It's listenable enough. But it's also incredibly forgettable. I can't imagine a scenario when I would listen to this album a second time

Not my favorite of Elvis's Styles.

Devastatingly sad. Disarming l beautiful.

I knew almost all of these songs. I hadn't realized that they are all on this debut album.

Peter Gabriel "So" came out when I was 16. And songs like In Your Eyes were iconic at the time. But at the same time, I was never a huge fan of this album. I always thought it was kind of cheesy and overwrought. The song Don't Give Up with Kate Bush. Is one of my least favorite songs in the history of music. And listening to it now. It hasn't gotten any better. Definitely feel like it is extremely dated.

Solid. Full of classics. Lacking variety.

Great stuff. Surprised by the Pink Floyd vibes

I don't know how I missed this album in 1999. It should have been right in my sweet spot. So glad to First hear it in 2025. Songs like I see a darkness, and death to everyone are true highlights, but the whole album is great straight through. Definitely a true musician's musician in the class of Tom waits, Leonard Cohen and the other great storytellers.

Decent, but doesn't stock up against pure heroin

Common People is one of the best songs of the 1990s hands down. 5/5 as a song. Unfortunately the rest of this album is pretty mediocre. A few songs that flirt with four stars, a few songs that flirt with two stars. Overall, this has to be 3/5 as an album.

Legendary debut

4.9 out of 5. Only so I can leave room for Gish to score higher

Listened to this all the way through 2 times. First listen it just made no sense as a Beach Boys album 2/5. Listened again as if it were an album by just any unknown band. Still terrible. Lyrics sound like a 5th grader. Vocals are weak and scattered. Music is forgettable.

This album rips! Short, fast, and hard. It's a 4+. The only reason I can't round up to 5 is that would put it equal with albums that did it earlier and better, especially PJ Harvey Rid of Me. Dig Me Out very much feels like it was trying to recreate Rid of Me. And who wouldn't want to?! It comes up slightly short in a few ways. First, PJ already did it so it lacks the originality factor. But the real reason is that it just doesn't have the same vocal powerhouse. This is an album I would definitely listen to over and over again. I just can't quite get it five-star iconic status.

Chill and eclectic. Some of it's really good, others not so much.

Undeniably a bold and groundbreaking album. Bohemian Rhapsody alone makes this legendary. But with that said it has a lot of misses too. I appreciate the egalitarian nature of this band to allow other members to have their own songs on this album. But when you have one of the greatest singers in the history of rock music, it just wastes space not track to have him on every track

Waiting on a sunny day= good! Nothing man = very good Worlds Apart = very good! African rhythms actually work and the guitar rips. Some songs generic and overproduced

Police at their early, simple finest

Better than expected. Some really good songs. Morrison still drags it down somewhat

I really dislike this style of music anyway. Country twanged folk. But I really truly tried to be objective, and gave it a listen all the way through. It actually made me like it less. The only thing that makes this genre of music. Wes is when it has self- indulgent lyrics. Wich this has throughout. After hearing the first song, I decided I would give it a three-star neutral review just so I wouldn't unfairly move the needle based on personal taste. But after giving it a true lesson, it's two stars. Also, it's way too long. 14 songs is probably two times too many

This album is Punk in the same way that a mcdonald's Filet-O-Fish fish sandwich is seafood. Fun, fast, short. All good traits. But if that's what you're looking for, put on The Strokes or White stripes.

So good! Each sign better than the last

REM put out 5, 5-star albums in row. Green is where things started to crack a bit. Still 4-stars. Songs like Pop Song 89, Get Up, and Stand feel like REM just wanted to do something easy for a change. Turn You Inside Out is probably their best rocker of all time. World Leader Pretend would have fit well on a previous album. Gems like You Are The Everything and Hair Shirt are clues to what would come on Automatic For the People

This is a hard one to rate. I Have a great appreciation for Susan! Vega. She's clearly very talented songwriter. But it's just not a style that I like. I would never choose to put this album on and listen to it. But for people who like the style, it's probably, four or five star quality.

