Love Louie, my classic Buick was owned by a lady named Marie. I named the car Oh Marie from this song. Many times when I get in the car I have to readjust the mirrors they are set back for a very short person which Marie was.
Is it Prince at his best no but.. Prince not at his best is still amazing and better than a ton of albums considered great. I love it I listen often. Streamed but now going to play the record. Firing up the turntable and start partying.
Stevie being Stevie. Amazing
Solomon rest his soul is flat out amazing.
Great album, great band. Though it's overplayed. I don't listen very much. I can usually hear the songs on the radio frequently.
I am not a fan at all. Can't make it through the album.
Not the 80s music style I like. I think she seems cool and would be fun to hang with. The stupid videos on MTV might have had some bearing on that. Being a teen in the 80s I wasn't into top 40 much. ALT/New Wave are more my jam. I do not think she should be in the Rock Hall of Fame because it's not rock to me. There are tons in there that don't belong and other shunned that should be. Is she horrible not her but the songs are.
I couldn't give lower than one. He is horrible this album is horrible and he's an even worst human being.
Awesome album, didn't listen to it back in the day. Glad I did now.
Not a fan of rap in this style. Very overrated IMHO
Love Roxy Music. Ferry, Eno, Manzanera, Wetton, Mackay and Thompson plus many others are amazing musicians. Love their solo work as well. I have this on Vinyl it's a great pressing. Don't hesitate on this one you will love it.
What can I say that hasn't already been said. Stellar album throughout. Came back to this later as I was 8 when it came out. Love the Heads wish I would have been able to see them live.
I know it was a big selling album and it's good. Just not a listen to regularly good. Amazing wasted talent for sure but.... I really at times don't care for her voice. It's hits or miss and it's not on one song. I can hear her streaming and be okay cool then the next I just can't listen to it. I know I am in the minority it just seems like to much production went into and it's to polished.
Legends in their own right but not my kind of jams. They are not my style as a group or solo artists. Saying that they are amazing women and deserve all the accolades they get. Like I said very talented and trendsetters. I think Dolly is one of the most kind, caring and funny ladies out there.
Very good album I missed this somehow. Going to get multiple listens from here on out. Bummer they quit making music.
I am surprised I really thought I would like this. Not at all, just not great at all. I know the two hits somebody to love and white rabbit but they are so overplayed. It's not an album I would buy. I think IMHO the instruments sound horrible, the harmony is just grinding to my ears. Again totally surprised from people I have talked telling me how awesome it it. I might be crazy but yuck.
Really enjoyed this, spoken word I would say. Cohen was a brilliant man. Amazing songwriter of beautiful songs. I still think his Hallelujah is the best version out there. Great album from a great artist.
Ella is amazing what can I say. This is one of the songbook she did for several songwriters. Picking up all 3 versions of this record releases. I want to see if the quality stays the same, worse or better. If you love Ella you will this.
Great instrumental play but the vocals are horrendous not all the songs. Enough to really not enjoy the album, hey somebody loves it. Thats what makes music magical, we all like what we like. It would be boring if we all listened to Taylor (notso) Swift.
Well I tried to like it. It's all over the place, not at all an enjoyable listen.. Lyrics are kinda stupid. Voice is mediocre. Very hard to sit through.
Really liked this album. I will definitely be listening to his whole catalog. A+ all the way. Great listen all the way throughout. Where has he been how have I missed his music.
Bruce is a brilliant songwriter but that's where it ends. His voice is annoying. I wish he would just write for others and keep it at that. I am sure he is a great human being but like Neil Young, I would rather hear a cow caught in a hail storm.
Psychocandy is pure noisy magic. When it dropped in 1985, it felt like something totally new—like punk met pop in a dark alley and fell in love. The fuzzy guitar wall hits you right away, but underneath all the distortion are sweet, catchy melodies that stick with you.
It was a perfect soundtrack for the ‘80s outsider: moody, rebellious, but still tuneful. Songs like “Just Like Honey” still hold up today—cool, dreamy, and raw in all the right ways.
If you grew up with The Cure or Sonic Youth, this album fits right in. It's gritty, loud, and emotional without trying too hard. A Gen X classic that won't disappoint.
