't think were covers are: Mr. Spaceman
Minutemen
3/5
A bit of musical ADD with how many songs are crammed into the 74 minute run time. Interesting in how many style are captured and interpreted. Difficult to listen to at times
The Sonics
3/5
Such a classic 60's sound, it transportative. 12 songs in under 30 minutes is also a nice surprisingly easy listen
Big Black
3/5
Definitively Noise Rock, but with a nice hit of passion. Got me moving from time to time through all of the abrasiveness.
The Modern Lovers
3/5
Good mid 70's punk sound with exploratory lyrics. Great use of space. Nothing crazy, but a solid album all the same
Dead Kennedys
4/5
It's just really high quality American Punk as the scales began to tip towards that musical direction. Jello's voice matched up with the high speed and intensity of the music makes it a very immersive album, ready to thrash about whenever needed.
PJ Harvey
3/5
The album is quiet, had to be turned up from where I've listened to every other album. Definitely seems to follow the path transitioning Punk to Grunge in the early 90's with hints of Indie.
Don McLean
4/5
The whole album is more than just American Pie! Aside from the classic of classics, there's a lot of excellent era appropriate folk blended with a bit of country and Don McLean's own sound.
Fugazi
3/5
Lots of interesting musicality interacting through Hard Rock. Didn't listen as intently as desired, but certainly a good and important album for what it is
Finley Quaye
2/5
There are many interesting moments on this album, though overall, it does fall fairly flat to me. Seems at times to blend R&B aspects with traditional Reggae roots. Album takes advantage of lots of space, feels a bit unfulfilling at points, but that is more due to personal style.
The Teardrop Explodes
3/5
Sounds like a more driven and experimental version of the Police at times. Definitely a show of the movement towards musical differences in the early 80's, but not something that could stand up greatly to the test of time
3/5
It was interesting to hear Bob Live in such an early part of his career, having already achieved international success. Concert is in two sets: the first is just Bob, guitar, and harmonica while the other has the band behind him. To think he was only 25 at the time and had already become so notable is wild. It's nice to hear his artistry resonate through the theater and this album is good, though this is not a standout favorite
Booker T. & The MG's
4/5
Classic early American Soul. Everyone knows the song Green Onions: it has appeared so many times as the song people explain how the Heist is going to go down. Lots of great organ and instrumentation and enjoyable covers. Research led me to McLemore Avenue, a Booker T. and the M.G.s All Beatles cover album
Blue Cheer
4/5
The sounds of the 60's from Surf Rock to Hendrix to the Blues are pervasive throughout the album, but it's all quite different. If the first true Heavy Metal album is Black Sabbath, this definitely helped clear the way.
The sound quality is a little rough and could definitely use a remaster. An interesting listen and clear path of evolution in music
Deep Purple
4/5
I feel like my whole generation was lied to about Deep Purple: "They're the guys who wrote a guitar song you can play with one finger. Famous one hit wonders!"
This album shredded. Lots of high intensity, hard rock jams that went on for longer than anticipated. There were some weird parts like a 4 minute drum solo or some back and forths between the vocalist and guitar solos that didn't translate well, but I imagine seeing this blitzed on coke in the early 70's in Japan was an absolute riot.
Curtis Mayfield
4/5
I'm glad it was compared to Gaye's "What's Going On" which came out around the same time. A lot of the soundtrack is familiar because so many of these songs have pushed beyond the boundary of backing music and defined an entire genre of soul
Harry Nilsson
3/5
Album was delightful and fun. Just silly enough to be relaxed and poppy enough to have made a name for itself.
Pink Floyd
5/5
A testament to the great, expansive, pinnacle of Rock that occurred in the mid-70's. Wish You Were Here is an incredible album and should be appreciated. It is more operatic than Dark Side and showcases clever songwriting in the transitions
The Chemical Brothers
3/5
Outside of my normal scope of music, this was a bit challenging through long sections of repeated beats with limited development in the songs. That being said, it is a high quality album and a great album for focus.
The final song, the Private Psychedelic Reel, was definitely my favorite. I don't think this belongs in the greatest 100 albums of all time, but I'm glad I listened to it
Elton John
3/5
Elton John has put out so much music over the course of his career, but the early 70's, right when he started, was like someone turned on a fire hose. A good album that's got plenty of Elton's classic charm and songwriting that starts with Tiny Dancer of all songs.
Genesis
3/5
Very dramatic and intricate songwriting with the lyricism to boot. Does sound and feel very similar to exploring New York.
It's a bit long winded, but a feat of musicality undoubtedly
Janis Joplin
4/5
It's hard to overstate Janis Joplin's importance to music and the rock and roll scene. What a powerhouse of a vocalist and someone who was taken too early from us.
The album really captures a lot of her uniqueness and her voice.
Curtis Mayfield
3/5
Much more mellow and soul driven than Superfly, a great listen. There's a lot of character and emotion pushed out through the album.
So In Love is a Curtis Mayfield song it turns out. Love finding older originals to newer covers and comparing and contrasting through this project
The Smashing Pumpkins
4/5
I've heard a lot about this album through different media sources, and is rightly lauded as a defining moment in Alternative Rock. Though not listed as a concept album by Billy Corgan, this "Loose Collection of Songs" has distinctly captured the feelings of teenage angst and confusion.
Over 28 songs, there is naturally some brilliant moments and some to be less enjoyed, but a good listen none the less.
New Order
3/5
Some really fun and hypnotic, trancy dance music. Has some surprisingly deep lyrics. Warrants a full relisten, but would great to put on to hype some people up or have on during afters
ABBA
3/5
Sorry mom: ABBA is good.
This is so different than a lot of the popular ABBA songs and I believe represents some of the tenser moments of Mama Mia. It has a gothic/baroque quality to it and is soaring with emotional turmoil.
Metallica
4/5
It's really good, even better than I anticipated. The guys in Metallica may be dicks, but the two hours of symphonic metal on this album makes up for it. Perfect D&D fight music. Will warrant another listen
Motörhead
4/5
This album DRIVES. Nonstop movement and motivation through constant guitar work and shouted vocals. I like that they refused to be labeled a metal band, and were instead a "Rock 'n' Roll" band
Not something I want to listen to all of the time, but it's a damn good rock album
Nine Inch Nails
4/5
I've learned a lot about Nine Inch Nails listening to and researching this album that I didn't before. For one thing, Trent Reznor is the entire fucking band. There's a few small instruments and samples added as a cherry on top, but he's credited for "Vocals, All Instruments, Arranger, Producer" on this album. Not even just that, he was using early Macintosh software to edit and distort the sounds and frequencies used.
The album is rough and erratic, and can be hard to listen to. I feel that's almost the point though. A concept album of a man so misanthropic he kills God before struggling to take his own life is relatable in a lot of ways. It speaks a lot to the underground scene in the early 90's and a bit to what some of these live shows must have been like. As I listened, this album grew on me much more than I would've guessed.
Ultimately, an incredible accomplishment in music history that warrants more listens and analysis of the lyrics. It's time to come to terms with the drum machine
Neneh Cherry
2/5
This was a fine album, not my particular music taste.
Interesting combo of raps and 80's beats.
Bruce Springsteen
2/5
9/11 had a profound effect on the music industry, and I don't think any of it was good. This is a prime example.
Its awash with patriotism and self-pride. The music is simple and uninspired while being littered with a bunch of over complicated melismatic strings. It feels lazy overall. It's the shadow of albums like Born to Run and Wild, Innocent, E-Street band.
I love Bruce, but this is not the version of him I love. If anything I feel like this still belongs on the list to show the significance of 9/11 in music
Kings of Leon
2/5
Idk what I expected, but it was definitely not a gruff, punk album. Its got some surf rock, it's got some stomp and holler, its not by any means revelatory. Crazy that these guys blew up thanks to a few songs on their 4th album.
Not a bad listen, but idk why it's on here
Willie Nelson
3/5
It's 2023 all year, so it's Willie Nelson's 90th birthday all year.
Crazy to think that Willie Nelson's 22nd studio album was one of the ones that really propelled him into the mainstream. Cool story about Booker T. Jones producing and arranging the album after meeting on a jog in Malibu. It's hard to hate classics like these, especially coming from Willie Nelson reflecting on his own influences.
1/5
I always wondered why people got really into Devo. This made me wonder why more.
Half-ass sounding cover of Satisfaction. Some really high instrumental notes were cut off by vocals coming in. The yelling and stuttering syncopation were just not for me. Whole album sounds unenthusiastic and lacks emotion.
Not insufferable, but not good.
The Stooges
4/5
1973: A great year for music.
Straight to the point: Iggy Pop and the Stooges created Punk Rock. They were not the only ones, but this is the album that really gets it together. Reading about the different approach to music and guitar due to the new guitarist is really interesting and helps connect the lines to the Clash, the Ramones, the Sex Pistols, and Patti Smith
Boston
3/5
A great classic album. Many of the songs are still in rotation today.
Interesting to learn about the recording process and how the band got together to create this album. An incredible debut, though not particularly influential or significant beyond its' popularity
Black Sabbath
4/5
Great musicality with lots of space and thoughtful lyrics. Black Sabbath really paved the way for Metal of all varieties. Love learning about producer changes like this where the band does it and it changes the sound positively
Not only were they pioneers, but in research, I learned they put out 4 albums in their first two and a half years: prolific
The Police
3/5
There is a distinctly different set of influences on this album from world music compared to the rest of the Police's catalogue. Everyone knows Every Breath You Take.
A classic album that provided a fitting end for the band. It was really cool to see their reunion tour as a kid.
Stevie Wonder
3/5
Filled with a lot of space and self-reflection, this album takes a step back from the normal bops of Stevie Wonder, but holds just as much of his iconic character.
Tortoise
4/5
POST-ROCK!! Wasn't sure I'd see any of this on here. I was surprised that it was this album from Tortoise, but after reading how it was one of the more notable entries in early Post-Rock, it makes sense.
Album is tactfully written and full of complex emotion. Definitely a good listen
Siouxsie And The Banshees
3/5
Not the easiest to listen to, but that's how it often is with post-x music. I'm not running back to this album, but it was very interesting to listen to this and consider how it influenced those after it in a similar genre like Joy Division and the Sonic Youth
Michael Jackson
4/5
The production on this album is incredible. Quincy Jones always nails it.
Though a bit more hard lined and serious than some of MJs other albums, it is still a landmark album in the catalogue with all of his unique quirks and styles showing through
Green Day
4/5
It's not even my favorite Green Day album, but it's a classic. Green Day started a new wave of Punk amid America's slide into Grunge.
It's short, it's loud, and it definitely gets the point across. It's not particularly musically complex, but its influence and emotion definitely leave this as a good contender.
Traffic
3/5
I've been looking to explore Traffic again so this was a nice push. The album is a bit scattered in a way I really like. Shows how many influences they had and leads to the direction they would go in. Definitely a front runner in Progressive Rock. 3.5/5
Steely Dan
4/5
1973: A great year for music
A bit more reserved but still an artistic accomplishment from the masters of perfection. Though none of the songs ever broke through as singles, it still deserves high praise for the journey it takes you on.
Van Halen
4/5
Three very well known popular songs out of the eight and a half on the album is impressive. It's not reinventing the wheel, because this is the sound of 80's rock. Not the most musically impressive thing I've ever listened to, but it's full of drive and energy. To be appreciated for its influence for sure
Peter Gabriel
4/5
This feels so unnatural, Peter Gabriel too...
Sledgehammer and In Your Eyes. Lots of progressive, synth heavy music with the exact kind of gripping lyrics and fusions you'd expect.
Prince
4/5
I don't love all of Prince's music, but this was phenomenal. The artistry and talent shown on the album is crazy. Not an easy or short listen, but well worth the time. Probably one of the best albums to come out of 80's pop hell
Sonic Youth
4/5
I listened to this the same day as Siouxsie and the Banshees for continuity after missing a bunch of albums. It's great to see how they took the same dramatic post-punk and refined it into a more well thought-out album with their own spin. Album definitely has a lot of attitude that is kept pretty minimal at times but breaks through to intense bits. Great, if not strange song writing
Elvis Costello & The Attractions
3/5
This is a distinct step forward in musicality from "My Aim is True." Definitely leans a bit more into the pop sound but still has all of the sharpness and interesting styles you want from Elvis Costello. The Attractions add a lot of depth to the record, as does the increased level of production.
Simon & Garfunkel
4/5
A staple in folk albums. So many immediately recognizable songs from Bridge, to Cecilia, the Boxer, etc. It's got its' own flair and styles and was a worthy finale of Simon and Garfunkel
Dire Straits
3/5
Breezy, great instrumentation, a solid listen through. Nothing is exceptionally mind blowing, but it is definitely an impressive debut. Gotta love the Sultans of Swing.
Al Green
3/5
Easy listening. Some good classic soul. It's exactly what you expect in a good way
Youssou N'Dour
4/5
Damn is this a vibe. I wish world music like this had the same kind of write ups that the more popular stuff does. Obviously they hit a smaller group of people, but there's clearly a lot more to this album than the Wiki leads.
A complex jaunt of music and emotion. The language barrier doesn't matter too much because the music is so expressive as is. As advertised: a short, but comprehensive jaunt through a uniquely African soundscape
Alice Cooper
3/5
I feel like this is another Deep Purple situation. Sure everyone knows School's Out the song, but the album has a lot more complexity and appeal though not mainstream. A fun listen and an interesting possible concept album about ending school and having to grow up after graduation
Joy Division
3/5
Is Joy Division overrated? Yes and No
Of their own admission, they didn't try too hard to make this album. They're talented musicians that shot the shit and got darker and darker until they would hit record and improvise jams and lyrics into a tape recorder. Bernard Sumner's suicide certainly helped propel the band a bit more into notoriety especially with these posthumous releases.
All of that being said, Joy Division is one of if not THE seminal band in Post-Punk. Their style was certainly their own and has influenced a great many people. Some take it deep to heart and some just wear the T-shirt for clout.
Joy Division is a cultural and musical icon, no matter how you look at the quality of their music or artistry. Even if it's not for you, it's important to appreciate the steps of musical history.
Jurassic 5
3/5
Really great production on the album. Cut Chemist and Chali already got high marks from me for Ozomatli. It's a good album and continued to push HipHop in the early 00's to blend more and more with other genres. 3.5/5
The Smashing Pumpkins
2/5
I didn't like this nearly as much as Mellon Collie. It is good, and once again defining Alt Rock, but I don't feel that it carries the same weight personally
Paul Simon
3/5
A bit simple, but shows how much of a talent Paul Simon was even when he we just starting out on his own. Most if not all of the songs had been recorded for years before being released. Nothing mind blowing, but an important piece of musical history. A bridge between his days with Garfunkel and his future sound
Rufus Wainwright
4/5
I wasn't sure what to expect from a Rufus "the Hallelujah guy" Wainwright, but this definitely exceeded my expectations. It has many sounds to be later found in later alt / indie music of the next few years. Specifically reminiscent of artists like Andrew Bird and Sufjan Stevens. Really excellent songwriting with a lot of eccentric charm throughout the different styles. Heartfelt and theatrical, bits of whimsy intercede with deep emotion. Put it on early thinking it'd be casual but it really gripped me while listening
Aphex Twin
3/5
I put this one off for 100 albums because I already knew it. It is important for the shifting of the ambient genre beyond Brian Eno into a more electronic space.
It's not bad, but it can be hard to work through on its' own. It's really excellent background music, and allows some of its' better moments to catch you off guard and shine
Aretha Franklin
4/5
The QUEEN
You just gotta love it
James Brown
3/5
Really interesting to hear James Brown from such an early point of his career. I didn't particularly know any of the songs but he still comes through as the performer everyone knows him to be. I think this is just before he skyrocketed to the very top with some of his singles. An interesting point in music history
Its good, though I'm not quite sure why it's on here. I had no idea Rod Stewart was in Faces so that's interesting. Captures the changing sounds of the early 70's transition from Blues to Rock. Not as hard as the Stones, but a clear directional shift
Circle Jerks
3/5
Its fun and silly while still being distinctly punk. Reminds me a lot of the TV album from Less Than Jake but a bit more raunchy. Nothing particularly gripping but a fun listen regardless
Jimi Hendrix
4/5
Hendrix truly helped reinvent what the guitar could be. I prefer Are You Experienced, but there's still much to be appreciated on album 2
Public Enemy
4/5
Fuck yeah. Learned a lot about Chuck D and Flava Flav (the original Hype Man) not to mention that they're also from Long Island
The mixing is so good. Definitely pushed Hip-Hop in new directions in the late 80's all while staying socially conscious.
