265
Albums Rated
3.25
Average Rating
24%
Complete
824 albums remaining
Rating Distribution
Rating Timeline
Taste Profile
2010s
Favorite Decade
Blues
Favorite Genre
US
Top Origin
Perfectionist
Rater Style ?
12
5-Star Albums
2
1-Star Albums
Breakdown
By Genre
By Decade
By Origin
Albums
You Love More Than Most
| Album | You | Global | Diff |
|---|---|---|---|
|
1989
Taylor Swift
|
5 | 3.27 | +1.73 |
|
Odessey And Oracle
The Zombies
|
5 | 3.42 | +1.58 |
|
Raising Hell
Run-D.M.C.
|
5 | 3.51 | +1.49 |
|
Blood On The Tracks
Bob Dylan
|
5 | 3.68 | +1.32 |
|
I’ve Got a Tiger By the Tail
Buck Owens
|
4 | 2.81 | +1.19 |
|
Sweetheart Of The Rodeo
The Byrds
|
4 | 2.83 | +1.17 |
|
In Rainbows
Radiohead
|
5 | 3.84 | +1.16 |
|
White Light / White Heat
The Velvet Underground
|
4 | 2.88 | +1.12 |
|
Who's Next
The Who
|
5 | 3.91 | +1.09 |
|
Smokers Delight
Nightmares On Wax
|
4 | 2.91 | +1.09 |
You Love Less Than Most
| Album | You | Global | Diff |
|---|---|---|---|
|
Dummy
Portishead
|
2 | 3.71 | -1.71 |
|
Slipknot
Slipknot
|
1 | 2.67 | -1.67 |
|
Hotel California
Eagles
|
2 | 3.6 | -1.6 |
|
Franz Ferdinand
Franz Ferdinand
|
2 | 3.57 | -1.57 |
|
Juju
Siouxsie And The Banshees
|
2 | 3.33 | -1.33 |
|
L'Eau Rouge
The Young Gods
|
1 | 2.32 | -1.32 |
|
Ace of Spades
Motörhead
|
2 | 3.29 | -1.29 |
|
Clandestino
Manu Chao
|
2 | 3.22 | -1.22 |
|
Melody A.M.
Röyksopp
|
2 | 3.21 | -1.21 |
|
Chicago Transit Authority
Chicago
|
2 | 3.2 | -1.2 |
Artists
Favorites
| Artist | Albums | Average |
|---|---|---|
| Beatles | 2 | 5 |
| Led Zeppelin | 3 | 4.33 |
| Bob Dylan | 5 | 4 |
5-Star Albums (12)
View Album Wall
Popular Reviews
Prince
5/5
There are a ton of major singles that came from this album; let alone the fact that it helped his win multiple awards including an Oscar. Prince's powers are firing on all cylinders as he is showing diverse influences in a tightly produced album.
10 likes
Heaven 17
2/5
Heaven 17 experiment with 80's synth pop in an effort that almost feels like a summation of the musical movement. Unfortunately, they fail to capture any of the pop magic of other contemporaries when it comes to catchy ear worms.
6 likes
Sarah Vaughan
4/5
This album takes you back to a time when lounge singers and dinner clubs were an actual option. Vaughan's voice rises and swoons as she weaves a spell capturing the magic of an era.
3 likes
Run-D.M.C.
5/5
Run DMC had been making waves already, but this is the album that helped them and Hip Hop cross-over to the mainstream. Loaded with iconic tracks, and oozing with swagger, this is a must for old school Hip Hop.
2 likes
Frankie Goes To Hollywood
2/5
This album is what would be the equivalent of an 80's electropop band doing covers and singing a couple originals at a Bar Mitzvah. The concept they were going for was alright, but the execution left something to be desired.
2 likes
1-Star Albums (2)
All Ratings
Kanye West
4/5
Middle tracks dragged a bit, but solid Kanye. Showed glimpses of the madness that was going to come (Chris Rock stand-up bit talking about pussy and the woman learning how to be dirty from Yeezy). Earlier collabs with Bon Iver.
Iggy Pop
3/5
His first studio album where glimpses of his later impact and influence can be seen. A solid foundation for something so groundbreaking at the time!
Frank Zappa
4/5
Prog Rog & Psychedlia met and had a pretty amazing baby in this album. Zappa's vocals can be a bit alarming and pull you out of the experience, but largely this album is instrumental and has several large jams.
Miles Davis
4/5
A quintessential jazz album and amazing experience. It was edited in a way where all of the tracks blend together into a great experience with every instrument helping punctuate Davis' skills. Gotta love Bill Evans too!
Miriam Makeba
3/5
Makeba has a lovely voice that one day would blend perfectly with Belafonte in several concerts, on her own though it is largely lacking any "catchiness" or "replay-ability" that would make the listener want to revisit the album. It was a solid first effort, and very unique voice, but lacking in greater substance.
Prince
5/5
There are a ton of major singles that came from this album; let alone the fact that it helped his win multiple awards including an Oscar. Prince's powers are firing on all cylinders as he is showing diverse influences in a tightly produced album.
Siouxsie And The Banshees
2/5
Female vocals punctuate this Art-rock album as well as the unique guitar chords and minor embrace of electronics. It was a little grating outside of the main singles.
Green Day
4/5
Green Day's first major label release that was brimming with catchy singles making the airwaves for the early 90's. Its fast pace and wit in lyrics make it a lot more poppy than purists would care to admit.
The Young Gods
1/5
Industrial electronic, akin to a French Kraftwerk.
George Jones
3/5
Classic country that clearly influenced the larger genre as a whole. The album itself flows by and helps bring Jones into discussion with other contemporaries for a style of country long forgotten.
The Velvet Underground
4/5
Where cutting edge art and music met. This album encapsulates the era of Rock in NYC, while still being timeless enough to be appreciated all these years later.
Hole
3/5
90's grunge led by a woman doing it her way. Whether it was Courtney Love's way or other women influencers is a separate conversation. This album offers a snapshot of early grunge prior to the polished mainstream of the latter years.
Quicksilver Messenger Service
3/5
Did you want to hear a jam band riff on "Who Do You Love?" for most of an album? Happy Trails has got you!
Aerosmith
3/5
The shadow of "Toys in the Attic" still loomed large, but Aerosmith found a good sound with their blend of blues and honky tonk as instrumentals too over even more of this album.
Deep Purple
4/5
Countless hard rock classics in a single album -- most every notable Great White song is from this album.
Small Faces
4/5
The album has genuine moments of grandeur and inventiveness; however, it is held back by the random asides of the story it is trying to tell. Also, every now and then the cockney accents are a bit too much to stomach. All of these issues though are overshadowed by the overshadowing of the Stereo mix and creativity of the actual songs.
Pulp
3/5
Another British group making what is an influential sound for future British alternative efforts. You can see the Blur, Bloc Party and more taking inspiration from this album, and with catchier hooks, it's easy to see why.
Haircut 100
3/5
British New Wave pioneers. The album seems to oscillate between new wave sounds and proto-emo, to jazz fusion for longer jams.
The Clash
5/5
The elegant blend of political songs and writings in a broad appealing double album. This album cemented the Clash as a musical force and innovators that have earned their place in modern music. Remastered, it sounds even crisper.
Portishead
2/5
Moody and dark songs about situations gone awry.
The Who
5/5
Seminal album with countless classic tracks. The musicianship is excelling to the point where vocals are the weakest link, which is saying something.
Waylon Jennings
4/5
One of the outlaws making classic country sounds. It’s easy to see how he made a difference in the genre.
Elvis Presley
3/5
Good Elvis listening record with a little less R&B flair.
David Bowie
3/5
David Bowie had completely begun to embody Ziggy Stardust at this point and the confidence shows. While the highs aren’t quite as high as other efforts it is still solid.
Frank Sinatra
4/5
Smooth and silky, a true Sinatra Gem. This album has a touch of bossa nova mixed with his talented vocals.
