Dec 26 2024
Bridge Over Troubled Water
Simon & Garfunkel
4
Dec 27 2024
The Cars
The Cars
1
Dec 28 2024
Rage Against The Machine
Rage Against The Machine
4
Dec 29 2024
It Takes A Nation Of Millions To Hold Us Back
Public Enemy
I don't really listen to hip-hop but my expectations on this were still pretty high. Then the album was a flop, which lowered my expectations, which made me realize this album was actually pretty good.
3
Dec 30 2024
Buena Vista Social Club
Buena Vista Social Club
3
Dec 31 2024
Wish You Were Here
Pink Floyd
Pink Floyd's second best. Close to their best, but not their best. Second best if you must.
This album's incredible. Opening up the first track, you get a fade-in, which I feel like I so underappreciated because they're one of the best ways to start an album. Then, the guitar is introduced. The notes are a bit all over the place but they still manage to be somehow pretty memorable. It's kind of pretty. Then, the iconic riff comes in. It's so empty, like something's missing, like you're speaking to a ghost and it's saying something you can't understand. Then the beat comes in makes it weirdly upbeat. It's not happy, though, it's more mysterious. The riff even changes every now and then to even more ominous notes. Then, ANOTHER guitar starts a solo, and it flows so well with everything else happening. It's also kind of mysterious, like you're looking for something, but then it goes fucking off. Kind of frustrated, kind of like you're searching for something, or someone.
Quickly, things calm down and the beat, bass, and guitar loop a basic instrumental while a synthesizer gives a spooky yet empty melody. And that's exactly what that part is: empty. And then, boom fucking guitar solo again. It has the same sort of mysterious vibe to it. It's weird, like, you can bob your head to it but then if you really pay attention, it's kind of horrifying.
Then, the vocals come in. I will admit, the vocals are a little bit lackluster, at least the impact of them is. When the "SHINE ON YOU CRAAAAAAZY DIIIIIIAMOND" part happens, it sounds like it's trying to be reminiscent of the Us and Them but it feels a little empty. Not in the way I've been talking about it either, just weirdly empty. I do want to give massive props to the lyricism here though because they're fucking gorgeous:
"You were caught in the crossfire of childhood and stardom
Blown on the steel breeze
Come on, you target for faraway laughter
Come on, you stranger, you legend, you martyr
And shine"
They're simple and there's not many layers besides that second line, but it works. It's not supposed to connect with everyone, it is about who the song was written about and that's it. I also really like "Well, you wore out your welcome with random precision." I could give a couple of other examples, but that'd go on for too long and not really add anything.
I'm not the greatest fan of the saxophone part at the end. I usually like when Pink Floyd adds a saxophone to their song if it fits well, but here I fear it just doesn't. I guess the first part is fine, but--and I may be wrong-- I believe they switch types of saxophones a bit through the solo. I think it either changes from a tenor to an alto or a bari to a tenor. I don't know for sure though, I'm no expert about saxophones, it's not like I play the instrument.
Actually, I do play the instrument, it's like right behind me, but that's besides the point.
The guitar and the synthesizers are sick as hell on Welcome to the Machine; goosebumps. Not really, people who say they get goosebumps from music are kind of stupid, but you get what I mean. I guess the vocals are a bit out of range to the point where it would probably hurt at least a little bit, and the lyrics are definitely layered but not the best layers I guess. Like sucking on a monkey brain-flavored lollipop so you can get to the gum in the middle. Not really worth it. "What did you dream? It's alright, we told you what to dream." Sure, maybe my meaning would be a little more vague, but I could definitely write something like that and then look back at it as "pretty mediocre." There are some good bits, and I like the storytelling but they aren't nearly as good as some of the other lines on the album.
The instrumental part after the first verse, which I think also happens after the second one (update: it doesn't), where everything is building and building is just absolutely fucking crazy. It feels something like you're quickly trying to escape something extremely dangerous, or meeting up with an evil you slowly realize is dangerous.
Have a Cigar is a masterpiece in its field because of how goofy, yet extremely biting it is. The synths introduced harmonizing with the guitar is catchy but changes things up every now and then, which fits the "fuck the industry" idea.
Try singing this song how you imagine the character singing this song would sing it. Did you sing in a lower voice than your usual voice? Did you sing like your alcoholic uncle talking about his fourth wife that divorced him and smoking a ciggie around a campfire? Now listen to the song. Boom, it's just that. The vocals are exact, almost too perfectly fitting that it sounds like a mockery. And the lyrics are fantastic too, they're so over-the-top, you can tell they're mocking the industry rather than sympathizing with it without even thinking. Like I never thought someone could think otherwise until I wrote that sentence.
Of course, I have to give a nod to one of the all-time greats:
"The band is just fantastic, that is really what I think
Oh, by the way, which one's Pink?"
Now comes easily the best song on the album and what's a good contender for best song in the Pink Floyd catalogue (Dogs and Great Gig in the Sky are other good choices) and what's even a good contender for best song ever. Which, funny story: when I first listened to this album, that was my third time listening to this song. And I still couldn't find the appeal. I wasn't a Pink Floyd fan on the first listen, which makes sense, but the second time, I enjoyed most of their music and the third, I was basically becoming a fan. Reason why: the melody. It's gotten trapped in my mind a couple times since but it's very much not a "catchy" melody. It goes all over the place, up down down up down up down down blah blah blah, and it adds to the rawness.
The instrumental is detailed so perfectly, the piano plays at the perfect time, the guitar and the snare fit perfectly hand-in-hand, everything about the instrumental is genuinely perfect.
The lyricism is top-notch too. You know, I made a Reddit post trying to figure out the lyrics to Wish You Were Here once.
Okay I copied what I said and put it on a Doc: https://docs.google.com/document/d/118W_jHs0RHheZiCZn7P4zLEDGffiMCG2d-BB8gOttOE/edit?usp=sharing
Back to the lyrics.
They're fucking fabulous. Dense, textured, yummy. "Did they get you to trade your heroes for ghosts?" is a good example of a 10/10 which is insane considering it's nowhere near the best lyric on the song. Argument can be made over what the best lyric on the song is, but personally for me, it's easily the first line of the chorus: "How I wish, how I wish you were here." It's direct, but it's raw. It's heartbreaking. It makes you think of someone YOU miss. It makes you remember things, it makes you regret things, and it makes you bawl your eyes for hours in the corner by yourself.
Then, of course, the rest of the chorus is beautifully crafted lyrically as well. Each line on that part is just so fucking gorgeous that I can't do it the justice it deserves, so just go read them if you haven't already. And read them thoughtfully. I will add this, though, I do love the circle back to the start of the chorus, "...wish you were here." It feels like a desperate plea. It feels so full of hope, yet hopeless at the same time.
Genuinely one of the best songs I think I've ever and will ever listen to in my life.
And I didn't even get the chance to fully digest it on the first listen.
Or second.
Or third.
Until like maybe the ninth or tenth idk.
Admittedly, this song is the one on the album I come back to the least, Shine On You Crazy Diamond 6-9. If I had to guess, I've probably listened to it somewhere from 5-9 times.
Wait.
6-9 times.
And it's not the song's fault, I think it's a great song still. It just doesn't move me the same way 1-5 does.
The latter half of the sixth part is basically a jam-out section, which isn't the only one on this song. It's kind of similar to the first track, where it's very fun at times but weirdly on edge. Like running from the cops on foot. Actually, maybe that's not fun. I don't know, I've never tried.
