This was a fun 70s rock album. I liked that the production focused on getting a live sound by using a lot of first takes. It definitely adds a bit of that late 70s grit to the album that helps set it apart from some of the cleaner, more overwrought work being done in this period. This sounds like Elvis Costello at times, though I'm not sure in what direction that influence goes. The reggae influence is definitely here as well, and I tend to find that a very pleasant touch to add to rock from this era 4/5

I listened to a version of this that had remixes that followed all the original songs. It was a bit distracting, since it made it harder to evaluate the album, but I was struck by how well all these songs transformed into modern dance music. Her voice is beautiful, and it's a great recording as well. I have no idea what she's saying, but the emotion comes through so well. I don't even know how I would describe this, but it fucking works. Upon looking at Wikipedia, it turns out this is a Malian singer. That figures. Some of the best guitar music in the work has been coming out of Africa, and I've liked basically everything I've heard on this list that involves African guitarists 4/5

This album has an interesting story, since it was leaked in 2013 and then officially released in 2019. It's weird, since the album still sounds pretty modern, and probably sounded pretty crazy in 2013. I wish I could have heard what this album would have been when it was finished and properly mixed and mastered, though what we have here is still really cool. It makes me sad, though, that the leak had such a negative impact on the artist that he withdrew from making music just as he was starting to impact the mainstream. 4/5

I have no idea what this album is or how to describe it, but it's really cool. The production is great, which can't be easy on an album this unusual with this many moving parts. The lyrics fit the music perfectly, and the lead singer has a great voice that he uses to the fullest 4/5

This album is really cool at times, and the symphonic approach to metal definitely works when well-executed. There are some songs where it starts to feel samey, but that usually doesn't last for long before the album grips you again. I don't know why folks from Scandinavia like metal so much, but god bless em, they know how to do it right 4/5

This album really falls into a sweet spot for me. The combination of metal and shoegaze definitely scratches an itch in my brain. I could see how lots of folks would not care for this album since it's so noisy, but I thought it was really well executed overall, though I think the production could have been a little cleaner in places 4/5

The concept for this album is fascinating. What I'm really not sure what I think about is the execution of the concept. I've never heard an album before where I was less sure of what the artist was actually doing. In general, it sounds like he's just put a microphone up at some distance from a speaker playing music on vinyl. About halfway through the album, he has some shorter loops and has things moving between the left and right channels, which makes what he is doing a bit more obvious, but for the most part his role is very mysterious. In some ways, it's this question about what the artist is doing that makes this work. We are transported through unknown means into a hazy past that may never have existed for us. We experience the work of the artist's hand, but the hand itself is never visible. In some ways, I think this is meant to mimic the unstuck timelessness of Alzheimer's, since AD patients and their connection to music from their pasts were the inspiration for this album. It works. I don't know how or why, or even what works, but it works 4/5

This album is pretty interesting for being part of the nu metal genre at sort of the tail end of that genre (at least as far as I'm aware). It's definitely good in parts, but it starts to sound like a lot of other things I've heard in other parts too. The real strength of this album is the production. There's a lot of good stuff that I think would be missed if it wasn't mixed and mastered so well. The sound is super crisp, and the texture of the bass really comes through. 3/5

I have no idea what this album is or how to describe it, but it's really cool. The production is great, which can't be easy on an album this unusual with this many moving parts. The lyrics fit the music perfectly, and the lead singer has a great voice that he uses to the fullest 4/5

This album was okay. I've never been all that drawn to prog rock, so it's not a surprise that I'm not particularly drawn to this. It's fine and competently made, it's just not what I get into 3/5

I was kinda surprised to see this album pop up today, since the other handful of albums I've gotten on the user-submitted list were albums I'd never heard of by bands I've never heard of in genres that I've never listened to. This album is cool. I love the combination of his voice over synth pop. It just has this smooth, ethereal quality. I don't have a lot to say about this, but this is an album that I want to come back to 4/5

