Listening statistics & highlights
| Album | You | Global | Diff |
|---|---|---|---|
|
69 Love Songs
The Magnetic Fields
|
5 | 2.84 | +2.16 |
|
Swordfishtrombones
Tom Waits
|
5 | 2.94 | +2.06 |
|
Sail Away
Randy Newman
|
5 | 2.96 | +2.04 |
|
Imperial Bedroom
Elvis Costello & The Attractions
|
5 | 2.99 | +2.01 |
|
Something/Anything?
Todd Rundgren
|
5 | 3.03 | +1.97 |
|
Berlin
Lou Reed
|
5 | 3.09 | +1.91 |
|
Queen Of Denmark
John Grant
|
5 | 3.11 | +1.89 |
|
Rain Dogs
Tom Waits
|
5 | 3.19 | +1.81 |
|
Loveless
My Bloody Valentine
|
5 | 3.19 | +1.81 |
|
John Prine
John Prine
|
5 | 3.21 | +1.79 |
| Album | You | Global | Diff |
|---|---|---|---|
|
Chocolate Starfish And The Hot Dog Flavored Water
Limp Bizkit
|
1 | 2.51 | -1.51 |
|
Hybrid Theory
Linkin Park
|
2 | 3.39 | -1.39 |
|
Permission to Land
The Darkness
|
2 | 3.13 | -1.13 |
|
Street Life
The Crusaders
|
2 | 3.09 | -1.09 |
|
Devil Without A Cause
Kid Rock
|
1 | 2 | -1 |
| Artist | Albums | Average |
|---|---|---|
| Beatles | 7 | 4.71 |
| David Bowie | 7 | 4.71 |
| Radiohead | 5 | 4.6 |
| Pink Floyd | 4 | 4.75 |
| R.E.M. | 4 | 4.75 |
| The Smiths | 3 | 5 |
| Bob Dylan | 3 | 5 |
| Led Zeppelin | 3 | 5 |
| Tom Waits | 4 | 4.5 |
| Neil Young | 3 | 4.67 |
| Nirvana | 3 | 4.67 |
| Public Enemy | 3 | 4.67 |
| Stevie Wonder | 2 | 5 |
| The Police | 2 | 5 |
| OutKast | 2 | 5 |
| Prince | 2 | 5 |
| Kendrick Lamar | 2 | 5 |
| The Velvet Underground | 2 | 5 |
| Bruce Springsteen | 2 | 5 |
| Elvis Costello & The Attractions | 2 | 5 |
| The Rolling Stones | 4 | 4.25 |
| Miles Davis | 4 | 4.25 |
| The Who | 3 | 4.33 |
| Paul Simon | 3 | 4.33 |
| Simon & Garfunkel | 3 | 4.33 |
| Arcade Fire | 3 | 4.33 |
| The White Stripes | 3 | 4.33 |
| Nick Cave & The Bad Seeds | 3 | 4.33 |
| U2 | 3 | 4.33 |
| Beastie Boys | 3 | 4.33 |
Good hooks but not really grabbing me Howlin for You riff has become a classic One-dimensional blues rock I would probably rate 2.5 if I could. Not bad, but other than the hits it didn’t compel me.
Super fun to listen to these three play together, but feels like a lot of padding considering it’s only 33 minutes long. Several indelible classics. Tales of Brave Ulysses is my favorite.
Fun, with clever lyrics, but not really my thing.
One of the more consequential albums of its time. Changed rock guitar forever. Brilliant musicians, some great songs, especially in the first half.
Consistently beautiful, often stunning. Fiona is a genius. Very close to a 5, though a couple of the songs are a bit slow for my taste.
I was raised on the Eagles, so I guess they bring out the defensive side of me. It's perfectly valid to like or dislike them. I've decided, however, that hating them excessively is the most boring opinion in music. No, they're not cool. Yes, The Dude hates them. Yes, Henley and Frey are/were assholes. So are at least 2/3 of YOUR favorite artists. But I feel like the performative hate they receive comes from people who feel like they need to take the default "cool guy" position. What is so hateable about them? That they're really good at their instruments? That their harmonies are just "too clean"? I feel like any criticism of the actual music boils down to broad, purely subjective adjectives like "soulless". Well, Mr. Eagles Hater, I think you're a poseur. Quoting The Dude in your review does not make you The Dude. Anyway, this album rips. Not a weak track among them.
Not something I'd choose to put on all the time, but full of creativity and very involving. Some of the songs go on a bit too long for me, but I understand that's a feature as they're meant to be danced to.
I was blown away by this. It makes me excited to listen to the other Stevie albums. What a genius.
Like many elder Millennials, this is a seminal album for me. Bursting with creativity and ingenuity. Beautiful, timeless, endlessly rewarding.
Fun and amusing.
Has anyone ever been cooler than Johnny Cash in 1969? He's certainly in his element here. What a blast, raucous and riotous, with an anti-authoritarian message that still hits hard.
Average rating: 3.78 (0.57 above global average).
Album origins are grouped into three buckets: US, UK, and everything else. “Other” means the artists you rate highest are from outside the US and UK.