You know those girls who really dig Yes? Yeah, me neither.

This fucker wrote a song called Big Muff.

I do not get Kate Bush. This sounds like a parody of a rock opera.

It’s incredible that this album was released over 50 years ago because it still holds up as classic example of the early punk sound.

I had never heard of Christine and was ready to dislike this album after reading the summary, but was very pleasantly surprised! I will definitely be playing more of this in the future.

I cannot believe I actually liked the majority of the songs on this because after the opening few riffs I was like, oh hell no. But the second song was my favorite, and a few others I found endearing in an almost John Denver way.

You know those girls who really dig Yes? Yeah, me neither.

It’s fine. If you told me this was the soundtrack to Grey’s Anatomy I’d believe you.

A bunch of different sounds put together by musicians that aren’t very good. Nope.

This sounds like a 3-martini lunch on a Friday.

I think those scammers who “play” violin in parking lots use this album.

Closer is very good, but the industrial noise is in the rear view mirror for me.

A lot of my friends had this album in high school, but I did not. Girls Just Want to Have Fun is annoying, but True Colors is cool, lots of kitschy novelty filler.

Not an album I thought I would get into on a cold, cloudy day, but it was very chill and kind of made my day better : )

There were a few glimmers of hope (Holiday stands out), but save some time and just listen to Dookie.

I think Björk is cool, but this was just atmospheric background music for me. Pretty, though.

Although there were a few filler tracks that were underwhelming, the hits make this an undeniably great album.

This rating may be a bit unfair- the 3 is more in comparison to OK Computer, Kid A, and In Rainbows than all other albums…it was a good listen!

Oh boy, I don’t spend a lot of time analyzing what artists are trying to say with their music, but these lyrics are fucking dumb.

Hard Again starts out so strong and never loses any energy throughout its entirety. I’m not a huge Blues fan, but this was exceptional - not a single song that was less than fantastic.

I loved the mix of childish - They Might be Giants fused with Starboy-meets-Radiohead just waking up in the morning on a Saturday with the sun in your eyes feel of this “not conceptual” album.

Definitely not a great Doors album, but I didn’t hate it.

In 1994 I was 25 years old, on the beach in Hawaii for the first time, and Ill Communication was in heavy rotation on my Discman. This album will forever remind me of sun, sand, the ocean, and the chichis awaiting me at the hotel bar later. She’s the cheese and I’m the macaroni.

Beautiful. I can see this being a 5 star album for me in a year.

Fun club music, but not very memorable.

Oh my god, am I a fan of reggae?

I liked this a lot, but the songs were so long that I started fast-forwarding to the next about halfway through.

It’s pretty clear that Blur was trying to capture the alt-rock audience with a harder-driving sound, but it leads to a disjointed album. Song 2 is a good example and sounds like the last days of all-day music videos on MTV.

New Wave is totally up my alley, but this was not for me. Kinda boring, not very creative, just heavy synthesizers.

Stevie Wonder is a treasure, but he has better albums.

I do not get Kate Bush. This sounds like a parody of a rock opera.

So cool.

I tried to be objective about this because I know it’s not even my favorite REM album, but I loved it. Not a skippable song (tbf, maybe the last 2) and a very remarkable debut.

I had only heard the 90s Siouxsie music which is much more mainstream, so it was nice to hear her punk roots.

The beginning was nice and I wasn’t really understanding all the negative reviews…and then that rap happened. It was okay, though.

I’ve seen Chic live, and it’s a super-fun dance party! Nile Rodgers is amazing and a huge talent, but I think if there’s a “best-of” album? That’s the way to go.

Totally not a genre I like, but not gonna lie - Space Truckin’ just hits the spot sometimes.

It’s always fun to hear Christmas songs in a difficult genre, unfortunately this is a genre that I kind of detest.

Not nearly as bad as I expected, but this could have been made by anyone with some music software.

I’d listened to Ragin’, Full on and If’n, but not this one, and I’m glad I did : )

I bought this on cd when it was released, and am happy to report that it still fuckin slaps.