This album is most famous for the very long song "American Pie." That song has been played so much, it's hard to enjoy it anymore. While there are other songs on the album, none of them stand out much. Overall, it's not a bad album, but it's not great either.
★☆☆☆☆ (1 out of 5)
As a Gen X Britpop fan who grew up on the sounds of Blur, Suede, and of course early Pulp, This Is Hardcore was a real letdown for me. I went in hoping for more of that clever, catchy wit that made Different Class such a standout. Instead, I got an album that felt grim, cold, and a bit too wrapped up in its own sleaze.
Some tracks had moments—there were flashes of what made Pulp great—but overall, it didn’t land. The title track especially left a bad taste. It tries to be dark and dramatic, but to me it came off as creepy in all the wrong ways. Honestly, it gave off this unsettling, almost predatory vibe that I just couldn’t shake. Not cool, not clever—just off-putting.
The musicianship is solid, and Jarvis still has that unique voice, but good vocals can’t save songs that make you feel uncomfortable for the wrong reasons. It’s not an album I’ll revisit. One play was more than enough.
If you're into the Britpop sound, there are far better ways to spend your time. Give this one a miss.
Ah yes, Trafalgar — the Bee Gees album you put on when you’ve run out of things to do, and maybe even the will to do them. Legendary artists? Sure. Disco royalty? Absolutely. But here, they decided to take a nap instead of a victory lap.
The first song is actually good — a little hope, a little sparkle. Then comes the rest, drifting into a soft, endless fog of sleepy tunes and dramatic sighing. Barry’s falsetto? Still hanging around, still trying to hit notes only dogs can appreciate. It’s like he’s serenading you into a coma.
But hey, at least it’s not Disco All Day. Small victories.
Kate Bush – Hounds of Love
⭐️⭐️⭐️⭐️⭐️ (5/5)
If you love '80s alternative music, Hounds of Love is a must-have. Kate Bush's voice is beautiful and full of emotion—it gives you chills in the best way. The songs are creative and touching, with lyrics that really stick with you.
The whole album is strong from beginning to end. “Don’t Give Up,” her duet with Peter Gabriel, is especially powerful and still feels just as meaningful today.
This is one record every vinyl lover should add to their collection. Don’t miss it!
⭐️⭐️⭐️⭐️
The Eagles’ first album is packed with great songs and an easy, laid-back vibe that makes it a smooth listen from start to finish. It’s not something I play all the time, but when I’m feeling nostalgic, it’s a go-to. Solid classic rock with timeless appeal.
Deep Purple – Machine Head (★★★☆☆)
As a Gen X guy who grew up with rock blasting out of car stereos and bedroom speakers, Machine Head was one of those albums everyone had—or at least knew. It’s a classic, no doubt, with “Smoke on the Water” and “Space Truckin’” leading the charge.
“Smoke on the Water” especially… that riff is legendary. Every budding guitarist’s first real lick. You still hear it in Guitar Centers across the country. But honestly? It’s been played to death. It’s time to let that one fade into the background and make room for something new. The magic it once had is long gone.
The album as a whole still rocks, but it doesn’t hit quite like it used to. Solid, but not mind-blowing. A classic, sure—but not a personal favorite anymore.
Countdown to Ecstasy is an absolute gem — a flawless blend of rock, blues, and jazz with zero weak tracks. From the explosive opener Bodhisattva, you're locked into a smooth, sharp, and endlessly listenable ride. Donald Fagen’s voice is unreal, giving every song character and edge.
Every one of the 8 tracks hits just right, packed with slick musicianship and cool, clever vibes. Whether you're digging deep or just vibing, this album delivers.
No question — this belongs in your vinyl collection.
This album has some genuinely great tracks, no doubt about it. You can hear the talent and the start of what made early Chicago so good.
However, then there's "Free Form Guitar." Honestly, that track is just painful to listen to. I had to skip it after about a minute; it's a real head-scratcher. It's one of those moments that makes you wonder what they were thinking.
Overall, it's a mixed bag. Some fantastic songs, but also some real duds like the one mentioned. It's not an album I'd reach for regularly. If you're just looking for the good stuff from this era, their "Greatest Hits" collection is probably a much better bet. While I appreciate Chicago's early sound, this particular album doesn't quite hit the mark for me. Three stars feels generous, two and a half more realistic.
