1001 Albums Summary

Late 60s pop with a psychedelic, timeless track to finish the album.

Fantastic fuzz with a heart wrenching ballad

Best listened to loudly on a turntable

I respect the voice and production

Fight the power!

Monday Monday…

I like Zevon better

Great album. Will buy.

Very nice. Would buy

Makes me want to drink light beer and party hard

Not for me

Made me feel good

Production, vocals, instrumentals, songwriting…all great. Will buy on wax.

Very good. A bit long.

Listened twice. It was alright. Would buy if it was in the dollar bin

Experimental

Don’t remember enjoying this so much

Need more

Enjoyed this quick one. Would buy

Love it

Meh

Fun album

One of my favs, start to finish

Always enjoy this one

Interesting back story but that’s about it

Not great

Love it, just about every second

Great discovery!

Nice prog rock

Brought me a new appreciation for this artist

Supreme supreme

Pretty good folk rock. Probably would buy.

Very cool

Good sound and harmony, some of my favorites. Just too long.

Far too long. Great production at parts, specifically the first 1/4

Interesting enough

I understand the hype

Funky enough

Pretty good, not bad. Can’t complain

Slaaave driiiverrr

Pretty average blues, well produced with an all star cast.

love this stuff

Great turning point in their career

I’ve never listened to this album from start to finish. Definitely some hip hop classics that were on repeat in my teen years. As an album, this has fantastic production and genre defining lyrics. Love it.

The airplane will always have a place to go between my ears

I never sleep cuz sleep is the cousin of death

Like the synth 80s sound. A few all time greats…one too many ballads for me.

Early 60s JB is the best JB

I’m really not sure why a 59 song set would find its way on this list. It’s not an album, it’s a collection. I give it 3 stars because of the respect I have for the woman behind the microphone and the ever increasing respect for those behind the songs. It’s truly amazing to think of what song writing and composing once was. I listened to this entire thing in an afternoon as I went about my business. It was like a fever dream…

I never truly enjoyed Elton John. He’s a rocker and a great singer/songwriter. There’s much respect to be had. Still, this album will not find a place in my collection

I really was disappointed when I saw this album. I’m looking to use this project to discover new and unusual works that I otherwise would never experience. So, in sum, this is a great hip hop album with excellent production and flow. I enjoyed it and will listen again

I liked this a lot more than I anticipated. Really good guitar work here.

In a previous time I would’ve given this album a 4, maybe even a 5. But in the grand scheme of things, it’s not worth that. Three hits amongst several other unnoticeable tracks makes this an album that defines a generation for some but has little to offer for many others.

I believe this is a much stronger Stone album than the one I reviewed previously. Musically arranged in a way that kept me engaged from start to finish, I found myself wondering why I hadn’t listened to it sooner…creative, slightly innovative, and carries a message connected to a pivotal point in modern America.

I enjoyed some of the guitar work and some of the drum fills.

I listened to this album twice, both times I enjoyed it. More of a soundtrack feel. Probably won’t listen to again.

I had never listened to this album before. I have now listened to it twice, back to back. It filled me with a desire to dance and to be my true self. Exactly what an album should do!

Brought me back to summers as a kid…it could be a 3 star album, but when you look more into Lupe’s life both past and present one realizes just how good this actually is

“Some urged Dr. Dre not to take a chance on Eminem because he was white. Dr. Dre responded: ‘I don't give a fuck if you're purple. If you can kick it, I'm working with you.’” Aside from the skill and creativity of Mr. Mathers, this album features one of the greatest hip hop producers (my personal favorite) of all time. What came before this album for Marshall was rejection and failure. What followed was a national phenomenon and subsequently, national shock and disgust.

Reviewing a second time?

I think if I was rating this in 1993 it would’ve been 4 or 5 stars. Definitely an album that’s a sign of the times.

I will start by saying I own this album, listen to it on a semi-regular basis and have always thought of it as a gem. I will finish by saying I was surprised to see it on this list, and when listening to it with the same critical ear and mind I’ve used with all other albums I find it to be a “middle of the road” record. Wildflowers is a 10/10 track with all others being between a 7 and an 8. An easy 4 or 5 star country album, but 3 stars in this concept.

The guitar work on have a cigar is sexier than Barry White’s voice and the guitar work on shine on you crazy diamond is as pure as a Christian 7th grader. The name of the game? Riding the gravy train… Nothing makes me feel as high as a Pink Floyd album. Best enjoyed in a dark room with good sound system or deep in the woods, lost and alone with good headphones. By the way, which one’s Pink?

Dupe

There is a lot going on in this album. A lot. George is able to let out all the songs, melodies and feelings that seem to have been building over a few years. With multiple listens in my lifetime, the thing I gathered most from this one was the tasteful use of the horns. Plenty of rockers, some folky tunes, some poppy tunes, some devotional tunes and one ballad makes for a fantastic collection of post-Beatle music. Probably the greatest Post-Beatle album to be released in 1970. No disrespect to Ringo.

Meh

A hip hop album you can bring home to mother…. Big rhymes, boogie beats, and moving butts! So many classics. I didn’t know if this would be a 4 or 5, been about a decade since it’s gotten a full listen. I won’t let so much time pass between listens ever again.

My favorite band album is “the best of the band”. that being said, I am only super familiar with the hits. It’s amazing how such a potent civil war song can be written a century after the war itself…..

I found it interesting that I was enjoying this album. I think a lot of it was a feeling of nostalgia though, as it really feels like a top 40 pop album from the 90s.

Aerosmith + Run DMC > Micheal Jackson + Paul McCartney 3.5

Apple Music categorizes this as “pop” but the drums on all these tracks say otherwise. Great rocking and rolling radio friendly punk you now hear at the grocery store

There were certainly some head bopping musical high points in this album for me. However, when the name of the band is also included on the name of the albums AND the name of the first song, I begin to question the bands creative capabilities…

I’m not sure why I feel like this is a few years ahead of its time. I was 10 when it released, so can’t really speak on the cultural shift it may or may not have created. However, this type of music will always awaken a coming-of-age wanderlust feeling within me.

God dammit the beach boys just rub me the wrong way sometimes. There are moments when it’s their music makes me feel complete and there are then moments when I feel like I’m losing my mind. This album left me with half a brain, feeling like I’m being belittled and sung to like I’m 5 years old. 2 stars because of Brian Wilson

I could see why someone would give this album a 1. The ethos of ramblin jack speaks for itself, but this album in particular is a mere stepping stone of a life that continues to be lived to this day, nearly 100 years later…3 stars for content and novelty.

I had never heard of Barry Adamson before. I thought this album was going to be akin to Spinal Tap or Tenacious D just based on a few of the track names. Within a few minutes I was pleasantly surprised. The tracks spanned several genres and had influences from some of my favorite artists. The production mixed with the weirdness evokes a surreal feeling that I often strangely associate with good music.

Instant classic. Although I wasn’t alive when it was released I’d like to think that’s what people assumed when they heard this. MJ’s voice is so full of expressive emotion that I think any listener can really grasp onto and feel. A voice that, when combined with this production, gets everyone dancing, from toddlers to grandma. Some sleeper tracks for sure, typical 80s love ballads that I don’t particularly care for. 4 stars today. Could be 5 stars tomorrow. This is a close one.

Fantastic production and great rhymes. Went back and forth between 4 and 5, but since every track didn’t grip me 100% I have to say 4

Second time this one came up but the review remains the same. Love it, just about every second

I listened to this with my wife on the way to our honeymoon and now we are getting a divorce. 2 stars for Stipe’s voice

Beautiful music. I felt like this album flowed perfectly. When taken track by track, the music doesn’t evoke the same response. As a whole, it’s a great example of what an album should be.

This was a difficult one for me to listen to without bias. This album really defined my tween years and to this day anytime I think about dirt or doing something easily I hear Anthony Keidis singing from my subconscious. That being said, from the first track the album presents itself as some hardcore shit is about to break out at you. Then Keidis starts rapping. I know it's their schtick, but it takes away from the music for me. I love this album and always will. If it were presented more as an EP, perhaps just with the first 7 tracks, it would be an easy 5 stars. But it's not. I leave it with a 4.

Why the hell must I hear this before I die

This is a great Stones album. When I saw it come up I restrained myself from thinking it was an automatic 5 stars. 4 stars max, I can’t give it 5 stars just because it’s the Stones. Yes I can. Gripped from start to finish. When comparing it to other albums on this project it’s apparent on how good it is, from the social commentary to the slide guitar to the honkin harmonica. Not once did I feel the need to skip a track or see how much longer I had to suffer through a song. Aside from the usual hits, I really enjoy Monkey Man and You Got the Silver.

I understand why this album is on this list. I had never heard of the artist before and enjoyed my one listen. The accaplla track was surprisingly enjoyable and the last track really stood out to me. Overall, not my go-to genre or time period. Bias aside, 3 stars.

Every album is a time capsule and this project is a time machine. Once again I'm presented with an artist I had never heard of and once again I'm left knowing why. There are moments on this album that I found myself enjoying, some good bass lines. I really only enjoyed one track "If You Loved Me At All". Otherwise it was forgettable...for me anyway.

When listening to this album, I googled "Kanye West Magnum Opus" and the first result was reassuring. Beautiful and twisted...what a great way to describe this album and this artist. More adjectives can be added to describe this man after it's release in 2010...but to keep the focus on the album... The production, the features, the hype behind it and the hype that came from it...it's legendary and no more needs to be said.

If this was mainly an instrumental album it would have been a 4 star album for me. However John Martyn’s voice does not mix well with my ears. I really enjoyed many of the tracks musically. During my second listen found myself skipping over them once Martin began singing. Production wise, the digital album sounded great on my stereo. I’d be interested in getting an analog copy…but not interested in paying more than $5 for it.

What a cool find. I really enjoyed this album from start to finish. The band is tight and the songs work really well together. “Getting Bright At Night” was the highlight for me.

