2/5 I hate to be a party pooper, but I found "Chirping Crickets" by Buddy Holly & The Crickets to be a bit of a snoozefest. Sure, the album is considered a classic and has been influential in the development of rock and roll, but to my ears, it just sounds sleepy and boring. The songs are all pretty much the same, with a slow tempo and a twangy guitar sound that never seems to change. The lyrics are simple and repetitive, with nothing particularly interesting or thought-provoking to say. I found myself nodding off halfway through the album and struggling to stay awake until the end. Even the upbeat tracks, like "That'll Be the Day," fail to get me excited or energized. The production is flat and uninspired, with no real dynamic range or interesting textures to grab my attention. I know that "Chirping Crickets" is considered a landmark album in the history of rock and roll, and that many people hold it in high regard. But for me, it just doesn't do anything. It's like a warm glass of milk - it might be comforting to some, but for me, it just puts me to sleep. If you're a die-hard fan of classic rock and roll and are looking for an album to add to your collection, then by all means, give "Chirping Crickets" a listen. But if you're looking for something with a bit more energy and excitement, you might want to look elsewhere.

Starts out with the hits before transitioning into more deep cuts. Good dad rock vibes, considered hard rock proto-punk when it was released but seems pretty tame these days

Great album, grungy feel, upbeat

Great R&B tracks, soulful, subtly profound lyrics

Sombre, powerful baritone voice

Starts off with a quick instrumental track and gives movie soundtrack vibes. The rest is a mix of what I would call power ballads and some heavier classic metal tracks I normally struggle to get in to metal but this is one I could see myself coming back to. Have to be honest and say I hadn't spent a lot of time with Metallica prior to this so I can't really comment on whether the symphony enhances the original tracks or not

Starts off with a massive hit and then gets more folky and truthfully a little sleepy

Good Times is a classic disco track and after that the album is fine but nothing special

A fun listen, very groovy

Not Abba's most known album but still a good time. I believe only one track from this record made it into Mamma Mia

Good classic rock, nothing spectacular

I've loved RHCP for a long time and this is one of my favourites. All around great album

Good hard sound, makes me wanna fuck around a skate park (I don't skate). I can definitely see the influence on newer punk, grunge and hardcore bands and I appreciate it

Good album but didn't feel it was anything spectacular. Wasn't familiar with Buckley's tragic story before this, it's a shame he didn't get the chance to make more music

Solid punk album all around

Like many other reviewers I skipped over these guys previously thinking it was just more emo whining Little did I know they set the stage for some of the best modern shoegaze I've seen and heard Really enjoyed the album and will be coming back to it for sure

Yeah this album slaps.

Not bad but also just ok

I can see the creativity of the album and how it may have landed itself on this list but not really for me

Bad dude, decent for a Christmas album

Average Brit pop. Not bad but nothing in particular stood out

Sheryl Crow is an icon

A little too twangy for my taste but I still enjoyed it

Not sure I'd heard of this band prior to this project, maybe they didn't have as much reach in North America as over in Britain. I enjoyed the album but I don't really see how it was influential or significant in any way. Sounds pretty similar to the other 80's BritPop albums that made the list 3/5

Highly recommend listening with headphones because the spatial effects are just awesome Groovy, good vibes

Ah Depeche Mode.... quintessential synth-pop of the 80's. Stoked to see this one come up today and discovered a few deeper cuts I didn't know before 4/5

Iconic, profound, great folk rock

Really enjoyed this one. Maybe it's because I just got a Bob Dylan record yesterday, so I was already primed for the folk. I like the way this one clips along, there are quite a few tracks I would probably add to a roadtrip playlist

Normally not a huge fan of metal but I was pleasantly surprised by this. There wasn't too much indiscernable screaming so I could still appreciate the skilled guitar 3/5

Very swooney and crooney, the orchestra sounds were nice 2/5

A new one for me and I really enjoyed it!

Neil Young is a folk rock classic who will surely never die

Only knew maybe one song from this album previously but it was definitely my vibe! Wonderful instrumentals and profound vocals

5/5 big into the gothic vocals and subdued punk sound

Never heard of this before or any other Brazilian psychedelic for that matter. What a fun listen! 4/5

I was obviously aware of the Smiths before this (who isn't?), though I had never really done much research on the band or Morrissey specifically (most of the drama happened before my time) and.... wow. I can understand why the reviews on this album are so polarizing. I will try to separate the art from the artist for the purposes of this project. So... I really enjoyed the record. Unique vocals, intricate yet subtle guitar, and a very influential style.

Soulful, fun. Lots of long guitar riffs that transport me to a blues bar with a live band Janis Joplin’s voice kind of sounds like Marge Simpson and I’m not mad about it

Pretty mellow, a little sleepy at times. Mostly instrumental, didn't really do anything for me 2/5

Thoroughly enjoyed this one, and had never heard of X-Ray Spex before. The Saxophone is an awesome addition that gives it more of a Ska feel. 4/5

Excellent flow between the first tracks Love the xylophone-like sounds on Venus as a Boy Really talented range from electronic dance tracks to lullabies to pop rock staples The anchor song- what a way to finish

Definitely the 60’s, slightly Beatles vibes Would not say this took me to the fifth dimension, maybe with the help of whatever drugs the band I could get there

Didn't enjoy the droning at time Some tracks leaned a little more on the rock side and reminded me of the Tragically Hip who were forming in Canada the same year as this release Not as enjoyable as some of the other new wave records on this list

Really enjoyable latin mambo album Found the tracks all kind of blurred into one but this may be my unfamiliarity with the genre and dialect

A scrappy and unique collection of songs. I enjoyed listening but wouldn't say it's something I'll be reaching for in the future. I hadn't really heard this one before but I could see how it was popular early pandemic and lost some of it's appeal afterwards. Kinda like Bo Burnham Inside. Reading the reviews makes me feel like such an ignorant music fan as I honestly cannot tell that this was produced by at home by an amateur in garageband. Certainly better than I could do

beats, bears, battlestar galactica Top notch samples

I'm a sucker for a good folk album and this is no exception The record is varied, heartfelt and rockin' 4/5