Cream
3/5
Other then Sunshine of Your Love, nothing especially stood out. It was good psychedelic rock and a fun listen, but that's all it was
Chicago
4/5
This took me by surprise: When I saw Chicago it was lots of ballads and the popular songs I knew that were fun, but didn't stand up to their showmates Earth, Wind, & Fire.
This comes off more as a glorious processional. Lots of well articulated and harmonized horn parts with long running songs and solos. It almost comes off as a fusion of jazz and jam. Tons of energy and style choices, this was really one hell of a debut.
The Chemical Brothers
4/5
Really great mixing from a style I never really listen to. A bit long but a fun listen
M.I.A.
2/5
Disappointing. I really only knew Paper Planes going in, and I was hoping the rest of the album would be a worldly electronic vibe. It got worldly and electronic, but vibes were few, Did think the kids rapping was cute though.
Not my style but not bad. Enjoyed the clear influence of travel and world sounds on the album
The Last Shadow Puppets
4/5
This is a great example of an album that has a lot of thought put into it. The combo of the lavish orchestrations with the determinedly dark and spacey moods / lyrics creates quite an album.
I was surprised that of any indie albums I know, this was one of the first to show up, but I'm happy to rediscover it through this project
David Bowie
4/5
This was David Bowie's gateway to himself. Already well established by the time he put out this album, the change in songwriting and some notable songs like Changes and Life on Mars? primed him to create Ziggy. Listening through this album takes a little effort, but it's worth it. 3.5/5
1/5
I didn't make it all of the way through the album because it's noted that this album was removed from the project at a later release. This should've stayed and Fetch the Bolt Cutters should never have made it.
This isn't good, but its' cultural relevance may make this album worthy of a listen. I could totally mosh if drunk enough. This created a whole subsection of people who wore Neon too big gym shorts with TAPOUT Shirts. Ahhhh youth. I see what they were going for with the Rap/Rock and how hype they were on themselves given the time, but I can't stand it.
Julian Cope
3/5
Another album that grew on me as I listened. A balanced amount of politics and spacious post punk. Some especially grabbing moments, but nothing mind blowing. I'm glad to have gotten the chance to listen, this is not the kind of genre that's easy to find. Also very cool to learn about Julian as an artist
George Jones
4/5
This is some high quality Country music. I miss when this is what Country referred to instead of small town this, 9/11 that. The Grand Tour and Our Private Life are specific highlights.
It's short, sweet, and packed with a deeply emotional baritone.
The Jam
3/5
A distinctly British sounding album undoubtedly. Like someone took the 60's rock and pop and put the filter of early punk on it. Down to the Tube Station was my favorite on album.
The Flaming Lips
4/5
I love this album. Funny how when you separate some of the singles, everything takes on a bit more of a positive light than when you listen to the whole album. They really nailed the concept and emotional output of this one.
Reading about the musical was interesting, knowing Aaron Sorkin was briefly attached to it especially. I think it'd be an interesting show, but much like Sorkin, feel that it being sung all of the way through would remove some of its' emotional content.
Underworld
2/5
It's really good dance music that absolutely hits a level deeper than similar groups around the mid-90's playing this style. It's a bit longwinded for me and difficult to listen to all of the way through, but it would be better in a different setting is my guess. May warrant a relisten to try to highlight and understand some of the subtleties
Dr. Octagon
2/5
This was a fascinating album to listen to. I'm not aware of many rap concept albums, especially none so early with such a talented group behind it.
It's weird. A whole hour of a homicidal alien gynecologist is not exactly what I was expecting to appear on this list, or ever hear. Sticks to its' underground roots and laid out a path for a lot of weird / story based rap during an interesting time of for this style
Mylo
4/5
Will it Destroy Rock and Roll? No
Name aside, it's a great showing of soft rock and other more lush influences to electronic music to create different sounds. Not as gripping as most album, but does have value, especially as background music for focus
The Go-Go's
3/5
Original girl pop in the best way. Interesting to read about their origin and hear some of the later all female groups that use albums like this for inspiration
Ice Cube
3/5
A few big songs I knew, but mostly went into this one blind. Great production, but is still old enough into hiphop variance in the individual songs. Very socially aware and a worthwhile listen as a response to the 1992 riots.
Justice
2/5
A fine dance album. Its' place on this list is questionable though as I cant find anything particularly revelatory or big influences other than D.A.N.C.E.
Captain Beefheart & His Magic Band
4/5
This was great, eccentric Blues. I even listened to the additional 7 bonus tracks I was so intrigued. Ultimately an artist I had been meaning to check out long term and glad to finally get the opportunity.
Neil Young
3/5
The longing of this album is much different when compared to Harvest, as intended. I really appreciate the themes of loneliness and feeling distanced while being around people. I always forget how much I like Neil young, wish his music was back on Spotify
Tom Petty and the Heartbreakers
3/5
I don't think anyone is rushing to put Tom Petty at the top of their "Greatest Guitar Players of All Time" list, but it is very interesting to listen to his first album. It's sweet, carries a nice breezy feel to it, and is definitely tied to the heartland of America.
Talking Heads
4/5
Interesting to learn about the formation of the band and how they grew out of the mid-70's NYC scene. Best fact is that Lou Reed told David Byrne to never wear short sleeves on stage because his arms were so hairy.
It's eccentric and fun, was very unique upon release. Tina Wheymouth is such a good bass player and I was happy to hear a lot of her style on the album. Listening to the bonus tracks added a lot more depth to the record
SAULT
4/5
An album that carries significant emotional weight. Balancing spoken word sections with simple but pertinent R&B songs featuring historically African themes in music and lyrics.
For an album that came out mid-pandemic and within a single month of the George Floyd incident, this album is an incredible summary of feelings and direction. It incorporates immediate struggle, but also expresses frustration in summary of decades and centuries of othering. Really glad this made it on to the list in its' most recent review.
3/5
Young Damon Alban really nailed this one, and apparently it's not even their biggest album, definitely makes me want to explore more. Reading about how Blur needed a hard image change so they pioneered Britpop is a wild story. Influences heard in many mid 00's indie and alt bands. I like how the sound transfers to the Gorillaz, who often take it one step further or odder
Billy Joel
4/5
You can take the boy out of long island but you can't take the long island out of the boy. Everyone knows these songs, almost everyone loves them. What a way to make sure the company didn't drop you
Oasis
3/5
I never got into Oasis because they're whiny assholes and were a bit before my time. Big influencers and an album that should be in the project, but it just doesn't really go anywhere. It was... fine. None of the big Oasis hits I know of, but still well put together musically. There's a lot more complexity to it than it leads on, but the whole album feels like it was made to be nonchalant in the epitomic British way.
Can't believe some people are willing to vote for this as the best album of all time
Prince
4/5
A national treasure. I doubt there will ever be a better Superbowl performance than Purple Rain.
Even though it's not my thing, it's impossible to not appreciate the artistry on this album or treat it as anything other then Genre Defining
Brian Eno
3/5
Brian Eno comes off as a bit of a dick, but I don't think I knew he was credited for inventing Ambient music. Definitely an important album in that regard and really capitalizes on the "as ignorable as it is interesting"-ness of it all, in Eno's own words.
LL Cool J
3/5
Didn't really know much going in. Reading about how his career and dropping out of high school through this being a response album he put out after "selling out" for pop, to everything after was all very interesting.
An excellent showing of old school hiphop that certainly is one of the defining albums of rap music
The Only Ones
3/5
At first I wasn't sure how to feel about this album, but doing more research helped assure me that this album should be on the list. It's an interesting bridge between the early stages of British punk mixed with 70's psychedelia and pop. Highlighted by mixing rhythms, tones, tempos, and sudden changes between those in the songs from all three different styles.
Dusty Springfield
4/5
Lush and full, a love letter to the end of a musical era. This album resonates with the sounds of similar singers from the 50's and 60's highlighted by the captivating sound of Dusty's voice. A shame it wasn't initially received well, this album is an instant classic
Jethro Tull
4/5
Jethro Tull cultivated a distinctive late 60's sound that they twisted to their own through emotional songwriting and unique choices. One of the few popular musical acts to be in the last 60 years to use flute at all, and probably one of the best at it. Lots of songs I already knew and enjoyed and a great few I didn't to round out the album. Great listen!
The Cars
2/5
A good album with interesting electronic notes and good songwriting, but feels a bit long winded even after just 35 minutes. Their own eccentricity is apparent and the songs that I knew are still classics. 2.5/5
The Darkness
3/5
This album was a great listen, really capitalizing on the return of glam and hair rock complete with chugging guitars, soring vocals, and fun effects.
Michael Jackson
3/5
Shows quite the effort as the first solo Jackson album departing from Motown Jackson 5 stuff. A landmark disco album to usher in the era. Obviously some very famous songs, but more interesting to me was who all contributed to write them.
Radiohead
3/5
A main influence on English bands post-Britpop, this album brought Radiohead out of one hit wonder territory and led them further into their experimental territory.
I really like the blend of influences from Pop, Grunge, and their own brand of esoteric oddness. Not my favorite album from them, but an interesting point in their and UK''s music development. Quite the sophomoric effort
The Smiths
3/5
A unique turn in the mid-80's for a soon to be genre defining band. I think it's kind of funny Morrisey didn't let the band get photographed eating meat for promotion. Increasing the political activeness over a very aesthetically good album, great bass and guitar work
Bruce Springsteen
5/5
This album is a capture of 1970's NYC. 7/8 songs on this album are perfect... and then there's meeting on the river, an art song that is good and appreciated, but out of place. Really stops album flow.
So many classics between Thunder Road, 10th Ave. Freeze Out, and Born to Run, but Jungleland is an incredible musical/ballet emphasizing NYC and showing off one of the greatest saxophone solos in modern music.
Hits the spot every time
Tori Amos
3/5
Though her Synth project never took off, Tori Amos seemingly led the way for eccentric piano based singer/songwriters of the 90's and mid 00's. A bit odd at first, she really settles into opening a vulnerable and questioning space while putting herself fully on the line.
Anthrax
2/5
Interesting piece dedicated to the death of Metallica's Cliff Burton. They seem to have lost their friend but found their own sound amongst the grief as this was the album that propelled them to arena metal.
I enjoy the elements of punk and other hard core material, but the album begins to drag, especially with every song being nearly 5 minutes or longer
Eminem
4/5
Eminem was one of the worst things I ever could have listened to growing up because it was so vulgar, let alone listen to rap at all. Going back to it though, there's a lot of justification and emotions hidden behind the way he writes and presents himself.
Not always the right thing, but a really incredible / essential moment in rap history
Eels
3/5
Really capitalizes on the esoteric depravity of the late 90's Alt scene. Songs are depraved and depressing, yet still have a quality of warmth. Interesting that Dreamworks studios was their record label, probably how My Beloved Monster ended up in Shrek.
Jimi Hendrix
4/5
I was trying to figure out why this sounded like a concept album to me, and it's that it is a time machine back to 1968. The album is full of personality and captures so much of Jimi's style, tone, and unique take on music.
Rod Stewart
3/5
Breezy and full of early 70's charm. A surprising blend of influences made Rod Stewart who he was and really shone on the album. Not the most interesting thing in the world, but it was a good listen
The Rolling Stones
3/5
It caught me off that this cover is different than the one I'm used to, not to mention that the English version doesn't even have Paint it Black on it.
A clear stepping stone to them becoming one of if not the first major rock band. Essential, but likely still doesn't get itself into my top 3 Stones albums
MGMT
4/5
It always bothered me that some people took this album only for the Pop Hits and eschewed everything else as weird and too conceptual. Those pop hits never would've been as big if they weren't tinged with the weirdness that is at the root of MGMT.
The eclectic, emotionally activating songs really hit when I discovered this album as I was about to enter high school. I'm terribly biased, but I'm glad this album is on here. Its' combination of courage, appeal, complexity, and uniqueness really stands out and undoubtedly went on to influence many artists and producers
Led Zeppelin
4/5
I can't believe that I and II both came out in 1969 and III in 1970 to just be casually followed by IV in '71. For how acclaimed and influential Zepp is, I always thought they took more time to make their masterpieces.
This album is the distinct change from pure rock to acoustic/folk influences. This is how we ended up with songs like Over the Hills and Far Away and Going to California. It's got the least recognizable songs to me out of the numbered albums, but this is quite the experience in and of itself as they were continuing to experiment. A defining moment in Rock and Roll history
Todd Rundgren
3/5
Todd Rundgren obviously was feeling confident before starting this as his third album. To play and record all of the tracks and vocals independently for a double album in 1971, or at least 75% of it is one hell of an endeavor.
The album is full of intelligent and well written pop songs with the occasional weird bit here or there. It got a bit repetitive by the end of it all, but a good listen
Tangerine Dream
2/5
An impressive early influence to all sorts of modern electronic music, the German scene in the late 60's and 70's was awash with Discotheques ready to nurture this kind of music. The greater use of synthesizers and sequencers will go on to shape an entire genre.
Ultimately though, it fell a bit flat to me. Though wildly influential this is not something I would put on for myself. I'm glad I checked the track listing online and only listened to the proper album and not the two hours of bonus content
Fairport Convention
3/5
A good, inoffensive album. Most notable is the unreleased Bob Dylan music that's been transformed into their own style. I like the English Folk influence on this, though it vaguely sounds a bit like Fox Robinhood's soundtrack.
Blur
3/5
Will require a relisten.
This album is certainly eccentric. With the weight of the Britpop / Indie movements to come on its' shoulders, it's clear that this was a massively influential album.
Ella Fitzgerald
4/5
Really just amazing. Nobody could capture the range of emotions of these songs quite like Ella. The songs are all smartly arranged around her emotional forwardness and it's just lovely to hear
The Strokes
3/5
It's the Strokes. Always funny to see an album I don't recognize for it to turn out to be something I know quite well. I find it funny that a NY based band got their album approved and released around the world, but were forced to delay for FCC related reasons.
Some Day and Last Nite are obvious eternal indie garage songs. They really did bring a whole energy back into that kind of music that helped inspire a cavalcade of bands into the Aughts and beyond
The Gun Club
2/5
I actually enjoyed the bonus tracks more than the rest of the album. They showed a lot more the country/blues and punk blend than the punkier versions on the album.
There's not a lot of information on this album comparatively to some of the others on the list, but this album was a beginning of a new branch of Punk leading into a wider eye of influence. I'm not the biggest fan of it, but can appreciate it for its' landmark genre combination. 2.5/5
Doves
4/5
A sprawling, dark album highlighted by a unique approach from their old electronic music days.
I hate that so many bands, especially British Indie bands are compared to Oasis, but this band builds and improved upon the blueprint those assholes laid out. Always cool to hear a new and important Indie album. A notable step towards the many 2005 and after British Indie albums
4/5
It's cool to learn about how the Kinks helped to popularize concept albums and their interesting approach to music during a "slump" before Lola. It's whimsical, serious, emotional... a very worthwhile listen. 3.5/5
Norah Jones
4/5
Though a bit predictable at times, this album is perfectly captures an array of styles and emotions under Norah's wonderful voice. It's excellently inoffensive. A creative blend of genres that will certainly weather the test of time.
Emmylou Harris
3/5
A consistent, loving album from Emmylolu Harris. Rings with all of the classic old country tones you'd want but with her own spin on it. The covers were especially interesting
Iggy Pop
3/5
Sounds exactly like an Iggy Pop lyrical response to David Bowie's songwriting while both were holding up in a castle in France in an attempt at sobriety. Dark and a bit more coordinated than the Stooges, it helps to show a different side of Iggy, though the music remains distinctly Bowie-like
Super Furry Animals
3/5
Cinematic, cerebral, and ambitious... this album warrants another listen. Interesting to learn more about the band and their other "Post-Alternative" music." Certainly comes out as a kaleidoscope of genres as intended. Juxtaposed with you is an absolute bop. 3.5/5
ZZ Top
3/5
1973: a great year for music. Was this life-changing? No. Was it a grooving, driven, southern influenced listen? Absolutely. Exactly what you'd want when you think of ZZ Top featuring their number 1 song
The Police
4/5
It was a real treat getting to see the police growing up. Obviously Message in a Bottle and Walking on the Moon are great, but there's a wide breadth of influences combining the three musicians origins and the music scene at the time: most notably punk, ska, and rock. The album has a lot of character and personality to it because of all of these influences and it works well.