I'm in Boston town, in some restaurant I got no idea what I want Well, maybe I do but I′m just really not sure Waitress comes over Nobody in the place but me and her Well, it must be a holiday, there's nobody around She studies me closely as I sit down She got a pretty face and long white shiny legs I say, ("Tell me what I want") She say, ("You probably want hard boiled eggs") I said, ("that′s right, bring me some") ~Bob Dylan, The Highlands, 1997 Bob Dylan…the voice of a generation…. Kidding aside, this is a nice mature Dylan album. It has everything I would expect from him over the last 30 years. Chill, relaxed and gritty with tales to be told and revelations to be had. My favorite lyric comes from “Trying To Get To Heaven” I’ve been walking through the middle of nowhere Trying to get to heaven before they close the door 1997 Dylan was so much older then….he’s younger than that now… (sorry) 4 stars for the stories that are told.

In terms of jazz, this is a fairly accessible album featuring odd time signatures. I think the DBQ are a solid group and play quite well together. They create a structured fluidity throughout this entire album. Personally I know all the tracks well enough and this was far from a first listen for me. “Everybody’s Jumpin” has always been a favorite of mine. As an album I think it’s a perfect example of jazz in the late 1950s and still holds up to this day.

"But there's always something rewardin', about every CeeLo Green recording" ~ I Am Selling Soul What a sweet find. I really enjoyed just about every track on here. Childz Play was probably the biggest hit for me. I really had no expectations going into this one. I judged a book by the cover and thought it would be sappy soul from the "Crazy" and "Fuck You" guy...some of his early stuff before he became a big star. Man, was I pleasantly surprised. What a talented individual. There were 2 out of 18 songs that I didn't care for. It's a thin line...but ultimately it's a 4 for me. 4.8 if I could.

This album makes me want to wear leather chaps and a poncho, sport hairy sideburns and cruise down the road on a 1967 Honda Dream. Bluebird is such a rocker, I’d argue more of a rocker than Mr. Soul. The mix on broken arrow is a bit choppy. It almost feels as if the Springfield attempts “A Day In The Life”. Perhaps this was the Springfield’s Sgt Pepper response…it would be on par for 67. Nitpicking aside, 5 stars.

Started enjoying it at “The Promised Land”. Sounds like a Zevon song. And then I listen to “Factory” and realize it’s not. It’s a Springsteen song. Good songwriting here. He’s got a unique style. Personally I don’t care for his slurred singing. It takes a lot of the magic away for me. This is my first listen of any Springsteen album and I look forward to hearing what all the hype is about. 3.4 stars, rounded down to 3.

One cannot deny the power this woman’s voice. For this listener, many of the songs come off as cheesy...corny...and all other adjectives related to perishable foods. I really really enjoyed the song "Understand". That's a 5 star song, no doubt about it. However just about every other track left me underwhelmed. In terms of talent, this woman is somewhere between a 4 and a 5. In terms of albums (and albums one must hear before they die) this record is somewhere between a 2 and a 3.

This was alright. This band reminds me of one a friend would invite me to go see live. I’d say yes, but only because I needed something to do. The venue is some small little local joint full of college kids and middle aged people wishing they were still in college. When the band comes on I’m already pretty tired. They sound Ok. The jams are good…the guitarist can take the music far out(but not very far out), the singer stays in key and sticks to his own style. Each song has a definite beginning and ending, no real improvisation. Fairly cut and dry. I’m falling asleep hoping the end is near. The last song of the night starts and it’s pretty interesting. “Is this the same track from Bob Dylan’s first solo album? Yeah..I think it is” I think to myself as I enjoy where things are going. Then they go back into their trite over driven guitar solo and heavy drum fills. Bummer. How was the show you ask? Alright, I’d say. Alright show, but I’ll never listen to this band again. (Based on my review, one can deduce that I’ve never heard of this band before. Further post-listen research shows how they were “grunge rock pioneers” and while I do respect that, it does not change my rating of this particular album)

It's hard for thee to kick against the pricks.... This album is comparable to hearing your grandfather pick out his 70 years of experience on Earth. Singing of his youth, songs that he himself wrote, and songs that were passed to him over the many decades of trials and tribulations. I understand American IV: The Man Comes Around to be a meditation on 20th century American music. The American spirit is palatable here...one of suffering, grit and entitlement. Personally I didn't care for "Personal Jesus". But when listening to it, one is reminded of the story told of Mother Maybelle Carter after first hearing "One Toke Over The Line". She thought it was a great song, mainly because of the "Sweet Jesus" bit and knowing nothing of the fact that it was a song about smoking too much weed. Cash covering Depech Mode is weird. But I'd like to think he wouldn't care what I thought (Damn your eyes!!!). I'd like to think he covered these tracks because he liked them regardless of what popular opinion was at the time, just like Mother Maybelle before him.

I believe this album is best listened to alone on an overcast day. A day where the sun and the rain fight over control of the skies with the wind presiding over it all.

Nick Drake is dreamy folk singer. The frequent use of strings behind his soft voice and pronounced guitar style makes an album which promotes a feeling of peace and serenity for this listener. I don’t believe much else needs to be said for this album. It truly speaks for itself. Although, one could argue that “Bryter Layter” sounds like elevator music and “Sunday” sounds like hold music. Perhaps if the flute wasn’t included I would have a different opinion (Sorry Floutist).

Already recieved this album, my review remains unchanged

A fantastic mix of fuzz and songwriting. There’s a great blend of chaos and synchronicity throughout. The fact that Cobain wrote 11 out of these 12 songs impressed me and verified what I had read about his legacy in the music world. I think the most interesting thing about this album for me is that I had never thought I’d listened to it in full before, yet I know every song included here. “Dumb” and “All Apologies” are A+ in my book After a full listen while reading a bit about the songs included on the album, this listener is left with 4 stars of nihilistic angst.

This is the second time this album came up for me and I feel my review changing. Original review 8/17/25: Interesting back story but that’s about it Revised 11/4/25:I really enjoy Malibu Bay, it stuck with me since the first listen a few months ago. This time around perhaps I’m more open minded or in a different headspace, but someway somehow the album got another star out of me. Good energy, would buy on wax…but not for more than $5. Disclaimer: I only got two hours of sleep last night. That may be the reason I enjoyed this more.

Repetitive sampling but it’s done in a pretty creative way. I was mildly enjoying this throughout, so it gets a mild 3 from me.

A nice album for thrashing and bashing. I enjoyed a few tracks and thought that musically this album represented its genre very well.

In middle school there was a kid with mohawk, skin tight black jeans, combat boots and an Iron Maiden shirt. He saw my Bob Marley shirt and gave me the “name 5 songs” bullshit. I named them and said the same thing to him. We became friends for the rest of our school days. He turned me onto Iron Maiden. Later on he also tried to turn me on to heroin but I declined. He went onto have a successful military career and is doing well. I work at a grocery store. Anyway.. I’m not the biggest fan of the singer. Every other member of this band is stellar. They are tight throughout. “Number Of The Beast” and “Run To The Hills” are two songs that I’ve listened to for two out of my three decades on this earth. I’ve always liked them. “Hallowed Be Thy Name” is pretty cool too. I’d say it’s a 3.6 but I’ll round it up to 4 because of Brian.

I’ve never seen shaft, but before I hit play I knew what the theme sounded like. That alone should say something about the cultural significance of this album. The first half didn't really move me. Many of the instrumentals seemed too funked up. The second half though...that got another star out of me. I enjoyed tracks 10-14 very much. Do your thing was far too long.

I very much dislike falsetto singers on metal music. I will never “get it”. Perhaps it’s because I’ll never be able to sing like them. For example, I really enjoyed “Growing On Me” Justin Hawkins went there. If it weren’t for this project, I would’ve stopped listening right then and there. This album seems like a nostalgia grab for people in 2003 that wished it was still 1983.

I love Quincy Jones. Combine him with the talent of Micheal Jackson and you get high potential for 5 star music. By track 6 I was starting to feel it may just be a 4 star album, but it finished strong and pulled me back in.

When I saw the cover I thought I would have mixed feelings. I can usually take or leave this type of stuff. But then I hit play. The attitude from all the members is palatable. This listener was filled with emotion throughout and was reminded (once again) that sometimes the best thing you can do in this life is not take it so seriously. Play a simple riff, sample some old audio, and sing about your metro card. Life is too short, man!!!

It's very hard for me to separate this album from a time in my life where everything took on new meaning. Karen O has such a great voice and this album is full of catchy riffs and lyrics..Zero, Heads Will Roll, Soft Shock...well I was naming songs based on the track list and realized I was about to name every track. I think each song here left my head bobbing and my toes tapping. It's missing that certain something that makes a 5 star album just that...maybe I'm just being careful not to let my nostalgia get the better of me...

This is good background music. It's chilled me out and gave me relaxing vibes while reading UB40's wikipedia page. I learned that UB40 derives from Unemployment Benefits Form 40 and this album was their official "Singing Off" of their employee benefits. It seems like they went onto to have a fine career spanning many decades. Good for them. The only songs I found memorable were the instrumental dubs Adella and 25%.

Paul Simon is a fantastic song writer. I almost always enjoy the stories he tells. Sometimes they are too drawn out for my taste though. After experiencing his 1983 release, I was reluctant to listen to this "Legendary" album. I was going to write it off as a sign of the times. Maybe give it 3 stars. I had no idea what it had to offer. I'm left with 4 stars of plesant surprise. I knew Paul Simon worked with South African musicians but wasn't aware of how well he synthesized his rooted-in-folk pop music with the genre. I really did enjoy just about every track, especially the ones that featured African guitar styles. Some that I would be interested in returning to (I Know What I Know, Gumboots, You Can Call Me Al, Under African Skies, and Crazy Love Vol. II) and others that I just enjoyed in passing.

A+ hooks. B+ production. C+ Rhymes.

A pleasant surprise. A fun album. Reminds me of the Mario Kart soundtrack...or really any soundtrack of a racing game released in the 90s/00s. And this listener friggin' loves that sound. It also reminds me of my mother and the music she would play to me as a child. When rating I try to separate personal ties to a specific genre. I had a very hard if not impossible time to do it here. 4 stars for the feelings evoked within....

Tracks 1-5 are 5 star quality. Band On The Run is legendary. Jet is able to produce the sound of an actual jet engine. Bluebird is a whimsical McCartney folk tune. Mrs. Vanderbilt is a nice slap clap song before any slap clap artists were even born. Let Me Roll It has the organ. And then after that, the album just kind of simmers down. I do like Mamunia, it’s catchy but not everlasting. And then tracks 7-9 just kind of fade away from memory… In sum, a very nice album that I’ve listened to my whole life and will continue to listen to.

