Raw Power? More like boomer power. Not my vibe
My biggest gripe with this record is that the songs themselves sound very similar.
King’s vocal performances themselves are great, I guess I was expecting to hear more versatility on this one.
From what I have heard of his solo work, this seems to be his transition into more progressive rock, I think the fact that this album is so front heavy is what holds it back here. However, this album deff gets shadowed by some of his other works in the 70’s. This is a good record.
Not sure what it is, but all of these songs bring me back to a time that never existed in my life. Like they all sound eerily similar to a lot of songs I’ve heard, and I’m attaching them to those experiences I guess? Idk. Fire album. Samuel is a hater bro
As a lover of country music, it’s crazy that I’ve never sat down and listened to a solo Willie project. This album is PURE country music. The instrument arrangements, the lyrics, everything.
I feel like a lot of people meme country music now a days ever since the “bro country” era, but this album is absolutely iconic in all the right ways
It’s really difficult to pick a favorite off this record, but I’m gonna go with Hands on the wheel.
Chill baby making music. It took a couple listens but I could definitely get down to this in the right setting. My favorite track off the album is Jonz in my Bonz
Led Zeppelin’s debut album definitely influenced a ton of metal and rock and roll of this era. This album also seems to pay homage to a lot of the blues greats before them.
As far as debuts go, what more could you ask for? Dazed and confused will always have a soft spot in my heart, as well as the solo in communication breakdown.
This album feels heavily influenced by the likes of The Beatles, Bob Dylan amongst others. I don’t have many qualms, as this is right up my alley.
Wild World, Hard Headed Woman and On the road to find out were my stand out tracks for me.
The most polished (musically) full album I’ve listened to from Bob Dylan thus far. Instead of leeching off the success of Highway 61, he dives even further into the absurdity.
I love the Rock & Roll themes we see here in this record, and whilst it seems very easy to get lost in this one (thematically) it all comes back around to Bobby boy being a hopeless romantic.
Idk man. I just couldn’t get into this one. The melodies, and overall corny sounding lyrics.
I’m sure there’s a crowd that loves this album, it’s just not for me.
Machine Head is another album I feel like I’ve heard millions of times, whether or not I actually have.
Given the date of its release, I imagine this to be some of the earliest heavy rock with metal elements.
Favorite Track = Space Truckin’
I’m getting folk rock vibes meets psychedelic vibes. In some of these tracks, I almost feel a bluesy structure to them as well.
This sophomore album from Jefferson Airplane has gems scattered throughout its long runtime- however, due to the long runtime, I do find myself bored with the vocals and Instrumentals in this one.
Still really enjoyed it, but probably wouldn’t revisit it as a whole.
Favorite Track: Today & Somebody to Love
Unfortunately I find myself stuck once again in an album that is quite repetitive.
The language barrier definitely doesn’t help, but I’m also thinking a lot of this is on whoever mixed the album. We get a lot of vocals that could be/ARE great, but it sounds like we are listening to them sing from miles away.
However, this album has two fun tracks im fond of. “Rhapsodia del Maravilloso” and “Tribilin Cantore” both of these tracks feel like a breath of fresh air after most of the earlier tracks in the album are the same bongo patterns with the same guitar.
Sorry boys, my review disappeared
I’m not really a big Bowie guy, but the first and last track of the album do stand out. However, I find myself really bored with his vocal performances. The production bangs at times, but it doesn’t make up for this coke ridden record. Sorry Samuel.
I feel like I really need to be in the right headspace to listen to this one. I know of Tangerine Dream work that I actually don’t mind, but this didn’t hit for me.
Also not sure if we listened to the right album, as the one that came up was only the 2 tracks, but I definitely like the eery elements of these tracks.
This album has definitely stood the test of time. The production and lyrics hit, and if you told me this came out in the last 20 years I would’ve believed you.
Favorite track: Title Track
“Mom I want to listen to the Beatles at home”
The Beatles at home:
Idk, I’m just not a fan of bands from this time that literally sound like clones of other popular bands. This feels like the equivalent of the radio crafted music I despise in modern times.