It’s obvious that the Beatles are stretching their talents on this album, and it sometimes results in a disjointed feeling- like this could be an album of singles. It’s still great, though, and For No One is a hidden gem and possibly my favorite song of theirs of all time.

It’s kinda fun, but the vocals are very annoying.

There’s a few songs that offer a glimpse of the more pop-forward style that is to some, but mostly just solid punk bangers.

Please make the Kate Bush albums stop.

I get that this was a huge departure for him musically, and kudos for taking that leap and the success of the album, but all these years later it just seems kind of hokey.

I’m a White Stripes fan, but this is not an album I listen to often. Jack White is definitely experimenting with some different sounds on this, and while it does get loud and rock a lot, it just feels a little off.

The song Street Life followed by some elevator music. No.

After reading the reviews, I fully expected to hate this, but it was pretty fun! It could be the soundtrack to a psychedelic space romp or a kitschy sitcom from the 60s.

I hate country-fried rock, and this is one of the worst offenders: the raspy voice, twangy guitar, and oh yay - a fucking harmonica. Absolutely not.

A less techno-sounding album but no less outstanding.

I wouldn’t say this is their best album.

This sounds more like a Beatles cover band than the Kinks.

I am a PJ Harvey fan, but I really only like 2 - 3 songs on this album.

Nico was good on some Velvet Underground songs, not so much on her own.

This is very okay.

The funkier songs are really fun, but overall this doesn’t stand out as something to revisit.

Some songs on the first side are clear misses, but side two is pretty perfect. Unpopular opinion: Miss Gradenko is a jam and very underrated.

Okay as background music, but not anything to seek out further.

It started out strong, like I would have listened to this for sure in 1990, but after their one hit it just sucked.

Gorgeous.

That this was released 46 years ago, and it was Stevie Wonder’s 18th (!) album is unbelievable…a true classic.

You will like this if you are a hardcore Congo drum fan I guess.

Relax is still a fun song! …the rest is not very fun.

I had never heard of Christine and was ready to dislike this album after reading the summary, but was very pleasantly surprised! I will definitely be playing more of this in the future.

Karen O’s vocals are reminiscent of Dale Bozzio from Missing Persons in the 80s, a band I really enjoyed.

I used to hang out with a bunch of stoners in the 80s who listened to this album ad nauseum, so I’m over it. But it is an impressive debut album with strong production value, a classic, yadda yadda yadda take my 3 stars and get the fuck out of here.

There is some off-noise at times that is similar to a child’s musical toy that is running out of batteries. Dissonant in a bad way.

Good. Not any more than good, certainly not bad, but not probably a band that would come to mind when looking for something to play.

My first album (in first grade) and I can still listen to it in its entirety. Pretty much perfect.

ELNo thanks.

Another just fine album.

A little hokey, but cute.

Sometimes there was repetitive, droning music pumping behind some mediocre fast rap, sometimes it seemed like he was trying to imitate someone else. There were a lot of typical rap tropes but not much originality.

Severely overlooked as one of the most classic new wave and debut albums in the US.

Totally fine, but I listened to it 3 days ago and haven’t thought about it once since.

I can’t listen to Hello without thinking of the SNL sketch.

I tried, I swear.

Very unusual, experimental, and original while still being reminiscent of Talking Heads and Devo. I’m not sure if they were using actual words sometimes, but I liked the sound.

A lot of 80s synth-pop music is droning and repetitive, but this is not and has enough variety to keep it interesting.

Never been a Dylan fan, but I found this album to be remarkable. Really fun.

Live albums are so often a huge drag, but the audience noise in this actually made it more fun.

I feel like I was on hold for 45 minutes.

Never heard of them, but will definitely listen to more.

This fucker wrote a song called Big Muff.

The epitome of hippy sound and the GOAT of vocal harmonization.

Great samples and strong rap.

I absolutely underestimated my relationship to this album because I found myself singing every word of every song. It was fun to remember where and who I was in 1991.

I’m guessing Dennis Wilson wanted to branch out creatively, and this is definitely a departure from The Beach Boys, albeit a strange one.

One of my roommates in college played this so much that I know all the songs, and although I don’t love it for any musical merit (sorry Jimmy Jam & Terry Lewis), it was a good listen.

