91/100. This is a fantastic and fun record. A Tribe Called Quest masterfully fuses jazz and boom bap—two of my favorite rap styles—into something truly special. The album flows effortlessly with no weak spots.
Iconic, pleasant listening experience the whole way trough for a double album. Very stong start but fading a bit towards the end, I enjoyed all songs however. 88/100
75/100, good album. Some standout tracks, with some less good fillers.
Groovy. 72/100
81/100. Not his best work but a very good album
77/100. Great start to the album, however it fell off towards the end.
82/100. Strong guitar play and polished production makes an enjoyable listen.
80/100. Anchored by the iconic 'Cult of Personality,' which stands out as an all-time great, the album radiates energy and skill.
89/100. Close to perfection.
The production and arrangements make it a rewarding listen from start to finish.
82/100. While I'm typically not a fan of albums dominated by instrumentals, this one pleasantly surprised me. This album serves as a testament to why he's considered one of the greatest soul writers of all time. Definitely worth a listen.
82/100. This album is a fantastic listen. However, its main drawback lies in its length, as it tends to drag in places. The "Zopf" bundle, in particular, feels like it disrupts the album's flow. Without it, the record would be close to perfection.
78/100. While not the artist's best work, this album remains a beautiful and fun addition to their discography. It captures the essence of its genre.
A highly enjoyable listen with infectious funk throughout. Vibrant and full of energy.
79/100. The first three-quarters of this album are a standout, offering a surprisingly chill and enjoyable vibe that exceeds expectations. However, the final quarter sees a noticeable drop in quality.
The first two tracks kick off with energy and strong production, but the quality takes a dip as the album progresses.
A solid effort. The first track is fantastic, but the rest, while good, can feel a bit too noisy at times.
80/100. An aggressive, politically charged album with strong energy. While solid overall, it lacks major hits, and some lyrics haven’t aged well.
81/100. A solid and consistent heavy metal album with powerful, hard-hitting music throughout.
83/100. This album delivers an immersive experience, blending creepy, thrilling, and hauntingly ambient vibes. Its well-crafted atmosphere and smooth flow make it a highly enjoyable listen.
67/100. While undeniably iconic, this album didn’t quite hit the mark in terms of satisfaction for me. It’s an alright listen. Decent, but not dazzling.
81/100. With excellent songwriting and consistently good vocals, it stands as a worthy farewell to their original era.
74/100. An enjoyable listen and undeniably iconic within its genre.
This album isn’t bad, but it struggles to hold attention, eventually fading into background noise. The overuse of "Honky Tonk" becomes tiresome.
67/100. While the majority of the songs are enjoyable, the album's structure feels disjointed, with abrupt shifts between genres.
64/100. This is a decent album, highlighted by Frank's fantastic voice. However, the strong association of his vocal style with Christmas music makes it hard to separate the two. While not a Christmas album, it unintentionally evokes holiday vibes.
90/100. The album feels dark, empty, and emotional all at once. These feelings are mixed together in a beautiful and powerful way.
68/100. The album was okay but felt messy and unpolished. It’s not something I’d feel compelled to revisit.
68/100. The album is mostly okay, with "La Grange" standing out as the only truly noteworthy track. The rest of the songs feel mediocre.
55/100. This album had its moments, but overall, it left me underwhelmed. The beats were solid at first and even gave the album a nostalgic 90s vibe that I genuinely enjoyed—it felt like stepping into a time machine. Unfortunately, as the album went on, the beats became increasingly uninteresting, and the overall experience just didn’t hold up.
75/100. This is certainly not the best reggae album out there—it might even feel a bit too long at times. I thought so myself at first, but halfway through, I found I’d lost track of time, caught up in the groove. The music had me moving my feet and swinging my head without even realizing it. The album leans heavily on instrumentals, with vocals backing it up on just a few occasions. While the instrumentals are solid, it would’ve earned a higher rating if there were more vocal tracks to add variety and balance.
74/100. “They had us in the first half” was the first thing I thought after listening to this album. While the first half was magnificent, the second half wasn’t terrible—just disappointing by comparison. This contrast was especially highlighted by the song "We’re Not Supposed To," which genuinely sounded like an Alvin and the Chipmunks cover—a vibe that’s never a good thing.
95/100. Truly remarkable. This is my favorite project from Björk. The songwriting, vocals, and instrumentation—this is what music is all about.
89/100. A very nice and calming dream pop/rock album. I’m not a big fan of Coldplay’s newer releases, but their first two albums are absolutely stunning. There aren’t really any faults with this album—some of the songs even give me a sense of nostalgia from my childhood.
70/100. A good, decent rock album. It has some nice riffs, but nothing particularly extraordinary.
54/100. Decent at best. For me, this album is pretty unremarkable—the singing pitch doesn’t vary much throughout the tracks. With a runtime of around an hour, the songs started to blend together and felt overly repetitive after a while. The music itself was fine, but as an album, it just didn’t click for me.
76/100. THE essential Christmas album.