This was a chill listen, the improv style made me feel like I was in a jazz bar somewhere

Riot Grrrls do it better, hands down

Wouldn't say I hated it, and it did have potential, but overall just sounds like Fred Durst had some unresolved mommy issues and was angry at the world, with a bit too much time on his hands. 2/5

I'll admit I was only introduced to 90's hiphop in the last 5 years so my ignorance is still quite real The beats on this one hit hard with even more powerful lyrics. Would listen again 4/5

At first I thought thought this might have some interesting orchestral arrangements but then it just... kind of fell flat. Don't think I'll be going back to this one anytime soon Split did catch my attention as the first one that had a bit of energy and some back and forth reminiscent of a musical soundtrack 2/5

Pretty monotonous, except for the weird muted falsetto, which was still boring. 2/5

Frank Sinatra's voice is so soothing and peaceful and the harmonies by Jobim only make this more enjoyable than the solo work I was familiar with

This album was alright but not great. Many of the albums on this list from the 60's are starting to sound the same to me. The generator seems to want me to learn more about Neil Young and the various groups he was a part of

This album is all over the freaking place and I loved that about it. So many absurd songs. Sounded like something King Gizzard and the Lizard Wizard could have come up with 4/5

Feels like I've been on a pretty meh album run lately so I was SO stoked to see this one come up. I knew some of the tracks but not all, and hearing it all brought together made for a pleasant listening experience! I've definitely spent more time with Josh Tillman (Father John Misty)'s solo works than his Fleet Foxes contributions but I see some similarities in the folk choir sounds - which I love. 5/5

An awesome Monday record from the generator! This collection of songs feels intimate and raw while still reaping the benefits of some electric amplifications and sounds. It was heavy and yet also light. A great mix of originals and covers. Will for sure be coming back to this one 5/5

Really enjoyed this one! A pleasing combination of grungy female vocals and rock instrumentals. Can definitely sense some of Courtney Love's hurt trying to escape through her lyrics Had only heard "Celebrity Skin" before - thank you generator for unlocking the rest of the record for me!

I just cannot get into these crooners from the 60's. Felt like this album was trying to sing me to sleep but not in a nice lullaby kind of way. What is even going on in the last song and how do you pronounce that title?! The album cover kind of creeps me out a bit if I'm being honest. 2/5

The beats of new wave but with the grunginess of post-punk, delightful Angels of Deception was a fav

Really did not think this was an enjoyable album. I dabble in country and always love rock but this didn’t hit either of those spots for me. Too slow, too empty sounding I did enjoy the live track on the album, but the recorded versions had none of the same energy

RIP Chester Bennington I listened to so many of these tracks when I was a young emo kid and they still hit right in the gut Loved the mixing of rock and rap styles 4/5

Didn't really vibe with this one. The vocals weren't that good in my opinion I get that there was supposed to be some profound meaning in these Murder Ballads but it was entirely lost on me The Curse of Millhaven was kind of fun 2/5

Before listening my colleague said Tori Amos reminded her of Fiona Apple and I definitely see the similarities as did many other reviewers Dynamic female vocals with understated piano accompaniments that shine at just the right moments I respect the diversion from the typical pop sounds of the 90's and the road that was paved for many indie artists today 4/5

This album was groovy and fun. So many hits! Rounding up because the track with Bryan Adams at the end was chef's kiss 3.5/5

Nice reggae album, sadly I wasn't smoking a big fat doob while I was listening As a Canadian I hope Peter Tosh would be pleased to know we have legalized it, though we still have a long way to go in terms of reparations, research and pardoning crimes of course

I just found this album outright weird. The vocals from Ferry are so theatrical to the point where it distracts from anything else going on

Yesss I love Aerosmith The energy The harmonies The rounds The rock WALK THIS WAY A blues song?! Sweet sweet emotion 5/5

Opened with a track that’s super popular right now, a few meaningless but fun songs after that which had me thinking I might not mind this album Then it got weird, did not enjoy: And dream of sheep, waking witch, jig of life I suppose that might be a metaphor for life, and in the end, the album ends 3/5

It’s got some quality punk messages but also bs PETA agenda thrown in as the title track, because well… Morrissey is a pompous ass and he sings like one too. Reeeeally likes hearing the sound of his voice repeating the same tones over and over again 4/5 I got the Queen is Dead a few dozen albums ago and I recall enjoying that one a fair bit more

Yep I liked this. Good acoustic/ folk-y sounds Didn’t have any of the Van Morrison hits I was familiar with and I was happy to discover these tracks 4/5

I got Fetch the Boltcutters not too long ago and I definitely enjoyed this one more Really liked Shadowboxer 4/4

Finally a band from the 60’s that didn’t sound like a bunch of common cunt crooners I liked the folk and blues sounds, felt like we were trotting along Some really weird and fun stuff happening here Favourite tracks: Abba Zaba and Plastic Factory 3.5/5 - rounded down

Some interesting covers await you, dear listener. Johnny Cash has a voice that will forever be distinguishable and the emotions transcend the music

I didn't know what to expect going into this and I was pleasantly surprised! They definitely brought the funk Albeit a little too long (both the album and some individual tracks)

This album didn't impress me much; it was enjoyable as background music but nothing in particular stood out

Would say this is more on the folk rock side, maybe even teasing at some early Ska. A very interesting take on punk music for sure. Patti Smith is joining the National on their upcoming tour which is very curious indeed

Powerful lyrics that truly make me feel like I was on the road with her Props to the other reviewers that pointed out the road head on the cover because I never would have noticed Can't wait for the generator to flip me some more Joni 5/5