This was a difficult rate for me. It was quite a long album and I don’t understand the language. Sometimes the message of a double LP can be lost on this listener if he isn’t familiar with what is being sung… However the musicianship broke the language barrier. Music, the universal language understood by all, allowed me to feel and understand a bit of what these two artists were trying to convey. I think their musical style was varied and mixed quite well. Between spanish ballads, poppy songs to clap along with and songs filled with deep bass and heavy guitar, this album has something for just about everyone with an open ear. I look forward to one day adding this album to my collection.

This album was something I’d probably rate higher 15 years ago during a different time of life. I really enjoyed it for what it was. Some points seemed to far-reaching and left this album without any real cohesive feeling. I liked the creativity and the intimate relationship the artist creates with the listner. Several standout tracks, but the lack of fluidity takes away from the experience. 3.6 stars rounded up to 4

What a treat. Slightly familiar with Gil Scott-Heron before this (about as familiar as anyone else) but never explored his more melodic work. My goodness, what an artist. Paired with Brian Jackson and you got PB&J. A healthy, smooth, salty yet sweet treat combination that can be enjoyed at anytime of day. The bookends of "Peace Go with You Brother" were by far my highlight.

It’s been nice to listen to albums I’m familiar with in a different lens. Outside of this project, this album wasn't a stand out for me. However after listening and contemplating my last 100 albums or so, I was able to listen to this one with a different state of mind. Meditations aside and simply put, I understand the critical acclaim that this album has achieved.

These albums can sometimes feel repetitive and drawn out. While C’est Chic certainly featured the baselines and scratchy guitar that I can grow tired off after a few minutes, the vocals kept me engaged. Strangely, “I Want Your Love” sounds like a song that Neil Young would cover pretty well. I feel as if I enjoyed just about every track on here but the groove was too extensive. Perhaps if I was out dancing while listening to this my review would be a bit higher. Giving 4 stars to an album meant to be danced to while listening in an office chair definitely says something about the musicianship (or at least I’d like to think so).

I am familiar with this album. Coat of Many Colors is a beautiful song both in song and in verse. Traveling Man is a real rocker even if its premise is a bit strange. My Blue Tears is…well enough out of me. Just listen to this woman’s voice and know you are alive in a time where you can be blessed by the voice of an angel. One helluva song writer too, with 7 out of 10 of these tracks being Parton originals. I do enjoy Wagoner’s writing style, but I wish he kept his hand out of this one. No way will I take a star away because of Wagoner’s influence though, if anything I’d add another for Dolly persevering and eventually escaping it.

Taken piecemeal this sucks. There is no cohesion and the singer is annoying. But when you listen to it as an album (as it was intended to be listened to) it’s a great experience. I won’t listen to this album again. It sounds like Pink Floyd with a mid 2000s borderline emo-rock singer. However, I wouldn’t pass up an opportunity to see this band live. But that’s just my opinion, man.

I must start this review by saying I absolutely love Fusion music. Specifically Jazz Fusion. I’m unfamiliar with Weather Report and didn’t like the few tracks I heard. However, this project being about the entire album allows me to digest the band in a more complete way. I feel fortunate to have this album be the first WP album that I’ve listened to. My limited knowledge about the band did lead me to think this had to be a Jaco album, which it is. I’m more familiar with Wayne Shorters solo jazz, but he shines here just the same. I look forward to hearing more of the keyboardist Joe Zawinul. Cool album, great discovery. Would buy on wax and will continue to research this band and dive deeper.

When I was 11 I discovered Weird Al Yankovich. When I was 14 I discovered Tenacious D. I never got into Spinal Tap or NRBQ. I enjoy and respect the musical talents of Frank Zappa. That being said, I've always had a space in my mind that "gets" silly music like this. That doesn't mean I enjoy it much these days. The curmudgeon that I've become respects the sound that 10cc creates. They're a good band, great even at some points. My favorite track was probably the closer, "Oh Effendi" Middle of the road, enjoyable listen that I would not return to unless I found this album in the dollar bin. 3.5

I wasn't totally into listening to this album. I saw the tracklist and thought "Far too long. This will surely drag on." I thought about putting it off for another day. The Beastie Boys are meant for a certain time or event. So I chose to put it on while browsing Black Friday Deals and I realized the Beastie Boys are meant to be listened to almost anytime. Suddenly there's only 5 tracks left. I haven't been paying attention to track names and that's a good thing. This album has been one continuous experience featuring the flute (my least favorite instrument but thoroughly enjoyed here), Q-Tip, Biz Markie, a Jimmy Smith sample, throat singing...I mean seriously, what was I thinking???? What a fantastic collection of songs that just....flow..... The second Beastie Boys album I've reviewed and now that I've made it to the end, the second Beastie Boys album to get a 5 star rating out of me. (4.7 but what the hell)

Quite the story behind the making of this one….but anyway. The album itself presents well musically but some of the songs felt repetitive, namely the title track. I enjoyed Brain Drain and Guilt. Others as well, but those two were the take home tracks for me. The Lennon cover was done well too. All in all, not everlasting but still an enjoyable listen.

When I was 11 my sister started taking guitar lessons. There was no way I was going to let her be cooler than me. I got my ax and asked "Who's the best guitar player ever?" "Hendrix" was my mother's response. So when the crusty old guitar teacher named "Fiddlin' Ed" asked me what I wanted to learn I said "Hendrix." He began writing out a tab for Purple Haze. A friend from Boy Scouts tried to teach me Manic Depression. "Dad, what's your favorite Jimi Hendrix song?" I asked. "Third Stone from the Sun" he answered. These moments all led me to this album and Hey Joe was the first song that I heard and understood the Jimi Hendrix Experience. The man behind the music must always be questioned, and his actions should also be studied as to whether or not he's a good role model for a 12 year old boy. But the sounds created are open to interpretation. The sounds of cosmic chaos, panoramic psychedelia, the familiar unfamiliar...they are all present here. Every song is written by Hendrix which is something I would never have known had it not be for this project. The combination of defining tracks (Purple Haze, Hey Joe), solid deep grooves (May This Be Love) a beautiful ballad (Wind Cries Mary) and a rocker of a title track creates a true experience. After all, isn't that what we are all here to undergo 1001 albums at a time?

My knowledge of Rush was limited before listening to this. I was just aware of Tom Sawyer and Neal Peart. I think I had heard Limelight before. When this album came up I was a bit underwhelmed at having to listen to it, especially the fact that there was a 10 minute track that had the potential to drag on (something I’m beginning to dislike about this project) Aside from Tom Sawyer, the 10 minute The Camera Eye was the highlight for me. Great album. Will return to and buy if found in the wild.

This is a great album (coming from a Kraftwerk fan) I'd only previously heard Cars which I've always enjoyed. It sounds like the music I loved as a teen in the 2010s. Come to find out, those artists I thought were being so revolutionary were just ripping off Gary Numan (I'm talking about you, LCD Soundsystem) Jokes aside, I really enjoyed this one and will be returning to it. I didn't find much fault in any track. That can also be translated as "I didn't find myself very bored while listening to this album". Strangely, just about every track sounded the same. Likewise, I'd argue each track was different in its own similar way. A very interesting album for sure.

After my first listen of this acclaimed and slightly over played album I’m left with the realization that almost half of the tracks here play several times a day at my workplace. A few I really don’t like (Hand In My Pocket) and a few I get down to (You Oughta Know). There won’t be a moment where I willingly listen to this album again, however I would’ve absolutely loved to have see this woman preform live at the time of its release. A real rocker.

This was a bland listen for me. Don’t get me wrong, there’s a lot going on and the sounds are far from bland. Every track sounded like a movie soundtrack and felt a bit over the top. For this listener the album felt almost as if it was “too much”. Two For The Price Of One was the only track I found myself enjoying.

The first two tracks made me feel like I had just smoked a joint. Utter perfection. It’s so hard to follow that, and a bold move to make it the beginning of the album and not the end. The rest of the tracks all have there moments, and the closer is a bit of a cluster but still enjoyable. A close 5 star album, but not quite there for me.

This album had some moments but they didn’t last. The ratio of tracks enjoyed (3) to tracks included on here (17) explains my rating enough.

Based on my prior listening of XTC this isn’t what I would’ve expected. I think the acoustic-heavy nature takes away from my enjoyment. The longer it goes on (and that's never a good thing to say about an album) the more brooding it sounds. The last track almost drove me to give this a single star. It was hard to get through this one, but I did.

I’d never heard of Joan Armatrading before this. What a great discovery. I feel fortunate to have this be my it production to this great singer. The mix on this album is crisp yet warm at the same time. The funkier tracks are nice, but “Love and Affection” and “Somebody Who Loves You” are perfect tracks to my ears.

In terms of early 90s hip-hop, this is the cream of the crop. Gritty and silly rhymes rapped behind a paper-mache of samples. The listener is left with timeless, quotable tracks that leave us all bobbing our heads and really feeling what RZA was attempting to create which, this listener believes, to be an atmosphere of close friends getting by through doing what they love.

Another video game soundtrack album for me. Need for speed and other racing games from the PS2 instilled within me an attraction to that strange and sometimes corny mid 90s to early 2000s sound. The fact that it came out in 1990 impressed me too. Seems a bit before the times. Paving the way for edm/dance.

The first track was slightly off putting but the album proceeded to get better. There was that one point where anyone unfamiliar with this band probably went “Oh, it’s THIS song!” I know I did. Anyway, alright album. Not enough for a 4, but not low enough for a 3. Alas, 3 stars it is.

There really is something special about this album. Joni Mitchell feels like a “one-in-a-million” type artist between her vocals and songwriting. The infusion of jazz throughout is done subtly but quite well. “Help Me” is one of the catchiest tunes she’s ever written and almost feels like the perfect song.

It had its moments…but they were few and far between.

This was a nice rocking punk album, but it felt as if the band was having a hard time finding their niche. I enjoyed the fast paced punk fueled tracks and the long bluesy rockers but feel it would be better if they picked one theme and kept at it.

I enjoy poppy REM much more than soft acoustic REM. This album makes me feel great from start to finish and always have. The vibes are good and the songs are strong.

