I loooove Motorhead! Jam packed with raw, knuckle dragging, rock and roll goodness.
I grew up on this album and it is firmly in my top five favourite metal albums. It is always a toss up between Puppets and Lighting. RTL title track wins best solo. Puppets wins best overall cohesive album. Burton was an absolute monster and he is properly showcased on Puppets. Orion being the overt testament to his skill. As a whole though, composition and harmony peaked on this album and that is his doing as well. Justice was tight minus the stupid bass butchery, but a marked decline from Puppets. Who knows what could have been (no shade to Newsted who was a rock for years). Alas. This has been a staple in my rotations since 88 (ish) and isn't going anywhere any time soon. Solid from front to finish. Thrashterpiece.
Stellar album by my favourite Beatle. I don't think I had listened to this album in it's entirety prior to this and especially in one sitting. Daunting with the number of tracks.
About 15 years ago, I almost got into a fist fight with a guy outside of a bar. I recognized him from another city. Dude sold poems on the street for a dollar a piece. I appreciate hustle so I bought a few. They were not particularly good, but art is relative I guess. I later saw him in this other town and said, "Heeeeey, I recognize you" and made the poetry connection. He was super rude and basically said who gives a f**k. In retaliation, I told him his poems weren't worth the dollar I paid him and should reconsider his business model. He proceeds to tell me that I was full of it, and that he was on par with Leonard Cohen. I took great umbrage to this (had been drinking) and the situation escalated to near fisticuffs as I tried to make him see the error of his ways. Anyways, there was no street fight that night and the issue remains unresolved. This is a solid record and I do enjoy the poetry and lyricism from one of the best Canadian artists of the genre/era, though though some of the faith content doesn't really resonate. The busy finger picking on several tracks is also pretty dope.
I find it baffling that this album made this list. IMO this record doesn't crack the top 10 for 2002, let alone warrant inclusion an an all time best/must listen selection. Beige is an apt descriptor for this perfect soundtrack for Starbucks, a mall, or an elevator(probably in a mall). The kind of album that people would choose to put on at the end of book club when the red wine has been flowing and it's time to get a little wild. No disrespect to book club shenanigans. To each their own. Credit is due to super clean production and tight, arrangements. I am giving it two stars as I am confident I will find something in this project that I like even less than this.
I am a victim of the popularity of The Police's overly common hit singles. You can't escape them and I would be fine never hearing Roxanne, or Every Breath you Take again. As such I was kind of turned off from exploring the deeper catalogue. Pure over saturation. This album is great and I am glad I gave it a go! and Copeland lights up every track.
I love Trip Hop. Massive Attack and this album in particular arguably kicked the whole thing off and definitely set a vibe for the 90's. For that I am grateful.
I loooove Motorhead! Jam packed with raw, knuckle dragging, rock and roll goodness.
I love Tribe and was very happy to have this one popped up in my list. An immaculate hip hop classic and a contender for the GOAT record in the genre. Possibly Busta Rhymes best verse ever in Scenario as well. I could listen to this all day every day. RIP Phife Dawg. "A man of the fame, not a man of the people. Believe that if you wanna but I tell you this much, Riding on the train with no dough, sucks."
My all time favourite hip hop album. Dark and gritty story telling and GZA at his apex. Probably peak RZA production (93-96 IMO) as well. I have been lucky enough to see GZA tour this album twice and I will go again as many times as he comes around. Can't stop, won't stop.
Stand! is also on this list and that record is pretty much perfect. As such, I had to give this one four stars. There are some great tracks on here (Runnin Away and Family Affair are personal highlights), but all in all this one hits with a little less power. Still great!
No Fela Kuti means no Afrobeat, and what a gift that was! Fela Kuti was maybe one of the best bandleaders of all time. A charismatic and outspoken (very) dude who made a life of speaking truth to power, while changing the face of music. This is not my favourite Fela album, with Expensive Shit forever holding that spot in my heart, but how cool is it to see Tony Allen and Ginger Baker doing their thing? A delightfully percussion heavy record, and not to be replicated again in this lifetime.
Smooth brain rhyme schemes from a hopelessly befuddled man, so hopelessly defeated by the nuances of love that he occasionally must appeal to the divine to help him understand the basic conceptions of the emotion. All wrapped up in a fantastically dulcet package. Frankie is the man.
