This is absolutely fire. Love it.

Bit dull and dreary. Overblown and not in a way that appeals to me.

Another album that doesn't go anywhere. Nice noises, but an hour of it isn't for me.

Title track is a masterpiece. Most of the points for that. The rest is overlong, not very interesting. Often sounds like a soundtrack to a planetarium show. Welcome to the Machine is awful.

Started strong, drifted off a bit after the first three songs. Probably won't listen again

I mean... 5 stars obviously Amazing, good enough to excuse when the bike horn comes along in You Still Believe in Me. Not listened to it in full for years till now. Gives me goosebumps. It's impossibly beautiful.

Going in blind, I don't know any songs from this. Title track really good. And then gradually I started hating it more and more. Considered a point for the influence on blur, but I just dislike everything about it from track 2 till the end. The sound, the singing voice, the drumming, the songs, everything.

Only know the one single from this. Can't believe he was in his forties when they made this. Only Janie's Got a Gun is surprising at all. The rest is fine, what you'd expect, Love in an Elevator is plenty 80s soft metal for me. It's ok. Won't listen again.

Another one that I don't think I've ever heard any of before. It's pretty incredible. I think it would be a definite 5 star if I were American. But I'm not, so I admire it rather than it speaking to me. 4.

It's a vibe. I feel like I'm in a 70s TV show. If you want your funk uncut, you found it.

It's two albums, both with no idea left out. It feels like it never ends. There's probably a great album in there.

Never heard of this. It's background music to a bar 20 years ago, or a scene from a film where the protagonist is in a taxi and it's raining. Pretty average.

Interesting, never listened to this before. Confirmed I just don't like Neil Young. Thought a Hot in Herre was going to break out at one point, but no such luck. It's ok.

Looking forward to hearing all of this. I'd be impressed by any album that can claim a better opening track than the title track here. It's just sublime. The rest is easy to listen to, he has a beautiful voice. Nothing overstays its welcome, and at 34 minutes, neither does the album. 4/5

I don't hate it. I didn't enjoy it.

I don't think I know the xx, but I know the name. Intro is beautiful. There's a lot of New Order in there, with distracted vocals on top. Shelter comes along and I think I'm starting to get hooked. Infinity reminds me of that Chris Isaak song, but doesn't work for me. The last couple of songs not grabbing me. It's ok.

Another Kinks album so soon? Better than the other one, but I don't like.

Can't work out why this is on the list. It's fine.

Borderline 5. I love the way their voices sound together, so I enjoyed listening to it. Owned it in a box set, but not sure I ever listened to it all before. Some classics (Scarborough Fair, Homeward Bound, 59th bridge street) a terrific run of For Emily, A Poem on the Underground and Silent Night to finish. But a few less interesting songs, and I really didn't like A Simple Desultory Philippic.

Never heard of her, never want to. So bland it makes me want to punch a wall.

Absolute madness.

Starts good (Wearin That Loved On Look), ends good (In The Ghetto). Plus Suspicious Minds is in the bonus tracks. In between it veers towards the club singer (particularly I'll Hold You In My Heart) and occasionally the more excruciating bits of the 68 TV special. Not my bag, but it's alright.

I love this, I've always loved this. Easy 5 stars. It's hilarious, so completely inconsequential but beautifully told at the same time. Blinded By The Lights is incredible, and the tracks with guest voices just make the whole album better. I love love love it Agree that Original Pirate Material has aged better and should be on the list, but as well as this absolute classic not instead.

I actually quite like the music, but I so so hate Jim Kerr's voice it overwhelms any points it might have got. I don't suppose there's an album of instrumental versions?

Gotta Get Up and Driving Along - nice start. Without You - absolute banger. Jump Into The Fire is great and rocks with an admirably insane mix. I'll never Leave You could have been Brian Wilson. That's not bad - the rest is less fun but has enjoyably deranged moments.

Almost every track is a half a minute of music in a song that lasts four minutes. Then the same, without a beat, with a beat, with a beat and some synth strings, without a beat but with strings etc. No real progression. There's a reason it all worked in adverts - those snippets are pretty good. An hour of it is way too much. It's ok if you don't want to listen to music, just to cover the silence and thoughts in your head. I guess that's why it sold so many copies. South side is good though, but then Machete comes along and is like a weak Prodigy copy.