That's not the point.
The guitars and bass goes off and the beat is repetitive but works well. Then, another guitar (or just a guitar, I think the leads in the upbeat part are guitars but they may be synths) comes in and introduces the same riff right before the vocals in 1-5. And it's smooth. Really smooth actually. Kind of reminds me of Two-Headed Boy Pt. 2's (by Neutral Milk Hotel) transition, except that one's 10x smoother.
And that's exactly what it does, welcome the vocals. If I had to choose between this vocal part and the first one, I would honestly choose the first one pretty fast. The first one has way better lyricism and vocal execution, but I do still enjoy this one.
And then the waiting room music time.
Hell fucking yeah.
No notes on this part really but that the playing is lively and fun.
You don't like fun? Fuck off, you fucking pussy.
And now, the last part, similar to the intro of the album but different melody-wise. And honestly, yeah, this part is way better than the intro. I don't know if I would consider it melancholic, but it feels a bit uneasy. It's kind of gorgeous now that I'm really paying attention to it.
Anyway, yeah that's my review on Wish You Were Here by Pink Floyd.
Now fuck off you fucking loser.
Favs: Wish You Were Here, Have a Cigar, Shine On You Crazy Diamond, Pts. 1-5
Least fav: Welcome to the Machine
4
Jan 01 2025
1984
Van Halen
2
Jan 02 2025
Dookie
Green Day
Holy fuck I forgot how good this album was. I can't lie, when I clicked play on this thing, I expected to write a review out of it and then was completely entranced by the sheer enjoyment I had with it. Everytime I turn this on, I have an absolute... heh, blast.
Burnout is the perfect introduction to everything, immediately saying "I declare I don't care no more." It's so fucking pissed off for a random reason. I'm tired, so now I hate everything. I love that about Green Day. The government sucks and I hate everything. My home city sucks and I hate everything. My mom's new boyfriend sucks and I hate everything. God sucks and I hate everything. It's very immature, which works.
There is a motive for this next song, though, Having a Blast. This song tells the story of a suicide bomber and while I DON'T CONDONE DOING THAT, this song perfectly encapsulates what I imagine would be going through a suicide bombers brain. The lyricism in the chorus is so blunt and straightforward, I'm not digging up the hidden metaphor, the suicide bomber is telling me to my face "I hate everything and I'm gonna kill you and me." It's not the most thoughtful thing ever written by man, and that's the point.
The bridge on this song feels strangely personal. He starts asking possibly the listener(?) questions, questions like if he's the only one who feels this way. "Do you ever want to lead a long trail of destruction...Do you ever build up all the small things in your head to make one problem that adds up to nothing?" While I'm having a, uh... having a blast while listening to this, the things I'm rocking out to feel strangely dark. Sad. It's sad :(
When I Come Around has never been one of my favorites. While it has grown on me, I still think it's the second weakest song on the album, behind Pulling Teeth. The effect on the vocals sounds out of place, I can't tell if it's a chorus effect or something? By that, I mean it's probably a chorus effect but I don't want to be made fun of if I'm wrong. The tone on the guitar during the solo also feels a little strange and out of place. Is it a bad song? No, I like it, but it's nowhere near the standout people say it is, at least for me.
Basket Case is the best pop-punk song of all time and I don't think anything can beat it. Just the guitar and vocals with this fucking earworm melody. And then immediately, it just crashes into this explosive, incredible pop-punk masterpiece. The drums are going everywhere, like BJA is slipping in a puddle of his anxiety. Then everything calms again, but the guitar riff is going quicker. Then a sexy bass flair, and the drums do the rest. It's like the song is easing you into this building, then when you're close to the door, it grabs you from the waist, chucks you into the building and slams and locks the door, everything from the ceiling falling to the floor from the impact of the door. It's fucking amazing.
Is this album one of the most thoughtful and well-constructed albums of all time? No. Does that mean it can't be one of the best albums ever made? Absolutely not.
And that's it. Dookie. Shit. Crap, caca, poop, shit, dookie. I'm gonna go bite my lip and close my eyes now.
Favs: Basket Case, She, Having a Blast
Least fav: Pulling Teeth
4
Jan 03 2025
Van Halen
Van Halen
2
Jan 04 2025
Murmur
R.E.M.
It’s great but there are SOME songs I think are kind of mediocre.
2
Jan 05 2025
Imagine
John Lennon
1
Jan 06 2025
Cheap Thrills
Big Brother & The Holding Company
1
Jan 07 2025
At Folsom Prison
Johnny Cash
What do you have to criticize about this? That the singer isn't exactly on key or something? It's a live performance, moron.
Favs: 25 Minutes to Go, Jackson, Greystone Chapel
Least Favs: N/A
4
Jan 08 2025
Thriller
Michael Jackson
Michael Jackson is probably one of the best male vocalists of all time, and even before I changed this from a 3 to a 4, I could admit that.
I think I factored in how overrated the album was into my rating prior, or maybe I just was not open enough. Either way, I get the appeal, not the 2nd best album of all time(, Apple Music).
3
Jan 09 2025
Mask
Bauhaus
2
Jan 10 2025
Night Life
Ray Price
Alright background music I guess.
1
Jan 11 2025
Never Mind The Bollocks, Here’s The Sex Pistols
Sex Pistols
2
Jan 12 2025
Let's Get Killed
David Holmes
I enjoyed it, but the fact that it was just 5 minute long instrumentals made it feel like a chore.
2
Jan 13 2025
American Idiot
Green Day
I’ve also listened to this album before! One of four albums (at least now) I’d give a 10/10.
5
Jan 14 2025
The Wildest!
Louis Prima
3
Jan 15 2025
B-52's
The B-52's
1
Jan 16 2025
Joan Armatrading
Joan Armatrading
3
Jan 17 2025
All Directions
The Temptations
1
Jan 18 2025
Wild Is The Wind
Nina Simone
3.5 to be exact. Definitely a fantastic album with a fantastic voice, but I can tell it's not for me and that's perfectly okay.
Every track here is good enough to be in my personal playlist, but not a zero skips album, if that makes sense? I'll throw on something on here every now and again but would never give it a full listen again.
3
Jan 19 2025
Spy Vs. Spy: The Music Of Ornette Coleman
John Zorn
Literally sounds like if someone took a group of middle school band kids and made them play Sing, Sing, Sing (Benny's Goodman version, the best version).
Not mad at it being on the list, but I don't like it...like at all, besides some swing moments.
1
Jan 20 2025
More Songs About Buildings And Food
Talking Heads
2
Jan 21 2025
Head Hunters
Herbie Hancock
5
Jan 22 2025
Juju
Siouxsie And The Banshees
2
Jan 23 2025
Giant Steps
The Boo Radleys
I was in awe from the third track and the last track was pretty good but this is NOT an essential in any way. Very tedious to get through all the BandLab production for an hour. Spend your hour on LYSFLAtH or even Miseducation of Lauryn Hill, or anything else.
1
Jan 24 2025
Nick Of Time
Bonnie Raitt
wow
3
Jan 25 2025
A Girl Called Dusty
Dusty Springfield
3
Jan 26 2025
Are You Experienced
Jimi Hendrix
TOO LONG.