The Beach Boys
4/5
A classic album highlighting the advanced orchestration and attention to detail of Brian Wilson. This holds the most touching and cherished Beach Boys songs as well.
Fred Neil
3/5
A brilliant songwriter who laid a foundation for Folk and Americana standards, which would go on to receive greater acclaim when performed by others. Musically, and stylistically it is easier to see why that happened.
The Dictators
3/5
Proto punk that made the newer genre of New York more accessible and open to the mainstream. Akin to the Ramones for being trailblazers into the mainstream.
The White Stripes
4/5
This album helped cement Jack White as one of the most unique and influential sounds in modern rock. While also proving that the White Stripes could serve as leaders in the genre.
Tina Turner
3/5
Quintessential 80’s. Tina showed her ability to stand out as a solo act on this record, but I could’ve sworn “What’s Love” was faster paced.
Michael Jackson
3/5
This album has several iconic songs that can keep its head above water despite the issues that Jackson had in his personal life. However, there are some real slow and sensual songs that haven’t aged well or are entirely lacking in flair.
Arrested Development
3/5
Solid 90's hip-hop / R&B. You can see their similarities to other artists, but it was less reliant on major sampling.
John Martyn
2/5
What starts as a noise record with slight rock tendencies, descends into instrumental ambience music.
The Who
3/5
The Who flex their muscles with a concept album full of radio spots mixed in. Sadly most of the songs were fairly unremarkable by their standards.
Dwight Yoakam
2/5
A more twangy album bereft from any memorable tunes. It does highlight Yoakam as a unique voice and gifted lyricist while still failing to make any remarkable impact.
Bob Dylan
5/5
Personal feelings aside, this album is a gem. Every track is solid even if there isn’t the biggest flow between them. It also has some of the most underrated “Breakup” songs and amazing lyrics.
Liz Phair
3/5
Phair shows her roots with quick-witted lyrics and shorter tunes. What is missing is any remarkable single or thing that sticks with you.
Sleater-Kinney
4/5
Sleater-Kinney find their stride on this album full of angst and polish. Girl rock deserves some special attention as this exemplifies what the genre can offer.
Culture Club
3/5
An iconic album of the era, but one that doesn't have the most lasting songs. It serve as a valuable insight into the time it was made though.
Mike Oldfield
3/5
Instrumental album that has impacted the course of other composers and instrumental efforts such as Blue Man Group.
Fela Kuti
3/5
Great drumming and music jams, sadly there's not much here to show other than musicianship. The history behind this collaboration is where the real interest lies.
Yeah Yeah Yeahs
4/5
With this album the Yeah Yeah Yeahs emerged as major influencers of the new alt rock movement of the mid-2000's. It is easy to see their impact and growth while keeping a unique sound.
Slint
2/5
Proto post-hardcore music with a touch of darkness. It is easy to see the future groups it would influence, but as a watershed album, it doesn't offer much.
Prince
3/5
The album while being a polished and well-produced Prince album failed to have the iconic songs or highs of other efforts.
The Divine Comedy
2/5
An angsty and emotional entry from a band that can't compete with the Smiths, but truly wishes they could.
Finley Quaye
3/5
A fine blend of reggae roots and rock. Finley has found a way to generate real music from his experiences that can have some impact, although it is debatable how much.
Scott Walker
2/5
Scott Walker treads the line of singer-songwriter as he puts in an album to find his purpose. Sadly, the lyrics and music aren't enough to captivate or inspire confidence in his abilitieis.
Bob Marley & The Wailers
4/5
Bob Marley and the Wailers continued to cement themselves as a force with this album. Notably, Peter Tosh takes the lead on several tracks.
Sisters Of Mercy
2/5
When New Wave and Porto WMO just misses the boat. There’s not a lot of major impact or even memorable tracks.
PJ Harvey
2/5
Fine, but nothing really to say.
The Go-Go's
4/5
Blending surf-rock with pop in a catchy package this album has multiple major singles and paved the way for future efforts.
Cream
4/5
One of the original "super groups" that really flexes their musicianship across this album. Everything is on point, and it is easy to see why they made such an impact.
Electric Light Orchestra
4/5
ELO struck gold with this album, and as a result kept the art motif for any subsequent efforts. Boasting several of their most recognizable singles this album flows from one track to the next.
Elvis Costello & The Attractions
3/5
Despite only having one notable single, this album is a great look into what makes Elvis Costello and the Attractions such an important group. The lyrics, melancholy, and musicianship all come to a head on this art rock album.
Frank Black
3/5
One of the early solo efforts from the lead singer of the Pixies. This album blends rock, punk, and singer-songwriter musings and angst.
Lloyd Cole And The Commotions
3/5
Contemplative and engaging all at once. Lloyd Cole manages to channel angst and frustration into a digestible record that keeps the listener engaged.
Goldfrapp
3/5
Haunting vocals ring out in each track as if a siren were trying to lure you off your path. While very talented, Goldfrapp fails to make any lasting impact other than fading into the background.
System Of A Down
3/5
You can't argue with the musicianship that was already on display for this band. It laid a strong foundation to continue their growth on notably with Toxicity and future efforts.
Shack
3/5
Turn of the millenia rock with 90's angst. This album clearly is setting the tone for what would be alternative noise for the upcoming era.
Nightmares On Wax
4/5
Early dub and reggae instrumental that paved the way for a ton of future stoner groups.
The Smiths
4/5
It’s easy to see how they influenced future moody boys and their music. The lyrics are lovingly dark and sad, but it’s still an amazing record.
Korn
2/5
New Metal just isn't an area of interest and save one single this album doesn't hold much appeal.
Pixies
4/5
The Pixies show what made them such a unique force in this album. You not only get the love songs, but also the grunge and early alternative creativity that made them such a force.
The Disposable Heroes Of Hiphoprisy
3/5
Old school rap with a deeply political message. Serving as a protest outlet, this effort from Hiphoprisy takes aim at society, its issues, and where we can hope to grow all to smooth beats and samples.
Rush
3/5
Not Rush's finest effort, but it really leans into their prog rock sensibilities. The sheer scope of the lyrics and talent of the musicians make this a worthwhile listen.
Missy Elliott
4/5
Missy earns her spot in the halls of great rappers and proves that there isn't a gender issue. This 90's touched R&B hip-hop record is solid and easy listening.
The Cure
3/5
With this effort the Cure explored the line of New Wave as well as proto-Goth dramas. While it is far from their highest highs, it feels as if it is a solid B-side all around.
Dusty Springfield
4/5
A gentle easy listening album of country and Americana standby's. In the Deluxe Edition, it is easy to feel as if you are at an old show.
The Afghan Whigs
2/5
The Afghan Whigs continue to explore the darker side of Rock as they oscillate from moody to a touch of angst. This album has a broad appeal, but no major single or remembrance.
A Tribe Called Quest
4/5
As far as debut albums go, this one is up there. So many classic Tribe singles, and it really establishes some of the West Coast hip hop and rap of the era. This was the first album in the three album streak of exceptionalness.
Primal Scream
3/5
What was sure to be an early-influencer of future electronic bands, this album has a certain background aesthetic and lingering satisfaction.
Baaba Maal
2/5
As far as world music goes, this is a solid entry. Very easy to find the groove, but there isn't any major stand out single, rather a solid listening experience.
Death In Vegas
2/5
You want some early electronica? Well here is some repetitive, uninspired tracks for you that are a bit too long.
The Crusaders
3/5
Easy flowing yacht-rock with a tinge of elevator music. This album perfectly encapsulates the late 70's sound.
Alice Cooper
4/5
A perfect encapsulation of Alice Cooper and the "darkness" he threatened, but never really brought. This album offers the catchy riffs and lyrics while offering greater depth throughout the listen.
4/5
90's Brit Rock encapsulated in an album. The middle tracks leave a little to be desired, but the amount of major hits and impact this had show its status as a modern classic.