Smooth brain rhyme schemes from a hopelessly befuddled but charismatic man, so completely defeated by the the concept of love that he even resorts to appeals to the divine to help him understand the basic conceptions of the emotion and how he keeps falling on the wrong side of it, again, and again, and again. All wrapped up in a fantastically dulcet package. Sincerely though, I was actually spinning I've Got You Under my Skin (also check out the Jawbox cover...you're welcome) the night before this one popped up, and can get down with the lounge vibe any time. Frankie is the man.
I grew up on Graceland, and it formed some core musical memories for me. As such, I am clearly down with this record. In my opinion, Simon and LBM are best experienced together but this record has an amazing vibes all on it's own. Super.
OK man, but how do you REALLY feel about weed. Aside from the lyrical content which I bet rang a bell in the 70's, this album felt pretty "samey" and I can't make it stand out from others that I have heard in the genre. Mid but good? I would give it a 2.5 if I could. That said, legit legalize that shit. Canada has had legalized weed since 2018 (I think) and we are doing fine. Safe supply is nice. Not tying up cops with stupid catch and release protocols for possession of something so (relatively) benign is nice. Social norms otherwise remained basically status quo. The war on drugs was a misdirected fail from the start. Just move on already.
An impeccably crafted album that influenced much of what followed for the next decade. Bound to be considered a classic.
I know this album note for note and line for line and my love for it runs deep. One of the hardest hitting mainstream records of 92 and a trendsetter for many acts that followed (for better or worse). Single-handedly responsible for wanton over use of harmonics, worn out pickup selectors everywhere, and the sociopolitical awakening of many a teenage kid. Tight mid tempo grooves, technically proficient playing and dynamic shifts that perfectly highlight the vocals, which bring all the angst and anger you can handle. Good shit.
About as classic as it gets. Some of these motifs show up in other artists work all over the place. Jazz reminds me of rain and coffee. Love it.
Tiny Dancer is great. A pub classic forever more. I tried but failed to get into the rest of this album. Elton is hugely talented, but I can't seem to click with his vibe aside from a handful of hits.
1993 might be the golden age of the golden age of hip hop. So many strong releases that year. This one was the stylistic antithesis to all of them. Dark and gritty east coast vibes, and a deep roster of incredible talent somehow coming together in the right time. IMO, this is Wu's strongest group album, paving the way for more than a few immaculate RZA produced solo efforts over the next five years or so. Got to check Wu on their last tour with Nas and De La Soul, and that felt like a gift.
I feel this could have been trimmed to an EP, or better yet a two sided single. Miss me Blind or Church of the Poison Mind for a B Side. The rest feels pretty bland, missing the mark on nods to Gospel and Reggae on several tracks. Also how the F did Black Money make it to whopping 5:19. Geez. I 'm sure this hit different in 83'.
Weird week this week. Two Elton John albums and one from Culture Club. Elton wins the flamboyant front man comp hands down. The other album was Madman Across the Water which I gave two stars for a bunch of filler wrapped around one hit. This one on the other hand is packed with goodness. I am glad I got them both in close proximity. GYBR gets out there, much more experimental and this record has a lot more swing to it, making it altogether more palatable. Elton also gives his supporting musicians more room to breathe this time around and that makes for some really stellar moments. Two years of coke cracked that egg, and inside the egg was classic jams.
I grew up on this album and it is firmly in my top five favourite metal albums. It is always a toss up between Puppets and Lighting. RTL title track wins best solo. Puppets wins best overall cohesive album. Burton was an absolute monster and he is properly showcased on Puppets. Orion being the overt testament to his skill. As a whole though, composition and harmony peaked on this album and that is his doing as well. Justice was tight minus the stupid bass butchery, but a marked decline from Puppets. Who knows what could have been (no shade to Newsted who was a rock for years). Alas. This has been a staple in my rotations since 88 (ish) and isn't going anywhere any time soon. Solid from front to finish. Thrashterpiece.
Oasis: A Rock and Roll bland. I really dislike Oasis. Absolute arrogance, shitty takes on pretty much all aspects of music, and an endless trail of obnoxious and delusional quotes and petty infighting. Bigger than the Beatles? In what universe? Claiming to be a punk band, and particularly with this album? My god. Separate art from artist? Can't do it. Especially when the offerings are so tepid.
75-84 is IMO Springsteen's best vintage. I know this omits Tunnel of Love, but........get rekt. I said what I said. Five solid albums in nine years is incredible. The records from this era come across as truly authentic to his time and place and that resonates with me. This one in particular also has a bit of "rawness" to it that I dig. A product of a troubled production perhaps. Regardless, the vibe is solid.
I dig Big Black. Abrasive and not always the easiest listen. Very unique and true to it's vision.