Some really strong singles and then some twangy filler.

Rockafeller Skank used to be on my running playlist, so it got my blood pumping immediately. Otherwise every song is mind numbingly repetitive even though the beat is pretty fun.

This just didn’t really grab my attention in any way. It sounded very 90s and kind of like they were trying to sound like Radiohead.

No offense to dads in their sixties, but this is music for dads in their sixties.

I’ve seen the movie and have the album but haven’t listened to it for many years and found it just marginally okay. I can’t imagine how awful this would be as just an album without knowing it’s a soundtrack or having some background on the story.

Some true gems here, but it was a bit shouty and repetitive by the end. Still a very good time.

There are ballads, songs that rock, and then some hurdy-her hokey stuff that felt a bit unnecessary. Bohemian Rhapsody, though…still so good.

Back at the Chicken Shack is a very odd title for this smooth, cool, jazz album. Definitely something I will put on while cooking and hanging out with friends.

The epitome of New Romantic style with a unique sound.

Nu metal is not for me, but I can appreciate the Nine Inch Nails-ish imprint on some songs and the Ice Cube appearance.

This is a good album with great production value and strong musicianship, but there’s something missing that makes me not love it and I can’t really pinpoint it exactly except that it just lacks some heart I guess. I would put it in the same category as Imagine Dragons, fine but a bit meh.

The heart I was searching for on my last album was found here, a joyous and unique experience through late-80s hip hop. This was super a super fun time.

It’s incredible that this album was released over 50 years ago because it still holds up as classic example of the early punk sound.

She’s got a great voice and I preferred the cabaret songs more than the country ones, and could see adding some to a dinner party playlist.

One of my boyfriends in college went on spring break in California and brought this back for me (along with the Funky Cold Medina cassette single, both of which he had opened and listened to) as a gift. I liked him a lot, so I put this on at bedtime every night religiously. Wish You Were Here is not at all a souvenir of California for me, but of the thoughts and dreams of my 19 year-old self lying in bed at night trying to figure everything out. That the opening lyrics are, “Remember when you were young/ You shone like the sun”…sigh.

I thought I liked this band but I had them confused with something else. I don’t like this band.

I like Elliott Smith but had never listened to this album and assumed I would like it fine. But it was so much better than that. The songs were lovely and sad without being too angst-ridden, although it’s hard not to hear the absolute despair in the lyrics. And I hope you’re not waiting Waiting ‘round for me Cause I’m not going anywhere, obviously Got a broken heart and your name on my cast And everybody’s gone at last Everybody’s gone at last

There were very big expectations of Terence Trent D’Arby that never really panned out for some reason. Great voice, definite “it” factor…not sure if he was a victim of poor management or just decided to wild out instead. I had a poster of him on my dorm wall in college and still enjoyed this, although it sounds pretty dated.

It’s not Harvest, so I assumed it wouldn’t be that great, but it is actually very good.

I got this album when it came out and it got *a lot* of play on my high school turntable. It was fun to blast it and sing along on my way to work this morning.

This is a lot more bluesy than I expected, but still just not a sound that like at all.

I was never a fan of Peter Gabriel, but was very surprised at how many songs I knew on this album. Not my style, but I enjoyed it for the nostalgia. Not super happy to see Kate Bush slide in for a song because she just needs to go.

This is a very good album, but it does sound a bit like any jazz group one might find at a dinner joint or supper club. I will definitely listen to more Sarah Vaughan, though!

A very pleasant surprise! Massive Attack is kind of a misleading name, I thought it was going to be metal or something way more hard driving, but it was pretty mellow and enjoyable. I also listened to Mezzanine which is even better.

I thought maybe the album had restarted from the beginning because it felt like I had been listening for a long, long time, but there were still seven songs left 😳

I just have never liked Dire Straits. Don’t like the vocals, don’t like the jangly ass guitar, don’t like the lyrics. I actually didn’t hate Money for Nothing as much as I did when they showed the video ad nauseum on MTV.

Chris Cornell was a great vocalist and this is a terrific grunge album.