Slipknot
1/5
Death Metal or whatever subgenre this is, really isn’t my jam. That being said the musicianship is commendable although it is repetitive.
Funkadelic
3/5
Smooth funk that sets a groove and keeps it going. It is strangely difficult to find this album though due to licensing.
Jefferson Airplane
3/5
This album shows why Jefferson Airplane was a hugely popular and influential group for their time. With iconic tracks and the gentle stylings of the late 60's it is a shame to see that this resulted in Jefferson Starship.
The Streets
2/5
British talking rap and rock. This stripped down album, does little to show the creativity despite speaking about the young adult experiences that would seem relatable.
The Byrds
4/5
This album strikes a chord with Americana and Country influences. There are classics, but more importantly a flowing experience from this album.
Fairport Convention
4/5
Smooth and easy, this album has all of the trademarks of 1969 music. More impressive is the tone and depth of the lyrics; truly an unheralded gem.
The Roots
3/5
The album started out strong, but loses some of its step in the back-half. Overall, it's solid first half and old-school appeal does a lot to make this a solid effort for the group.
Beatles
5/5
It's the Beatles and it's hard to rate any of their work as anything but excellent. That being said, this album is as much of a release of a bunch of material prior to their break-up and could've potentially benefited from a single album's treatment.
Frankie Goes To Hollywood
2/5
This album is what would be the equivalent of an 80's electropop band doing covers and singing a couple originals at a Bar Mitzvah. The concept they were going for was alright, but the execution left something to be desired.
The Boo Radleys
3/5
This album has genuine moments of bliss and authentic rock music. However, they are broken apart by disjointed efforts and forgettable tracks, which limit the entire experience.
Weather Report
2/5
There really isn't too much excitement in an album that almost sounds more like a moods mix than an artistic effort.
Peter Tosh
4/5
Peter Tosh flexes his musical gift with this solo effort with the backing Wailers. Tosh proves he can function in his own spotlight without Marley and comes away with good vibes and a message.
Alexander 'Skip' Spence
2/5
Mumbling singer-songwriter whose lyrics and musicianship have lost a bit of the way. Too much acid, without the soul or funk.
Ash
3/5
This album is a conventional pop-punk album. It isn't terribly ground-breaking, but does sound like the era of its creation.
Run-D.M.C.
5/5
Run DMC had been making waves already, but this is the album that helped them and Hip Hop cross-over to the mainstream. Loaded with iconic tracks, and oozing with swagger, this is a must for old school Hip Hop.
Hawkwind
3/5
This is the band that had hosted musicians such as Ginger Baker and Lemmy, but this live concert drips with the excesses of Prog Rock & Psych Rock. While bloated in areas, it is still an impressive effort.
The Byrds
3/5
This album hits several large boxes for late 60's Rock Music. With that in mind, it has some notable tracks, but also some largely repetitive tunes. A solid effort and worth the listen.
Manu Chao
2/5
This album has most of the hallmarks of Modern Spanish Music. That being said, Manu has made a name for himself by pushing the genre to wider audiences. Even still, this album does little to push the genre further, or even deviate from mild influences of Cuban Jazz or a Latin Beat.
Buzzcocks
3/5
Another piece of evidence that this is a very British-centric list. The Buzzcocks bring their energy and fast-paced playing into an album that highlights punk and its British movement. Despite not having any major tracks to take away, it is easy to see how they impacted the genres and others to follow.
Turbonegro
3/5
Fast paced punk rock that would find its home on any skateboarding video.
Sarah Vaughan
4/5
This album takes you back to a time when lounge singers and dinner clubs were an actual option. Vaughan's voice rises and swoons as she weaves a spell capturing the magic of an era.
Björk
3/5
What is undoubtedly one of Bjork's more approachable efforts, this album showed a brief glimpse into the uniqueness of her efforts to come.
Beck
4/5
Revisiting this album is both a blessing and a curse. The songwriting is still so far ahead of contemporaries, but now comparing it to the later Morning Phase album shows a less polished effort. Even when stacked against that, this album still shines, just not as bright.
Frank Ocean
4/5
This album hits on so many notes, and serves as a great solo effort from Ocean. He finds his voice and leaves us with multiple ear worms and a well-crafted album of lyrics.
Led Zeppelin
4/5
A stellar debut for a band that helped redefine the genre. With several iconic singles and showing the glimpses at future mastery makes this album stand out.
Ramblin' Jack Elliott
3/5
This album harkens back to a time in which country and the troubadour songwriter movements were not so far apart. Jack Elliott finds his voice and helps establish the stronger roots of older country.
Pink Floyd
2/5
A largely unremarkable album except for the fact that this band would go on to record much better and impactful music. The missing ingredient in this debut was the rise of Waters and Gilmour as forces in the band and their unique perspectives.
Country Joe & The Fish
2/5
A psychedelic rock band that does little to separate themselves from their contemporaries. This effort is fine, but has little staying power or impact beyond the initial listen.
Miles Davis
4/5
This album is a perfect encapsulation of what makes Miles Davis work. There is a base of experimental jazz that is always in danger of a loud trumpet crashing through it to refocus all attention on it.
My Bloody Valentine
3/5
You can see the fingerprints of the Smiths and British New Wave all over this album. Other than having a terrible mix for vocals, it is a fairly creative and ground-breaking album for 1988 in that it laid a foundation for even darker and harder music to follow -- Goth / Emo.
Chicago
2/5
1969 brought us a lot of great music that was both ground-breaking but also timeless; then there's Chicago. I may be missing something here, but the album is fairly uninspired and treads the line of 70's rock and big brass bands without excelling in either. As far as an influence in the decade to come, that would be notable if the decade by and large wasn't so bereft of quality music.
Anita Baker
3/5
R&B music sung by a powerful voice, this album sits along side of its contemporaries in Tina Turner, Sade, Whitney Houston & others. Unfortunately, Baker doesn't display the same range or creativity that these others do. As a result, while solid, this album comes up short when compared to classics.
The Undertones
3/5
As a prime example of more approachable punk music that would lay a template for future pop-punk and ska revivals. The Undertones even bring in covers of classic stand-by's, a hallmark of the genre.
Tom Waits
2/5
No one can argue about Waits lyrical chops, but his voice can sometimes leave something to be desired. This album is hell-bent on having him sing in a more aggressive and almost spoken word format that does little to welcome the listener in. Which is a dissappointment given his more sullen and quiet efforts throughout his career. Instead it sounds like a homeless man singing on the street.
The Offspring
4/5
This album has a driving and biting sound that helped push and draw in new audiences to the 90's punk / alternative scene. With several larger singles, even the B-sides are solid.
Solange
4/5
This is a strong album from Solange, who emerged as her own force receiving critical praise and attention with this outing. Her voice soars and eases the listener into a smooth experience.
Heaven 17
2/5
Heaven 17 experiment with 80's synth pop in an effort that almost feels like a summation of the musical movement. Unfortunately, they fail to capture any of the pop magic of other contemporaries when it comes to catchy ear worms.
3/5
On the surface this album appears to be just another 80's synth pop record, and one that isn't terribly unique at that. However, this album has larger musical themes and an almost operatic approach with overarching movements and refrains of previous songs. While this may have brought others around to this concept, it sadly is still built on weaker musicianship.
Metallica
4/5
A truly unique experience and an audacious effort. Metallica spent time rearranging their music to flow with a symphony and the result is a triumph of what two musical styles can be.
Steve Winwood
3/5
With this album, Winwood explores a more flowing and relaxed sound. That sound is still of course present in his other works and even his pop hits, but this is a more refined and smoother sound - full lean into it.
Sugar
3/5
Noise rock that fits the early 90's almost to a T. With that said, it feels more mainstream and less inventive when compared to the efforts from Sonic Youth and others.
Venom
3/5
What became synonymous with the Black Metal genre, this album shows the transition point from Hard Rock and Metal to a darker side.
