Shame that Joe Jackson isn't anywhere on the list... This, I'm the Man and Night & Day are all well ahead of many the entries that made it. Great to see someone is paying appropriate tribute to Joe Jackson. Definitely in the punk/rock style & biting wit of Elvis Costello & Graham Parker. Strong from start to finish... with really good variety in tempo and style from Fools in Love to Got the Time.

Definitely a really strong showing. I had considered proposing the Decemberists to the user list, though i put both Picaresque and The Crane Wife ahead of this. This is still very cool as it continues the theaterical story telling of their style. Well written, and i enjoy Colin Meloy's delivery. The tracks are a little bit more uneven, feeling more like the musical that has a handful of filler or connecting songs to get you from one point of the story to the next, but the effort to make a banger was not there. Still, The Wanting Comes in Waves, The Rake's Song, and Hazards of Love 4 are all fantastic, and the album is engaging. Enjoyed!

Huge fan of this. Similar in time and style to Elvis Costello... its got an intellectual vibe, and delivers an amazing blend of rock, punk and pop hooks. Both slow and sneery attitude driven rock songs work here. Enjoyed!

This is my kryptonite. It’s a jazzy electronic rap R&B vibe that’s all over the place and isn’t particularly fun to wade through. It sounds somewhat tolerable, but other than wave therapy, they all pretty quickly become irritating.

This is an awesome kind of madness. It certainly challenges you from the outset, but it feels that the abundance of screams and panic in the early tracks is actually used in moderation with lots of other more open and orchestral pieces. Mix this with the occasional metal skrillex electronic vibe and this is something that is entirely unique. It is engaging and something that I came back to multiple times over a few days… I expect to explore this more.

This seems definitely the most approachable of the albums we’ve heard from the list… and sonically it is pretty interesting, definitely doing a lot more to demonstrate craftsmanship while not being entirely experimental. What keeps holding me back is the lyrical writing isn’t particularly clever, it just comes off as juvenile. Most of it is a miss for me, though Uncle Remus is the closest where it comes to working as there is a fun/joy in the vibe that I can more easily engage with. Overall, it was good to hear a different aspect of his catalog, but Frank is just not my cup of team.

I enjoyed the journey. The strings and woodwinds layered with a warm contemporary slower jazz has a great vibe to it that was able to keep me engaged. Though Crush and Don’t Drink the Water stand out the most for me, the rest of the album has does a pretty decent job of staying interesting. The arrangements are really the king here. Definitely fun!

This is an awesome kind of madness. It certainly challenges you from the outset, but it feels that the abundance of screams and panic in the early tracks is actually used in moderation with lots of other more open and orchestral pieces. Mix this with the occasional metal skrillex electronic vibe and this is something that is entirely unique. It is engaging and something that I came back to multiple times over a few days… I expect to explore this more.

This is really easy to approach and enjoy. What stands out the most is the slow blues guitar feel in many of the tracks that seems to perfectly capture the emotion of the song and carry it forward. It doesn’t need to be flashy or fast, but just hits the vibe and elevates the song. Beliefs, Gravity, Slow Dancing and Bold as Love as all standouts though the album is really strong from start to finish.

This is my kryptonite. It’s a jazzy electronic rap R&B vibe that’s all over the place and isn’t particularly fun to wade through. It sounds somewhat tolerable, but other than wave therapy, they all pretty quickly become irritating.

I frickin' love this album. Pop punk at its finest. Maybe the Party Song is a bit weak, but otherwise the album is start to finish catchy mostly fun (thanks Adam's Song) bangers that double down on goofball youth and their priorities.

A solid singer-songwriter vibe in the vein of Iron & Wine and lo-fi Father John Misty. The songs are a bit hit and miss through most of it. They're fine, but they don't do a lot to differentiate themselves. Enjoyed Girl in the War and Monster Ballads at the start. It wasn't until Thin Blue Flame that this really comes into its own. It has a great developing passion and energy that carry it like any of the prior tracks. Really solid.

What's most suprising about this album is that it isn't actually bad. Late 60's prog rock? It is almost universally dated and is generally pretty uninteresting. All of this is completely fine, rock and blues, without fuzztones, prog rock noodling or anything that really hobbles it. There's nothing award winning here, but the tracks are pretty even and generally enjoyable.

I’m already a Weezer fan and like many others, pretty shocked that this wasn’t in any editions of the book. It is a seminal album in the nerdy college alt rock domain, and though I’ve found Pinkerton to have more enduring interest, there isn’t a bad track on this album and Say It Ain’t So is one of my 5 favorite songs of all time.

Definitely a really strong showing. I had considered proposing the Decemberists to the user list, though i put both Picaresque and The Crane Wife ahead of this. This is still very cool as it continues the theaterical story telling of their style. Well written, and i enjoy Colin Meloy's delivery. The tracks are a little bit more uneven, feeling more like the musical that has a handful of filler or connecting songs to get you from one point of the story to the next, but the effort to make a banger was not there. Still, The Wanting Comes in Waves, The Rake's Song, and Hazards of Love 4 are all fantastic, and the album is engaging. Enjoyed!

Saw Death Cab in a tiny club touring with this album back in 2003. The thing that surprised me the most was that the album initially comes off to me as a pretty mellow alt rock delivery, Title and Registration is awesome, Sound of Settlings, We Looked Like Giants… all just great songs. But in there, and especially noticeable live, they can crank the noise with the best of them. They aren’t afraid to occasionally create the wall of noise that really steps on Ben’s vocals, but I think I like this approach as they also give the vocals lots of room at the front. Its a variety that definitely works for me and this great set of tracks.