Flamin Groovies didn’t really pick a lane with this…sometimes it’s similar to The Rolling Stones, a few songs have a NY early-punk vibe, and then there’s some bluesy slide guitar à la Jack White. Interesting if not entirely compelling.

Picture that shrugging emoticon. That.

It’s got fun energy, but the songs all sound the same.

Like other reviews, I very much enjoyed the music here but just can’t endorse lyrics that boast about violence against women. Hopefully Martha Stewart skipped this one.

Overall a great debut album, but we all know they get even better.

This is a hard one because it’s fine, but Young had definitively not hit his stride yet, although he was already an excellent songwriter.

I’m sure this is a fine album if you’re a blues fan, but I’m not and pretty much all blues music sounds alike unless it’s something remarkable. This is not remarkable.

Eminem is a talented rapper and his way of using samples, rapid-fire rap, and collaborations creates a sound that is unique and original. Unfortunately it’s hard to endorse lyrics that are derogatory towards women no matter how good the music may be.

I distinctly remember going to work one morning and a friend asked if I had seen Nirvana on MTV Unplugged, and I had not. He was like, “I was really surprised that the drummer sang backup.” Lol. I own this album and Where Did You Sleep Last Night is easily one of my all-time favorite songs, but I don’t really like all their song choices here. Still great to hear them in stripped-down mode and be able to really focus on their raw talent.

Madman Across the Water has that classic Elton John sound married with Bernie Taupin’s lyrics. It starts out with the two singles (who doesn’t love Tiny Dancer?) and then the rest is pretty one-note except for a few missteps.

This is a very mellow Beck, but still good. Some songs have a bit of an alt-country rock feel à la Jayhawks and some are more soundtrack oriented. In the morning sun, this was 3⭐️, but in the cloudy evening with a glass of wine a solid 4⭐️.

Why

This is kind of fun, but this harsh screamy type of metal is not something I would choose to listen to again.

Nile Rodgers always brings the fun 🕺🏽

Surprisingly upbeat at times with the classic Morrissey/Marr sound.

With bad rap, every song sounds basically the same and relies on vapid hooks and lyrics to keep the listener engaged. Kendrick shows his artistry here both musically and lyrically providing gangsta riffs and grooves that get you to move. I didn’t spend any time analyzing the lyrics but recognize there’s enough shit-talking of women to ding the rating.

Before there was MTV there were rock operas, and younger, higher me was a HUGE fan. Older, not high me still likes The Wall, but I forgot how long this beast is and I skipped a lot of the transitional songs. I did very much enjoy listening to it in its entirety for the first time in many years.

Good album, kind of a mix of 80s electronic with EDM/trance tracks as well, the latter of which could get repetitive and kinda boring.

This is a good album, but you kind of need to be in the mood for some hard-driving rock with some frenetic energy. For something more mellow, I highly encourage you to check out The Last Shadow Puppets which is an Alex Turner side project.

If I was a metal fan I would probably listen to this.

Do these dudes wear acid wash jeans, white tennis shoes, and play at state fairs across the US? C’mon.

What an eclectic album! I thought I was in for some chill jazzy relaxation, but then there were all sorts of different offerings along the way. An interesting experience, for sure!

Tiny punk rock amuses-bouches. Get in mah belly.

Pixies songs are all over movies and tv shows today, so it’s bizarre that they never really achieved legend status and are currently playing mid-size venues and even breweries. Doolittle is full of classic singles that are both punk and catchy which can be hard to master in this genre.

I’ve never been a fan of 50s music, but you cannot overlook the importance of Little Richard and this album to the evolution of rock and roll. He was a huge talent and his unique character was refreshing and surprisingly appreciated at that point in history.

Like a tall glass of egg whites, but I like the surf undertones.

I had to listen to this a few times for it to really grow on me. The first I was like, “Isn’t this fIREHOSE?” and thought it was a little thin musically. On the second listen, however, I was struck by the groove and just found it enjoyable overall.

I’m confused. What is this?

I mean, it’s Jimi Hendrix.

When this came out it seemed so cool because it was different than the other music played on MTV. It’s still a nice, laid-back listen but it sounds very 80s,

I don’t know, I actually liked it but tbh I didn’t spend any time actually listening to the lyrics, so maybe that’s the best approach?