73/100.
75/100. A very chill and easy listen. This album features a consistently high-quality sound across all the tracks, each of which is enjoyable. I hadn’t heard of this group before, but I’ll definitely be checking out their other projects.
82/100. If I’m honest, I was worried after the first track—I didn’t really enjoy the sound of Eno’s voice with the heavy reverb. However, the rest of the songs were so calming. A beautiful record and probably my favorite Eno album so far.
78/100. A very chill rock/Americana album. The lyrics are well-written and sung beautifully. There’s nothing to complain about—it’s a well-executed album.
74/100.
89/100. My second favorite Kanye album. Yeezus is stacked with great tracks from start to finish, with some of my personal favorites from him featured on this record.
73/100. What a beautiful record. Unfortunately, I think the first few tracks on this album are lower in quality than the ending, so it took a while before I started fully enjoying it. The tracks have a folk, primal vibe, with fantastic singing throughout.
37/100. I don’t even know what I just listened to. This album was painfully bad—some songs were so terrible that I might have overrated others by comparison. The 77-minute runtime doesn’t help either.
79/. A good new wave/pop rock record. There are some excellent tracks on this project, but it feels a bit uneven in quality. For me, the record is very front-loaded, with all the best tracks appearing at the beginning.
92/100. One of my favorite jazz records of all time—it’s damn near perfect. The music is truly wonderful, and the riffs are otherworldly. There are basically no lows on this record.
83/100. A very solid country rock record by The Rolling Stones. The album has a consistent sound and is pleasant to the ears. The only downside is that it loses momentum toward the middle and early end of the record.
80/100. Impressive and smooth. I usually enjoy more modern jazz records, but this one is superb. Created in 1957, the sound still holds up remarkably well—a true achievement.
59/100. Short, sweet and decent at best.
87/100. A great blues rock record. In my opinion, this is probably The Rolling Stones’ strongest album, packed with classic tracks throughout.
81/100. It’s an album that feels personal and raw, yet incredibly serene. A perfect companion for anyone looking to slow down and unwind.
91/100. This is a fantastic and fun record. A Tribe Called Quest masterfully fuses jazz and boom bap—two of my favorite rap styles—into something truly special. The album flows effortlessly with no weak spots.
80/100.
68/100. A record with a mix of different qualities of rock music. The obvious standout, by a long shot, is "Detroit Rock City."
92/100. Wow, this was an incredible listen. The jazz is so soft and smooth—it feels like a late Friday evening, sitting at home or in a bar, soaking in the weekend ahead. Fantastic experience.
84/100. A smooth jazz album with a bit of inconsistency—some tracks definitely stand out more than others. Nonetheless, it’s a great jazz record and an enjoyable listen overall.
92/100. Incredibly relaxing. The instruments are so beautifully played that it’s hard to find many jazz records better than this.
84/100.
89/100. An exceptional Latin jazz record. The production is so smooth it gives you a warm, relaxing feeling throughout.
68/100. What I always find interesting about 2-step is how it feels like time travel whenever I listen to it. Out of all genres, 2-step gives me the biggest sense of nostalgia. That said, I don’t really enjoy the genre much—same goes for this album. It’s alright, but a bit long and outdated.
82/100. A pretty damn good shoegaze record. This is the kind of album that makes you want to lean back, relax, and put your feet up while soaking in the music.
74/100.
79/100. A good-sounding alternative rock record. Nothing groundbreaking, but definitely a fun listen.
89/100. The beats are perfectly produced, and the lyricism is on such a high level, as expected from Jay-Z. One of the better hip-hop records out there.
78/100. A good record from Van Halen, featuring one of their biggest hits, "Jump."
71/100. A nicely produced alternative rock record from the Pixies. This album also incorporates a strong punk influence throughout.
71/100. Very interesting political record. The lyrics are very good overall. A big issue I have with this is it's so damn long. I usually have patience for longer records, but I won't be coming back to this one. The longer tracks have the same beat on repeat for the whole track.
85/100. A nicely paced reggae record. It might feel a bit front-loaded, but it’s enjoyable overall. This features one of Marley's biggest hits, No Woman, No Cry.
78/100.
84/100. One very dark and raw record. The Cure's "Pornography" is a slow-building album that doesn’t really go anywhere narratively but still manages to captivate with its fantastic music. The atmosphere is intense and immersive.
86/100. An extremely impressive Britpop rock record. It’s not Blur’s best, but definitely one of their strongest. High tempo throughout, good lyrics, and some psychedelic elements. A very enjoyable record with a high standard of production.
58/100. The switch to funk rock/soul isn’t that impressive. This is an OK album, but nothing will stick with me after this listen. Unremarkable, but fine.
78/100. Very iconic record. I listened to this a lot when I was younger. Good beats, nice and fun lyricism. Today, I don’t feel this record is overly impressive—maybe I’ve just listened to it too many times in my life.
