Solid album, starts with some banger tracks, then just settles in for awhile until we get nice 8 and 9 minute jams to end the record. Top 3 Songs: Waterfall (Song for My) Sugar Spun Sister I Am the Resurrection

I feel I am at a big disadvantage with Miles Davis, as the man has a massive catalog, and I have listened to so little. Also when looking at his discography, there was so much before this album. So is this considered his best work, was there better before or after? So, very hard to judge as this just sounds like a free form jazz jam session. Shhh/Peaceful is just a straight up jam, and a fun twenty minute groove. The Silent Way got me ready for some serious jams, as I kept expecting something big, but on every build up, it would just come back down. I like the mellow bookends to the song, but the editing seems choppy and feels like separate pieces instead of flowing. Again, with no other Miles Davis to compare it to, this was tough, but I can't give a legend any kind of low rating. Hoping with 1,001 albums, we will get another Miles Davis, eventually.

This definitely has the sound of a 90s soundtrack. I am a fan of a lot 90s cinema, but apparently not a lot of the soundtracks stuck with me over the years as much as the movies do, in this case, Good Will Hunting. Does that make these bands easily forgettable? Overall this is a good album but it had its ups and downs for me. I felt it had a weak opener, but then finished with a good track, almost like a closing credits song. Favorite tracks, Between the Bars, Pictures of Me and Angeles which felt like the most familiar track.

I have never been good with poetry, I don't read poetry as I tend to tune it out after awhile and I am just reading words. I did this on the first listen of this album. I have also never been one to find the deeper meanings in songs. I enjoy the overall feel, whether it gives emotion, or even just short lines or a verse that strikes me. I feel I would have to listen 100 times to figure out what Dylan is trying to say, and from what I have read, sounds like people still are trying to figure it out. I do like the lore behind the name of the album, and it's significance to leading down the Mississippi and crossing paths with many figures of the history of Blues. The bookends of this album are my favorites. Like A Rolling Stone is a classic and Desolation Row is just an onslaught of verse, but I really dug it as an album closer. Ballad of A Thin Man and Highway 61 Revisited are other favorites. After a second listen I really enjoyed this album. But still not sure how often I would turn back to it and listen again.

I think I got the "You Don't Know the Half of it Blues" after listening to all 59 tracks of the Gershwin Songbook! Much like the Miles Davis record earlier this week. I wish I had some earlier Ella Fitzgerald to compare to this later work. Don't get me wrong, Eight box sets to record the complete American Songbook is quite the feat. Favorites from the whole set, Sam and Delilah, Let's Call the Whole Thing Off (you say sasparila I say sasparila), Things are really looking up (I enjoy when she goes low), and Slap That Bass.

Jamiroquai is definitely a band that made their mark in 90s with the ever changing landscape of grunge, the swing revival, and bubblegum pop-alternative scene, with something that was just a bit different. I am more familiar with their hit album Travelling Without Moving, so it's nice to explore the beginning of the band. Bring on the funk as this album is just fun! Favorite tracks: Hooked Up, Music of the Mind (nothing against Jay Kay, but this instrumental is the jam), and Revolution 1993!

I would like to say, my tastes can be pretty eclectic, but I have to be completely honest, I do not listen to Reggae. I understand the cultural significance of the genre, and the political and historical messages, but it has never really been my thing. Maybe it has to do with when I hear that constant 4/4 time signature in every song, I begin to tune out. The end of the album was the best part for me as we get a little more variety with songs like Tradition, Jordan River, and Red Gold and Green.

What can I possibly say about this great album, instead I will share a story from the 2019 Remaster liner notes. During the recording sessions, Vertigo was not hearing a potential single, and asked the band to come up with one. The story goes, when everybody went out for a lunch break Tony stayed in the studio and came up with this riff. When the rest of the band returned Tony already had the bare bones of a new song in place. Without a word the rest of the band plugged in, got behind the kit and just started grooving with him, Ozzy just started singing along. In an hour they had Paranoid exactly as you hear it on the record. Roger Bain in the booth said "That's pretty good, what is it?" The band replied, "You're joking, we're just pissing around we just made it up!" Roger replied "No that's really good, that's a really strong riff, let's do it!" Eventually they dropped the original name of the album 'War Pigs' for 'Paranoid'. At that point it was too late to change the cover art, so the guy in a crash helmet waving a sword, the "War Pig" they felt also looked Paranoid! The rest is history. Favorite tracks ... all of them!