Alright, let's talk about Dire Straits' Brothers in Arms. This one's a solid 4 stars, no question.
This album is a total time warp back to the 80s. Seriously, it's like a soundtrack to MTV and all that glorious excess. "Money for Nothing" pretty much nails the whole vibe of the decade, from the guitar riff to the lyrics. And yeah, Sting on that track? Still blows my mind how many people don't realize it's him. Classic.
Beyond that one hit, the whole album holds up really well. It's just good, solid music. Listening to it now throws me right back to high school, those long summer nights, and feeling like we had the time of our lives. It just fits that era perfectly. Definitely a keeper.
Elvis Is Back - Elvis Presley (4.5 Stars)
Just gave Elvis Is Back a listen for the first time, though I've definitely heard classics like "Fever" before. And wow, I really enjoyed this album! It's got such a cool vibe.
I'm seriously going to hunt down the vinyl version of this one. Those "Living Stereo" recordings are something special, and I bet it sounds amazing on wax. It might not be a chart-topper like some of his other albums, but I truly dig it. It's all about "Taking Care of Business" on this record. Definitely a positive listen!
Alright, let's talk about The Charlatans' Tellin' Stories. I'd give this one a solid 3.5 stars.
First off, the sound on this album is pretty great. Those guitars are spot on, and the vocals are classic Charlatans. You can definitely get into the groove with a lot of these tracks. The lyrics, though? Yeah, they're just... okay. Nothing that really blows your mind or sticks with you long-term.
As not a huge Britpop fan, I went into this hoping for a bit more, honestly. It's not a bad album by any stretch, and I'll probably give it more spins down the road, but it doesn't quite hit that legendary status for me. You know, with everything that happened before this album came out (the sad story with Rob Collins), there was a lot riding on it. It's a decent effort, but it didn't quite deliver that knockout punch I was secretly hoping for. It's good, but not essential.
Great grunge sound, even dig her voice but.... These songs are horrible, geez how to kill great music with awful lyrics.
Just Bad, the voice on this person is horrendous. I sure hope I get some better suggestions soon. I keep getting crap suggestions.
Alright, let's talk about U2's The Joshua Tree. This one's a solid 4.5 stars for me.
This album is pure 80s iconic stuff. It's funny, I actually enjoy it more now than I did back then. I was a senior in high school when this dropped, and it was everywhere. Long summer nights on the radio, you know? (Hey, isn't that in a song? Probably, haha).
For me, U2's output up through The Joshua Tree was just great music. They kind of went off the rails on some future albums, but this one captures them at their peak. And Bono, well, he does some amazing things for charity, no doubt. But yeah, sometimes he can come off a little... pompous. Just saying.
Still, this album is a fantastic time warp back to when music felt genuinely cool, especially for us Gen Xers. It holds up.
Alright, Black Monk Time by The Monks? This ain't just an album, it's a statement. This is raw, visceral, no-holds-barred '60s rock and roll. These cats play like a runaway train – fuzzy guitar, relentless beat, pure primal energy.
I am giving this a high 4, almost 5 stars. It's essential. This band was so ahead of its time, they just got lost in the shuffle.
Definitely grab this for your vinyl collection; it'll sound even grittier. If you dig '60s guitar rock, Black Monk Time is an absolute must-listen. A pure hidden gem.
Totally get it. Solange's got pipes for days, no doubt about that. But yeah, if you're craving that genuine, old-school R&B groove, the last 20 years on the radio can feel like a yawn.
The 70s and early 80s R&B? Now that's where the soul was. Forget the cookie-cutter stuff – you want the real deal, and those decades delivered it in spades. You're talking about the masters of the groove, the legends of the vocal, the real architects of the sound.
Alright, let's talk about King Crimson's Larks' Tongues In Aspic. This one's a solid 4.5 stars, no question.
This is classic King Crimson right here. You've got Wetton, Fripp, and Bruford all on board? Come on, you know it's going to be great. I'm a huge fan of King Crimson, and this album really delivers.
If you're into vinyl, you absolutely need to pick this up. It sounds fantastic on wax. Just sit down, chill out, and put this record on the platter. You won't be disappointed.
How does anybody listen to her. I would rather listen to a hundred peoples teeth grinding. WOW
First time listening to The Cramps. Not sure why, this is right in my wheelhouse. Great debut album, definitely will get more listens. Psychobilly at it's best.