There’s nothing that particularly stands out or sets the Monkees apart on this album, which is yet another reason I’m not feeling this.
The album that first comes to mind when I think of the classic “Grunge” sound.
This album of course features the one that everyone knows “Black Hole Sun” but there is so much good content here.
Yes, some of the tracks do give off the vibe of sounding similar, so I could see why some may not like this one as much- however, I think this is paced well enough to make up for it.
They don’t make pop music like this anymore 🤷🏻♂️
An album that puts you right back into its era, I can just see myself in the 70’s driving around with the windows down at night bumping this fallen hopelessly in love.
The runtime really killed any momentum I had enjoying this project, I also imagine that due to the sheer volume of music, it makes this very forgettable.
Yeah punk music, whatever- I can’t stay interested for 40+ songs especially when they are too short.
They absolutely shred tho!
10/10 driving at night vibes here.
Honestly thought this was gonna be some really cringe band, but it’s “Samuel fun”
Songwriting on point here, the instruments sound beautiful. Synthy pop at its finest. Yet another album that truly feels nostalgic, that I’ve never heard in my life.
Unique, sexy and captivating.
What a wildcard of a banger.
This album was a very easy listen, I would probably say it’s more so background/gaming music but it’s definitely out of the norm for me and I’m happy to enjoy it. Another album where if you told me it came out this decade, I would believe you.
Fav tracks:
Sexy Boy
All I Need
To me, this is one of the more boring radio head albums. And while I at one point enjoyed nude and weird fishes, listening in full did not hit for me.
Am I missing something here? It seems like everyone is in love with this album. I honestly don’t see Thom Yorke farting into the mic as a transcendent album.
Meat Loaf is just as good as its food counter part.
I definitely got behind it a lot more on the second listen, still just not my cup of tea.
This is probably Tim Allen’s favorite album
Quite a few repetitive blues chords in this one, this record wasn’t the slightest bit interesting to me.
I’m sure there’s more stones albums on this list, however I’m not sure why this one was one of the chosen ones. I think there’s one original song, and it doesn’t really push the needle like some of the others artists who pumped out albums full of covers in this same time period.
Despite this, I still enjoyed parts of this album- solid 3 for me
I’m slowly realizing I’m not big into this old school punk scene at all.
60’s rock with a variety of sub genres infused, (might I add the cringe comedy element) at times almost feels like reggae.
An emotional roller coaster of an album that is incredibly moving. Like yeah it’s sad asf but it’s almost so sad it’s.. calming?
Everyone talks about American Pie, but this album is full of absolute bangers.
Till Tomorrow is my personal favorite, followed closely by Vincent.
Eminem on every drug big pharma has to offer is on another level boys.
SSLP is still one of the most iconic Hip-Hop records to this day, and one of the top 2 Eminem records ever.
In an era when radio music was actually good, we get a plethora of “radio records” but also a ton of deep cut Hip-Hop gems.
We all know about the classic hits of this album, so I’m going to refrain from going on about them. (Role model, my name is, guilty conscience, etc.)
Rock Bottom has always been one of my favorite Hip Hop songs, Eminem putting his wordsmithing on full display, while also showing his vulnerable side- we also get a banger record with Royce Da 5’9 (a duo that NEVER disappoints)
‘97 Bonnie and Clyde and “If I had” are also absolute bangers, so check em out.
What’s the over under on how many babies were made in Iowa to this album in the 60’s?
Some great cuts here, but inconsistent. This album could deff use a remaster, as I find some parts get a little rough. I’d love to Dusty’s voice pop a little more over the Instrumentals.
Son of a preacher man is a banger, but as my boy Zachary has said before, I hate how the songs just abruptly end.
I’m getting post punk synth pop vibes on this one. This screams 80’s and not in a good way, it doesn’t age well because the synths are too obnoxious and it punches you upside the face and doesn’t let you forget.
I understand this, Being that the genre was in its infancy (i think?) at this time, but to me the fun tapers off as it goes and I find myself bored.
