Talking Heads were always a band I felt I should like, but I never really clicked with their music beyond the singles I heard from time to time. That changed a couple months ago. I’m not sure what changed exactly, but they finally made sense to me and they became one of my most listened to bands. I love the funky guitar and the focus on the rhythm section. Such a unique sound. I find it surprising that these guys were regulars at CBGBs because they don’t quite fit my image of the bands I thought played there

I got really into Big Black (and most of the other bands featured) after reading Our Band Could Be Your Life by Michael Azerrad many years ago, but at some point this abrasive, atonal, industrial noise fell out of my regular listening rotation. I am so happy to be diving back in today and I might need to re-read the book and dive back into more of these bands. I had a similar thought while listening to Double Nickels on the Dime by the Minutemen, who were surprisingly one of the few bands in the book that didn't fully resonate with me at the time. I absolutely loved listening to them for this project though, which also led me to think I should revisit the book and the bands it covered.

Most people argue that IV is the best Led Zeppelin album, but they're all wrong! Physical Graffiti is the absolute best Led Zeppelin album! This is peak Led Zeppelin; their magnum opus! Also, while In My Time of Dying and Kashmir both deserve all the praise they get, I think In the Light, Down by the Seaside, and Ten Years Gone are all criminally underrated, epic tracks.

I enjoyed it, but probably not enough to listen again. Favourite tracks: Talking About a Revolution, Fast Car, Mountains O’ Things

"He's got his piano in the kitchen, and he only uses the kitchen range to light his cigarettes, and then there's this refrigerator where he keeps his hammers and wrenches and nuts and bolts and stuff like that. He opened the fridge door and with an absolute poker face he said, 'I got some cool tools in here.'" - Bette Midler on Tom Waits There's no other artist out there that makes me want to hop a train in the middle of the night to join a circus, drink whiskey, and eat cigarettes for breakfast. Seriously, though, Swordfishtrombones is already one of my all-time favourite albums. This is the album that really shifted him towards his junkyard persona and I love everything about it from his gravelly, whiskey-soaked, smoke-filled voice to the experimental sounds and song structures.

Great way to start this 1001 Albums project! It’s probably not something I want to listen to every day, but I love this album! Definitely very cool!

I don't know what I was expecting from this album, but this was not it at all. Not really my normal genre, but I am surprised how much I am liking this. Only song I've heard before was Tightrope, which is a pretty good song, but I also really enjoyed the middle section with Oh Maker, Come Alive, Mushrooms & Roses. Not a huge fan of Wondaland or Make the Bus; they might grow on me, but they're a little annoying on first listen. The last song, BabopbyeYa is absolutely amazing. I really wasn't expecting to like this album!

Honestly, the longer I listen, the lower my rating is getting. The playing is decent, although maybe a bit boring and generic, but I just can't stand Liam's voice or affectation when singing. Favourite track was probably Rock 'n' Roll Star. It just went downhill from there.

This album was in constant rotation in my early high school days when all I wore were classic rock band t-shirts from previous generations. I really haven’t revisited it much since that time because I overplayed it so much, but this is undoubtedly a masterpiece of an album. And screw the haters, Revolution 9 is magnificent! Favourite song(s): Back in the USSR, Dear Prudence, Ob-La-Di, Ob-La-Da, While My Guitar Gently Weeps, Happiness is a Warm Gun, Blackbird, Rocky Raccoon, Yer Blues, Everyone’s Got Something to Hide Except Me and My Monkey, Helter Skelter

Listened to the 1962 mono version. Green Onions - the whole album, but more specifically the song - reminds me of jamming with my friends in high school. We weren't nearly as cool as this album, though. Favourite song(s): Green Onions, Mo' Onions, Behave Yourself, Comin' Home Baby. I kind of wish the whole album was just Green Onions/Mo' Onions for 35 minutes.

I’ve heard bits of Blister in the Sun hundreds of times. I don’t know if I’ve ever heard the whole song and I definitely haven’t heard the whole album, but holy shit it just keeps getting better and better! Favourite song(s): Please Do Not Go, Confessions

I have been adamantly anti-country for most of my life because I'd only really been exposed to modern country, but over the past few years I've started exploring more traditional country and alt-country acts. This is my first time listening to a Dolly album and it's wonderful! Favourite track(s): Coat of Many Colours, Travelling Man, Early Morning Breeze, Here I Am.

This came out when I was in high school and I think I avoided listening to it because of how over played Get Free was on the radio. In fact, I might have to take a star off just because that song is stuck in my head already after only reading the track list. Favourite track(s): Highly Evolved, Country Yard, Factory

I don’t always listen to generic hard rock, but when I do, I want to listen to the legends of generic hard rock Favourite tracks: Highway to Hell, Beating Around the Bush, Night Prowler

I grew up wishing I could have experienced the 60s music scene, but I’m starting to think what I really missed out on was the 80s punk/new wave scene. Favourite tracks: Pretty Green, Start!, That’s Entertainment, Music for the Last Couple, Scrape Away

I wish I knew of this album in high school so I could have been an even more insufferable classic rock nerd Favourite tracks: Shape of Things, You Shook Me, Ol’ Man River, Blues Deluxe, I Ain’t Superstitious

Yet another nostalgia trip inducing classic rock album. It makes me think of warm summer days in high school; getting high, jamming, going for a swim in the river close to our jam space, inevitably waking up my friend’s parents by playing drums too loud past curfew. Favourite tracks: Born on the Bayou, Proud Mary, Keep on Chooglin'

I was expecting electronica based on the band name, the album name, and the cover art, but was immediately surprised when I started listening. I enjoyed Alternate Route to Vulcan Street, but the second track was at least a minute too long and then I genuinely disliked the third. The fourth and fifth did not get any better until the outro of the fifth song. I did enjoy the instrumental sixth song, A Touch Sensitive, but then the 7th and 8th songs were entirely forgettable. Starts getting interesting again at No Sympathy (there's the electronica I was expecting!), then we go straight off the rails (in a bad way) with Juxtapozed with U. I kind of checked out after the last one, but Run! Christian, Run! was actually pretty good. Probably my favourite on the whole album. I want to like it, I really like the background noise and instrumentation, but I just can't stand the singing, the lyrics, or the songwriting. Overall, I think what I've learned most during this project so far is that I don't like britpop. Also, I was surprised to see the Paul McCartney made a cameo on this album, but turns out it was just some samples of him eating carrots and celery? Yeah, that tracks. Favourite tracks: Alternate Route to Vulcan Street, A Touch Sensitive, Run! Christian, Run!

This album is yet more evidence that I shouldn’t judge a book by its cover, or music based on the band name. I don’t know why but this isn’t at all what I was expecting from a band called Lambchop. I was fairly indifferent for most of this album, but I enjoyed Up with People, the Petrified Florist, and Butcher Boy. Probably not enough to ever revisit this album though. Favourite tracks: Up with People, the Petrified Florist, the Butcher Boy

Great album! I'd probably give it 5-stars if it was a little shorter; I feel like they could have cut a few songs to make this absolutely outstanding. That said, Caravan and Cyprus Avenue are both phenomenal and these renditions alone are making me consider giving an it extra star! Favourite tracks: Ain't Nothing You Can't Do, Into the Mystic, I've Been Working, Domino, I Just Want to Make Love to You, Bring It On Home to Me, Caravan, Cyprus Avenue

I enjoyed it, but probably not enough to listen again. Favourite tracks: Talking About a Revolution, Fast Car, Mountains O’ Things

I genuinely tried to listen to this, but I only made it to Disco II Disco and just couldn’t take any more. The fact that this album made the list over any Modest Mouse or Yo La Tengo album is depressing.

I wouldn’t be surprised if this is a rather divisive inclusion on the list, but I absolutely loved it. Favourite tracks: the Gift, Sister Ray

As a card carrying RHCP hater, I have been dreading this one since I started. I did enjoy it more than I expected, by which I mean I made it through the whole album, but I still never want to hear it again. Honestly, it's just the rap singing and lyrical content/songwriting that sinks it for me. The bass, guitar, and drumming are all are pretty great, I was just sick of listening to Kiedis by the time Suck my Kiss came on and was ready to turn it off by the time Give it Away came on. Wow, I thought Give it Away was bad, but Sir Psycho Sexy is making me physically cringe. Why is this album so long?