2
Jan 27 2025
Miriam Makeba
Miriam Makeba
3
Jan 28 2025
Moondance
Van Morrison
3
Jan 29 2025
Untitled (Black Is)
SAULT
Never really been a fan of soul music but perhaps something might change after this.
5
Jan 30 2025
It's A Shame About Ray
The Lemonheads
3
Jan 31 2025
The ArchAndroid
Janelle Monáe
3
Feb 01 2025
Dire Straits
Dire Straits
3
Feb 02 2025
Highly Evolved
The Vines
3
Feb 03 2025
Rhythm Nation 1814
Janet Jackson
Beautiful production, vocals, and harmonies. Wonderful album.
4
Feb 04 2025
Surrealistic Pillow
Jefferson Airplane
4
Feb 05 2025
Melodrama
Lorde
One of the best pop albums I've ever laid my ears upon.
4
Feb 06 2025
Walking Wounded
Everything But The Girl
why in gods name is this on this list
1
Feb 07 2025
Crossing the Red Sea With the Adverts
The Adverts
The rebel child is showing...
Fun and nothing too special, as punk should be. Some may argue it's filth, disgusting, noisy, boring, garbage. To all of those people, take this middle finger and kindly shove it up your ass.
3 stars.
3
Feb 08 2025
Dummy
Portishead
1
Feb 09 2025
This Is Hardcore
Pulp
A bit of bad, but a whole lotta good. I would’ve preferred shorter songs though, but that’s just personal preference.
Fav songs: I’m a Man, Sylvia, Glory Days
Least fav song: I think it was Dishes but I honestly forgot
3
Feb 10 2025
Actually
Pet Shop Boys
There we some parts where I was like "wait, this is peak."
And there were some when I was questioning life.
I enjoyed this one, though.
Favs: What Have I Done to Deserve This?, Shopping, Hit Music
Least Fav: King's Cross
2
Feb 11 2025
Shake Your Money Maker
The Black Crowes
4
Feb 12 2025
Street Life
The Crusaders
3
Feb 13 2025
Modern Sounds in Country and Western Music
Ray Charles
This has no right to be this long.
2
Feb 15 2025
Talking Book
Stevie Wonder
3
Feb 16 2025
The Stranger
Billy Joel
2
Feb 17 2025
GI
Germs
If you forget the fact that this sounds like a mix of Sex Pistols, a printer, and a two year old fucking around, this album is actually pretty catchy.
Still sucks, though.
Fav song: Lexicon Devil
Least fav song: Shut Down
1
Feb 18 2025
Raw Power
The Stooges
4
Feb 19 2025
The Man Who
Travis
3
Feb 20 2025
Fifth Dimension
The Byrds
2
Feb 21 2025
All Mod Cons
The Jam
2
Feb 22 2025
Mothership Connection
Parliament
saxophone
3
Feb 23 2025
All Things Must Pass
George Harrison
All things must pass, and I'm glad these two hours finally did
3
Feb 24 2025
Underwater Moonlight
The Soft Boys
Fuck Old Pervert
3
Feb 25 2025
Bringing It All Back Home
Bob Dylan
"Start again"
4
Feb 26 2025
Aftermath
The Rolling Stones
Great background music, and Paint It Black bangs.
2
Feb 27 2025
Homework
Daft Punk
I've admittedly never been the biggest fan of EDM music, but I do have to admit that I had a blast listening to this. This may be my new favorite album over an hour long (besides Lift Your Skinny Fists of course, that album is ungodly).
I haven't heard this take that often but I'd honestly say this is better than Discovery. Sue me.
Solid 9/10
4
Feb 28 2025
90
808 State
4
Mar 01 2025
Court And Spark
Joni Mitchell
3
Mar 02 2025
Veckatimest
Grizzly Bear
Got a bit boring at the end, but I still enjoyed it, even if it doesn't belong here.
Fav song: Ready, Able
Least fav song: Foreground
2
Mar 03 2025
Odelay
Beck
2
Mar 04 2025
Bossanova
Pixies
3
Mar 05 2025
Smash
The Offspring
3
Mar 06 2025
Heartbreaker
Ryan Adams
Fuck Ryan Adams but I can't deny that this album is fucking gorgeous.
3
Mar 07 2025
Yoshimi Battles The Pink Robots
The Flaming Lips
4
Mar 08 2025
Synchronicity
The Police
4
Mar 09 2025
Daydream Nation
Sonic Youth
Not God's gift to man or anything, but it was solid and it didn't overstay its welcome even with how long it is.
3
Mar 10 2025
White Light / White Heat
The Velvet Underground
A horrible follow-up to a band's magnus opus.
As someone who, doesn't entirely love, but enjoys The Velvet Underground & Nico's Self-Titled, imagine my disappointment when I actually got to playing the album. On their debut, the distortion was an interesting aspect of the album, maybe not entirely for me, but I liked it at least a bit. This album is trying too hard to be noisy, and doesn't have any variation whatsoever, besides maybe a few seconds in one or two of the songs.
1/5, was too busy sucking on a ding-dong to make it sound good :(
1
Mar 11 2025
The Fat Of The Land
The Prodigy
3
Mar 12 2025
Licensed To Ill
Beastie Boys
3
Mar 13 2025
What's That Noise?
Coldcut
There were some great parts, but most of the album was just basic house music unfortunately. I can see why someone would like it though!
1
Mar 14 2025
Music Has The Right To Children
Boards of Canada
My reaction to this is like women’s reaction to me.
“Sorry, but no” 💔
1
Mar 15 2025
Frank
Amy Winehouse
3
Mar 16 2025
Another Green World
Brian Eno
Y'all like this? Like.. genuinely?
2
Mar 17 2025
The Sun Rises In The East
Jeru The Damaja
1
Mar 18 2025
The Wall
Pink Floyd
Quickest hour:21 of my life.
The vocals were a little difficult to get through but I do like how insane they've become since Animals (two years before), and I guess they fit the protagonist well considering this album is basically just about going insane.
It was a great mix of serious and stupid, which is basically all I need in a rock-opera (I know The Trial is nowhere close to the best song on the album but I was giggling the whole time during it, so it's on my standouts).
I'd rather listen to Wish You Were Here personally, but I did still enjoy this one. :3
Oh yeah and filler.
A ton of filler.
Favs: Another Brick In the Wall, Hey You, The Trial
Least Favs: None
Yes I know Another Brick In the Wall is three songs, fuck off
4
Mar 19 2025
Band On The Run
Paul McCartney and Wings
3
Mar 20 2025
Live At The Witch Trials
The Fall
I mean, I didn't hate it, but it was so messy that I can't see myself giving this anything above a 3.
Did not need an eight minute outro.
1
Mar 21 2025
Electric Music For The Mind And Body
Country Joe & The Fish
Section 43 might be the worst song I've ever listened to
1
Mar 22 2025
25
Adele
Adele's vocals have definitely grown on me with this listen, and I'm honestly questioning why I didn't like them in the first place. There we so many amazing songs on this album, the only issue was a few questionable choices in specific songs that made them kind of lackluster, I guess.