There’s a lot of hard, wife beater and denim shorts riffing here, but holy hell were all these tracks cut from the EXACT same cloth.
I honestly am not the BIGGEST metal fan, but I was still able to enjoy some of these.
I think I enjoyed Devils Island the most on this one.
I’ll admit it, I have absolutely no clue what’s being said here. But this album makes me feel happy and that’s all I care about. Beautiful vocals, and Instrumentals. Just good vibes man.
Another album that is dark and somber; I’m getting folk rock vibes, and psychedelic vibes at times too.
There is certainly some catchy melodies and tunes here, I just don’t find much re-listenability to pre 2000’s sad boy tunes.
My favorite tracks are Everybody hurts and Star me kitten. I think this album is a solid 5.5, but giving it 2 stars as It doesn’t align with other 6’s I have already reviewed.
Okay so I really didn’t know who Ella Fitzgerald was but it turns out she’s like.. super versatile
Gershwin Songbook is deff more pop heavy than some of her jazzier stuff, but this is like peak pop music
Upon seeing the full compilation, I ended up rolling with the 44 min version, and although it’s shorter than the full sound book, I was a bit overwhelmed as is.
Regardless, this album was so calming in a time where I’m stressed out to the gills. Samuel gonna bash for being Bambi Esque music but it’s a banger
A very strong entry from Common here.
I love the production on this record, I’m a sucker for the various singing choruses that remind me of classic hip hop.
To me I really don’t see a true “concept”here, we get heavy themes about the struggle of a woman, etc.
I think this album could’ve been lifted to a true 8 had the runtime been a bit shorter (I know, I know, classic hip hop and 4 min songs is normal) but it does drag on certain tracks that I didn’t enjoy as much.
I absolutely love the Intro and it serves as a great launch pad for a fun album.
Idk why but this gives me GTA 3 radio station vibes, K-JAH Radio anyone?
This album really has that raw and “real” feel to it if that makes any sense.. I will definitely check out more Peter Tosh stuff.
Not really a Reggae fan at all, my favorite track here is “Till your well runs dry” and “No Sympathy”
On a side note, can we talk about how fire the album cover is?
Perhaps not the best Oasis album, but to me it is a very worthy debut. It isn’t too often we see a debut album sound as complete as this one.
On a side note, Was this the birth of what we now know as Indie rock? Kind of gives me cage the elephant vibes.
Yeah yeah. I know there’s a lot of Brit Pop and this may not be stray TOO far off the Brit Pop of its time; but idk- this shit slaps. And that’s coming from someone who’s not super into the genre.
Its still crazy to me that this was a 90’s album, I honestly had to check twice because I didn’t believe their debut was ‘94.
Slide away is my top track
A fun little listen, but the album as a whole isn’t anything special that peaks my interest..
I’ve tried giving Costello a chance before, but it just doesn’t do it for me. This album specially feels like a cover band covering a main stream artist, and I don’t know how to feel about that:
This sounds so DATED, but I actually love it?
Like it’s almost so cringe that it’s great.
Screams 80’s and stuck in the chase
Not very familiar with the artist, but I’ve heard some of these songs a TON. No idea why or where.
The beginning of the album suffers from some sameish tendencies, but then it breaks loose and goes all over the place in the back half.
Not something I’d listen to a ton, but was a fun listen
I absolutely despise this genre of rock as I grow older. Younger me would’ve ate this up like laffy taffy.
What is bro growling about?
This sounds like all those hair metal tracks of this era, so I wanna know why this is a stand out.
Like genuinely most of this record just sounds like one really long song, and yeah this shit was probably hard in the 80’s but today? Just gross to me and doesn’t do it.
I wish Samuel wasn’t fraudulent and came here to defend this, cause I need boomer thoughts
Back to back 50 min albums that just make me want to eat a can of paint bro
This band has 5 million monthly listeners on Spotify, so either I’m clearly missing something here, or this is one of their weaker works?