Every time I hear Michael Stipe sing, it immediately makes me think of Gord Downie. There absolutely needs to be some Tragically Hip on this list! That would be a hard choice between Day for Night, Road Apples, and/or Fully Completely. Anyways, I enjoyed this R.E.M. album and have no major complaints. I'm feeling a solid 3-stars from me. Favourite tracks: Radio Free Europe, Talk About the Passion, Moral Kiosk, 9-9

I enjoyed the first few tracks quite a bit. Fairly generic rock sound with the addition of a horn section. However, the album started losing some steam for me around Sun Hits the Sky, which I feel like is when some classic britpop tropes started to reveal themselves too much for my tastes. That being said, I am surprised Oasis was the more popular band as I enjoyed this much more than the Oasis records I've listened to. Favourite tracks: Tonight, Late in the Day, Cheapskate, Hollow Little Reign

Wow! I can't believe I haven't listened to this before now. I loved every minute! Bang a Gong (Get it On) is the only track I had heard (I'm pretty sure everyone has probably heard this song at least once) and it's not even close to the best song on the album! Definitely going to be coming back to listen to more T Rex in the future. Favourite tracks: Mambo Sun, Cosmic Dancer, Bang a Gong (Get it On), Girl, Rip Off

Growing up my best friend's dad was really into this kind of music. Although, I don't remember if he listened to Elvis Costello specifically. I was fairly indifferent to it then, and I am fairly indifferent to it now. Is it good music? I guess, it's not bad at least. Favourite tracks: Waiting for the End of the World, Watching the Detectives

Had I heard this album as a teenager, I would have absolutely loved it and would probably rate it higher now. That said, I did enjoy listening to it and it's not bad, it's just not really my jam and I can't see myself giving it another listen. Favourite Tracks: Them Bones, Dam That River, Rooster, Angry Chair

I had to listen to this one a couple times because the first time through, I struggled with the first 4 songs quite a bit. They really aren't my preferred genre and seemed somewhat poorly produced to me. But then all of a sudden there’s a major shift with Been Caught Stealing. It almost sounds like an entirely different album. A lot tighter and cleaner and less of the shredding guitars. I see from Wikipedia that the tonal shift from the first half to the second half of the album was a deliberate choice. It’s still not really my preferred genre, but I did actually enjoy the rest of the album quite a bit. Favourite tracks: Been Caught Stealing, Then She Did, Of Course

Well this one opens strong! Probably my favourite cover of Gloria I've ever heard; she really made it her own! I hear a lot of Velvet Underground influence, which makes sense considering John Cale produced the album. Not really what I was expecting from a "punk" album, but I really enjoyed it nonetheless! Favourite track: Gloria, Birdland, Kimberly, Land

This is an easy 5 stars for me! Favourite tracks: Battle of Evermore, Going to California, When the Levee Breaks

Some very subtle, but complex instrumentation on this album. Dark, beautiful songs. A classic folk album without doubt. Favourite tracks: Master Song; So Long, Marianne; Hey, That's No Way To Say Goodbye; Teachers; One of Us Cannot Be Wrong

I’m not huge into electronica, but I actually enjoyed this more than expected. My 2-year old also enjoyed dancing to it while I was making breakfast this morning.

I honestly haven’t actually listened to any of Bjork’s work, so I had no idea what to expect from this, but I thoroughly enjoyed it! Favourite tracks: Birthday, Delicious Demon, Mama, Blue Eyed Pop, Sick for Toys. F***king in Rhythm & Sorrow, Dragon

This is another one of my favourite albums from when I was a teen that I haven’t listened to in over a decade, but it absolutely kicks ass! Flute is an absolutely under appreciated instrument in rock music! Favourite tracks: Aqualung, Cross-eyed Mary, Mother Goose, Locomotive Breath

Oh hell yeah, I was literally just thinking about putting this album on because it had been a while since I last listened to it! It’s amazing that Bowie was still at the top of his game right up until the end. Rest In Peace Starman! Favourite tracks: like all of them, but if I had to pick Lazarus, Sue (or in a Season of Crime), Girl Loves Me

Clint Eastwood has been one of my favourite songs since I found it on Big Shiny Tunes 6, but for some reason I’ve never actually checked out the rest of the album. It's a pretty unique mix of electronica, rock, and hip hop that feels a bit disjointed at times. Overall, I enjoyed listening to it, but don’t have any real desire to listen again. Favourite tracks: Tomorrow Comes Today, New Genius (Brother), Clint Eastwood

I was not prepared for this absolutely beautiful album this morning. Ethereal but dark folk / alt-country sound. The strings float beautifully over his deep baritone voice. Simple acoustic guitar strumming / finger picking. I am loving this album! Favourite tracks: honestly, just all of them

I’ve had 34 albums generated so how am I already getting the second Oasis album out of the 1089 albums on this list? That being said, I am liking this one a lot more than the last one and a lot more than the other britpop albums I’ve received. I feel like they’ve really improved their songwriting and instrumentation since Definitely Maybe. Or maybe it’s just the nostalgia factor of having listened to this album in high school? Favourite tracks: Cast No Shadow, Morning Glory

Overall, I didn’t hate it, but I’m probably not going to give it another listen. Some decent singer-songwriter music that leans just a bit too far into cheesy 80s vibes for me. And then there’s Cars are Cars; I’ve never heard a song that simultaneously makes me doubt someone songwriting and mechanic abilities.

Reminds me of partying with the punk kids in high school. Solid album! I don’t listen to a lot of ska any more, but maybe I should listen to more. Favourite tracks: A Message to You Rudy, Blank Expression, Stupid Marriage, Too Much Too Young

A bit long, but I understand why everyone calls it Elton John's magnum opus. Overall, it's a pretty great album (aside from Jamaica Jerk-off, which feels borderline offensive). Favourite tracks: Funeral for a Friend/Love Lies Bleeding, Bennie and the Jets, Goodbye Yellow Brick Road, Saturday Night's Alright for Fighting

Generic 70s rock. Not bad, not good. I can't complain, but I won't listen to this again. That said, is this really an album that you need to hear before you die? There are dozens of other albums that encapsulate 70s rock better and there’s really nothing all that special about it. Overall, I did like it, but I think I'm docking at least 1-star from the rating solely because I don't think it deserves to be on the list.

This was a really fun listen! Favourite Tracks: There Goes Norman, See That Girl

One first listen, I’m not sure I fully understand this album. There were some tracks I ireally enjoyed (Sigourney Weaver, Chicken Bones, Silver Platter Club, Queen of Denmark) and some tracks that I just don’t get (Marz). On second listen, this album makes me think of a mash-up between Father John Misty and the latest Viagra Boys album, viagr aboys, that I’ve had on repeat for a few days. I don’t know, some days is just chicken bones

I've seen Nick Drake recommended time and time again, but I've never actually sat down and listened to one of his records. This was clearly a mistake. Favourite tracks: Hazey Jane II, One of These Things First, Poor Boy, Northern Sky

The Smiths are a band I pretended to like in high school because I thought that cool kids listened to the Smiths. Luckily I no longer have to pretend; their music, aside from a few random songs, just isn’t for me. That’s not to say it’s bad, I just don’t really like it. I do like Johnny Marr’s guitar playing, but I much prefer it in Modest Mouse.

For some reason I’ve always thought the Cocteau Twins played electronic music, so I never bothered to check them out. Honestly, I don’t think I was really missing much. This album is fine, but I’m really not compelled to ever listen to it again.

Great songwriting, great piano playing, a few major standout tracks. Overall, a pretty great album, but by the end I was getting a little tired of the whole Elton John piano ballad thing. Favourite tracks: Tiny Dancer, Madman Across Water

Already one of my all time favourite records. Deserves a 5-star for Perfect Day, Walk on the Wild Side, and Satellite of Love alone.

Groovy, funky jazz! This one has a similar feel to Green Onions, which I really enjoyed, but the longer track lengths gives them more time to breathe and explore each track, which overall makes it feel like a much tighter and better record.

Great songwriting and I can see why this was so influential for a lot of people. I also dig the lo-fi and fairly simple production. However, while I did enjoy the album overall, it's just not really for me. I probably would have been a pretty big fan had I heard this earlier in my life.

I’ve had this chord progression I’ve been messing around with for a while now and it’s been so familiar, but I just couldn’t place it. Turns out it was Tangerine. I wish I could have actually written it instead of ripping it off by accident. Great song and a great album! While this isn’t my favourite Zeppelin album, I’m pretty sure they’ll all get a 5/5 from me as they were one of my first musical obsessions.

I posit that one of the least punk things you can do is cut the grass of the house you own. It’s right behind working a corporate job or paying a visible minority to cut the grass for you. You know at some point some marketing exec for John Deere or something realized that all the farmers already owned tractors, so the best course of action was to start targeting suburban dads by making them compete with their suburban dad neighbours over who has the nicest lawn and the fastest lawn mower. It was probably the same marketing exec that’s fighting against the rights to repair now. Anyways, I listened to this album a couple times while cutting the grass. Thoroughly enjoyed it and it improved the experience, but probably not something I’ll be listening to regularly. Favourite track: Shut Down (Annihilation Man)

6:30AM on a Sunday morning is entirely too early for this nonsense, but I bet it would have been pretty epic to see live.

Well you can’t deny this is an absolute classic album Favourite tracks: Dreams, Never Going Back Again, the Chain, Gold Dust Woman

Eclectic, psychedelic folk music using a variety of weird instruments. On paper, this should be right up my alley. In reality, I don't think I'm quite high enough to fully appreciate this album. Overall, there were some good moments on it, but it was just a bit too out there and I don't think I'll be seeking this one out again. Favourite track: Nightfall As an aside, Rain by Dando Shaft started auto playing after this album finished. I had never heard of them before, but I'm checking out their debut album, An Evening with Dando Shaft, and it absolutely deserves to be on this list. This is the psychedelic folk music I signed up for! I'd give it a 5/5 so far.

This album literally reminds me of having my teeth cleaned because this is the type of inoffensive music they play at my dentist office. I honestly tried to go into this album with as open of a mind as I possibly could, but admittedly I was fully expecting to dislike it. I was actually pleasantly surprised by the first couple songs, but then utterly bored by the end of the third song and ready to turn it off by Set Fire to the Rain. She’s a great singer, so I won’t give her a 1, but it’s all just safe, generic, boring. Nothing new, nothing exciting, not pushing any boundaries.

