Oxygène (French pronunciation: [ɔksiˈʒɛn], English: Oxygen) is the third studio album by French electronic musician and composer Jean-Michel Jarre and his first album not intended for use as a soundtrack. Oxygène consists of six tracks, numbered simply "Oxygène (Part I)" to "(Part VI)". It was first released in France in December 1976, on the Disques Dreyfus record label licensed to Polydor, with an international release following in the middle of 1977. The album reached number one on the French charts, number two on the UK charts and number 78 in the US charts.
Jarre recorded the album in a makeshift home recording studio using a variety of analogue synthesizers and one digital synthesizer, as well as other electronic instruments and effects. It became a bestseller and was Jarre's first album to achieve mainstream success. It was highly influential in the development of electronic music from that point onward and has been described as the album that "led the synthesizer revolution of the Seventies" and "an infectious combination of bouncy, bubbling analog sequences and memorable hook lines".
In The Meaning of Liff, a book by Douglas Adams and John Lloyd, the authors take placenames from around the world and redefine them as words for things and events that don't have a word, but should. For instance, Shoeburyness, formerly an English village, gained the meaning "the vague uncomfortable feeling you get when sitting on a seat that is still warm from somebody else's bottom." Chicago now also refers to "the foul-smelling wind which precedes an underground railway train." The relevant one for today is Zeerust, a South African town and "the particular kind of datedness which afflicts things that were originally designed to look futuristic." Take the original Star Trek, where communicators only performed one task (unlike your phone), and a female uniform ended an inch below the knicker. Jean -Michel Jarre's Oxygène embodies the zeerust of 70s synth pioneer records, but this is not to its detriment.
The public perception of Jean-Michel Jarre has always struck me as dissonant, but that could be the Anglo-American perception. Everyone aged 35 or over knows exactly who he is, but they would only be able to name one song (Oxygène Part 4, obviously). Owning this album would make you seem buffy, and any other album smacks of obsession. Yet he holds the world record for the most attended concert, a 1997 Moscow concert celebrating the 350th anniversary of the city, where over 3,500,000 attended: that's more than the populations of Estonia and Latvia combined. Three other concerts of his have previously held that record. So does Europe adore Jean-Michel Jarre? Dunno: I asked a Francophone friend, and he told me that whilst he has some kudos in France as a trailblazer, nobody would be able to tell you a track of his from the 80s or 90s.
Anyway, back to the zeerust of Oxygène. The European synth pioneers who have attracted by far the most acclaim are the Germans: Kraftwerk, Neu!, Tangerine Dream, those chaps. The French, whilst not seen as inadequate in the field, have never attained anything like the veneration their synthy krautrock rivals command. But these synth pioneers, regardless of origin, all now sound affectionately quaint. By pursuing the future in their present, they would become anchored to their present, our past. Partly this is just the gamble you take on when you prognosticate so; much of New Romanticism's futurism hasn't bourne out in its favour. Partly this is a side-effect of influence: when others build on your innovations, they will inevitably progress beyond you. But whereas one might presume Oxygène has dated, I don't find that the case. Yes, it's evocative of a specific 70s era I never experienced, but that just adds to the charm. A 6-track, wholly electronic instrumental album by a French avant-garde composer becoming a worldwide smash? That sadly just doesn't happen anymore. Thanks, Adele!
But is Oxygène actually good stripped of context? It wholly depends on how beautiful you find it. Eventually, I found it very beautiful indeed. Yes, it may take some time to appreciate this album fully, but by my third listen it had become a treat. I'm happy giving it 5 stars, but that just reflects my impression. If you consider it a bore and a chore, I won't argue to the contrary. See, we can all just get along!
1. Don’t be a dummy like me, listen to this record at night. This is night music.
2. The French are better at electronic music than just about anyone else on the planet (with the possible exception of the Germans in the 1970’s).