Favs: Hello, Love In the Dark, Sweetest Devotion
Least fav: All I Ask
3
Mar 23 2025
This Is Fats Domino
Fats Domino
3
Mar 24 2025
Dust
Screaming Trees
4
Mar 25 2025
Gorillaz
Gorillaz
3
Mar 26 2025
The Hour Of Bewilderbeast
Badly Drawn Boy
3
Mar 29 2025
Led Zeppelin
Led Zeppelin
3
Mar 30 2025
Slanted And Enchanted
Pavement
2
Mar 31 2025
Blonde On Blonde
Bob Dylan
3
Apr 01 2025
The White Album
Beatles
Immediately, as soon as I opened 1001albumsgenerator.com and saw this album appear, I thought to myself: "okay easy five stars, right? I mean, it's the Beatles? Abbey Road is, like, a top five album of all time? This has to be good."
Am I disappointed? Sure.
Did I like it? Yeah.
It's not the greatest thing I've ever laid my ears upon, not God's gift to man, and not good enough to make me openly it up at Christmas and not go "shit!" But it's still a Beatles album. The worst Beatles album imo is Let It Be, which is a solid 5/10. This is an 8, probably.
I have no complaints about the length. It's interesting to be honest.
The thing that moved it down just a tad bit were the songs Don't Pass Me By - Mother Nature's Son. Easily the most boring songs on the album.
Revolution 9 is overhated and I kind of love it.
Love the Beatles, please don't hurt me <3
I’m gonna go listen to Three Cheers for Sweet Revenge now.
3
Apr 02 2025
Entertainment
Gang Of Four
It's just another messy, mediocre, and oftentimes overrated punk album.
2
Apr 03 2025
Chicago Transit Authority
Chicago
3
Apr 04 2025
The Scream
Siouxsie And The Banshees
3
Apr 05 2025
Document
R.E.M.
I've never been the biggest R.E.M. fan, and I'm 100% sure the reasons as to why come from personal preference. Maybe it's the genre of the music in general, or a vocalist I don't entirely like. But I gave this album the benefit of the doubt.
It's not bad, it's just not fantastic.
The band has some bangers, and I'll admit that. The chorus on And I Feel Fine is freaking amazing, even if the rest of the song is..
Not great.
The only issue is that R.E.M. is nowhere near an album artist. They have a tendency of just placing songs where they want to, and not really caring if it ruins the album experience because the songs before were pretty good. And that's what ruins this album for me, how it can change from some undeniable bops (like Strange, for example) to the blandest and unmemorable last four songs I've heard in a while.
They're not fun, they're not memorable, and they should've been replaced. Or at least put somewhere else in the tracklist so it ended on at least a higher note?
Some of the ideas weren't exactly there either. I've already mentioned And I Feel Fine, but the fast-paced energy just kind of feels like a jumbled up acoustic version of We Didn't Start the Fire (which is a killer song, tbf).
The One I Love honestly did have a cool idea though. It sounds like a love song on the surface, and I was even in the middle of saying something along the lines of: "aww, what a cute love song" when I was rudely interrupted by "FIREEEEEEEEEEEEEE." It's honestly really good.
That's about it.
That's the end.
That's the end of this review.
Love you <3
2
Apr 06 2025
A Seat at the Table
Solange
Simply not for me :)
2
Apr 07 2025
Paul's Boutique
Beastie Boys
4
Apr 08 2025
We Are Family
Sister Sledge
2
Apr 09 2025
Get Rich Or Die Tryin'
50 Cent
1
Apr 10 2025
Tubular Bells
Mike Oldfield
3
Apr 11 2025
Nothing's Shocking
Jane's Addiction
1
Apr 12 2025
If You Can Believe Your Eyes & Ears
The Mamas & The Papas
3
Apr 13 2025
Apocalypse 91… The Enemy Strikes Black
Public Enemy
I definitely need to revisited ITANOMTHUB sometime soon
There are a few good bops on this thing, but it doesn't work great altogether. There's also a few songs I think are just kind of mediocre which sucks because the vocals are awesome sauce :(
Still a solid album all around though.
Favs: Lost at Birth, Can't Truss It, 1 Million Bottlebags
Least fav: More News at 11
2
Apr 14 2025
New York Dolls
New York Dolls
It's really low quality but it's really catchy.
2
Apr 15 2025
Coat Of Many Colors
Dolly Parton
3
Apr 16 2025
Natty Dread
Bob Marley & The Wailers
1
Apr 17 2025
Viva Hate
Morrissey
3
Apr 18 2025
Ready To Die
The Notorious B.I.G.
Well, fuck me
4
Apr 19 2025
Live!
Fela Kuti
La la la la la la la la la la la la
4
Apr 20 2025
Time Out Of Mind
Bob Dylan
A third Dylan album in 113 days is insane. What's also insane is that this shit is an hour:13 long. The fuck?
With all that said, admittedly, I did like this. As background music too. It wasn't amazing, and the uniqueness kinda dies from his earlier stuff but this is still pretty solid.
Minus one point for the length.
3
Apr 21 2025
Porcupine
Echo And The Bunnymen
You know the albums getting worse when the volume on streaming services randomly decreases.
I've never been so disappointed. The first song was pretty good and the second song was honestly great. What happened after that? It's just so bland, kind of annoying. It feels like I've been listening to the same song on loop and I still can't pick up any melody.
1
Apr 22 2025
Electric Warrior
T. Rex
Really bland and overstayed its welcome.
2
Apr 23 2025
Straight Outta Compton
N.W.A.
1
Apr 24 2025
The Doors
The Doors
This is a weird one because I've been negative to music like this SEVERAL times in the past, but I still kind of enjoyed this. Ew! Slow psych rock! Acoustics? What happened to my electric guitars and keyboards and synths? I want Pink Floyd back!
It's still not amazing, and I don't know if I'll come back to any of this...
Ever.
But I liked it more than I should have, which is what an album from a foreign genre should do.
Favs: Light My Fire, Back Door Man, End of the Night
Least fav: Twentieth Century Fox
7/10
3
Apr 25 2025
Smile
Brian Wilson
2
Apr 26 2025
Goodbye Yellow Brick Road
Elton John
3
Apr 27 2025
Aqualung
Jethro Tull
3
Apr 28 2025
Henry's Dream
Nick Cave & The Bad Seeds
2
Apr 29 2025
Live At The Regal
B.B. King
"I gave you seven children and now you wanna give them back"
Wow, I'm loving this! Didn't really love the first song but everything after is just great! I love his energy, I love the guitar playing, I love everything. Besides the first song. Obviously.
3
Apr 30 2025
L'Eau Rouge
The Young Gods
Yeah this album's good and all but stop trying to touch me
3
May 01 2025
John Barleycorn Must Die
Traffic
1
May 02 2025
Songs In The Key Of Life
Stevie Wonder
4
May 03 2025
To Pimp A Butterfly
Kendrick Lamar
5
May 04 2025
Phaedra
Tangerine Dream
The entire time I was waiting for the intro to end.
It's not bad though, I feel like I'm in a movie soundtrack.
Funny enough, I prefer the parts without electronica instruments in this album.
3
May 05 2025
Beauty And The Beat
The Go-Go's
3
May 06 2025
James Brown Live At The Apollo
James Brown
Reminds me of when mom took me to an Elmo concert when I was 2 and I jumped on stage and started yelling curses at the crowd and they all joined in and Elmo tackled me and the crowd and we all yelled "OW!"