I had this before joining the group and my thoughts remain the same now, so I’ll just copy and paste them below: I don’t always listen to generic hard rock, but when I do, I want to listen to the legends of generic hard rock Editing this because I wanted to add some more thoughts. I feel like I have done a disservice to some bands by only knowing their greatest hits. The best example of this is David Bowie for me. Going into this project I only knew Ziggy Stardust and his greatest hits, but I did a deep dive into his back catalogue after listening to Blackstar and he's now one of my favourite artists with Blackstar being my favourite album from the project thus far. I can't believe the music I had missed out on! However, I don't feel the same about AC/DC. They're a perfect candidate for a greatest hits album. All the tracks sound pretty similar, so just give me the best of the best; you're really not missing much by only listening to the greatest hits. Favourite tracks: Highway to Hell, Beating Around the Bush, Night Prowler

Holy shit, this is so good! This is some of the most energetic, captivating, and fun protest music I've ever heard! I'll definitely be checking out more of his music

I had never heard of Laura Nyro before, but this was some fairly enjoyable 60s pop. Favourite track: Poverty Train, Stoned Soul Picnic, Once It Was Alright Now (Farmer Joe)

There doesn’t seem to be any understatements in this album, but I’m down for some Arctic Monkeys with a bit of a Western flair. Overall, I’m happy to have listened to this, but not really interested in listening to this again.

If I was asked what my favourite Rolling Stone album was, this probably wouldn't be it, but it's pretty damned good. That said, it's been a long time since I last listened to the Rolling Stones, so I don't think I even have a good answer to that question in the first place. I guess I'll figure that out once I have a few more Stones albums generated. Favourite tracks: Sway, Can't You Hear Me Knocking, You Gotta Move, Sister Morphine, Moonlight Mile

I’ve been flip-flopping as I listen to this album. There’s parts that are experimental 80s post punk/new wave that are clearly influenced by Bowie that I enjoy quite a bit, and then there are parts that are just cheesy 80s synth pop that I just don’t really enjoy at all. Overall, I enjoyed it, but I don’t think I can see myself reaching for this album again; I’d rather just listen to some Bowie.

Damn, I wasn't even through the second song and I was already wishing this album was over. I get that this is some breakthrough in electronica, and there were a few aspects of it I enjoyed, so I won't give it a 1-star, but it's just not for me. Honestly, dance music and electronica for the most part just aren't for me.

I really struggled with this one. I want to like it. I like punk music. I like post-punk music. Overall, I like the post-punk feel and attitude of the album. I like the instrumental parts and the backing tracks. I just don't like the singing and it's making the album completely unenjoyable to me.

I haven't really listened to the Rolling Stones since high school and now I've had 2 albums generated in less than a week! In my Sticky Fingers review I stated that it's probably not my favourite Stones record, but I'd figure that out when I had more generated for the project. Both records are great in their own right, but Exile On Main Street feels like the more polished and arranged record, whereas Sticky Fingers seems to have some of the bigger hits and felt more in-your-face rock and roll. I'm enjoying the second half of Exile a lot more than the first half and it might be squeezing out Sticky Fingers a bit. Favourite tracks: Sweet Virginia, Sweet Black Angel, Loving Cup, Ventilator Blues, I Just Want to See His Face, Let It Loose

Noisy, experimental post-punk is exactly what I signed up for! Favourite tracks: Laughing, Over My Head, Sentimental Journey, Humor Me

Currently one of the top reviews for this album on this site mentions that this is what a shitty bar in the 70s would sound like and they would not want to go to that bar. I fully agree that these are the sounds of a 70s bar, but we clearly don’t like the same sort of establishments because I would absolutely love to spend time in this bar.

I was enjoying this more than I expected, but the longer it went on, the more I just couldn't stand it. The beats are good and he's undeniably a good rapper, but the lyrics are just so cringy and immature. It's just over the top violence, misogyny, and homophobia. The tongue-in-cheek rap battle against his conscience was pretty clever and somewhat funny, but I kind of lost all interest by the time we get to the part where he's rapping about taking his infant daughter to bury her mother at the beach. That's just not even remotely funny to me. In part it feels like he's exaggerating his real life experiences and frustrations, but it also feels like he's just trying to be edgy for the sake of being edgy and I really just don't have time for that nonsense.

I had no idea Janis Joplin was in a band prior to her solo work. I’m not sure what I was expecting, but you get pretty much exactly what is advertised; a Janis Joplin fronted psychedelic blues band. Overall, I enjoyed it, but it’s probably not something I’m going to reach for all that often.

“Donovan? Who is this Donovan? Yeah, right away I hate him!” I don’t actually think Dylan hated him, but the clip in Don’t Look Back where they’re playing songs in a hotel room does feel a bit petty and spiteful on Dylan’s part. Anyways, this is actually a wonderful album, but I’m usually pretty biased towards 60s psychedelic and folk music. This album actually has some of the best uses of sitar and tabla I’ve heard in western music; it doesn’t feel nearly as cliche or gimmicky as others. Favourite tracks: Sunshine Superman, Three King Fishers, Ferris Wheel, Bert’s Blues, Season of the Witch

I knew very little about Blondie going into this, but I’m enjoying it quite a bit more than I expected. I had heard parts of One Way or Another, but I’ve never heard the whole song and there's A LOT more going on here than I realized! Some of the songs lean a bit too far into the pop realm for my preferences but, overall it’s well worth the listen! Favourite tracks: One Way or Another, Fade Away and Radiate, I Know but I Don't Know, Heart of Glass

This is the second Elliott Smith album I've gotten from the generator and I enjoyed it a lot more than the first, Either/Or. I thought the songwriting was great on Either/Or, but I didn't really connect with the angst or melancholy in the lyrics. Those feelings are still here on this album, but I feel like the songwriting really took a step forward, especially as the simple, lo-fi production has evolved to a much more complete and complex sound. Favourite tracks: Son of Sam, Somebody I Used to Know, Junk Bond Trader, Everything Means Nothing to Me, Colorbars, Can't Make a Sound

This album gives me nostalgia for a period of time I never actually experienced. Genuinely surprised how experimental some of this is for an 80s pop album. I really wish all pop music was this good! Favourite tracks: Running Up That Hill (A Deal With God), Cloudbusting, Waking the Witch, Jig of Life

This project so far has taught me that I don’t really enjoy britpop and this is the fifth britpop album I’ve gotten in the 72 albums that have been generated so far. That being said, I actually enjoyed this one quite a bit more than I expected. It’s probably on par with (What's The Story) Morning Glory for me. Not sure if that’s just because my expectations have gotten really low for britpop, but this one feels a lot more original, more raw rock and roll, and less derivative like some of the others.

Live albums aren’t usually my favourite, but this one is an absolute classic! I really appreciate the reminder to listen to this album more frequently!

My dad had a couple U2 CDs that we listened to growing up and I liked them enough, but not enough to listen to on my own. The fact that this is "their most transformative album" makes me curious about how different their earlier works were. It's not that its bad, it's just not very exciting.

Not something I’ll reach for everyday, but I thoroughly enjoyed it and will absolutely throw this on when I’m in the mood for an all around solid punk album.

Well, I guess I finally have to admit, I just don’t get the Beach Boys. The only reason I’m going to give this another listen or two is because I’m desperately trying to understand what I’m missing. Alright, three listens and it’s growing on me for sure, but still not sure it lives up to the hype I’ve heard surrounding Brian Wilson and the band.

It’s wild that an album this good is only my 5th or 6th favourite Beatles album

I’m currently hungover and I knew this album was either going to immediately get on my nerves or bring me back to life. Luckily, I’m ready for round two!

I’ve never been able to get into REM for some reason. They’ve always seemed like a band I should like, but they’ve just never clicked for me. I do like their hits and Man on the Moon is a great song. Overall, this album is enjoyable and I’ll probably give it another listen in the future the next time I try to get into REM again.

Most people argue that IV is the best Led Zeppelin album, but they're all wrong! Physical Graffiti is the absolute best Led Zeppelin album! This is peak Led Zeppelin; their magnum opus! Also, while In My Time of Dying and Kashmir both deserve all the praise they get, I think In the Light, Down by the Seaside, and Ten Years Gone are all criminally underrated, epic tracks.

Rap and hip-hop is a major blind spot for me, mostly because I’ve really struggled to find artists I actually enjoy. At this point, the only hip-hop artists I actively listen to are Aesop Rock, Beastie Boys, and MF Doom. However, I think I’ll be adding De La Soul to that list! This album is so much fun and feels to be the opposite of a lot of the rap trends that I can't stand, and after reading their wiki, it seems that this was actually a large focus of their music. It really sounds like they were having an absolute blast making this album!

I really haven't listened to much reggae beyond the obvious choices like Bob Marley or Toots and the Maytals. Honestly, this album by Burning Spear is as good as any Bob Marley record I've listened to and I'd definitely give it another listen in the future when I'm in the mood for some reggae.

"He's got his piano in the kitchen, and he only uses the kitchen range to light his cigarettes, and then there's this refrigerator where he keeps his hammers and wrenches and nuts and bolts and stuff like that. He opened the fridge door and with an absolute poker face he said, 'I got some cool tools in here.'" - Bette Midler on Tom Waits There's no other artist out there that makes me want to hop a train in the middle of the night to join a circus, drink whiskey, and eat cigarettes for breakfast. Seriously, though, Swordfishtrombones is already one of my all-time favourite albums. This is the album that really shifted him towards his junkyard persona and I love everything about it from his gravelly, whiskey-soaked, smoke-filled voice to the experimental sounds and song structures.

I am very familiar with psychedelic era Beatles, but really haven't spent much time with the early Beatles era. It's genuinely wild referring to these as different eras considering it was only a few years between this album and when they started getting into psychedelic music. Incredible evolution over such a short career! Overall, I enjoyed this album. It's not something I'd listen to all the time, but I can see myself throwing it on from time to time.

I enjoy the smooth, jazzy backing tracks, but her singing doesn’t do a lot for me. It’s not bad, just nothing exciting either.