I feel like this is one of those albums where the production really makes it work. The songs are well-crafted, and they are both played and sung beautifully, but the production really helps give it emotional depth. It's like there's so much open space in the record, and yet it feels cozy and warm. The producer does need to back off on the reverb on the vocals a bit, since he occasionally sounds like he's been trapped down a well and needs Lassie to rescue him. Other than that, it's just a really peaceful album that's easy to connect with emotionally 4/5

This album was cool. It's not the most amazing disco album I've ever heard, but it's solid and it goes by in what feels like no time 4/5

I've heard about this album a lot, since it was apparently the album of the summer, but I haven't listened to it now. It's always fun when a pop album turns out to be well-constructed. Charli xcx certainly has odd pop sensibilities, but it really works here. The music is fun, and her voice sounds wonderful over it. The album is really versatile in terms of its sound too 4/5

This album takes a little while to get going, but it's well-crafted, and you can groove to it once it picks up a bit. It's interesting that these two were original members of King Crimson. This album feels kinda like prog-folk, which I would assume that I hate, but it's well done here. 4/5

This album is pretty cool overall. The music never wows me all that much, but the harmonies are really nice. It feels a bit uneven at times, but there are a lot of great moments 3/5

I lost my review for this one, but the music is really cool and also pretty variable. I think I'd be able to appreciate the poetry a little better if I spoke more Spanish, but that's really on me 4/5

I love this album, and I got to see him perform on the tour for it. I'm not sure that this is the Bon Iver album that I would put on this list, since I think his first two LPs are both incredibly beautiful, but this album is certainly more experimental than his previous work. The execution is excellent as well. The album is a bit front-loaded in terms of quality, but this is still one of those albums I let play all the way through 5/5

This album has an interesting story, since it was leaked in 2013 and then officially released in 2019. It's weird, since the album still sounds pretty modern, and probably sounded pretty crazy in 2013. I wish I could have heard what this album would have been when it was finished and properly mixed and mastered, though what we have here is still really cool. It makes me sad, though, that the leak had such a negative impact on the artist that he withdrew from making music just as he was starting to impact the mainstream. 4/5

God, the insane number of hours I've spent driving around stoned as fuck and listening to this album. If we're going strictly by nostalgia, this album is a solid 5 stars, even though I got sick of it by the end of my time in college. We'll see how this album feels in 2025. It's hard to listen to this one with fresh ears. Overall it sounds really good, and I was shocked to find out that it was produced by a member of the Butthole Surfers. The lyrics are often not great, but not terrible either (I'd put them slightly above RHCP in terms of quality). This album is certainly less of a cover album than 40oz was, which is good, but I like listening to that album more. I feel like the highs are really high on this album, the overall quality is pretty good, but then at times the band sounds like they're not trying very hard. 4/5, but far closer to 3/5 than my teenage self would have felt comfortable with

This album is really cool at times, and the symphonic approach to metal definitely works when well-executed. There are some songs where it starts to feel samey, but that usually doesn't last for long before the album grips you again. I don't know why folks from Scandinavia like metal so much, but god bless em, they know how to do it right 4/5

Is Iceland just the land of haunting beautiful music? It's so weird that so much great stuff came out of that island in the 90s and 00s. This album is stunning, just powerful and ethereal the whole way through. Definitely one that I want to hear again, perhaps while strolling through one of Iceland's many haunted forests with my gnome friend that I met while removing the curse from a pair of socks in an enchanted steam 5/5

I wasn't really familiar with how dub worked as a genre before listening to this. Granted, it was because I was struggling to understand why this album was significant, but still. This album is kinda cool. I like the extensive use of delay that they seem to lose control of every once in a while. On the other hand, there's lots of times where it feels like nothing is happening 3/5 Pretty solid album to listen to if you're too stoned to change it when it comes on

You know what, I didn't really want to like this album at first, but these fuckers won me over with their enthusiasm 4/5

This isn't my favorite Primus album, since I've always gotten more into Frizzle Fry, but this album came out in that era and is similar in many respects. I feel like a lot of these songs lack the urgency and intensity that seems to exist throughout Frizzle Fry, but it may also just be that the grooves aren't as groovy here. Still, that's largely a nitpick because this album is really fun and features a ton of great work by Les and the boys 4/5