The Magnetic Fields
3/5
An ambitious effort to have 69 actual love songs in an album, but as with anything less can be more. In this case, it would be more quality and less bloat. Some of these songs are genuinely good, but given the presentation of them in a long list, it's hard for any one to stand out among the crowd.
John Lee Hooker
4/5
Authentic Blues that is somehow stripped away while still having larger supporting instrumentation. Hooker asserts himself as a mainstay within the genre, and delivers an album worthy of his legacy.
Blur
3/5
This album lacks some of the frantic pace from other blur records, but instead offers a more experimental sound. Almost as if it was serving as a concept album itself, Albarn gets some practice before his entire concept group, the Gorillaz to come.
Billie Holiday
4/5
If for some reason there was ever any question about the power of Holiday's voice this record floats in like one of her sultry songs. Harkening back to the golden-age of big bands and jazz singers, it is easy to see what sets her apart as a timeless voice.
Joni Mitchell
3/5
This album would be at home in s a small coffee house as it settles into the background with its subtle arrangements and lyrics. Despite its tone, the lyrics ache with the sadness of the singer.
Belle & Sebastian
4/5
Chamber Pop at its finest. Belle & Sebastian show why they have been putting out music for years with some of their highest quality in a sweet and pleasant release.
The Who
3/5
A unique album from the Who, where they are still new enough and don't have the cache to go too far from the mainstream sound on every track. There are more harmonizing than one would expect, but it shows where the group would eventually explore.
The Yardbirds
3/5
What would serve as a foundational work for the genre of rock as a whole, Roger the Engineer shows a lasting impact with several iconic tracks. That being said, the length of any current releases for it makes it difficult to truly gauge its experience as an album.
Orange Juice
3/5
Orange Juice manages to blend British Pop with a touch of ska in this more fleshed out effort. By doing so they have effectively laid a foundation for several genres to follow.
Santana
4/5
This album highlights Santana as a solo act (still with his band), but without a parading group of featured artists. His iconic guitar soars as several of his more memorable tracks emerge from this record, in a much more polished effort from his debut.
Louis Prima
4/5
Louis Prima uses his vocal command to weave a catchy record with an easy beat. It seems that this record begins to bridge the dinner club / big band era toward the next stage of being a jazz singer.
Tim Buckley
3/5
Buckley brings a blend of Soul, R&B, Rock, and Folk all into one unique album. This record welcomes you and invites you to experience something new and refreshing. Although it lacks any major ear worms, it is a notable effort that warrants deeper listening.
Beastie Boys
3/5
As far as sophomore albums go, this is a strong one. The Beastie Boys continue their heavy sample based tracks, quick rhymes, and further established their voice. If you were going to boil down the hip hop movement of this time, this would album would be a notable talking point.
Pearl Jam
4/5
This album helped Pearl Jam find their voice and take the grunge genre mainstream. While this album leans more towards Rock and Nirvana's efforts toward Alternative, this album is loaded with attention to detail and groundbreaking subject matter. This ground-breaking effort has proven to be a lasting force.
Paul McCartney and Wings
3/5
This album starts off so strong; three memorable and iconic tracks. But, it loses its way as much of McCartney's solo works do. Dare I say he had too much "yes" men and weed around him to keep things concise.
Laibach
2/5
German Metal, but with a touch of the decade (80's) it came from. A very unique death metal approach, with what would be a major influence on European metal of the future.
Bruce Springsteen
4/5
In this album Springsteen begins his courtship with Americana at large. There are still the intricate lyrical ballads telling about the common-man experience, but they now have some twang in some parts. Pairing this with multiple singles and stand out tracks including the often misinterpreted "Born in the USA". This album shines as a solid entry although not his best.
Queen Latifah
2/5
This album has all the dressings of early 90's hip-hop and proves groundbreaking for establishing the tone of the genre - especially as a female MC. That being said, the album lacks any major tracks that stick with you past the listening experience.
Lenny Kravitz
2/5
While I can find arguments to listen to debut albums for different groups, it's a bit harder with certain acts. One of which is Lenny Kravitz. His mainstream success has been paramount to his appeal and this album is lacking any true single. That being said, we are left with a solid album of B-side level tracks for when he hones his songwriting.
Led Zeppelin
5/5
This album has so many iconic songs that pioneered the path for future artists in the genre. Zeppelin still focuses on shorter hard rock songs here, with loud jams and tight lyrics. This record is unbelievably polished showing their musicianship in every facet of the group.
Crosby, Stills, Nash & Young
4/5
An undoubtedly strong album from the Crosby, Stills, Nash & Young era (probably the strongest from this line-up) that shows classic harmonizing vocals and soft-hearted lyrics. This album is the ideal short and sweet listen.
Soft Cell
2/5
Arguably Soft Cells best songs are on this debut album. Both of which are riffs or covers off existing songs that they helped make mainstream genre defining tracks. While this new sound may be notable, they didn't push the genre too much and really just made a path for more mediocre bands to follow. The true innovators were still to come, but I doubt they would credit Soft Cell as their inspiration.
Willie Nelson
4/5
Willie displays his characteristic crooning and soft, easy listening music in this album of both originals and standbys. It is a perfectly enjoyable and succinct experience that highlights his style and why he is so revered across genres.
Orbital
3/5
Orbital has been a major influencer in the British Electronica movement and genre, and this album shows a much more atmospheric approach to the genre. Intermixed with vocals and what sounds like taped conversations, the album flows into a delightful background of cacophony and noise. Unlike other groups of their era, this one feels content to dip toes into the industrial sounds without going completely in, but also stays away from any major attempt at singles.
Lou Reed
4/5
Seminal work from a rock and alternative pioneer. Reed explores New York City through the lens of a lyricist and archivist as he encapsulates the time and city, free from Velvet Underground. It is amazing how timeless all of his work is, but this stands out as among his best.
Depeche Mode
3/5
In what is one of their most impactful works, Depeche Mode helps innovate a darker side of Electronic Music. The lyrics are haunting while the melodies push the genre into new areas, but the length of several tracks and grooves leave something to be desired though.
Julian Cope
3/5
Cope crafts a unique sound that blends electric, world, rock, and spoken word into a powerful album. It is a very long journey and album though, and it could have benefitted from some more selective track listings.
Megadeth
3/5
While not my go-to genre, it is hard to argue with the musicianship and skill that are on display in this album. Megadeth has swooping melodies and solos as they play hard and fast in an album that shows why they are held in such high regard among Metalheads. The weakest part is the vocals, which lack any sort of bite - especially in comparison to Metallica, the spawning group for Megadeth.
Van Morrison
4/5
Van Morrison is at some of his most soulful and polished on this album that has some of his most lauded tracks. Smooth and serene the ballads go from deep longing to everyday love.
3/5
A seminal live album from a rock innovator for hard rock and punk. MC5 is showing off their merits and impact in this album which shows the speed and frenzy they brought to the mainstream.
Belle & Sebastian
4/5
Showing off their prowess for sweet, bedroom/chamber pop Belle & Sebastian have one of their strongest albums in "If You're Feeling Sinister". Lyrically, the songs go from sweet, innocent stories to the melancholy with deftness and aplomb. While not as produced as future records, this album puts the focus squarely on the music and ambience.
The Incredible String Band
2/5
Acoustic with flutes and sitars. What starts off as good lyrics, quickly loses any luster and becomes a drone. Add it to the list of early psychedelic rock that wasn't good enough to transcend a brief trend.
Billy Joel
4/5
Joel offers arguably his most complete album for the masses. By avoiding typical levels of corn and silliness, Joel has several iconic slow, ballad songs that leave to a worthy listen. The final two tracks aren’t close to the quality of the rest, but it doesn’t hold down the effort back too much.
Michael Jackson
5/5
It is easy to see why this album is held in such regard in the music industry. It is full of chart-topping tracks and hugely influential deep tracks that influenced multiple genres from Rock to Rap through sampling. This album may be the most complete of Jackson's career.