I was pretty underwhelmed on my first listen but by round 2 is started to impress me. The guitar riffs are very talented and diverse I decided to let Notion AI try to write an album review and here are the (surprisingly successful) results: Television's debut album, Marquee Moon, is a timeless masterpiece that has influenced countless musicians over the past four decades since its release in 1977. The album features intricate guitar work, poetic lyrics, and a unique blend of punk, art rock, and psychedelia that set it apart from other records of its time. The title track, "Marquee Moon," is a 10-minute epic that showcases the band's technical prowess and innovative songwriting. With its interlocking guitar riffs and atmospheric solos, the song takes the listener on a journey through various moods and emotions. "See No Evil" and "Friction" are other standout tracks, with their driving rhythms and catchy hooks. One of the album's strengths is the contrast between Tom Verlaine's and Richard Lloyd's guitar styles. Verlaine's playing is more intricate and melodic, while Lloyd's is more aggressive and muscular. The two guitarists complement each other perfectly, creating a sound that is both cerebral and visceral. Lyrically, the album deals with themes of alienation, disillusionment, and the search for meaning in a chaotic world. Verlaine's cryptic lyrics and delivery add to the album's mystique, leaving room for interpretation and reflection. In conclusion, Marquee Moon is a groundbreaking album that has stood the test of time. Its influence can be heard in the music of bands like Sonic Youth, The Strokes, and Interpol. If you're a fan of guitar-driven rock and roll, this album is a must-listen.

3/5 a little too much electronica for my tastes AI Review: Heaven 17's debut album, Penthouse and Pavement, is a synth-pop masterpiece that was released in 1981. The album features a unique blend of electronic and funk elements, with catchy melodies and socially conscious lyrics. The opening track, "We Don't Need This Fascist Groove Thang," is a political statement that criticizes the rise of far-right politics in the early 1980s. The song's infectious beat and catchy chorus make it a standout track that still resonates today. Other standout tracks include "Penthouse and Pavement," "Let's All Make a Bomb," and "Play to Win." These songs showcase the band's ability to blend electronic and funk elements seamlessly, creating a sound that is both danceable and thought-provoking. One of the album's strengths is the contrast between Glenn Gregory's smooth vocals and Martyn Ware and Ian Craig Marsh's electronic instrumentation. The combination of these elements creates a sound that is both futuristic and timeless. Lyrically, the album deals with themes of capitalism, consumerism, and the dehumanizing effects of technology. The album's message is still relevant today, with its critique of the excesses of the modern world. In conclusion, Penthouse and Pavement is a classic album that still sounds fresh and relevant today. Its influence can be heard in the music of many contemporary electronic and pop artists. If you're a fan of synth-pop or electronic music, this album is a must-listen.

This is type of good album that can be enjoyed in many different contexts and allow the listener to pick up on the layers of the music I enjoy a healthy dose of shoegaze to the earbagels 4/5

Heart of Gold and Old Man are essential listening A Man Needs a Maid should have been left in the previous century, never to emerge again 4/5

Q-Tip's second solo album, The Renaissance, is a hip-hop classic that was released in 2008. The album features Q-Tip's signature smooth flow and soulful production, with a focus on positive, uplifting themes. The opening track, "Johnny Is Dead," sets the tone for the rest of the album with its infectious beat and catchy chorus. Other standout tracks include "Gettin' Up," "ManWomanBoogie," and "Life Is Better," which showcase Q-Tip's ability to create soulful, groove-driven hip-hop. One of the album's strengths is Q-Tip's production, which blends classic hip-hop samples with live instrumentation and modern production techniques. The result is a sound that is both nostalgic and fresh, paying tribute to the golden age of hip-hop while pushing the genre forward. Lyrically, the album deals with themes of love, positivity, and self-improvement. Q-Tip's lyrics are often introspective and personal, reflecting on his own experiences and emotions. In conclusion, The Renaissance is a classic hip-hop album that still sounds fresh and relevant today. Its influence can be heard in the music of many contemporary hip-hop artists. If you're a fan of soulful, positive hip-hop, this album is a must-listen.

I feel like I'm a bit biased because Pearl Jam is my boss' favourite band of all time so I get a lot of them already on our Spotify blend One of the album's strengths is the interplay between the musicians, which creates a sound that is both raw and polished. Guitarist Mike McCready's solos are a particular highlight, adding a sense of urgency and intensity to the songs. Lyrically, the album deals with themes of alienation, loneliness, and the search for identity. Vedder's lyrics are often deeply personal and introspective, reflecting on his own experiences and emotions. In conclusion, Ten is a classic album that helped to define the sound of grunge and alternative rock in the early 1990s. Its influence can be heard in the music of many contemporary rock bands. If you're a fan of emotionally charged rock music, this album is a must-listen.

Pearl Jam and The Jam on back to back days lol thank you dear generator 3/5

As far as instrumental records go, this one is definitely.... interesting. SO many different sounds and styles happening Not really my vibe but I can appreciate how challenging it must have been to record and produce the record 2/5

The way I was stoked to hear this one today daayyuummmm Such a powerful narrative, incredible collaborators, beats and samples Cannot wait to see him at Bonnaroo in June

Not really digging this... most likely because I don't speak a lick of German and also I don't usually like metal all that much I would give it a 1 based on personal tastes but I'm sure that's mostly ignorance and so it gets a pity 2 from me

Strongly reminds me of Andy Shauf whom I love Calming but also emotional music Skillfully able to balance sadness with hopefulness 4.5/5

An AI wrote this: Come Find Yourself is the debut album by the alternative hip-hop group Fun Lovin' Criminals, released in 1996. The album features a unique blend of hip-hop, rock, and funk elements, with catchy hooks and witty lyrics. The opening track, "The Fun Lovin' Criminal," sets the tone for the rest of the album with its laid-back groove and humorous lyrics. Other standout tracks include "Scooby Snacks," "King of New York," and "Smoke 'Em," which showcase the band's ability to blend different genres seamlessly. One of the album's strengths is the interplay between the musicians, which creates a sound that is both tight and loose at the same time. Guitarist Fast's riffs and drummer Steve's beats provide a solid foundation for singer Huey's rhymes, creating a sound that is both funky and energetic. Lyrically, the album deals with themes of urban life, crime, and social commentary. Huey's lyrics are often humorous and tongue-in-cheek, with references to pop culture and current events. In conclusion, Come Find Yourself is a classic album that still sounds fresh and relevant today. Its influence can be heard in the music of many contemporary hip-hop and rock bands. If you're a fan of genre-bending music with a sense of humor, this album is a must-listen. 3.5/5