Paul Revere & The Raiders
3/5
An interesting 60's listen. They still have the reformed boy band properness to them like the early Beatles, but they're also cutting a bit loose and moving more towards Rock. Surprised anyone was in Boise in the 1960's anyway, especially for a band to come out of there. Nothing mind blowing, but a notable step for American music
Baaba Maal
3/5
I'm glad this is on here for the exposure alone. The music is transportive and brings forth world music that is often too underrepresented. The way they play and the emotion that comes out of this album is not to be underappreciated.
That being said, it is a bit long winded The long song time, similarity of many songs, and simplicity of the instrumentation can cause too much of this to blend together after listening.
Deep Purple
3/5
Good rock and roll from people who I didn't think shredded so hard.
Daft Punk
3/5
Do I love every second of it? No. Is this the turning point for house music in the late nineties and did it pave the way for the creation of amazing albums? Yes.
They say "Around the World" 144 times.
The Velvet Underground
5/5
An album whose influence was not widely known until a generation after, the Velvet Underground stood to create an icon in their debut.
Under the wing of Warhol; Lou Reed, John Cale, and Co did just that. It's amazing to think these kinds of subjects and types of sounds/songs were not widely used, because this has tinged so much of all music since. I feel that its' influence stretches a bit over its' musical quality, but reverent none the less.
Jah Wobble's Invaders Of The Heart
3/5
An interesting man with an interesting story. Though there's not much said for the album, reading about Jah as a bass player / singer resonates with me, plus he lived with the guitarist of the Sex Pistols.
It's a well thought out album of world music with a lot of interesting sounds and moods to choose from.
Justin Timberlake
4/5
It's fucking sexy. Great debut from JT with some absolute bangers on it. One hell of an R&B classic
Elvis Costello & The Attractions
4/5
Elvis Costello certainly has a way about him. The music really accentuates the poetic lyricism he's known for, even amid tension with the Heartbreakers
Stevie Wonder
4/5
The starts of Stevie's classics, clearly on the way to Songs in the Key of Life. Happy to hear the increased keyboards and synths as he grew into the 70's. A bit more downtempo than I expected, but a great listen.
The Stooges
3/5
Absolutely the start of a revolution. Glad there are multiple Stooges albums on here to hear the path from Rock to this proto-punk and at times psychedelic album.
We Will Fall really caught me for a surprise; I would never have expected a 10 minute song on this album. This album isn't perfect, but it is a landmark
The Soft Boys
4/5
Kooky. Combining some of the influences of late 70's punk with some more resonant tones and interesting topics, this album can be heard in a surprising amount of future bands ranging from REM to King Gizz
2Pac
4/5
A big turning point for rap: this level of introspection and vulnerability is the opposite of what the scene started out with. He was still in jail while the album was selling. It capitalizes on the 90's R&B trend with solid beats and Tupac laid himself entirely out for this one.
Elbow
2/5
The esotericness of this album is a bit lost on me. It is good as what it is. I find it similar to a bleaker Peaceful the World Lays Me Down by Noah and the Whale. Some moments shine through, most notably One Day Like This
Leonard Cohen
4/5
There's something so distinct and profound sounding in the late 1960's folk scene. Maybe it was that life was different and people were living out the songs they were writing. Maybe the lack of existing content allowed for more simplistic freedom of expression. Either way, an excellent debut from Leonard Cohen
Depeche Mode
3/5
I always thought Depeche Mode was a 90's band. It's interesting to learn more about their history and listen through an album.
This particular album and bonus tracks were an enjoyable listen, but nothing overwhelming. The irony of the albums title was not lost on me. It's a unique musical space in the 80's that helped steer the band's own direction and many other artists
Missy Elliott
4/5
Timbaland just does not produce unsexy music. This album clearly not only let him really flex his talents and create a wave of influence in the R&B scene to come, it is equally highlighted as Missy Elliott.
This album is great sonically, but Missy's attitude and talent are what makes this album such a landmark. This is how you become the Queen of Rap
Femi Kuti
3/5
The son of Fela continues to carry and develop the Afrobeat dynasty. I'm glad to keep seeing world music's important place on this list
Fishbone
3/5
A great album that sounds like it was 10 years before its' time. Most specifically, it sounds like late 90's video game music.
The blending and shifting music on top a mix of silly and serious themes is what makes this a "ska" album even if other elements are used. Certainly influential to later ska and punk acts
The Velvet Underground
4/5
It's cool, it's dark, it murmurs along some important points. Lou Reed doing the production alone, to the disapproval of his bandmates, is truly the rise of an important asshole. I do like that everyone in the band was encouraged to sing and contribute.
Marvin Gaye
5/5
1973 a great year for music.
An unparalleled blending of soul, funk, and sex.
50 Cent
4/5
Just a solid rap album. It's cool to learn about the familial lineage of rappers, like how this original 50 cent album was influenced by both Dre and Eminem. A few good bangers and some notable lyrics and guests. Instrumentation and the beats really stand out especially the marimba in P.I.M.P.
Flamin' Groovies
3/5
Even Mick Jagger recognized how close this was to the Stone's Sticky Fingers. It's a bit more raw and leans further into the Blues than Rock & Roll. The whole album stays very raw and never meets the mastery of the Stone's sound, instead conjuring up influences like Elvis and Surf music.
Drive-By Truckers
3/5
I wasn't sure how serious this would turn out when compared to the original major rock operas, but over the listen it built itself up. There is a constant and important narration that reflects the story through a few different songs, and the music is written with appropriate emotion. This album is at its' best when attention is paid to the lyrics and the various subjects they talk about. My favorite being the section on people from Alabama, most specifically George Wallace.
It's not Tommy or the Wall, but an interesting result of their effect in rural America
Ramones
2/5
Undoubtedly influential in Punk across the world, the Ramones, hailing from the Queens, are an important piece of musical history. With catchy chord powered thumping, the lads discuss a surprisingly wide array of social issues and influences.
The album grows old rather quickly, but at least I didn't listen to the extended edition. A lot of the songs are better looked at individually for their breakdowns than trying to pull something from the album in its' entirety. 2.5/5
Paul Simon
4/5
Angels in the Architecture
Using his massive recognition, Paul Simon readily showed the world what African music was all about, even during a cultural boycott. Some highly recognizable pop hits mixed with unexpected genres really make this album stick out as a commercial and cultural success
Bee Gees
3/5
Early Bee Gees really hits different. I didn't expect every song on the album to be a ballad, but because of this listen I learned that they were the original English harmonic family. All three of them are brothers!
An interesting development that they moved from this to the disco era with such force, but this was there gateway to that level
Isaac Hayes
4/5
Four songs is all that was needed.
I think the long form allows for even deeper expression in an album that began to point Soul towards popular music in the 70's. The storytelling and emotion captured from Isaac's playing and singing really made this album captivating
Britney Spears
4/5
It's impossible to separate this album sung by a 17 year old from everything that happened since, but this is how you become Pop Royalty. Captures some of the R&B and even punk tones of the era in certain songs, as well as went on to shape pop music around the world in a complex way.
I was 3 when this came out, but doing the research and trying to be objective this time: this shit slaps. Soda Pop was an unexpected gem. Worthy of its' accolades and a defining moment in music and cultural history as we shifted into the early 2000's
Duran Duran
3/5
A definitive progressor of rock music, Duran Duran helped push rock into its' next steps in the 80's using creative sounds and instruments over driven progressions. Performances may be under appreciated, may be worth going back and watching the music videos that started the MTV revolution
Sly & The Family Stone
3/5
Good old family fun. Some big instrumentals and a lot of personality is exactly what you'd expect from Sly & the Family Stone. Biggest surprise to me was that this album came out in the 69 as their 4th album
Bob Dylan
3/5
You can hear the recovery from creative pause in the music, especially emphasized by the atmospheric sounds conjured by the producer Bob didn't even like. It's aching, it's recovering, it's trying to see something new after decades of notoriety. I don't think it reaches the scope of some of his other releases, but its' relevance in one of the most important catalogues of music really makes it stand out
Beastie Boys
3/5
The intertwining of styles between jazz, fusion, rock, hip-hop... made this album and the Beastie Boys a lot more than I set them up to be. I'm not sure I thought of them distinctly as a hip-hop group vs early hard rock, but this is how you inspire a lot of the rap-rock groups that would come within the next decade following this album.
Sabotage is an instant classic, but the instrumentals on the album have a lot of weight
Muddy Waters
3/5
Muddy Waters, Grandfather of Modern Music, on a lovely July night. It's the first live Blues album AND they had to convince the cops to let them have the show because drunk people got too rowdy and were teargassed at the site before at Ray Charles. Legendary
A Tribe Called Quest
4/5
The original vibe rap. Not here to start fights or drop rhymes about killing each other, but for making art and complexities of living. A peaceful revolution and development in music. Distinctive sample choices. A generational staple for anyone who enjoys Hip-hop
Janelle Monáe
5/5
Preceded the listen with The Chase, Janelle Monae made something really special with her 3 Suites. It pulls from the Afrofuturistic roots of artists like Sun Ra and translates it to a modern era while still capturing the political importance of it all. The songs are widely varied and it keeps you paying attention. I was delightfully surprised with this, and excited to give it another listen. A Popera
Iron Maiden
4/5
One of the ultimate heavy metal albums. Didn't quite realize all these Iron Maiden songs I knew all came from this one album. A wild pivot with a new vocalist over the original band. Powerful sounds and poignant lyrics
Derek & The Dominos
4/5
I totally forgot a big part of what makes this album great is Duane Allman's slide guitar. A reminder of just how much emotion some of the early rockstars were able to conjure sonically. Many excellent songs with their influence shown from cover renditions on the album itself.
I would've stayed with George Harrison though
Mekons
3/5
Interesting to think that this is the first blend of country and punk, while still carrying some distinct 80's British tone. It's odd and doesn't quite sit well after one listen, but there's a lot of rawness displayed in an appreciable way
Funkadelic
5/5
Stellar funk album. It's a crime there's not more documentation on it in Wikipedia or the ability to play the whole album on Spotify. I'll probably look for this one on Vinyl I guess. 4.5/5
Led Zeppelin
5/5
One of the most influential and iconic albums in modern music. A well rounded blend of folk and hard rock showcasing Led Zeppelin's peak of musical development. Always good
Hanoi Rocks
4/5
Glam Metal is good, and it's interesting to listen to this and think about its' reverberations into the world. A shame about Razzle their drummer, the band had so much potential with this album, but this album still stands as a big success.
Marvin Gaye
5/5
I don't know if I can cede the #1 all time spot to this, but this is a damn perfect album. The way it approaches conflict, the issues it chooses to bring up, and how it centers itself on love and understanding have reverberated through generations of listeners. This is the soul equivalent to Zepp IV
The Sugarcubes
3/5
I'd always wondered how Bjork got her start in music and now I have my answer. This album clearly was inspiring for bands like the Yeah Yeah Yeahs, Paramore, and Florence and the Machine fusing upbeat sounds with dark content. In a way, one of the original pop-punk albums
Moby
4/5
I was impressed from one end to the other. I never really gave Moby much of a chance, but this was a great electronic album. The way he sampled and produced, on top of this potentially being written to be his final album, gave the album a lot of weight and engagement throughout the listen. Great sunny day album
Bruce Springsteen
4/5
I don't know if there was one song I knew well on this album before starting. It's hard to follow up an album like Born to Run with anything, but this does a good job. It's almost as if the characters from those stories made their way out of Jersey and into the world after school and faced more wide ranging adult issues. Though it misses the peaks and valleys of some of his other work, it is undeniably Bruce 3.75/5
3/5
A good early art album and an enjoyable listen, but it failed to reach the emotional peaks and variations that other of its' contemporaries (Dark Side or Tommy) hit that make those albums so impactful. It places the themes behind the music as opposed to integrating them. Worth another listen to hear what they have to say
PJ Harvey
3/5
Pulled a lot from various points of English music throughout history with her own unique twist. Most notably accenting traditional folk music and some of the more recent indie music from the aughts, it was an interesting look into a new artist. I'm excited to hear her other album on this list
Pentangle
3/5
Another album that relies on traditional English music but timed just after the British Invasion. Their use of traditional instrumentation and even some fantasy themed songs mark this as a classic folk album
Santana
4/5
I'm shocked to learn that neither Black Magic Woman nor Oye Como Va are Santana originals, instead coming from Fleetwood Mac and Tito Puente respectively.
Santana's first #1 US record release, and on a larger scale, one of the earliest modern musicians to bring Latin music into a popular space. Even if the songs are not all originals, this album drips with charisma and is presented excellently
Paul McCartney and Wings
4/5
1973: A great year for music.
A sprawling return to greatness for Paul full of eccentric yet driven tones and shifts. Recorded by just three people, Paul really carried the weight of the band on this album and did not disappoint.
Grizzly Bear
3/5
Ethereal and sometimes hard to digest, Grizzly Bear put a lot of thought into how this album is presented. Everyone knows Two Weeks for its soaring warmth and positivity, but a lot of the other songs illicit feelings of cold and confusion. A unique style that is not always my favorite, but is worth revisiting
Manu Chao
3/5
Absolutely captured the identity of sitting in a cafe or bar on the street of many countries through language and style variation. A great album for exploring
Bob Dylan
4/5
This album is a notable step from Bringing It All Back Home thanks to the boys from the Hawks and shows Bob's movement towards the sound he would cultivate in the late 60's and 70's. Always poetic and well spoken, I was not as familiar with this one, but glad to get the chance to listen to one of the early modern double albums
Marty Robbins
5/5
One of, if not the most essential Western albums of all time. El Paso and Big Iron are still icons after 60 years, and hearing the full album made me certain of that.
He's got the voice, he nails the emotion, and he recorded this album in EIGHT HOURS. Marty Robins and his backing band absolutely knew what they were going for, and captured a legend
The Rolling Stones
3/5
A good early Rolling Stones album. Focuses a lot more on some late 60's US experiences they had and those kinds of music styles as well as the tragedy of Brian Jones. Not one of my favorites, but if you try some times, you get what you need.
Buffalo Springfield
3/5
An interesting look into the Laurel Canyon scene in the late 60's and how that area was responsible for so much. A pre-cursor to CS&N (&Y) as well as Neil Young's solo career, a lot of the standard rhythms and styles of popular 50's and early 60's music comes through with distinct twang and psychedelia. The start of the tree branch towards folk rock
Roxy Music
3/5
Brian Eno just made a whole lot more sense. An eclectic album featuring all different kinds of tones and styles that pushed rock and pop music into new frontiers. Some of the choices I liked and some I didn't, but you can't always like every part of change
Brian Eno
4/5
I went into this thinking: great, another Brian Eno album, but against what I though were all of the odds, I really enjoyed it. This album is creative, diverse, features tons of great guest musicians, and almost acts as a revue of some of the more notable acts at the time (Bowie, Talking Heads, etc.). A blend of Roxy Music and Ambient work.
Fugees
4/5
I wasn't sure what to expect out of Wyclef and Ms. Lauryn, but this album genuinely sounded like kids having fun with R&B and Rap. Always hard to assume what you do is visionary, but this helped push rap further into the vibe category and away from the original Gangsta attitude it had associated with it. A phenomenal cover and lots of notable originals
Arcade Fire
5/5
A genre defining album for Indie Rock, laden with lush soundscapes and drama. Lots of lyrics about change, curiosity about feelings, and growing up hit me at just the right time when I got my hands on this. Such a strong start to their career, it's a shame they couldn't sustain it forever
The Specials
4/5
Creators of 2 Tone Records???