Derek & The Dominos
4/5
Clapton may be a terrible person, but his best qualities are on display in this album as he pines for another man's wife. This album has all of the hallmarks that would become synonymous with Clapton's sound - blues, sweeping guitar solos, and beautiful harmonies. It is a strong candidate for his strongest work as an artist and the production story behind it is fascinating.
Coldplay
4/5
As far as debut albums go, few get the same level of reach and impact as Parachutes which defined the sound of early 2000's alternative rock. In retrospect, the stripped away not as hyper-produced sound really allows the musical skills and vocal talents to be on display for this group.
Alice In Chains
3/5
A strong sophmore album from one of the main architects of 90's grunge. The songs have a visceral tone and rhythm anchored by charged vocals from Layne Staley. Although it moves the genre forward, there aren't any major singles that really stick with you as a listener, and those that do are among the final tracks.
Sigur Rós
3/5
This album is truly an experience, one that flows from sentimental ballads to sweeping orchestral movements. It is hard not to get emotionally moved as these songs are both melancholic and beautiful - it also doesn't hurt that they've been used in many films and shows. That being said, the album can be a little meandering and some brevity could improve its digestibility.
4/5
It is funny what they consider a bootleg, but this live concert was very well recorded and displayed a lot of Dylan's songs immediately following his shift to electric guitar. This milestone and its importance cannot be understated for its impact on music, and the music on this album serve as a prime example as to why Dylan is so highly regarded.
Muddy Waters
4/5
If you wanted a glimpse into what a popular Blues concert was like, while the artist was still young and at their height of popularity look no further. Muddy Waters croons and sings with an energy and magnetism that make it easy to understand how the genre was so popular, and why his voice is such a big part of it and so timeless.
Mariah Carey
2/5
Mariah is showing off her vocal range in this atmospheric R&B album that is touched with Gospel and Rap. The most lasting thing about this album though is the fascination she has with butterflies. Otherwise, even the leading tracks don't reach the same heights as other singles of hers.
Missy Elliott
4/5
Missy is able to achieve the rare feat of having hit singles and solid supporting tacks in a strong album. In addition to having her most popular song "Work It", Missy frequently touches on current events and her mourning of contemporary Aaliyah. This album is a good blend of Rap and R&B while having multiple asides a staple of future mix tapes.
Faith No More
3/5
This album was groundbreaking for it's blend of new alternative rock and the blend of metal; making it emblematic of the album. That being said, it is still limited by weaker supporting tracks outside of two lead singles and a Black Sabbath cover.
Jane's Addiction
3/5
This is the group's most notable album and really cemented their sound and influence on the rock / punk / alternative genre as a whole. Despite it's unique sound the staying power of the group and their continued influence is up for debate. The longest-lasting result from this was the Lollapalooza Festivals.
Yes
3/5
A seminal album from an often overlooked and underappreciated group from the late 60's / early 70's rock hay day. This album has notable tracks and singles, as well as strong B-Sides. The most impressive part is the length, it is short and sweet and doesn't overstay its welcome in the slightest, making it an album that begs for multiple listenings.
Laura Nyro
3/5
This is a perfect example of an artist that deserves to be on this list based on her musical impact and influence on many artists to come. Nyro manages to balance smooth, soulful voices with cutting lyrics of loss and missing. Her crooning is on great display as she makes an album highlighting her unique range and sound.
The Zombies
5/5
The oft-forgotten British Invasion band, The Zombies, reach their height with this album. The usage of stereo mixing, the short catchy rhythms, and vocal harmonies layer together for a truly great listening experience. The group had many worthwhile albums and tracks, but this is clearly their most polished and impactful.
Supergrass
3/5
Supergrass harkens back to the British Invasion and Mod scene with I Should Coco. It is a solid album with notable tracks and "Alright" has a stay in the cultural scene that most bands would be envious of.
Brian Eno
3/5
Eno shows off his production skills in this smooth and inventive album. Despite not having a timeless single, the album flows so smoothly with smaller syncopations and artistic flourishes that blend so well with his poetic lyrics.
Grandmaster Flash & The Furious Five
3/5
The influence and impact this single record from Grandmaster Flash has had on Hip Hop and Rap is incredible. The samples Flash uses alone are used in so many modern songs proving his inventiveness with making catchy beats and hooks. The Furious Five also serve as one of the more atypical, but very talented MC Crews of this golden age of early hip hop.
Wild Beasts
2/5
This album is fine, and I appreciate that it is a more recent record, but that doesn't mean it is worthy of its place. While largely forgettable tracks, this is a prime example of indie, but with a British Bias for its "spectacularness".
Nas
4/5
As far as debut albums go, there are few more iconic and impactful Rap albums. Nas' lyrics and flow are smooth, simple, and restrained in a way that you understand his journey and views that got him to this point. All while showcasing the potential that would make him a figure for the industry moving forward.
The Doors
4/5
The Doors achieve some of their most notable and impactful tracks in this album, and truly set their trajectory as a group. Morrison's gristle and erratic temperament is measured in this album as he sings with a polish and focus.
The Everly Brothers
3/5
The story of the Everly Brothers is largely tied to their tremendous impact on their musical era and the proliferation of their style. While not as polished or innovative as the acts that would follow, it would be hard to envision the Beatles, Beach Boys, the Yardbirds and many more without this group's impact.
Bruce Springsteen
4/5
Springsteen holds his own in this memorable album. It has several iconic tracks from the eponymous "Darkness on the Edge of Town", to "Prove It All Night", "Promised Land", and "Badlands". What isn't explored is his beginning motifs of Americana themes and inner-contemplative melancholy. This album is a solid recommendation for folks, although not his highest water mark.
The Gun Club
3/5
Emblematic of the LA Punk Scene, Fire of Love has a lot of songs that wouldn't be out of place in a Tony Hawk game. I mean that in the best way possible. Enjoy these quick beats with a Blues undertone as fun tracks for causing mischief to.
Badly Drawn Boy
3/5
This album has a gentle, easiness as it unfolds into a thoughtful singer-songwriter effort. What may be lacking from a larger group effort isn't missed as this easily serves as a contemplative work; ideal for a cool morning.
Cheap Trick
3/5
The story behind this album and the impact it had on this band's success is so interesting. While it has a level of energy and excitement that isn't entirely uncommon for a live album, it is notable for the fact that it is coming from a largely unknown and not mainstream band at the time. I guess they were "big in Japan" after all.
Beck
3/5
This album showed the public that "Loser" wasn't going to be the last they heard from Beck. Showing the same inventiveness as his earlier albums, Beck also manages to create a cohesive album experience and experiment with some of his other notable musical stylings such as the harmonica and screeching distortions.
Iron Butterfly
3/5
This is a quintessential album for understanding the early psychedelic movement. While it can offer insight into the times as a whole, the unique usage and embrace of organ would help normalize this sound for countless other groups and contemporaries.
Public Enemy
3/5
Flavor FLAV!!! This album has a swag and level of menace that may be overlooked, but it really shouldn't be. Aside from the OG Hype Man spitting some great bars, this album has a lot to say on the state of the urban community at this point in time.
The Jam
3/5
This album hits the notes of a working class English band of the era in a tightly produced package. There are sweeping guitars mixed with fast-paced drums and a level of snarl that sets it apart. While not the most notable band, this is a great distillation of the era.
Bob Dylan
4/5
Dylan uses Electric and Acoustic sounds to flesh out this record with the same wordsmith and protest songs of his earlier years. This slice of Americana has multiple notable tracks, but also a solid supporting cast. It could be argued that this is one of his bigger albums, but with a catalog as deep as his, it is a matter for debate.
Ananda Shankar
3/5
Ananda Shankar brings a taste of mainstream to their world music on this effort. With many contemporary songs it is a useful reminder of how connected India and the mysticism movement was to the era and Rock music.