This album is a fun listen. I'm not sure if I would characterize it as particularly groundbreaking for 2015, but the album sounds great. I really enjoy it when psychedelic artists cross over into more dancey stuff. The production is great. Very clear sound overall, but with a little grit left in 4/5

This album was pretty cool overall, though it rarely rose above background music while I was listening to it. It's a solid album for 1993, though it was not easy for me to understand the significance of this particular album 3/5

I can't say that I really got this album. It's pleasant to listen to, and I could see how someone would like it, but it didn't seem particularly significant to me. The album also went by weirdly slowly for me. Like, I thought I was at least halfway through and found that I was still on song 5. Not bad at all, but not something that grabbed me 3/5

This is an interesting album. Sometimes it sound like a soft rock album that somehow escaped the 1970s. Other times, it steps way out of that mode and does cool, weird stuff. I don't necessarily get it, but I think it's kinda cool when he explores a bit more with his music 3/5

This was a very pleasant album to listen to. She's a good songwriter, and her lyrics are pretty accessible. I'll say, this kept reminding of various female vocalists/bands from the 90s, but that's not necessarily a bad thing. I think there will always be a place for work by singer/songwriters in this mold, despite the fact that I rarely get super enthusiastic over work like this 4/5

These songs are fun, but the gimmick of recording every album on a shitty boombox wears thin pretty fast. I'm glad they abandoned it after this album, but I wish they'd abandoned it before this album so I can enjoy the production on the album, rather than lamenting it 3/5

I'm a little split on this album. On the one hand, it didn't make much of an impression on me when I first listened to it. On the other hand, I fucking love it when alt rock bands from this era just crank the overdrive pedal all the way up and try to play loud enough that you can hear the melody. It's a fun album, well-produced, and it really captures the sound of the era well. Fuck it. 4 stars

This album is fine, but I don't think J-pop is particularly for me. Something about it always leaves me cold. That's too bad, since I've enjoyed a lot of Japanese music I've heard, especially things in the synthesizer realm. I feel like the vocals are just too processed, so that they come out sounding the same song after song, album after album, band after band. It's a clean and shiny sound, but it doesn't feel personal to me 3/5

I'm not huge into prog rock, so neo-prog wasn't high on my list of genres to check out. While I would describe this album as being a bit overwrought the way most prog albums are, it's a cool album overall. I like the 80s vibe on the album (though 80s nostalgia was much less popular in 95 than it is now) 3/5

Much like how I felt about the first Sparks album I was introduced to on the original list, I found this album charming as fuck. Just a super solid early synth pop album with tons of Giorgio Moroder goodness. 4/5

I liked this album overall. The major issue that I see with it is that every time I stop thinking about it while I'm listening, my brain becomes convinced that I'm listening to REM. That's not necessarily a bad thing, and it's mainly the sound of the lead singer's voice that gets me, but I thought that was kind of funny. 3/5 Cool album, but I don't particularly grasp its signficance

This was a fun 70s rock album. I liked that the production focused on getting a live sound by using a lot of first takes. It definitely adds a bit of that late 70s grit to the album that helps set it apart from some of the cleaner, more overwrought work being done in this period. This sounds like Elvis Costello at times, though I'm not sure in what direction that influence goes. The reggae influence is definitely here as well, and I tend to find that a very pleasant touch to add to rock from this era 4/5

I don't really know what to think of this album, since it seems to change a lot from song to song, but it's certainly interesting. The lyrics are fun and well-written. The music never blows your mind, but it's variable and all well-done 4/5

Most live albums are bad, but some are great and this is definitely the later. Inevitably, the music on this album will be affected by the concert movie shot by Johnathon Demme. However, listening to it on it's own, it's really solid with a ton of great versions of songs from their incredibly deep catalogue 4/5