1967 goes down as one of my favorite years in music. It’s hard to separate bias here. The Cream goes psychedelic…Clapton’s guitar is the meat and potatoes of this album I think. It just keeps the energy going and the colors flowing. I love Jack Bruce. He’s right up there with John Entwisle as being some of the great rock bassists of the 60s. I’d say he’s the whole grains of the album. And of course Ginger Baker…the enigma. He’s the butter rolls that you should only have one of but you end up eating five because you just can’t get enough… Hearing the trio play together here is a treat. I can only imagine what the live shows were like. 4 stars for the excellent psychedelic jams. There’s a couple of tracks that were slogs (blue condition for example) that take away from the overall vibe of the album.

The first track was excellent. Exquisite even. Everything I look for in a warm jazz track. I had never heard of Astor Piazzolla before but I feel like I should have. As a "genre definer" he is an artist I should probably look more into. I'm familiar with Gary Burton and was given just what I expected there. I felt as if this album delivered to me what it was intending to deliver, but I've never enjoyed Tango music. Another fine example of an album that would be much better if taken in live or on the dance floor.... So, once again, first from my car then from my office chair I'm leaving this album with a 3.5 rounded down.

I had limited knowledge of King Crimson. One of my favorite albums is Days Of Future Passed by the Moody Blues. I'm listening to this album and hearing all the similarities and sure enough, the albums share a producer. Anyway, there's a bias warning right there. Prog. Rock is a genre that you either love or hate. It tells a story through both word and sound, envelops the listener to a fantasy land. Albums like "In The Court Of The Crimson King" take the listener somewhere else and then gently guide them back to the couch, or the car, or the office, or wherever they decided to take in this work. I've always enjoyed art that delivers these results. Perhaps it's my own deep desire for escape? That's a conversation for a therapist...not the reviews section on a niche website... In sum, this was my first time listening to this album in full and I went somewhere. I can't tell you where. It was misty and unclear yet I felt strong and determined to discover the land. Just as it all began to make sense the flutes began to play and I felt something outside of myself saying "No, not yet" as I was slowly, softly brought back to reality. I know I can always go back, but like the addict that always chases the first high will I always chase the journey that was had on my first listen....

Bitches Brew is a slow burn for me. I have to remain simultaneously focused and aloof while listening so I don't take it so seriously yet still remain aware of what's happening. It's a good driving album, or at least it was this time around. I wasn't sucked in until around the 10 minute mark during the title track. Miles goes hard on the horn and everyone around him is respectfully grooving away, giving just enough to shine yet not overshadow the great one. Spanish Key and Miles Runs the Voodoo Down are two other tracks that had me for their entirety. The only thing about this album is....it's too long. There's so much going on within each 10+ minute track that by the end of it you feel like you got consensually fucked by a gorilla.

The listener is teleported to a jazz club of days gone by. Songs with no reservation are sung and many in the audience can relate to the surprising realism of relationship and substance abuse troubles. At least that's what happened to me when I listened to this album. Winehouse's voice is thick and powerful. The musicians backing her up stay subtly behind her, but I was pleased at how the trumpets made themselves known. I specifically enjoyed "He Can Only Hold Her". I believe this track really allowed everyone who worked on this album to have some fun. 4 stars

I believe this album highlights a turning point in music history. Dylan slowly becomes Dylan here as he begins to showcase his own talents. While there are still many tributes to his folky past, “Freewheelin’” introduced the poetic side of Bob Dylan to the world. I Shall be Free and Down the Highway are two tracks hidden within the greatness that I’ve always enjoyed. Ultimately I’m left torn between a 4 and a 5. Four stars because I don’t want to just give the highest rating based on the albums acclaimed prestige. Five stars because…well…because of this albums acclaimed prestige….

Seems to be quite a middle of the road 60s album by a middle of the road 60s band. I think during their time their sound was much more popular, but unfortunately it’s become “the same as it ever was” in terms of late 60s psychedelic pop.

This album reminds me of the ignorance of youth. It’s by far one of my favorite and most listened to hip hop albums. Bias aside, B.I.G has the rhyme structure of MF DOOM and the flow of 90s Snoop Doggy Dog. He truly is an example of greatness within his genre and this album is surely his magnum opus. “I used to do stick-ups, 'cause hoes is irritating like the hiccups Excuse me, flows just grow through me Like trees to branches, cliffs to avalanches” Could’ve ended the album right there.

A timeless collection of Christmas tracks tainted by the name of a toxic man. Every track by The Ronnettes is perfect. The rest are quite good too, but that Frosty The Snowman rendition always brings me back to goodfellas…

Sometimes Brit Pop sounds like a parade of silliness. This is one of those times. I tried to find merit...there are some good parts that felt "out of this world" but mainly it sounded like a trite cacophony of arrangements that have been done before 74 and were over-done after 74.

Everything about this album emits excellence. The starkly smooth cover art, the sensual name, the long but not too repetitive or drawn out grooves, and the voice of the man behind the creative control. I believe having just 4 tracks and keeping the overall playtime to 45 minutes adds to this albums greatness. You don’t need an entire evening to pick up what Hayes is putting down. The needle drops, you walk on by, and by the time you get to phoenix the album is done.

A good background album for the most part. The circus track and the duet with the child take away from what I feel to be the essence of the album.

This album gave birth to my favorite hip-hop subgenre, G-Funk. I can't get enough of that sound. The featured artists (Snoop and Nate) would go on from here to win my ears over time and time again. "The Chronic" stands alone in a different light. There are great production styles and fantastic hooks riddled throughout, but mixed with trite skits and long dialogues which takes away from the overall effect.

I had to let this one simmer for a bit. Right off the bat I thought the album was refreshing. I haven't gotten a modern album on here yet. I listened to this album all the way through 3 times. First listen was highly rated, but after the other two I'm left with a rating of a 4. I think Little Simz is an impressive artist with a unique style and flow. I thought the content of this album was a bit too depressing. While I can understand and respect the sentiments expressed, the repeated notes of emotional turmoil could've been summed up in a single track or two. For this listener, it felt as if more than half of the songs featured such unrest. For that and that alone am I left giving this album a 4 instead of a 5. Am I being too picky? Probably. I've given out a lot of 5's lately. I've been labeled as a "Generous" rater and I don't want to seem like a pushover to these artists that have no idea who I am or where I live. Wow, look at me. Now I'm the one with too much emotional turmoil. What a hypocrite I am.

"Great album. Will buy." original review when this was my 8th album. Since then, I've created a group with a friend and listened to 157 other albums (Wow!) Anyway, Dusty In Memphis still is still a stand out all these albums later. When this repeat came up I was pleasantly surprised and found myself humming "Just A Little Loving" all day long.

It was great to hear Sam Cooke live. I absolutely love this singer and his poppy, soulful style. Chain Gang is and all-time favorite for me, I think my Grandmother showed me the song. Anyway, it was as if Cooke had an overdrive effect on his microphone. I was enamored from start to finish by the emotion he put into his live shows. There are so many artists from this era that were "only in it for the money". Not Mr. Cooke. He's in it for the soul!! I've listened to another live album of this genre from the same year (give or take a few months) and rated it 5 stars. I don't think this album is of the same caliber musically or emotionally, but it's pretty damn close. I believe this album is a 4.5..not quite a 5.

The Stones go country… Everything about this album is yet another turning point in the direction of music in the 1960s. The nasty toilet room of an album cover. The opening track. The blend of “heavy” riffs, drawling voices and violent lyrics highlight a significant creative shift in this band. The Rolling Stones will always be a blues band, but Beggars Banquet is where they showed they can pick a guitar and sing a song that sounds like it comes from the salt of the earth. Very enjoyable. Very dynamic. Very Stones.

Apparently the Colonel thought the army would ruin Elvis’ career. I guess not. This is a strong return. Not as strong as Ted Williams, but for musical talent it may be the most notable album to be released by a veteran. It’s nice to hear continued sounds of Sun Records in his RCA years. Fever adds a dynamic that I probably wouldn’t have expected to hear had I listened to this in 1960. Provocative but still familiar, this Elvis release stands out as one of the “Classic” ones. From start to finish my foot was tapping and my head was bopping.

I refuse to listen

Another slow burner....gets better as I go along.... The meditative feel of “Where Are We Now?” brings light to an older, more somber 66 year old Bowie. The repetitive guitar riff on "I'd Rather Be High" starts the overdriven vibe that I really enjoy. "Dancing Out In Space" and "How Does The Grass Grow?" are two stand outs from this listen. It's an impressive release, as artists tend to get more predicable as they age. While this album is certainly a "Bowie album", it's not "just another Bowie album" know what I mean? 3.5 stars, rounded up to 4.

Strong stones album. Aftermath of what, I wonder? Further research shows it was a name picked to avoid controversy. Anyway, it encapsulates what I would expect to hear from a Stones album. Comparing it to earlier releases I think there are some examples of more mature and original songwriting. Some social poignancy, plenty of blues tracks, and a fantastic mid-60s song (Under My Thumb) leaves me to once again give the Stones a 4. Probably would've been a 5 if they omitted the last few tracks. They could've finished this album with "Out Of Time" But that's just like, you know, my opinion man.

A good album for Halloween. I liked the bass line on "Lucretia My Reflection" but as for the rest of it...fairly forgettable. 2.5 rounded up to 3 for it's emotion.

A quintessential album for all millennials. Fun, nostalgic for some, but certainly not ever lasting. (Like many albums on this list, or at least what I’m beginning to find….)

This is the album one buys after hearing the radio song. They take it home and excitedly drop the needle. They suffer through track one, and then track two plays. “Great! This is why I bought this!” says our dear friend the consumer. Slowly (but surely) they find themselves full of regret, buyers remorse and shame that they were once fooled again by one catchy tune….

Runnin' with the Devil brings the taste of light beer to my mouth....Eruption, a joint between my fingers....every track that comes afterward sounds like the music that I would make after drinking 12 light beers and smoking a few joints. In terms of guitar, my interest was piqued. The tone felt novel in some ways, especially with eruption. But then again, it wasn't "earth-shattering" as some would describe this album... 2.5, rounded up for "Ice Cream Man" and the variety that a little bit of blues adds to the album.