3. Why the fuck don’t I own this on vinyl? Discogs, here i come.
Jarre is one of the godfathers of electronic music, and this early album is one of his best. Its best known part is certainly Oxygène 4, but one really should listen to this album as a whole, not for individual tracks. Jarre is weaving a tapestry of ever-repeating patterns and introduces gradual over time, so it never gets boring. A classic masterpiece of electronic music. 5/5
I can respect the inspiration this album had and how groundbreaking this album may have been for its time, but definitely not for me. Sounds like a killer video game soundtrack maybe? I LOVE the album art though, would make a cool tattoo.
I got Gary Numan through this project recently, and was bemoaning the lack of Vangelis on the list, so awarded him the title of "main source of synthesizer soundtracks of the future, from the past".
That was shameful Jean-Michel Jarre erasure, and for that, I apologize.
Oxygene is great! Exactly my jam. On the one hand, it's the scifi soundtrack to the future TV and movies have been promising me my whole life. On the other hand, it's a nostalgia machine that whisks me back to my childhood.
Fave track - well, "Part IV" is the famous, nay, iconic section, but I really enjoyed the frenetic mania of "Part II" this time around. The second half of "Part V" is pretty badass, too....
Superb. The most beatiful electronica soundscapes put together as a classic symphony, with its different themes being repeated in variations and mixed up maintaing an exciting atmosphere throughout the whole album
Really liked this surprisingly. I'm guessing pretty revolutionary for its' time? Listened with headphones so that made it a beautiful sci-fi soundscape journey.
This almost put me to sleep like 8 times - and I was driving while I was listening to it. Maybe that's on me, but this album could have gotten me killed.
Electronica has been one of my lowest rated genres in this project so far, largely because it has been dance/clubbing rubbish rather than the real thing. This is the real thing.
It's impressive how little it takes sometimes for music to be fantastic. Just some looping synths and drum beats manages to make this a fun album to listen to. Great atmosphere.
Interesting and unique! I enjoyed the psychedelic, floaty nature of it. Fun instrumentals overall. It did hang out in each section a bit too long at times, but it didn't annoy me too much.
'Oxygéne, Pt. 5' was my favorite, it got kinda funky.
This is an album I've meant to listen to for literally 5 years, when it was first recommended to me. Once I saw it was on the list, I decided to wait. I would say it was worth the wait. I didn't really care for Pt. 1 but it picked up for me with Pt 2 and stayed great through to the end. Pt 4 was the highlight for me, which I understand led to Jean-Michel Jarre's breakthrough.
Would rate 4.5 but going to round up because I think it deserves it.
Dramatic, cinematic.I remember watching his outdoor light spectacles on TV as a kid - Oxygene Part 4 brings back those memories. Rich textures, Spacemen 3 learnt from this. It’s very different to Kraftwerk, this is more like waves, more atmospheric. No words, this is music to make you wonder. Dreamy. I love it. Nice to hear an album without lyrics that still very much holds the attention.
I think this album might be directly responsible for the entire sound of 80s sci-fi and some mainstream sound that's seen even today. For 1976, this shit feels way ahead of its time and it's also super enjoyable to listen to. Parts 3 and 6 are the best ones
Incredibly cool, it felt like I was on a musical journey. Particularly loved parts 2, 3 and 4. The section of 5 where you could hear the music going back and forth from ear to ear was rather fun as well
The top review says more or less everything I would say. Everyone my age knows his name and this record, to a greater or lesser degree.
A synth and electronic pioneer, and something I wouldn't think of listening to nowadays, I think of it in similar terms as Tubular Bells, except this is better as a whole piece.
Some of it brings to mind Vangelis also, and could complement the Blade Runner soundtrack.
Definitely feel like it holds up. And should be listened to as a whole.
In middle school I watched a lot of British stand up comedy DVDs. One of them was a Bill Bailey special with a lot of musical bits. In one of them he sampled himself saying "Jean Michelle Jare is a fraud. I never knew who that was until this album came up.
So thank you 1001 Album Club, for answering a question I've had for many years.
I listened to this in the shower, and it was excellent shower music.
I'm giving it 4 stars for shower excellence. In most other contexts it would probably be a 3, but that was a really peaceful and bubbly sounding shower.
I still don't know why he's a fraud though.
Album cover: (A-) Cheesy but very rad.