This album is described as a concept album about adult romance, from Maxwell's personal experiences ... Oh boy! This album was not really my cup of tea overall. The album was going okay from the beginning as I was just trying to groove with it ... until the Cops came knockin'. After that, the album became a bit sappy like an old tree in early summer, and I just started to tune out. The first three tracks were probably the best, but I don't see myself listening to this again.

The thing I am looking most forward to with this project is discovering artists, albums that I have never heard of and Joan Armatrading is definitely one of those artists. The opening track hooked me and I was instantly transported back to the music of that time. I enjoy the acoustic mixed with funk. Joan has great tone combined with the inflection she does on some of the words. Favorites are Down to Zero, Water with the Wine, People, and Tall in the Saddle.

As Lorraine said to Marty after he got off the stage at The Enchantment Under the Sea Dance, "That was some interesting music!?" Widely regarded as the Pioneers of the Industrial genre, the late 70s experimental and electronic music has always fascinated me. I have never listened to Throbbing Gristle, but I can definitely hear the early groundwork for the Industrial scene, with the various samples and in my favorites like Dead on Arrival, AB/7A, and Wall of Sound. Does the album deserve a spot on this list, absolutely. Does it deserve the overall lowest rating on this list, I don't think so. It's weird, it's experimental, I didn't love it and I didn't hate it, I will probably never listen to it again, but if anyone ever asks, I can say, "Yeah, I've heard that album".

It's better to burn out than to fade away. Much like Bob Dylan, I feel Neil Young is an acquired taste. After my initial listen, I found myself tuning out. I have not listened to a lot of Neil Young, so I only know his popular stuff, and what he has done with Crosby Stills and Nash. Still just not feeling Neil Young even after a second listen, I have to hope their are better Neil Young albums on this list. I did enjoy the bookends to this album Hey Hey My My Out of the Blue and Into the Black.

I really need to put more World Music in my life. Nusrat Fateh Ali Khan was a pretty amazing vocalist, and I can see why every song is pretty much over 7 mintues, as his voice puts you in a kind of trance. Woh Hata Rahe Hain Pardah nice opener to the album. Allah Hoo Allah Hoo is just a fun song. Haq Ali Ali Haq is another good sing along, probably will have that one stuck in my head later.

Man, a good chunk of this album is such a downer, but that classic country honky tonk is such an upper. Makes me think of a road trip, or some movie, a rustic bar, with swinging doors and a jukebox. Also one of the best album covers we'veon the list so far. I'm A Lonesome Fugitive, House of Memories, Mixed Up Mess of A Heart are favorites!

So a few years back I did the full Bowie discography, in chronological order. Bowie was interesting as I found just about every album he had one or two zingers and then the rest was pretty much filler. It's like he knew how to get at least one hit on every album! Bowie was a master at changing with the time, as this album saw the end of his glam rock era, and he begun to explore R&B and Funk, perfect as music was moving into the disco era. This album has a more than one zinger for sure, but I think he had a little help from his friend John Lennon. Favorites, Young Americans, Facination, and Fame.

So ... can we just talk about Jaco Pastorius.

I have heard the song In-A-Gadda-Da-Vida so many times, this pretty much came down to how well I remembered Side One of the record. I remembered most of it, and I still feel Side One stands the test of time, and makes the album a solid and classic release of its time. What more can be said about this album, it's a instantly recognizable classic. I can't help but consider it an album I love. Favorites of course include the entire Side Two, along with 'My Mirage' and 'Termination'

I really had a hard time staying awake through this one!

There is something to be said about an artist writing an album, when they know their life is coming to an end. Like Bowie's Blackstar (which is a phenomenal album), Cohen gives us a glimpse of what goes through one's mind, and an artists final thoughts to leave with the world, when the end is near. This album is dark and sad, but also beautiful, and I find this a great medium to leave your mark behind. Favorite tracks are the title track You Want It Darker, Leaving the Table, and Travelling Light. In Stephen King's afterword of his book You Like It Darker, he apologies for changing the verb.

I had previously never heard of John Martyn. This was a good album, I enjoyed the style changes of the songs, which kept me interested until the end. Favorites, the title track, Solid Air, Don't Want to Know, I'd Rather Be the Devil (which is a cover song) and the Easy Blues is a good closing track.

I feel like I have never heard this album all the way through, considering it was pretty much the Top 40 soundtrack of my childhood. After listening today, I know I have never heard side one, as all the songs we all know so well are on side two, which I found pretty unique. This album is already a classic, but I appreciate it even more after finally hearing side one. Another interesting fact when reading about it that when the album came out, it had 36 different versions of the cover. Favorite tracks, Synchronicity I, Mother, Synchronicity II, and King of Pain.