A groovy banjo good time Have known and enjoyed this one for a long time

Pretty decent album, though it seems because of label influences, the hit single got placed first on the tracklist and everyone forgot about all the other songs. 3.5/5

I am loving the rap/ hiphop education I'm getting through this project, but I definitely feel there are some exemplary albums from the genre that have aged a bit better than this one. 3/5

The way this album started off I thought it was going to be a fun 90's record but boy did it drop off quickly. Nothing really stood out to me This led me to discover that Grant Lee Bishop was the troubadour in Gilmore Girls and turns out he was in the show a LOT and completely unmemorable 3/5

The generator gave me this album on a day when I'm working from a cafe and it was just perfect. Listened to it on repeat several times and it flowed very nicely. Nothing particularly memorable which is exactly how it was intended. 4/5

This album exudes bad bitch energy Could see this being performed in an intimate back room somewhere and I would likely enjoy it but I doubt I'll be revisiting this album anytime soon

This was a fine album but none of the tracks particularly stood out to me. Long album full of short songs. I wondered at first if minute length songs was some kind of bit

Couldn't possibly say anything negative about the boss. Thoroughly enjoyed this album - hadn't heard much of it before.

This album is a lesson in rockin' hard and strumming quick. I knew almost all of these tracks and really enjoyed the full playthrough Unbelievable guitar solo on Eruption

Excellent classic album, blends together rock, country, folk and blues masterfully

My 2nd album by the boss this week. Some deep cuts on this one that I wasn't familiar with, very sombre, emotional

I saw UB40 at a festival in 2015 and they sounds pretty much how I remember. Decent background music but probably not something I would choose to actively listen to. 3/5 because I have a soft spot for the punk agenda

Boy does Adele have an incredible voice, truly meant for ballads like this. This topped the charts over a decade ago and she sounds even better on her more recent releases

Yes! What an excellent Saturday album. Bopped along to this while chugging a cup of yorkshire tea - black. A masterpiece 5/5

Idk this one was pretty out there I'd have to be in a pretty weird mood to want to listen to this again Found Debut by Bjork which I got as album #39 to be a lot more accessible

This album was so fun! I can definitely hear the inspiration for some of my favourite indie rock bands today

What a phenomenal example of 80s/90s Pop. Madonna is a Queen and an icon and I will fight anyone who says otherwise The fact that she's still blazing the trail decades later is nothing short of incredible

An enjoyable ambient jazz album 3/5

I've gotten a couple of Bjork albums thus far and they've been a bit too eclectic for my tastes BUT I really enjoyed this! 4/5

An enjoyable record with some hints of folk, rock, country and alternative. Didn’t necessarily agree with folks saying it’s too long but I also have the benefit of a lot of listening time on my hands Would like to get more familiar with Wilco

Pretty dope beats Funky Fresh

Don't know that I would call this music, it was really just unpleasant noise. There was literally a drill noise at one point. The first one on this list I was physically unable to finish

I've never gotten super into Radiohead but I have been impressed by what they do and I enjoyed this album. Hopefully I will get more from this artist soon 4/5

For something titled "John Barleycore Must Die" this is not at all what I was expecting. Mostly just blended in to the background 3/5

Didn't hit quite as hard as Toys in the Attic but still a dope rock album. Big Aerosmith guy. 4.5/5

Some fine southern rock. I can hear all the current day bands they influenced like The Sheepdogs

The tracks on this album were decent but I really didn't need all the excessive live jamming that just went on for way too long. Not sure exactly why this is included on the list considering the summary literally describes how the band didn't want to do this but their Japanese label thought it would be good for publicity... talk about selling out. 2.5/5

2.5/5 Had to listen to it twice to even notice what was playing

Bluesy indeed

There were some funky times, there were some rockin' times 3.5/5

Super emotional, sad inspiration for the album, but talented musicianship

Solsbury Hill is a banger

Respect for what TLC did for women in music and especially R&B The whole album just exudes a horny teenage energy Waterfalls is iconic 3.5/5

Jazzy cooooooooool 3.5/5

Sounds like this guy smokes 10 packs a day

This had all the elements of an album I would be into but I just... wasn't I think it sounded too corny like an over the top dive bar battle of the bands 2.5/5

A couple of bangers and some typical debut album trying-to-define-their-sound growing pains 3.5/5

Funky disco pop from the king of pop himself, what more is there to say

This one was ok, at time the sax solos stood out, but it was mostly unmemorable Appreciated that it was fairly short 2.5/5

4/5 "Qui sème le vent récolte le tempo" is an iconic album by the French rapper MC Solaar, which was released in 1991. It is widely regarded as one of the most influential hip-hop albums in France and has helped establish the genre in the country. The album features MC Solaar's signature blend of smooth, jazzy beats with intricate lyrics that explore social and political issues. Tracks like "Caroline" and "Bouge de là" have become classics in French rap and have been covered and sampled by many artists. MC Solaar's unique flow and wordplay are showcased throughout the album, with tracks like "Victime de la mode" and "Tempo mort" demonstrating his skillful use of language and metaphors. What sets "Qui sème le vent récolte le tempo" apart from other rap albums is its musicality. The production is top-notch, with live instruments and intricate samples creating a rich tapestry of sound that complements MC Solaar's lyrics perfectly. Overall, "Qui sème le vent récolte le tempo" is a timeless album that has stood the test of time. It is a must-listen for anyone interested in French rap and hip-hop music in general. MC Solaar's talent as a rapper and lyricist, combined with the album's musicality and social commentary, make it a true masterpiece.