The inspiration for countless infomercial and documentary soundtracks. Despite a bit too much theremin vibrato and vaguely muddy mixing, this album is simultaneously the sound of the past and the sound of the future.
Yeah this was cool from a sort of historical perspective. Clearly impactful, and yet I wouldn’t say this is something I’ll be eager to throw on in the future.
A different listen for me. This album used a lot of the ethereal sounds I associate with sci fi and space-themed movies. It was fun to have on in the background as I drove around on a rainy day but it's not my favorite type of music.
This is the day that Shane MacGowan died, so i have to admit i only made it through 3 of these Oxygene tracks before needing to bail out and listen to the Pogues for the rest of the day at full volume.
I love JMJ and have seen him perform this album live. This is second only to Rendez Vous. It's like the Earth waking up. The last song or so isn't so great but it's just an ethereal listen.
prvo sam si mislio: haha, kaj je ovo, žan mišel žar (lik za kojeg sam čuo al u stvari nisam imo pojma kakvu je glazbu radio) i njegova ambijentalna elektronika il štaliveć iz 1976., bit će zakurac. i onda sam poslušo i odlično je, nevjerojatno, na nekim sam dijelovima suzu pustio koliko je divno. sada slušam drugi put :)
I first heard this album in my sophomore year in High School (1976!), my English teacher would play an album during class during our "study" time. I love this album, I ended up buying most of Jarre's albums in the next few decades
I'm discovering, via this list, that I am really into ambient music. I've already gotten Brian Eno's "Music for Airports" and was really into it.
I really love this album, too. Makes me want to seek out more by Jarre. 5 stars!
A gaping hole which I've recently filled in my record collection, as I've ushered in attempts to diversify the genres that I listen to at home, beyond primarily metal. Electronic music has been an area of heightened focus for me as of late, with this album from Jean-Michel Jarre widely considered to be an important piece of the puzzle towards the future development of ambient, electronica, sound collage, space rock, synth pop and new wave music.
Essentially, imagine the synthesizer work that you would hear floating throughout a 70s prog rock album becoming the main emphasis of the music, as opposed to an additional layer of depth supporting the virtuosic guitar playing of the genre, which is entirely absent here. Dreamy and existential, yet accessible through a strong grasp on melodicism throughout, the album has reportedly been used for music therapy and to support mothers throughout the natal process in the years following its release. It has a transportive, instinctual level of heft to it, which is difficult to replicate with such sparse resources as those contained here.
That this was Jarre's first studio release proper is most impressive. It was assembled in a makeshift home studio with large parts of the album being written on a barely functioning mellotron, and it would initially struggle to see release through its rejection by several prominent record labels of the time. However, its legacy today provides for a success story in that whilst you may not be aware of Jarre directly, you will absolutely be aware of artists who have sought after his template.
Such a cool album. The 70s definitely had more ambition in their electronic music than all the slop from the 90s and 00s i got this month. Endlessly creative, retro yet futuristic, I loved this. It's kind of hard to simgle out a "song" from here, since this is the kind of listening experience best taken in one full sitting. But if I had to pick (and I do, because 1 song from each album here make's a playlist), I'd probably say Pt2, Pt4, or Pt5 (such a cool second half). Going to land on Pt2.
Hugely significant ambient synth music that will certainly not appeal to everyone. Like many albums of the era, and ones that pioneered specific sounds, you have to get on the level to really soak in just how incredible what you're hearing is.
This was phenomenal - I can’t believe this came out in 1976. This was interesting, futuristic,clean ambient sounds that aren’t dated at all. Might be the best electronic album I’ve heard (or maybe it just hit my tastes perfectly on the right day). 5/5 would relisten any time
This should not be slept on. I was skeptical when it first started. But I promised myself I wouldn't skip any of these albums, so I listened to the whole thing.
This album has to be approached like an electronic symphony, not a rock and roll album. I had a beautiful journey through this album and it'll be a new favorite
Um capolavoro do mais alto escalão. Obra extraordinária. O tipo de disco que você ouve de olhos fechados, pra nada entrar no caminho entre você e a absoluta ternura que emana dessas notas sintetizadas. A primeira vez que ouvi esse LP inteiramente, eu te garanto, mudou a trajetória da minha vida no âmbito criativo.