Horseshit. Just appalling nonsense.

It's fine. Nice songs.

Stunning voice, over pub blues

This is absolutely fire. Love it.

Some good beats but man, there's a lot of it. The chatting bits are especially tedious. I liked when it finished.

Good vibes, good flow, good beats, and the sun is shining in London.

Not totally classic blur but an interesting step into experiments, especially from Coxon. The bangers are there, (Beetlebum, Song 2, On Your Own), some classics (Killer For Your Love, MOR, Death of a Party), some good freakouts, some out and out weird ones (Theme From Retro, Essex Dogs) and a Coxon solo effort seemingly dropped in from a different record entirely. Not listened to it end to end in a long while. I enjoyed it. Except the pointless "hidden track" obviously.

Decent enough background music. No idea if I listened to the right album to be honest, but I got the idea.

Nice. Very mellow protest album

Title track great. Dunsford's Fancy is nice. The rest is either like The Pogues but boring or worse (Sweet Thing, and especially The Stolen Child). Didn't enjoy it once the first track was over.

Underneath all the electronics, the key to this album is purely great tunes. Only the title track is a bit too form over content. It's astonishing how something that could be austere and impersonal becomes beautiful. This aside from making synthesisers sound like this in the 70s. This is a great album.

Track A - mega cool Track B - sounds like Charlie Brown's teacher is telling him off Track C - I'm in New York and it's night time. It's raining and the roads are bright with reflected light. Down these mean streets we must go. Track D - wtf? Who invited the flamenco dancer? I'm getting Police Squad vibes. A curate's egg.

Knopfler is a really good guitarist and the guitar tone is sweet. But he doesn't seem to have any confidence in his singing voice here, and other than Sultans of Swing it just passes by without leaving an impression.

I have never heard of Turbonegro, and when it started I thought it must be a spinal tap style comedy record, but weird to be on here. Then it became more like if Wyld Stallyns were real. Or more generously, if Generation Terrorists era Manics were really stupid. I guess it's glam punk metal. It's an album that makes me wonder whether to continue with this list at all. Charitably, maybe if you were a 15 year old boy when this came out and it was your first exposure to rock music, you'd have some affection for the way it made you feel.

Overblown but decent

Too much Robert Plant. Great riffs, great grooves. Too much everything. Then too much Robert Plant again. Too many filler tracks. Kashmir is awesome, be better if he shut up even more. He's like a demanding puppy squealing because he can't bear anyone else getting any attention.

Ah it's ok. Makes sense it was only fleetingly in the book.

Loved this when I was 12. Side one holds up pretty well, side two bit less interesting. Feels like I should be in a planetarium.

Amazed to discover I didn't completely hate this. It's fast drums like they've just discovered how to do the double kick bass and are going to use it all the time, man shouting and then a slightly incongruous twiddly guitar solo. Every time something interesting happens like in Angel of Death or Epidemic, it goes back to formula. Man shouting about mutilation, lots of fast drums and then twiddly guitar solo. Sometimes hilarious when he tries to fit too many words in for the speed of the music, special mention for Reborn here. The deliberately unpleasant lyrics just wash over you after a while. I didn't know them before today, but the two big songs are definitely a cut above the rest. Angel of Death especially - the lyrics are genuinely unpleasant and the music actually rocks.

Heavy on the flange pedal, goo stuff. Bit samey but a decent noise

Pub blues, and when Lane is singing, there's nothing interesting at all. Rod has a bit of something about him, and makes Stay With Me into a banger. All in all a bit nothing much, then an egregious version of Memphis, Tennersee shows up.

Boring 80s rock by numbers. Why not a proper Cult album?

Good stuff. Good vibes.

Not for me

Not really listened to any of his stuff before other than those you can't ignore. Some of the beats here are nice. The lyrics move between glorifying and being self pitying about his lifestyle, sometimes in the same track. Not much other than that, the American obsession with guns is in full effect. Drags on if you get bored with that shit.