4.5/5 Fulfillingness' First Finale" is a masterpiece by the legendary musician Stevie Wonder, released in 1974. This album is a testament to Wonder's musical genius and his ability to blend different genres of music to create a unique and unforgettable sound. The album's opening track, "Smile Please," sets the tone for the rest of the album with its infectious groove and positive message. Each song on the album explores a different theme, from love and relationships to social and political issues. Tracks like "Too Shy to Say" and "It Ain't No Use" showcase Wonder's soulful and emotive voice, while "You Haven't Done Nothin'" is a powerful political anthem that addresses corruption and injustice in the government. Wonder's use of multiple instruments and electronic effects is impressive, creating a rich and dynamic sound that has become a trademark of his music. The album's production is flawless, with each instrument and sound fitting seamlessly into each song. One of the standout tracks on the album is "Boogie On Reggae Woman," which features a funky bass line and reggae-inspired rhythm that make it a dancefloor classic. "Creepin'" is another memorable track that showcases Wonder's skill as a pianist and his ability to create a dreamy, almost otherworldly atmosphere. Overall, "Fulfillingness' First Finale" is a true masterpiece and one of Stevie Wonder's greatest works. It is a testament to his creativity, talent, and ability to create music that speaks to the heart and soul of his listeners. If you are a fan of soul, funk, or R&B music, this album is a must-listen

Get ready to kick back and party like it's 1995 because Supergrass' debut album "I Should Coco" is an absolute riot! These lads from Oxfordshire know how to rock out and have a good time, and they're not afraid to show it. From the opening track "I'd Like to Know" to the infectious hit "Alright," this album is packed with catchy riffs, upbeat rhythms, and hilarious lyrics that will have you singing and dancing along in no time. The energy of the album is contagious, and you can't help but get swept up in the good vibes. The tongue-in-cheek humor is a standout feature of the album, with tracks like "Strange Ones" and "Mansize Rooster" showcasing the band's wit and playful spirit. Even the album title itself, "I Should Coco," is a slang term that roughly translates to "I should think so!" It's a nod to the band's irreverent attitude and carefree approach to life. But don't be fooled by the humor - Supergrass is a talented band that knows how to write a killer tune. "Caught by the Fuzz" is a standout track that tells the story of lead singer Gaz Coombes' run-in with the police as a teenager, while "She's So Loose" is a rollicking anthem that showcases the band's tight musicianship and Coombes' powerful vocals. Overall, "I Should Coco" is a fun and infectious album that will leave you feeling energized and ready to take on the world. It's a must-listen for anyone who loves rock music, catchy hooks, and a good laugh. So grab a pint, crank up the volume, and let Supergrass take you on a wild ride!

Ali Farka Touré's "Savane" is a beautiful album that showcases the intricate guitar work and soulful singing that is characteristic of West African music. Touré's guitar playing is impressive, and the rhythms and melodies of the songs are enchanting. The album takes the listener on a journey through the savannahs of Mali, with songs that evoke the vastness of the landscape and the spirit of the people who live there. The title track, "Savane," is a standout, with its haunting melody and Touré's emotive singing. The album also features collaborations with other musicians, including Toumani Diabaté, who adds his virtuoso kora playing to the mix. The result is a rich and layered sound that is both soothing and invigorating. One of the things that stands out about "Savane" is its authenticity. Touré was deeply connected to his Malian roots, and his music reflects that connection. The album feels like a genuine expression of his identity and culture, rather than a watered-down version of African music tailored to Western audiences. Overall, "Savane" is a wonderful album that is both musically and culturally rich. It's a great introduction to West African music for those who are new to the genre and a must-listen for anyone who appreciates the beauty and power of African music.

2/5 I hate to be a party pooper, but I found "Chirping Crickets" by Buddy Holly & The Crickets to be a bit of a snoozefest. Sure, the album is considered a classic and has been influential in the development of rock and roll, but to my ears, it just sounds sleepy and boring. The songs are all pretty much the same, with a slow tempo and a twangy guitar sound that never seems to change. The lyrics are simple and repetitive, with nothing particularly interesting or thought-provoking to say. I found myself nodding off halfway through the album and struggling to stay awake until the end. Even the upbeat tracks, like "That'll Be the Day," fail to get me excited or energized. The production is flat and uninspired, with no real dynamic range or interesting textures to grab my attention. I know that "Chirping Crickets" is considered a landmark album in the history of rock and roll, and that many people hold it in high regard. But for me, it just doesn't do anything. It's like a warm glass of milk - it might be comforting to some, but for me, it just puts me to sleep. If you're a die-hard fan of classic rock and roll and are looking for an album to add to your collection, then by all means, give "Chirping Crickets" a listen. But if you're looking for something with a bit more energy and excitement, you might want to look elsewhere.

"The Bends" by Radiohead is a solid album that showcases the band's incredible musicianship and knack for writing powerful, emotionally resonant songs. While it's not perfect, I would give it a 4 out of 5 rating. The album opens with the explosive "Planet Telex," which sets the tone for what's to come - a collection of songs that are both introspective and explosive. "Fake Plastic Trees" and "High and Dry" are both beautiful ballads that highlight Thom Yorke's unique vocal style and the band's ability to create lush, atmospheric arrangements. But it's the more upbeat tracks that really shine on "The Bends." "Just" is a frenetic rocker with a catchy chorus that will have you singing along, while "My Iron Lung" is a moody anthem that showcases the band's gift for building tension and releasing it in explosive bursts. The production on the album is top-notch, with Nigel Godrich's clean, crisp sound helping to bring out the best in the band's performances. The only drawback is that some of the songs can start to sound a bit samey after a while - there's a certain sameness to the guitar-heavy arrangements that can make the album feel a bit repetitive. Overall, "The Bends" is a great album that showcases Radiohead's strengths as a band. While it may not be as groundbreaking or experimental as some of their later work, it's a testament to the power of solid songwriting and tight musicianship. If you're a fan of alternative rock or just appreciate great songcraft, then "The Bends" is definitely worth a listen.