The War On Drugs
4/5
This album is a blend of easy listening and hardcore rock stylings. In addition to thriving as a live group, but also as an experimental venture this group has the lyrical and musical prowess to soar beyond one genre or mood.
The Specials
4/5
This album really laid a strong foundation for the Ska and Skuffle genres while embracing the changing environment around them. This seminal record has solid wear for not only the singles, but the deeper tracks as well, and is infused with the energy that would make The Specials a lasting pioneer group.
Incubus
4/5
This album is full of highs and lows, as Incubus not only achieved their biggest radio hit single, but also had several middling tracks. This album though does show the musicianship and ability that this group can offer, even when the output is inconsistent.
Milton Nascimento
3/5
A more contemplative Bossa Nova record that skirts the edges of a smooth jazz upbeat sound and instead focuses on the more sensitive notes and message. I'm sure if one were able to speak Portuguese the lyrics would match the advanced orchaestration and elevate the meaning even further.
Nick Cave & The Bad Seeds
3/5
With a deep debt to Lou Reed, Cave tells stories of despair and longing as he aspires to find a greater purpose on this record. The stories are both personal, but also fictitious of singers long gone. While it isn't necessarily complex, the lyrics and tone don't need much ornamentation as Cave's deep voice carries the efforts through.
Dizzee Rascal
2/5
Dizzee certainly has flow, but if we are discussing the actual relevance and staying power outside of this particular inflection point, I feel like the argument for him begins to fall apart. For a very small and myopic point this brand of British Rap was very prevalent, but it is hardly noteworthy at this point or much worth revisiting. Instead we get an occasionally grating debut album that shows skill, but very little polish.
Screaming Trees
3/5
I'm not trying to be hyper-critical here, but I don't know why this album is in the list of 1001 Albums to Listen To Before You Die. I know it's a high number of albums, but this record is just fine. It isn't bad, but it's also not great and sounds like most every Grunge / Early Alternative Album of the era, and it wasn't the first of its kind either. After reading about the album and group, it's interesting, but hardly remarkable.
Pet Shop Boys
3/5
The Pet Shop Boys dive into New-Wave Electronica and Synth Pop on this album that is very much a product of its time. If you are looking for an example of British Radio Electronica of the Late 80s / Early 90s then look no further than Behaviour. The most lacking part of the album is that is lacking any major single or lasting ear worm.
Can
3/5
This album hits a lot of notes for a Prog Rock effort. Long, sweeping melodies with minimal lyrics that almost approach a Jam Band level of improvisation. Where this album deviates though is that it embraces some of the newer electronic elements that weren't quite as common at the time, making Psychedelia a major piece of this.
Stevie Wonder
4/5
Wonder marries some of his more radio-friendly pop songs with his smooth R&B tones in this light and easy listening effort. While this doesn't reach some of his higher marks of his career, as an album-listening experience, the way tracks flow is a delight. Also from a production standpoint, the way the tones, organ, and funk grooves bounce around the speakers and creates a truly exciting an auditory experience.
Joy Division
3/5
Joy Division sets a dark tone that would become synonymous with the New Wave genre. The blend of gothic themes with electronic beats, synths, and strumming guitars that would be their calling card stand out. While not their most complete album from a mainstream standpoint, this album has an artistic element that their other may be lacking. It is impressive how much they accomplished in two albums.
Roxy Music
4/5
A quintessential Glam Rock and Art Rock group that had a hugely impactful debut album. This album has a lot going for it from the inventiveness of the orchestration to the surprisingly thoughtful lyrics. Roxy Music gets it right out of the gate and sets up their future impact in the process.
Eagles
2/5
It tends to be floated around that Bruce Springsteen and Bob Dylan are better as songwriters than musicians, and their songs are notably better when performed by other artists. In my opinion, this can't be further from the truth. Meanwhile, the Eagles exemplify this concept to a T. As a band they are dull and boring with very little offered from their voices or musicianship. That being said, they are able to craft very nice melodies and decent lyrics which is highlighted in this album. Although, I guarantee I would be able to find better versions of each of these songs. Apparently, I may be in the minority with this opinion, but other than some solid early tracks, this album doesn't do too much with insightful subject matter or even good songs.
Goldfrapp
2/5
The dreamy and flowy melodies from Goldfrapp show off her range as a vocalist. That being said, the songs are largely a blur and none really stan d out from the rest in a notable way. All of the orchestration and production has resulted in a great product, but not one that should be considered essential.
Khaled
3/5
Khaled has a unique sound that truly gives credence to his credentials as not only a Bollywood star, but that of a global artist. This album has a lot going for it, including an amazing cover of "Imagine", but it is still held back by my lack of understanding the language.
Wire
4/5
This British Punk debut is notable not only for the sounds, but the style. Fast, peppy songs where it isn't out of place to have those sub-minute thrashers. This set up future artists, and exemplified the musical movement as more than the commercial Clash.
The Avalanches
4/5
The Avalanches found a unique sound that helped Electronica find the mainstream with future artists. It is fascinating that now, years later, they are beginning to get the recognition they deserve. Sampling not only older R&B tracks, but using different drum and orchestration pieces in a multi-layered album, it is easy to forget just how innovative this was because it set the tone for the genre.
X-Ray Spex
3/5
Setting the stage for a generation of female punk groups to come, X-Ray Spex finds a unique tone that doesn't rely on quick thrash tracks. The next evolution of Runaways, but with the British tinge.
Elvis Costello
3/5
This album is a short pop jaunt into Costello's world. It features biting lyrics, punk and ska influences, as well as notable hooks. The key track being Allison, which showcases Costello's ability to write a timeless love song.
The Cure
4/5
With a spattering of gothic melancholy and a healthy dose of New Wave, the Cure manage to make one of their more complete albums. Playing host to not only the darker melodies of want and sadness, this is also home to several of their larger songs and radio-friendly hits. While pushing the genre and innovating music the Cure were able to make their own path with albums like this.
The Beau Brummels
3/5
This album is a fine piece of Americana and an example of folk rock as the transition to greater electric and psychedelia began to make its way into the genre. The foundation it establishes for this movement is notable but was largely overshadowed by the music it would inspire than its own merits.
Buck Owens
4/5
A quintassential album for old-school country and the general boot-scooting, honkey tonk sound that defined the early mainstream acceptance of this music. Owens uses his personality to come off as personable, relatable, but also memorable as he sets the mood and scene around his "experience". Owens sold this image and marketed it to the masses, leading to the genre and identity that so many future generations followed.
The Velvet Underground
4/5
It is hard to put into words the monumental impact that Velvet Underground had on music, rock, and art. Emerging from the New York Punk scene, underground tapped into Lou Reed's lyrics and artistic vision to make not only important music, but push what could be considered music.
The Smiths
4/5
A quintassential album from a group that brought their melancholic melodies and lyrics to the mainstream as they pushed early Alternative music. The usage of mixing and creative reverbs give a timeless appeal as Morrisey croons against the jangling guitars. Similar to the Cure, the lyrics don't match the musical tones, but as a result we are left with a warm and inviting experience.
Nitin Sawhney
2/5
This album is close to an experimental one with a very obvious anti-nuclear warfare message. That being said, it oscillates from being inventive world music to experimental electronic, to utter nonsense. While it is a bit of fresh air, it's nothing that sticks with you as the listener.
Röyksopp
2/5
Electronic background music, simple as that. There is one notable track, but nothing too crazy to write home about. Like other entries on this list, this is a definite example of a British/European perspective. While fine, it is hard to label this as an "album to listen to before you die".
Van Morrison
4/5
A contemplative album from Morrison that ventures into Jazz and Soul rather than his more recognizable rock tunes. This only further heightens his range as a writer and composer though, as he has multiple singles and classics as he muses and works through an album of longing.