Well this was a super enjoyable listen while making coffee and breakfast on a Sunday morning. Jazz isn’t really my go to genre, but I’m much more familiar with more avant-garde jazz artists, so it was nice to dip my toes into some big band stuff.

This has always been my favourite Radiohead album and I'm happy for an excuse to listen to it today! I fully understand that the shift from Ok Computer to a much more ambient, atmospheric, and experimental sound isn't going to be for everyone, but I absolutely love it! Favourite tracks: Everything in it's Right Place, The National Anthem, Idioteque

I really enjoyed the first half of this album, especially the opener Mannish Boy, but started getting a bit bored while listening to the second half. This might be a bit sacrilegious for a guitar player to admit, but I can only listen to so much blues.

I was a french immersion student through elementary and high school. We were all pretty terrible students and didn't really take it seriously, but one of my favourite projects that was frequently assigned was exploring french media. This would have been a wicked album to bring to class had I known about it back then (and if I could have seen past my classic rock blinders). Honestly, this was a great album and it might go into my regular rotation just for some exposure and practice with my french because I am very out of practice.

I saw the number of tracks and overall length of this album and was a bit weary that a punk album this long might start feeling stale, but after three solid punk songs, Cohesion really came out of left field! Then the drumming on the next track, It's Expected I'm Gone, is tight and jazzy! Somehow with the short track lengths and the mixing of genres and styles, it still feels totally cohesive and very fun. This is the kind of punk music I am here for! I absolutely loved this album and will be returning to it frequently.

This is a fun record that really transports you to a specific time and place. I can only imagine how life changing this record would have been to people hearing it for the first time in the 50s. I'm happy I've listened to it, and I fully appreciate Little Richard's influence on pretty much all of the music I listen to now, but it's not something I have any real desire to listen to again.

This felt like fairly generic 80s hard rock with some funky bass lines. A couple tracks on the second half felt almost like early nu-metal influences. Overall, not for me.

I enjoyed this a lot more than I expected I would. It’s electronica, but skews more toward weird and ambient than dance-y beats, which I appreciate. It’s still probably not something I’m going to really seek out in the future, though.

This is a shot of pure nostalgia. I had this album on constant rotation in high school. It was one of the albums that got me out of the classic rock hole I was stuck in. My tastes have definitely changed since then though, as I can’t see myself returning to this album too frequently, if ever. When this came out I absolutely loved the stop-start guitars and how they played with the bass and drums. It’s still fun to listen to now, but I definitely don’t connect to this music the same was as I did back then. I still listen to Modest Mouse from time to time, which was the other band that saved me from only ever listening to classic rock. It’s a shame they’re not on this list.

Talking Heads were always a band I felt I should like, but I never really clicked with their music beyond the singles I heard from time to time. That changed a couple months ago. I’m not sure what changed exactly, but they finally made sense to me and they became one of my most listened to bands. I love the funky guitar and the focus on the rhythm section. Such a unique sound. I find it surprising that these guys were regulars at CBGBs because they don’t quite fit my image of the bands I thought played there

This is genuinely awful. I’m only two songs into this album and I swear it’s been going on for 2 hours already. I don’t understand how anyone can listen to this music outside of people in a club. Seriously every single one of these songs needs to be 3 minutes shorter at a minimum.

Fairly interesting early punk record with some ska/reggae flavours. Her voice got a little annoying at times. Overall, I didn’t hate it, but I didn’t love it either.

I’ve tried several times to get into Arcade Fire, but have never really succeeded and I’m not sure why because this is a perfectly enjoyable indie rock record; it just doesn’t really do anything for me personally.

I really enjoyed the beats and sampling quite a bit, the whole album had a great vibe and atmosphere, but the rapping wasn’t my favourite. That said, in general I’m not an huge fan of hip-hop, so that’s not a huge surprise. Overall, I enjoyed this album and am happy to have listened to it, but I’m probably not going to listen to it again in the future.

I’m so confused right now. This album seems to be a fusion of things that I generally don’t like all that much. Electronica, dance music, hip hop, and her voice is incredibly annoying (the upward inflection at the end of most of her bars is infuriating). But somehow it seems to all work together? I think I like this album? Probably not enough to really ever listen again, but a lot more than I expected.

I really dig the beats and overall production on this album, but once again, I just can’t stand the rapping or the lyrics. It’s just standard gangsta rap cliches; drugs, bitches, mfers, n***as, and blatant misogyny. Maybe I’m just grumpy because I’m on a string of bad albums and this is the third hip-hop album I’ve had in a row.

All I really got from this album is that this guy wishes he was born in the Bible Belt. It’s just a bunch of piano ballads that sound kind of similar to Neil Diamond or Elton John. Doesn’t really do much for me.

Does a 90 minute, 2LP, southern rock concept album about Lynryd Skynyrd appeal to you? Then this is the album for you! It doesn’t really appeal to me. I’d probably rate this higher if it wasn’t a double album, but I got pretty tired listening to this by the end.

Disco definitely isn’t my go to genre, but I absolutely love the super funky guitar and bass and the beats definitely make you want to dance. The slower songs aren’t my favourite, but the more upbeat ones are pretty fun. Overall, happy to have listened to it, but unlikely to return to it on my own. That said, I will definitely hit the dance floor at a wedding when We Are Family inevitably comes on.

I think I just going to copy my review of Doggystyle by Snoop Dogg from a few days ago because it’s still applicable here: I really dig the beats and overall production on this album, but once again, I just can’t stand the rapping or the lyrics. It’s just standard gangsta rap cliches; drugs, bitches, mfers, n***as, and blatant misogyny. Maybe I’m just grumpy because I’m on a string of bad albums and this is the fourth hip-hop album I’ve had in a week. Ok, the flute solo on Lil Ghetto Boy was pretty sweet. Fucking hell, I almost shut it off during the Doctor’s Office.

I’ve never listened to a Motörhead album in its entirety, but I knew exactly what I was in for when this album was generated and it didn’t disappoint. 36 minutes of pure, driving rock and roll that doesn’t let up for a second. It’s not something I’ll always be in the mood to listen to, but definitely something I’ll listen to again in the future when I’m in the mood for some rock and roll.

I’ve always enjoyed Joy Division, but need to be in the right mood for it. I love the instrumentation, but the dark and gloomy lyrics and singing can be a bit much at times.

Immediate groans when I saw this generated this morning, but I tried to give it as unbiased of a listen as I could and honestly it’s really not bad at all. I’d even go far enough to say it’s pretty decent. Sounds very much like Radiohead with all the rough edges sanded off and polished until it was shiny. Favourite track: High Speed

The album starts strong with possibly one of the best songs ever recorded and also the only Verve song I know (or so I thought). Why have I never dug more into the Verve considering I actually really like Bittersweet Symphony? Unfortunately, it’s kind of a step down in quality after Bittersweet Symphony. Nothing really stood out to me and a lot of the tracks just sounds like generic and derivative britpop (I genuinely thought Lucky Man was an Oasis song; the second Verve song I apparently knew). The tracks that did stand out just got annoying. For instance, Catching the Butterfly sounds interesting, but then he just keeps saying the same line about catching a butterfly in lucid dreams over and over for 7 minutes. All that being said, this isn’t actually a bad album. It was enjoyable to listen to, it just didn’t live up to the expectations set by the first song and it ends up sounding like every other britpop album on the list.

If there was one genre of music I couldn’t stand while growing up, it was 80s pop music. Close second would be country music. While I was open to weird experimental music, I was incredibly closed minded to anything I perceived as being commercial and 80s pop seemed to be the epitome of commercial music in my mind. I definitely missed out on a lot of music because of that. This album in particular probably isn’t something I’d return to frequently, but it’s pretty enjoyable, if somewhat straight forward pop with a bit of a bluesy and country flair.

Reading up on the history of rai music has been incredibly interesting, but I’m genuinely curious if this is the best example of rai music out there? The samples and drums sound like bog standard stock sounds out of a shitty Casio keyboard. I’d be much more interested in hearing some earlier rai music rather than this more modern pop rai sound.

A masterclass in songwriting in a surprisingly short album. Scarborough Fair / Canticle is an obvious classic, but I really enjoyed Patterns and the Bright Green Pleasure Machine. Also as a major fan of Bob Dylan, I loved A Simple Desultory Philippic (or How I Was Robert McNamara’d Into Submission). My only complaint is that some of softer, dreamier songs are just a bit too soft and sweet for me and they somehow start sounding like parodies of Simon & Garfunkel.

We were visiting with my grandma one day and she mentioned that some guy had hired them to bring a car out to Omemee. He was going to drive the car to Massey Hall to play an show and they would bring the car back home again. This was mentioned incredibly casually, but my dad was immediately asking, “I’m sorry, who is this guy? Is his name Neil Young?” And, again, as casual as a grandma can state, “oh yes, that’s his name”. So yeah, my grandma has a picture of her, her partner, and Neil Young on the mantle along with the pictures of all her grandchildren. Turns out he was a very nice man and had some concerns with how the engine was running. Anyways, I’ve been on a huge Neil Young binge lately and this one is in the running for my favourite album of his, so this is a pretty easy 5/5.

I’ve always known Amy Winehouse was a great singer who died tragically, but I’ve never listened to her music before. I really enjoyed the jazz and soul spirit of the album and her singing was pretty good, but I found some of the lyrical content to be quite shallow. Overall, it was a good album and I can see myself returning to a few of the songs, but I probably won’t be returning to the entire album again.