Awww yeah this one was groovy and awesome. Guitar was pure genius

"Freak Out!" by The Mothers of Invention is an album that leaves me feeling a bit underwhelmed. While it has its moments, overall I would give it a 2.5 out of 5 rating. To me, The Mothers of Invention sound like a poor man's Beatles knock-off, with their whimsical lyrics, catchy melodies, and psychedelic soundscapes. While I appreciate the effort that went into creating a concept album that explores themes of rebellion and counterculture, I can't help but feel like the execution falls flat. The album is a mishmash of different styles and sounds, with everything from doo-wop to avant-garde jazz thrown into the mix. While this eclecticism can be interesting at times, it often feels disjointed and unfocused. The production is also a bit rough around the edges, with some of the songs sounding thin and tinny. While this may have been intentional on the part of the band, it doesn't do much to enhance the listening experience. All that being said, there are a few standout tracks on the album. "Trouble Every Day" is a searing indictment of racism and police brutality that still resonates today, while "Hungry Freaks, Daddy" is a catchy, satirical romp that pokes fun at conformist culture. Overall, I would recommend "Freak Out!" to die-hard fans of 1960s psychedelic rock, but for casual listeners, there are better albums out there to explore. While The Mothers of Invention may have been influential in their day, their sound and style haven't aged particularly well, and their songwriting leaves a bit to be desired.

"Bad" by Michael Jackson is a decent album, but it falls short of the brilliance of "Thriller." While there are some standout tracks on the album, overall I would give it a 3 out of 5 rating. To be fair, "Bad" had some big shoes to fill, coming on the heels of one of the best-selling albums of all time. While there are moments of brilliance, like the funky title track and the uplifting "Man in the Mirror," there are also a few forgettable tracks that don't quite measure up. The production on the album is solid, with Quincy Jones once again lending his talents to create a polished, radio-friendly sound. The instrumentation is tight, with a mix of synths, guitars, and horns that gives the album a distinctive '80s pop sound. Despite these strengths, there are a few things that hold "Bad" back. For one thing, the album is a bit bloated, with 11 tracks that feel a bit repetitive at times. Additionally, while Jackson's vocals are as impressive as ever, there's a certain sameness to his delivery that can make some of the songs blur together. Comparing "Bad" to "Thriller" is inevitable, and unfortunately, "Bad" falls short in a few key areas. While "Thriller" was a masterpiece of pop craftsmanship, "Bad" feels more like a collection of catchy but forgettable singles. That being said, for fans of Michael Jackson or '80s pop in general, "Bad" is still worth a listen - just don't expect it to live up to the hype of its predecessor.

"Slayed?" by Slade is an album that truly lives up to its name - it's a raucous, energetic, and downright fun rock and roll romp that had me tapping my feet from start to finish. Overall, I would give it a solid 4 out of 5 rating. One of the standout features of the album is the band's infectious energy. From the opening track "How D'You Ride" to the closing "The Whole World's Goin' Crazee," Slade's raw, unbridled enthusiasm is palpable. The songs are catchy and memorable, with singalong choruses and earworm riffs that will stay in your head long after the album is over. Another strength of "Slayed?" is the band's musicianship. The members of Slade are skilled musicians, and they showcase their talents throughout the album. There's some impressive guitar work on tracks like "The Bangin' Man," while "Look at Last Nite" features a driving drum beat that propels the song forward. One of the things that sets "Slayed?" apart from other rock albums of the era is the band's sense of humor. From the tongue-in-cheek lyrics of "Mama Weer All Crazee Now" to the irreverent cover art, Slade doesn't take themselves too seriously. This lightheartedness adds to the album's overall charm and makes it a joy to listen to. If I had to nitpick, I would say that there are a few tracks on the album that don't quite measure up to the rest. "Gudbuy T'Jane" and "I Won't Let It 'Appen Agen" are both decent songs, but they lack the same spark of some of the album's other tracks. Overall, "Slayed?" by Slade is a fantastic rock and roll album that still holds up today. With its catchy hooks, driving beats, and irreverent sense of humor, it's a true classic of the genre. Whether you're a longtime fan or a newcomer to the band's music, "Slayed?" is definitely worth a listen.

"Odelay" by Beck is an album that defies easy categorization. It's a mishmash of different styles and genres, blending elements of rock, hip hop, folk, and electronic music to create a sound that's uniquely Beck. Overall, I would give the album a solid 4 out of 5 rating. One of the strengths of "Odelay" is Beck's ability to blend seemingly disparate elements into a cohesive whole. Tracks like "Devils Haircut" and "The New Pollution" are built on funky guitar riffs and catchy beats, while "Jack-Ass" and "Sissyneck" have a more laid-back, country-tinged vibe. Throughout it all, Beck's distinctive vocals tie everything together. The production on the album is top-notch, with Beck working with a team of talented musicians and producers to create a sound that's both polished and raw. The album is full of interesting sonic textures, with elements like scratchy vinyl samples and distorted guitar riffs adding depth and complexity to the songs. Lyrically, "Odelay" is a bit of a mixed bag. Some of the tracks, like "The New Pollution" and "Where It's At," are full of clever wordplay and cultural references, while others are more straightforward. However, even the more simplistic lyrics are delivered with enough energy and conviction to keep things interesting. If I had to nitpick, I would say that there are a few tracks on the album that don't quite measure up to the rest. "High 5 (Rock the Catskills)" and "Readymade" are both decent songs, but they lack the same spark of some of the album's other tracks. Overall, "Odelay" is a fantastic album that showcases Beck's unique talents as a songwriter, musician, and producer. Its eclectic mix of styles and sounds make it a true standout in the world of '90s alternative music. If you're a fan of Beck or just looking for something a bit different, "Odelay" is definitely worth a listen.

