1001 Albums Summary

Lots of good songs, but it’s always strange to me how many tracks in this era are basically just covers of someone else’s.

There’s not much I can say that hasn’t already been said

Technically very impressive. I have always thought of myself as a Smiths enjoyer, but I have to say that the experience of listening to this album was fairly unpleasant. Morrissey’s voice/singing was really the only thing that I didn’t like, but it soaked through everything. Maybe it’s because I live in a place where the sun shines fairly often and it’s not eternally dreary, but I can’t know for sure.

I’ve always heard the big hits from this and thought that they’re basically just songs from a rock opera, so I was not surprised to learn that his discography was adapted into a full-blown musical. I’m tryna go see that

This was a strange one. I really enjoyed some parts, but I kinda felt myself drifting between the songs and some were a little too similar for my tastes. I’d definitely be interested to hear more of his other projects.

Absolutely shreds. Not as much variety as some of their other projects, but its one of the quintessential Metal albums.

What a legendary debut album. The variety, innovation, instrumentation, it’s all there. Not quite as perfect as some of their other projects, but still an absolute pleasure to listen to. (4.5)

What a weird album. With most other albums I like a little variety, but something about the vibe of each song plodding along really appealed to me here. I feel like this would be great montage music for a crime drama or something.

I've heard a few Offspring songs here and there, but this was a real treat. Still working on beefing up my knowledge of the punk scene as my angsty teenage music phase was super boring by most standards. The vocals are exactly what I'd expect and enjoy here, and I really enjoyed the instrumentation. There are some great riffs here that I've been humming all day. My favorite was probably "Come Out and Play" which really got me in the groove. I wasn't a huge fan of "What Happened to You" though, it was giving mid-ass anime opening. Stuck between a 4/4.5 here.

Chill album with some classics. I’d give it a 3.5

I was driving through horse country while listening to this album, which is most likely not the best setting to consume it in. Very manic, very strange, very cool. I'm between a 2.5 or a 3 here. There were a few songs I really enjoyed, but it didn't quite land for me with the limited time I had with it. These are the flaws with one album a day; I think I could've gotten a lot more out of this with more time, and I probably will in the future.

Very subdued, but I enjoyed most of this album. I don't have a ton of experience with Trip-Rap, but I'll have to at least check out more of their stuff. Thinking 3-3.5 (we really need a half star system)

What an iconic choice having Busta Rhymes interludes bookending the album. There are definitely ideas that were improved upon later, but this is a great foundation for that future growth. My sense of time always gets so fucked up when I see all the different collaborators and features coming together like this. Really saw then vision of this as a cornerstone in that late 90's sound. 4-4.5

Forgot to write my thoughts down on Friday, but I remember liking it fine. Nothing super memorable

My first experience with Pink Floyd back in the day and it’s stuck with me ever since. Most of my favorite songs of theirs are on here. I’ve always loved how well the album flows together while still having a distinct feeling with every track. Absolute 10/10 for me

3-3.5 I always enjoy albums like this, so I feel a little conflicted about the rating. This one kinda dragged on for me, and a lot of the sounds and ideas are just versions of earlier stuff that I like more (Coceteau Twins). My enjoyment of Shoegaze/Dreampop music buys most of these stars, but this is not up to par with others I’ve heard.

This album was very strange for me. I don't have a ton of knowledge on the subject of music theory, but if there is a concept of musical edging, this album edged the shit out of me. My lizard brain would activate at least once per song and say "oh here it is, this is the stuff you like," only to divert into a sound that I did not enjoy. Naturally, this made for an unpleasant listening experience. On a related note, I listened to this album via a Youtube playlist from an account with dozens of other full album playlists. About halfway through listening, I discovered that this account had inserted some sort of AI sleeper cell activation video from an Indonesian rock band in the middle of every single one of their album playlists. The video has millions of views and hundreds of comments from bots talking about crypto and stock tips, and it does not contain any information that is comprehensible for the human mind. After listening to some of it, I went back to the album, but I couldn't shake the feeling that I had taken the Blue Pill but hadn't been mind-wiped about the existence of the Matrix, which feels like a clear violation of the canon. All of these factors combined lead me to believe that I experienced some sort of psychotic break as a result of watching that video, and as such I have no choice but to give this album 1.5 stars.

Had a good time with this, pretty chill/what I expected.

3.5-4 Lots I enjoyed here, but nothing that I really loved.

I respect the craft, but Pantera is definitely a little heavier than I like my metal. I enjoyed a few of the songs, but overall its just not my vibe.