120 Minutes turned me onto The The, and I can still get the appeal.

I kept picturing Will Ferrell hanging out in the background with the cowbell.

Just really great jazz that’s accessible without being derivative. Also a rare album that is better for having a live audience.

Fine. Now I’m a Neil Young fan. YOU’RE WELCOME.

When I was in my twenties I used to tell people that I wished Eric Clapton would marry my mother and become my stepfather. Such a fascinating history in the music world and one of our guitar gods - it would be a blast to hear his stories! Unfortunately he’s an asshole now. Also unfortunately so is my mother, so maybe it will actually happen someday. But this isn’t about that. Other than the singles that were released there’s not a lot going on here of interest. The last track is very dumb. Meh.

I’m pretty sure some of my tinnitus comes from listening to Cult of Personality too loud.

I was a big fan of PJ Harvey and Liz Phair in the 90s, but somehow Garbage is a blind spot for me. Enjoyed this album very much and it fits right into that cool rocker chick spot of that era.

Oh Jimi Hendrix, what could you have done if you had stuck around?

A wacky New Orleans sound with a sprinkle of Tom Waits.

We’re off to a bad start with the first track - the singer sounds bored and it seems to drag on forever. The rest of the songs that I got through were droning and tinny to the point that it actually kind of hurt my ears. Dnf

This could be Madonna’s best album, or at least top two. A different sound from her that really showcases her vocal abilities outside of her earlier synth pop style.

Kanye is a jackass. Also this album is good. He loses a star for that time he wore a white lives matter t-shirt and for being a weirdo.

The first half of the album was very strong, but it was getting pretty droning with five songs to go and I was ready to be done.

After an early morning pilates workout, I got the vibes, but only after skipping the first track…Jumpin’ Jack Flash? GTHOH with that cover song.

I didn’t listen to the entire album because it was not only bad but boring as well.

There’s a cool, jazzy feel to this that separates it from a lot of other 80s pop albums, and Boy George has a great voice.

Parliament always brings the funk.

I guess I thought Linkin Park was metal? This is like a Rage cover band or something.

I’ve seen Suzanne Vega live but actually kind of forgot about her until this came up. She’s really good, but she’s got better albums than this.

Nicely done, but there were times that some songs teetered on the edge of sounding like hold music.

Randy Newman definitely has his own unique sound, I’ll give him that much. Still, every song just sounds like it is something off of a Disney movie soundtrack.

Never been a Springsteen fan, but I thought maybe an older album could convert me. But as soon as I heard “ I got a 69 Chevy…” I was out.

I can’t help but picture a medication commercial playing on the tv whenever she really starts belting it out. “Side effects may include…”

This album is very good, just not a sound I generally enjoy.

Kind of fun and not nearly as bad as I expected.

After reading the comments, I was poised to actively hate this album, but I didn’t?

50s music is just not for me, but I’ll give credit where credit is due because Fats is a legend.

This is pretty out there, not necessarily in a bad way, but not something I need to listen to again.

Fun, if not a little cheesy.

Fine, but not exactly memorable.

This is so not the kind of music I like, but it’s so cheesy and Meatloaf was in The Rocky Horror Picture Show and Fight Club, so it gets a pass.

Bowie evolved his sound so each album is different, but they are all cool. This is no exception.

Wow, this is a great punk album instrumentally, and the Buzzcocks influence is clear.

Not a huge fan of EDM because it seems repetitive and droning, but if I was tripping balls this would probably be a jam.

I had heard of Big Star, but never had listened to them…this is one of those times that I’m glad for this project. Sweet, fun pop that’s catchy but not saccharine, sometimes CSNY, sometimes 90s Matthew Sweet. This is definitely on my playlist.

Having listened to this album at times throughout the years, I was prepared to give it a 4⭐️ review, but quickly found that I enjoyed it more than that. Classic.

This is my favorite White Stripes album, and Same Boy You’ve Always Known is one of my all-time favorite songs. Some tracks come across as a bit of a novelty now, but it’s still a really solid punk album.