I’ve always understood Prince was one of those revolutionary pop artists that everyone is supposed to enjoy, but I did not enjoy the first few tracks at all. 1999 was just awful 80s pop garbage, Little Red Corvette was slightly better but it was still pretty awful, and Delirious was at least a minute too long and that synth line is grating. I was gearing up for a long, tough listen, but I did end up enjoying the middle section even if the tracks were still surprisingly long. A lot more fun, funky tracks like Lady Cab Driver and All the Critics Love U in New York and some absolutely wild and experimental tracks like Something in the Water (Does Not Compute). Let's Pretend We're Married and DMSR are probably the horniest songs I've heard; the last few verses of Let's Pretend We're Married in particular are pretty wild. Unfortunately, the album ends on another sour note with International Lover that is more awful 80s pop garbage. I gave the album a second listen to make sure I wasn't missing something, but other than a few tracks in the middle, I'd prefer to never listen to this again.

This is just an all around solid psychedelic folk record full of great harmonies and interesting sonic experiments that never felt out of place. Thoroughly enjoyed listening to this one, but probably not going to return to it ever.

I’ve spent embarrassingly little time with Black Sabbath in the past. I’ve known the big hits, but not much beyond that. I figured today would be a good day to rectify this oversight of my musical knowledge and I spent the day not only listening to Vol 4, but also their self-titled debut, Paranoid, Master of Reality, and Sabbath Bloody Sabbath. Their self-titled album was by far my favourite. It’s not only the debut of Black Sabbath, but of heavy metal itself. The Wizard alone deserves a 5/5. Paranoid and Vol 4 were probably my next favourites. I actually knew most of the songs on Paranoid, but only really knew Changes on Vol 4. Changes is also one of my all time favourite songs. Thoroughly enjoyed both of these and will return to them the next time I want some good hard rock. I’ll give these both 4/5. Master of Reality and Sabbath Bloody Sabbath were probably my least favourite of the bunch. They were still good, but almost felt too polished compared to the earlier albums. I did enjoy the acoustic tracks on Sabbath Bloody Sabbath. Maybe I was just getting a bit burnt out on Black Sabbath after listening to them all day, but I’d give these two 3/5.

I'm genuinely confused as to why Prince is so well regarded because I'm not a fan of this. I guess it was a Sign 'O' the Times... Seriously though, I was about to dismiss this album as entirely forgettable until we got to I Could Never Take the Place of Your Man, the Cross, and It’s Going to Be a Beautiful Night. The latter of which was my favourite track on the album and stood out well above the rest.

Generally, I am not a fan of electronica or mainstream pop music because it can be so bland and repetitive, but this is definitely not that! This is the kind of album that I immediately started playing a second time after it was finished because I felt like I had more to discover. She has such an iconic and unique voice and I appreciate mixing various genres and instruments with electronic music.

I’ve never been much of a country fan, but I ended up enjoying this one way more than I was expecting. It was a pretty good listen. I actually did know Metal Firecracker through the Tallest Man on Earth’s cover album, Too Late for Edelweiss. Still fairly unlikely that I’ll seek this out on my own in the future though

After receiving 2 R.E.M. albums from the list (Murmur and Automatic for the People) and one outside the list (my in-laws gave me their vinyl collection, including a copy of Green), I think R.E.M. have finally clicked for me. I really enjoyed this album and might have to go back and have another listen to Murmur and Automatic for the People now. That said, I still can’t get past how much Michael Stipe sounds like Gord Downie and every time I listen to R.E.M. it makes me want to throw on some Tragically Hip instead.

I think everyone knows what they're in for when they get a Janis Joplin album; just solid, gritty, blues rock with an iconic voice! While I can understand that her voice might not be for everyone, I personally love it. That said, this still isn't really an album that I can see myself throwing on all the time, but I did thoroughly enjoy listening to it.

I've never heard of the Dictators before, but I had a great time with this album! It's simple, fun, sarcastic early punk music that really doesn't take itself too seriously. I love the cover of I Got You Babe. I also hadn't heard the term protopunk before starting this project, but I'm finding I really enjoy every band with that label. I'm excited to get more early protopunk albums I've never heard, and I'm sure there's tons of it!

Oh hell yes! I always have some time for more Funkadelic in my life!

I saw Nick Cave and the Bad Seeds on their recent tour and they played a staggering version of Tupelo describing Elvis' birth into a Biblical storm in Tupelo, Mississippi. Prior to the performance, Nick Cave spoke about how much Elvis inspired him. I kind of found this surprising because I didn't see a lot of parallels between their music, but I honestly wasn't familiar enough with Elvis to really make an informed opinion. Listening to From Elvis In Memphis now, I actually do see some similarities in their singing styles and some of the gospel aspects of the tracks although Nick has definitely twisted this sound into a much more menacing sound. I dug into it a bit further and according to the Red Hand Files this was Nick's favourite era of Elvis' music, and he even mentions a few tracks off this albums as his favourites, so it's starting to make a lot of sense. Anyways, while I really enjoy digging into my favourite bands influences, I also enjoyed listening to From Elvis in Memphis a lot more than I was expecting. Not that I was expecting to dislike it, but I was expecting a much more dated rock-and-roll sound and for some reason I have an impression that Elvis is a bit corny and gimmicky. However, the production on this album is actually pretty amazing and it felt surprisingly timeless. I thoroughly enjoyed listening to this album.

This is yet another incredibly influential and incredibly divisive albums that's full of droning, dissonant and atonal noise, and feedback. It won't be for everyone, but I absolutely love it! I'm Waiting for the Man, Venus in Furs, Heroine and the Black Angel's Death Song are huge highlights for me. Heroine is honestly a perfectly crafted song.

Ok, I gave this one a few listens. The first couple listens didn’t do much for me. It seemed like a perfectly good indie rock record with technically great playing and songwriting, but something just wasn’t clicking. However, I could tell there was something there and there wasn’t anything I disliked about it, so I threw it on a couple more times throughout the day and by the end of the day I was really quite enjoying it. It’s full of dense and complicated arrangements that still somehow come across very dreamy and chill. You can tell a lot of time went into the production of this album.

Classic country sound, which is not my preferred genre, but I do love a twangy Telecaster. I enjoyed this, but not quite enough to return to it ever.

While my wife and I were out for dinner at a fairly fancy restaurant in the city before going to a concert we overheard one of the waiters excitedly telling another table about his summer plans to see Coldplay at all 4 of the tour dates in our city. He went on to explain how he’d already seen them dozens of times and wants to see them at least 100 times in his life. I love music and love going to concerts, but that kind of commitment to one artist is genuinely baffling to me. Anyways, I feel much the same way about this album as I did for Parachutes. Less groaning this time as I did genuinely enjoy Parachutes so I’m coming at this one with a bit less bias than last time. That said, there still were a few groans of ‘ugh, it’s this incredibly overplayed song’. Overall, it was a decent album, but I’m yet to be truly converted to a Coldplay fan and I’m definitely not planning on seeing them 100 times in my life.

Van Halen was a band I tried to get into in middle school when I was learning guitar because Eddie was supposed to be a guitar god and all pre-teens learning guitar think they can grow up to be guitar gods too. Well, I quickly learned that the gimmicky 80s pop infused hard rock with all its soulless guitar shredding just wasn't for me. If you hadn't guessed, I went into this one with a pretty hard bias against Van Halen, but I tried to put that aside and honestly, I was fairly surprised. This wasn't nearly as gimmicky or soulless as I remembered. It was actually kind of a fun listen! That said, it does feel like music that only someone who is stuck in memories of their prime high school days in the 80s would listen to regularly.

I’m not familiar with this album, but I am familiar with Drum’s Not Dead, their self-titled, and Sisterworld, which from what I remember were all a bit less experimental and abrasive. I could be wrong though as I haven’t listened to Liars in ages. As with any experimental or noise rock, They Were Wrong, So We Drowned is a bit challenging to listen to, but is rewarding when you give it a chance. Overall, this album was actually pretty fun with the tribal aspects of the drums and the Brocken witch concept. I think I might have to dive back in to Liars music today.

Jim Root's Guitar Moves interview was one of the most enlightening videos I've watched recently and helped me start looking at the fretboard differently. He seemed like a laid-back, down-to-earth kind of guy. I tried to listen to some Slipknot after watching that interview and their sound compared to the guy I watched in that interview were so diametrically opposed. I don't think I made it through a full song. Listening to this album now is honestly painful. The lyrics that I can understand beyond the angry screaming are cringy at best. Not only do I have a disdain for annoying screaming ruining an otherwise good song, but I've also always had a disdain for the overuse of the double bass drum in metal music. It's akin to shredding guitar solos; congrats you can play really fast, I guess, but I don't want to hear it in every song.

Sgt Peppers Lonely Hearts Club Band is one of those albums that is so widely praised that it just has to be overrated, right? Honestly, no, I don't think so. It's a genre defining psychedelic rock album that is solid front-to-back and ends on one of the best songs ever recorded. Honestly, I don't really have anything else to say about it.

I was a huge fan of Linkin Park when I was a kid. I’m pretty sure I played this album on repeat on my Sony Walkman for weeks when I was like 10 or 11. Listening to this now, I have no idea why I liked it. I wasn’t particularly angsty or angry or anything. I think it was mostly my attempting to figure out my music preferences. It doesn’t quite hold up for me now, but I think the nostalgia alone is saving this from a 1/5.