Pretty formulaic synth pop. I feel like i'm listening to an album of rejects from the Shrek soundtrack.

He is definitely an artist missing from the list, though I definitely in the For Emma, Forever Ago camp... one of my absolute favorite albums. This is definitely way more experimental, though his approach still shows a lot passion. The slightly more traditional tracks like 8 Circle really work for me, but there's not enough like that which makes most of the album more of a curiosity.

This is just crazy. If this is introduced as a spanish-language collection of poems done to music, you would never guess what you were about to experience. This is wild and fun. Though I'm not sure i'm likely to listen to this again, the music was really solid and so much fun. Enjoyed!

Easy to approach, and has a very “Killers” vibe to the sound. Nothing stands out as too memorable or catchy, and tracks like Stranger’s Kiss seem a bit forced to me. What I caught of the lyrics doesn’t particularly work for me which seem to hold it back a bit. Overall OK.

A more approachable and reasonable prog roc delivery. The instrumental sections seem to be the strongest… as most of the singing doesn’t actually seem to make it much better. Nothing too memorable but an interesting listen.

I had never heard of this before and was pretty impressed at how easily approachable it is and that tracks like I and Love and You are exceptional, with a sincere passion that elevates it. Songs like Kick Drum Heart do a lot for the album, giving new tempo and energy that also carries a good pop hook. Really enjoyable.

Cool to see someone added They Might Be Giants to the list... i've enjoyed a bunch of their hits that i've heard but haven't delved too deep. This album is quirky and fun, with certainly some songs that make you pause (e.g. When Will You Die?), but ultimately there is not much that is really catchy that elevates it. A fine listen.

Definitely enjoy the ska punk reggae vibe from Sublime. There is enough really strong tracks in here (Santeria, Wrong Way, What I Got, Sam in the End, Caress Me Down, Doin’ Time) that make the long journey worthwhile. There a bit of uneven content, nothing bad, but not particularly interesting.

Not sure why this needed to be added. The self-titled B-52's album has several stronger songs, though is a bit more uneven. Wild Planet brings us Private Idaho and Strobe Light, which are both great, but everything else is pretty forgettable. It is more of the quirky party B-52's sound, which is enjoyable in limited doses.

Huge fan of this. Similar in time and style to Elvis Costello... its got an intellectual vibe, and delivers an amazing blend of rock, punk and pop hooks. Both slow and sneery attitude driven rock songs work here. Enjoyed!

It sounds like late 60's musical theater with modern references. Though unusual, it certainly doesn't seem very compelling. Happy when it was over.

Fascinating. I have no idea how i've never heard of this band... popular in England and an active band for over 50 years (60 years if you allow the precursor bands). The surprise of that is more interesting than the album... which is some fine bluesy boogie rock. I like the slower tempo A Year and All the Reasons best. Their cover of Roadhouse Blues is a bit of a travesty, but the rest of the album is fine, though ordinary genre music.

Her vocal style really works for me and the bluesy and soulful arrangements are enjoyable. Wanna Be On Your Mind and Pushin' Against a Stone work best for me. Though there are a few tracks that are kinda 'meh', there is enough passion and power in the style that made it an enjoyable surprise.

There's nothing really like Boogie Wonderland... an absolute banger. After the Love is Gone certainly also stands out, though it's not enough to carry an entire album of otherwise just serviceable 70's disco/r&b/funk.

There was a moment in time where i was into Robyn Hitchcock's voice and i found Globe of Frogs to be decent. Unfortunately this is a bit too artsy and experimental to get into. Didn't find anything that really stuck for me, and the extended spoken bits made it feel like a bit of a slog.

Surprised and really enjoyed this. It soulful and southern... like a cross between Chris Stapleton and The Commitments (soundtrack). Goodbye Carolina and Autumn Rains are great and there's enough else that is easily approachable and hits that vibe to stay engaged.

How could this have not already been on the list. Definitely justified. Maybe Brave Strangers is a bit boring, but otherwise this is one of the strongest top to bottom albums around. Nobody does it like Bob. Awesome fun!

A fine alt rock vibe, but nothing particularly special. Citrus seems the most interesting, but I'm not that big of a fan of the lead singers vocal style. Its fine but nothing i would seek out.

It just works. The vibe and energy are easily approachable and just make you feel cool. I feel like if you were watching this live, you couldn't help yourself from dancing, head bobbing, and moving to the groove. Greatly enjoyed. I even think the french language works with the style despite not being able to understand anything.

Really compelling singer-songwriter album that starts out huge... Lion's Roar and Emmylou are strong and engaging. There's a few other gems along the way, like To a Poet, but it suffers a bit from being very samey by the time you get to the end. Promising and approachable.

Lady Marmalade is OG, and there's a couple more strong tracks, Somebody Somewhere and You Turn Me On stand out, but most of the rest seems like standard issue disco-R&B genre music. It's fine, but doesn't stand out for me.

Not sure I get this one. It is entirely the style of an Elliott Smith or Sufjan Stevens but seems to be an octave higher and more waifish without the warmth or those other artists. This is fine singer songwriter material, but nothing really immediately engaging on first listen.