David Bowie
3/5
Bowie's final studio album muses over life and legacy, all in a neatly produced record with computer beats and synths. While this may not be his most lasting album, it is hard to not acknowledge its artistic merits. The decidedly darker tone begs repeat listens to fully appreciate and digest.
Run-D.M.C.
3/5
Oozing with swagger and a certain attitude bringing a harder tone and sound to Hip Hop than most other artists of the era. You can see the influences from Grandmaster Flash, but also the early roots of Rap MC's. The call and response shown by the group (not just Run & DMC, but also Jam Master Jay on the tables) laid a route for future artists while bringing authenticity from their roots to the mainstream.
My Bloody Valentine
3/5
Atmospheric and experimental, this album is less intimidating than the band name would suggest. m b v does an excellent job of blending art rock and darker tones of an EMO and Goth genre.
Taylor Swift
4/5
Emerging from her Pandemic Indie album Folklore, Swift finds a line between Pop, Folk, and Indie in this record. While not her greatest album, it's a seminal piece that shows just another era of music and styles that she can boast as one she's conquered. With deeper, more cutting lyrics than she may have used in the past Swift sets a tone of mature themes and heartbreak that just isn't a catchy break-up song after catch break-up song.
Bruce Springsteen
3/5
A more stripped away Springsteen album that embraces Americana even more than his E-Street efforts. This album fully displays his lyrical prowess, but doesn't have any major mass appeal hits. In their stead, we are left with stories of life, poor choices, and missed opportunities and the lessons they leave behind.
Bob Dylan
3/5
An easy album that leans into the Blues for a later Dylan effort. The steady strumming and throbbing beat help propel this album, but his lyrics aren't quite as insightful as his other works. The absence of excessive harmonica may make this record more approachable though.
The Jesus And Mary Chain
3/5
Atmospheric Rock music clearly inspired by the Velvet Underground and New Wave music. While not the most original or unique sound, it is a valid representation of the genre and style.
ZZ Top
3/5
What is probably their most iconic album, ZZ Top made a name for themselves with their take on Texas Rock and Blues. While the lyrics ooze with subtle misogyny the speed and musicianship hold their own and are the shining part of this. This may be mainstream Top 40 for their catalogs, but it is often what people think of for this band, despite their deep catalog.
Everything But The Girl
3/5
An album that didn't get its fair shine at its release, "Idlewild" deserves a bit more time and consideration. With smooth vocals and more modern beats, it is a sign of music that would come and be even more popular coming from other artists.
Ray Charles
4/5
Charles plays crooning ballads and standby's on this album highlighting his more soulful side. While it may be lacking some of his more quick-paced songs, it is still a solid representation of him as an artist that created a catalog of love songs that would stay in the collective consciousness for years.
Led Zeppelin
4/5
An iconic album that showed even more depth and extended jam ability from one of rock's most iconic groups. With the longer tracks like "Kashmir", "In My Time of Dying", and "In The Light" we begin to see the evolution and growth of Led Zeppelin from shorter more rock forward pieces.
Beatles
5/5
Following the subtle experimentation from Rubber Soul by dipping a whole foot in the water for Revolver, the Beatles begin to lay the foundation for Sgt. Pepper's on this album. While Pepper's may be their most "musically ambitious" record, Revolver may be one of their more enduring. Featuring several iconic Harrison tracks, orchestrations, and some of their most enduring hits this album makes a strong case for one of the bands best.
Buddy Holly & The Crickets
3/5
It's hard to state just how impactful Holly was with bringing a genre to the mainstream, even if his music is largely simplistic by modern standards. This light and quick record features fast pop songs that have a slight touch of Black music in the "more digestible" package of a white man with thick glasses. The real tragedy is not being able to see where Holly would have gone with his music career.
David Bowie
4/5
A hugely impactful and iconic album that sees Bowie start with stellar opening tracks before moving toward a contemplative B-Side. The catchiness of the songs can't escape the melancholy of the lyrics, but the result is an amazing blend of music.
2/5
A blend of Samba and Electronic, New Wave, World Music - this album is a varied experience with a cacophony of unique rhythms and sounds. While there isn't anything too memorable or remarkable, this album and entry are fine if you are into this type of music.
Les Rythmes Digitales
3/5
This is fairly generic Discothèque music, but it does credit to show just how influential the French have been with this genre. While it isn't the biggest task to find more influential artists, the samples and subtle impact this album has given to music is pretty astounding.
Nitty Gritty Dirt Band
3/5
This album celebrates Americana, Blue Grass, and Early Country Music. The picking and grinning is great and shows off why this group would be performing at the Opry. That being said, it is an acquired taste that may alienate a large part of the audience, despite being an excellent example of this genre.
Bob Dylan
4/5
A powerful album that blends the protest songs from earlier in his career with the musings and touch of electric music of his later career. Dylan has iconic tracks in a tight album that flows with his lyrics, harmonica, and musical flow.
Leftfield
3/5
Innovators of the Chillwave genre that shows not only an influence from world music, but also the lengths any track and groove can go. These extended jams and tones can oscillate from soundscapes, relaxation, and larger peppy tunes. It is easy to see why this group had been approached for Soundtrack work.
Various Artists
4/5
The Wall of Sound led to some timeless music full of orchestration and richness that must've been so rare at the time. In 1963, Phil Spector was still cutting his teeth with this concept, but he was able to blend it with some of his Motown connections resulting in more than a few timeless holiday classics.
Tori Amos
3/5
What would turn into a hugely inspiring piece for future artists, Tori Amos finds herself with an all-around solid outing. While there isn't anything terribly ground-breaking, it is easy to see her composition, singing and other stylistic choices emulated by other artists notably in Fiona Apple's latest offering.
George Michael
3/5
This record may contain some of George Michael's most notable solo songs, but as an entire album it is a bit more uneven of an experience. While it leads off with three of his biggest songs, notably "Faith" and "Father Figure", the rest of the album begins to fade in impact and creativity. This reminds me of the all too common practice of having only two or so singles on a CD, and spreading out the better tracks across future albums as that was the music industry at the time. It worked when CDs were like $10.00, but it does leave a more plodding experience in the rest of the album.
Ice T
3/5
It is too easy to forget how Ice T got his start and rather focus on his turn as an actor and spokesperson, but this album stands with its contemporaries of early 90's Rap. There are several tracks that seem to go on a bit too long, but those are often offset by quality intro skits and creative beats on the next track.
Pentangle
3/5
Have you ever wanted to rock out at the Renaissance Fair? Well Pentangle and this album are here for you! This album highlights some amazing musicianship and instrumental skills, but the singing, lyrics, and subject matters make this album less accessible. Simply put, Peasant Songs for the Peasant Tops.
Queen
3/5
A largely pedantic album that happens to hold two notable commercial successes ("Bohemian Rhapsody" & "You're My Best Friend"), leaving the story behind the album's creation to be one of the more interesting pieces. Emerging from their lawsuit and with new managment, Queen shows the musicianship and creativity in this album that would ensure their future place among iconic groups. While a half-hearted concept album, it is truly elevated by Rhapsody and otherwise is largely forgettable.
Dexys Midnight Runners
3/5
This album was a pleasant surprise, with more than just the one iconic "Come On Eileen" to offer a listener. While it has several high notes and songs, the larger album is still of a time and not terribly amazing or worth revisiting. However, big shout out for the great "Jackie Wilson Said" cover.
Burning Spear
3/5
Burning Spear holds a special place in the Reggae genre with his roots in the scene when the music began to attract larger reach. This album ties directly into the larger political message of the Rasta movement and experience of the Jamaican people, rather than the commercialized appeal. This authentic self leads to the meshing with the concept and what people think of with Reggae music in broader circles.
Primal Scream
3/5
Certainly an influential album, Screamadelica brought the Alternative Rock and mixed it with Acid House and Techno. In what can be describedas a "vibe" for its era as a drug album, we can see it's impact on the era. What it lacks in depth, it makes up for in general swagger and what it meant for bringing dance music of the early 90s to a wider audience.
