It's quite telling that I was listening to this while working, and at one point a track came on that I thought "oooh, now this is -good-!" I checked it out and Youtube had just skipped over to Daft Punk on auto play. The entire time, however, there was no track that stood out except for 'Drop the Pressure.' If you're going to Destroy Rock & Roll, you gotta do better than this, folks.

Good album to have in the background while you're carving pumpkins. Does feel a bit bloated.

Inoffensive, really. Guitars were really subdued and there wasn't really track that gripped me.

Smooth like butter. But after a while you kind of get bored with the same sultry, romantic vibes. Still, if you're in a funky, loving mood, definitely a good listen.

Meh. Not my genre. Stand-out hit is 'Jump Into the Fire', but I guess I don't really like the slow, chill tempo of the songs listed here. Can see why it is influential, though.

Pretty dang good. Starts right away with some good bangers, with some forgettable songs here and there. 'Black Dog's an absolute headbanger.

Straight up manic, hyperactive VIBES. Absolutely loved most of the songs. Weird ending songs though, feels like they just phoned that in. Maybe by design?

Pretty decent bangers, I just feel like I missed some of the context of the lyrics here and there. If I could understand the meanings, it would rate higher in my book.

Loved the idyllic and vivid descriptions of Belfast and the countryside, but aside from 'Sweet Thing' and 'Beside You' there wasn't really a track that gripped me.

Love the weird, wonderful vibes in this one. Wish there was more an overarching theme to unify the rest of the album, but nearly all the songs had me nodding my head along. 'Do You Realize??' is a great existential trip.

A well put together ensemble of rockin' tunes. Slow, introspective songs are paced well between high tempo headbangers. The basslines of Flea are immaculate. There's no tracks whatsoever that were bad in my opinion.

There were a lot of songs that I liked on this album. There were quite a few that didn't quite grip me, but were okay to listen to. And then there were a few whose experimentation veered straight into feeling like my ears were being drilled with a jackhammer. But, overall, quite good. Favourites: Chapel Hill, Sugar Kane Least favourites: Nic Fit, Creme Brulee

For an album that starts off with a great number, it left me with the feeling of 'thanks, but I'm full'. I can barely hear the vocals most of the time over the distorted guitar noises, and most of the tracks are... forgettable. Get the feeling that it's supposed to be listened to in one sitting, but it's making me fall asleep. Best songs: only shallow, come in alone Worst songs: to here knows when, what you want

From bombastic performances to slow and ponderous jazz, this album has been a delight to listen to. Well-put together and definitely a vibe. Best songs: The Kid from Red Bank, Lil' Darlin Worst songs (though still good): Duet, Teddy the Toad

Poppy goodness galore. With its legendary status, I can't help not giving it a high score - however, lyrics are simple, and it's mostly a catchy album without a lot of depth. Still, it's fun to listen to. It's so exciting, why should I pretend? Best songs: Money Money Money, Fernando Worst Songs: Why Did It Have to Be Me, Arrival

It's... not my cup of tea. The vocals are off-putting, it's like Elvis is trying way too hard to stand out. Aside from a few songs, most are unforgettable, and more than a few have creepy overtones and borderline misogny written in them. Dated, but I can understand why this might have been influential back in the day. Best songs: The Beat, Radio, Radio Worst songs: You Belong To Me, Living in Paradise

This was a tough listen. Country just doesn't jive with me, man. The lyrics are full of platitudes, and the songs all just blend together like a boring country mess. If you're in a bar in Texas somewhere and you're hearing this in the background, I suppose it's authentic, but you'll forget it as soon as you're back home. Best songs: Boxcars Worst songs: I'll Be Your Fool, West Texas Waltz

This is my first time getting an album generated where I can confidently say that I LOVE nearly everything on it. The solos are amazing, the rough guitar shredding, the vocals feel so primal... It's great.

I do like a few of the songs that have a melancholic, relaxing vibe. The weird lyrics and the strange obsession this guy has with anatomy is a bit off-putting. Good, but not much else to write home about. Favourite songs: Insect Eyes, The Body Break Worst songs: Poughkeepsie, See Saw

I do like how they don't just have love song after love song in this album - there's a broad array of themes being tackled over some funky tracks. However, the vocals are a bit of a hit and miss. Still, overall it's a pretty good listen. Favourite songs: Found a Job, Take Me to the River Worst songs: Warning Sign, Thank You For Sending Me An Angel

Live albums are not my thing, unfortunately. But I am awed by the fact that a 15-minute long track is nothing short of amazing rock goodness. Wish the inbetween talking and the audience cheers were cut, but the overall album is incredible. Best tracks: Amazing Journey / Sparks, My Generation Worst tracks: Happy Jack, I'm A Boy