Damn, this is a pretty fun album. Lots of strong tracks with a fun beat, melody and energy. En La Playa, Te Quiero, and Marta Tiene are my favorites, but it has a fun pop bubbly vibe with some decent hooks that make it a nice surprise.

I love the dark angsty vibe of Tool. Tracks like Stinkfist are exceptional and convey a powerful mood. Unfortunately after Stinkfist, there isn't anything that really delivers at the same level of the first track. I compare this to Fear Inoculum and 10,000 Days, which i think are much more engaging, with greater consistency track by track, that really have some exceptional standouts. This shows promise, but there's not enough to be excited about.

It's fine. Old timey trumpet music doesn't do much for me... certainly tends to sound all the same, but i can acknowledge its importance.

The sound is actually pretty clean and seems well produced. Unfortunately what they produced seems overly serious but just comes off as dumb, laughably dumb.

It seems well crafted, lyrics, beats, however the content itself isn't in my wheelhouse. It ends up being a bit more regrettable. Pass on this.

I really LOVE the korn numetal sound. Jonathan Davis' voice (especially the range and different styles he uses). The bass is so dark and dirty and the whole vibe can get so angsty, aggressive and heavy... there is SO much potential here. It works best for me on Blind, Daddy (the first few minutes at least) and Faget. The other tracks have that vibe, but it seems like it fails to deliver the big punch. A bit too uneven to recommend further.

I really like the journey that this takes you on. I have definitely been a fan of Pink Floyd, and appreciated the heavy Roger Waters story influence that applied to the Wall, and even more so to The Final Cut. This still feels like an extension of that (i do think his output becomes less interesting with Radio KAOS and forward). But this is still visceral, emotional and engaging. The title track is the closest to something catchy and traditional, but the whole album does a great job in playing like a story. Excited to see this as a user submitted album.

Kind of a beat poet/rap delivery over generally interesting/mini-wall of noise alt rock instrumentation. The lyrical delivery is uninteresting, and there’s nothing particularly engaging or catchy with the music either. It is different but not particularly great. Kind of aimless. There’s nothing that is a major turnoff, it just gets old after 20 minutes.

Fun and hip, but there's little here that really stays with me... blends together to easily. Un Gran Circo was the standout for me and the only track that really engaged. Still an interesting listen.

Enjoyed a modern take on classical that felt like it was a bit of a mood journey and travel experience. Nice discovery and definitely under-represented in the original list.

I really like the tone and the lead singer's voice. This genre is kind of a perfect fit for me, however the album underwhelms a bit. Options and Rapture are promising, but most of the rest meanders around until Second Best, which is the standout track for me. I actually like the subsequent album, Achilles Heel, better.

Reasonably interesting. The opening track is a bit of a shot, with a higher energy electronica vibe than most of the rest of the album. It definitely settles into a more folky atmospheric haunting energy that conveys feeling but doesn’t do a whole lot to engage the listener. The singer has a Dolores O’riordan delivery that I like, but the tracks aren’t particularly catchy.

An interesting hybrid. A little introspective/heartfelt singer-songwriter, that goes into several experiments in the rock/classic rock/prog rock genre. Perfect Life was the first track that stood out, though it wasn't until Ancestral that i felt the rock side of things took off a bit better. Not a bad listen, just not too much to return to.

I absolutely love the style and vibe here. Pain was one of my favorite songs in 2017 and the rest of the album has lots of introspective quiet passion tracks that really work for me. Great atmosphere and feeling. Could listen to this over and over.

Fun and unexpected. Quirky, melodic and really enjoyable. Reminds me of something in the vein of Ben Folds, Jellyfish, Fountains of Wayne and Barenaked Ladies. Though some of the songs become a bit goofy, Banana Man, Two Wuv, they all have pretty good hooks which make the album a great surprise.

Has a great soulful vibe and passion that is instantly appealing. I was a bit challenged by it in places where it become lyrically heavy and the music gets pushed to the background and all i'm hearing is a passionate guy loudly since in a language i can't follow. When it flows with the music, its easy to bob your head and follow the vibe, but i was thrown out of it a little bit when Salif really had something to say. Definitely an interesting listen and great to be exposed to music from around the world.

The first three tracks are an absolute home run. Quirky clever low-fi storytelling. Though it sounds like it was recording on a cassette tape, it has charm. Unfortunately the success of this is based on whether the remaining songs can continue to capture your interest... and they start to fizzle a bit. The music doesn't seem to be the star... it is just there as background to carry along the storytelling, and though there are some interesting bits here and there, it is definitely starts to blend together. Interesting find.

Definitely like the Primus sound and vibe. When it works it works, but it is a bit too experimental and strange at times. Really enjoyed Jerry and Blue-Collar Tweekers, though tracks like Sgt. Baker and Fish On were interesting enough.

Disappointing. I was looking forward to this, but it is just buzzy, high energy rock with a jazzy randomness and a vocalist that doesn't do much for me. It all starts to sound the same unless the repeat the title over and over and over again (I'm looking at you Mr. Beat). There's nothing that particularly catchy or engaging... maybe the last track, Road Train, has a glimmer, but by that time i have long ago checked out.

A cool raw energy... very reminiscient of Siouxsie & the Banshees. There's definitely points where the music really hits its groove and drives forward, but it doesn't seem consistent enough to really elevate the whole album.