Alright, let's talk about David Bowie's Heroes. For me, this one's a solid 4 stars. Because, come on, it's Bowie.
I definitely like this album a lot. It's got that classic Bowie weirdness and brilliance all over it. The title track, "Heroes," is an absolute masterpiece – a truly great song that still gives me chills.
But here's the thing: while I appreciate it, this isn't my go-to Bowie album. When I'm looking for a deep dive into his catalog, I usually land on something else first. It's not that it's bad, not at all, it's just that his discography is so vast and amazing, and some others just resonate a bit more with me personally.
Still, it's a monumental album from an iconic artist. It showcases his daring spirit and willingness to push boundaries. Even if it's not my absolute top pick, it's still a fantastic listen and an essential part of his legacy.
This album? Five stars, easily. Let It Be is an absolute legendary, must-have album from the 80s. Seriously, if you don't have this one, you're missing out.
It sounds fantastic on vinyl. So, do yourself a favor: grab the wax, put it on the turntable, sit back, close your eyes, and just let it take you back. This record is pure awesome, a real classic that takes you right back to the days of of chilling with friends. Not thinking about what it would be like 41 years later.
Alright, let's talk about The Beach Boys' Pet Sounds. This album is absolutely a 5-star masterpiece.
I get it now, I really do. I'd heard so many of the songs over the years – they're everywhere, right? But I never actually sat down and listened to the whole record from start to finish until I picked it up on vinyl a couple of months back. What a revelation.
Brian Wilson was simply a genius, plain and simple. The way this album is put together, the sounds, the emotions – it's just awesome. Hearing it on vinyl really brings out all the layers. It's truly a legendary album, and it totally lives up to the hype.
Wow, Gris-Gris really surprised me! I honestly didn't expect it to be so trippy, but I absolutely love it. This album is odd, weird, fun – all of the above, and it just works.
And Dr. John's voice? What more can you say? It's utterly mesmerizing. It pulls you right into his world. This album is a solid 4 stars all day long. The Dr. has definitely arrived!
Not a fan, she's very rude and arrogant. This album is truly overrated. MTV unplugged was hideous. She is horrible live and mails it in.
Really not a fan of this album. Pixies are hit and miss. Some label them as essential but to me are mediocre.
Alright, let's dive into David Bowie's Station to Station. For me, this album easily earns a 4.5 out of 5 stars.
This record is just fantastic. Every song on it is amazing. It's truly a testament to Bowie's genius that Station to Station feels as fresh and relevant today as it did when it first came out. It's one of those albums that you can put on years later, and it still sounds completely timeless.
Compared to other great artists of that era, and even today, this album stands out. It's got a unique sound that blends soul, funk, and some intense art-rock, creating something truly special. You hear tracks like the title song, "Golden Years," or "Wild Is the Wind," and they just hit you. They're intricate, powerful, and full of emotion.
This isn't just another great album; it's a piece of work that shows Bowie pushing boundaries and refining his sound in incredible ways. If you haven't given it a full listen, you absolutely should.
Album is great until Neil Young sings. His voice just grates me.
Alright, let's talk about Living Colour's Vivid. I'd give this album a solid 3.5 stars.
It's a great album, no doubt about it, and a huge part of the late 80s rock scene. Corey Glover's voice is just incredible; he's got so much power and range. And the band itself? Super tight, amazing musicianship all around. They can really play.
The thing is, Vivid definitely sounds a bit dated now. The production is just too polished for my taste, especially listening to it today. It lacks a certain grit that I think would really make it pop. It's a fantastic listen if you want to take a trip down memory lane, but that overly clean production holds it back from being truly timeless for me.
Still, it's a powerful statement, and because the band is so talented, I'm definitely going to check out their newer material to hear what they're doing now.
Alright, let's talk about Peter Gabriel's first album, the one everyone just calls "Car." Seriously, this thing? 5 Stars, no question.
This was his big leap after bailing on Genesis, and man, what a way to kick off a solo career. It's just a killer first album. You know, back then, his live shows were something else – total spectacles. This record was the ground zero for all the amazing stuff that came after it. And let me tell you, his run of those early albums? All killer, no filler.