To me this is just as cringe as the Elvis Costello record from the other day, in that this feels almost like a parody.
“One of those things” sent me over the edge by copying the melody of sweet home Alabama.
From that point forward I cringed myself into a coma and everything went blurry, I don’t even know what happened man.
Can this guy QUIT TALKING AND JUST SING?!
Don’t listen to electronic very often, but this was a fun listen.
At face value, The Chemical Brothers use very basic beats throughout this record, but I like how as the songs progress, they add multiple layers and nuance's that make it more enjoyable.
This sounds very 90’s and that’s okay, I love the 90’s.
Samuel close your eyes…
Hero’s and the final track are the only songs worth listening to.
Despite me not being a Bowie fan, I didn’t have as many qualms with this one as our last Bowie record, but I didn’t like how the album completely shifts in the second half.
The second half is mostly Instrumentals, but hey maybe it’s for the best- they sound better without vocals anyways.
I’m still gonna stay open minded, and hope I find a Bowie record I thoroughly enjoy though, because there has to be SOMETHING that makes this man universally loved.
God I love this record.
Disc 1 goes full throttle, no skips just beautiful music. There’s just something about George’s delivery that sets him apart from poppy Lennon, and rock & roll Lennon. He’s like the perfect mesh and I think that’s why they were such a great group.
George will forever be my favorite beatle- his music just speaks to me in a way that the others don’t. This record feels like a soundtrack and I’m the main character of the movie.
Disc 2. Honestly tapers off heavily from the 1st half, but that’s okay. We get some of the familiar sounds from the first half, but also some sick ass guitar solos.
Cloud Nine is my favorite record of his, so to begin there and work my way back through his career has been a trip. I believe this was his first solo album where he actually sings. It’s crazy because if I didn’t know any better, I’d think this is fully evolved George Harrison.
This is 80’s ick IMO.
We get some tracks that are just happy and upbeat, and then we get tracks that try to take themselves too seriously and come across as Uber cringe.
I’m not as high as everyone else on here apparently as it pertains to post punk, but this was really flat to me. I didn’t have a single track that gripped me like I usually find.
As the album progresses, I find myself checking the time and becoming more frustrated. This will deff need a re-listen at some point, as maybe I’m listening in the wrong perspective.
Black Sabbath has some of the most addicting and iconic bass lines.
As per Spotify, this seems to be their second record (first released in the same year)
If that’s the case, it’s crazy how that one album has basically all hits.
I appreciate that this album is only 8 songs. It doesn’t drag out like many of these other 70 albums that are full of filler.
I wish I can re-listen to this record for the first time again, at this point in 2024 this is merely background music to me, as I’ve become numb to the millions of times I’ve heard it.
I really appreciate how they let the album riff out and don’t need to rely on lyrics throughout the entire project. I really enjoyed the tracks where they are just shredding
Solid 4/5 for me.
This was a surprisingly fun cruising album.
And yet another album where I don’t actually care for the most popular tracks- I may go as far to say that the filler is more fun on this one.
This album kept me on my toes, and was absolutely chaotic. We get mellowed out chilling vibes one song, and then get beat in the face with a guitar on the next.
I think America has got to me my stand out favorite of the bunch, and I will deff be revisiting this album. (I’ve never heard of Yes before)
Straight up, this was a GROOVY album. The Jangly guitars throughout the record are so addicting. I love how the bass guitar is put on the forefront of most songs here, and it just further "funkifies" the record.
I can't say it enough, the production is on point.
I would have to double check, but this is yet another record where an artist early in their career finds their niche- and I feel like that was accomplished here.
1978 Timmy would've totally scooped a dime and played this on the way to watch John Carpenters Halloween.
Crazy to think that I have dived so far into this bands solo release catalog, that I have never heard (in full) one of their most acclaimed projects.
With that said, I don't have much to compare to for previous records, but here is what I enjoy about this album:
Each member gets their fair share of the spotlight
Nobody is over shining the other- I feel like the performances from each member are on par with the other.