This is not my jam. Annoying from start to finish. The jazzy bass line, big bandy percussion, staccato rap, and weird vocal harmony choices. One of the most challenging in a while to simply have to listen to it all the way through.

Pleasant but ultimately ordinary. If you're going to go with the pop angle, you need to have something catchy, a hook, a groove. This is samey, and though easily approachable, doesn't make me very interested in anything else they might do.

I definitely get the Lamb Lies Down on Broadway/Peter Gabriel/Genesis vibe from this, but it feels overly dramatic and self-serious. Like the bombast of Meatloaf without the humor. Nothing was really offputting, but it also didn't really click for me.

Ugh. Its not horrible sounding, but also its not really enjoyable. Proficiency in playing and busy-ness in music isn't enough to maintain my interest. I equate it to listening to a guitar solo without any of the music/context around it. There are a handful of guitar solos that can really stand on their own, but there far more in the "hey cool" or "this guy rips" category, but it isn't enjoyable to just listen to guitar solo after guitar solo. Was happy when it was over.

A unremarkable soul and funk experience. It is fine, with Redbone really being the only track that really stands out and is instantly catchy. The rest is well executed, but isn't very engaging for me.

Reminds me a bit of The National or War on Drugs with the occasional orchestral flair. Though there were some decent tempo shifts, the music did end up getting very samey over the long length of the album. Do Not Let Your Spirit Wane was the standout track for me. Overall it was fine but not enough strong tracks that connected for me.

Not my favorite Blink album (not as poppy as Enema or Jacket), but there's definitely enough here that keeps me interested in what they do next. I Miss You is the runaway hit, though Feeling This, Violence, Down and Always are really strong. Really enjoyed my time here.

Doesn't do much for me. If Billy Bragg was a bit more rock-punk and wasn't very melodic (more spoken lyrics), this is what I think you'd get. There wasn't much that engaged me, and grew a bit boring by the end.

Fascinating. There's probably 10 minutes of good ambient vibe and then 50 minutes of uninteresting recordings and noise. There's nothing that's particularly offputting, there's just so much to wade through in order to get to the few high points in the album.

Not bad. Surprisingly minimalist. It really seems like a very basic electronic loop with a few layers and a little atmosphere. Stripped down and each track doesn't wander too far from that. Interesting to listen to, but it doesn't do a lot to capture your attention. I did have a moment where i was getting a Heroin/VU vibe from James.

My favorite moment was when i was 13 tracks in and then checked the wikipedia page. It said the original album was only 14 songs, which meant i had only 1 more song remaining... the final 4 i could skip. ;). I really don't get this... some surprisingly unappealing sparse cello & percussion instrumentation with mumbling lyrics loosely tied to the flow. It may be somewhat unique, but i don't think its particularly special... as a comparison... i think it is REALLY HARD to intentionally write a catchy pop song. most people couldn't be forced to write something good... however, i feel if you told a decent musican to do something in the style of World of Echo, they could pretty easily come up with a track that is indistinguishable from what is on this album.

Wish this did a bit more for me. It has a Damon Albarn/Blur vibe and Like Eating Glass and Helicopter are great kick off tracks. Unfortunately the rest of the album starts to fall off pretty quickly, and there's only occassional tracks that are still interesting/engaging for me... The Pioneers is decent. Nothing bad here, but also not much to really want to come back for.

A stellar album. Though I wasn't the biggest INXS fan at the time, there's no denying that this tracklist and the variety of hits on this one album is exceptional. Though there is an INXS sound, I do feel that their variety/breadth is greater than most. The non-hit tracks are all pretty solid, so there isn't too much of a dip anywhere on this release. Never Tear Us Apart and Mystify are my favorites. Really enjoyed.

Definitely an album that lives or dies by your perception of how clever the lyrics are. The music is fun, but the star is the writing. I was pleasantly surprised that it didn't feel too forced most of the time and there were some definite home runs with Amateur Rappers, Barbarians and Industrialists. Really enjoyed.

I'm a big Death Cab fan, so Ben Gibbard's delivery is something that really works for me. I really like it in this setting, an electronic vibe that has a really simplistic approach but delivers surprising warmth in its style. Though it gets a little uneven by the end, the album as a whole is a great background sound that sets a cool mood.

Despite the dated genre, and what i feel are already enough example of this style on the list, the album kicks off with a jam, both Mother Writes and Mary Jane are solid. Unfortunately it quickly devolves into the worst of psychedelic brit rock, with each track showcasing a new way to be annoying. It recovers a bit by Long Nights of Summer and I'll say the last few tracks are solid, reminding me of Decca Bowie and really old Floyd. I don't think i'd do it again, but still interesting.

After to listening to the first half, i thought i was going to be okay with Phish. Unfortunately then you hit Tweezer and eventually Harry Hood, and it is exactly the jam band noodling that is a pretty strong turnoff. Still, there's enough here that is just a cool rock album that was interesting, but there are also some dark corners that i don't want to visit again.

Definitely seems underrepresented genre in the list. Nice to listen to something different than what i'm used to.

I was VERY surprised to find this album as annoying as it is. Alt rock is my jam, understated vibey, a little eclectic... check! But the vocal delivery here plus a nothing that struck me as that melodic or catchy... feeling a bit more pretentious & smugly clever. Even though this is barely over 30 minutes, i was happy for it to be over.