Clearly an important influence in the second wave of ska, but also some of the originators of its' political subject matter and variance in styles. It's everything from raw jazz band to almost electric sounding triphop. Lots of diversity amongst the quarreling band members caused this album to really stand out, showing that chances sometimes really do pay off
Paul Simon
3/5
Go off short king. Due to Garfunkel's pulling out of the album, it sounds like a fusion between the duo and Simon's solo work: an introverted Paul Simon album.
Though this album lacks the big splashes and drama, it is charming and captures different sides of Paul Simon. I didn't know any of the songs inherently and it was a fun opportunity for exploration
Maxwell
5/5
This is what Neo-Soul is all about. A lot of the original songs I had heard and was never able to identify again.
IT'S SEXY, IT'S CLASSIC, IT IS A MAJOR ACCOMPLISHMENT IN IT'S GENRE
Louis Prima
3/5
King Louis!!!
Though they focus most on his singing, attitude, and Italian Identity, he's also one hell of a trumpet player. Undeniably fun listen
Songhoy Blues
4/5
An excellent example of how music can transcend barriers like language by inflecting the feelings of its' performers. I wish there was more specific info on the band and the album specifically, but understand they are in a unique situation.
The album showcases the yearning and resentment of the implementation of Sharia Law and being evicted from their homes, but still has a tinge of hope to it. 'Desert Blues' is a good way to frame it, and the music is unique but still familiar
Orbital
2/5
A big expansion for Electronic music in the early 90's, Orbital helps to pave the way for many future artists. Most notably focusing on both dance music and lush, full environments.
I didn't love it, but it has a lot of value
CHIC
4/5
Bernard Edwards and Nile Rodgers were the backbone of so much progress in the music scene, though even they couldn't have had an idea that Good Times would become the basis for for an entirely new genre of music: Rap.
The instrumentation is so much more complex than I originally thought. I love that the Rhythm section is the core of the band from being session musicians together, and that they had so many musicians come in and guest or add on to their creation.
Merle Haggard
3/5
A good country album with some real determination and emotion in it. Merle really delivered, almost on accident since he didn't write the titular song. Captures the old western aesthetic with a bit more vulnerability than Marty
Tracy Chapman
4/5
What a storyteller. Navigating through issues both personal and political, Tracy's original vision stays captivating as it pulls you in for just one more tale. Her discovery and initial challenges she faced leading up to this album really cemented its message.
The music isn't always complicated, but the simple chords and multi-cultural influence of the drums provides excellent framework for Tracy's voice to shine as the main event.
Blur
3/5
I'm happy Blur chose to change their sound and influences to create something different. Similar to how Ratatat and LCD Soundsystem feed both into and out of Justice (I'm upping Justice's Cross [album 186] rating to 3.5), Pavement had a profound affect on Blur's sound as things got a bit looser and the band made some changes.
Song 2 obviously stands out as one of those songs everyone knows but can't put a finger on. This definitely begins to bridge the original Blur content with what will eventually become the Gorillaz. 3.5
Simply Red
3/5
I didn't think that the album with a forlorn red-haired child would fit the description of pop-soul, but boy was I wrong. There was a lot of good variance to the album, while still having a lot of consciousness about who was performing the songs and what they wanted to say
4/5
Filled with drama, ABC were successful in their quest to combine the politicism of punk with the sophistication of disco. The whole album is filled with catchy gems and comes off like watching a play
R.E.M.
3/5
It sounds exactly like I think of REM sounding like but a bit less refined. A solid debut to be sure.
Review is a bit behind original listen
R.E.M.
4/5
Now this is the REM that I know. Funny how I got two of their albums two days in a row. Certainly a bit more refined for their 5th album, they really focused in on their personal sound and the best ways to present it
David Bowie
4/5
Young Americans and FAME are such classics, it was good to finally listen to the whole album. A cool story about how Bowie hung out with John Lennon and began exploring more African-American musical influences. Though the album is defined by the bookends, it's still as meticulously crafted as much of Bowie's other work.
Sufjan Stevens
4/5
Sufjan Stevens is an Ed Hardy wearing fuck.
That being said Illinoise deserves its' acclaim. It is an artistically crafted album that, in its' complexity, is able to conjure up real emotion. It's rich and lush, it's vulnerable, it's unsure of how or what it is and it makes it feel real
Miles Davis
5/5
I'm not sure if I'm willing to say it is the best jazz album ever, but the line up says plenty. Its' focus on modal music can be tough to work through at times, but there is much to be appreciated and learned just 46 minutes. To this day a masterclass
Kid Rock
1/5
This... sucked. Kid Rock is a spoiled white kid from Michigan who ran away from home to be tough. Important for rap rock and fusing country into the genre. Even Eminem thinks Kid Rock went way too far into the drugs, guns, and pimp lifestyle. It just feels ingenuine and too based on creating the image to make this sound
The Who
4/5
An undeniable piece of rock history. It did to modern music what L'Orfeo did for the Baroque period. Its' legacy has spawned everything from Ziggy Stardust and the Wall to American Idiot and the Archandroid.
Though I have mixed feelings about the ending with the camp aspect reaching into the absurd, the opera covers such a wide range of emotions with a gripping story that it deserves its' praise. Highly suggest reading a synopsis first to make it easier to follow
Beck
4/5
Lots of really great music to be had in here. Feels like the hot summers growing up.
Glad to have Beck bring the focus back to his sampling. There's a lot of cool styles that are brought into the album and melded together to form what I think of as his iconic style. Love that it's a group effort from Jack White on bass for Go It Alone to Elliot Smith's death being the inspiration of Broken Drum
Metallica
4/5
Ironically dark and slow, Metallica made a big shift in the direction of metal with this one. Some of their most iconic tracks were born from this album and this is what I think of when I talk about their sound. They get so into the new style that it can be a bit dense, but if brooding, angry, and a little bit powerful is what you're feeling this is the album for you.
Ravi Shankar
4/5
Lessons included, Ravi Shankar was the person to internationalize Indian music. The different scales and microtones used make the music feel more conversational than typical western music with lyrics. I doubt I'll regularly be putting on any of these songs but am very reverent of their impact
Blondie
3/5
A main origin of Pop-Rock and clear predecessor of No Doubt, I was pleasantly surprised by most of this album. Not every song is perfect or the most catchy, but this was a clear start for a huge genre that began to emerge after
The Doors
3/5
A few of big songs, but more so a return to the Blues core of the Doors. The band made themselves commit to their return and it paid off well
The Dave Brubeck Quartet
4/5
The most iconic song in 5/4 to ever exist along with an intro course to odd time signatures. This shit slaps, just some good jazz
Leonard Cohen
3/5
A mishmosh of genres, I didn't think people were out here blending some of these so well. Leave it to Leonard Cohen and his cool demeanor and raspy voice to blend them together. A great layer of emotion and honesty is felt through the synths that comes off really clean
Primal Scream
4/5
An album called Screamadelica by Primal Scream I assumed was definitely going to be a metal album, and was pleasantly surprised. What an honor to have won the first Mercury Prize. So many bands past and future can be heard in this and it's wild to think how this fallen to the wayside a bit itself while influencing so many
Emmylou Harris
3/5
Not sure I ever put together that Emmylou Harris sang mostly covers for decades of her recording career. There's a healthy mix of country with some surprising 90's influence. She sings her heart out, in a way that showcases the pride of releasing her own music as such
3/5
Consistently overrated, Noel Gallagher thinks far too much of himself. Much of the album is rooted in simplicity, but is lauded for its' complexity. Don't Look Back In Anger is the only song I get any real enjoyment out of from the album, the rest has either been overplayed to ruin or just doesn't stand out.
The album does get a lot of points for its' major contributions to Britpop and the densely loud indie sound that I personally love. By no means a bad album, but I wouldn't listen to it otherwise
Joni Mitchell
4/5
Wild and free, Laurel Canyon really did an umber on its' main inhabitants. A level of self-expression and confidence to change the norm that is as mesmerizing as the songs on the album. Truly came into her own on this one
The White Stripes
3/5
I don't think I would have previously defined this as the 'Jack White Piano album,' but when listening back again it certainly takes the center stage on most songs. Shows maturity compared to some of the White Stripes previous albums in both sound and lyrical content.3.5/5
Steely Dan
4/5
It's not my favorite, but this showcases some of Steely Dan's best. The incessant perfectionism and use of scores of musicians is most apparent on an album like this.
They did what they set out to do, and did it well
Crowded House
3/5
A great balance of genres between alt-90's and some classic Australian grunge sounds with a hint of pop
DJ Shadow
3/5
Really excellent sampling, a road map for what's to come. Has had a lot of influence on what I like, and includes a healthy amount of politics in the darkened tones of classic 90's hip hop
Fiona Apple
3/5
Capitalizing on the other soft but well-written solo female singers of the 90's, Fiona Apple gained (Tidal) waves of support early in her career. She creates very vivid emotions in her music to inspire feeling in the listener, and this much more harmonic approach fit my style a lot more
George Harrison
4/5
We are lucky to have George Harrison. Eric Clapton did not deserve him. Interesting to learn Derek and the Dominoes spawned from this recording project.
His individuality from the Beatles really shines through here. The album is long, but easy to listen to in all of its' twists and turns.
Cypress Hill
3/5
This is a big step forward in West Coast Hip Hop after what NWA started. Still some gangsta lyrics, but balanced with some jokes and less serious topics. They had a good time with the album, and the beats especially helped mold the new sound
Orchestral Manoeuvres In The Dark
3/5
Great early synth-pop with some dark inflections that likely effected later electronic music
The Smiths
3/5
The influence from the White album is apparent throughout, resulting in a dynamic and varied Smith's album. A shame to see them go so soon, but a great final album from the Smiths.
Lynyrd Skynyrd
4/5
1973: A great year for music.
Genre defining Southern Rock. Half of the songs are only good, half are iconic landmarks.
Joni Mitchell
4/5
Deeper and weirder than Court and Spark, the whole album is held together by Joni Mitchell just being herself. She can turn anything into a sprawling, encapsulating experience. A model for so many independent women in music down the road. Early indie music even
fIREHOSE
3/5
Sounded a lot more Primus-y than the origin of Midwest Emo I thought this would be. An important carrying on of the Minutemen's legacy
ZZ Top
3/5
Southern Rock by way of European Dance music?? I don't know that I ever would've made that connection without reading about Billy Gibbons talking about it, but a very interesting combo.
I don't love that they went behind the bass and drummers back and rerecorded their parts / subbed them in for machines. Easy listening made it their most widely successful album, though I don't know that it is their best
David Bowie
3/5
1973; A great year for music.
How does one follow up one of the greatest albums ever made? Awash with new stardom, its' changes remind me of other English musicians retrospectives of their success as they tour through America for performances and inspiration (tranquility base, etc.)
It's not as gripping as Ziggy and there are no distinct mind-blowing standouts, but it's still a great David Bowie album with a lot of interesting influence, especially on piano. 3.5/5
The Band
3/5
The Band took the core of every way music was diverging in the 60's and made one of the most homey sounds out of it. With inspiration from all over and having spent time as the Hawks before backing Dylan, they got to finally put themselves out to the world as their own group.
I love that everything is recorded live. You can really hear the honesty and integrity of fellas just making something they had fun with and cared about
Pavement
4/5
It's hard to compare this to other bands because Pavement truly came to define the American Indie genre. It's eccentrically captivating as the band sprinkles dissonance throughout harmonic sections. Went on to influence so many, and many levels beyond their direct line.
Björk
3/5
The kind of artistic stunt that I'm not surprised Bjork was actually able to pull off. It's got some great moments as well as some that are difficult to listen through, but an all vocal album that still sounds artistic and not like Glee or Pentatonix is a success
Jazmine Sullivan
4/5
Incredible writing about serious topics. Shoutout to empowered women.
The music is well written but simple, showcasing the lyrics and poetry. The structure is what makes this album stand out: incredibly vulnerable spoken word followed by songs expanding on those concepts. Easy to connect with and overwhelmingly honest
Fatboy Slim
3/5
A bit dense at times, but important to the emerging loud electronic sound of the turn of the century. Good but gets a bit tiresome after a bit
The Verve
3/5
Helping to define the lush alt sound and definably influenced by the success of Britpop, the Verve worked hard from a Storm in Heaven to achieve this level of success. I think they left a bit too much silence before the secret song, but always a treat to see it. Still find it hard to believe this is considered one of the BEST British albums but I feel the same about Good Morning Morning Glory
Bittersweet symphony is far overplayed, but learning the sample is from an orchestral rolling stones cover is particularly cool.
Sam Cooke
4/5
RAW. An entertainer so enveloped in his love and passion of the music he's performing. Absolutely essential soul.
An interesting inflection point on the movement of popular music to focus on and include African-American artists and their influences but still preventing them from presenting themselves as such.
Gillian Welch
3/5
I'd aim to classify this as folk over country. Excellent composition and integrity in the recordings, especially the interplay between Gillian and her longtime partner David Rawlins
LCD Soundsystem
4/5
The condescending NYC asshole of Lou Reed meets the musical detachment of Brian Eno by way of dance music????
LCD is not the most approachable group, especially for the dance genre, but there's so much complexity and personality behind it. Really relates to my NY roots. Finally starting to get it and their importance
Pulp
3/5
It's the moody other brother of Oasis and Blur. Darker and a bit more punky than lush, it didn't capture the same interest from me. 2.5/5
Sarah Vaughan
4/5
Another amazing example of the talent of musicians in the late 50's having Sam Cooke's live album just last week. She nailed everything she set forth to do on the album: the highs, the lows, the jazz... and all while still relaxed like she's singing at home
The Temptations
3/5
Funny that they thought this album would flop in retrospect. A big stepping stone for the Temptations to branch out to share the variety of music with the world. Motown and R&B expanded into rock, jam, and beyond. Wish there was a remastered version
Billy Bragg
4/5
Fascinating to be able to hear The Smiths, Titus Andronicus, Oasis, and Neutral Milk Hotel within one artist. True commitment to Folk Punk earlier than I knew it existed. Smart, well written, and eccentrically charismatic, a very interesting listen. The bonus disc largely skippable, but is more of an extension to the original album release
The Everly Brothers
3/5
Short and sweet. Gives some good insight to pop music before most of the list takes place and just get some nostalgic bops
Keith Jarrett
4/5
An hour of stellar jazz piano. The Wiki goes into excellent detail on the style of his improvisation and riffing as well as some of the difficulties in getting the concert to run
Radiohead
3/5
What a huge and divisive swing from OK Computer. I included Amnesiac in the listen as the "hidden B-sides" of the album to emphasize how different of a project the band endeavored on at Thom's behest.
It's odd to listen to, and not immediately appealing. Over time, it has come to be appreciated for its' importance to music as a whole and for several of its' distinct instruments, songwriting practices, and general oddness compared to what they could've made. Combined or separate neither crack my top 3 Radiohead albums, but it's an important part of the journey they take
The Fall
3/5
Certainly a more approachable post-punk album than others, a surprising influence to indie and what would eventually be post-rock as well as other venues like Dance a la James Murphy. More important perspective
The Rolling Stones
4/5
Crazy that in the early 70's, the Stones said "fuck it" and became tax exiles. What a different time to be alive.
This album matters much more than I realized: it is both a return to some of the influences and genres that helped the Stones become who they are, but also followed Led Zeppelin in helping to bring more genres into the budding rock and roll. Some excellent songs and a fun double album
Duke Ellington
4/5
Love that it's actually a few different concerts pieced together with a lot of surrounding lore and circumstance career wise for Duke. One of the best sax solos I've ever heard and the sounds from Duke and those on and off the stage help add to the live feeling of the album.
Really stellar Jazz and a riot to boot. Wonder what it was like to live back then
Bob Marley & The Wailers
3/5
It captures all of the elements of Bob Marley: Spirituality, Justice, Sex, and a devotion to those around us.
It just feels good.