86/100. The Beatles produced a beautiful record with Revolver. The instrumentation is wonderful and the singing is great. For me, this record doesn't hit as hard as it once did, but it's still an amazing listen.
76/100. Ingénue by k.d. lang is a great and smooth record. The album is well-crafted and very relaxing, with songs that keep you intrigued from start to finish. Each track flows effortlessly into the next, creating a calming and engaging listening experience. Overall, Ingénue is a solid album that’s perfect for unwinding while still offering enough variety to hold your attention.
88/100.
60/100. Elvis Is Back! doesn’t bring anything groundbreaking to Elvis Presley’s sound. Compared to his earlier records, the production quality is certainly improved, making for a smoother and more polished listen. However, when looking at it from a perspective 60+ years later, the album doesn’t feel as impressive today. For its time, this was a great release, showing Elvis’ versatility across rock, blues, and ballads. But in retrospect, it lacks the energy and innovation that made his early work so exciting. While still a solid record, it doesn’t leave a lasting impact the way some of his classics do.
57/100.
82/100. Graceland by Paul Simon is a great singer-songwriter record that stands out due to its unique influences. Drawing heavily from his trip to South Africa, the album blends folk and rock with vibrant African rhythms and instrumentation, giving it a distinct and refreshing sound. Simon’s songwriting is as strong as ever, and the fusion of styles makes this album feel both adventurous and deeply personal.
93/100. The best-selling album of all time obviously won’t disappoint. Thriller by Michael Jackson is one of the greatest pop records ever made, packed with iconic tracks that have stood the test of time. Having songs like "Thriller," "Beat It," and "Billie Jean" back-to-back-to-back is truly unprecedented. The production is flawless, the performances are electrifying, and the album's influence on pop music is undeniable.
73/100. Stephen Stills’ self-titled debut is a solid record. It has a warm, uplifting feel that makes for an enjoyable listen. The guitar work is well-crafted, and the use of choral backing vocals adds a rich, layered texture to the sound. While it doesn’t necessarily break new ground, it’s a well-executed and confident debut that showcases Stills’ talents.
72/100. Microshift by Hookworms is a good record with a strong first half. The blend of krautrock, psychedelic, and pop elements is fantastically produced and works really well. However, the second half feels unfinished and somewhat messy in terms of mixing. A track like "Boxing Day" left me confused by the end, almost disrupting the flow of the album.
84/100.
61/100. Shleep by Robert Wyatt is a very interesting album that ventures into experimental territory. While the vocals might not be its strongest element, the instrumentation shines through, and together they create a unique and cohesive sound. Although the experimental nature of the album may not be for everyone—and it can be a bit too adventurous for my taste overall—it still manages to offer a rewarding listening experience.
65/100. Blues Breakers by John Mayall, Eric Clapton, & John Mayall & The Bluesbreakers is a solid album that benefits from contributions by some truly fantastic artists. The instrumentation is well executed throughout. However, for me, the record feels rather unremarkable—it’s good, but I can't really see myself returning to it for repeated listens.
80/100. Food & Liquor by Lupe Fiasco is a good album. It’s not my favorite style of rap, but he makes it work as a solid, cohesive project. The lyrics stand out and add depth. That said, the album has some inconsistencies. For example, the last track, Outro, is something I never really cared for. It’s nice that he shows respect to those who supported him, but as a listener, it’s not an enjoyable track.
69/100. Ramones self titled debut album is an iconic punk record. With first track Blietzkrig Bop bringing lots of Nostalgia for me. The rest feels very repetitive, almost sound like it's the same music in the background with a small change up in the lyrics. Overall decent.
60/100. Black Metal by Venom is an iconic and influential metal album, but for me, it doesn’t do much. It feels surprisingly tame, and the instrumentation doesn’t hit hard enough to fully pull me in. While I respect its legacy, it doesn’t quite have the intensity I look for in metal. Overall, a decent but underwhelming listen.
84/100.
91/100. Hybrid Theory by Linkin Park is one of the best rap-rock albums of all time and, in my opinion, their best album by a long shot. Packed with great and iconic tracks, the record maintains a consistently high level of energy and emotion with no real lows. It’s an album that perfectly blends nu-metal, rap, and alternative rock, making it a defining release of its era. Almost perfection.
64/100. Performance by White Denim is an alright neo-psychedelic record. The first track stood out the most for me, while the rest of the album was just okay. It’s a chill experience overall, but nothing particularly major or memorable.
80/100. Fly or Die by N.E.R.D is a great album that seamlessly fuses neo-soul, R&B, and rock into a unique and energetic sound. The production is top-notch, and the album flows effortlessly from track to track. The genre-blending approach keeps things fresh and engaging.
85/100.
92/100. Mellon Collie and the Infinite Sadness by The Smashing Pumpkins is an amazing project. With its genre-blending approach and truly fantastic production, the two-hour runtime flies by effortlessly. This album was a truly psychedelic experience for me, with both discs delivering consistently strong material. There’s nothing bad about this record—every track feels purposeful, making it, in my opinion, the band’s best work.