Really approachable. Alt rock with strong pop sensibilities. The music really shines here, with engaging rhythms and fun harmonies. Loner Boogie is a great example that just gets the driving beat going. Enjoyed.

Not sure what to do with this. I think i like ambient, but it doesn't have to go somewhere... even just a little. This barely has a heartbeat. This is some life later, Untitled 4 seems to have a little something as does Untitled 7, but it just isn't enough to want to stick with it, especially as they add a little static at times which makes it a bit less listenable.

Not my preference for rap... UK style with a bit more electronic angle didn't really work for me. Typical Me was the strongest, but there isn't really a track here I'm interested in hearing a second time. Do give props for the pretty diverse sampling and style variety.

I was really hoping to enjoy this more... I had heard a lot about it and it was a genre i really like. The album starts pretty strong with Seven and In Circles, but it never really gets anywhere past that. Ultimately it reminded me a lot of what i think Nirvana would sound like if they had no melodic hooks. Take all the catchiness out of nevermind and you get some passable alt rock that doesn't really engage to effectively. Interesting, but not great for me.

Seems more like a long radio bit or theatrical performance... more message than music. All in all, somewhat distracting for me and nothing really kept me engaged.

Sure, i didn't understand it, but the energy and fun combined with the fact that it is pretty unrepresented in the book, made this an enjoyable listen. Humain a l'eau was probably the only tough one to get through, but the rest were cool electronic pop.

I love this album, and Jeff Mangum's tortured poet vocal style. He really has a great passion and voice that can carry an entire song. Having listened to the Decemberists recently, there is something aligned there. King of Carrot Flowers and Holland, 1945 stand out from the album, but I can even find long tracks like Oh Comely pretty engaging. This stands out as deserving to be in the book.

Great album. Really like the electronic alt pop/rock vibe and Shirley Manson's delivery. They do as well in the higher energy tracks (I'm Think I'm Paranoid, Push It), as well as the slower tempo ones, such as The Trick is to Keep Breathing. Enjoyed this from start to finish.

Sweet tears just keep falling... from your... Ass! Enjoyed!

I really like the aggressive buzzy electronic version of alt rock that 100 gecs delivers. Hollywood Baby is just a home run and MeMeMe is super solid as well. The rest seems a bit up and down, with definitely some pretty quirky tracks (most notably Frog on the Floor). But overall, i like the experimental nature and vibe.

This is actually pretty engaging despite being not able to understand any of it. The pace and style has enough variety and interest to work pretty effectively. Kind of a vibe on arctic monkeys. Rounding up a little bit, but the music was good.

Definitely seems very dense in content and there's a lot going on. The experiment is interesting, but there isn't much here that gets a hold on me.... I'd say the first time I was really enjoying the rap was on The Biggest Troll, the last track on the album. Worth the listen.

I definitely like the elements that go into this.... very droning beats, electronic focused, with a lot of experimental vocals and samples. I think it starts super strong with Str8 Outt Mumbai and Zion Wolf.... definitely engaging and cool. Unfortunately i think the rest of it definitely misses the mark, being experimental without being engaging... maybe Jasmine gets halfway there. Still an interesting listen.

It doesn't do a lot for me... a fine alt. rock vibe, akin to Toad the Wet Sprocket, which also shares a bit of a weakness which is that the lead singer's voice doesn't have a lot of personality. It is fine clean singing, but isn't too interesting. Most of the songs don't really have a hook, and it is the darker songs which i think are a bit more successful, Burn & Shine, How She Lied and Coming Right Along. The guitar work is really solid as well.

His vocal delivery is beautiful and soulful. I was instantly engaged into the performance. Though the album is short, it also seems a bit one note-ish... the approach is pretty similar track to track and blends together very quickly.

There's some small amount of promise here as the start of a few pieces has a mellow Beatles feel to it, though unfortunately it goes into the jazzy, noodling, prog rock experimenting that is pretty tiring to listen to.

A very welcome sound in this list. Pretty straight forward hard rock... it sounds as if Kix took the Black Crowes singer. Everything is pretty energetic and fun, reasonably melodic and has a good driving beat. Rounding up a little bit.

Pretty straightforward alt. rock/pop... seems a bit milquetoast to me, though I did think tracks like Dare You to Move, On Fire, and Adding to the Noise were a bit stronger than the rest. Unfortunately even those were like a watered down Goo Goo Dolls hits, so not sure if this quite qualifies to be missing from the book.

This is pretty great. Definitely has a perfect sing along energy that works well with high energy rock style here. I do like that they can definitely bring the noise as well as hold back the tempo at key points. The album is solid from start to finish... though Disappear, Black Parade, and Teenagers probably my favorites. Adding this to my music library, will listen again.

Definitely has a country vibe, with a folk-pop angle. It seems a pretty standard issue for the genre/vibe and they are all pleasant, but generally unremarkable. Even A Pirate Looks at Forty has an interesting topic, but the song itself is just okay. A nice listen, but i don't see it as book worthy.

This sounds like an "adult contemporary" version of country. Pleasant, easy, all sharp edges removed. And ultimately if the song itself doesn't have a hook, pretty forgettable. The Hard Way and He Thinks are the most interesting and the rest is a glass of room temperature water.

This one completely works for me. It's a bit of a haunting electronic vibe... it is all very approachable and just finds a consistent groove track after track. There's nothing that is out of the park (and there are some interesting choices in the long Tick of the Clock track), but overall i really enjoyed this.