Hauntingly beautiful in parts (Hey, That’s No Way To Say Goodbye) and psychedelic in others (Teachers), Cohens first album showcases his exceptional skill on guitar and unique lyricism that only evolved from here.

This is one of those albums where you have to give credit to everyone involved. There's no doubt Eric Clapton is one of the greatest guitar players of the 20th century. 80% of the tracks are covers, but Clapton does a nice job of making it his own (although I may be one of the few that really dislike his Bob Marley cover). All the musicians and the producer of this album deserve the credit for making it what it is. "Let It Grow" is a very nice song, one of the heartfelt Clapton ballads that would continue to fill the airwaves for years to come. A very enjoyable collection of songs headlined by a morally gray man. 3.5 stars, rounded down.

First time listen. Sonic Youth feels badass but not aggressive, you know what I mean? They’re like Humphrey Bogart. This album is no Casablanca, but I do believe it deserves a spot on this list. Good noise, some nice tracks, but as always the highlight is Kim Gordon (especially on Kool Thing) 3.5 rounded up.

Very cool find. One of those albums that shows how much a band enjoys doing what they do. Elastica doesn’t try too hard to make music. They just…make it. Nothing about this album felt forced or drawn out. I look forward to listening again.

I did not like the fact that I enjoyed some of this. I was familiar with the radio hits, but did not know The Offspring had much “punk” in their “pop-punk” musical nature. That made me smirk and nod in approval…but the album lacked substance and made me feel 14 again. And not in a good way.

Call me prude, but I was not a fan of many of these tracks. I found myself thinking “ok, I get it. You have sex so much that you feel inclined to write a dozen songs about it. would’ve been better as an instrumental album. 1.5 rounded up

Sounds like 8 GarageBand sample tracks, one Dylan parody and one semi enjoyable track musically (Are You Ready To Be Heartbroken) that gets muffled by the vocals. 1.5

Makes me want to dance around my living room in nothing but skinny jeans. I think what I like most about Iggy Pop is his versatile voice. I love the crooning side of Iggy (Turn Blue). Even with that song he ads some yipping. From start to finish this album is riddled with tracks that make sense to my ears. The mix is good, I understand each song and hear each musician. It’s a great example of what an album should be. Most of that credit goes to David Jones. If Bowie didn’t have his hands in this I really don’t think the album would be as good. Sorry Iggy (but I’m sure he’d be inclined to agree) Interestingly enough, it’s the previously referenced song (Turn Blue) that prevents me from giving this album a perfect score. That and “Fall in Love With Me” are too long. I think “Lust For Life” gets away with going over the 5 minute mark simply because of its message (and the drum fill of course)

I like Zevon better

This was a tough listen, but only because it was below freezing on a cold New England afternoon. This album is meant to be listened to loudly while grilling chicken with your shirt off on a hot summers day. Have mercy! This album is a real rocker. Almost immediately I felt inclined to start the air guitar. Simple and effective riffs produce a timeless album. La Grange is so overplayed but I still listen to it from start to finish everytime it comes around. I felt this album was a 4 throughout a lot of the listen, but since writing this review I wanted to experience it again. So here I am, Waitin For The Bus. Have mercy!

Incubus deliverers intriguing sounds (When it Comes/Make Yourself) and cringy lyrics (Make Yourself). They seemed to have succeeded with two radio hits. I understand why Drive became so popular, but don’t understand why this band did. 2.5 rounded down. Post Script: Sometimes this project feels like Groundhog Day.

The harmonies riddled throughout this album are a blessing to any person's ear. While sometimes it can be overtly poppy (Ragged Wood, Quiet Houses) and overtly vocal (many points throughout the entire album), Fleet Foxes self titled debut delivers a feeling of nostalgia to anyone interested in humanity's folksy past of living off the land somewhere deep in the woods with nothing but some oxen, a pig and whoever else belongs to your religious cult of choice. Post Script: I once had the pleasure of getting stoned in an art studio while someone loudly unwantingly sang "He Doesn't Know Why". I haven't seen this person in over a decade, but I'm still annoyed.

I understand why Blue Cheer is on this list and the impact they made on the genre of hard rock and eventually metal music. I don't understand why it's this album and I'm too lazy to do find out why. 3 stars because I enjoyed each song and my quick listen, but nothing more.

I always enjoy a concept album. I've listened to this album before, but didn't get much out of it. This time around my reaction is about the same. I think Lou Reed's emotional voice gives this album its essence. Musically it's OK, conceptually it's OK. I probably won't listen to it a third time. My perception hasn't changed. Cool on the surface, but not everlasting.

There's a lot of nostalgia surrounding Van Halen. When I think of 80s radio rock, I think of them. Many prominent figures in my childhood exposed me to Van Halen, especially this album. For example, my driving instructor would play this album while teaching me how to drive. I'll never forget him doing air drums to Jump while telling me "When taking a turn in a car you want to be like shit leaving a whale. Slow to start, quick to exit." Many other great memories surround all these tracks. Made throughout my life and still being made today. I love this album, and music in general really, for it's ability to amplify my experience on this earth. Anecdotes aside...it's just a solid, quick collection of mostly feel good tracks riddled with great guitar, drums and synth. 3.5 rounded up for Button The Driving Instructor.

It was pretty cool for what it's worth. I was thinking of giving the album 3.5 initially but then it dragged on and on.... Very "sign of the times" pop with not much to think back on or many reasons to revist. I chose to split the album up, listening to 6 of the tracks in english and 6 in french. That was a nice novelty and the production wasn't too bad. Alas, not enough to write home about...

I really wish I could make up my mind and chose a favorite 60s Dylan album. The 60s is my favorite Dylan decade. I can say that with certainty. Bringing It All Back Home is an essential album. From the cover of the poet turned messiah with papers, magazines and the lady in red sprawled about his apartment to the final haunting track. I could do what others do on this website and write out what I think track by track but nobody cares. Fun fact: I believe this is the last Dylan album where he shares his dreams with us. Why? Well, this album was released in April of 65. In July of 65 Dylan went electric at the Newport folk festival and became Judas. From that point on Bob Dylan had no dreams, only nightmares....

You ever see that scene in Big Lebowski where the dude is in the taxi and says "I hate the fuckin' eales, man"? Well I hate fuckin' ELO, man. Ok now that that's out of my system.... What a strong collection of pop. At times it can feel a bit much. By the second track I feel bombarded by strings, bass and vocal harmonies. This continues for over an hour. I would classify this album as a "Fever Dream" album. Not necessarily a bad Fever Dream, but certainly not something that my subconscious would produce in a sober state. It's an unhealthy conglomerate of The Beatles, Moody Blues and Beach Boys with synth and sound effects poured in excess like syrup on a Denny's Super Slam Breakfast. 2.5 rounded up because I used the word "Strong collection". I will give them that, the album is strong (especially the second half) and the group is talented...for what it's worth...

The fivesome certainly delivers with its moody britpop that it has become ubiquitously known for. It somewhat stands up to the test of time (30 years later at the time of this writing) but it's a bit too dreamy for this listener. It seems this is the bands most critically acclaimed album. I'll leave this one with a 3.5 rounded down. There were moments of "Huh, this is pretty good." during the more rocking tracks like Hey Now! and Morning Glory but mainly I'm left, yet again, simply "whelmed". Musings not attached to the review: Upon release it was quite impactful. So impactful that it has become "Retail-Core", the dreaded genre that I think all bands and music acts hope to never be....In a way, one becomes retail-core by their ubiquitous popularity. So therefore, in a way, being categorized as retail-core means the band has become the pinnacle of success....

Makes me want to drink light beer and party hard

Given the history of the Count and his place in music history, this is a great album by a great artist. It does not confine to a single subgenre, but rather spans and exemplifies all of Basie’s talents whether that be Big Band, swing, bop or ballad. Powerful artist, powerful album cover and explosive sound.

If this was just Monk I don't think the rating would be as high. Sonny Rollings, Clark Terry, Ernie Henry and ESPECIALLY Max Roach make this album. Why wasn't Roach highlighted on the cover like the other musicians? Anyway, the only sleeper track was the solo Monk piece "I Surrender Dear". His time doesn't jive with me on this one. Best track by far was "Ba-Lue Bolivar Ba-Lues-Are" because I'm a sucker for a good bass solo and even a bigger sucker for some Max Roach.

I enjoyed the first two minutes of just about every track. Being more of an ambient enjoyer, the vocal tracks took away from my experience. I also think I heard a pig squeal sampled in track two which was a bit unsettling. Ultimately a “par for the course” 90s electronica album that was about 20 minutes too long.

I understand why some wouldn’t like this. This listener loves a journey, whether it be physical, spiritual, mental, or in this case, audial. Side 1 has a familiar Bowie sound. I very much enjoyed Sound and Vision Side 2 is ripe with Brian Eno influence. It can be ethereal (to me) or scary (to my wife). Overall favorite track was Subterraneans. Ultimate rating is 3.5 rounded down for this albums overall accessibility. I wouldn’t enjoy it at all hours of the day, but certainly would(and will) enjoy it every now and again.

Good beats, very poor themes. Has his 7xl been invented yet?

Look how they've massacred my boy!

I was one of the listeners who was fooled into thinking this was a live album. Upon completion I thought "I liked the live tracks the best" but my usual post-wiki read revealed I had been hoodwinked. Sloppy playing for a studio release. If it were live I would've thought it was emotion and spontaneity but as a confined and "sterile" recording I expect a bit more polished playing. Who am I kidding, I'm just embarrassed. Great opener track, had me dancing while sitting down. The rest of the album was a bit of a downer, besides "Piece of My Heart" and the psychedelic groove of "Oh, Sweet Mary" 3.5 rounded up for the soul

This album starts with a good old fashion sing along and then follows with a heart warming ballad. I've bitten the hook and the third track has me thinking of REM and I get PTSD from all the other fucking times REM has appeared on this list and try and swim away, but the hook has been planted and I've been caught. It all comes together to be a nice folky/rocky collection of tracks by two...wait, they didn't write this stuff? Unheard lyrics by WHO? What a cool project.