This "Car" album is so good, it's straight-up legendary. I even went and snagged it on vinyl in German, just because I'm that much of a fan. Trust me on this one: if you haven't given this a full listen, you're missing out. It's awesome.
Love Prog just not Zappa. I think he was a genius but it never clicked with me.
A little to chaotic for me. Might try again during the day instead of late at night. Probably not though.
Alright, let's spin Happy Mondays' Pills 'n' Thrills And Bellyaches. I'm landing this one somewhere between 3.75 and 4 stars right now, and honestly, that number might creep up the more I give it a proper listen.
Funny thing is, I didn't really give this album much attention back when it came out. Even though they're exactly the kind of band I was into back then – you know, like [insert a similar band you liked, e.g., "Stone Roses" or "Inspiral Carpets"] – it just kinda flew under my radar.
But now? Yeah, this thing's definitely growing on me. It's got that undeniable groove, those distinctive vocals, and just a whole vibe that's hard to ignore. It's quirky, it's danceable, and it's got that undeniable alternative rock vibe. I'm kicking myself for sleeping on it all those years. Worth a revisit, for sure.
Alright, so Oasis's (What's The Story) Morning Glory... Man, what was I thinking when this stuff first hit? I know, I somehow jumped on the country bandwagon for a good ten years – a decade I'll never get back, let me tell you.
But revisiting this album now? Brilliant. I just said it, didn't I? I couldn't fully appreciate it back then, but now I can hear it. It's loud, it's anthemic, and it's got those tunes that just stick. I'm definitely going back for more listens. This one's a solid hit that I missed the first time around.
Classic Rock n Roll. Nuff said legendary.
Nope not good, his voice is horrendous and he's a pompous jerk.
Alright, so I finally gave Rufus Wainwright's Want One a proper listen. And, well, it's just not really my thing.
Honestly, I found him a bit whiny on this album. And the lyrics? Pretty boring, to be frank. Nothing really grabbed me or made me think twice.
But hey, that's okay. Different strokes for different folks, right? It would be pretty lame if we all liked the exact same stuff. I gave it a fair shot, but this one isn't going to be in my regular rotation. It's not horrible, but it just didn't click with me.
Alright, so I've recently stepped into the Muse domain, checking out Black Holes and Revelations, and let me tell you, I'm digging it. This album is a solid 4.5 stars in my book.
These guys really rock hard. Matthew Bellamy, the lead singer, has an absolutely killer voice – it's powerful and just awesome. It's the kind of sound that makes you want to crank it up.
I'm definitely going to be adding some Muse vinyl to my collection after hearing this. This album is a fantastic entry point into their world, and it's got me hooked. If you're looking for some serious, high-energy rock with incredible vocals, this is it.
Alright, let's talk about Radiohead's Kid A. This album? Absolutely brilliant. I'm talking 5 stars all the way.
This record was the one that truly pulled me into the Radiohead universe, and what a band they are. Thom Yorke is nothing short of a genius; the sounds and ideas he brings to the table are just incredible.
Kid A is a masterpiece. It's the kind of album that makes you rethink what music can be. If you haven't given it a deep listen, do yourself a favor. It's a game-changer.
Still freaks me out. Can't listen, the movie scared me as a kid. So no go on this. Silly I know.
Alright, so I just stumbled onto X's Wild Gift, and man, what a band! Can't believe I never heard of them before this. This album is seriously cool. 5 stars, easily.
I listened to the whole thing, and I'm totally digging it. It's got this raw energy that just hits right. And seeing that Doors keyboardist, Ray Manzarek, was the producer? That's just cool. Didn't expect that, but it totally works.
I'm already looking to add this one to my vinyl collection – it feels like the kind of record that just sounds better on wax. Plus, I'm now on the hunt for their first album too.
From start to finish, it's a great listen. Definitely a cool find, and I'm glad I finally checked them out.
This album? Man, it's just solid gold from start to finish.
I've had this one on vinyl for years, and it never gets old. The music on this record is just so tight; every track locks in perfectly. And Jim Morrison? His voice is just awesome on here, pure classic. But seriously, you can't forget the rest of the band – they are absolutely kick-ass. Robby Krieger's guitar, Ray Manzarek's keys, John Densmore's drums... they're all firing on all cylinders.