Pretty interesting release. At first it seems a bit aimless with Long Way from Home, but Like Herod starts to kick it up several notches by delivering an energy and groove that immediately works. Though there is some filler material, there's enough that works, exploring different tempos and energy levels, but still drives a great vibe (Katrien, Tracy and Mogwai Fear Satan are all strong). Enjoyed!

Really enjoy Danny Elfman and Oingo Boingo. Unique sound and plenty of fun energy. I'm pretty done with Weird Science, and much prefer Just Another Day and Stay, the best songs on this album. There's a bit too much filler here that prevents it from hitting the highest tier.

Wow. I'm not sure how you rate this now and not compare it to Alanis. Certainly interesting that she pre-dates Alanis' popularity, but given the heights that Jagged Little Pill achieved, it is just such a similar tone and style that today it just feels like a shadow. It is still decent, but ultimately doesn't have the hook/engagement of the comparable artist.

My buddy gave me a copy of Glee when it was released and i was instantly hooked at the weird sampling/mix thing that was BV3. Drinking in LA is just amazing, but its even the weird other segments and attempts that work for me. Though Loop Me stands out on this album, not much else has the charm and fun of glee. Still worth listening to, but not sure it is above average.

An interesting exercise in rap and storytelling. He has a pretty understated delivery that I like and dense lyrical content. Still there wasn't much here that got me engaged beyond the curiosity of hearing something new. Deep Fried Frenz was the highlight for me.

I can completely understand the criticism that the music is actually pretty interesting, but the vocal delivery is as uninteresting as you could imagine. Still, i don't know what it is about it, but it completely works for me. The vocal delivery is pretty monotone in its style, but it does have passion and pain, the lyrics are intentional and certainly evoke a feel of pain and loss. Never heard of this group before, but i will definitely be exploring more of the catalog. Loved it.

This is like a casio electronic keyboard amped up to 20 on the HAPPY slider. It seems to have a CHVRCHES vibe without the intrique and mystery. Overall pleasant and peppy, but nothing really stayed with me.

This has the feeling of an offbroadway-level Disney animated movie soundtrack. Dramatic and theatrical, and a little overserious. An interesting listen.

Felt like a slog to get through this. It is pretty unoffensive alt-folk with a sprinkling of country. It seems to be lacking melody or a hook that keeps the tracks interesting... it just drags. Certainty, Red Moon, Blue Lighting had a spark, but it was just too long and generally uninteresting.

Definitely a wild and welcome entry to the list. It's like a giant amusement park with all kinds of different rides and attractions. They certainly surprise you with the different genres and styles and it full of energy and a lot of fun. There are a couple strange ones, but always interesting. Glad to have experienced this.

No no no no no no no no. I don't need 70's prog rock... and though this avoids some of the organ noodling we see elsewhere... the vocals that kick in around Gulping a Sonata are a double "no" to the no.

It immediately starts off as very interesting... i like the soulful wailing mixed in with an orchestral backing. Not sure i've really ever heard that before. Its cool. But this is definitely part of the issue... my untrained ear thinks all these songs sound the same. At some level I couldn't have told you whether i listened to 12 different songs or the same song 12 times. Ended up being a bit of chore to get through.

An interesting mix somewhere in the David Gray, James Blunt vibe, albeit in French. Easy to listen to and appreciated for being a bit different. The title track, Rever Mieux stood out for me.

Drunken out-of-tune street minstrel.

A style i almost universally detest, but i found myself surprised that it wasn't nearly as cliched as much of the rest in the genre. Though i wouldn't want to listen to it again, i'll give it recognition as a potentially high water mark in the genre.

I definitely had fun with this. It has a little bit of a punk edge to rock with a lot of pop hooks and harmonies. The lead singer's voice fits well and is easy to enjoy. Fits in the Elvis Costello, Joe Jackson, Graham Parker space for me. Very enjoyable.

Not opposed to this. Definitely give her some credit for the time putting together her own music when we have otherwise seen so much (especially recently) of hitmakers writing for a pretty face/voice. There's a few catchy tracks, and the rest is pretty inoffensive other than the general weird feeling I get of listening to 10 tracks about a young girl's perspective on relationships & love.

This is mostly prog rock meandering with overly wordy self-importance. The tracks don't really have a hook, but plod along. Towards the end there are a couple of valiant attempts are a good rock song (Afraid of Sunlight and King), but their own 7 minute length get in the way of being able to enjoy the ride. nothing is bad, but nothing great.

Pretty ordinary alt rock. Nothing really caught my interest... maybe Vapour Trails is the closest to connecting for me. Its okay, but doesn't stand out.

I enjoyed the switch of vibe and energy from most of what we've been listening to... so it was good to soak in the anger and heavy guitar work. However as a first time listener it is hard to get more from it than the feeling of being hit by a hammer for 45 minutes. I'll say it was effective, but a bit exhausting by the end.

The lead singer's voice is my primary issue. it is too generic and uninteresting. I feel like it hangs out in the Social Distortion and NOFX space a bit, but lacks a similarly interesting vocalist. Don't Pray on Me was the one track that stood out for me and enjoyed the most.

A tough one to figure out where it goes, but I'll round up based on 3 strong songs... The Middle is fabulous craft, while Get It Faster and Sweetness are also really great alt rock tracks. The album doesn't have any trash, but most of the rest of the album delivers in the same vein but ends up being a bti forgettable. Enjoyed the suggestion.