This album feels bloated. There's so many songs that should probably have been left out. There's a few standout hits in there, but it's hard to recall those over the straight up perverted, awful songs. Best songs: Under the Bridge, I Could Have Lied Worst songs: Apache Rose Peacock, Sir Psycho Sexy

While Bonnie's vocals are undeniably fun to listen to, you start to get tired real quick of all the love songs she's belting out. I tried to give it a fair shake, but it's just not for me. Best songs: Thing Called Love, Soon To Tell Worst Songs: Nobody's Girl, The Road's My Middle Name

Some dated lyrics hold me back from rating this album a 5. But, on its own, I can see why it's one of the greats. Rockin' goodness. Best songs: Getting in Tune, Won't Get Fooled Again Worst songs: My Wife, Water

A strong, powerful voice to listen to. The whole backdrop of New York gave the album a nice thematic consistency. Some of the songs didn't really grip me, though. Best songs: One Line, A Place Called Home Worst Songs: Horses in my Dreams, You Said Something

The guitars feel like they're -singing- in this album, it's great! Definitely feels like it's a short but sweet deal of an album - Sex Machine feels like a wonderful jam session.

A lovely eclectic mix of instruments bringing out some lyrically beautiful songs. Love the transitions between the songs, they are seamless and make this album a game to listen to in one sitting.

Definitely an influential band, just not for me. The lyrics are crass and borderline vulgar without making much of a point with it, and the country thwangs make me hesitant to listen more. The stand-out hits are the only ones you need in this album.

It's alright. I liked the instrumentals more than the vocals, who seem to be run of the mill. There's a bit of experimentation here and there, but far too little to make this album stand out as influential.

I was skeptical at first seeing the album cover and hearing that it was a concept album. But I warmed quickly to the ethereal vocals, the fact that the album is like a guided tour through Illinois' history, and the wonderful mix of instruments.

Short but sweet. It is rather simplistic, but that makes for a nice palate cleanser if you are a bit tired from the more experimental albums here.

It's catchy, but that's it for the most part. I enjoyed listening to King's powerful, dynamic voice, but other than a strong start I felt the album kind of petered out at the end. Still, it was quite good!

It's decent background music. That's all that really comes to mind.

What this album lacks is consistency, I feel. Though I'm all for being experimental, it feels like they're just throwing whatever on the album to see what sticks. Vocals can be a bit grating, too. The guitars make this album -just- worth it to listen to once.

Now -this- is what I'm talking about! Rocking guitars, a powerful voice, and just straight up attitude dripping off the tracks. Honestly a perfect album, no further notes needed.

It's relaxing to listen to, I'll give it that. It definitely matches the vibe of being at the beach and listening to the languid guitars. However, nothing really stood out to me besides the opening track. So it's going to be just decent for me.

'Small Hours' is an amazing, trance-like experience to listen to - but the rest of the album was mostly a hit and miss. I do love the experimental vibes, but it is still only a unique experience to listen to once. Kind of underwhelming.

Very simplistic, lots of songs about love. There are a few that do stand-out, but for an album it's just 'alright'.

There's something indefinable that juts puts me off of Elvis Costello. Whether it is his voice, the trite guitars and songs, or just plain unoriginality... I don't know.

God damn, I wish I could give this album a 5 just because METAL. But I can't in good conscience. While there is undeniable catchiness to the songs that gets you going, the lyrics seem like a very watered down rebellion (TM). There's just a general anger that seemed to try to cater to as many different people as possible instead of just focusing on bringing a message. But it is still headbanging good metal.

There's a lot of anger in this album, and it hits hard. Stan and Real Slim Shady are masterpieces. But the in-between segments and Eminem's crass, childish humor gets a bit much at times. Still, it's a legendary album for the rap scene.

A beautiful voice, accompanied by beautiful piano arrangements. Elton John always seems like he's having the time of his life when he's singing, which makes this album that much more charming. The former half of the album is definitely stronger, though.

Firmly middling. I really wish I could give it a 2.5/5, but, I suppose I'll have to trust my gut here. There's some songs that have some catchy groove to them, but the rest just fall by the wayside. Vocals are nice, though.

An assault on the eardrums in the best way possible. An angry, powerful album that kicks the door in and rocks your socks off. Sometimes it does get a bit samey, though.

This album... was restorative. After a rough night's sleep and a general feeling of anxiousnesses that pervaded my day, listening to this whisked me away to drift amongst the clouds. It is an ethereal, beautiful experience. But its relaxing vibes are also the biggest critique I can give it: there's no single track that stood out as the definitive iconic song.