1
May 07 2025
Face to Face
The Kinks
1
May 08 2025
Billion Dollar Babies
Alice Cooper
3
May 09 2025
Nighthawks At The Diner
Tom Waits
This is my first time listening to Tom Waits and I really like it! This made me laugh a ton, his voice fits the music, and the intros and interludes and stuff are engaging (even if a few of them didn't have to be separate tracks). I do think the album fell off a bit after Nighthawk Postcards (from like a 9 to an 8) but besides that I really really enjoyed this. I hope Rain Dogs is like 10x better because I think that's his magnus opus, right?
3
May 10 2025
Rumours
Fleetwood Mac
Dreams is literally my favorite song ever made
5
May 11 2025
I Am a Bird Now
Antony and the Johnsons
I really liked the music and the vocals and the concept but holy fuck there's so much vibrato that my chair started vibrating
4
May 12 2025
Sound Affects
The Jam
2
May 13 2025
Meat Is Murder
The Smiths
2
May 14 2025
Dusty In Memphis
Dusty Springfield
3
May 15 2025
3 + 3
The Isley Brothers
3
May 16 2025
Pills 'n' Thrills And Bellyaches
Happy Mondays
4
May 17 2025
Tusk
Fleetwood Mac
3
May 18 2025
When I Was Born For The 7th Time
Cornershop
1
May 19 2025
Picture Book
Simply Red
1
May 20 2025
Disraeli Gears
Cream
1
May 21 2025
Fuzzy Logic
Super Furry Animals
1
May 22 2025
Music For The Jilted Generation
The Prodigy
3
May 23 2025
Playing With Fire
Spacemen 3
2
May 24 2025
Tea for the Tillerman
Cat Stevens
The music is boring, the drums suck, the lyrics suck, everything about this sucks. -5 stars.
1
May 25 2025
The Genius Of Ray Charles
Ray Charles
1
May 26 2025
Rings Around The World
Super Furry Animals
Wow, I literally gave this band a 4/10 the OTHER DAY, but this album is freaking amazing. The more aggressive guitars to the calmer sections are amazing. The weird synths, the details production, the sometimes kooky percussion, the calming vocals, I love love love this one! And everything just flows into each other so well. I can't even tell when something immediately changes from calm to chaos, it works like an experience. And the melodies are great, I have still have a few floating around my head.
Favs: Sidewalk Serfer Girl, Shoot Doris Day, Juxtaposed with U
Least fav: Miniature, No Sympathy
4
May 27 2025
Fragile
Yes
3
May 28 2025
Urban Hymns
The Verve
1
May 29 2025
Rattlesnakes
Lloyd Cole And The Commotions
1
May 30 2025
Reggatta De Blanc
The Police
2
May 31 2025
xx
The xx
3
Jun 01 2025
You Are The Quarry
Morrissey
3
Jun 02 2025
Os Mutantes
Os Mutantes
The only thing this helped me with is showing off that, yes, I do know what a cuíca is.
1
Jun 03 2025
Zombie
Fela Kuti
4
Jun 04 2025
Venus Luxure No. 1 Baby
Girls Against Boys
1
Jun 05 2025
Sheer Heart Attack
Queen
2
Jun 06 2025
Penthouse And Pavement
Heaven 17
1
Jun 07 2025
Californication
Red Hot Chili Peppers
1
Jun 08 2025
Aha Shake Heartbreak
Kings of Leon
God, I really just don't like the lyrics on this thing. When they're not overly sexual to the point where it feels perverted, they make genuinely zero sense, like I'm listening to a newborn try to repeat something I said in front of its face a thousand times. The music itself starts off decent but turns to uninteresting and eventually annoying.
1
Jun 09 2025
Swordfishtrombones
Tom Waits
This is my second Tom Waits album and I thankfully enjoyed it. Waits is obviously a great and unique vocalist, and just a funny guy all around, and the music itself, even at lower points, is great. There are a lot of songs on here that I do think are just really nothing, though. The execution of them is good but it feels like I'm listening to interlude after interlude. The other Tom Waits album I listened to (Nighthawks at the Diner) had a ton of those, yeah, but they felt like they worked with the other songs on the album. I could barely tell when a song moved from one to another. Sure, they could have been the same song, but on this album, it just kind of feels like completely random interludes that have nothing to do with everything else that don't flow well with the album.
Still goated album though.
Favs: 16 Shells from a Thirty-Ought Six, Swordfishtrombone, Down, Down, Down
Least fav: Johnsburg, Illinois
3
Jun 10 2025
Tracy Chapman
Tracy Chapman
3
Jun 11 2025
Throwing Muses
Throwing Muses
2
Jun 12 2025
Gold
Ryan Adams
1
Jun 13 2025
Pet Sounds
The Beach Boys
Pet Sounds is the best pop album of all time. You’ve probably heard that take before. You may have also heard different versions of it: Pet Sounds is the most beautiful pop album of all time, Pet Sounds is the best produced pop album of all time, and I’d disagree with that, that’s a stretch, at least for me. But I do think the original take is correct, that Pet Sounds is indeed the best pop album of all time, at least from the ones I’ve heard.
There’s just something to this album that can never be replicated. Maybe it’s the jumbly sound of the mix, maybe it’s Brian’s vocals, maybe it’s his lyricism, maybe it’s the vocal layering, maybe it’s the instrument layering. I really couldn’t tell you. I can’t think of any way to transition this into a track-by-track but
Wouldn’t it be nice to be the most adorable song I’ve ever heard? One of the few (mostly) happy songs on the album, Wouldn’t It Be Nice, is genuinely just fun. I absolutely adore songs written about stuff like this, young love. As somebody who pulls all the bitches, I can really relate to it. With that, the lyrics are so fucking good. They’re not coated in metaphor, they’re not stuck together with filler, it’s just fantastic straight-to-the-point line after fantastic straight-to-the-point line. I went to look at the lyrics to try to pick out a specific example but each line is just so damn good. A guy in a relationship that’s “too young” for true love, too young to get married, and wishing (or waiting) for the day you and your lover can be married. A day you don’t have to fear about breaking up (well, divorce exists). The pure innocence coming from the track is adorable, and it’s amplified by basic childish ways to say things like “maybe if we think and wish and hope and pray.” Also things like “we could be married, and then we’d be happy,” it’s such a normal phrase but it’s not just something you’d say to a girl if you didn’t want her to think you were an immature loser, but that’s the point, it IS immature. I love how the final chorus is kind of tension-building and then it just says fuck that, we should talk about it. The “but wouldn’t it be nice?” (“But” sometimes being replaced with “oh”) ending the choruses and bridge are just so cute, and I’m sure I don’t need to talk about it too much, but yeah the actual music is sick. Perfectly catchy melodies, things starting and stopping and perfect moments, the lush harmonies, the call-and-responses, the vocal styles, it’s basically perfect.
Pet Sounds is really a grower, and songs like You Don’t Believe in Me are good examples of why. Compared to other albums coming out from this time, it’s actually pretty weird so if you’re expecting something like Revolver or Abbey Road, you’re gonna be pretty disappointed. Going into this track from Wouldn’t It Be Nice? while still expecting it to be cheery is gonna make it honestly sound kind of terrifying. But then you start humming the cryyyy to yourself, and then the verses, and then you know the whole song, and it’s gorgeous. The track builds but it still sounds perfectly full before building. And it’s not like when it does build, it’s too much, it actually feels better, like an orgasm. Brian’s vocal performance and his lyrics are perfectly looking at immature things that the narrator has done in a mature way. The lyrics are devastatingly beautiful: “I can’t help how I act when you’re not here with me, I try hard to be strong, but sometimes, I fail myself.” It feels like he’s genuinely begging you to explain why you still believe in him. There’s so many wind instruments playing things that feel a little off, which works perfectly in the song’s favor, and there’s of course the “me” note in the chorus. The last part where the harmonies are just repeating “cry” is obviously beautiful and if you haven’t heard it before, I would recommend doing it immediately.