Enjoyed the somber energy and vibe of these tracks. Blower's Daughter and I Remember were my favorites. Easy to listen to and appreciate.

Though i don't think Roger's writing & delivery is as consistent and interesting as other Pink Floyd releases in this time period, this is still a great album and it is deep enough to submerge yourself in a real energy. The guitar work is fabulous and catchy, and there are enough moments where it all shines brightly together.

Nice smooth sync alt rock with Let It Happen and The Less I Know being the clear stars of the show. Other than the unnecessary Past Life, the rest was pretty decent, though nothing seems to justify repeat listens.

I had so much fun with this. I really enjoy the brass-infused punk, particularly when it has cleverly crafted lyrics to carry you through. Reminded me a lot of NOFX with a Madness brass vibe. Enjoyed thoroughly.

Some of the musical sequences/sections are great. Interesting and enjoyable. However, the whole thing is glued together with what sounds like a zany musical carnival. Creative, yes, but it sounds weird for weird's sake.

Slow, soulful and generally sleep inducing. The first three particularly go nowhere and she has a very uninteresting delivery, and it isn't until The Ride that there's a glimmer of hope. There's a few musical hooks later that help I Defy, Christobel and Save Me become a bit more interesting, but it doesn't really rise much above "pleasant" for me.

Highly energetic electro-pop. Interesting that this was a significant genre change coming from being a much more rock act. La Dolce Vita was the most compelling for me. Overall, more interesting than exciting/engaging.

Suprisingly annoying. it seems like what you'd get if you wanted music with child protective padding on it. It is passionless and everything about it seems soft. Lyrics are uninteresting or awkward (one god), but then you hit Liars' Bar which was the closest i've gotten to fast forwarding a song in the 1,200 albums i've listened to. It is the most irritating gravely voice that comes off as more as a bad faked attempt. It was borderline painful.

She's definitely got enough HOOK. Well produced and good sounding. Though a little bit corny and over the top at times, it is definitely got swagger, style and a great pop angle. Enough variety and strong tracks to make it a fun listen.

Surprisingly boring. It isn't a collection of songs as much as just a arctic monkeys vibe going on for forty minutes. Subdued somewhat non-descript music with a talky singy voiceover. One stops and the next track is pretty much the same thing. The best track, Four out of Five, is amazingly similar... it just seems to add a little more melody/inflection into the title of the song that makes me anticipate and want to single along with that line. Wish there was more here.

A passionate singer-songwriter set. Reincarnation and Undercover are standouts for me, and most of the rest of it is very samey, but they are all pretty and soulful. Strangely the title track and the intro to The Golden Age take you out the mood, but make the whole experience more interesting, as it is unexpected on this type of album. Lastly, the closing track, Mountaineers adds a cool ethereal tone that also elevates the whole piece.

This album is amazing gold. Though it definitely has a bit of a dated sound, it really is amazing that her and Mutt wrote, performed and produced the whole thing. It is just one pop country candy treat after another. She does a great job of delivering a fun approachable sass and style that elevates it from a lot of the female artist standards of the time. I wasn't thinking this was going to hold up after all this time, but was solidly impressed, across 16 tracks even. Amazing!

Truly exceptional. Heartfelt, soulful, catchy. The first 5 songs are as strong of a start to an album as nearly any around. I really like the very modest arrangements and let the vocals and subtle instruments work their magic. Sleep on the Floor is my favorite.

Interesting soft electro/synth pop vibe. It all is pretty mellow and feels a bit directionless. For me, Tailwhip, Found Me and Pines show the potential of something with a little more tempo or melody to engage with.

This album really stands out for me. It gives off such a warm introspective cathartic vibe. Though it may be a bit too singular with that tone start to finish, i was wholly absorbed and engaged. Both Death with Dignity and Should Have Known Better are standouts.

Not sure how this would be justified as a worthy of the list. It is easily approachable, but ultimately just pleasant and uneventful. Somewhat peaceful background music, but i didn't really find much engagement.

Unfortunately this doesn't really work for me. For every song that is okay and possibly interesting, there are 3 where the super low graveley tom waits delivery gets in the way and seems more schlock than a style. Was happy when this was over.

A restrained soulful jazz horn. Reall enjoyed the listen.

I like the pairing of the lead singer's voices... goes well with this music, and the vibe is good, but it doesn't really have that hook that would elevate it. Fine.

Album starts really strong, mellow folk alt vibe... though the lyrics are completely befuddling to me. I have no idea what they are talking about. It gets a little tired by the end, but overall above average.

It definitely has a pretty good start... different, french poppy with a slight prog twist. Fun and different... enjoyed soaking it all in. About half way through though it turns a bit more plodding orchestral and just isn't as interesting. Still, good listen.

The music is good (funky with no fear of a harder electric grind), but everything about the vocal delivery and lyrics are a complete turn off.

Really enjoyed this. Easily approachable, upbeat and fun. It set the vibe and I was onboard start to finish.

Though it doesn't stand out too much listening to it in this format, you can definitely imagine what an amazingly energetic live show it must be. I would want to be there to witness it. So the energy comes across in the album, but i find it harder to discern lyrics melody and hook as much. Still fun.