This band is a cool little blip in music history. I knew of the hits but never took in an album to its entirety. "Beauty And The Beat" is a fun, care-free album showcasing true talent of 4 women who proved all you need for a band is a willingness to give it a try. (Their harmonious talents certainly help too)

At first I thought "eh" but that's why I read the wiki. Cool project that seemed to get more enjoyable as it went on. I enjoyed the second half much more than the first, but perhaps that's when I was turned on to the album's true essence. A talented artist in songwriting, singing and guitar playing. I enjoyed my listen but the likelihood of another is slim. 3.5 rounded down

Pretty good release for Tina Turner to get the credit that her talent deserves. "What's Love Got to Do With It" is a great song. Represents the era really well. "I Can't Stand the Rain" and "Help!" are two covers I really enjoyed. Everything else was "so-so" and the title track was a sleeper.

A sign of the times....this album really encapsulates what was happening on the "rock" scene in the mid-2000s.The sound itself is pretty generic for its day. High-powered dance beats with vocals that just remind me of a time where I wanted nothing to do with mainstream "rock" music. Good band. I can't deny the talent. But I can deny any claim that this album should be listened to more than once.

A powerhouse of an album. Impressed most by Brian May and Freddie Mercury. I really enjoyed May’s ‘39. Never really listened to a full Queen album and I’m left pleasantly surprised. Several ragtime themed tracks made me ultimately rate this 4/5

Not nails on a chalkboard, but not the voice of god either. Maybe if I saw the movie it would resonate more. Good background music, besides the chachacha track. 2.5 rounded up

Not absolute crap, but not great either…appreciated some of the harmonies but that’s it.

This did not hit me the way in which I anticipated... After being left pleasantly satisfied by several other Bowie albums through this project I was excited for more. This cover shows me the iconic Bowie image that shouts "glam rock". I think I let my own bias and expectation get in the way of this listen. It's not a bad album, but there weren't many moments that left me interested in going back for more at this time. 3.5 rounded down.

This album is certainly a "mood". A "vibe", if you will. I listened to it at an appropriate time (the pensive hours of a late winter morning) and I think that added to my overall enjoyment. It's very dense in the sense that it's filled with long sprawling tales backed by beautiful musical arrangements. I think what I appreciated the most is that each song has its own motif, but it isn't repeated and drilled into the listeners brain for 15 minutes. Newsom does a great job of painting us a lyrical picture, extrapolating on it and still giving us subtle reminders of what we are listening to so the listener doesn't get too lost on this baroque journey.

once again, i listen to a poppy 80s album and once again i am left disappointed. i am ready to prepare a prompt that i can just paste into this review box every time one of these albums appears on the list

That’s how it feels to chew 5 gum

I’ve said it before and I’ll say it again… Supreme supreme

This is a great album with one hell of a backstory. From being one of the first albums to utilize the MOOG to David Crosby's ménage à trois (as heard on one of the bonus tracks) the Notorious Byrd Brothers offers the listener stellar harmonies and dreamy landscapes to chill out to. Favorite track this time around was "Draft Morning"

I'm familiar with some of The Avalanches work, but this album did not do it for me. It seemed repetitive and long. I wish there was more to say, but alas....there is not.

Very very cool. I remember when I first saw this all over streaming services and gave it a try. Way too much dance-pop for my taste. I never gave it a second thought. In this analytical listen I can really appreciate Janelle's creative style. As I've stated in the past, I'm a sucker for any good concept album and this is certainly a good one. Still too "dance-poppy" for me. 3.5

I expect and understand why many would rate this as a 2 or 3. "Christian Life"? What the fuck is this shit. It's history, man. The Byrds are a great musical group with excellent talent They pay homage to some American roots music of days gone by. I hear the baker street sound, the nashville sound and the rough honky tonk sound. Most importantly, I hear "Hickory Wind" which proves to be the most beautiful original tune on the record. Post Script: I sing "Nothing Was Delivered" to myself whenever I come home expecting some mail and find nothing.

Based on the first track, I expected this to be a melancholy breakup album. I was pretty close, but surprised at how much I enjoyed it. I was familiar with "Nothing Compares 2 U" but had no clue who sang it or where it came from (Prince). I think my favorite track was "The Emporer's New Clothes" but each one kept me engaged and eager to listen on. The closing track was very surprising, but not as off putting as most a cappella tracks are to me.

Good drum fills throughout (those are what make or break a metal album in my opinion) Vocals weren't totally inaudible. I didn't feel the urge to skip any track. 3/5 won't listen to again

Very 60s. Very casual. Matter but air. Solid but liquid. Fluid but firm. Jazz....

Raw and gritty, just the way I like it. I could listen to this stuff all day. Well maybe not, but perhaps everyday... Not overly angsty, just enough to make you go "Yeah man, I know what you're getting at" while stomping your feet and clapping your hands to some stripped back, naked and basic rock and roll.

pretty good....not bad...can't complain....but actually everything is just about the same.

I'm very attached to this album. When I first heard it (I listened to Demon Days first) I was mesmerized by the production. Variety of vocal styles, "trip-hop" stoner music, and fictional band members made this a favorite band for a midnight middle school toker. Relistening to this all this time later I still find myself thoroughly enjoying just about every track. The concept of Gorillaz is 5 stars. The album is 4. It's close to a 5 for me, but like the person I was when I first listened to this album some of the tracks are just to hazy.

In terms of political music, no one does a funkier job than Fela Kuti. This album shows how one can be so outspoken against the government while having an audience dancing and clapping along. Aside from the albums overall message, the horn work and arrangement of every track kept me engaged, especially "Mr. Follow Follow"

music to fold laundry to.

songs for smoking in the bathroom. Love in An Elevator is a timeless classic for me. "Livin' it up when I'm goin down" is just a catchy and crude hook. Riddled with other catchy but forgettable tracks I'm left with a final rating of 3.5

Side A: This is ok. Sounds a lot like other poppy punk bands from the time. Cool cover to end it. Side B: Is this the same band? God damn. Hints of a surf rock ballad on "Kid", a reggae groove on "Private Life" and every other track is enjoyable pop music? Play that back, man!

Just....smooth. Mayfield is a great writer and an even better singer. This is not his best work nor his most critically acclaimed, but it's still quite touching and leaves the listener thinking of racial injustice but also love...

As others have mentioned, I'm unsure why this is included in this list. It's one that I own a physical copy of and do enjoy (I also found the digital mix actually sounds much better than my LP) but don't understand why the creator of this list thought a general audience must listen to this before they die. My only assumption is that The Who are fantastic performers and were known for there over the top antics (smashing guitars and drum kits) so with a project that focuses so much on listening, the participant is given a chance to hear the energy this band brought to this stage. It's certainly there and certainly felt on every listen. 3.5 stars.

I had no real exposure to The Smashing Pumpkins prior to this (surprisingly). I'm a huge fan of shoegaze so this was an instant hit for me. There's a lot of angst here, but not as much as other grunge bands of the time. Cool guitar effects create a dreamy atmosphere that isn't always wine and roses, perhaps warm beer and ivy.

What a groovy but immensely chill album. The guitar work, mainly the effects, were really enjoyable to my ears. Along with Kiwanuka's excellent voice and songwriting I'm left very pleased and will be on the lookout for a physical copy of this one. Upon first listen I rated it a 4, but since I was left with the desire to listen to it again I believe a 5 is warranted here.

Each note...so simple but so precious...so full of soul...like he's picking every string of your poor poor heart...singing to beat of every rain drop that's ever fallen onto your head....the fuckin' King...man... Good live album, but doesn’t deliver the energy I look for in these sorts of things.

I’d say this release should be on a list titled “1001 Albums That Will Fit A Specific Mood, Once, At A Specific Time” If it were, I’d have rated it higher. I enjoyed my casual listen nonetheless

Arcade Fire always resonates with the Millennial in me. The themes of this album were something I always enjoy (person getting by one day at a time) and the harmonies between all the members especially vocals always moves me. Just a great band that usually produces quality stuff with this album being one of those thins.

I'll always love the title track of this album, but I also listen to 45 minute extended Grateful Dead jams on a regular basis so..... The rest was alright. My limited knowledge of rock and roll history gives me some insight to the genre-defining moment this album's release was. 3.5 stars.

Best listened to loudly on a turntable Edit: I've since acquired a first pressing LP and have listened to it loudly on a turntable. My rating has gone from a 3 to a 4

There are certain artists that can't be overshadowed. Aretha Franklin is a genre definer. There are many emulators and many many successors, but only one Lady Soul... What makes Aretha Franklin a great artist is that everything she releases sounds like a masterpiece. Credit must go to the producer (Jerry Wexler) and of course the studio musicians (one being Eric Clapton, a small easter egg) Every track stands out, but what really got me was the cover of Groovin'. Don't ask me why because I can't answer. I will admit the mix is a bit rough a parts but whatever man that's just what I'm feeling today

ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN

Flea and Frusciante make this album. I think without that duo, we would be left with Kiedis' silly noises and occasional serious lyrics. It's good music and very well mixed/produced (all the seamless transitions.....chef's kiss), however as I've noted before about RCHP, it's just too long. The sound gets old after about 40 minutes. Could've ended at "Under The Bridge" 3.5

This is one of those relatively cheap albums that sounds fantastic on a turntable. It has the radio hit, but also some yacht-rock (walk of life), a knopfler ballad (why worry) and a mystical, adventurous side 2. This album is a great listening experience if you enjoy well toned 80s rock and roll. It’s probably a boring and at times corny listening experience if you do not.

Lots of variety here which I enjoy. Great vocals and synth work but ultimately not my cup of tea. Stars are for admiration of talent, not necessarily enjoyment of substance.

150 albums ago I listened to my first Springsteen album in full. It had a similar vibe to this one, albeit not as naked sounding. Perhaps that's what made me enjoy this one more? I'm not sure. Either way, "Nebraska" is an album which I was familiar with only by name and artwork. After one listen I'm left not only melancholic and reflective, but inspired to pick up my old guitar and play in a similar manner. In doing so I'm not left melancholic. I'm left in a state of gratitude brought by the aforementioned reflection. Grateful for this listen, grateful for the inspiration and grateful for my own personal "Nebraska" which lives on in memory and song.

A great Swan Song by another influential voice of 20th century American music. The voice behind these iconic songs leaves the listener feeling even more aloof and sedated than they would be having heard some of the songwriters sing (Sinatra, for example) In "Lady In Satin" Holiday's aged voice is consistent, delivering emotion and message like a well oiled machine, rarely faltering or sputtering. Maintaining the message the pieces were intended to provoke; pensive sadness. 3.5

A well-mixed album that has great production and still delivers raw emotion. One of those “right place right time” moments had it become so prominent but I believe it would become timeless based on merit alone.