Good beats, good flow. It's just a shame that Snoop Dogg raps about three things in general: smoking weed, being sexist, and chilling with his homies. I guess the informality of it just being a sesh with your homies could be the strength of the album, but it is not a friend group I'd like to be a part of.

This album feels like a series of lullabies, softly whisking me away to sleep. The lyrics are well-written and conjure vivid imagery. It's not bad, but it does start to blend all together and I doubt I'm going to revisit any of the tracks on it.

'Roundabout' is of course the biggest draw of the album, and it is definitely my favourite. But the longer tracks on this album are worthwhile to listen to as well. It is hampered a bit by inconsistency: the short, 'quirky' songs kind of pull me out of going on the journey that Yes wants to send me on. But nevertheless, it is a legendary prog rock album in my opinion. Also: IS THIS A JOJO REFERENCE???!1one!1!!

Strangely it is a very thematic, coherent album. I was expecting more of a random assortment of Metallica songs, but this was quite nice. I have to say though - James Hetfield's voice gets too much after listening to an entire album of his growling. But One is a masterpiece, and I definitely will give this album a revisit.

The length of the tracks daunted me at first. But this is a wonderful, relaxing album to listen to. I can see why Pink Floyd has such a legendary status - the album's autobiographical themes gives it power enough to stick out.

Ehh, it's pretty alright I suppose. The problem with being the original influences of blues musics is that I have heard it all before. Still, what is there is quite good, and I do appreciate that they try to make their tracks distinct from one another.

The album equivalent of getting blueballed. Some of the songs are such a bore to listen to, but then it gets -really- interesting... Only to have it end immediately. It is relaxing to listen to, but for an album that is supposed to be influential, I was expecting more.

Here's a conundrum. If you extract a Christmas Album out of the season, is it still a good album? Or is the fact that I am listening to this album on Christmas Day irrevocably biasing my review? Yeah, it probably is. But I don't really care. It's still a decent album.

I listened to this album while I was in the throes of the flu. It was an anchor that held me sane while my fever-racked body was tossing and turning. The thundering headache was soothed by the plucking of Weller's guitar. Short of breath, with a stuffy nose, I nevertheless felt light listening to this album, floating on the gruff but charming vocals. So, in conclusion: Pretty good.

Hmm. This is a difficult one. I acknowledge that Bob Dylan has a legendary status, but his voice is just not doing anything for me. The lyricism in his songs definitely do make it worth listening to, but whether I could return to it... I don't think so.

It's incredible how many songs on this DEBUT album of all things are the ones that cemented the band's legendary status. Slash' guitar skills are amazing. It's just a shame that the lingering taint of misogny still resides in this album, and the other songs kind of blend together.

What a lovely eclectic album! Beck takes to different genres like a duck to water - hip-hop, rock, folk... It's all familiar territory to him and doesn't seem to be too out of place. His voice never ran me ragged, and the instrumentals were top notch. His creativity also shines through his lyrics.

Oof, I really tried - but I just couldn't get into this. Halfway I just wanted to be done with this album. 'Heard Through the Grapevine' is the sole hit on this album that I thought was above average, but the rest is just slop that only redeems itself through the lyrics. I can definitely see how it is influential, though.

Can definitely see why this is their debut album - it really feels like they're trying to find their footing. For me, so far, it is the weakest of their albums on this list. The drums are the highlight of the songs, but other than that, it is ok at best.

A nice mix of acoustic and electronic tracks. Young's voice is quite relaxing and lovely to listen to, but I do get the common criticism that everything starts to blend together.

-The- definition of an epic rock album. Freddie Mercury's voice is angelic, and it was really nice to hear the band belt out some hard rock. It is a bit all over the place in terms of tone, though.

If I was rating George Michael as a human being, I'd rate this a 5/5. Unfortunately I'm only rating the music, which is okay pop hampered by some very dated, borderline creepy lyrics.

The fact that this is a live album does a disservice to Motörhead. But the heavy riffs, the iconic sound of Lemmy's voice, and the sheer attitude dripping off this album makes it still pretty good.

A personal, introspective album that nevertheless feels quite relatable. Lennon's emotions shine through in his vocals, and I absolutely enjoyed listening to him sing the deepest parts of his soul out.

Relaxing and chill to listen to, but my god it is massive. Comforting as Nick Cave's voice is, I don't think I'm going to revisit it.

For my introduction to Fleetwood Mac, this is a bit of a bummer. Don't get me wrong - it sounds -good-, but aside from 'Beautiful Child', there wasn't a single track that stood out to me as essential listening. And that's the biggest critique I can give it: the loveydovey songs all blend together.