This album is a fun blast from the past, but I don't really understand the significance overall. It sounds like a lot of other teeny pop from this era. Some fun songs, some hits, but ultimately a forgettable pop album from a pretty forgettable pop era 3/5

I don't usually go in for prog rock, but something about this album just works for me. You can hear why he was recruited to produce Dark Side of the Moon, since there is a lot of that sound in here despite this album not sounding much like Pink Floyd. He does a great job of building slowly but keeping it interesting the whole time 4/5

I listened to a version of this that had remixes that followed all the original songs. It was a bit distracting, since it made it harder to evaluate the album, but I was struck by how well all these songs transformed into modern dance music. Her voice is beautiful, and it's a great recording as well. I have no idea what she's saying, but the emotion comes through so well. I don't even know how I would describe this, but it fucking works. Upon looking at Wikipedia, it turns out this is a Malian singer. That figures. Some of the best guitar music in the work has been coming out of Africa, and I've liked basically everything I've heard on this list that involves African guitarists 4/5

This is the kind of punk album that lots of my friends were into that I could never understand. I think I understand better now, having some of the context for how hardcore punk evolved into a lot of the 90s punk that I heard. However, music like this is just never quite enough for me. Not melodic enough, not progressive (in a musical sense) enough, not well produced enough, etc. It's fine, I don't hate it, but it's hard to fine much about it that I really like, other than the horns. The horns are great when you can hear them through the mix 3/5

Well, Sleaze Rock is definitely an appropriate name for this genre. It really captures the feeling of the 80s hair metal bands, but with a slightly more modern feel. It's not particularly what I was looking for, but they execute it well, and it's a fun album overall that feels like a throwback to no year in particular 4/5

I was excited about this one, since I've heard a lot of good things about Type O Negative, but this album didn't really speak to me. I like goth, I like metal, but I don't know if goth metal is my genre because I kept waiting for this one to pick up a bit, but it just kept playing in the background without really drawing my attention 3/5

This is sort of a weird one to review, since it's not so much an album as a compilation of songs recorded overall several years with different bands that Armstrong assembled. It's great, because Louie Armstrong was great, and the influence that these works had on future generations of jazz musicians was undeniable. It's just weird to think about it the way I've been thinking about other albums that I've gotten on this list because it doesn't represent a coherent unit in any sense. Whatever, though, it's Louie fucking Armstrong, and anything less than 5/5 is disrespectful. Also, I'm not going to listen to this whole thing because there's more than 80s songs, and I've got places to be today

God, the 2000s were a hellscape of things that aged badly because their creators confused edginess with intellectual depth. This album is another solid example to throw on the pile I don't hate it. His voice is fine, and the music is good overall. But there's no way you can expect me to listen to this Howdy Doody mother fucker sing about being in a crack house and enjoy it. It's stupid and shitty. It's fine, a lot of us were stupid and shitty in this period, but we don't need to revisit this era nearly as often as we are 2/5

This album was really cool. Kind of a neat mix of the Yeah Yeah Yeahs and Siouxsie and the Banshees. I hadn't heard of them before, but I'm definitely going to come back to this album 4/5

Definitely fell down a bit of a rabbit hole reading about this album and Roky Erickson (much of the material for this album was smuggled out of the insane asylum Roky was stuck in after getting busted with a joint in Texas). This album certainly provides an interesting contrast with the 13th Floor Elevators, which I remembered liking when I heard it. This album is interesting, since it came out as punk was emerging as a genre, and it has some sonic ties to punk, but is very much it's own thing. Really cool album with a lot of different moods. 4/5

I don't know about this one. The music is cool, but I cannot get into this dude's voice 3/5

I thought this album was cool overall. I didn't know what to think at first, but it grew on me. I feel like it would be a lot better if I spoke French, but I'm also determined never to learn anything useful 4/5

This is a cool, high energy indie album. I'm not sure that the music is particularly advanced or standout for the time when it was made, but the production is excellent, and the band really put a lot of care into crafting this album 4/5

After reading the Wikipedia page for this album/band, I'm still not entirely sure who made this, but it's great. Just tons of dope latin-inspired grooves 4/5