The faster funky songs are phenomenal. The slower songs are pretty boring. Unfortunately there's way too many of the slow songs

It's listenable enough. But it's also incredibly forgettable. I can't imagine a scenario when I would listen to this album a second time

Nobody does this better than the Cramps. Its a perfect version of what it is. I just don't feel like what it is can ever exceed 4 stars.

If ever there was an album that speaks for itself.

Strong contender for best album of 1996. And that's a year full of great albums. Wyclef and L were too much talent for one group to contain.

This album changed the way I do my ratings. Previously I gave some credit for quality musicianship and recording even if it isn't a style of music that I personally like. I tried to give some measure of objectivity to this overall subjective experience. But this is just unlistenable. I can't even make it through a single song. There are a lot of early '80s albums that have the same cheesy, synthesizers and other elements. But they hold up well because they represent a moment in time and innovation. This is just a hacky version of that. Steve Winwood is a super talented musician with a strong history, but when he decided to attempt the "new" sound he completely missed the mark. At dust. It's like the Disneyfication of '80s music. At best It can be called a Peter Gabriel knockoff. But even Peter Gabriel was cheesy at this point in his career.

Not a genre that I personally like very much, but this album is actually very listenable. He's got a great voice and solid song writing. I have it a focused listen all the way through (even though it's a pretty long album) and generally enjoyed it. i probably wouldn't put this on again by choice, but wouldn't mind if it happened to be on somewhere.

This is a joke right? RIGHT?? Basically unlistenable. I understand Brian Wilson's mental health issues. If he meant this as a joke/prank then haha, but also fuck you for wasting an hour of my time. If it's supposed to be taken seriously then it just adds to the sadness and tragedy of his story.

It's a sound that's not for everyone. But it is for me!

I was excited when this showed up as my album of the day. Courtney Barnett mentions the triffids in a song, so I always assumed they were super cool but had never listened to them. I usually try not to read other reviews until I've listened to the whole thing first and formed my own opinion. But this was so bad that by the third song I had to look up some reviews to see if I was just missing something. Nope, I'm not missing anything, this album is pretty much universally hated. As it should be. Because it sucks. Sorry Courtney. The song Unmade Love could pass for a The The B-side. The only bit of redemption on this album.

I grew up one town over from Julianna HatfieId (I'm 3 yrs younger). She was the coolest kid around. I was in college in Boston when this album came out. The Lemonheads were just a part of life. It seemed like everyone in Boston had been in this band at one point it another. Listening to this album is like having a vivid flashback of my 20s.

I wish I was a filmmaker so that I could use these songs in a soundtrack. Great record!. I did have one problem with this, but it wasn't specifically with the album. For some reason the streaming version of this is so quiet that I had to put my volume to the max to be able to even hear it. Definitely a disservice to this grade problem.

Not my favorite of Elvis's Styles.

I've always loved their hits, but I don't think I've ever listened to a full album. This is great!

It's fine

Hard to rate this one. I was assuming it would be an automatic 5. But man are there some terrible songs on here.

Perfect for a summer Sunday

Nice collection of covers. Almost every song on this album was already a hit by someone else. And the arrangements are barely changed. But its a good selection of songs and she sings them well.

Might first intro to this artist. So I had no expectations. But I'm still pretty sure I couldn't have expected this. Really good writing and really good musicianship. Reminds me of musical theater. And just like musicals, I have lots of respect for the talent, but it's just not a style I like.

This album is bleak, it's violent, it's depressing, it's real, and it's exceptionally great. It is a career defining album for Springsteen. And I mean that in the truest sense of the word. It may not always be considered his best album, but it defines and explains the entire message of his career. A few years later he came out with Born In The USA where he had to put a shiny gloss on the same themes just so people would listen. Even though they often didn't get it. For anybody that still doesn't understand what Born In The USA is about, they should listen to Nebraska for an explanation.