Store brand combo of David Byrne and Thom York

Don’t judge a book by its cover…..cool folk rock and enjoyable song writing came out of an album which I thought was going to be some Chicano rap. Honestly I would’ve probably enjoyed that more. 3.5

While I can romanticize and enjoy 60s radio hits, this “R&B/Soul” album is delivered way more like a pop album. Too much of pop at that.

I believe this is Neil’s most melancholy album. Both sides start with catchy chords and lyrics and are followed by tracks that weave from pensive reflection to mopey sadness. Motion Pictures is such a beautiful song. This is my favorite Neil Young album so my bias is hard to ignore.

The soundtrack of the 2013 summer. Man, what a great utilization of auto tune

The energy is palatable here. Jazz is an emotion, a state of being....and Ellington really transcends that here. All these years later a modern day listener is still enamored by the fantastic playing of all of these artists, especially on "Diminuendo and Crescendo in Blue" a song older than most human beings on this earth are today. Crazy to think that.

Gunfighter Ballads and Trail Songs is an example of an album one would put on and just sit and experience. Tales of duels, heartbreak, and the urge to roam. Catchy tunes from a Cowboy Crooner is definitely one you have to be predisposed to enjoying otherwise I'm sure the album comes off as cheesy and annoying. It's almost 70 years old, after all. Robbins delivers beautiful imagery and Grady Martin delivers excellent lead guitar that inspired me to expand upon my own playing years ago. For the first 17 years of my life, I thought "El Paso" was a Grateful Dead song.

Vulnus (wound) + cura (care)= Vulincura Atmospheric, melancholic (an interesting repeating theme on my daily album journey) and contemplative, Vulincura left me pensive, reflective, and grateful to be able to feel what Bjork is trying to convey. The inclusion of the strings is very Kronos Quartet/Steve Reich-esque which I personally always enjoy. From start to finish, this album is a journey ultimately landing this listener in a state of zen like acceptance. When we’re broken we are whole And when we’re whole we are broken

If I went to Ameoba Records, this would be in my bag. What a cool find. Stuff like this is why I continue on with this project. Never heard of this band before. Lots of creativity here. A tight band with a great lead singer that holds an apparent over arching message of rockin' with a purpose. A gem of 90s brit rock. Thanks for the recommendation, Robert Dimery

Way too much production for my feeble mind....

Simplify, simplify, simplify. There is no cooler band to have a big break in the 2000s than the White Stripes. I will take any and all arguments. They are just bad ass. How can a duo make so much noise, create so much emotion yet evoke such simplicity in their riffs? Whether it’s the guitar on Seven Nation Army or the drums on Hardest Button to Button, every track delivers a complex straightforwardness to my ears. Love every track, would go so far as to say it’s perfect (or at least darn close to perfect).

I get home from work, put the record on the turntable, and that intro begin to play….suddenly everything is cool and groovy. By the end of the album I’m ready to grow my hair and my mustache. I fuckin love this album and always will. Whether I’m singing along, playin some air guitar or bashing some air drums, this album always makes me feel good. SMOKIN!!!! SMOKIN!!!!

Familiar with the Police, but not best friends with them. That being said, I really enjoyed this album. Tight group. Sometimes I feel like new wave can sound a bit trite, but they make it a bit more exciting with their heavy use of reggae grooves. I was surprised by "On Any Other Day", it felt a bit out of place. I enjoyed it nonetheless... 3.5

Quite good....quite good indeed. Not my first listen of Elliott Smith, but my first listen of this album. I believe this was his last official release? I thought it was good, creatively poppy, folky guitar work, had a flow to it and every song kept me engaged and interested. Yet I was left with the realization that I was listening to the Deluxe Edition after I heard my favorite moment on the album- "Bye" into "Figure 8" Turns out "Bye" is the final track on the official release. Oh well.

Same as it ever was…same as it ever was…. (A lot of these middle-of-the road 90s rock albums sound the same to me)

Love Method Man. Love his style and his flow. Loved this album when I was a weed smoking teen. Don't love it so much these days, but I still enjoy "Bring The Pain" and "Release Yo' Delf" Moderately impressive first solo release by an extremely influential artist on the 90s Hip Hop scene

What a surprise to find this album on this list. A pleasant surprise! It was great to revisit an album of my lost youth. Hazy memories of seeing this band in a tiny local venue, entranced by all the musicians going off in their own different directions yet coalescing into some audible cacophony that brought reactions out of the entire crowd. I think J Mascis was there. That should say something, because he doesn't go anywhere he doesn't think is worthy of his presence! Anyway, I believe that experience describes my reaction to this album as well. What a creative cauldron of sounds. "Drug" is my favorite track off the album, but "River to Consider" was the standout here, especially from someone who doesn't enjoy the appearance of the flute at anytime on any record.

Started off as expected; beautiful voice, poppy and boppy…and then…”What More Can I Say?” Oh my oh my, this is why I love Nina Simone. The percussion arrangement on “Break Down And Let It All Out” is interesting. Seems pretty 60s to me. The album continues, the piano on “If I Should Lose You” flutters and I expect the album to end….yet some doo-wop begins and I learn I’m not done yet. There is more heartbreak to experience…. The great Nina Simone…I think she brings out the most in anyone she works with and it shows with the performance of the studio musicians on this one.

I judged an album by its cover. I thought this would be like nails on a chalkboard. It wasn't. However, after the first 4 tracks the rest felt like they blended into this bland sameness that I expect from Taylor Swift. It's always cool when an artist can release two albums in one year, but part of me thinks the quick turn around between evermore's predecessor (Folklore, released in July 2020) and evermore itself (released in December of the same year) makes me think this is some kind of cash grab. Ok, taking off my tinfoil hat now...

Ginger Baker once said the most important thing a musician can have is time...Jeff Beck has that quality. Solo Debuts by guitar greats (Clapton, Harrison, Beck to name a few from the same time period) always showcase a talent once hidden behind or mixed within a myriad of other great musicians. While there is no stand out favorite track on this album for me, I do enjoy it for the overall substance and showcase of talent.

I took this album piecemeal. Unable to consume it all in one sitting, I found myself tuning in to it over the course of a few days. I understand it’s not the best way or really the intention of an album’s purpose. I’d like to think of this one as an exception, it’s hard to digest all these long DJ tracks in one sitting. Much more enjoyable in small doses throughout different environments.

What a cool album and a gruesome rendition of the classic "Stagger Lee" (or Stack O Lee) Other notable tracks include "Where the Wild Roses Grow" and "Crow Jane" Maybe someday I'll look into the story behind all of the tracks. I'm sure I'll re-listen to this album long before that day.

According to Rolling Stone this is the most famous singer alive in Senegal. Interesting factoid. Much more interesting and enjoyable album. My favorite part of listening to music in a language that I don't understand is the emotion that is delivered to me through the music. Great quick collection of feel-good tunes. (The lyrics could be about the exact opposite for all I know)

Slaaveee driiiverrrrrrr

An album that gets progressively better is much more enjoyable than one which gets progressively worse… I heard good things about this album. I never gave it a listen, despite the acclaim that came from it. And the interesting factoid that Bowie died just two days after its release…. I really enjoy the production on “Sue (Or In A Season Of Crime)” and the overall musicianship on “I Can’t Give Everything Away” 3.5

These 90s artists really all sound the same to me. I suppose this project continues to show me that decades truly define the music that is created within it. I don’t think I’d be able to tell the difference between a blind listen of a Verve song and an Oasis song. Same as it ever was….same as it ever was… A specific note to this album is that every track felt like it was over 5 minutes, even the 3 minute songs. The verve does a nice job of creating dreamscapes, but I find myself sleeping in far too much. One can’t live in a dream forever, it is sure to turn into a nightmare. 2.5

Besides a very quotable last two minutes, this album would be much better if it were a purely ambient instrumental. I knew I had heard of Robert Wyatt but needed a refresher on who the man was...what an interesting artist.

Roadhouse Blues is such a great opening track. Dropping the needle down on this record and hearing that opening guitar riff...so good. The album fluctuates from there. Riddled with Morrison weirdness, some psychedelically far out (Waiting For The Sun, Indian Summer) and others just plain dumb (Land Ho!) Morrison Hotel is a real sine wave of an album. Regardless of what I said about the first track, Peace Frog/Blue Sunday will always be my favorite track. So freaky, so groovy

Eh, this was alright. Enjoyed the sax work throughout but found myself quite bored by the end. Air is a great example of electronic sounds of the early 2000s. This album is not.

An album I've listened to all of my life. The first time I remember hearing Helpless I was probably 3 or 4 so I thought Neil sang of Big Bird from Sesame Street "Flying across the sky". I still picture that image to this day. A super album from a supergroup. What new can be said? Teach your children well, let your freak flag fly and witness the quickness with which we get along....

Relatively boring vanilla punk that I may have enjoyed as a ten year old. Some high points, but few and far between.(the last 40 seconds for example) 1.5

Spoonman! I’m more of an audioslave guy myself… 2.5

The opening riff of heartbreaker is my review of this album

Chill coffee house vibes. And then more of a grunge rock bike shop vibe. I've heard of Sebadoh but never had a full listen of their music. Pretty good stuff with a nice 90s feel. 3.5

This is Coldplay's debut album. (!!) Parachutes is like a long walk. The first track is one where you put on your headphones, close your eyes, and nod your head back and forth. It's comforting and familiar, like the route you're about to take. Once you get a mile under your belt, you're starting to feel tired but will continue on. Your mind starts going, you reflect upon the past and look into the future. The walk continues, the steps mount and you get tired but will continue on knowing the satisfaction felt after completing physical activity. Back home now, on the couch and a beautiful baseline backed by relaxing production and a soothing voice tells you "It's a beautiful life to be grateful for"

I enjoyed the production and Badu's voice paired nicely with it, but the lyrics weren't as compelling...