Both my 8 year old daughter and I agree that this is cool and weird, so there's really not much else to debate here. I really love how many different directions the metal genre can go in and still feel like metal. This feels like it's out on the far fringes of the genre, reaching out into other lands, but it's still metal, and it's really good 4/5

I'm not sure that this is a particularly significant album musically, but it's fun Riot Grrl style punk, and it was worth a listen just for that. Music is solid throughout. Her voice is nothing to write home about, but she's compelling as a vocalist anyway 4/5

She's so delightfully weird, how can you not like this album? It reminds me a lot of the vibe of Cyndi Lauper's She So Unusual. Just incredibly well-crafted pop songs with great music underneath them that keeps you nodding your head while keeping the focus on the vocalist 4/5

I'll be honest, I didn't really get this album. It never really grabbed my attention, and just sort of played in the background until I turned it off. Music was fine, vocals were fine, but I didn't really get why it was significant 3/5

The irresistible force meets the immovable object. Bruce Springsteen's elite track record of albums that I like on this list collides with my personal track record of hating live albums. My ambivalence about the E street band hangs tenuously in the balance... It's fine. I guess it's fine. Sound quality is good, at least 3/5

This album was a pretty fun listen, but it was hard to tell why it was particularly significant. It's interesting rock music for 1991, but it doesn't particularly feel like they are pushing the envelope 3/5

As a veteran of the ska/big band wars of the 1990s who was largely passed over by the 2000s pop punk thing, this was an interesting listen. It definitely has a tighter and more orchestrated feel than something like Reel Big Fish. The 90s bands felt a little looser, like they weren't taking it as seriously. That was fun, but I like this by contrast because it is informed by all the emo stuff that was happening leading up to this. Ska isn't particularly my genre now, but it's fun. This album has pretty great range in terms of its sound. Given what the album is trying to accomplish, I think they did a great job 4/5

I was mostly familiar with this album through it's dancey mega hit, which gave me a different impression of this band than the rest of the album. It's definitely a bit more slow and subdued in places than I would have thought. The variability in the music also made it a bit harder to rate this one than I initially thought. I enjoyed most of the songs, but there were times when I felt like the album sagged a bit. Still, good overall 4/5

God bless Scottish indie pop. It somehow always comes out sounding like more than the sum of its parts. This band sounds like so many other bands throughout this album, but it never sounds like a single other band, if that makes sense. Sometimes there's hints of Flaming Lips or Oasis, but they never come out sounding like they are doing an impression of those bands. The effect is an album that feels very familiar, but is completely it's own thing 4/5 I'm willing to donate money at this point to make sure that every Scottish child that wants an electric guitar is provided one. It's one way to guarantee a better future

When I first started listening to this, I though it was made in like 2005 for some reason. While I was listening to it, I was like "This is really cool, but it sounds like a lot of other things that came before it" Looking up and seeing that it came out in 1995 put it in a much different light. It definitely has a lot of aspects that place it as a mid-90s album (I just love when they put a fuzz pedal on a guitar, then decide that it's not enough distortion, so they throw an overdrive pedal on top of it), but it also feels like they were peeking ahead a bit to the next decade of pop rock. I shouldn't be surprised at this point. Scottish pop rock bands always produce such finely crafted albums 4/5

This was a cool EP. It goes by really fast, and it's kind of hard to wrap your head around while it's playing, but it was certainly interesting and different 4/5

Wow, British rap from the early 2000s? Let me clear off a special place for this album so I can give it the respect it deserves <opens trash can lid and shoves album in there until I hear several snaps> It's not bad, but it's hard for me to get excited about something like this knowing all the cool shit that was happening in rap in the US at this time. I refuse to grade the UK on a curve with regard to this stuff, since they figured out how to do rock and roll better than us incredibly fast. Rap is apparently going to take a couple more decades. His flow isn't bad, but the music is uninspiring and I found myself getting bored with this immediately 2/5