Quality songwriting? Nope. Brilliant musicianship? Nope. Deep themes? Nope. Diversity of sounds? Nope. Just 29 minutes of a band doing exactly what they do exquisitely. And changing the trajectory of music and culture while they are at it.

This was disappointing. Adele's debut was so stunning that maybe it set the bar too high. Because this one just doesn't have the same power

A great surprise. 60s folk with exceptional guitar work

I was 21 when this album came out. I was a massive U2 fan right from the first notes of Boy in 1980. And I adored every album up to this point. When this came out I was really disappointed and considered it the end of U2 as I had known them. I didn't like the change in sound. And then Zooropa confirmed that this wasn't an anomaly, it was a whole new direction. I gave up on them Looking back on that and re-listening to this album now makes me realize that I was just an obnoxious 21-year-old elitist fanboy. This is a fucking awesome album full of incredible songs! Your favorite band evolving with the times is a GOOD thing. With that said, I still can only give it four stars (9/10) because even at this point I don't think it was as groundbreaking as most of their previous albums. But I'll probably listen to it 6 times through today!

This is another one of those albums that I remember exactly where I was when I first heard it. Summer of 92, on the radio, as i was driving through Florida. It instantly caught my ear as a that Unique style that I had never heard before. This was in the days before Shazam and the internet, and I was just passing through listening to a radio station. I would never hear again. So it took me kind of a long time to figure out what artist it was and how to find it. Once I found it I listened to it on constant rotation for weeks. Years later I would fall in love with the band. Spearhead. Took me awhile to connect the dots and realize that that Michael Franti was the frontman for both of them. Early spearhead kept a lot of the anger, energy, and politics of Disposable Heroes, but put it to really fun music. Re-Listening to this album really makes me wish Franti could get some of that anger back. We need it more than ever now.

This is a straight five star classic. I love this album, but I have to admit it got somewhat lost in the shuffle of the incredible albums that dropped in 1994. That includes some iconic albums from Soundgarden, Portishead, Beastie Boys, Nine Inch Nails, Jeff Buckley, Weezer, Green Day, Pearl jam, Alice in Chains, Nirvana, Blur, Beck, REM, Johnny Cash, the list goes on and on ...

Exactly 3 stars. Its the definition of average.

Devastatingly sad. Disarming l beautiful.

I'm sorry, I just can't. I'm breaking my own rating system to give this a 3 just because. But there is no way I'm listening to it ever again.

Never heard of the artist, never heard any of the songs. Actually pretty good.

Genius. 1 Star deducted for East St. Louis Toodle-Oo.

So smooth

I knew the songs Aqualung and Locomotive Breath very well. I always thought they were great, but wasn't sure if the rest of the album could hold up. Turns out I actually also knew Cross Eyed Mary and Hymn 43. Both great songs. So I already knew and liked a 1/3 of the album coming in. The other 2/3 don't have the same power, but they fit in perfectly. In total this album absolutely slays. It's got all of the top tier hard rock elements of the early 70s. Then it adds truly unique elements like the psychotic flute playing, monkey noises, and wild character development. Absolute classic.

I've been doing my best to try to get into iron Maiden since the late '70s. I just can't do it. They seem like a cool band, got nothing against them, I just don't like the music

I have a friend who is a fan. So I've tried. I tried in the '80s. I tried in the '90s. I tried this morning. I just can't do it. For starters, I'm just not a fan of any 'theatrical' / Baroque style pop music. But I can occasionally get past that with other artists. What I can't get past is her voice. It feels like an ice pick in my eye. I literally feel it more than I hear it. She supposedly has great lyrics, I'll have to take their word for it. I honestly can't make out any words. Just stabbing pain to the brain. She's the only artist I can think of that I have a purely physiological response to.

Amazing

Crazy 80s.

As far as 62 minute songs go, this song is pretty ok.

It's Fucking Rage!

Smooth

What the heck did I just listen to?? The music is generic mid-50s country, bluegrass, gospel. The lyrics are horrifying. Every song is somebody getting murdered for no apparent reason. I think I kinda liked it. I'm not even sure how to rate it.