I like that we get to see the diverse styles of each member: John's rock & roll influence, Paul's pop influences, and George's slow and seductive style.
It's really hard to pick favorites from this record, as most of them are just smash hits that I have unintentionally heard millions of times just because of the popularity of the group.
I really enjoy Something, as it is one of my favorite George songs ever.
I also really enjoyed The end, and Oh Darling quite a bit!
Wow, this unlocked nostalgia I haven't felt in a while..
When I think of classic hip-Hop, like the SOUND of classic Hip-Hop, I of course think of Dre's "2001" but I also think of Sex Packets sound.
Like literally, I would've never been able to tell you this groups name prior to today, the sound was just engrained into my brain and that is what I have been associating with old school hip hop all my life.
Rant over, but damn this was another groovy one.
Sure it's dated, sure Hip-Hop as a whole is pretty bleh during this time period, but we get some really innovative sounds here, and I love the multitude of genres here.
Hip-Hop to me isn't about who spits the fastest, who looks the coolest, etc. I don't think of dudes like Eminem for this very reason when I think of the classics.
Hip-Hop is an art form, and this album is that. Is this something that I would bump every day? Nah, but it is a staple of Hip-Hop and I really enjoy it.
The beat selection is absolutely crazy, I don't know if I want to play Mario or Tony Hawk right now.
I LOVE the interludes.
Let Fat Cook..
Picture this, you are a iconic person in your music lane, and Elvis plops out of the sky at steals the spotlight cause he's a hot dancing white guy.
By all accounts of what I have seen in my quick study of Fats Domino, he was the complete opposite of Elvis Personality, looks EVERYTHING yet he was Catalyst of his time.
Apparently he was the second highest selling rock and roll artist of the 50's- only outsold by Elvis Presley himself.
On this specific album, we get HEAVY NOLA vibes- the smooth Jazzy, Groovy, slow rockin vibes. Honeslty, this album is very dated at this point, but I still had a fun time listening to this record, and learning his story.
I am still confused if we listened to the right album, but according to wiki we put the pieces together. I really love the tone of the album, as it is again a very chill and calming vibe, which is a nice change up from all the edgy depressing rock as of late.
This is a solid 7.5 for me, and it would be higher, but it's just something I won't revist due to how dated parts of it sound. Some tracks get a bit repetitive
Love Live Fat
Conceptually, I am not feeling much here.
Honestly, this feels like a Beatles situation where someone leaves the band and drops a whole bunch of tracks they were sitting on.
I am curious to see if this was Frank's first record without the Pixies, as that could sway my ranking just a TAD.
There is a PLETHORA of genres here, which again is why I feel like there is no identity, and that this was kind of just pieced together unreleased tracks.
With that being said, I did vibe out to quite a few of these- but really that's because I like the pixies and those songs give those vibes.
Im gonna be honest, if I want this sound, I will just listen to the pixies- there is nothing ground breaking, or innovative here.
My favorite track off this record is Speedy Marie.
So personal jesus is the only song on here that I have recalled hearing before.. But eh- I don't know if this sound is just dated or overplayed, I just didn't get into it.
Now, if we are talking 1990's standards, this seems like an album that would've pushed the envelope of what you "could and should" be able to do with music, and I am sure that garnered quite a crowd of supporters.
Now, what I do like in this album, is that it sets a CLEAR tone- it sounds like a cohesive album, and it sounds like they clearly knew what they were doing going into it.
I get urban boy at dawn vibes.
This is yet another album that is a rollercoaster of different styles, and again-I quite enjoy albums like this when they can pull it off (Cohesive yet different enough from eachother to not get bored)
I am in love with the synthy production here, i am just a slut for that in general though I suppose.
This is a solid 6.5/10 for ME soley because although I see the vision and enjoyed the record, it's not something I would revist routinely
Okay so.. popularity rot for the opening track.. and 3 tracks in I was almost ready to throw in the towel not liking this.. BUT.. In the cold cold night flips a switch in my mind, switches up the vibes a bit and I throughly enjoyed the album thereafter.