This album is sort of what I imagine Randy Newman's albums would sound like if I didn't hate him so much. In all seriousness, this is a collection of narrative sounds, and the music is pretty cool and relatively variable. It was easy to get wrapped up in it. I didn't particularly pay attention to the stories, but the music helped give you the idea. Really well executed overall 4/5

I listened to Beautiful Freak by the Eels long ago on this list, and I was surprised when I looked back at my review that I didn't particularly like it. This album hit just right for me. I think they matured a lot as a band in the intervening years. This album has a very 90s feel to it, but it very much feels like its own thing. The production on the album, especially on his voice, is great. It rings through, dusky and clear on every song. The music is very fun and doesn't ever get samey. 4/5

I don't really need to listen to this one to review it, but I will anyway. It's a fun album, and it fucking bangs in the first half. Just great song after great song, with a lot of variety. However, it really falls off on the second half of the album. You can pretty much give up on the album after Nugget. I have a hard time giving this album less than a 4, since it's got such a distinctive feel, and it really shows off the band's songwriting. However, it's rare for me to give an album that feels uneven such a high score. What can I say, I'm a sucker for desserts 4/5

So all the Joe Cocker songs that I know come from what was effectively a thrown-together cover band that had very little time together before the tour this was recorded on? Why does this sound better than most live albums, then? I think the choir backing him pulls a lot of weigh on this album, since it allows him to wander around a bit and bring more emotion to the album. I don't know why it works, but I can't deny that it works 4/5

I was really hoping that listening to this album would unravel the mystery of Jimmy Buffett's popularity. It's extremely standard yacht rock, so there's not a lot of help there. His voice is fine, the music is fine, but, in my opinion, it never gets better than that. I think, in the end, the real cheeseburger in paradise was the alcoholic friends we made along the way. Maybe the issue here is that I can't really drink in the sun because it gives me migraines. Consequently, there's no real way for me to access the Parrothead in their native environment and have the true Jimmy Buffett experience 2/5 I think I'd rather listen to a Warren Buffett album

This album feels like one I shouldn't enjoy that much. I don't particularly enjoy a lot of the individual musical choices they made here. And yet, I kept finding myself enjoying it in spite of myself. It's just one of those things that ends up being greater than the sum of its parts because its incredibly well executed. Also, I'm a sucker for harmonies, and they use them to incredible effect here 4/5

I can't say that I was expecting to review a modern day Cure album today, but what the hell. These sad fuckers really know how to write a song. It's always nice to see a band that was on a hiatus from releasing new work for a long time come back with something substantial. Robert Smith's voice has held up well over the decades. My computer needs to restart, and I'm going to lose this review, so go ahead and take 4 stars, The Cure. You earned it, and I hope it helps you to stop crying so intensely 4/5

This is another one of those albums that is fine, but also very much not for me. The music is good. I don't love his voice, but I wouldn't consider it a distinct negative either. I just didn't really get into the songs at all 3/5

I feel about this album the way I feel about most Modest Mouse albums, which is that I like it, but it's also something I'm not likely to seek out on my own. They are a fun band, and are great to watch live in my experience, but I never really want to sit down and listen to their albums, despite the fact that their albums are solid overall and feature a lot of good songwriting. I guess what I'm trying to say is that it's not you, Modest Mouse, it's me. I have a lot of work to do on myself, and I just don't think you deserve to be in a musical relationship with someone who can't full commit to you 4/5

Well, I've heard Faith No More albums that I enjoyed more than this, since I liked them more when they were a little funkier as a band. However, this album really shows off Mike Patton's incredible range as a vocalist, and there's still some of the funky stuff here, like Be Aggressive, that sounds like everything that RHCP could have been if they tried harder. Overall, it's a good album, even if I wasn't super focused on it for parts of the album 4/5

I don't know what to say here. This album often had really cool stuff, then it would fade into the background, and the next time it jumped to my attention, it would sound like a completely different album. I liked everything I heard overall, but I have not earthly idea how I would describe this if someone asked me. However, genre certainly isn't everything, especially when a work is well-executed. I don't have to know how to describe something to like it 4/5