Keith Jarrett
3/5
While Jarrett is an accomplished pianist, his work with other Jazz innovators and groups stand out more than his solo work. As a pianist myself, it is difficult to see where Jarrett is actually flowing along his pieces or strictly vibing out which leads to a lot of circular movements that would be amazing with any other instrumental accompaniment. While this is a great piece, it doesn't set a new elevated bar for modern piano.
Bad Brains
3/5
Bad Brains is a unique hardcore punk band that has a lot of unique history. This album highlights their unique forays into other genres as they tried Reggae and harder Metal sounds, but it doesn't stand out from the rest of their discography. Instead it makes you want some of the more genre specific Punk records where they are at their best.
Adele
4/5
While not necessarily my musical taste, it is hard to deny the vocal powerhouse that is Adele. This record has so many notable tracks that its impact is still felt in pop culture and the staying power of these songs. Given the increasing gaps between releases it seems as though we will be left with these tracks a bit longer than with other artists, but that's not necessarily a bad thing.
Motörhead
2/5
As far as Metal goes, Motorhead has a special place as their impact on aesthetics and attitude have transcended more than mainstream Pop/Hair Metal. That being said, this album has only one major breakthrough hit "Ace of Spades" with several homogeneous filler tracks that don't necessarily elevate or push any boundaries. While that isn't a bad thing, it does hold the effort back.
The The
4/5
This album has a bigger impact and sound than it has warrant to. Soul Mining contains The The's biggest hit, but also encapsulates the feeling and era they were in with it's unique blend of synths and modern new wave music with traditional musical stylings. To reduce it to one song takes away from the overall movement of the album.
Joni Mitchell
3/5
Joni Mitchell's smooth voice leads to an easy listen as record settles into an easy cadence flitting from tone and depth with each track. That being said, there isn't anyone iconic piece instead we are left with a perfectly fine album, just lacking in any pizazz.
Franz Ferdinand
2/5
This album has a similar tone throughout its runtime and aside from the notable "Take Me Out" it doesn't offer much staying power. While that may sound harsh, that shouldn't take away from the jangle rock and mainstream audience this was able to find.
Love
2/5
Aside from "Seven and Seven Is", this album is largely even with contemporaries and doesn't stand out. The notable thing from Love is that they were a racially integrated band when that was and still is far too uncommon.
The Flaming Lips
4/5
Does an Psychedelic Art Rock band from Oklahoma making a mainstream, college-radio album make it any less great? The short answer, no. This album has several iconic tracks, a solid orchestration, and a unique flow from track to track. A solid album that deserves to be in the discussion of one of the best for the band, despite it's wider audience and success.
Prince
4/5
This album has several songs that made it into the mainstream, but the whole of it is another great effort from Prince. Oozing with the "Minnesota Funk" sound he helped pioneer and sexual undertones, this album does hold a special place in his catalog.
John Martyn
2/5
A conventional acoustic album that doesn't do much to reinvent the wheel, but instead focuses on noodling on different hooks and music motifs. Overall, this is easy listening personified, but there is no sticking power with the music or lyrics.
Dire Straits
4/5
This album is arguably the band's most impactful and certainly greatest commercial success. Showing a range for easy melodies as well as timeless pop hits, this album is diverse and a strong one.
Radiohead
5/5
Arguably one of the group's greatest albums, that blends both thoughtful lyrics with experimental musicianship. Yourke's voice fines a lovely croon and balance with the spiraling guitars. This is an essential record for all those interested in more modern rock music.
Os Mutantes
3/5
Taking on an underappreciated role, Os Mutantes brought the sounds of the 60s from England and the US to Brazil. Echoing contemporaries, this album shows the reach of the musical genre and the unique blend of the sounds with the Brazilian culture and tones.
Linkin Park
3/5
I am not one for Nu Metal and the general vibes of Linkin Park, that being said this album is fairly iconic and it is warranted. The unique blend of dark lyrics and themes with unique instrumentation makes it a stand out and among the bands biggest outings. It will be interesting to see the staying power of this album as time progresses, but for its main audience of devotees, it is clear it will become that mainstay.
Simon & Garfunkel
4/5
It is impressive how impactful this record is when it comes in at just under a half hour. This blend of artistic experimentation and folk roots the album has not only several "big" songs ("Mrs. Robinson", "America") but also more gentle B-tracks like the "Bookends Theme". It's not the group's greatest effort, but it's a sign of what was to come and any band would welcome into their discography.
Taylor Swift
5/5
You can say there are some lulls or dips to this album, or just write it off because of the artist behind it, but that would be a mistake. As a Pop album, this is one of the greatest albums out there. It may lack in depth, but the heartbreak and joy of dealing with this catchy pop songs soars to incredible heights and is one of the biggest reasons that Taylor Swift is at the current level of fame she is at.
Simply Red
2/5
An example of 80s British Soul - Pop that is bound to the constraints of the genre. While a gifted singer, it isn't enough to make up for the largely uninspired lyrics and lack of uniqueness. Overall, this sounds like so many other artists of the era and unless it was sentimental, it can stay in the past.
Frank Sinatra
3/5
In one of his earliest albums Sinatra manages to cement himself as an iconic voice with his command and tenor. His easy crooning make it that much more inviting as you sink into the experience of smooth instrumentations and sweeping lyrics punctuated by something truly sincere in his voice.
The Hives
3/5
The Hives have some of their more memorable songs on this early album, but unlike other efforts this one leans more into their Punk influences. While not as polished as some of their other albums, it's refreshing to see this garage punk speed that may not be part of their typical offerings.
Stevie Wonder
4/5
With this effort Wonder is a bit more contemplative and has several larger story tracks and sounds where a deeper message can be found. By maintaining his backing tracks of conventional love and soul tracks Wonder is able to make a unique experience that shows his abilities at things other than making cute ear worms.
Peter Gabriel
3/5
For an artist as accomplished as Gabriel it is interesting to see his first solo effort come with such an iconic song like "Solsbury Hill". Quite often artists will have one "in the chamber" ready to release to start their career, but it is more telling that it is the sole major hit from this album. Instead we have more musically diverse B-sides and experimental songs which show the future inventiveness he would bring to his solo career.
Rod Stewart
3/5
If you enjoy Rod Stewart, you will enjoy this effort as his solo debut. That being said, it doesn't have some of the polish that his more "staying" and iconic songs hold in later efforts.
The Cars
4/5
This album is a perfect distillation of the early Synth-wave that would become synonymous with the turn of the decade from the 70's to the 80's. What is more impressive is the sheer number of timeless songs from this single album, when there are only 3 tracks that have under 6M Spotify Streams you are clearly doing something right. While not the most provocative lyrically, this album boasts some inventive riffs and ear-worms.
David Bowie
4/5
As David Bowie evolved and grew as an artist, it is fairly easy to draw lines within his music of eras and styles. This later Bowie album has the raw emphasis and sullen tone that was common throughout his later albums. It is beautiful in it's lyrics and tones, but does lack the flavor and fun of earlier efforts, but with it's tightly produced nature that may not be a bad thing.
OutKast
4/5
This album marked the most mainstream Outkast effort up to this point, by building off the underground success of ATLiens. Boasting some of their biggest commercial hits at time of release, this album also hosted notable B-sides and lyrically heavy tracks. Stankonia not only exemplifies the ATL rap movement at the time, but also highlights the heights it could achieve.
Coldplay
3/5
While not as visceral as their debut album (Parachutes) this effort sees Coldplay continue to explore their more sensitive and "mellow side". While no one could ever say they were dark, the subject matter and music style has shifted from angst and longing to sadness and general relationship confusion.
Pixies
4/5
This may be the Pixies' greatest album as it holds multiple major tracks in their catalog. Coming in at a perfectly paced and bite-size album it reaches some of the groups heights, but doesn't show their ground-breaking edge.