Surprisingly cool and fun. Though Automata is a bit of a clunker, everything where there isn't a lyricist is absolutely vibey and cool. Fortunately only 2 tracks have rapping, and tracks like Death of Storytelling and Fail It Till You Make It are awesome.

Poppy, peppy and passable. It seems pretty polished with a hint of sassiness/punkness, but it unfortunately doesn't really have anything that is too catchy. The lyrics definitely stand out as being "disco-era" repetitive... Halo Jones quickly becomes a bit annoying. Just OK.

Pretty decent stripped down folk that varies the tempo a bit to demonstrate some variety, but not much really engages me very much. Its fine but not remarkable.

Definitely a good style and vibe fit for my interests. Reminds me a lot of arctic monkey and kaiser chiefs. Really like the intentionally crafted brit alt rock. Liked Please Don't and No You Didn't a lot.

Doesn't do much for me. Its nice to have some real rock for variety though a lot of this seems overly creative and clowny. The coolest surprise was the bonus track, Easy, though Midlife Crisis was also decent. I don't think anything is missing by leaving this off the original list.

Its the song topics that make this charming punk. The music and delivery it pretty standard issue energetic rock, but then topics like 6L GTR, The Price of Smokes, I've Been Drunk in Every Pub in Brisbane and Emperor of the Beach give it punk humanity. Fun listen!

Decent alt rock from that era, comparable to echo & the bunnymen... though the songs don't provide an identifiable hook that makes me want to revisit them. The last two tracks, Silent Air & New Dark Age were a bit more interesting, but by the end it just seemed serviceable.

Noisy rock that unfortunately did more to drive me away than pull me in. Seasick was the most promising, though overall it was a bit of a chore to make it through.

A wonderful surprise. It is a bit introspective songwriter, with a rock and punk edge. A ben kweller, bob mould and NOFX shake in a blender. Wave Goodnight to Me stood out though i enjoyed the vibe from start to finish. Will definitely be seeking out more.

I was into the lo-fi alt folk rock vibe, parts of it felt like something from the 80's athens georgia. Crooked, Motorcycle and Don't Leave Just Now were highlights that had me really enjoying the style. Good call out.

Not particularly interesting or special. Alt rock with a decent edge to it, but the vocal delivery is mostly annoying, and nothing with enough of a hook to warrant coming back to.

Wouldn't it be Good was one of my favorite 80's eras one hit wonder tracks. Just a great pop song. Unfortunately i can't imagine why anyone would think this album needs to be on the list. The rest of the album is now what i would ascribe to being the north star of music that doesn't age well. This is just dreck now. I can't imagine this would have been good in 1983, but it hurts my soul listening to it today. I was very thankful when it ended.

Not necessary. Buster Poindexter and Tom Waits combined with early Nine Inch Nails and Ministry. Though the Throne of Agony had me interested for a moment, the style quickly became a bit tiresome and didn't do too much for me.

"Billy! Every rock album has a ballad on it... it really pulls in the female audience." "Eh? it means chicks? Sign me up." Though the ballad included on this album is nearly a sin, the rest is an enjoyable rock fest. 4 absolute home runs with the rest decent tracks that follow the standard rock tropes. Billy Squier has a great voice for rock, and it is so enjoyable to guitar solos in these tracks. Really enjoyed.

Uneventful. It sounds like a soundtrack to a Charles Schultz Peanuts cartoon movie or an 1970's after-school special. Soft, with rounded edges. The only song that heads in an interesting direction is the hidden last track Mr. E's. Not bad, just doesn't seem to do much.

Though nothing really stood out, I got into the vibe, enjoyed something new, and had a good time with King Tubby.

Fun rock in a very Foo Fighters vibe. Stronger emphasis on melodies and hooks give it a more pop feel that works. Enjoyed.

I am definitely not a jam band person... it becomes quickly tiring to me. I was doing much better than expected up through Ocean Flows. It was approachable, pretty straight forward and hit a fine groove. Unfortunately from The Liquid on it started heading toward a more psychedelic angle and then Ghostbusters quickly turned to dislike. Can pass on this.

It's a great live album and Bruce Springsteen in his prime, but not sure how someone would suggest that this needs to be on the list after Bruce already has 5 other albums there. Really enjoyed the album, but i think this fails the "what is missing the list?" test.

Just different and weird. I was surprised by the amount of different instruments that seemed to be present, but there isn't much that immediately seems enjoyable... just strange and slightly interesting.

Love this album. I can see how the quirkiness and strange perspective, mixed with a pretty unique vocal delivery can be a bit divisive. For me, it works, embraces the humor in things and makes me want to sing along every line. Pretty much enjoy every track from start to finish... even some of the stranger musical experiments have segments in them that capture the melody and hook of a pop song. I Think I'll Disappear Now probably my favorite.

Hard to put such a fresh album in context, but it is something of a miracle that Robert Smith pulled this off so well. It is exactly in the Disintegration/Pornography vibe, dark and brooding. A Fragile Thing and I Can Never Say Goodbye are just outstanding, and the rest of the album is both interesting and is a welcome return to this sound. Loved it.

Shame that Joe Jackson isn't anywhere on the list... This, I'm the Man and Night & Day are all well ahead of many the entries that made it. Great to see someone is paying appropriate tribute to Joe Jackson. Definitely in the punk/rock style & biting wit of Elvis Costello & Graham Parker. Strong from start to finish... with really good variety in tempo and style from Fools in Love to Got the Time.