This really sounds like an Elvis Costello clone at first blush, and certainly Costello was not the only British musician that had this particular vibe going on in the late 70s. It's a good album that falls somewhere between Costello and Yacht rock. It's very much of its time, but it's a fun listen, and that's what really matters. It's a bit sad that this album marks him moving away from using horns, because a brass section would have slapped on this shit 4/5

I'm so glad this didn't end up being an album performed by Burt Lancaster like I originally thought. I was ready to listen with an open heart, but I was also totally prepared for it to be terrible. What I got instead was an album that sometimes sounds like it was made in the mid 80s, and sometimes sounds like it was made by people who had been influenced by 90s music. Overall, it's really neat and feels a bit ahead of its time 4/5

Listened to the whole album, still don't know what it is, but it's pretty cool overall. I'd call it an industrial album, but it strays pretty far from that at times. Definitely far less abrasive than I was expecting from the album title 4/5

I've spent a lot of times singing the praises of Scottish pop rock bands here, and perhaps I should extend that circle to include the Welsh here. This album just works great. It feels fresh, and it kept me interested the whole time. I'm not sure what's going on with this band, but they should put out another album 4/5

When this came on, I was really tempted to dismiss it as another 90s punk band that is largely indistinguishable from the horde of other bands that came out at that time. What sets this band apart is their vocal harmonies. It adds so much to these songs that they would be missing with a single vocalist or if they did shitty harmonies. Putting effort into the vocals makes all the difference here 4/5

This one just wasn't for me. I've gotten much more into metal in the last couple of years, but I really like it when metal spreads out and incorporates other genres. This seems like straight ahead metal, which is fine, but it doesn't trip my trigger. Everything is competent, and the album is well-produced, but it doesn't feel like like it meaningfully pushed the genre forward compared to what bands like Slipknot had been doing for close to a decade by this point 3/5

In a stunning turn of events, this album ended up being exactly what I thought it would be. It's pretty cool to listen to, even though it gets a bit repetitive at times. I don't know that I'm going to listen to it as a whole work again, but there's some cool shit I could sample on here 3/5

Just a really beautiful album that I want to come back to some day. His voice is exquisite, and he uses it so well. The music often makes this feel like a folk album, but he makes it much more than that 4/5

I wasn't really familiar with The 1975 until getting to the user-submitted portion of the list. I thought it was really cool. I think I liked the previous album that I got more (A Brief Inquiry Into Online Relationships). This album felt much more coherent, but perhaps was a bit less fun because I didn't have the feeling of never knowing what I would get. Still very much worth the listen 4/5

You know what, this is pretty much exactly what I expected, and that's totally cool. It's got his big hits, and the other songs don't fall off too hard from that. It's a nice little time capsule for the transition in rock between the 70s and 80s. I have a hard time rating it all that highly, since I don't think that this was pushing the limits compared to some of his contemporaries, especially Van Halen, but it's a really solid listen 3/5, but a very upbeat 3/5

I've tried to listen to this album a couple of times, and I still don't know what to make of it. At first I thought it was two different albums mixed together, but nope, it's all one thing. I like the dude's style overall. It doesn't feel coherent, but there's also nothing wrong with liking to make a few different types of music. I think a double album is a bit much, which is why I didn't give it a higher score, but I also appreciate this dude's versatility 3/5

This album was okay, but it's hard to take as too meaningful. If this was made in 2005, I could see it, but in 2014, this was not a groundbreaking album, and there were plenty of artists who were doing this style of mashup much better. It's kind of funny and quirky, but it doesn't feel like there's a lot of artistry to it 2/5

This is a cool postpunk album. It's definitely got a sensitive boy approach like a lot of Morrisey stuff, but this is early enough that it can't have been influenced by the Smiths or anything like that. It sounds like a lot of other things, but I would guess that's because it influenced a lot of things that came after it 4/5

I've listened to this album before, but it's nice to come back to now that I've got a lot more musical context. Just a very fun album that staggers from genre to genre like a bar hopping drunk that somehow manages to hit trick pool shots at every bar they visit. Every song is so different from the others and so lovingly crafted. It was great to come back to this after 15 years or so since my last listen 4/5