I do enjoy the Flaming Lips from time to time, but as someone who has heard a fair bit of them over the years, I feel like most of their tracks blend together. I would call them Psych-pop lite

It's giving underground disco meets punk and I dig it

Yeah this is a pretty decent soul album with some well-known singles but I’m only ~ 140 albums into this project and I’ve already heard more moving examples of 80s soul

It's A Shame About Ray by The Lemonheads is a classic alternative rock album that has stood the test of time. Released in 1992, the album features some of the band's most iconic songs and has influenced countless artists since its release. Overall, I would give this album a 3.5 out of 5 rating. One of the standout tracks on the album is the title track, "It's A Shame About Ray." The catchy guitar riff and Evan Dando's unique vocals make this song an instant classic. Another standout track is "My Drug Buddy," which features a stripped-down, acoustic sound that perfectly complements the song's melancholy lyrics. Other notable tracks on the album include "Alison's Starting to Happen," "Rudderless," and "Bit Part." The Lemonheads showcase their versatility with these songs, exploring different tempos and moods while still maintaining a cohesive sound throughout the album. The only downside to the album is that some of the tracks feel a bit repetitive at times, especially the remastered version on Spotify. While the songs are all strong individually, listening to the album straight through can become a bit monotonous. However, this is a minor criticism in an otherwise great album. Overall, It's A Shame About Ray is a must-listen for fans of alternative rock. The Lemonheads' unique sound and Evan Dando's songwriting make this album a standout in the genre. While it may not be perfect, the album's strengths far outweigh its weaknesses, and it remains a classic of its time.

This album slaps. Yes I am incredibly white.

Kind of a weird one, bit too eclectic for my tastes

I'm sure there are a lot of other slimey white men on this list but this one in particular is very bothersome because his music isn't even that good!!

I remember seeing the Ray movie a few years back and thinking it was pretty magnificent what he was able to do 60+ years ago. Big saxy sound, played with feeling

Couldn’t really get into it. I didn’t feel any sort of narrative was being told, no distinguishable parts. It was intriguing at times but it was no more than background music for me

Destroyer by KISS is an album that undeniably carries the iconic rock 'n' roll spirit of the band. Released in 1976, it is often regarded as one of their most popular and commercially successful albums. However, as someone who has listened to it and found it to be a bit generic, I would give it a modest rating of 3.5 out of 5. The album kicks off with the explosive anthem "Detroit Rock City," which immediately sets the tone for what's to come. The track showcases the energetic guitar riffs and powerful vocals that KISS is known for. Similarly, "Shout It Out Loud" and "God of Thunder" deliver on the band's signature bombastic sound, with catchy hooks and memorable choruses. While these songs undoubtedly capture the essence of KISS, they also contribute to the album's generic feel. The formulaic song structures and predictable lyrics often follow the tried-and-tested rock conventions of the era, leaving little room for innovation or experimentation. As a result, some tracks blend together and fail to leave a lasting impression. One standout moment on the album is the ballad "Beth," which showcases a softer and more vulnerable side of KISS. The heartfelt piano-driven track offers a refreshing change of pace and displays the band's ability to evoke emotion beyond their hard-rock image. Additionally, "Flaming Youth" and "King of the Night Time World" inject some energy and excitement into the album with their driving rhythms and infectious hooks. These songs provide moments of enjoyment and showcase the band's undeniable talent. While Destroyer has its moments, it falls short in terms of overall originality and memorable songwriting. The album leans heavily on the established KISS formula, which may satisfy die-hard fans but could leave some craving more artistic depth and innovation.

New Forms by Roni Size is an album that unfortunately falls flat in nearly every aspect. Released in 1997, it is often hailed as a pioneering record in the drum and bass genre. However, as someone who has listened to it and found it to be lacking, I can confidently give it a rating of 1 out of 5. One of the major issues with New Forms is its lack of cohesion and direction. The album seems to jump haphazardly between different styles and sounds, never fully committing to a consistent sonic landscape. While experimentation can be commendable, in this case, it results in a disjointed listening experience that fails to engage the listener. Furthermore, the production on this album leaves much to be desired. The mixing feels muddled and muddy, making it difficult to appreciate the individual elements of the music. The beats lack punch, the basslines sound weak, and the overall sound quality feels lackluster. It's a shame because a genre like drum and bass thrives on crisp, dynamic production, but that is sorely lacking here. In terms of songwriting, New Forms falls short as well. The tracks often lack memorable melodies or hooks, making them forgettable and indistinguishable from one another. The repetitive nature of the beats and lack of compelling musical ideas make the album feel monotonous and tedious to listen to. Additionally, the album suffers from an overreliance on repetitive vocal samples and uninspired lyrics. Rather than adding depth or enhancing the songs, these elements feel like filler and fail to contribute anything meaningful to the overall experience. It's disappointing to say, but New Forms by Roni Size fails to deliver on its promise of groundbreaking drum and bass. With its lack of cohesion, subpar production, and uninspired songwriting, it is an album that ultimately falls short of leaving a lasting impression. I would strongly discourage anyone seeking a satisfying drum and bass experience from investing their time in this particular release.

This album has all the grit and grunge of a live punk show in a dirty 'ol club and that makes it great

I've had mixed feelings about Bjork's other albums but this one I quite enjoyed. It was delicate and interesting

Done By The Forces Of Nature by Jungle Brothers is an album that showcases elements of creativity and ambition, but unfortunately falls short in execution. Released in 1989, it was a highly anticipated follow-up to their influential debut album, "Straight Out the Jungle." However, as someone who has listened to it and found it underwhelming, I can only give it a rating of 2 out of 5. One of the notable aspects of the album is its attempt to incorporate diverse musical influences. The Jungle Brothers blend hip hop with elements of funk, jazz, and soul, showcasing their willingness to explore new sonic territories. Songs like "What 'U' Waitin' '4'?" and "Acknowledge Your Own History" demonstrate their experimental approach, incorporating live instrumentation and samples from various genres. However, despite these admirable attempts at musical fusion, the album suffers from inconsistent production and lackluster execution. The mixing and mastering feel uneven, often leaving the tracks sounding cluttered and unbalanced. The beats lack punch and fail to create a captivating groove, while the vocals often get lost in the mix, diminishing the impact of the lyrics and performances. Moreover, the album struggles to maintain a cohesive and engaging flow. The track sequencing feels disjointed, with abrupt transitions and an overall lack of unity. This lack of cohesion makes it difficult for the listener to fully immerse themselves in the album and connect with the music on a deeper level. Lyrically, Done By The Forces Of Nature also falls short. While there are moments of social commentary and introspection, many of the verses lack depth and fail to leave a lasting impression. The rhymes often feel simplistic and repetitive, lacking the poetic and thought-provoking qualities that define memorable hip hop lyrics.