In the cold cold night sets such a chill riding with the windows down at midnight vibe, and it's just fuckin awesome.
I also enjoyed "I want to be the boy" and "Ball and biscuit"
the riffing on ball and biscuit is nuts!
I know for a fact this is an album that will grow even more over time, so it's deff getting bookmarked.
VERY 90's dance vibes.
There's a lot of fun, and creative stuff here- but I am getting tired not even 4 songs in.
I understand that this isn't my thing, and that you really have to dig this kind of stuff to get enjoyment out of it- I just don't.
To me it overstays its welcome- again, there are fun moments, but I would much prefer these tracks at shorter intervals, and a shorter track list.
At this point, this is quality gaming background music at best.
Solid 4/10
So.. here we go again with the 50's Disney soundtrack POV..
All Jokes aside, as far as music of its time, this is very listenable.
This comes from a time where most music was created at the office by the labels, and the artists who were popular were created in a test tube.
You can tell there is genuine feelings here, and that this wasn't a product of the system- however, I need more emotion- Idk there's just something off and I can't put my finger on it.
The production is AMAZING- there's so many moving pieces at any given time, and just makes these tracks feel SO alive.
HOWEVER, there's a lot of sameish songs here, and again with the weird missing emotion in her voice in some instances, it does get repetitive at times.
You've changed is such a banger.
Solid 6/10
Okay so this may be one of the most INTERESTING albums we have heard thus far- which makes sense, given that all we listen to is oldies rock 80% of the time and this is more modern..
Bro this album is literally a soundtrack of itself. I can portray movie scenes going along with each of these songs- I have no other way of describing it other than pure "Art" Lonesome Tears is a prime example of this.
Beck makes me feel a plethora of emotions within these songs, it's a rollercoaster for sure- I ride that I thoroughly enjoy. Not often do you get hit with songs that make you feel sad and calm at the same time, and actually hit- but here we are.
You know we get all of these albums that just feel planted into the scene for money, but this really hits home. You can feel the every emotion the artist feels here and it just feels so genuine. It's very refreshing.
This is definitely an album of healing, and the haunting lyrics and instruments paint that picture very well.
This album has aged gracefully. Never before had I heard a beck album, but I will be returning. I saved most of these songs!
Solid 8.5/10
Radio friendly, the guy your mom is cheating with friendly, JC Penny friendly, you get the point..
This album is the definition of playing it safe- nothing over the top pushing the envelope here, but nothing absurdly offensive (we can delete Yellow though)
Classic radio head pill of it's time, and I feel like I have heard dozens of albums just like this- this isn't a knock on coldplay, just a observation of the music in this era.
On a side note, how is this the same coldplay from the 2010's? lol
Chill vibes, I wouldn't mind if it came on, but not going out of my way either.
Super Super repetitive cords progressions here.
Like yeah It was cool two songs in, and I thought the transitions were sick but.. Blah. Just boring and annoying there after.
The energy is on full display, but the vocals do not age well at all- these guys aren't known for their lyrics either!
I am honestly good forgetting about this album though I am positive it was a banger in its time.
This album just makes me happy. It's so damn groovy.
The production is upbeat as hell and keeps me interested throughout, and the vocals are beautiful.
This is a very solid entry, and very digestible compared to a lot of other music of its time- we actually get subject matter that's both meaningful and impactful. (sorry boomer bros there a lot of cringe in this era)
A fun perspective of what I (believe?) is the early years of this type of electric music.
My favorite 2 songs on this project were Disser/point.b.mento and Sutrix.
Point B Mento gives me 80’s vibes in a whole new light, Idek how to explain it, just absolute ear po**
Being that I have no interest in this genre, I was pleasantly surprised, adding a different cultures range of instruments and ideas is such a fun spin on the normally dull and basic American electro I usually hear.
*Snores* maybe I am over exaggerating, but I really am just getting tired of the same old same old in the 60's. If I want this sound I'll just listen to the Beatles.
There's some fun moments here, and that comes in the form of the production, but ultimately gets absolutely drowned about by the whiny vocals and wonky mixing.