This album is really cool and different for the time it came out. I remember people being really excited about this band when they came out, and it's easy to see why it felt so fresh 4/5

I went back and forth on this album a bit. I think it could be produced much better (or else the copy I listened to was pretty poor). What got me about it was the 60s soul/girl group feel to it. You can hear it in the music, but it's also there in the vocal harmonies. They get a bit muddy sometimes, but I've given albums the benefit of the doubt before for production issues, and I when I set them aside here, I really like the style of this album. It's vintage, but fresh at the same time 4/5

You ever have an album that sounds cool, and it's on your list for a long time without you ever hearing it, and then you feel kinda stupid when you do hear it because it's as good as everyone said it was? So anyway, I'm gonna buy this album 5/5

Phish is one of those bands that I struggle with as someone who had a lot of them and Grateful Dead forcibly shoved down my throat at an impressionable age. I like some of what they do, they've put out at least one good album, and I saw Trey live and really enjoyed it. However. I don't like live albums, so being asked to appreciate a live Phish album is a tall order for me. One thing this album has going for it is that I've always loved this version of Bouncing Round the Room, and didn't know this was the source until now. Then the second song lasted for what felt like the length of an entire album. That's about what I thought this would be. It's not bad at all, in fact it's good for a live album, but it doesn't particularly speak to me either 3/5

Weirdly enough, I found this album in a drawer the other day. My wife has it, and doesn't really have an organizational system for her CDs at this point. I was wondering what it sounded like, and now I know. It's not particularly my kind of thing, since this era of rock largely passed me by. However, the harmonies are great, and it leads to the album having a bunch of fun little longs that are well crafted and well produced. 4/5

The individual songs on this album are really fun, but it started to wear thin after awhile. I don't particularly enjoy his voice, and most of the songs seem to be about substance abuse, which is fine, but again it gets boring after a while 3/5

Man, I really thought from the band name and the first track that this was going to be an psychedelic album. It's a much more straightforward folk album. I'm not a huge folk guy, but it's some good, solid modern folk. The lead singer has a very pleasant voice that brings a lot of life to the simplicity of the music 4/5

This shit is dope as hell. I want this album 4/5

For some reason, my brain always wants Boards of Canada to sound like a modern version of Grand Funk Railroad, and it always takes a while to adjust my brain to their pleasantly ambient brand of electronica. Also they're Scottish, which is probably why this is so good, since Scottish musicians are somehow superior to all other nationalities, at least in the English-speaking world. This album is great. It's slow paced and relaxing, but it holds my interest. I think this is an album I'd like to own in the future 4/5

Fuck, that album went by really fast. I thought it was good overall, but it did feel a little generic 90s at times. Bob Mould is someone that I love, and Zen Arcade is one of the albums that showed me how deep punk music could go, but this one just didn't speak to me that much, and that's okay 3/5

I've listened to this album multiple times across multiple days, and still haven't thought of anything to write down about it, but it's great. The music is fun and well put together. I would definitely buy this album if I saw it for $30 4/5

What a fun, eccentric metal album. It's filled with folk music and symphonic overtones, with plenty of double kick pedal to dance to. I don't always love the vocals, but that's not unusual for me with metal. This is one I want to spend more time with 4/5

I don't know about this one, fam. It's not bad, but I was also ready for it to end about 20 seconds into the second song (the first is a banger, of course). Her voice is good, and there is a decent variety in the songs, but the music felt uninspired overall 3/5

I had a false start with this one because I got a YouTube version that didn't have any of the popular songs. I own this album, so you'd think I would have figured that out faster, but my wife is more into Lady Gaga. Y'all don't need me to tell you about his album, you've heard most of the songs on it. It's really solid throughout. Great, buzzy-ass synths pumping out techno. Her lyrics are super fun to sing along to. Fuck it. This is the second pop album I'm giving 5 stars to this week (I got Lemonade earlier this week) 5/5