Not much of a country music fan and this did nothing to change my mind.

CCR has been a staple of classic rock radio stations for maybe 35 years? Still doesn’t make it good.

So fun!

This is a fantastic debut album. The Beasties were truly original and solid musicians on top of their legendary use of samples.

Obviously a great album, but a little basic as far as Miles Davis goes.

George Michael had an amazing voice reminiscent of Freddy Mercury at times. Freedom is a banger.

I generally consider T. Rex to be repetitive and one-note, but this album had a bit of variety and was pretty fun.

This is what I think of when someone mentions Bob Dylan….classic, but not my fave.

Beck is so prolific and a solid musician, but not someone who comes to mind when choosing what to play. This is a good album, but he does have better ones.

Everyone who’s seen Springsteen says he’s the ultimate showman. I will never find out personally because I don’t like his music. At all.

I wish The Last Shadow Puppets had continued releasing albums, even if it was only every eight years. The Alex Turner/Miles Kane collaboration is just really, really good.

A Hard Day’s Night is certainly not as robust as their later albums, but these sweet little love songs really deliver the harmonies and catchy riffs.

Funny how listening to the new album off the list can set the mood for your day… Earth Wind and Fire will get you off to a fun start!

Sick beats, hilarious lyrics, great production. A classic.

What I know about Nick Cave has been based mainly on his look - I assumed he was some goth who wrote angsty, punky songs about being misunderstood. Instead this was a pretty album that had a bit of whimsy to go along with touch of melancholy.

Fine, fun, great background music for a party.

TV On The Radio is a brilliant combination of hardcore, funk, and soundtrack rock. The layering of noise and vocals on Halfway Home is so good played really loud in one’s ears and one of my all-time favorite songs.

I enjoyed this album way way way more than I thought I would. The Latin-style is cool and it’s cool background music to have on while working.

This is exactly the type of jazz I like: freestyle to an extent, but not overly chaotic or abstract. Really gorgeous work.

My review was going to be that this album sounded like a collection of outtakes from bad commercials, then I read the wiki page and it’s sort of supposed to be exactly that. Still doesn’t make it very good.

Ça n’est pas si bon.

Albums like this is why I continue with the list: Never heard of this guy, and looking at the album art, I had already concluded that I wouldn’t like it. But I love it Mix Bowie with America, Rufus Wainwright, and Great Lakes Swimmers and you have this compelling pop/singer-songwriter album.

There’s background noise that sounds like you’re playing well-worn vinyl that really adds to the hazy atmosphere and is very cool. Listen to this on a cloudy day and relax.

Like other reviews pointed out, this really didn’t age well lyrically. The beats and rap still hit, but the message of violence and misogyny is difficult to overlook.

Solid Dylan album, although I prefer Jimi Hendrix’s Like a Rolling Stone and PJ Harvey’s Highway 61 Revisited better.

This is a rather confusing work. It’s fairly good musically, but the singing is pretty erratic, veering from a deep Bowie drawl to an unpleasant screeching falsetto within seconds. I was ready for it to be over before the end.

I can imagine me as a little girl, wearing my prettiest dress, playing this on my mom’s huge stereo console with the attached tv and 8-track player, singing along to Son of a Preacher Man. Very evocative of that time.

There were so many strong female voices in the 90s and Fiona Apple is one of them. I had never listened to this album in its entirety and am impressed by her range and talent.

It seems as if there was a good amount of growth musically between Nevermind and In Utero, although ironically the less successful songs here tend to be the more punk ones, the sound they so wanted to stay more faithful to. Still a lot of really great tracks and excellent production.

A nice, upbeat album for a sunny day. Totally fine but fairly unremarkable.

The Doors were back in fashion when I was in high school, and Jim Morrison was the Kurt Cobain of the 80s - all the musical genius minus the angst and self-loathing. Maybe because this is the last album it is more boozy and bluesy, and there’s a little less of the early style and finesse of their unique sound. Still some good tracks, but they have better albums.

Starting off with a 7 minute flute-and-organ heavy classic rock song made me crabby.