Quirky and upbeat, I like it! There's a good variation of songs here, though some do feel a bit more... wacky than others.

I thought the hidden track at the end was kind of clever, but that's everything that I found to be unique about this album. It's pop. Decent pop, but just pop.

A blend of all different of genres, which makes it interesting. But it's just not for me.

Decent, but nothing to write home about. Vocals were a hit and miss.

Not bad! But after a while, it starts feeling repetitive. Problem with the 70's bands on this list is that while they were unique for their time, they're nothing new by now. But for what it's worth, the smooth jazz made it chill to listen to.

Quite fitting that the album is titled 'Pictures at an Exhibition', because I feel like an everyday shmuck in an art gallery that is tailored to those who spend their lives living, breathing, and vomiting art. Because I don't get it. Doubt I'm going to listen to this again.

What a fantastic and eclectic album! The production values on this must have been insane. It's only at the end that it was veering dangerously close to 'jarringly experimental' territory.

Good lyrics, good variety... Overall, I enjoyed this album, but it's not my cup of tea.

Silky smooth vocals, but sorely lacking in variety.

Well, it's definitely quite good, and I do love the happy songs on here. Some of the lyrics are... questionable, but there's no denying that the Beatles deserve credit for paving the way for so many artists and bands.

Paper Planes is of course the biggest hit, but I found most of the album to be quite catchy. The rap flow is more of a hit and miss, with the most awful outlier being Mango Pickle Down River, which feels like baby's first rap beat. Maybe that was the point, but it was jarring enough for me to no longer feel this album.

Relaxing, beautiful vocals and all around a delight to listen to.

Just in comparison to the other Steely Dan album on the list, I found this to be much more energetic and musically interesting. The guitar work is a lot more complex.

Good rocking. No further notes needed.

I think where Bob Dylan truly shines is in his lyricism. He evokes a lot of beautiful and memorable imagery in his songs. It's just a darn shame that his voice gets a bit on the nerves after listening to over an hour of it, and some of the songs on Blonde against Blonde felt like they were stretched out unhealthily. The country vibes are not for me.

Björk's unique voice, the groovy dance soundtrack, and the fun experimental songs make this album a lovely, relaxing trip. I appreciated the broad spectrum of topics here: from love, eroticism, to almost childlike wonder.

Full disclaimer: I had to look up a user-cobbled together album on Youtube just to listen to this elusive thing. It's good rock, nothing to write home about, but the sheer unavailability of it makes me deduct points. I don't know the story behind it, and I know the band had its issues with the production of this album. But my god, it is 2025!

Just straight up great sampling and dance music that makes you wanna bust out some moves right then and there. It's a diverse array of songs too, which helps to give it some staying power. Genuinely enjoyed it.

The man, the myth, the legend. It feels particularly a propos for Stevie Wonder. Never has a song outstayed their welcome in this album. Never have I complained about the length of the songs on here. Never has this album failed to make me smile after each song.

Short but sweet, I liked it! It was nice to listen to in the background, and you could definitely see how this became the progenitor of rock and roll.

It's quite telling that I was listening to this while working, and at one point a track came on that I thought "oooh, now this is -good-!" I checked it out and Youtube had just skipped over to Daft Punk on auto play. The entire time, however, there was no track that stood out except for 'Drop the Pressure.' If you're going to Destroy Rock & Roll, you gotta do better than this, folks.

There's a few hidden gems here and there, but overall, it is the same folk nonsense that I've already grown tired of after hearing Bob Dylan. The only difference here is that James Taylor does have a nice singing voice.

Good lush beats, good flow, and just straight up good hip-hop. The topics of the songs tend to get a bit repetitive, but this is definitely an album I'm going to listen again to. Fuck the pigs.

An insanely good, high energy, varied album that somehow keeps surprising you despite its length of numbers. When they pulled out the buddhist chanting, I was utterly but pleasantly surprised. The feature with Q-Tip was great - he played off really wel with the boys.

There's a bit of 'oomph' I'm missing from the other Stevie Wonder album on this list. It has its charms, and Superstition is an amazingly funky and groovy track. But other than that, it does tend to blend together.

Inoffensive, but ultimately unsatisfying. Like plain white bread.

I liked it! Pretty excellent sound and some nice, gruff vocals.

Now I know I ain't no country boy. I don't live anywhere near a ranch, and I don't own a truck - hell, if I owned a car, I'd probably drive a prius. But this was lovely compared to some of the other country albums on this list, and it's because Dolly, Linda, and Emmylou have some fine vocal performances on here.