Musically, the album showcases Gaye's knack for blending soul, funk, and R&B elements. The production is skillful and the arrangements are often lush and intricate. Tracks like "A Funky Space Reincarnation" and "Is That Enough" incorporate captivating grooves and infectious melodies that highlight Gaye's musical prowess. However, despite these notable strengths, Here, My Dear is not without its flaws. The album's lengthy runtime can feel overwhelming at times, with some tracks feeling repetitive or overstaying their welcome. Additionally, while the personal nature of the album's subject matter is compelling, it can also limit the album's relatability for listeners who may not connect with Gaye's specific experiences. Furthermore, the album's narrative structure and flow can feel disjointed, with abrupt transitions between tracks that disrupt the overall listening experience. This lack of cohesion prevents the album from fully immersing the listener in its intended emotional journey.

Had to look up what bossa nova is and then realized it's basically just lounge music. And for a lounge music album this was quite enjoyable. Might add it to my work music playlist

Document by R.E.M. is a seminal album that solidified the band's status as one of the most influential and innovative acts in alternative rock. Released in 1987, it marked a turning point in their career as they transitioned from their underground roots to mainstream success. Overall, I would give this album a well-deserved rating of 4 out of 5. Right from the opening track, "Finest Worksong," Document grabs your attention with its energetic and politically charged sound. The album is filled with infectious hooks, thought-provoking lyrics, and the distinctive vocal stylings of Michael Stipe. Songs like "It's the End of the World as We Know It (And I Feel Fine)" and "The One I Love" became radio hits, showcasing R.E.M.'s ability to create memorable and accessible music without sacrificing their artistic integrity. One of the strengths of Document lies in the band's musical versatility. They effortlessly blend jangly guitar riffs, melodic basslines, and intricate drum patterns, creating a vibrant and dynamic sonic landscape. The album also features notable contributions from keyboardist and multi-instrumentalist, Mike Mills, whose backing vocals and melodic touches add depth and texture to the songs. Lyrically, R.E.M. showcases their poetic and socially conscious approach. The album tackles a range of topics, from political and environmental concerns to personal introspection. Stipe's enigmatic and often cryptic lyrics allow listeners to interpret the songs in their own unique way, adding an element of intrigue and depth to the album. While Document is a remarkable album, it does have a few minor drawbacks. Some tracks, such as "King of Birds" and "Lightnin' Hopkins," may not resonate as strongly as the standout hits. However, even these songs display the band's commitment to experimentation and pushing boundaries within the alternative rock genre.

Parsley, Sage, Rosemary and Thyme by Simon & Garfunkel is a timeless folk masterpiece that showcases the duo's exceptional harmonies and songwriting prowess. Released in 1966, it represents a significant leap forward in their artistic development and remains a standout album in their discography. Overall, I would give this album a solid 4 out of 5 rating. One of the defining qualities of this album is the sheer beauty and intricacy of Simon & Garfunkel's vocal harmonies. Tracks like "Scarborough Fair/Canticle" and "The 59th Street Bridge Song (Feelin' Groovy)" exemplify their ability to create ethereal and captivating vocal arrangements that perfectly complement their heartfelt lyrics. The duo's voices blend together seamlessly, creating a sense of intimacy and connection with the listener. The songwriting on Parsley, Sage, Rosemary and Thyme is equally impressive. Simon's poetic and introspective lyrics explore themes of love, social issues, and personal reflection. Whether it's the contemplative "Patterns," the evocative "The Dangling Conversation," or the thought-provoking "7 O'Clock News/Silent Night," the album consistently delivers powerful and thought-provoking songs that have stood the test of time. Musically, the album is rich with acoustic guitar-driven arrangements that provide a warm and inviting atmosphere. Simon's intricate fingerpicking and Garfunkel's melodic embellishments enhance the songs' emotional impact, creating a cohesive and immersive listening experience.

4/5 Basket of Light by Pentangle is a captivating album that showcases the group's exceptional musicianship and unique fusion of folk, jazz, and traditional influences. Released in 1969, it solidified their place in the British folk scene. Overall, I thoroughly enjoyed the album, though I found a couple of songs to be a bit churchy in their tone. The skilled musicianship displayed throughout Basket of Light is truly impressive. The intricate guitar work, masterful fingerpicking, and intricate interplay between the instruments create a rich and immersive listening experience. Tracks like "Light Flight" and "Train Song" exemplify the group's ability to craft intricate arrangements and showcase their individual talents.

Blood and Chocolate by Elvis Costello & The Attractions is a raw and aggressive album that showcases the band's intense energy. Released in 1986, it features driving rhythms and gritty guitar riffs, exemplified in tracks like "I Want You" and "Tokyo Storm Warning." Costello's biting lyrics provide social commentary, although some lack depth. The production is solid but occasionally muddled. While not reaching the same brilliance as their earlier work, Blood and Chocolate is a strong entry in their discography. It captures the band's tightness and rock sensibilities, offering a compelling listening experience for fans of Costello's distinctive style.

Fever To Tell by Yeah Yeah Yeahs is a relentless and exhilarating album that bursts with energy and raw emotion. Released in 2003, it instantly solidified the band's place in the indie rock scene. Karen O's dynamic and charismatic vocals shine, accompanied by the explosive guitar work and propulsive rhythms of Nick Zinner and Brian Chase. From the infectious hooks of "Maps" to the ferocious intensity of "Date with the Night," every track is a standout. The album's production perfectly captures the band's live energy. Fever To Tell is a masterpiece that encapsulates the Yeah Yeah Yeahs' electrifying and innovative sound.