That’s Not Me, in my opinion, is the most devastating track on the album, but without the lyrics, I would think this song is about horses and trees and life and shit. Heck, you could probably think it was about that until you hear the line “I went through all kinds of changes, took a look at myself, and said that’s not me.” I used to not be extremely into this track, but I love it now. The melody is fantastic, the instrumental is fantastic, the backing vocals are fantastic, everything about it is just amazing. And obviously, there’s the repeated mantra at the end of the song, that is just literally everything: “I once had a dream so I packed up and split for the city, I soon found out that my lonely life wasn’t so pretty.” How the lyrics feel so personal to Brian but still relatable to the listener is just beyond me.
I can totally see why somebody would find Pet Sounds annoying and Don’t Talk is the perfect example. Like half of the song is just falsetto. Anyway, this song is fucking amazing and gorgeous and perfect. I love the stereo mix of Pet Sounds so fucking much because it makes some of the songs feel more full, yes, but I feel like if the vocals weren’t panned like how they are on this track, it’d sound sort of off? The melody is gorgeous, the bass is loud as fuck but what it’s playing is great, and the hi-hat(?) just repeating really makes it feel more dense. The lyrics are a little basic (“We could live forever tonight”), sure, but that doesn’t stop them from being pretty. I really like “don’t talk, close your eyes and be still,” it’s so calming and almost reassuring. The last “listen” during the bridge is the perfect segue for those aweing strings to come in, I love it.
It varies from time-to-time, but currently if I had to choose a favorite song on the album, it’d be I’m Waiting for the Day. The way it blends this lush, but still kind of hollow instrumentation and that gorgeous melody with an upbeat, fun, cute, catchy banger is absolutely beyond me. Straight off the bat, things snap into this chaotic, bouncy beat and a flute melody, which after TEN SECONDS, drops into this beautiful verse with these genuinely amazing lyrics. The chorus perfectly attaches to the verse like a puzzle piece that you can barely even notice the switch, the only thing that really changes is some of the instruments get louder and the, I think, oboe stops playing the same thing as the lead melody. Then, Brian says “I’m waiting for the day when you can love again” and we go BACK to the sound from the beginning. This one part would hit so much differently if even ONE aspect of it was changed, even one of the notes were changed, if one of the instruments were removed, if the vocal style was slightly different. It is done so intelligently well that it is almost incomprehensible. Immediately, after the switch-up, we’re thrown into the second verse, WITH the upbeat instrumental. It just flows so goddamn well. I think the lyrics on the first verse are a little better than the ones on the second verse but the lyrics on the second verse are so much more memorable and meaningful to me (and they’re beautiful ofc) so you need to read them:
“I kissed your lips and when your face looked sad
It made me think about him and that you still loved him so
Baby, don't you know that pretty soon, I made you feel glad
That you belonged to me and love began to show?”
And then things drop AGAIN into the chorus, this so calming but feels so human, using phrases like “I guess” to get it to work that way. And then things are amped up AGAIN for an instrumental break with some backing vocals and then they drop AGAIN for ANOTHER chorus. Brian adds more falsetto to his voice to acknowledge the change from the previous chorus while balancing it with the in-the-moment aspect. The chorus ends and this layer of strings is placed beneath it, ending the track.
But no.
No, the track doesn’t end.
Because things get bouncy AGAIN.
And this point, it’s a fucking trampoline with how fun it is. It’s not these beautifully crafted lines, but these genuine statements and that honesty makes it beautiful even if it wasn’t trying to be.
I’m immediately stressing out over what to say for the instrumental tracks, like this one, Let’s Go Away for a While, considering how much I’ve been dickriding the lyrics. I think it’s a gorgeous track, don’t get me wrong, but I really don’t know what to say about it.
Okay wait.
I really like the balance of the instruments being used. I was going to mention which ones are being used most, basically like leads, but I really couldn’t pinpoint a specific one. The glockenspiel gets its moment, the saxophone does too, the strings, the bass, the drums, it’s just so much. And it’s gorgeous, can’t forget that. I really love the little string flair at 0:34 seconds in, it makes the track really memorable.
That’s it.
Adding not only a cover, but a cover about being on a boat, to an album like this is a risky move, but Sloop John B does not disappoint because it’s honestly one of my favorite tracks on it. Sure, the lyrics are really fucking stupid, but it’s so damn fun, and there’s still a genuine attempt to make a great track. Throughout the track, the band switches through singers, specifically Brian and Mike Love, which works because I mean duh they’re on a boat with a bunch of people, but Mike’s voice just perfectly blends with the rest of the song. While Brian’s voice is childish, I would say Mike’s is even MORE childish, at least on this track, and for a song like this, it works perfectly. Heck, the vibe of the whole song is childish. Literally everything the beat is doing feels like baby steps: it’s either very slowly banging the snare or playing a basic beat (it does something a little weirder in the third verse but I lowk don’t care abt it). I think there’s a kalimba in the mix, maybe that high instrument is something else, but either way those are literally elementary music class instruments. There’s high instruments like flutes or piccolos, but also lower instruments which still feel surprisingly childish as well. I think there’s a bari sax panned to the left, but it’s almost stupid, playing staccato. The part where all of the instruments drop and the chorus sings different things, just to be transitioned into literally the same thing with that high-ass “hoist up the John B-” is just so unnecessary but so fun, I love it.
As much as I could argue how overrated of a song God Only Knows is, I still can’t deny how GOOD of a song it is because it is fucking gorgeous. Every instrument is brought in so cleanly that you can barely even tell. The french horn, then the bass. And then, it drops where this really weird melody is being sung. The end of that melody finishes up the first verse, and it’s repeated for the second verse, which is coated with a layer of strings which REALLY adds to it for some reason. Maybe it’s because the bass gets a little louder too. The verse EASILY has the best lyricism of the whole track, mixing what could be interpreted as desperate and sad with something loving; he’s saying if he lived without this girl, the world wouldn’t have anymore meaning. Sure, it might sound cliché in theory, but the way Brian bounces around sounding cliché and still being able to make a lyric that sounds fresh is crazy:
“The world could show nothing to me, so what good could living do me?”
After some sort of short instrumental interlude, the vocals come back but not singing words, which weirdly makes them feel a bit more lush. Until the babababababas which can be seen as kind of funny but they’ve grown on me so it’s fine. The third verse actually opens up with what is usually the last line of the verses (could also just be called the refrain): “God only knows what I’d be without you” and I’m pretty sure it’s actually sung higher than it usually is here? For the last section of the song, it’s really just the phrase repeated over and over again, but it makes the most of it. Everything drops at the beginning, but it adds more and more instruments and layers so at first, you can barely even notice that it’s repeating the same stuff. And then, after the build-up, it simply fades out, which I’m pretty sure was just a normal thing in the 60’s but it still works. I guess it’s kinda like drinking something, the longer you drink it, the more it starts to go down, and then you stop drinking it and the taste slowly stops. That’s the best metaphor I’ve got for that.