I’ve put on a few of Billy Bragg’s songs in the past thinking I must like him because I love the idea of a folk punk artist and I’m a huge fan of his work with Wilco on the Mermaid Avenue project to put music to some unheard Woody Guthrie lyrics, but I’ve never been able to get past his voice/accent. I understand that it’s very much part of his persona and is a way to connect with the working class, but it just isn’t really for me. That said, I actually ended up enjoying this album quite a bit when I got into it with songs like Train Train, Levi Stubbs’ Tears, Honey I’m a Big Boy Now, There is Power in a Union, Wishing the Days Away being highlights for me.

A couple years ago, I was watching an interview with the Tallest Man on Earth and he mentioned loving this album when he was growing up. Naturally I was intrigued because I always love looking into my favourite artist’s inspirations. So I threw it on and was so confused; it wasn’t at all what I was expecting as an inspiration for an indie folk artist. Listening to this now and I find myself surprised again. Electronica and hip hop have been some of the worst genres for me to explore on this list, but I actually really enjoyed this. You can tell a lot of time went into collecting and arranging these samples. It sounds so much more natural than the standard 4 on the floor dance beats that every other electronica album has had so far and the instrumentals have been the best parts of several of the hip hop albums. It honestly feels closer to a jazz album than an electronica or hip hop album.

Another wonderful album from Nick Drake! This one feels more intimate and less upbeat compared to Bryter Layter. The songwriting is still absolutely phenomenal, but I do think I preferred the more upbeat and complex arrangements on Bryter Layter.

Usually when I don't like an album, it's pretty clear why, and if it isn't clear, then I usually try to find a reason. However, I don't like this and I don't even care enough to figure it out.

Another great discovery from the list! I'd never heard of Jurassic 5 before, but this is absolutely the kind of hip-hop I'm into. Great beats, fun samples, and awesome flow and the last song is phenomenal! Absolutely not surprising in any way that I prefer alternative/underground hip hop.

I mostly liked this album, but the whole gothic, full of dread and despair feeling kind of gets tiresome by the end. Not something I'm going to return to frequently unless I'm feeling particularly bummed about something.

80s synth pop with poorly charting singles? To say I went in with low expectations is an understatement, but I was surprised and actually enjoyed the first few tracks. Unfortunately, it quickly went downhill from there. I’ll give it some points for the incredible bass playing on the first few tracks and the sadly still relevant lyrics throughout. Other than that, I really don’t understand why this is an album I needed to hear before I die.

I’m sure there is a super specific genre name for this brand of downtempo, atmospheric electronic beats / hip hop. I don’t know what it is, but I do actually really dig this, so I should probably figure it out.

As a stoner in high school, Bob Marley was basically constant background music for everything we did. I rarely listen to Bob Marley now, but every single time I do I am reminded that I need to listen to more Bob Marley.

Considering this is an attempt to capitalize on the raga rock trends of the 60s, I was expecting it to be more of a gimmick, but the sitar and Moog synth actually work really well together. Incredible production and great playing all around. Probably not something I’ll listen to every day, but I thoroughly enjoyed it

I absolutely adore Bowie, but this is probably one of my least favourite Bowie albums on the list. That’s not to say I dislike Hunky Dory, it’s still a great album, but it feels more so like an attempt for Bowie to find his voice and the songwriting and production feel a bit inconsistent. Life on Mars?, Changes, Queen Bitch, and Oh! You Pretty Things are some of the best songs Bowie has ever written. Quicksand and Bewlay Brothers are also phenomenal deep cuts. The other songs on this album just don’t move me at all no matter how many times I listen to them.

The B-52s were a band that my friend's somewhat eccentric and absolutely hilarious dad always listened to. As a kid, I honestly didn't really get it. I didn't dislike it, but I definitely thought it was weird and I was always too cool and/or embarrassed to join in to Rock Lobster dance parties in their living room. Giving this a proper listen some 25 years later and I absolutely get it now. That said, I'm also gearing up to be the same kind of somewhat eccentric and hopefully hilarious dad, so I guess it makes sense. It's coming full circle. I hope my son is ready for Rock Lobster.

I've seen this album pop up all over the place recently and it seems to be portrayed as some kind of masterpiece, but I don't know, I just didn't really like it. There were maybe 2-3 tracks that I enjoyed, but the time spent between those tracks was boring and far too long.

Seems the list is teaching me once again that it’s not all country music I dislike; it’s specifically modern country music that I can’t stand. This album was actually quite enjoyable.

I didn’t realize how much I actually like reggae, but I’ve yet to get a reggae album from the list that I’ve disliked and this is another solid reggae album. I really enjoy the dub aspects to it and the saxophone parts too.

Sadly this is just as relevant now as it was when it was released. It's angry, aggressive, and important. Excellent turntablism and use of samples. Honestly, Chuck D's rapping isn't my favourite, but it's still pretty good. Flavor Flav on the other hand I find incredibly annoying. Overall, I enjoyed it, but it's not quite for me.

I had this album before I joined a group and I did not like it at the time; I gave it a 2/5. I almost didn't even bother listening to it again today, but I'm happy I did because I'm having an entirely different experience with it. Least favourite song is still Juxtapozed with U, favourite song is still probably Vulcan Street or Run! Christian, Run! Have I warmed up to britpop a bit?

I’m sure tons of bands have done it, but I’ve always found it kind of weird that they named their album after a Bob Dylan cover. Almost feels inauthentic, like they’re trying to ride Dylan’s coattails. It doesn’t help that this album actually does sound a bit like they’re trying to sound like the Beatles and Bob Dylan at the same time. I would honestly prefer listening to either of the others, but overall this was still an enjoyable listen. I think I actually liked this one a bit more than the last Byrds album I got from the list. Not sure if there really needs to be this many Byrds albums on the list, though.

This and the Joshua Tree are the two U2 albums that I remember listening to growing up. Listening to All That You Can't Leave Behind now, there are definitely some pretty solid tracks like Beautiful Day, Elevation, Walk On, and New York, but I really don't remember the rest of the album; it’s kind of just forgettable. It's not bad, just nothing really stands out to me. Honestly, I think U2 are just a solid greatest hits band for me. Great singles, but forgettable albums; just give me an album of the singles.

I fully understand why this album is included on the list, it’s a solid hard rock record with great playing all around, but damn, the singles are overplayed to death, the songwriting is shallow and basic, and I can’t stand Axl Rose’s singing. This is another one that I loved as an early teen, that just doesn’t do it for me anymore.

Cheap Trick and Alice Cooper was the first real concert I ever attended in 2005 when I was 14. Honestly not sure why my dad got us tickets because I don’t think either of us were massive fans of either band, but it was still an incredible experience. Listening to Cheap Trick at Budokan now immediately took me back to that show. 27 years after Budokan and I’m pretty sure they had a very similar set in Toronto at the Docks. I wonder if they already had the 5-neck guitar in 1978. Overall, this was an enjoyable listen, but I still don't think Cheap Trick are going to be my favourite band or anything.

Some proper old timey country music full of heart break and murder. Definitely not something I would normally listen to, but I actually enjoyed this quite a bit.

Damn, this is a great album! Zappa is such a unique and weird guitar player and a phenomenal composer! Also Captain Beefheart is a perfect addition to this album. I ended up listening to this a few times today and then branched out and gave Safe as Milk a spin for good measure!

I got really into Big Black (and most of the other bands featured) after reading Our Band Could Be Your Life by Michael Azerrad many years ago, but at some point this abrasive, atonal, industrial noise fell out of my regular listening rotation. I am so happy to be diving back in today and I might need to re-read the book and dive back into more of these bands. I had a similar thought while listening to Double Nickels on the Dime by the Minutemen, who were surprisingly one of the few bands in the book that didn't fully resonate with me at the time. I absolutely loved listening to them for this project though, which also led me to think I should revisit the book and the bands it covered.

This music wasn't really grabbing me on the first listen until we got to Attack! El Robot! Attack! Something about that song made everything click for me and I had to go back for a second listen. I really, really enjoyed it on the second listen; not sure what I was missing the first time through, but the fusion of indie rock / alt country with mariachi music and jazz is unexpected and amazing!

My only real complaint is that at times this sounded like the Talking Heads got drunk and tried their hands at David Bowie impressions. Seriously, that singing voice does not match a single face on that album cover. Other than that, I surprisingly had a really good time with this album. A Million Pleading Faces and Hokoyo are probably the stand out tracks for me, but the sax solo on I Can't Help Myself absolutely rips.

Rehab is tragically a bit too ironic now, isn't it? Overall, I liked this album a lot more than Frank. It's still jazzy, bluesy, and soulful and her singing is still great, but this album feels much more grown up all around. Better production, better songwriting, more introspective and less shallow.

I was expecting a much more corny 80s production on this one, but was surprised that wasn’t really the case and I actually enjoyed a few tracks. That said, it’s still not for me and I was honestly just wishing it would end for at least half the album.

I’m of half a mind to rip on this album for basically sounding like a cliched meme at this point, but there’s a reason modern pop culture has made these songs prevalent just about everywhere and I honestly had a great time listening to this album. That said, I cannot fucking stand More Than a Feeling at this point. Also it’s absolutely wild that this was recorded in a basement while they were running an elaborate ruse to convince the record label that it was being recorded in LA.

Honestly, I feel the exact same way about this album as I did the Funeral. It's a perfectly good indie rock record, it just doesn't really do anything for me personally.

Station to Station is in my top 5 Bowie albums. It might even be in top 3. It’s still got some funk and plastic soul from Young Americans, but we’re also starting to see some of the Krautrock influences and electronic experimentation that drove a lot of the Berlin Trilogy. There really isn’t a bad song on this album. Mind you there are only 6 songs, and at 38 minutes it doesn’t overstay its welcome at all either.