I’ve never been a big Stones fan, but I appreciate how great this album is. Probably an unpopular opinion, but the ballads take me out of it even though the sequencing is good.

The Stranger was a huge hit when it was released, and people who loved it then probably still do today, but it just doesn’t do it for me. It sounds like the best of Randy Newman combined with the worst of Elton John with a dash of yacht rock. But it must have paid for Billy’s veneers, so more power to him.

Ironically, my first thought when listening to this was that there was something missing. Many songs sound like demos or outlines that needed to be filled in by other musicians, but after reading that it’s all solo McCartney finding his way through his first post-Beatles project, it became much more compelling. A very interesting listen.

Dance Mania makes me want to cha cha by the pool with a daiquiri in my hand.

Apparently this is a parody of euro trash pop, but I found it in the sleep sounds category and that fits. Zzzzz

Some really fun tracks and some filler.

Quite a bit more bluesy than I expected, but their signature sound is still apparent. They get better.

I had never heard of this band or album, but liked it immediately. It sounds way more recent than 1980 and has a great range of styles.

Take Me Out has one of the all-time best opening riffs and is a great song along with many others on the album. The drums also stood out as being really good. But will I actively seek this out again? Maybe? Which lands this at 3⭐️

Interesting! I played this through twice, and really enjoyed it more in the background as opposed to listening to it closely, some of the vocals can be a little grating.

Girls & Boys is a bop, and this is a fun album overall but really loses steam about halfway through.

Hmmmmm…a lot of people really like Pretenders, but I’ve just never been into Chrissie Hynde’s disaffected vocal style. Something similar that’s better I think is the Cars debut album.

I would describe this as “soundtrack pop/rock” because it has a cinematic feel in both the lyrics and the sound. Mirrorball used to be a cool-down tune after an early morning run, so it’s near and dear, but I kind of lost interest with four songs left.

I remember their singles from the 90s and it was definitely a popular sound for that time, but it’s all very similar and shouty, so not super fun to listen to except for the nostalgia.

Side 2 of Abbey Road is perfect, and the album in its entirety is a masterpiece. Anyone who says it’s overrated is a tool.

The commentary was probably a really cool concept back in the 50s, but it detracts from the music more than it adds any sort of interesting content. The rest is great but a little more big-bandy than I like in jazz.

I’m familiar with Simon & Garfunkel and Graceland, so this was totally new and surprisingly good to me. I really like this in-between period of Paul Simon, although I think he should stay away from reggae.

My Generation is kind of all over the place musically - some 50s bop, some Beatles-esque, some classic The Who. Just not very cohesive or memorable outside of the singles.

TIL Games Without Frontiers starts with the repeating line, “Jeux Sans Frontieres” and not “She’s So Popular”. So that’s cool.

It’s refreshing to listen to a rap album that celebrates women instead of objectifying them.

Beck is a consistently good songwriter and musician. I’ve owned Odelay since it’s release, and although enjoyable, it’s not something that has gotten much play over the years.

Classic 80s NY hip hop with driving beats and powerful lyrics, Public Enemy first got my attention in Do the Right Thing. I’ll bet no one would have imagined back then that Flavor Flav would become a Swiftie.

Ummmmm…it’s fine, but I checked to see how many tracks were left and I was on the second to last, they all kind of started to blend together at some point without much variation.

When this album was released people were so happy to have an updated version of that southern-fried, bluesy rock sound. 34 years later, it sounds like any classic rock radio station standard, or, like another reviewer so aptly noted, shitty bar music.

I know Kraftwerk is iconic in the world of Electronica, but I hadn’t listened to them much other than single tracks on playlists. It’s amazing that this album is from 1974, and it’s their fourth, it really is ahead of the times for the genre. Not really in my wheelhouse, but an extra star for innovation.

It really doesn’t get more classic 50s than this and is pretty genius for this genre. I’m deducting a star for marrying his 13 year old cousin.

I’ve listened to Nick Drake before and really liked him, but didn’t look into his story before getting this album. I wish he had stayed with us longer to see what he could have achieved. Lovely, bare, timeless. Now we rise And we are everywhere

Quite a departure from The Stooges, this basically sounds like avant garde Bowie on quaaludes: Slightly disaffected with an icy Euro feel.