This is one of those albums that just feels right. It's got that raw, bluesy rock vibe that just hits the spot. If you haven't given it a full spin, you're missing out.
This album? Definitely a 4-star classic.
These guys were absolute 80s icons, no doubt. Flashy videos, catchy tune, they owned that era. And the cool thing is, they're still out there doing their thing today, which you gotta respect.
Rio just screams the 80s, but in a good way. It's got that slick, stylish vibe, but underneath it all, there's a rebellious energy that resonated with us back then. It wasn't just bubblegum pop; it had an edge. It's the kind of album that makes you remember when music videos were actually events. Still holds up, even if some folks tried to dismiss them as just pretty faces. We knew better.
Boring, boring, boring. The annoying guitar ugh. They sound like those School of Rock kids bands that you have to struggle through at sumer event's
Horrendous voice made it through without ears bleeding. Definitely never going to be on my playlist.
Alright, let's talk about The Jam's All Mod Cons. And let me just say, after that last round with [redacted artist, i.e., Nick Cave] – ugh, horrendous – this album is a breath of fresh air. Seriously, what was the generator thinking?
But this? This is The Jam at their absolute finest. An amazing album, top to bottom. Every track just clicks. It makes you wish you had a time machine just to catch them live back in the day, you know? That energy, that style... pure brilliance.
Nothing but positive vibes here. This is the kind of stuff I'm talking about. Hopefully, the universe (or the generator, whatever) gets the hint and starts serving up more gold like this instead of the other stuff. This album is just, well, it's the bomb.
To many Neil Young albums coming up on list. I despise his voice and his attitude. Did not listen
Amazing song writing and even the voice grows on you.
Alright, let's talk about The Jam's Sound Affects. This album? Man, it's just a solid 4.5 stars in my book.
This record has got that awesome, classic Beatles vibe mixed with their signature mod sound, and it just works. It's a genuinely great album from front to back, no skips required. The Jam, well, they truly JAM on this one.
My only real complaint is that it's too short! Seriously, I could listen to more of this. I don't have it on vinyl yet, but it's definitely high up on the wish list. Keep bringing the heat, baby! This is the good stuff.
This album hits hard. From the opening riff of “Bombtrack,” you know you're in for something wild. Rage brought rap and rock together like no one else — raw, loud, and full of purpose.
Zack’s vocals are powerful and real. You feel every word. Tom Morello? Guy’s a guitar wizard. Makes sounds you didn’t even think were possible. The bass and drums groove hard and keep it all locked in tight.
The lyrics don’t hold back. They stand for something. It’s angry, smart, and straight-up bold. Rage wasn’t just making music — they were shaking things up.
Still gives me chills. I’ll keep spinning this one for years. Total classic.
Man, this thing is just perfect.
I was only a year old when this dropped, but seriously, this is a monumental debut. Every single song on it is killer. Ozzy's voice, Tony Iommi's riffs, Geezer Butler's bass, Bill Ward's drums – the whole band is just absolutely amazing. They came out of the gate fully formed and just laid down the blueprint for heavy.
It's dark, it's heavy, and it's a timeless classic. If you want to hear where a lot of heavy music really started, this is it. No filler, just pure, unadulterated awesome.
Alright, let's talk about Prince's Sign o' the Times. And seriously, how in the hell did I miss this one back in the day? I know, I was stupid. My apologies to the masses for my previous shortcomings.
But wow, I'm absolutely blown away by this album. It's just so good. I've always loved Purple Rain, but this might actually be his best work I've heard. Every track is a gem.
Man, I really wish he was still here, still making music, still blowing minds. And yeah, I definitely wish I would've seen him in concert. This album is a masterpiece, and I'm hitting the vinyl hunt as soon as I'm done with this. Pure genius.
Some great songs but overall he's just not in my lane. Brilliant songwriter, great voice a legend but not for me.
Overplayed not really that great after all these years. I don't think it aged well. Definitely not a go to album for Van Halen. Just Meh
Funk at it's best. Love me some Fire.
Great album. Love Jack White. 3rd man records is a cool place a must see.
One of my Favorites by Genesis. Listen to it all the time.
This album just works. From the first song to the last, it's a whole vibe. The band was firing on all cylinders, and you can hear it. It's cool, it's weird, and it feels like it was way ahead of its time.