Besides the instrumental tracks, I Know There’s an Answer is honestly my least favorite on the album. Not saying it’s a bad song, I’m sure the rest of this paragraph is only gonna be praise for it, but it’s just personally the least memorable for me. Actually, even including the instrumental tracks, I’d say Let’s Go Away for a While is more memorable than it (Pet Sounds, not so much). Anyway, the baritone sax breaking the looped instrumental, which then adds a tambourine was a great move. It makes things flow way better, which this song is great at, transitioning into the chorus from the verse. During the chorus, these absolutely gorgeous percussive hits are just going fucking off, same with Brian’s vocals. The lyrics are really great too. Speaking of the lyrics, if you just showed me the lyrics to the chorus alongside the lyrics to the chorus on the demo (“hang on to your ego, hang on but I know that you’re gonna lose the fight”), I would honestly probably pick the demo, but the lyrics in that were chosen honestly perfectly fit the rest of the song. Yet another reason why this album is basically perfect, everything is done to its max. If you listen to the demo, literally titled “Hang On to Your Ego,” you will hear just teeny tiny errors or things that weren’t added yet, like some harmonies, which make it feel just a LITTLE less beautiful. In the original song, there’s NONE of that, which goes to show the amount of effort this had to have taken. And then, the chorus casually transitions to the second verse, so smooth that you can barely even tell there was a transition (which btw I love this tactic of not being able to tell the first chorus from the second verse). Then, there’s a bari sax solo. I’ve said enough about the bari sax solo. Then, it basically just repeats the pre-chorus, the chorus, and then there’s some pretty flutes, and then the instrumental loop from the beginning comes in, with some added stuff, boom: end of song. It’s a cool moment, yeah, but there’s not much to really add to it. Going back to this song a few times for this, though, made me realize how good the lyricism was, and how good the actual song was too, so I will honestly probably come back to this a lot more.
I know I totally just said that I’m Waiting for the Day is the best song on the album, but honestly, Here Today might be one of my favorite songs to come out of the 60’s (</3). Even before I let Pet Sounds grow on me, Here Today was one of my favorite songs from the 60’s. It was the first song on the album, and from the Beach Boys’ entire discography, that I fell in love with. Right off the bat, we’re hit with AMAZING lyrical content. I see it as almost a contradiction of Wouldn’t It Be Nice?, maybe a grown person telling a young kid that falling in love is a mistake and to slow down, almost mocking them. It also perfectly encapsulated a time in my life when I needed it, so thanks, Beach Boys. The music of the first verse starts off quiet, but then it adds a layer of harmonies and low brass, which does help add texture to the song, but THEN, it adds more. The percussion is playing quicker and more aggressively, almost like it’s freaking out. When this happens, the lyrics also change from an acknowledgement to a warning, which I just talked about. And that really helps with the instrumental context. With these two extra layers, things fall into this sad moment, where the narrator speaks from experience, talking about how much love hurts. The only instruments in this section are what I believe is an organ and a bass, so it’s pretty fucking stripped back, ESPECIALLY for fucking Pet Sounds. Then, the bass does this weird little thing I can’t really explain, but it’s basically a transition. The vocals pull another I’m Waiting for the Day too, lowering themselves for a smooth switch. And smooth it is, because the layer of low brass and harmonies and the percussion come back in another warning: “Love is here today, and it’s gone tomorrow, it’s here and gone so fast.” The second verse starts with almost dark humor. It’s honestly a really sad line, but it’s still sort of funny: “Right now, you think that she’s perfection, this time is really an exception.” Then, at the end of the verse, we got a PLOT TWIST. In a song, a plot twist. The narrator tries to explain why they’re being so harsh, and in doing so, admits that they were the person that they’re talking to’s girlfriend’s ex. Yeah, the narrator is warning their girlfriend’s next partner. Now, it could seem like they’re trying to scare the new partner. But maybe, the narrator is being genuine, that the girlfriend broke his heart, and she’ll break his too. During the second pre-chorus, the narrator changes the lyrics talking about how “it” will make you feel bad to how “she” will make you feel bad, which makes it even more sad. And then the happy-go-lucky instrumental comes back though, so it’s aight. Then, the instrumental almost flashes, while the bass plays this thing that I can almost describe as a DJ scratch sound effect, you know what I mean? It sounds nothing like that, sure, but it almost feels related. Then, the instrumental goes off with a snare almost call-in-response, to which it stops, and then the back and forth with the organ and the bass start again, repeating the instrumental from the pre-chorus, without the pre-chorus. Which is great, because directly after, it opens up the actual chorus. It works so buttery smooth that it’s hard to explain it, so if you haven’t heard the song already, please do. It’s worth it, it’s amazing.
Brian Wilson is the only person who could make the line “sometimes I feel very sad” actually sad, which he does on I Just Wasn’t Made for These Times. The song starts immediately, no intro or anything. And the lyrics are immediately depressing, talking about trying to find a place in life that’s right. In classic Beach Boys fashion, things get a little faster for only about two lines. They also do this tactic that I LOVE here, where you sing a note, move up to a higher note, and quickly move back down (“I wish they could”). It’s gorgeous. Then, things slow down but there’s more instruments added, so it doesn’t feel unnecessary. That moves to the chorus, which is that line I mentioned earlier repeated, and one added line: “I guess I just wasn’t made for these times.” This line is so poignant because of how human it is. Brian could have just said “I wasn’t made for these times,” and it’d be fine, but he added the human instinct of trying to downplay things and it works so damn well. The second verse is my favorite one lyrically, just because of how depressing it is, but it still manages to be relatable. He’s talking about “every” time he gets the inspiration, like this happens a lot. It’s like a loop, and it’s sad to see. After the second chorus, the woodwinds copy the melody to the first line of the verse, and then a theremin is introduced. Yeah, a theremin. It’s surprisingly not cheesy too. I don’t really think it was the best instrument that could have been used, but it still blends in well, and the solo’s short enough that I don’t really care all too much.
Surprisingly enough, this is probably my first time actually listening to Pet Sounds (the track) in detail, and I’m finding so many little details I love. I’m pretty sure that main percussion instrument is a ratchet and I may be incorrect, but I THINK that lead instrument is a guitar? They blend in surprisingly well with the orchestral instrumentation that I don’t even process it. At 1:38 in, there’s this brief part with a percussion instrument that I’m barely even recognizing for the first time right now, but I LOVE it. But what instrument is that?? It works so well. The song is a little too short, considering it’s not even the shortest track on the album (that’s Let’s Go Away for a While, which uses its runtime really well), but it works well for the flow of the album, and it’s just fucking good.
Caroline, No was my final piece of evidence to little old me’s “Pet Sounds is the first horror album” theory, and it’s honestly a WAY better reason than You Still Believe in Me imo. Mainly because of the chorus, it’s REALLY unfulfilling, but that’s a good thing. It’s supposed to feel empty, unfinished. This is added onto with how the third verse doesn’t switch into anything, but an absolutely gorgeous flute section just playing the verse melody, which fades out (eventually guiding us towards literal pet sounds). Imagine at the beginning of the track, the two percussion instruments are actually a hi-hat and a snare, right? And it’s hi-hat, hi-hat, snare, repeat. WHAT is that snare, dude?? It’s so ominous, I love it. The two things I THINK it is are either claves or a woodblock–I’m leaning towards claves–but either way, it’s pretty fucking perfect. And the delay on it, too, oh my GOD?? I love how Brian just uses any instrument ever. The lyrics are SO sad too, obviously talking about someone that’s changed that said that they’d never changed. It’s kind of funny too, because the first line is “where did your long hair go?” so it technically could be interpreted as him freaking out that his friend cut her hair because it never really adds any other metaphors like that. It’s obviously not about hair though.