Foo Fighters
3/5
I'm not sure I ever knew the original Foo Fighters was just a cover name for Dave Grohl with the band coming after the fact. I think it speaks a lot to me that these songs were recorded because of grief, but most were written while Kurt Cobain was still alive. There's certainly some distinct Nirvana influence as many others have pointed out, but I think it gives the album a matter of prominence as we all dealt with losing Cobain
Cornershop
2/5
Though the big hits failed to garner my attention, there was a lot of unique eastern influence heard especially through some of the odd instrumental songs that I really enjoyed. Helped bring diversity to the scene and influence other UK artists. Seems a good precursor to Noah and the Whale 2.5/5
The Monks
3/5
An interesting proto-punk album of Americans out in Germany. A very unique album that shows the movements towards the Stooges taking off. The banjo and vocal melodies keep this one foot in the present while stepping towards the future with the its' unrefined energy and sounds.
Bad Brains
4/5
INFLUENTIAL
Warrants another listen, but is cited by so many bands (Beastie Boys, Nirvana, the Red Hot Chili Peppers, Rage Against the Machine, Clutch, Green Day, the Offspring, the Roots, Lamb of God, No Doubt...) for its' blend of hardcore punk with reggae, funk, and a host of other genres. Short and sweet at just over 30 minutes, an important study of reference material
Wu-Tang Clan
5/5
EAST SIDE
Wu-Tang emerged with the NYC renaissance and changed rap forever. Some of the oldest, most notable names in the game and listed by countless as a major influence: it's the style for me. The counterplay between all of their unique styles and sounds, all while sounding like you're hanging out with them cracking jokes about pop culture and shitting on each other
Beatles
3/5
The first all originals Beatles album. Really showcases their roots and how they garnered the popularity that allowed them to set the stage for the modern era of music. The sounds, the film, the pageantry... it was ready to begin
Shack
4/5
A lush Indie / Britpop gem
The emotion comes through so clear and honest and had the entire musical development of the 90's to help push it towards something special. To be considered with Oasis and the Verve
The Psychedelic Furs
2/5
A nice blend of punk into the classic 80's style. Nothing particularly grabbed my attention but not a bad listen. 2.5/5
B.B. King
4/5
Smooth as can be, the King walks us through a great short set of the Blues. I enjoy how casual it is with some of the songs being linked by stories and letting the band keep playing as BB spoke directly to the audience. His voice hasn't aged much here and that makes it sound a bit odd to me, but still all of the same emotion and pride you'd expect from the man
The Zombies
4/5
A Swan Song for the band. It's wild that they split ways before the release of the album, but I respect the integrity of the move.
What was left was a quirky, playful album reminiscent of the Beatles and other early English bands (used same studio and Mellotron as Sgt. Pepper) but also helped to gently shape the Laurel Canyon sound as it emerged halfway across the world
Bruce Springsteen
4/5
Though the lyrics decry the complications of American society, the sound of this album resonated with so many that it incidentally created patriotic fervor and to this day is still used incorrectly.
I think seven singles is a bit much, but this new sound of music gave way for so many to shine in "Heartland Rock." The music is classic Springsteen: simple, but so full of emotion you can't help but get pulled in as the snare hits on 2 and 4 under a bright melodic line. It incorporates modern 80's instrumentation with all that Springsteen has learned in his career thus far to launch him into an American Icon
Funkadelic
5/5
Seminal doesn't even begin to cover it.
This album broke through generations by helping bring about funk in the 70's G-rap and other styles in the 80's / 90's, and is still one of the most sampled pieces of art to exist. From the burgeoning solo of the title track through the heavily political Armageddon, there's so much to unpack in 37 minutes.
Not always easy, but always good
The Sabres Of Paradise
3/5
Bringing techno to the scene, English musicians are almost always a step ahead it seems. It's a double album so it does stretch on for a bit at times, but a continued shift and evolution of music towards the future
Abdullah Ibrahim
3/5
Great Jazz. Always interesting to hear influences rebounding and influencing others Like Ellington to Ibrahim and learn what certain music means to some: Manenberg / Apartheid
Beatles
4/5
Certainly not the "best" Beatles album, but the bridge between their two distinctive periods. Even more defined by the fact that the Beatles stopped touring, allowing them to focus fully on recording and innovating in the music space.
By treating this as the bridge, we are able to see society step over the previous walls of pop music and see what potential music had to offer them. Undoubtedly these techniques have been copied into both digital and analog effects and modern practices.
3.5/5
The Prodigy
3/5
I'd relate this more to hardstyle than necessarily metal, but definitely an important blend of upbeat electronic music and more intense music. Strongly reminiscent of the late 90's, good to learn it's the first.
Excellent cover art
Screaming Trees
3/5
Diverse but cohesive sound, a good 90's fusion of genres. Lots of personality comes through the music. Not revelatory, but a good listen
Amy Winehouse
4/5
Classic Amy. Great to learn more of her original story and check out her debut. Easy to see how she evolved into the superstar she became
Cat Stevens
5/5
Simple, honest, vulnerable, emotional... the perfectionist in me sees the perfectionist in him.
Four albums in one year at age 22 as a solo artist is a wild feat. It makes sense that this is the album that broke through. Somehow both nostalgic and prescient at the same time
Beatles
4/5
The Beatles make such excellent music for children. The variety is enough to teach while keeping interest and relating to higher themes that are learned later. Listening to this in its' entirety reminds me of that.
The diversity is especially notable with the double album, as are the influences of both India and Yoko. Not the top 2, but an important step of the Beatles journey. Not every tack is perfect: many are great, but mom always used to skip Revolution 9
Lorde
3/5
It's great power pop. I don't find it particularly relatable to my experience, but its' definitely an easy and energetic listen
Marilyn Manson
3/5
Another album I thought I'd struggle through, but ended up enjoying. A good way to access and understand Marilyn Manson and company, though still not a casual listen 3.5/5
Funny enough, through the metal and politics, you can hear their influences in the original punk and metal bands, and in turn their sound went on to influence a massive amount of hard rock, indie, and various other future genres.
Neil Young & Crazy Horse
3/5
Hanging out with Neil Young up in the canyon? Count me in.
It feels raw and emotional as intended. Not rehearsing too much and going in with the confidence and talent to accomplish this is great. There's something special about learning a group musically, and yo can hear that on this album, especially on the interplay of the guitars
Dwight Yoakam
3/5
Really good country. Pulls from the classics and makes it his own.
Creedence Clearwater Revival
3/5
Interesting to learn more history including the Blue Velvets and Vision and the Golliwogs. John taking control on this album is a direct line to some of their greatest successes and some of their deepest issues.
It sounds like CCR. Though they don't always have the most variety in the album, the performance they put into it always makes a pleasant listen.
Jack White
3/5
A cacophony of sounds and styles, exactly what you'd expect for Jack White's solo debut. There's so much experience through all of his group until now that you can hear reflected here, but are expanded upon, altered, and made even more personal.
Some of the best music historically has come from the blues. This is just a more modern example.
John Mayall & The Bluesbreakers
2/5
More than anything, this album is about TONE. Eric Clapton may be a dickbag, but his playing here crystalized the style of solo and tone that should accompany the new shifting era from Blues to Rock.
Though the album is built around his playing, I find some of the best segments to be without him
Scott Walker
4/5
It's light, it's fun, it's theatrical... It's campy?
A lot of focus on lushing up the backgrounds to swim through the various moods and settings under Scott's almost country sounding voice. A great listen through for dynamic background and fun themes
The Band
4/5
Americana at its' heart: The more I listen, the more I see the Band along with Bobby D and the Laurel Canyon musicians leading a counter movement to the massive wave of English rock and pop. Instead of sharpness, the music sprawls in a way similar to the Beatles late work, but with artistic integrity, cooperation, and the ability to be played live.
Television
3/5
The infusion of more complex chords, rhythms, and depth to punk brought about so much development and genres breaking out. A big step that while some of the biggest punks are getting notoriety for their way, that they changed the formula to mixed reviews.
Worth a re-listen, 3.5/5
Beastie Boys
3/5
Brass Monkey has more significance to this guy than entire genres of music.
Its silly, but true. I can't say I want to listen to the Beastie Boys most of the time, but they did change the direction of music and changed the rules for rap and rock music. Plus they're really so NSYNC with one another it went on to influence other genres.
The Adverts
3/5
Great 70's English punk. Informed enough by their predecessors to really key in on their own sound, but too late to reach the acclaim of doing it first. Another album that never got quite the attention it deserved, and it's historical notes reflect that
Elliott Smith
4/5
Elliot Smith could've been a pop star, he just never wanted to be.
There's a lot of power and subtlety in his writing that pulls you in and makes you feel what he's feeling. It's a good blend of his two main styles and again, is massively influential
Kelela
2/5
It's deep, it's dark, it's complicated, it's... over-produced.
Kelela is listed as "Executive Produce" on the album, but is not referenced anywhere else findable at this time as a producer. Wikipedia lists her as a Singer. Every song on the album has an average of two additional writers and two separate producers and in such, takes away any sense of honesty in the album.
As a whole, I'm interested to listen again. Whether to hear more of the lyrics or try to experience the more of the overall feeling that Kelela and company put forward,
A big step for R&B towards the future, but loses some of what makes R&B great as a genre
Red Hot Chili Peppers
3/5
A lovely red with notes of Maggot Brain and Metallica along with an infusion of California nonsense. Legs for days.
This is when they became the Chili Peppers we all know and love. A great blend of emotionality, levity, hard style and soft development. Maybe didn't need to be a double album, but it's got a lot of good qualities
Elvis Presley
4/5
You can hear the joy in his voice and his songs. Beyond his normal bravado, the man was so happy to get to do something he wanted to do after years. The Memphis band really added that saccharine quality along with the melismatic orchestrations that just sticks the songs in your head and keeps you coming back
OutKast
4/5
Two albums for the price of one.
Speakerboxxx is definably a better album. Both have great flow and theming and maybe it wasn't fair to Andre that he had to go after Big's whole album.
That said, putting Hey Ya directly into Roses is a big statement
Pantera
3/5
Oh, it's hard alright.
Excellent examples of thrash metal and breaking into their own sound after they finally broke through. At points it's almost too much, but its definitely got power
Laibach
3/5
Hell yeah
Having just gotten back from Germany and listened to Queen's Sheer Heart Attack right before helped me really get into the album. Am I ever generally reaching for industrial music? No. But if I need this, I know it's there.
Queen
3/5
Reading about their transition from prog rock to their more pop-focused classic sound, I really need to listen to Queen II.
This is the footsteps of their temple. Their sound has been forged and changed through all of their struggle to put out this album. Their next album, A Night at the Opera, will send them directly to the top
Kate Bush
4/5
Running Up That Hill is better to me as a meme than a song. The first half of the album, Hounds of Love, is great dramatic 80's music with good theming and hints of prog-rock. Even if it is the best version of that sound, it failed to bring a response.
MEANWHILE: The 9th Wave is a fascinating piece of art rock I'm pleasantly surprised to have follow. This suite is unique and steps on pop music to show the depth of the artist.
Interesting when there's a pairing like this to see reviews of halves of the whole. I'd give it 3.5, but feel its uniqueness is the defining characteristic above average.
Janet Jackson
3/5
Pop hit after pop hit. Well made messages about the state of the world. One of the first, if not the first breakthrough socially conscious pop album correctly aligned with What's Going On.
It's the overly synthetic stuff that I don't love, but I have a great reverence for this albums effect on society and its' mass appeal
808 State
3/5
The Original Acid House / Techno album that shaped the underground 90's scene and thousands of artists in the modern era.
Even when it's not my style, I've found great appreciation in this project for showing the origins amongst the interconnected web of music
Lambchop
3/5
"Monochrome" is the best word I've found to describe this album. It's full and lush and definitely sets up some other UK artists down the line in the Alternative area, but it's like watching a 1950's black and white movie in the modern era
Garbage
4/5
Is it early indie? Is it depressed pop rock? Is it just three guys making weird sounds with a girl singing whatever she wants on top?
I'm not sure, but they found a way to make grunge sexy and that is crazy to think about. It's haunting, confusing, complicated, sad, lustful... the list goes on. A bit specific for general listening but an impressive album
Arcade Fire
4/5
Take the glorifying and orchestrally complex indie music of Funeral, and add in darkness and angst. Continuous through theme, it paints a dark image of the American dream as it came to be, not how it is described.
This really hit when I found it in 9th grade and still has as I've aged. I've always felt the complexity and thoughtfulness of the music helps accentuate the anxious mind as we work through issues and feelings like these concepts in real life.
Neil Young & Crazy Horse
4/5
Love the mix of live and recorded work on one album. It gives the listening experience varied texture and emphasizes certain points within the music. Especially the juxtaposition between Out of the Blue and Into the Black
Isaac Hayes
4/5
My man Isaac did not have to go this hard, and yet he did it. For us. 4.5/5
Hell yeah
Nick Cave & The Bad Seeds
4/5
I've only ever known about these guys vaguely. Love the strong baritone voice and the cinematic outlands vibe that they curated throughout the album. Very distinctive and understandable why it was so big in Australia. A major player in an important musical time for Australia.
Ash
4/5
Smashing Pumpkins by way of the Sex Pistols???
Definably not Britpop. One of the better finds from this list for my style actually. It's hard and complex and dark and catchy as all hell.
Slipknot
4/5
This really hits the violence threshold of something beyond Nu Metal. They've got the masks, they've got their style, it's certainly one hell of a way to get onto the scene.
The weird sounds and attitude and lyrics all play an important role, but the DRUMS carry this whole album. 3.5/5
The Velvet Underground
3/5
Even if unintentional, this is a seminal in the creation of punk. I enjoyed the long form weirdness and the estranged, out there moments of improv or just sound. Not an easy listen, but not too hard
Nina Simone
3/5
Emotional and powerful. One hell of a musician and a stunning vocalist. Absolutely wild to think that something so powerful was a collection of unused recordings.
Talk Talk
3/5
Great mid-80's sound and a clear line to the Alternative weirdness sounds of the mid-90's.
XTC
4/5
Absolutely Charming with notes of both Fox Robinhood and 1960's. Amid the tense recording sessions, they were really able to make an incredibly charming project.
The loose concept of the album encompassing the passing of time or an event is especially relevant as it is flexible.
Killing Joke
3/5
Some really excellent early post-punk. Made it to the second song in their second Self-Titled before realizing I was on the wrong one.
Talking Heads
5/5
After years of forced rejection, finally giving this a listen and doing the research shows how amazing this album is (sorry mom).
The references of polyrhythms and early hip-hop combined with Eno's ambient guidance with anxiousness and tension in the band really generated something special that would effect music forever.
4.5/5
The Human League
2/5
I wouldn't go out of my way to listen to this again, though its' importance can't be understated.
Especially with Don't You Want Me's featured spot on MTV as it was just beginning to feature videos, Dare! had a wide ranging impact on music and culture in the 80's. 2.5/5
The xx
4/5
H really nailed it when they said it "sounds like making out with a girl in a dorm room, from personal experience." Glad our family is so musically inclined.
Really helped *crystalize* the dark and space-y sound that would influence many future indie bands and pop artists. The harmonies and integrity of the music really helps secure this as an emotionally and culturally significant work.
k.d. lang
3/5
Excellent country with a hint of cabaret for sure. Haunting voice and great themes. An enjoyable listen 3.5/5
The Rolling Stones
3/5
Simple and Great. Loved hearing the original boppy blues of Keith and Mick, especially Not Fade Away. Everyone gets their start somewhere.
Stan Getz
5/5
Can inspire anyone to get into Bossanova just as it brought it to the country upon its' release.
Short, simple, and rich
Pink Floyd
3/5
It's funny to listen to this and anticipate the many other albums this band has on the list.
It's still weird, intricate, and full of fantasy, but it is heavily rooted in the blues and folk of England at the time as Pop and Rock were just getting off the ground with the Beatles and Stones.
Hüsker Dü
2/5
Though the album is awash with both intrapersonal conflict on top of their manager's suicide, the album comes off fairly plain. A bit long to make the whole thing enjoyable, but this was clearly precipitated as the last album of the band.
Definitely some notes of grunge and alternative music, but not a major player from what I can tell
John Lennon
4/5
Parts of it are as whiney as I thought they'd be, but the album does pull you in emotionally between good songwriting and raw emotion. Having experienced some intense experiences in therapy myself, it seems fair to give John Lennon some credit here (as well as the album not featuring Yoko much), but he does still get a bit carried away and leave the healing process and maturity "unfinished"
Fairport Convention
3/5
Leans more in to the folk rock than Unhalfbricking. Fun to hear the reimagination of some of the classics and compare this to some of the other music going on in England in the late 60's.