A completely fine, 28 year-old, adult contemporary album. Won’t last long in my memory.

This is by Malcolm McLaren? I guess I expected a punk album, but I actually enjoyed the world music beats quite a lot. The last track is rubbish, though.

Low is interesting and has some really good tracks, but it’s kind of lacking Bowie himself. Still impressed with his ability to grow and change and evolve but never release anything sub-par.

If you want your audience to like and accept a new lead singer, release an album like this. To start off with church bells and lyrics paying homage to Bon Scott, then transitioning to track after track of high-energy rock that is addicting and memorable is stellar. I actually had to dust off my sticks and go back to drum along with Back in Black, so take my 5 stars already.

Very much better than I expected, but probably not something I would listen to a bunch…good, but plays as a novelty.

What did I just listen to? Some songs are pretty good, and others are just kind of goofy. Most of the vocals are bad and the lyrics somewhat crass, just a very odd experience overall.

This is just a lot of monotonous fast-talking. Not a fan.

I like how Mingus and his musicians can veer from sounding like an elementary school orchestra tuning up before a performance only to suddenly come together for a beautiful, cohesive interlude and then break apart again into chaos.

Such a gorgeous album with a beautiful message.

I used to sit by this guy named Tim at work who liked the same music as I and we got to be great friends. One time he took a picture of my grandma and photocopied her face onto a bunch of different album covers including this one which was very cute. I forgot how cool Teenager of the Year is, and I wonder what Tim is up to these days.

A smoky casino, a quaalude downed with a swig of whiskey, big hair and heavy eyeliner, waking up to static on the tv. A relic of the past.

This sounds like my early high school years, which were good, but not great.

This was my album today, and my partner had Dr. Dre “The Chronic”. Listening to them back-to-back, I have to say I like Dre’s better because there’s a lot more variety of sound and style. Still, Q-Tip is awesome.

I really tried to find things to not like about this album after hearing such praise for it for so long, but it really is remarkable to hear Cash’s take on songs that are sometimes so far from his usual genre. That he recorded this at the very end of his career and life makes it that much more poignant.

I didn’t find this to be very cohesive, but did enjoy the duet with PJ Harvey.

The first song threw me for a loop and I expected to hate the album because the vocals sounded so off. But…I felt the same way about Exile in Guyville, and it’s been one of my top albums for years so I listened to it all, and it definitely gets better. It’s got a little Bob Dylan/Moldy Peaches indie sound that is rather enjoyable if you’re into that kind of thing.

Just listened to this in the background during dinner…seemed fine, but not that interesting.

This brings back memories of waking up hung over and smelling like smoke after a night of watching my boyfriend and his friends play D & D while drinking Black Label and listening to 2112. Nowadays it’s white wine, Netflix, and not 2112.

This was totally my jam in 1991, but it feels a bit dated now. Still some fun tracks that show the versatility of RHCP.

I used to go to a blues dive bar because I was poor and the beer was cheap, plus it was right by my parking ramp. There was live music later at night after many beers were had, and it still sucked, and that really sullied my entire blues experience. Plot twist: This is good! It’s smooth and not too baudy, a very nice surprise for a blues naysayer.

We’re getting dangerously close to Kate Bush territory here, and now I have this overwhelming urge to watch Dawson’s Creek.

Full disclosure: I’m a Minnesota girl and Purple Rain came out when I was a sophomore in high school. My friends and I saw the movie in the theater and shouted every time we saw a MN license plate and sang along to all the songs. First Avenue was my favorite hang in the 90s and I used to see shows at Glam Slam. I’ve been to the place where Apollonia jumped into the water (spoiler alert: it’s not Lake Minnetonka) and I’ve toured Paisley Park. I didn’t really need to listen to this to give it 5 stars, but I did anyway and still love it.

Great voice, but just not into this genre,

Sweet Dreams has a lot of uniqueness, good lyrics, and great vocals that sets it apart from many of the synth-pop albums in the 80s that were largely unimaginative.

This is music for the pub, on its own it’s rather hokey.