And yeah, you can totally hear Eno's touch all over this thing. His genius just shines through, making everything sound amazing. This isn't one of those albums with just one or two good songs; it's a record you can put on and just let play from beginning to end without ever wanting to hit "skip." It's just a classic.
This album is a crazy trip, man. I went into it thinking it was going to be some mellow space rock, but this thing is loud, chaotic, and completely in your face. It's a live album, and you can feel that energy. It's like being at the show. The guitar riffs, the wild synth sounds, the trippy sound effects... it's all there and it works.
This isn't some polite music you put on for background noise. This is the kind of stuff that just makes you feel like you're floating in space, getting hit by a meteor. This puts all that modern screamo stuff to shame, for sure. This is the real deal. I'm definitely digging this band and will be checking out more of their stuff.
Would rather listen to Neil Young and I won't listen to Neil Young.
I'm gonna be real with you, I was a moron. For the longest time, I just never got into Tom Petty. He was just... there, you know? On the radio. Never really took the time to listen, and I figured I wasn't missing anything.
Then I wised up. It might've had something to do with him being on King of the Hill as Lucky, but whatever it was, it made me go back and give him a real shot. And man, was I stupid.
I started with the first album, this debut. And it's just amazing. It’s got that raw, hungry sound. It’s not over-produced; it's just a band playing great songs. Tracks like "Breakdown" and "American Girl" are classics, but the whole thing is good, from start to finish. I'm now going through his whole catalog, and I can't believe I missed this for so long. This is just a great rock album, and I was a fool for sleeping on it.
Not a big fan this one isn't awful just not into Lou.
I'll be blunt: I have never liked Neil Young's voice. I've tried. I really have. But every time I hear it, it's just this incredibly high, nasally sound that I find almost painful to listen to. I'd rather sit through "Tiptoe Through the Tulips" on a loop than spend five seconds with this guy. It's just a painful voice.
That said, I have to give him credit for the songwriting. The man can write a song, no question about it. Tracks like "Cinnamon Girl," "Down by the River," and "Cowgirl in the Sand" are undeniable classics in their own right, and the way he crafts a song is pretty impressive.
So, while I appreciate the craftsmanship and the genius in the writing, I just can't get past the voice. It's not an album I will be putting on again anytime soon. The talent is there, but so is the voice I can't stand.
Alright, listen up. If you're into rock music at all, there's one album you absolutely have to know about: In the Court of the Crimson King by King Crimson. This isn't just an album; it's a total head trip and, no exaggeration, one of the best prog rock albums ever made. In my opinion, King Crimson is one of the all-time great prog bands, and this record is the reason why.
The first time you drop the needle on this thing, it's like nothing you've ever heard. It's got this totally unreal vibe, with these swirling Mellotron sounds that just take you to another dimension. The album shifts from intense, chaotic moments—like the opener "21st Century Schizoid Man" with its killer sax solo and heavy guitar—to these beautifully eerie, almost-sad tracks like "Epitaph." It’s a whole journey, not just a collection of songs. The production on this thing still holds up decades later; it's just so crisp and clear.
I've had this on vinyl for ages, and there's just something special about listening to it that way. The artwork is iconic, and the sound just feels so warm and full. It’s the kind of record you put on when you want to really listen to something, not just have it on in the background. It's a solid five-star album for me, no question.
If you haven't heard it, do yourself a favor and check it out. Seriously. And if you have a turntable, you owe it to yourself to go find this record and add it to your collection. You won't regret it.
Okay, so I finally got around to listening to Bad Brains. I've heard the name for years, mostly in hushed, reverent tones, like they're some sort of punk-rock deities. So I put on I Against I expecting to have my face melted off.
The first few tracks? Man, they went so hard I thought my headphones were gonna disintegrate. Then a couple of songs came on and I was like, "Wait, what's happening here?" It was a little bit of a speed bump. It wasn't bad, just... a bit of a head-scratcher. I almost checked my phone to make sure I hadn't accidentally hit shuffle on a different album.
But then, boom, they'd pull you right back in with another killer track. It's an album of extreme highs and a few moderate lows. I'm not going to run out and buy the vinyl and frame it, but I’m also not throwing it in the trash. I'll probably make a playlist with a few of the songs I really dug. It's a solid record, just maybe not a "listen from start to finish every time" kind of deal.