Surprised I actually enjoyed this one a lot more than I was expecting. I actually really enjoyed the "ugly" beats and samples; the backing tracks almost remind me of industrial music at times. Ice Cube's rapping is definitely angry, but I dug it. The political songs are still relevant and important, but the misogyny has aged incredibly poorly. Also, I've said it before, but I can't stand Flavor Flav.

I originally had this album generated on day 5 of the project before I joined a group with some friends. I gave it a 3/5 then and feel about the same now. Green Onions is undeniably cool, but I also feel like someone imposed a 3 minute time limit on these songs and it really limited where the album could have gone. As a whole it feels more like a demo tape for a band rather than an actual album. If these songs could have been fully fleshed out to at least 5-6 minutes they would feel much more complete, but as it is they all fade out in what feels like the middle of a song.

I thought I knew Steely Dan, but I was not prepared for such smooth, funky, jazz rock when I first listened to this album. It really makes you want to sit back and relax on a yacht with a nice glass of whiskey. This is a really solid album front-to-back, the production and the playing are all next level. I Got the News is the track that really stood out to me; I absolutely loved the staccato, off-kilter piano line.

This was not an album I needed to hear before I died. There were elements I liked, but they were repeated ad nauseam. Every single song went on several minutes too long and they used the same beat in every song. It literally just reminds me of the music that the goth kids in Letterkenny dance to.

Depeche Mode are a band I’ve overlooked because I always thought they were just another soulless 80s pop group, but I was clearly wrong; wrong about both Depeche Mode and a lot of 80s music in general. I thoroughly enjoyed this album. It’s maybe a bit too brooding for my tastes, but it sounds a bit like an earlier, more pop-y version of Nine Inch Nails. I’m looking forward to checking out some of their other work now.

I spent my morning snuggled in a reclining chair with my toddler watching the sun rising above a lake while listening to this album. So that’s going to factor pretty favourably into my review. The War on Drugs have been a long time favourite of mine. I’ve always thought they kind of sound like a mix of Springsteen and Dylan with Wilco as a backing band.

On the Beach is one of the top 3 of Neil Young’s solo albums for me; I would honestly be hard pressed to pick a favourite between On the Beach, Tonight’s the Night, and Harvest. There’s really not a bad song on On the Beach, but For the Turnstiles and Ambulance Blues are the stand out tracks for me. I’m incredibly happy I got to catch him on his current tour with the Chrome Hearts where he actually opened with Ambulance Blues and he’s absolutely still rocking at 79 years old!

I definitely like early Stones more than their later stuff, but they definitely haven’t found themselves at this point. This was interesting to listen to, but probably not something I’ll revisit too often.

There’s a couple tracks on here I did really enjoy, but overall I don’t think this album is for me, mostly because their singing is incredibly grating to me. You can definitely feel their influence on the hair metal scene, which I’m not sure is necessarily a good thing in my eyes (or ears, I guess).

I was expecting this album would feel dated and that that was going to put me off a bit, but honestly it doesn’t feel nearly as dated as I was expecting and I actually really enjoyed it. This is some proper rock and roll and you can hear how this went on to influence so many musicians. Also, that album cover is hilarious. Looks like 4 proud dads showing off their newborn guitars.

I haven’t even listened to this yet and All I Want to Do is already stuck in my head. It’s going to be stuck in my head all week. Ok, I enjoyed that a lot more than I expected. There are actually some really good tracks on here. It might not make it into my regular listening rotation, but I wouldn’t be upset hearing this again in the future.

I guess we’re adding grime to the list of hip-hop sub-genres that I can’t stand. How in the hell did this beat out Blackstar for the Mercury Prize?

I've long considered the Bends as one of my least favourite Radiohead albums, but I honestly haven't spent a lot of time with it or Pablo Honey, so I'd be hard pressed to actually choose a least favourite between those two albums. That said, I think I may have been overlooking the Bends quite a bit because this is pretty damned good! I can totally see how some fans would prefer the earlier guitar driven songwriting over the sonic experimentation that came with the later albums. Their sound on the Bends almost sounds like a different band compared to what comes after Kid A. I definitely still prefer their later work (Kid A in particular is one of my all time favourite albums), but I have a much, much better appreciation for this album now.

Live psychedelic space rock? Lemmy Kilmister on bass? Extended guitar, flute, and saxophone solos and wild synth experimentation? This is right up my alley. It sounds like it’s a direct influence for King Gizzard’s metal albums (Infest the Rats Nest and PetroDragonic Apocalypse). What could go wrong? A lot apparently. I’m not sure if it’s just the mix or if the band just isn’t really tight enough, but it sounds like they’re just playing on top of each other rather than actually playing together. It all builds into a wall of sound, but not in a good way. That said, I didn’t hate the album. It’s a great concept and all the pieces are all there; it just didn’t really come together. I was going to say I think I like more space and less rock in my space rock, but I love the aforementioned King Gizzard albums and they’re definitely more rock than space. Overall, I’m happy to have listened to it, but I can’t see myself returning to it. I give it a 4/5 for concept and a 2/5 for execution, so I’ll meet in the middle at 3/5.

Holy shit, what was that?! I hadn't heard a single song off this album; I've never even heard of John Martyn. Based on the Wikipedia description, I was expecting some generic blues rock with some reggae influences thrown in, but that is not at all what we got on this album. The guitar work and use of echo and delay is incredibly unique. At times his voice sounds like a much less gravelly Tom Waits. The whole album is hypnotic and sounds way ahead of its time. Discoveries like this is exactly why I'm completing this project!

This is peak Bob Dylan. The culmination of his 60s rock era and a response to the backlash he experienced after going electric on Bringing It All Back Home and Highway 61 Revisited. The lyrics are poetic, witty, and surreal. Robbie Robertson and the rest of the session musicians are at the top of their game. The instrumentation is masterfully arranged. It somehow doesn't overstay its welcome even though it's a double album; I honestly didn't even realize this was a double album until reading the Wikipedia link this morning. The piercing harmonica and nasally voice obviously won't be to everyone's taste. Hell, I grew up with the absolutely mistaken "Bob Dylan can't sing" crowd. I didn't find an appreciation for his work until much later when I happened to sit down and watch the Rolling Thunder Review. I don't even really know what possessed me to watched it. There was just a nagging voice at the back of my mind that was telling me I should probably check out some Bob Dylan. I was immediately hooked and have gone on to explore a good chunk of his back catalogue, bought the complete Bob Dylan songbook, and dusted off my harmonica.

Had you asked me yesterday if I knew who Pulp was, I would have said, "I don't really listened to their music, but of course I know them." Apparently, that would have been untrue. Embarrassingly, I think I may have actually been confusing them with Blur. Anyways, I really enjoyed this album after a couple listens. Common People is great and I've definitely heard it somewhere before. There were a lot of interesting influences throughout the album from disco to 70s pop to 80s new wave and it all built to a pretty over-the-top sound. There was also a pretty clear Bowie influence throughout the album that I enjoyed up to a certain point, but it did get to a point where it seemed like he might be trying too hard to be Bowie. And when he wasn't trying to be Bowie, he was trying so hard to be sexy, but his whisper singing just comes off as creepy. The awful lyrics in Pencil Skirt didn't help. I've seen it pointed out that he's playing a character and being sarcastic, but it doesn't change the fact that his singing at times makes me think, "man, I really want to punch this guy in the mouth."

This wasn’t bad, it was quite well done, but it was incredibly gimmicky and I don’t know if I really needed to hear a bunch of cover songs featuring a lot of bongos before I died.

I loved this album growing up. It’s a great album with solid songwriting and playing all around. However, at some point I really grew to dislike Lynyrd Skynyrd and most southern rock. It all reminds me of “good ole boys”. Probably happened around the time I learned more about the symbolism of the Confederate flag. I enjoyed listening to it again today, but it’s not something I’ll ever seek out to listen to in the future.

The only Kinks song I knew coming into this was Lola, which is a great song, but has pretty much become a classic rock cliche at this point. It's an absolute shame I hadn't explored these guys earlier because this is fantastic! Incredibly catchy songs, immaculate production, some weird 60s psychedelic experimentation. It kind of feels somewhere in between Bob Dylan and the Beatles. Thoroughly enjoyed this and I'm excited to check out more!

Noisy punk music with a bit of a country twist? I absolutely love it! I can see how this went on to influence Kurt Cobain and I'm kind of disappointed in myself for not having looked into Meat Puppets sooner as I was a huge Nirvana fan growing up.

Oh man, another great post-punk discovery! I can't believe I'd never heard of Magazine, but this is an absolutely amazing album! I feel like this album really straddles the line between angsty post-punk and gothic new wave, which is just perfect for me and is made all the more impressive considering they’re one of the early post-punk/new wave acts.

My introduction to Nina Simone was through Warren Ellis' absolutely wonderful book "Nina Simone's Gum". The book is an exploration of the symbolism we can place in something through Ellis' life and his relationship with found objects. The focus is on a piece of gum that Nina Simone left on her piano following a performance as part of a festival organized by Nick Cave. After the show, in a state of awe, Ellis snuck onto the stage, wrapped the gum in Nina's stage towel, dropped it in a Tower Records bag, and then kept it there for 20 years as a sacred totem. Listening to Wild is the Wind now, I absolutely get the state the Warren must have been in following Nina's performance. Such powerful, captivating singing and piano playing! The two live tracks (Wild is the Wind and Black is the Colour of my True Love's Hair) and Four Women were the standout tracks for me. What a wonderful album!