The Thrills
3/5
An interesting British reinterpretation of Cali Slacker Indie and some Decemberist twinge. Nothing jumped out and enjoyable album. I like how it's not about experience as much as it is escape
Suede
4/5
Imagine starting the Britpop Genre because Damon Albarn stole your girlfriend. It sounds exactly like this.
Jokes aside, the breakup incorporated the unique melancholic wistfulness amongst joy that rules Britpop. You can hear the Clash, the Bowie, the Smiths... all of these excellent British influences that led to yet another wonderful British sound
Minor Threat
3/5
An EP due to playtime, not content, this was a clear factor in the Hardcore scene as noted everywhere. Shoutout to them for taking the risk and pushing the boundary without corrupting the genre
3/5
Listened to this after Xtina's Stripped and it was a very interesting comparison of female empowerment in different eras.
It's good old fashioned country. Lorreta's got just the voice, diction, and charm you think she does with words that'll cut
Miles Davis
5/5
Yes, it is
Interesting to learn most of them are not Davis' arrangements and that they were all just hanging out. The instrumentation is so unique and lends even more to the lyrical harmonies of the album and the future of Cool Jazz
Tricky
4/5
A rare well-done 90's electronic chill-hop, charisma dripping, electronic safari. There are moments of excitement, but most of the album captivates with its' lack of energy. Great use of sampling and a model for a lot of EDM down the line.
Grandmaster Flash & The Furious Five
3/5
The furious five created the term Hip-hop, the use of the term MC for rappers, and defined what the genre could be on the complete other side of the gangsta style. Old rap can sound a bit goofy nowadays, but the album still hits.
Tim Buckley
3/5
What a story teller, what a voice!! I often at times thought someone else was singing, but Tim carried all 10 songs. Love his relationship with Larry Beckett in the classic 60's musician and poet style
Christina Aguilera
4/5
This album collected all of the popular styles from the 90's and early Aughts from Linkin Park and D'Angelo to some of the more traditional Latin influences. Then slapped pop-icon with a new "almost adult" style on it and let her just absolutely rip into it. The theming of independence, women's strength and independence, and breaking from tradition really hits amongst the changing sounds behind. A great Pop double
The United States Of America
3/5
The birth of electronic "sounds" and political dramatism in popular music. Sounds starkly like other politically motivated 60's music, especially reminiscent of Jefferson Airplane's White Rabbit. I wish there was more detail of the production and songwriting on the wiki
Aretha Franklin
3/5
No big standouts, but it's Aretha.
Its great
The Byrds
3/5
Leans a bit more into the psychedelic moment of the late 1960's, but is not out to break any ground. A good listen and good Dylan cover
Björk
4/5
It's intrinsically haunting yet beautiful. Almost post-rock-ish at times with its' distance from standard musical expectation. I can appreciate how much thought and effort were put into making this album in 2001, especially with how contrasting it is with Bjork's typical loud and overwhelming style
The Replacements
3/5
A nice thematic slide from punk to post-punk to alternative and some infantile indie. Obviously an inspiration to many of those future groups, but cool that it happens over the course of the album
The Mothers Of Invention
3/5
Classic Zappa making fun of everyone else with something so high concept they wouldn't understand and then laughing at them for not getting it.
The man is a loon, but a musical genius. It makes his music often difficult to listen through, but this was a good 33 minutes of joking on hippies AND the right and 6 minutes of N O I S E
M.I.A.
4/5
Justine Frischmann at it again, spawning new genres of music. This time it wasn't Damon, but just a nice move to teach a documentary maker to use the sequencer.
MIA turned the corner with a great debut. I thought this was much better put together than Kala, and brought popularity to the minimal instrumentation and political blend of world and hip-hop 3.5/5
Fred Neil
3/5
An amazing voice and a great storyteller, Fred really delivered on this one. Very fun to hear some familiar songs I didn't know would be from this album. A great contribution to the earliest era of folk rock
TV On The Radio
3/5
An interesting combo of the earlier Alt scene of the 00's and the blooming English Indie sound of the mid 00's. A well written album both lyrically and sonically. Funny that Phish covers one of these songs.
Os Mutantes
3/5
Love the album cover, I wonder if this was an inspiration for Big Suit David Byrne / Kermit. Totally within the bounds of late 60's psychedelia with the Brazilian twist. Almost hard to remember that they're singing in a different language sometimes. A unique blend of genres done well.
Simple Minds
3/5
This really does capture that 'New Pop' 80's sound perfectly right as it was gaining popularity. And to think I thought of them as one hit wonders
Sebadoh
3/5
Good songwriting that showcases the more gruff indie sound of the early 90's. I especially enjoy the variety of songs and sounds
Suicide
3/5
Very progressive for 1977, especially with the use of synths and sounds to highlight the post-punk vibe
LTJ Bukem
3/5
I had no idea D&B was formally around for so long,. I love the story that it's a mixed CD of producers, local brits, and everyone in the scene working together. Electronic music has branched in so many ways since, it's cool to see the roots
Public Image Ltd.
3/5
On Spotify as "Second Edition," it's a pure post-punk play full of avant-garde weirdness that moved to define that genre as it developed.
Soft Cell
2/5
Everything about this album from the outfits on the cover to the mechanized synth chugging along the entire time just screams 80's. It's a bit much of it for my taste.
Really cool to learn the origin of Tainted Love and Soul's influence backwards to Northern England. The satire is light and fun but results in less feeling overall when compared to its' contemporaries
Rod Stewart
2/5
On his own, Rod Stewart is just not that good. The music of the album is good (entirely due to members of Faces that contributed, Rod only played guitar on one song) but Stewart's reaching, raspy voice feels very forced. I was glad to listen to confirm that, but this would be one of the albums I'd have replaced when updating the list
Siouxsie And The Banshees
4/5
This album was a lot more put together than the Scream and I was thrilled by that. Increased effort to refine their sound and make a concept album especially with the talent of guitar and vocals was a big post-punk showing at the time, but definitely contributed to later indie sounds
The Damned
3/5
A great punk album with some wider influences, especially Britain
The Lemonheads
3/5
A really clean sound dominates this grungy / alt rock trio. Cover of Mrs. Robinson is not to be skipped
Megadeth
4/5
Essential thrash. Really impressive bass playing and Dave Mustaine very wisely kept the band together to make an excellent album. They seemed to do pretty alright after shilling the druggies.
Jeff Buckley
5/5
John Mayer once said to never cover Jeff Buckley.
It's amazing, especially as a debut. It makes sense that originally it wasn't as highly received, but many that have listened in the decades since have recognized the glory and intimacy of this album. It's so personal and emotive. It ropes you in with feelings, good and bad, that feel like your own. An amazing performance that deserves such a high rating
Radiohead
5/5
Radiohead was a big deal before this, but this was when they settled into their iconic style and rerouted all of British music.
It's so thoughtful, so emotive, uses an incredible mix of recording techniques and samples to create a beautifully melancholic tapestry. This album came from music I love, changed it, and inspired even more music that I love
Aerosmith
3/5
It's funny how similar this album is to the rolling stones albums 10 years prior: so much blues and boogie present in influence and sound.
A few big hits, but they don't skew the overall rating of the album
Jerry Lee Lewis
4/5
Great Ball of Fire is right.
23 minutes of slamming piano and classic rock and roll.
Ramblin' Jack Elliott
5/5
The father of folk music???
Not only the best friend of and carried on the legacy of Woody Gutherie (teaching young Arlo in turn), but also inspiring and fostering Bob Dylan. Referring to him as his son.
Especially with some of the traditional tunes included, it's amazing to see how much music bloomed from this man who could never stop telling stories. 4.5/5
The Cramps
3/5
Important for the development of psychobilly, but doesn't come off particularly well with age. I wish they had a bit better equipment to record and produce the album so it feels more full.
Going to the bands' page and learning about Lux and Poison made the whole experience better. Definitely not your average band
Nick Drake
4/5
Akin to Fred Neil, all first-names Nick Drake managed to capture not the sounds of, but a soundtrack for ordinary life in Britain in the early 70's. We all want to be the main character, or to think ourselves most important, but this brings grace and light to the ordinary. It's happy, yet melancholy, and many more slighted emotions as the point of the music comes across "fine"
Missy Elliott
4/5
Missy Elliot is her.
She's the original female rapper, and used her prominence to blast open the gates for what was possible for women in music. The guests on this album are crazy and Timbaland absolutely rocks the production. So many big names at the time that they had to stick Knowles after Beyonce because that wasn't enough in 2002.
It's prime early 2000's hiphop. She deserved both of the first Female solo rap Grammy's
Milton Nascimento
3/5
An amazing window into 50 years ago Brazil. It's not often this kind of world music is accessible so it's great to learn about it through the project.
Not something I'd look to put back on frequently, but excellent for summer with some uniquely catchy beats
Gram Parsons
3/5
Gram and Emmylou put on one hell of a performance here. It's a shame that the album is posthumous for Gram, but certainly a collection of good music and a launching pad for Ms. Harris. The whole thing is a product of it's time
Mike Ladd
3/5
An awesome blend of genres with some impressive rappers above and a good concept. Nothing mind blowing, but a cool project to get into
Beyoncé
3/5
This album changed the music industry in the most monumental way since the availability of digital music. Crazy what you're capable of when you're the highest paid musician in the world. It's too bad the music didn't help to change music.
It's a great passive listen, but so much of Beyoncé's catalogue overshadows the musicality of this album. Shoutout Boots though: he got a chance and took it well.
Franz Ferdinand
3/5
When I saw this album on here, I was hoping to find something new and exciting inside. However all I got was Take Me Out and the rest. It's a good album, and helped gild the emergence of so much similar music from Glasgow and the whole UK
Black Flag
3/5
It's not right most of the time, but when it hits, it hits.
Obviously a landmark moment in hardcore punk and everything beyond. Let the boys yell
Elvis Costello
4/5
A good memory of being a kid in the backseat.
So interesting to find out that it's his debut, and that the backup band wasn't the Attractions, just Clover (who didn't even really get credited). Most surprising to learn Watching the Detectives was added for the American version: I always thought it was odd for a final track
CHVRCHES
4/5
I was surprised to see this album here, but was happily impressed with the depth of it. CHVRCHES changed the game and brought about a more thoughtful and worded form of indie pop that eventually spawned artists like Lorde and other mainstream / EDM artists of the mid-10's
Weather Report
4/5
Jaco only needed 4... Bass nerds aside, the album is one of the pinnacles of fusion. It's a great play with awesome instrumentation. Birdland is newest Jazz standard I know of.
Belle & Sebastian
3/5
It sounds just like them. I always thought it was a duo because of the name, funny how it's just a qunitet of guys that reached crazy heights from a music business class
Pere Ubu
2/5
Avant Garage really hits the nail on the head with this one. It's odd, but makes an interesting change to the stereotypical punk formula
Solomon Burke
4/5
This man, who didn't want to be portrayed as a rhythm and blues man due to its' association with profanity, has stolen my heart.
An easy listener with all of the charm of a simpler time, without the profanity
Nick Cave & The Bad Seeds
3/5
A great juxtaposition of romance and sorrow. Cave's deep and gravelly voice really helps steer the ship straight as it flows from side to side.
Germs
3/5
A lot of cool history here: first hardcore punk album ever, came out in 1979, produced by Joan Jett???
Hardcore Punk inherently comes off a bit silly because so many rules are broken. It's a slamming, fast-paced album with great bass and vocals driving the whole things
The Dandy Warhols
3/5
Strange low tempo grunge pop with a decidedly Eno twist at the end? A lot of what was expected with some interesting twists
Antony and the Johnsons
4/5
I think calling this pop music is insulting to the level of artistry contained within this album. ANOHNI really shares their story and ropes you in with emotion and tone, leaving nothing imagined. An amazing transformation of a human being
Spacemen 3
3/5
An interesting album for it's time. Certainly pushed the boundaries of music in the 80's, presenting work that's driven yet ambient. Peaceful yet powerful. A prelude to many other great artists to come
Grant Lee Buffalo
3/5
I don't often hear the term Alternative-Country, though this lightly grassroots punky album definitely fits the bill. It sounds exactly like you'd expect the slightly more country, melancholic, early 90's ALT fest would.
Big Star
3/5
NOW THIS is a good album showcasing deteriorating mental health. Suck it Fiona Apple.
The perspective of their Big Star's other music is important to hear the fading, hallucinatory translation to this style. It's a band album that was really just the lost recordings of Chilton losing it with strings and drums baked up. Even the band members that participated feel that way. While the emotion does change sometimes rather starkly, the whole album feels ethereal at times
Frank Sinatra
3/5
It's a great Sinatra album. It's not the best of the best, but it's got a few classics and heavy hitters. Hard to not like.
The real significance of this album is that it was the first album to top the UK albums chart. Purely coincidental with its' release, but cool none the less
Cocteau Twins
3/5
A wonderfully ethereal jaunt back to the 80's. The simplistic use of drum machine only for emphasis and structure helps to place rhythmic focus on the strings and vocals themselves while leaving lots of space to capitalize on
Talking Heads
3/5
A very clean mashing of Eno and the band for the first attempt. A good album that shows their bright future and artistic direction, but does not exceed its rating
Echo And The Bunnymen
3/5
Post-punk took so many interesting directions, especially in the late 70's / early 80's in Britain. The album at first didn't sound special, but as the variety in styles widened, the tapestry began to weave together showing how this album was both influenced and influential. 3.5/5
Throbbing Gristle
3/5
If you can work through the first few tracks as you're occupied with something else, the cacophonous tones begin to make more sense. Obviously a big step for industrial music, and likely one of its' most successful early founders. Not my deal, but glad I experienced it.
The Charlatans
4/5
An album that capitalizes on the combination of britpop influence and that stereotypically wandering shoegaze of the later 90's. Stands out amongst its' peers as something less known with a wider range of genres built upon tragedy. A great combo worth returning to
Beatles
5/5
A masterpiece. Few albums have influenced so many people and genres, continuing to branch from this common ancestor.
A hugely nostalgic listen from childhood Breakfast with the Beatles and a young love for the band. The Beatles make excellent music for children. Growing up and learning more about all of the stories and issues in how this album was made, it's a much different picture. I'm sure it's an album that will continue to evolve throughout my life
Culture Club
3/5
Karma Chameleon is an all-time ear worm. The rest of the album follows suit style-wise but is inevitably downhill from its initial zenith. A bit weird and VERY 80's
Air
5/5
READ THE MOVIE PLOT SYNOPSIS BEFORE LISTENING:
It's rare that an album catches me off like this, but the turmoil it caused is what makes this album so incredible both as a soundtrack and an individual piece of art. The emotion of being in high school and existing in those wildly uncertain spaces, especially dealing with mental health issues and suicidal thoughts as I and the characters of the movie have had comes out so clear. It can be very heavy, and the last song does briefly summarize the movie, but I am floored by how moving this was.
Public Enemy
3/5
Not as refined as Fear of a Black Planet, Public Enemy set out to make a name for themselves with this one and really did it. Love how they wanted to make their albums more like their more well-received live shows and just did it. I don't think you can quite call it "Rap's What's Goin' On" but it definitely helped them publicize their conscious rap
Klaxons
3/5
Though many bands in 2007 tried to create something similar to this, none did it quite so well (looking at you The Bravery). Notably influenced by early Bloc Party and The Last Shadow Puppets, Klaxons successfully blend indie dance into a fast-paced 'New Rave' album. Abrasive at times, but in a good way. 3.5/5
Nico
3/5
The original art album, inevitably from exploding plastic. I love the note that Nico's voice sounds like a cello as it cuts through the folk. It would have been much more stark without the addition of the flute and strings, but I'm happy they're there
Sex Pistols
4/5
The single album punk needed from one its' now legendary bands. What seems simple now helped to change the world. Even beyond the music: the attitude, the swagger, the band troubles... it's undeniably the Sex Pistols
Public Enemy
3/5
Much more refined than Nation of Millions, but not quite as banging as Fear of a Black Planet, another good showing from Public Enemy. Love conscious rap that still goes big, builds from previous albums, and doesn't forget a little bit of Flava.