Really enjoyed this. Never have heard of. I'm going to listen again and again.
Well this is no-brainer amazing album from amazing band. What can you say but it's Metallica.
Classic album from classic guy like his earlier stuff better than his later. This one's a keeper for sure
Not as in love with Jimi Hendrix as I used to be. Still like his music! Some of it just comes off as noise. I never thought I would say that but that's the case. He's still brilliant but not in my rotation much anymore
First time listening, not the last amazing album by amazing artist. I'm going to check out all of his catalog. This is definitely a five-star album in my book.
Kind of drones on. Sounds like it was made in a basement. I just think it's boring and really sounds like that middle school band in the talent show.
**Album Review: *The Piper at the Gates of Dawn* by Pink Floyd**
*Rating: 4 out of 5*
Pink Floyd’s debut album, *The Piper at the Gates of Dawn* (1967), is a wild, colorful trip through the early days of psychedelia. For those of us who grew up in the era of vinyl and lava lamps, this record captures that perfect mix of experimentation and innocence that made the late ’60s so electric.
Syd Barrett, the band’s original frontman, is the heartbeat of this album. His lyrics feel like fairy tales spun on acid—strange, funny, and totally original. You can hear his creativity overflowing in every track, making it one of the most imaginative debuts in rock history.
### Highlights
- **“Astronomy Domine”** kicks things off with a blast of cosmic energy.
- **“Lucifer Sam”** is catchy and creepy in the best way.
- **“The Gnome”** and **“Bike”** capture Barrett’s playful, offbeat side.
- **“Interstellar Overdrive”** dives headfirst into chaos, a wild jam that defines 1960s experimentation.
### Art and Vibe
The title, borrowed from *The Wind in the Willows*, fits perfectly—mystical and a little strange. The cover’s trippy photo collage matches the music’s vibe: dazzling, surreal, and unpredictable.
### Final Take
*The Piper at the Gates of Dawn* is a snapshot of a band on the edge of genius, guided by Barrett’s brilliant, eccentric mind. It’s weird, it’s wonderful, and it still sounds ahead of its time nearly 60 years later.
I can't believe that there is something worse than Neil Young. Absolute crap. Who would sign a band like this. I can't imagine how awful a live show. 2 songs and I was done.
If you dig Julian Cope, "Kilimanjaro" by The Teardrop Explodes is peak post-punk fun—catchy, a bit quirky, and always energetic. From the punchy horns on "Reward" to the trippy vibes of "When I Dream," the album just pulls you in. Even if you missed it back in the day, it still feels fresh and addictive now. There’s a real sense of fun and weirdness here—definitely worth spinning a few more times if you’re loving it.
Can't stand his voice. Band is amazing. Different singer differend rating. Myles Kennedy would have slayed these songs. The little pompous weasel suck.
Television - Marquee Moon: A Masterpiece That Still Cuts (5/5 Stars)
For anyone who came up in Generation X, Television's 1977 debut, Marquee Moon, was a revelation. While other bands were doing three-chord punk or endless stadium rock, this album showed you could be raw and smart at the same time. It’s a total masterpiece, fusing the grit of the CBGB scene with complex, almost jazzy guitar work. Tom Verlaine and Richard Lloyd weren't just soloing; they were weaving intricate lines that became the blueprint for nearly every great alternative band that followed. Honestly, we needed more output from these guys.
The whole record is tight, but a few tracks define it. “See No Evil” is the perfect, punchy rock opener. “Venus” is pure jangle and chime, offering a bright, melodic hook that cuts through the grit. The true highlight, of course, is the 10-minute title track, “Marquee Moon.” It's an epic built on a looping rhythm that escalates into one of the most hypnotic and intense guitar workouts ever recorded, totally transcending genre.
The whole vibe is grounded by Tom Verlaine’s unique vocals. He doesn't sing in a slick way; he narrates, barks, and whispers in a distinct, pinched tone that gives the music its neurotic, literary edge—absolutely spot on. It’s a huge bummer we lost Verlaine in 2023. His unique style is why Marquee Moon still sounds fresh and absolutely deserves that 5 out of 5 rating.
Classic Michael, much better to me than Thriller. One I spin on my record player. I can't tell you the last time I listened to Thriller.