This album is so incredibly important to me. I was brought up in the John Prine tradition, meaning that our family car rides consisted of this album and "Sweet Revenge" whether we were headed to the beach or to dinner. The scope of emotions contained within are nearly unbelievable, even now. "Sam Stone" has gone down as one of the saddest songs of all time for obvious reasons, while "Paradise" captured that very Kentuckian feeling of the beauty of our state and its corruption through exploitative extraction. "Your Flag Decal Won't Get You Into Heaven Anymore" became the first (and my personal favorite) of the protest songs that JP would later be known for, and one that, unfortunately, has become more relevant every year since it was written. While tackling all of these themes could easily trend towards nihilism, the picture he paints of the world is an inspirational one. In reference to these societal issues, he once said: "I saw all that. I knew, and I couldn’t figure out why no one would say anything." I've always tried to take inspiration from this attitude, that you have to put a name and a face to the darkness in order to produce a little bit of light. I think JP embodied that sentiment until the end of his life, and now he's back here with us in KY, flowing down the Green River. One of the greatest to ever do it, and one of my favorite albums ever. I hope everyone enjoyed this one if you haven't heard it before, but even if you didn't, it'll still be here when you need it. 10/5

What a surprise. I didn’t really give this one a chance at first, but eventually we were groovin, driving around and imagining myself on the case with my grizzled detective partner one day from retirement before his local nemesis rears his ugly head, presenting my partner with a no win scenario: take down his sworn nemesis or spend time with his family.

Some of the hits from this album are always in rotation but its nice to have a reminder to listen all the way through again. A foundational work, not much to say.

Usually when I listen to these albums, I’m busy doing something with work, driving, playing a game, etc. At least on the first listen. Imagine my surprise as I started humming along with the songs in the middle of the album. If my subconscious liked it that much, I figured I needed to give it another go. Had a ton of fun with this, and I only disliked the one song where they talked like kids bc it triggered my misophonia. Honestly feeling a 4.5 to 5 on this.

The highest form of praise I can give an album is to add some of the songs to my liked song playlist. I added more from this album (and Monday’s) than any others from our list thus far, so I feel like that has to warrant a 4.5 or 5

This was honestly a baffling inclusion on this list. Looking into this group’s background, they gained some notoriety as a “drug band” and later released an album called “Taking Drugs To Make Music To Take Drugs To.” This did get a chuckle out of me, but by that metric Playing With Fire is the music that you have made when you no longer have a grasp on how many drugs you've taken. Weirdly enough, it was one of their first releases. 1.5

Plenty to like here, but I couldn’t shake the feeling that several of these songs were attempting to hypnotize me, which is a typically British move that I did not appreciate. 3.5-4

This album has shaken my faith in the Irish people.

Even with a couple of misses, this one still really managed to catch my ear. I think this would be a 5/5 soundtrack to some folksy medieval indie movie. As an album I got a little bit lost with a few of the songs and I think they showed their age. 3.5-4

A couple of slower parts here and pretty sparse musically, but I think that’s the charm of this album. Intimate and evocative of a private concert. I’m a huge fan of Sinead O’Connor’s vocals. I love The Cranberries, so I’ll take any amount of Keening that I can get. Overall, there’s a melancholy to her music that’s hard to shake off. I try to separate the albums from their respective artists, but it’s hard not to think of her personal and professional struggles that followed her success. She was obviously vindicated after the fact (fuck you Joe Pesci and Madonna) but it seems like her struggles were more from the attention she received as a whole, and the Pope-tearing incident was only a part of the story. At least my GOAT Morrissey knew what was up and supported her.

I’ve never been tapped in to the discourse on why The Dude hates the Eagles or why the cab driver loves them so much that he tried to fight over them. What I can say is that listening to this album with the windows down on one of the last warm days of the years was an immaculate vibe.

I’m not really sure if I liked or disliked this album. I tried to listen through twice, but it just went straight past me. Not sure if it was just very boring or if I wasn’t giving it my all.

This is one of those pioneer albums that you have to respect but not really love listening to. It’s very impressive to have unlocked the electronica vibes in the 60’s. It kind of reminded me of Tron, but if it was a slice of life-type movie instead of racing. Apparently this band released over 100 albums, so I could see them as the Mother Yeast of all electronic music. I usually prefer to eat the bread that is descended from it, though. 2.5-3

Imagine how good this would’ve been if it wasn’t Bri*ish. In all seriousness, the front and back end songs didn’t really fit with the meat of the sandwich, and the skits were 10000x more annoying than American ones due to the slang. The core of this album was pleasantly surprising, and I could see myself returning to those fairly often.