I'm also so impressed with the clarity in these recordings from decades ago when technology seemed so primitive. Anyway, as far as Jazz singers go Sarah Vaughan is quite plain. She has a wobbly honeyed style to her that isn't too over pronounced. The standards presented by the quartet are simplistic examples of songs in the genre defining decades of the 1920s and 1930s. Overall, a very enjoyable listen and an LP I would certainly buy if I came across it.

Another "Time Machine" album for anyone alive during it's heyday... The Stokes lyrics are optimistically pessimistic. The simple guitar bass and drum fills give a lo-fi aloofness that really was a "sign of the times". Every few songs you get something a bit more complicated, like "When It Started" but it doesn't go too far out in a way that the album becomes inaccessible. Julian Casablancas can probably come off as boring to some, but for this listener his voice is the cement that holds every song together. Truly a great album that not only proved it's worth musically, but culturally as well. 4.5 rounded up because, well, sentimental value

Groovy, phaser-filled, deep bass music I know I will get from any Marley/Wailers album. The flow of the album isn't as smooth as other releases, but the message is very apparent. Probably the greatest side 2 of any of there records. Perhaps the intention was to have two separate thematic sides? Eureka. Genius.

Unfortunately the repetitive themes in each track take away from the overall emotion this album produces. The vocals and production are so tight, so groovy, so full of soul. I can only listen to songs of lost love and longing for so long through….

Rubbish I tell ya, XTC is rubbish. I thought they were a fun band before this project, but after listening to their albums in full I realize I was naive.

Besides Dancing Queen I found myself annoyed by the overtly poppy production and simplistic song writing. I do respect ABBA and their impact on music culture as a whole. I don’t wish to dismiss that, so my rating will be skewed slightly higher. 2.5

Same as it ever was…..same as it ever was….

Rick Wakeman takes a seat behind the keys and I take a seat on the spaceship that is about to rocket me a-roundabout this freakin’ sweet prog rock album. I found it interesting that the first side was all collectively composed and each track on side two were independently composed. That being said, I enjoyed side 1 much more (favorite tracks are Roundabout and Cans and Brahms) Every member shines throughout and deserves credit…. lead vocalist Jon Anderson, bassist Chris Squire, drummer Bill Bruford, keyboardist Rick Wakeman, and guitarist Steve Howe (personally Rick and Steve shined brightest, which is hard to state considering the musicianship of all the artists…) Great example of prog rock and a prog band! 4.5

This is a really enjoyable album for a blues fan. Maybe not so much if you aren't.... It's a special collection of one of the greatest mid-century bluesman to walk this earth. Mannish Boy grabs my attention, I Can't Be Satisfied starts my toes tapping (if they weren't already) and the incredible production and musicianship keeps me engaged for the albums entirety. Do I feel like you must listen to this album before you die? No. Should that affect my review? Probably... Therefore, my official review is 3.5 (rounded up)

For my 6th birthday, my Mom put on the White Album and we all danced to “Birthday”. My mom, my dad, my sister and me. A brief moment of peace and happiness in a house on the verge of divorce. Comfortably surreal, a memory stored in a bank not usually accessed. One of my happiest moments of early childhood. Maybe 6 months later my friend and I sat in his room and listened to the entire thing. Jumping on the bed, hanging out looking at the pictures that came with the record and enjoying each other’s company in our child fantasy land. To this day the White Album signifies uncertain change in a hazy dreamland. Seriously silly. The folly of life. Almost 3 decades later finishing this album for the umpteenth time (my mother’s original double LP) and I’m left with those same feelings. The Beatles will forever be a key to innocence, childlike wonder and a zen-like approach to the future.

Just pure energy. One might call it “raw power”. Thumping bass, clashing drums, howling vocals and growling guitar. Hardcore soul. I can’t imagine listening to this in 1970. It’s just sounds so unique compared to what else was being released on the rock and roll scene at that time. Imagine Jim Morrison with the Mothers Of Invention. And the length? Chef’s kiss.

My favorite Gainsbourg album. Due mainly to the fact that I’m a sucker for a concept pieces but also because of that simple bass line you hear throughout. That compared with the noodling of an overdriven guitar creates a sexy backdrop to a story I can only make inferences about due to my limited understanding of the French language. Even though he gets freaky throughout Serge sticks to his 60s crooner style which I appreciate. To top it all off, it has a fantastic crescendo to finish. Good shit! Edit: I didn’t realize the concept was a romance between Gainsbourg and a 15 year old. I was thinking the woman with the doll was a bit strange but didn’t read into it until after my listen/rating. Dammit Serge!!!

The start of “Wave of Mutilation” is one of those songs that lives rent free in my head whether I like it or not (it lives next door to “Sundown” by Gordon Lightfoot) I enjoyed the majority of this album. Jagged harmonies throughout. Hoping to see more of this genre in the future.

Very soulful start followed by silly pop which I just can’t get into no matter how much I try. I enjoy the “Casio Vibe” of some of these beats like “The Ballad Of Dorothy Parker”. It gives it the lo-fi sound which most definitely the intention. Prince’s ability to harmonize with himself is so impressive. Disc One finishes strong(even with its silly tunes). I’d have to say the same for Disc Two. Personal preference has me leaning towards to no frills tunes like “The Cross” although I did enjoy “I Could Never Take Place Of Your Man” with it’s killer guitar solo. 3.5 rounded up

I can think of at least a dozen other things that would be more effective against the blues. (RE: "Gang Bang")

Man, what a voice. I believe this album could've been fully a capella and I would still give it a high rating (sadly that wasn’t possible with her passing) Her voice is that powerful.

I listened to this album twice. Once while driving my SUV down a numbered highway at 65mph and once while driving my old and beat up motorcycle down old farmland dirt roads. Both times the album hit just the same...dirty, funky, crunchy, muddy rock and roll. John Fogerty is kind of a prick though.

Great musicianship here. Fantastic guitar, especially right out of the gate on “Prowler”. The guitar alone really kept me engaged for the entire album. I still can’t get into the singer….probably never will. 3.5 rounded up. Pleasant surprise. Didn’t expect to enjoy this one

What a nostalgia trip this album is. Absolutely lovely Millennial Blues. Auerbach and Carney have such a great creative partnership. "Brothers" highlights all that is great with the Black Keys and showed the world they could create an overplayed hipster hit. A+ start to the album, A- finish. Not a perfect score, but a 5 nonetheless.

*insert Joe Pesceci "What The Fuck Is This Piece of Shit?" meme here* I do enjoy industrial music now and again and was pleased to see the inclusion on this list. It's not 1001 albums to enjoy, it's 1001 albums to listen to. If another industrial album comes up I will be disappointed. One is enough. 1.5 rounded down because...well...too many short tracks over a long period of time. One of the things I enjoy about ambient music is its ability to put you in a trance and there was little of that happening here.

what an awesome experience this must've been. Whoever thought of this mashup should get promoter of the year. I couldn't digest it all at once, one day I listened to set 1 and the next day set 2. Enjoyed it all nonetheless! It's great to hear both the crowd and the band getting high off the energy.

My first full listen of a Roxy Music album and I can't really complain. I didn't really know what I was in for and assumed it would be a silly 80s album. And then I realized it was released in 72. For some reason that makes it all less trite. There are certainly some silly moments and some moments that seemed to come out of left field but it wasn't overpowering. Musically it was really enjoyable and the band came together to turn what could've been an annoying listen into something more impactful 3.5

Dude. Meat Loaf has such a voice. I listened to the title track of this album a lot growing up, always enjoying the emotion that comes from it. Never really explored any other tracks until now. What a great artist. The sax is always hit or miss with me, but I still found myself grooving to the solo on "All Revved Up And No Place To Go."

Just perfection man. The soul, the rhymes, the production...the message! A tight group with a signature style delivers exactly what I expected it to. Until they didn't. Who ever had the idea to include "Dreamin'" and "You Are" on this album is the reason my 4 turns into a 5.

I was familiar with the name Adam & The Ants because how can you not be with a name like that.... First listen of a full album though. Very cool. Not defined by any one genre but definitely behind their own style. That's probably the most important thing to me at this point in the project (Album 306). If the artist/album has a unique style and they deliver it subtly without trying to push it into my ears then I find myself thinking "Yes, I'm glad I'm listening to this before I die" 3.5

Debut album. A motherflippin debut album. A generation defining DEBUT album

Imagine being in that audience, jabbing away and not knowing you were bearing witness to one of the greatest live jazz albums of all time…. Bliss…..

Unfortunately I think the “ambient” genre loses merit the further we are succumbed to AI created music or AI assisted production software. That being said, it was good to listen to this older release. I enjoyed the whole thing. It’s nice to have another ambient artist besides Mike Oldfield to look for in the record store now.

I actually really enjoyed this, but once again it was enjoyed over a period of three days. I can't imagine digesting this in one sitting. I'd feel so fatigued. Great house music, especially with the addition of the female vocals. I can only take house music in small doses and this album is far too long. 2.5

Kurt Cobain’s song writing is something I never appreciated until reading Dave Grohl’s autobiography. To my understanding Kurt was a real down to earth lover of the arts. The band he became the frontman for was a pioneer of change to a genre that was rapidly becoming stale. We need another Nirvana to come our way in 2026.

Familiar with the name, not with the music. The smooth production left me with FOMO. It’s time for a Pet Shop Boys deep dive…

I don’t like much music released in the 1980s. Most of it is far too cheesy. This was a rare gem. A gentle mix of overdriven guitar, poppy synth and new age vocals. And of course that one super catchy song

The project giveth, the project taketh away (my sanity) fortunately this one was a great organic find. I was familiar with “The The” by name only. I’m glad this was my first exposure to them. Perfect sunny day pop. Not all tracks are happy-go-lucky but the musicianship behind each one is strong enough. The Twilight Hour was the only song I felt mildly annoyed by (repetitive keyboard) Everything else was refreshing and varied in such a way that I found myself engaged for the entire album. Certainly will be seeking a physical copy.

My wife was quite upset by all the screaming

Music to smoke in the boys room to

When I first saw that this was today’s album I was like :| but then I listened and I was like :,) So many memories attached to these lyrics and sounds. A coming of age album for many, myself included. This life never turns out as we planned or envisioned. People come and people go. Love is lost, lives are lost. Emotions are tender and raw. We experience great sadness and at this bottom, rebirth. A sense of freedom brought on by self reliance. We trudge on. We listen to “Harvest” by Neil Young.