Lucinda Williams
3/5
Overwhelmingly average in an incredible way. Very transportive to the scenes she conjures up in each and every song. If you start the other way by viewing just the scene, surely these songs are what is playing in the back 3.5/5
Kate Bush
4/5
So this is what true artistic freedom sounds like. Suspended in Gaffa is another discovered cover.
It's wildly weird and impressive. Hard to get around that it can be difficult to listen to at points, yet that balance is also what makes it interesting and inspiring. People from Bjork to Big Boi list it as a favorite and it's clear to see why
AC/DC
3/5
For some reason, I don't think I knew AC/DC was an Australian band. Likely the biggest one to exist by the time this album came out.
It all sounds good. It all sounds like you'd imagine the rest of the album sounds from only knowing the title track. Classic rock n' roll. 3.5/5
Skepta
3/5
A surprisingly deep, distinctly British rap album from a man who has been through a lot. Really cool to see someone earn the art they've fought for, especially as their own executive producer
The Clash
3/5
A great start to who would become one of Punk's most iconic bands. Doesn't quite capture the best of their sounds though, they needed to start here to get there
Pixies
4/5
An absolute classic. Though their initial efforts in Surfer Rosa already went well, the Pixies still really pushed to create something amazing. Changing the production style made the grime clearer, but no less dirty.
Influential to scores of some of the greatest musicians in the 90's. Created a sound so pervasive that it influenced culture. Not to be missed 4.5/5
Sly & The Family Stone
4/5
All of the movies with a shady scene and funky soundtrack have this album to thank. It perfectly set off another revolution in funk in the 70's that it didn't all have to be happy and smiley. Love the depth and color provided by the album
Tim Buckley
3/5
A strange outpost in the singer songwriter field, an album that could use more information unfortunately. A shift from his previous jazz styles to a new "sex funk' venture, it's a cacophony of fun sounds and catchy hooks. What a direction before Jeff took the helm decades later
Lana Del Rey
3/5
If Thom Yorke was sexy and wanted to write a pop album, this would be it.
An interesting translation of music I'm more familiar with finding its' way through the channels to be pop. Its' dark tone definitely helped catalyze similar minimal pop albums and artists in recent years.
Run-D.M.C.
4/5
Absolutely classic. Finally brought hip-hop to the attention of everyone who wrote it off for the last 7 years. Minimalistic but appropriate for the time. Packed with energy, hits, and a killer guest appearance, this deserves to be remembered forever as the breakthrough of one of music's most popular genres
The Kinks
3/5
Quintessential Kinks: reminiscent of Big Pink from the Band in that it's music from the people, improved upon and altered, and returned to them with good faith. I always forget they're actually brothers but I love that. Very fun, very light, wildly impactful 3.5/5
Everything But The Girl
4/5
I feel like I should be less surprised that this came out in 1996, but that's one of the most impressing things about it. Funneled through all of the different layers of pop, downtempo electronic music, and further development of EDM this sounds so familiar yet clearly dated. Deserves a bit more credit
John Lee Hooker
3/5
I didn't know original Bluesman John Lee Hooker produced this late in his career, but the stories surrounding it are heartwarming. A man that changed music finally getting the recognition he deserves with a stellar lineup of guests and styles.
Dr. Dre
4/5
One of the most iconic west coast rap albums. Everything from Dre's original production style (creating Gfunk), to the marketing and Death row hype, to just letting the DOGG cook on almost all of the tracks was the start of a revolution in the genre.
Elvis Presley
3/5
You can really hear how young and different Elvis sounds on this album. The original rock album hit the stands and set off the great divide in music. Just look how far it has come since. Short sweet, and fun
Sonic Youth
3/5
Kind of blends into itself as you work through the whole hour, but a big directional step for grunge and noise. Very important SY album showing their maturity as they continued to work with a real label. Especially notable they worked with the same producers from Nevermind
Elvis Costello & The Attractions
4/5
A bit more masculine and far more refined, the second album from Elvis really shows off this talents as a writer, player, and musician finder. The Attractions elevate his sound from My Aim is True without turning it into something too complicated. It's packed with energy and complexity. One of his best
Bee Gees
4/5
The Bee Gees depth goes much more than I would've thought with this one. It's charming, whimsical, and nautical: surely a more dramatic predecessor to Yacht Rock. Things weren't stead for the brothers here either, but this definitely moved them more towards their most signature style
Paul Weller
3/5
Just can't keep Paul Weller down. Between the Jam, the Style Council, and his solo work he was bound to inspire generations to come. Here, he helped lead the transition from Mod to the Britpop explosion of the mid 90's.
Kraftwerk
3/5
Kraftwerk really keyed it in for #7, refining their sound into the base of electronic music. Wild to think that this came out in 1978, it sounds like the "Hackerman" songs in 80's and 90's movies, in a good way
Dinosaur Jr.
4/5
I owe Jay Masics an apology for not listening to this earlier. This is essential Alt Rock. I was surprised to see it's back from 1987 as their second album, but it was all worth it to get here. It's fun, it's driven, it's a great listen with a lot of weight
Traffic
4/5
The iconic Traffic breakthrough after "getting back together" for a Winwood solo project. I can't say enough how entertained I am that Dave Mason quit three times over a few years, especially how he toured this album for a few months and then quit the last time.
It covers such diverse territory over its' few songs, and defined their new experimental fusion style.
Joan Armatrading
4/5
A woman who does it all and with such tact, Joan really killed this whole album. There's a very bold line from here to Tracy Chapman and many others, capitalizing on bringing diversity to who's behind the guitar and stories. Emotionally direct if not overwhelming, its a masterwork in its' own right
Manic Street Preachers
4/5
A real fuck-off album from some real lads, the depth of this album was a pleasant surprise. It's so political and well-thought out without ever turning posh or aiming for appeal. A bit much at times, but a distinct work of art from the mid 90's 3.75/5
Willie Colón & Rubén Blades
4/5
It always feels good to recognize one of the more out there albums on this list, and I knew two of these songs before listening!
It's iconic and defining salsa. The instruments combined with the rhythmic political lyrics really encapsulate what I know as this genre of music, and has righteously inspired proceeding generations to keep with the variety of traditions
Faith No More
3/5
What a directional shift from hair and heavy metal to begin exploring what will become some of metal's biggest subgenres of the new age. Though I'm much more a fan of the fantasy and experimental aspects than the rap rock that inspired literally every member of Korn, it's a great listen when in the right place. It brings a surprising amount of balance
Queen
4/5
Is every song Bohemian Rhapsody? No.
Does this album contain Bohemian Rhapsody? Yes
It's hard to remember sometimes just how vast a body of music Queen put out in their tenure. It's all good, though there are definitely a few favorites. They really hit their stride here as the version many of us know Queen to be, and this album is important to rock music because of it. 4.5/5
Ananda Shankar
4/5
The prodigal sun puts his name out there with a... Rolling Stones cover? I wonder what uncle Ravi had to say about that.
What a unique piece of fusion, especially how it features the sitar throughout. Could feel forced, but is done in a respectful way and I enjoyed for what it is.
The Byrds
4/5
A good and important album, but I see it more as a stepping stone for future bands instead of being magnificent itself. Huge development into psychedelia and rock, a lot of funny stories and incidents that have largely been forgotten, and a bonus track about a threesome that started them. A good diverse showing 3.5/5
Elton John
4/5
1973: A great year for music. One of the most iconic albums from the prolific year. Though not always captivating, this really locks in that feeling of everything being light and boppy and in the 70's. Some big hitters, but really just an incredible, transportive double album
The Allman Brothers Band
4/5
A landmark in southern rock, jam music, and rock in general. Just let the boys play!
Like many great albums of the early 70's that stand out for being different, there was quite the fight to allow this album to happen, We are better off because of it. Though not as easy to listen to as a studio album, it incorporates the energy and passion the band had for the music and led to people changing their minds about how they would listen and experience going forward.
Frank Sinatra
3/5
Great arrangements, great blending of styles and languages, great album. It's exactly what you think it is, and exactly as good as it intended to be.
Another classic album that was recorded over only two days, plus Somethin' Stupid with Nancy was recorded later in the second day.
Fats Domino
3/5
Light and easy, a classic piano-driven yap from Mr. Domino
Faust
3/5
1973: A great year for music. Yes this counts.
Though I wouldn't drop this in the same bucket as Kraftwerk, I can see how the timing and the contentious situation really group them together as rebellious forms of experimentation. What a diverse unfolding of Kraut
The La's
3/5
Though you can hear the connections to three different decades of British musicians following this (Oasis, AM, and Fontaines DC all referenced), I did not love this album as much as I hoped.
Definitely good but needs to be revisited
Rage Against The Machine
4/5
Listening to this the week of the 2025 Inauguration really hit at the right time. Love the comparison of De La Rocha to Chuck D and the praise for his lyricism and leadership, but they left out Tom Morello!
So political, so focused, so revolutionary... this album blew open a different arena of music, and nobody that did rap rock after did it as well. Wild how something so raucous is just honesty and talent.
The Fall
2/5
Interesting that a band who produced so much quantitatively has this album featured. It seems both counter to Britpop and counter to grunge, maintaining its' integrity and styles as those genres took over
Listened back before ranking and though interesting and accessible, it falls a bit flatter than most of the other albums included on the list
Little Richard
3/5
How are you gonna hate Little Richard?
It's a jive and you can absolutely hear the driving of this album lead towards the original Rock and Roll. Between Fats Domino and Freddie Mercury energy, though closer to the prior than latter
Common
4/5
Man I miss 2005 rap: when Kanye's screws were loose instead of left behind in 2015.
Common really nailed the comeback with his poetic and powerful lyrics while Kanye really laid down some of his better tracks I've heard outside his own music. Simple, but powerful. 3.75/5
Captain Beefheart & His Magic Band
4/5
This is the most difficult double album to work through on this list. Its' eccentric legacy is mired in abuse, confusion, and disgust by a great many.
What makes this album incredible is that it is essential to our modern society. The ultimate mind meld between Zappa and Beefheart, performed and recorded in a way that could not easily be replicated. It's not easy, but between the themes, musical exploration and fusion, sheer absurdity, and existence as art, it is THE Art Rock Monolith.
3.5/5, five more listens to go
The War On Drugs
2/5
I was surprised to see this on here and was originally excited to listen and learn more about the band. While the production is great and the songs are well written and executed, reading more about Granduciel and his view of the album / band has left a bad taste.
I like the use of guitar and harmonized melodic sections to confer working through the depressed / anxious states, and the general uncertainty of it all. Difficult to tell at times if it is more prideful or vulnerable and the integrity of the music vs the obsessiveness Granduciel had with it.
The Louvin Brothers
3/5
Classic old school country from some of the best brothers to do it. Reminded me of getting Flagels with Grampa with the country radio station on.
Einstürzende Neubauten
3/5
A hearty combination of Kraut and STOMP the Broadway phenomenon, this album definitely is ultimately more of an art piece both in sound and instrumentation. I love the fact that they're making instruments out of scraps and banging random nonsense. Perhaps a precursor to the German techno scene with its' consistent patterns and drum focus 2.5/5
Suede
3/5
A bit more off-center than their debut, Dog Man Star shows Suede's development away from their own creation as Blur and Oasis came to champion the main space. I do not feel it comes off pretentious as many others have noted, but a misunderstood pushing of boundaries. Not overwhelming, yet a definable classic of the era. 3.5/5
Black Sabbath
4/5
After their debut's success they really just said "Eh fuck it, let's just define the genre more."
Some of the most iconic Sabbath songs, which inherently became the backbone of metal (and its many genres) musically and personality. Really incredible to hear about their tight writing process and how some of these songs just fell into place. Instrumental in moving ALL music forward.
John Cale
3/5
1973: A great year for music. Distinctly introspective, clever, and well writ, John Cale puts on a unique performance from his other work and especially that of the Velvet Underground. Worth revisiting for more perspective 3.5/5
Hailee's friend Wendall dated him that's crazy.
Ali Farka Touré
3/5
I'm grateful for the World Music exposure from this project, but wish there was more info to go along with it on Wikipedia. Very interesting to hear specific Malian music and learn more about its international representative and guitar great.
The Pretty Things
3/5
Another early concept album that carried more influence than worth. It has intriguing similarities to both the Beatles and Stones, while also going in a third direction. Like a lot of early psychedelia, space reigns supreme where some bolder tones or more complex chords could take the lead.
Frankie Goes To Hollywood
4/5
You must kill the Malaysian prime minister!!!!
Way more sonically and conceptually than I expected from Frankie Goes to Hollywood and that's always exciting. It's like listening to someone making a musical about making music in the 80's, especially notable since Trevor Horn dominated the album
Barry Adamson
5/5
A wild, dark, messy noir film that pulls your attention and feelings with only sound.
Really fascinating to make music for a movie that doesn't exist. Love the musical journey Barry has been on, especially that he started all of this as a bassist.
Robert Wyatt
4/5
With a heavy story to tell, Robert Wyatt got real weird with this album. I can't imagine what it's like to lose access to your instrument, let alone your legs. It carries a lot of meaning in its exploration, and stands out as a piece of art.
The Kinks
3/5
The Kinks really beginning to settle into their baroque era and take control of their sound with Davies producing as well now. Not the most interesting music in the world, but crucial building for modern music
N.E.R.D
3/5
Hearing such a young Pharrell make waves across the industry is interesting. Album screams 2004 and though is not to my taste, it is a sample wonderland. Many of my favorite moments are the "hidden tracks," which are inaccessible due to format without the surrounding track they are hidden inside of. 2.5/5
Penguin Cafe Orchestra
3/5
Unique in the mid 70's for giving more space for classical / folk music in a rock and funk dominated world, this was a good start for the Penguin Cafe! Not my favorite work from them, but a big step in the right direction.
Bruce Springsteen
4/5
Raw, meaningful, A REVOLUTION IN INDIE MUSIC THAT CAN'T BE UNDERSTATED?!?!?! Certainly cohesive thematically, it says a lot to the weight of fame and holding true artistic integrity. I'm happy to say that in this case, Bruce was successful in navigating that. I love that he wrote this at home with a four track recorder, thus giving agency to every kid with a guitar in the modern age.
Nick Drake
3/5
Raw and powerful, a historical look on how depression and anxiety were still prevalent in the 70's, just less discussed
Frank Zappa
4/5
Before he really went into the weird-sphere, Zappa and company really nailed this (mostly) instrumental tour de force. Jazzy, sprawling, jammy, and clever, a good Zappa to showcase his genius in a more digestible way, including guests Lowell George and Capt. Beefheart himself
Eagles
3/5
Take It Easy as song one on their debut was sure to get them notice. Though most of the album is not hits of the same caliber this is a great start for an important band
Happy Mondays
3/5
An important blueprint for future drug filled jaunts with better production and fuller sound. I'd call it Alt Rock or plain psychedelia before referring to this as funk, but the mix of genres blends into the trippy aspect of it all
2.5/5
2/5
A loose concept album for a raucous noise group, there's little information about the album or the band when they put this out. Further leans into Australians love of heavy, dark, and weird music
The Mamas & The Papas
3/5
A sonically powerful debut that showcased the mood shift of "family bands" from being all positive to grounding in reality of life at the times. Really puts you back in time
Little Simz
4/5
Hell. Yes.