What a wild ride. I had a stressful day at work while listening, and I genuinely thought I was going into psychosis at some points. I saw several comments around the internet of a version of this project where all the songs were in their original German form, and I think that would have been better than what we got. As a non-German speaker, I still preferred the songs that were sung in German. Maybe I just didn’t like the lysis that I could understand very much, but it also seemed more fitting with the music. Something about the whole experience tells me that it would be awesome in a live setting. As an album and while having to move around in the real world, not so much. 2.5

Always love me some David Byrne. I didn't find this one quite as compelling as some of their later projects, but even then it's still a good mix of that delirious, trance inducing sound.

There are certainly some jams here, but it all started to blur together after a while. For every song I liked there were 2 that just kinda passed me by. 2.5-3

So much sauce here, I can only imagine how cool this was live. Live albums can definitely be a bit wonky sometimes, but every now and then those legendary ones can make you feel like you were there in the audience. Something about the cheering and laughing just put me in a good mood.

I can’t keep living a lie. I have to admit it… I do not care for Bob Dylan’s voice. The iconic harmonica, the guitar, the whole band, all of it is amazing. As far as the live setting goes, it appears to have the sauce. I’m sure it would’ve been an amazing concert to witness. The only problem is that I just can’t listen to his voice for more than 2 or 3 songs before needing a break. I wish that I could hack it, because his influence speaks for itself. 2.5-3

There were a few songs here that made me believe in this album, even if just for a few seconds. Then, they would do something so bizarre that I remembered the name of the band. I suspect that whatever impulse that drives one to say “Yes, I am the lead singer of the Butthole Surfers” has to drive them to making other questionable musical decisions. 1.5-2

Absolute cinema, what can I say. Definitely his highest quality album, but not the one I like listening to the most on a daily basis. And that is perfectly fine with me. I am continually surprised by this album every time I listen, and it’s a classic for a reason.

Listening to this while cruising on a boat produces some of the greatest vibes known to mankind.

Video game title menu music I didn’t despise this album and there were plenty of parts I enjoyed. However, once they’d been repeated non-stop for 6 minutes, I was over it. 2-2.5

I found this one to be extremely vapid. Just didn’t do anything for me at all. 1.5-2

I’ve never heard a Zappa album with so few vocals, but I enjoyed this a lot. Not super familiar with him overall. The music does tend to dip into the “Yoinky Sploinky” zone a bit much for my tastes, but those incidents were thankfully few and far between.

I enjoyed just about every song on this project, but it didn’t really scream 5 stars to me for whatever reason. Just about there, though. 4.5

In all honesty, I have never been the biggest fan of Eminem. My opinion suffered via the simple fact that, as a young lad, the most annoying people I had ever met up until that point were massive Eminem fans. They listened to his music and had that same kind of crude sense of humor, but never really said it was a joke or dropped the persona. Naturally, I did not want to be around these individuals or share any of their interests, so I wrote Eminem’s music off (excluding his huge hits and singles ofc). With that bias in mind, I did enjoy parts of this album, but the PTSD flashbacks from those mouth-breathers were definitely unpleasant. My first thought was that it just hasn’t aged well, but I’m not sure that I’ve ever been edgy enough for this kind of thing to be that appealing.

*guy throwing headset off meme*

This was such a roller coaster for me, and not in a good way. I was stuck in Lexington traffic when I listened to the majority of this, and some of the songs were so frustrating that I considered aiming for the trees. Here and there a song would get my feet tapping, but I found some of the others to be shockingly bad. Best I can do is a 1.5.

Some real jams on here, what else did I expect from the Chosen One?

Absolute bangers all the way down.

I’m not sure if it’s just my tastes or the technology of the time, but lots of these 60’s era albums sound like they’re recorded in an empty warehouse. It just doesn’t do it for me.

While I usually take offense to super long songs, the organization of this album was great imo. Short in the number of tracks, but with plenty of time to explore some pretty cool stuff. I could tell that this was gonna be a wild ride when I read that Kuti married 27 women simultaneously, and I was not disappointed. Maybe each one of them got to play a drum on these songs.

The beginning really convinced me that I was not going to enjoy this album, but the second half really saved it for me. I think I’d need to give it a thorough redo sometime in order to have a completely accurate score.

The potential for this to be a great album is there. I could feel myself slipping into the vibe on several tracks, but something kept me from becoming fully immersed. If I knew anything about music theory I could probably explain what it was, but since I don’t I will blame it on vibes. 2.5-3