I realized while listening to this album that if CSNY played jazz rock instead of folk rock, they'd sound a lot like Steely Dan. To make a more modern comparison, some of the singing and composition on this album remind me of Geordie Greep on the New Sound (which better be on the user list by the time I make it there!). Anyways, as a suburban dad in his 30s, I approve.

Apparently the generator has decided to get me into Steely Dan this month. Earlier last month I had Aja, which is peak jazz rock fusion. Yesterday I had Pretzel Logic which felt like they were honing their jazz rock craft. Today is Countdown to Ecstasy that feels more so like they’re flexing their rock chops, but there’s still a bit of jazz here and there throughout. It’s feels a lot more accessible and straight forward than the last two, but still very enjoyable. I’m going to be disappointed if I don’t get Can’t Buy a Thrill tomorrow.

Funky jazz with solid production and playing, but unfortunately it’s rather generic, formulaic, inoffensive, and forgettable. It’s doesn’t really seem to do anything for me at all.

I was originally generated this album on day 3 before I joined a group and it set the tone for the entire project by forcing me to challenge my biases. Janelle Monae is an artist I wouldn’t have even considered listening to in the past. I fully expected a generic pop / R&B artist and I don’t generally enjoy that music. However, I ended up listening to this album a few times that day because I couldn’t understand what was happening. This is definitely not generic in any way! I came out realizing that this is a damn fine album and it’s still in my regular listening rotation today. I still absolutely love the middle section with Oh Maker, Come Alive, and Mushrooms & Roses, as well as the final track, BabopbyeYa, but I’ve also come around to Make the Bus and Wondaland, which I originally found kind of annoying. Overall, this has been my best discovery so far

Pleasant and relaxing album. A bit bluesy, a bit jazzy, a bit folky, and she's got an amazing voice. Unfortunately, it does all start sounding the same and it kind of drags on by the end. I did enjoy it, but I’m not going to return to it unless I'm looking for some calm background music to create a relaxing atmosphere for something

As with most world music that is completely new and foreign to me, I was expecting I'd enjoy the experience of listening to the album more than I enjoy the music itself, but that absolutely wasn't the case here. The rhythms and chanting are absolutely hypnotic and I was immediately drawn in to the songs. I could only find the combined Love & Devotion album that includes the album Love Songs on the first half and Devotional Songs on the second. I figured I'd start with Devotional Songs first since it's the album on the list, but enjoyed it so much that I went back and listened to Love Songs too. Then reading through his Wiki, I saw mention of more experimental, fusion work like Mustt Mustt and knew I had to give that a shot as well. I've got to say, Mustt Mustt absolutely deserves to be on this list too. It's an incredibly cool East meets West fusion that works surprisingly well. The same hypnotic singing and rhythms, but with some jazzy guitar and bass. That said, I wouldn't replace Love & Devotion on the list with Mustt Mustt as I think the more traditional side of Love & Devotion should be acknowledged as well. Honestly, this has been a great rabbit hole to explore! I'm going on to listen to Night Song next! I'm giving this entry on the list at least 4 stars based on this rabbit hole exploration alone! Also, aside from the music, the album covers for Love & Devotion, Mustt Mustt, and Night Song are amazing!

Seems that this is another instance where I've overlooked a band because their most well known hits have become somewhat of a cliche and appear all over popular media (or maybe I've just watched Dazed and Confused a few too many times?). That said, I absolutely love both Low Rider and Why Can't We Be Friends?, so I'm not really sure why I never bothered looking any deeper into this band. Disappointed I've been overlooking them because, holy hell, The World is A Ghetto is astonishing! Groovy, funky, jazzy, soulful. I am already on my third listen and might just keep listening to this all day.

Hell yes, this is one of my all time favourite albums! Experimental jazz with some top tier musicians performing at the peak of their craft. I totally get how this will be too far out there for some, but I absolutely love it!

This is super smooth, funky, sexy R&B. Maybe a bit too smooth and sexy. It feels like the sonic equivalent of soft core porn. It’s honestly a bit too boring for me

Another great discovery! I’d never heard of this band, but I thoroughly enjoyed this album! Solid early punk rock with some jazzy breakdowns and if this list has taught me anything, it’s that I’m a sucker for proto-punk and jazz, so I guess I’ll keep handing out 5s like they’re candy.

The White Stripes were one of the few bands outside of classic rock that I would listen to growing up, but by the time Jack White’s solo career came around I was pretty burnt out on guitar rock and was mostly listening to industrial, noise, or ambient music. That said, I did see him live when he was touring this album because a friend had an extra ticket and it was a pretty great show! I really enjoyed listening to Blunderbuss this morning; it feels like I might finally be ready to appreciate this kind of music again. This pretty much feels like what you’d expect; it’s guitar rock similar to the White Stripes, but it’s not as striped down / is more complex.

I was kind of struggling to get into this album at first. Something about his voice was getting on my nerves; I think it's just a little too high pitched for my tastes. However, something clicked during the track 'You', I think it was the bassline specifically, and I started to really feel the jazz-y, soulful tracks and appreciating his smooth flow. By the end of the album I was totally invested and ended up enjoying it quite a bit. I went back for a second listen and thoroughly enjoyed the whole album. I guess it just took me a minute to get into it.

I went through a post-rock phase late in high school and every once in a while I like to dip my toes back in those waters. That said, I never really got into Sigur Ros back then. I knew of them, but I liked the more punk rock aesthetics of bands like Do Make Say Think, A Silver Mt Zion, and Godspeed You! Black Emperor. I'm genuinely surprised there's not a Godspeed album on this list. Ágætis Byrjun is a great album. Standout tracks for me are Ný batterí and Hjartað Hamast (Bamm Bamm Bamm). The only thing that might hold it back from full points for me is that I need to be in the right mood to listen to an hour plus of ethereal, ambient, and atmospheric post-rock.

This isn't my favourite Beatles album, but it feels like a major turning point in their discography, so I totally get why it would be included in the book. There's a bit more experimentation with different instruments, recording techniques, and song structures that hints at the direction they start heading following this album. Interesting that this is the first album they recorded without concert, radio, or film commitments.

My intro to Joni Mitchell was via the clip of her playing Coyote in Gordon Lightfoot's apartment during Bob Dylan's Rolling Thunder Review (apparently that was the debut of the song, which she had written during the Rolling Thunder Review). I was immediately taken by Coyote and ended up listening to, and loving, Hejira shortly after watching the movie. However, my budding Bob Dylan obsession quickly took over and I never really got a chance to do a deeper dive into Joni Mitchell's work beyond Hejira. Court and Spark feels much more accessible and pop oriented compared to Hejira's jazz-y experimentation, but Joni Mitchell's poetic inclinations still shine through on this album and some of that jazz-y experimentation starts to come out in the last few tracks. The way she crafts a song and a melody is totally unique; it stands out to me compared to all of the other folk acts of the time.

Things I like: the interludes especially the PlayStation and Street Fighter samples in Start. The instrumentation in general is pretty solid. I dig the drumming and bass throughout. There’s a couple nice guitar solos like on Pink Matter. Things I dislike: the modern hip hop / poppy R&B vocals. I just can’t stand it. It also overstays its welcome quite a bit.

I actually liked this one a lot more than the last Public Enemy album I had on the list (Fear the Black Planet). Apocalypse 91 felt a bit less chaotic and I didn’t find Flavor Flav nearly as annoying this time around. Also, the song with Anthrax at the end was just wild. I might actually have to go have another listen to Fear of the Black Planet now.

Wow, I can’t believe I’ve never heard Joan Armatrading before. This is a bit bluesy, a bit funky, a bit jazzy, and very soulful singing. Thoroughly enjoyed this!

Ok, what is up with the horn at the end of You Still Believe In Me? I understand that Brian Wilson was obsessive about every single sound in this album, so I am picturing him sitting at the mixing console with a nearly finished track just looking for that one last thing to make a perfect track and somehow he settled on a little 'honk-honk, honk-honk'? Anyways, on to my actual review. I stated that I don't really get the Beach Boys in my review of the Beach Boys Today. It's not really the band or their music that I don't understand, it's the lofty praise thrown around in any discussions of the Beach Boys, Brian Wilson, and Pet Sounds in particular. "Genius", "masterpiece", "redefining pop music", etc. After three listens of Today, it was growing on me, but I still wasn't really understanding the hype. After listening to Pet Sounds, though, I'm starting to get it. Today was fine, but Pet Sounds is a great album. The tracks are finely crafted and catchy, the production is immaculate, you can feel how meticulous Brian Wilson was in putting this all together. I'm on my second listen now and I feel like more and more of the album is revealing itself. I'm finding something new in each listen and the more I listen, the higher the rating is getting.

I originally had this album generated on day 11 before I joined a group and stand by my review from back then. Had I known about this album back in high school, I would have loved it. Some solid blues guitar driven classic rock. Unfortunately, I’ve become a bit burnt out on the whole genre and I don’t love Rod Stewart’s singing. He kind of sounds like a budget Robert Plant.

Very interesting combination of genres. Some hip hop, some electronica, some funk, some soul, some reggae. Overall, I enjoyed the vibe, but there were a few elements that didn't quite hit the mark for me. Specifically, I didn't love the vocals and some of the reggae elements seemed a bit out of place.

My knee jerk reaction on my first listen of The Number of the Beast was, “damn, this is some corny as hell 80s metal”. I was ready to give it a 2, maybe 3, but I was convinced to give it another listen. Turns out it’s actually a damn good time! The guitar playing, the bass playing, and the drumming are all great! I even started to appreciate the singing by the end. I kind of wish I grew up as a metal head in the 80s now.