That’s it. That’s my Pet Sounds review.
I
Uhh
Love you <3
Favs: Here Today, I’m Waiting for the Day, Wouldn’t It Be Nice?
Least fav: Pet Sounds
RIP Brian Wilson
5
Jun 14 2025
Ramones
Ramones
It's a fun listen. I don't really think it's an AMAZING listen and it's definitely not the best punk albums ever, but it's a fun listen. The production is really bad though. Really really bad.
2
Jun 15 2025
Blackstar
David Bowie
Part of me feels like I should've liked this more while the other part of me is surprised I liked this at all in the first place
3
Jun 16 2025
GREY Area
Little Simz
2
Jun 17 2025
Highway to Hell
AC/DC
3
Jun 18 2025
Apple Venus Volume 1
XTC
I assume an album sucks when I have to go to fucking Youtube.com to listen to it.
And yeah, it did.
1
Jun 19 2025
Drunk
Thundercat
Just because he says bitch don't kill my vibe doesn't make this good
1
Jun 20 2025
Idlewild
Everything But The Girl
Yes, I've shit on Everything But the Girl before in the past. Heck, I gave one of their records a 10/100. That's tied for my 6th lowest rated album ever so far. That's pretty fucking low for a softy like me. But I found this album to actually be pretty enjoyable. It does drag a lot and the lyricism is still pretty meh but I expected to like this way way less. I like the added bonus track on the reissue version of this album a lot too. Actually, that might have been my favorite if it was on this.
Favs: Love is Where I Live, These Early Days, I Always Was Your Girl
Least fav: Goodbye Sunday
3
Jun 21 2025
Violator
Depeche Mode
5
Jun 22 2025
Cross
Justice
Let's get this party started right let's get drunk and freaky fly 😝
3
Jun 23 2025
The Score
Fugees
3
Jun 24 2025
Heaven Or Las Vegas
Cocteau Twins
I've been meaning to listen to this album for a long goddamn time and today was finally the day I did. And oh my god. I genuinely can't believe what's tickling my ears right now. It sure lives up to the name, because this thing is so heavenly. Every song feels like a psychedelic voyage, but it still is hidden behind stuff like I expect out of shoegaze-esc music.
This is amazing.
4
Jun 25 2025
The Beach Boys Today!
The Beach Boys
3
Jun 26 2025
Femi Kuti
Femi Kuti
1
Jun 27 2025
Modern Life Is Rubbish
Blur
3
Jun 28 2025
Parsley, Sage, Rosemary And Thyme
Simon & Garfunkel
1
Jun 29 2025
Your New Favourite Band
The Hives
There are a few songs on here I'd consider genuinely fucking amazing but I'd also like to point out that this isn't even an album. Like 1001 albums, hello???? I'm assuming they think this is the best work in their discography which gives me a little less hope bc there are still some weaker tracks. Not bad tracks, but a little more average than everything else.
3
Jun 30 2025
Is This It
The Strokes
Did they put an ass on the cover because I the Strokes it to ass
5
Jul 01 2025
Pretenders
Pretenders
2
Jul 02 2025
Dry
PJ Harvey
3
Jul 03 2025
Kid A
Radiohead
3
Jul 04 2025
Crazysexycool
TLC
-Omg Creep reference
-Let’s Do It Again got my hormones going crazy so they gotta be doing something right
-Sexy has got to be the most insane interlude I’ve ever heard
3
Jul 05 2025
Who's Next
The Who
who who im an owl
3
Jul 06 2025
Being There
Wilco
3
Jul 07 2025
Gris Gris
Dr. John
1
Jul 08 2025
Violent Femmes
Violent Femmes
I will never not hear Feel Good, Inc. in the xylophone solo on Gone Daddy Gone
5
Jul 09 2025
Dig Me Out
Sleater-Kinney
5
Jul 10 2025
En-Tact
The Shamen
1
Jul 11 2025
Blue
Joni Mitchell
I'm pretty sure my pea brain is too stupid to understand how good this album is but it was released on my birthday so it gets 3 extra points
3
Jul 12 2025
Elvis Presley
Elvis Presley
1
Jul 13 2025
Live Through This
Hole
live through these nuts
2
Jul 14 2025
McCartney
Paul McCartney
1
Jul 15 2025
The Marshall Mathers LP
Eminem
5
Jul 16 2025
Catch A Fire
Bob Marley & The Wailers
3
Jul 17 2025
Future Days
Can
1
Jul 18 2025
Scott 4
Scott Walker
3
Jul 19 2025
Tapestry
Carole King
3
Jul 20 2025
Tanto Tempo
Bebel Gilberto
3
Jul 21 2025
Doolittle
Pixies
Doolittle more like poolittle
3
Jul 22 2025
(Pronounced 'Leh-'Nérd 'Skin-'Nérd)
Lynyrd Skynyrd
free bird's guitar solo alone moves it from a 2 to a 3
3
Jul 23 2025
Rattus Norvegicus
The Stranglers
1
Jul 24 2025
Vol. 4
Black Sabbath
3
Jul 25 2025
Desperate Youth, Blood Thirsty Babes
TV On The Radio
1
Jul 26 2025
Aladdin Sane
David Bowie
3
Jul 27 2025
Under Construction
Missy Elliott
3
Jul 28 2025
Maverick A Strike
Finley Quaye
1
Jul 29 2025
A Love Supreme
John Coltrane
3
Jul 30 2025
Fishscale
Ghostface Killah
3
Jul 31 2025
Hejira
Joni Mitchell
3
Aug 01 2025
If I Should Fall From Grace With God
The Pogues
3
Aug 02 2025
Out Of The Blue
Electric Light Orchestra
3
Aug 03 2025
Broken English
Marianne Faithfull
3
Aug 04 2025
One Nation Under A Groove
Funkadelic
1
Aug 05 2025
Getz/Gilberto
Stan Getz
3
Aug 06 2025
You've Come a Long Way Baby
Fatboy Slim
This album works like post-nut clarity
1
Aug 07 2025
I Against I
Bad Brains
3
Aug 08 2025
Blur
Blur
1
Aug 09 2025
American IV: The Man Comes Around
Johnny Cash
2
Aug 10 2025
The Rise & Fall
Madness
3
Aug 11 2025
Talking With the Taxman About Poetry
Billy Bragg
2
Aug 12 2025
Abattoir Blues / The Lyre of Orpheus
Nick Cave & The Bad Seeds
3
Aug 13 2025
Rapture
Anita Baker
I feel like this wasn't made to pay attention to? Like it's good music, but it doesn't work well as the main focus, more as a backing track, and admittedly a good one.
3
Aug 14 2025
Surfer Rosa
Pixies
3
Aug 15 2025
Sticky Fingers
The Rolling Stones
2
Aug 16 2025
The Band
The Band
1
Aug 18 2025
The Black Saint And The Sinner Lady
Charles Mingus
4
Aug 19 2025
My Beautiful Dark Twisted Fantasy
Kanye West
3