Stellar production, amazing vocals with witty, personal, and tactful lyrics about society. A hit all around
Simon & Garfunkel
4/5
There's something about it that comes off Rankin & Bass-y. Perhaps the orchestra, the storytelling, or the collection of misfits that make up side two. It's full of the duo's unique character and really ascended them to stardom
The Bees
3/5
A wonderland for samples, the music is made organically and interestingly yet results in a somewhat muted sound. Classic indie home recording studio. I love the diversity of sounds and influences, and they seem to have learned a lot from their earlier projects to make something new here. Not too much info for band or album, but it all seems oddly familiar
Neil Young & Crazy Horse
3/5
Neil Young and Crazy Horse decided to fuck around AND find out. They played a set or two a day and just took the best takes, they included jams and longer song length, and it turned out to be a grunge album!?! Only one Neil Young
The Black Crowes
3/5
A great debut that went right for the roots of blues rock while the rest of the world was moving into other spaces. The Black Crowes are good, but I feel that their music falls flatter in the emotional side of things. The lack of depth does not stop your foot from tapping
Iron Maiden
3/5
Great debut with some interesting influences (It turns out the Queen-esque influence was by a member who was only on for this album for that reason) and features. Some really solid bass parts especially. Though none of the songs are major standouts from the others, some were more recognizable. A big push for the new wave of heavy metal
Q-Tip
3/5
While it wasn't especially gripping, the beats and bars fall easy out of Q-tip and make it a classic. It gets better to learn that he fought hard to get this music out there and put out something humble, vibesy, and self-conscious instead of hateful
Nusrat Fateh Ali Khan
3/5
Album is listed on Spotify as Love and Devotion, though I wish there was a Wikipedia page for why this individual album was selected. Always interesting to learn about a new kind of music, and qawwali really delivered a lot of emotion and pride without the need for understanding
Crosby, Stills, Nash & Young
4/5
I had no idea what album this was and until I saw the cover and realized I'd listened to this album my whole life. It's impressive to see so many talented musicians get along as well as they did while each contributing to each other's work. Really just pulls you back in time
Devendra Banhart
3/5
While I don't think it was revelatory, it's cool to see the development of Psych-folk from one of its most prominent artists. I'm hopeful Smokey is hidden somewhere else in the list then
Erykah Badu
4/5
One of the most influential R&B albums of 2000 did not disappoint. Ms. Badu presented a witty vulnerability vocally and a breadth of musical emotion. While it does sound dated to the time, still serves as a powerful work of art.
Parliament
5/5
We are all connected to the mothership.
A monument in funk, culture, and fun whose influence reaches far beyond the bounds of its own genres (looking at you Dr. Dre and every other sampler). It engages the listener the whole time and is one of the best showcases of P/F's true talent
Gary Numan
3/5
While I can find no direct connection, this album comes off as Modest Mouse writing the soundtrack for an eighties movie.
Helps popularize the minimal style of new wave and sets the scene for a bevy of odd eighties music. A bold choice to remove guitar entirely, but showcases the prevalence and domination of the synthesizer as it was about to enter a peak
Coldplay
4/5
So glad that mom and dad picked a good one. If I ever get married it's a good thing I know what I'll dance with my mom to.
Manages to make emotions the forefront of the album while building around them in a soft spoken and vulnerable way that continues to resonate. None of the gimmicks of being big and famous, I've always appreciated the straight-forwardness of this album and its nostalgic place in my memory
Yes
4/5
I love that they made the albums in two halves: the first is a master work in prog and the second is each member getting their own song because they could. Lots of depth and complexity, the glorious Rickenbacker tone, and the identity this album provides are incredible
The Rolling Stones
4/5
Thanks for the leather Andy. You turned a good album into an eternal icon.
Some classic songs and personal favorites. The Stones went back to their blues roots while incorporating what they learned from other tours and albums to finally reach #1.
Buck Owens
4/5
A light, fun album that encapsulates the West coast honkytonk explosion of the mid 1960's
Burning Spear
3/5
I love the political side of reggae and feel it oft gets overlooked for it's easier to digest vibes-ier brother. No holding back, shout out to Mr. Garvey, this album says so much for its time of release and is filled with passion
CHIC
4/5
All bangers. Bernard and Niles don't mess around, and Chic has released some of the most influential music across genres. Aside from Le Freak, I didn't know most of this album. Grateful my love for it has shown in doing this project
The Smiths
4/5
While the inflection point of this album can't be understated, it is certainly not the best album of all time NME. A piece of music history, British history, and a an amazing capture of a moment in time. Johnny Marr will never take the level of credit Morrissey did, but this is a showcase of the priors talents that latter added to perfectly
4/5
A blender of genres and emotions, War really put an amazing album together. The songs feel transportive and envelop you in a scene instead of describe it for you to imagine
Bill Callahan
3/5
An ode to the thoughtful baritone. I never knew Smog was just this one man, let alone that he continues to produce and write music to this day. I love the peaceful vulnerability
King Crimson
5/5
THE ORIGINAL Prog album and one of the genres pillars of greatness. Never miss that Greg Lake is the L in ELP, his voice is part of what makes this album so iconic. They brought the future and beyond to 1969. There are no bands that sound like this without knowing it, and few that could impart the level of complexity King Crimson did with the equipment of the time 4.5/5
Basement Jaxx
4/5
They brought the mission back to dance/house. Basement Jaxx dropped the weight of unnecessary sounds and focused on getting people together and moving. Production is banging, interludes are fun, album really showcases what house was about to become
UB40
3/5
One must wonder what it was like to be a British reggae band. They brought the political and vibesy versions of reggae and applied it to their own situation in England. Britain really seemed to have a movement in 1980 with the popularity of two-tone (soon to be second-wave ska).
I love the dedication they had to learning their instruments and being heard. This album was really put together with love and care for their personal mission. 3.5/5
The Byrds
2/5
THIS is how the Byrds started?? Covering Bobby D?? It's a bit of a cheat way to get big, but the cover is rather good. The sound is driven by the interplay of guitars while lush vocal harmony blankets the rest of the bands instruments. While the album is good listen and obviously a big influence stylistically, it doesn't need to be on this list while three of their better albums are 2.5/5
Adele
4/5
So many WBLI bangers from High School. One of the better piano focused performers of the modern age, not to mention her story telling and vocal quality. A lot of it seems silly to me since I was NOT into Adele when I was 16, but credit is certainly deserved. I'll Be Waiting surprise banger of the album
Caetano Veloso
3/5
I love hearing these old "world" albums that let the music speak more than the history. While this album does have a decent amount of info on Wiki, its pure and simple Tropicana.
Serge Gainsbourg
3/5
I love the instrumentation and combo of styles that definitely launched a movement in the 70's AND later in French Disco, but I can't get over the plot. Clearly an important and influential album, but remains personally off-putting. 2.5/5
The White Stripes
4/5
It's hard to know what to say about childhood albums. especially one I did not recognize the importance of at the time. It's weird, it's eccentric, it's heavy, it's vulnerable... as I relisten I think this helped to shape my music taste even more before I was reaching out for things myself. So much character and so much more technique and partnership than I had originally thought. A bridge to the new world
Dusty Springfield
4/5
Mama said there was albums like this she listened to with her daddy. It's a classic. I love the glitzy combo of pop and soul that brings in just the right amount of country. A great welcome to the stage in solo fashion
Judas Priest
3/5
One of the original metal bands finally breaks through. The album is good in its' own right, but what's best about this is how much other 80's metal you can hear between the covers.
G. Love & Special Sauce
3/5
An amazing sound for the summer, I can't believe G Love has been playing my whole life. I expected there to be more harmonica and twang, but this was a nice balance for a debut. Absolutely stuck around college crowds at the period and brought the new blues back at a time of grunge and pop
Tito Puente
3/5
Much love to the mambo king. As always, underserved informationally but provided great color and culture to the American music scene at the precipice of the 60's
Blood, Sweat & Tears
3/5
With big steps in style, framing, and recording of the album, Blood, Sweat, and Tears deliver an interesting performance. I especially am fond of the classical variation bookends and genre switching
Carole King
4/5
I, like many others before me, saw this album not for the monument it was before diving in. It's lusciously full of emotion and wit. I enjoy the covered songs but feel the most expression is in delivering her own material. Brings you mentally to Laurel Canyon where her picture sits
Led Zeppelin
4/5
The birth of one of the greats, some of these songs sound like they had years of work put into them when they're really just the quick scraps of "the New Yardbirds." I love how prevalent covers were on older albums and debuts both to garner attention and provide depth when there was not nearly as much in the field as there is today. What a start
Eurythmics
3/5
This album had a lot more flavor than I gave credit for. I never considered how important this album is sonically for the development of electronic music. A lot of hints to the duo being pretentious douches for a bit, as major artists can oft become
Tom Waits
3/5
With the delivery of a barren dirt road, there's something shamanistic behind Wait's trademark gravel. It's both western in the cowboy way with a rich mix of voodoo and blues. Certainly not the most approachable of his work, but fascinating because of it.
Le Tigre
3/5
One of the most forward facing girl-rock / riot grrrl albums, this really reminds of the late 90's and early 00's when I was a kid and this was present. Mom always did support strong women.
I love that it's rough on purpose and that they took production and performance into their own hands to emphasize the point. Catchy, fun, chanty, anti-establishment... it hits all of the right notes
Big Star
3/5
Seminal. Hilarious. A direct showing of how being introduced to different forms of expression creates a domino effect. I'm surprised of all places the Beatles stopped, Memphis is on the list, but the waves from that particular visit not only created this album, but this album continued to develop and make a big point for genre diversity and taking control of your work. One must wonder the impact this album would have had were it not for the limited production
Joni Mitchell
5/5
IT is difficult to state what exactly makes this album one of the greatest expressions of female work in music. Joni Mitchell simply wraps you up in her songs and makes you experience a spectrum of emotions as if you were witnessing the stories in real time.
There's not one song I'd pick as a favorite or one to save. The album is an experience in and of itself
Sepultura
2/5
While I enjoyed the idea of the concept of the Brazilian band making music with some of the most isolated tribes in their country, it's still a bit buttrock-y. I believe everyone acted well and seemed to havea good spiritual experience and connection, but I wish it came out more in the music
Christina Aguilera
4/5
Fuck yeah. Right back to being 11 and remembering mom talk shit about pop music for being thoughtless.
I love the appeal of the double album, with their different personalities and highlights, but beyond Xtina, the production on this album, especially with the emphasis on genre-bending, hit all of the right notes
Love
3/5
A surprising array of genres, Love developed something the rest of music wasn't quite ready for: punk. It was a single song mixed into the new "jazz rock" idea they seemingly put together at a time when Fusion was fledgling. While there are no hits, this 1967 album laid a lot of foundation for future artists to take even bigger steps.
Animal Collective
4/5
One of the many bands I was introduced to by some of my older friends I was making music with. While I never was as passionate about Animal Collective as them, the few songs of this album I knew caused me to keep interest in them until seeing them in 2013.
Looking back, I love the experimentation and how I can see the influence this has had on other artists and producers. Both rough and enveloping, it reminds me of active summers
The xx
2/5
It's richer, it's fuller, it's more expressive, but it's not The xx I'm looking for. While a big change of pace for the group I feel it ultimately takes away from their uniqueness and leaves something to be desired.
A well-done indie pop album, but lacks depth to be what it is
MC Solaar
5/5
Absolutely wild that this hit the world in 1991. The production is absolutely crazy, it is certainly the earliest European hip-hop album I've gotten to listen to, and even with my minor understanding of the language MC Solaar's raps still come off light and interesting. May have to listen again with a translation so I can get the full understanding.
Revolutionary rap
Buzzcocks
3/5
A classic Punk offering from British band the Buzzcocks here. While it doesn't stand out compared to other punk bands at the time, there is something whole about the album. It's personality, artwork, sound, and production just make sense together
The Jesus And Mary Chain
4/5
With a deft touch, the Reid brothers pushed the boundaries of what is included in music. The resonant baths of of fuzz and feedback this album contains while maintaining a hopeful tone is the definition of Shoegaze, and has a huge impact on the many Pot-rock bands that will begin popping up in the 90's
The Youngbloods
3/5
It's surprisingly light and fun. You can hear the early blending of the genres between country and rock with enough knowledge of jazz for it to count. So it became folk-rock
Liz Phair
4/5
How could you hate it? For what it did for Indie music? For it's upfront themes of vulnerability and isolation in the face of other-ness? For being a very important mark in women gaining a conscious voice in music?
That's the core of what makes this album great: an understanding honesty and sound that envelops the listener in the song. Aside from the strangeness, indie is all about connection.
Thin Lizzy
4/5
I'm not sure I'd call this one of the greatest live albums of all time at least in a modern light, but it's a raucous journey start to end. Thin Lizzy has a lot more complexity to their music than one would think and it's great to hear a whole show 3.5/5
The Flaming Lips
4/5
Both with bias and purpose, I think Yoshimi is a better album with a more complete story. However, the Soft Bulletin proved that lushness and weird could coexist in the same place. Debuting at the end of a millennia, it changed how many people listening and writing would come to view music.
Brian Eno
4/5
The solo path of the industry's most questionable yet influential figure, Brian Eno is both mad and a genius. The album is exciting and weird and definitely feels a lot closer in time to MGMT than some of the greatest albums in rock history.
Ultimately inheriting Andy Warhol's position in music, Eno began to break the walls of possibility in a new direction. Taking directly from some of the Beatles weirdest, he combined musicians knowing there would be conflict and put that conflict right in the forefront of his musical journey. It's weird, it's out there, but I'm really coming around to his importance in music as a musician
Jane's Addiction
3/5
While the first half is fairly par for the course of early Alt Rock, a surprisingly diverse memorial on the back half of this record makes it stand up amongst the rest. It's weird but in a touching way once you know the story behind it.
Scritti Politti
3/5
It's clean, fun, witty, and sexy. Always a fan of pop music with a balanced bitterness for pop culture. Still comes off a bit too 1985 at some points for me personally, but is good as is.
Dion
5/5
Wow. Phil Spector on production with the honest, earnest voice of Dion powering through really came through for me. It absolutely sounds like Primal Scream and a lot of other lush bands that appeared in the later 90's early auts. An underappreciated legend, I wish that this album was individual on Spotify.
Just Wow
Pere Ubu
3/5
I love seeing bands that really make a point to improve for their sophomoric efforts, and Pere Ubu really expanded their breadth here.
Baaba Maal
4/5
Almost completely under the radar, Baaba Maal added Senegalese music into the modern vernacular. The infectious grooves and fun melodies really bring the listeners in. Even not understanding the lyrics, it makes you want to move your body and have some fun. Can't wait to return to it
Belle & Sebastian
3/5
While I'm not sure I'd agree that is their best collection of songs, let alone one of the best albums of the decade, it's a great sophomoric showing from the 5 members of the band and helped launch them in colleges in America
The Stone Roses
5/5
Eschewing the metal and pop of the era, the Stone Roses launched one of the earliest Indie Rock albums. It helped to create Britpop and dictate much more of England's music scene before the Indie breakthrough.
The combination of jangle pop with darker undertones resonated with everyone. It highlights desires people feel they shouldn't have, yet can't help but have. The music itself is enchanting and easy to connect to. Another perfect moment in time
Yes
3/5
The increased depth and genre diversity present on this album is the catapult Yes needed to cement their legacy. It adds the perfect amount of character and inflection to their early prog that makes it more approachable and interesting
Afrika Bambaataa
3/5
An artifact of hip-hop, one of the original albums to put it right in the spotlight. Sounds "dated" but more so as a building block to the progress of the genre.
The Beach Boys
5/5
The magnitude to which this album changed modern music is immeasurable. A few of these songs have been iconic for decades, while those that haven't have quietly burned at the back of the minds of some of the other most influential artists since.
The introduction of actual production: the use of the studio to be a part of the album instead of simply what captures it, was groundbreaking. It gave way to Bowie, Timbaland, and many others to sit behind the desk and guide others to their eventual success
Also its just a near perfect album
Dr. John
4/5
Mac Rebennack wasn't even supposed to be Dr. John, he was simply the character's creator.
Having taken the helm on anyways, his performance helped spread the cultural depth of New Orleans' voodoo heritage far and wide. The album is sticky and stylish, dripping with charisma and continuing to pull you in. One of music's first iconic characters in his most honest way
The Killers
5/5
This quixotic coming of age tale has touched nearly everyone, though the depths of its story varies. Some will only know the modern generation's Don't Stop Believing in Mr. Brightside. Many will know the incredibly strong and marketable front half of the album with all of its' stylistic quirks and complications, but the full picture is not revealed without the B-side.
Growing up isn't all hope, nor is it all heartbreak. Life incorporates belief, grief, gentle understanding, acceptance, and most of all experience into who we are as individuals. It's hard to find an album that captures all of that and the uncertain emotions behind it all quite like this one does. An essential listen for the new music revolution