Os sintetizadores parecem criar vida nessa produção. Eles remetem às ondas do mar. Ao cantalorar de pássaros. É de tirar o fôlego. O lado 2 do disco abre como um prédio sendo implodido. Demolição controlada. Não há violência aqui, mas sim uma minuciosa e cuidadosa dissecação. Assim vem aos meus ouvidos. A forma com que Jarre explora o espaço no âmbito estéreo é surreal. Esse disco precisa estar na coleção de todo audiófilo do mundo. Coloca ele pra tocar e se sente no epicentro dos seus speakers. Fecha o olho e só vai. Não precisa de droga nenhuma, o som aqui é a substância mais poderosa imaginável. Vai massagear teu cérebro.
A definição de um disco eletrônico 5 estrelas. Capolavoro, perfeito, do início ao fim.
So I guess I'm "lucky" to have the time each day to devote to listening to music. I'm driving around all day and already enjoy ambient and other background music. Also a fan, of course of theme park BGM especially like Epcot and tommorowland. So this is the kind of thing I'm all about. I'll have to now go see if this guy did any of the music for Epcot. Also has a cinematic score vibe too, some sounded very familiar in parts. Anyway I'm glad to have heard this as its the kind of find the list should provide. I listened to it twice back to back while driving the hour and 20 minutes from Joliet back up to Gurnee. Will have to listen to It at night
Als we ooit contact zoeken met aliëns, dan komen we er waarschijnlijk achter dat Jean Michel Jarre dat in 1976 al had gedaan en er een album van heeft gemaakt.
Wát een bizarre reis door geluid is dit zeg! Ook weer zo ontzettend bijzonder dat dit in 1976 is gemaakt. HEt gaat alle kanten op, met meer trancey plaatjes zoals Pt2, dan weer een buitenaards, duister nummer zoals Pt3...
Echt zo bijzonder dat zulke muziek al in 1976 werd gemaakt, en het eigenlijk nog steeds vernieuwend klinkt!
Ja, dit is een heerlijk Ambient album, van een van de grootvaders van de elektronische muziek. God, wat is het toch vet om zulke muziek te (her)ontdekken, in plaats van het 1001ste indierockpostpunk bandje. Dit is zoveel vernieuwender, maar ik snap het wel als mensen dit saai vinden.
Ik ben er groot fan van, maar het vereist wel een bepaald enthousiasme voor elektronische muziek, vergelijkbaar met Kraftwerk.
Dit album voelde als een trip in de ruimte en eindige op het strand, wát een reis en wat een album.
FAVO:
Oxygene pt2, Oxygene pt4, Oxygene pt5,
I don't know what else there is to be said about this album, but it is fully deserving of its reputation. I've been listening to it since the 1980s when the cover artwork used to scare me as a child, and it's lost nothing of its enjoyment. Melodic and dense and yet accessible and in some ways simplistic, it defies easy definition in some ways. At times mellow and soothing, at other times eery and haunting. Part 2 is the standout track for me but it works as a cohesive whole. A quibble-free 5/5
One of the albums in my Electronic Hall of Fame, along with "Geogaddi" and "Autobahn".
I wonder what it must have been like to be around when the album was released.
The whole is one epic song split into 6 parts.
Part 1 is my favourite, with Part 4 being 2nd.
2 fantastic albums in a row.
5 stars for "Oxygène".
Incredible in it's genre. It's ambient and atmosperic.
I saw another review describing it as futuristic and I think it describes it well. It's a very retro futuristic sound and it could easily be used for a soundtrack for a sci-fi film from the 70s or 80s.
I am sure this is not for everyone but it's certainly for me. I've never really dug too far deep into earlier electronica and ambient but I've been enjoying anything I've been hitting on this list. This somehow feels both very alien and terrestrial at the same time.
Heard this as a kid and I'm sure I changed my life even then. If not the father of electronic music, then at least an uncle once removed. Superb stuff!
A true masterpiece. More of a progressive project really, which is why it works so well. Electronic music that never gets bland and repetitive. Great album art as well