Neeexxxt
Ladies, better hide your mans Cigar boxes, cause Count Basie is coming to town.
I wish I had a boujee rich setup where I could play poker smoking to this album, because it only seems fitting.
I’ve really grown a liking to Jazz and Soul lately, so I very much appreciated this one- just chilled out vibes
I think I'm going soft for these funky albums boys.
This album is another feel good, groovy record that is meaty and straight to the point.
I love how much variety we get here- I can here the blues, I can hear Beatleseque pop as well- and whilst pulling from different influences, the album itself remains cohesive.
Really love the opener here (Did Kendrick sample this?) and I also love Sunshine and Don't let me be lonely tonight.
Forgettable post punk.
Maybe I’ll revisit and see if my rating changes, but there’s not much to cling to on this record.
Just too many repetitive songs, and the album drags a TON because of it.
A very very well thought debut record.
Epitome of 90’s alt, I really enjoyed the lyrics in this one, a softer and easy listen.
Refreshing that we got 90’s that isn’t radio head pill
I think there’s clearly filler in this album, and without doing any research, I’m willing to bet fuzzy was a single- song is an absolute banger.
This really gives me Jeff Buckley vibes and I’m so here for it.
Soothing & fun Jazz music.
I don’t have much to say, as I’m a casual in this genre. But the vibes were there!
Duke was pushing 60 and had a legendary performance.
Diminuendo in Blue is so fun, I really like the up tempo pace in this, which seems very different than the jazz we have heard recently, (there’s been quite a bit)
Idk with all the jazz and blues lately, I’ve really found a newfound respect for the genre. I’ve found myself cooking to jazz and popping in a Guy Lombardo record frequently.
I will definitely be Digging deeper into dukes catalog, I’m interested to hear what his studio LP’s sound like.
Genuinely surprised with how much I enjoyed this one.
There’s some very good song writing here- I was honestly expecting some knock off Jim Croce vibes, but they give me a bit of that at times, but more so singer songwriter Beatles vibes.
I don’t think the conceptual aspect of the album lands for me IMO, but this is some really chill music to throw on and vibe out to.
I will deff be revisiting, I’d say this is a solid 78-79. 3.5/5
ANOTHER 3.5!
George Michael is a king of ballads, they don’t always hit but they are never bad.
Voice is on point, as usual.
His sophomore album is more or less what I thought it would be given the popular songs of his I’ve heard, but I really LOVE soul free- such a banger of a song!
Unfortunately, this one looses points for its dated sound and the fact that it kind of sounds like a compilation album of sorts. Given the album title, I expected it to play more into a theme; but it really didn’t.
Admittedly there is quite a few filler songs here, yet we still have a handful of VERY popular 2000’s hip hop on here as well.
Do people not understand this was a DEBUT record? Yeah some of this sounds very dated at this point, but to me- this was the golden era of hip-hop and I hold this album in a very high regard.
Popularity rot with a lot of those bangers, but patently waiting will never fail to slap.
And for the love of god radio head fans stfu about him talking about guns. This man literally should’ve been dead 3 times over and survived.
Plus points for being a very influential hip-hop album.
Classic car show with dad vibes.
I absolutely adore the production on this album, and deff need to pick it up on vinyl.
Such a nostalgic album and I’m not even old enough for it to be nostalgic 🤬
After my first listen, I’m left feeling in this mid state. Nothing particularly grabs me, but I also don’t hate anything about it type of deal.
This album bleeds 90’s, and is very distinguishable for its time, and again- I love that.
I’ll have to give another listen, because this one deff feels like it’s gonna grow on me big time.
I enjoyed Ana and blown away quite a bit!
Why do people have such an ick for 90’s rap?
I love the Instrumentals here, such wonky and non traditional beats are so fun.
NY Hip-Hop was so fire back in the day, bring it back.
This is another album that’s deff gonna grow on me as I reslisten.
Living in the world today; 4th chamber, Investigative reports.. gah there’s too many bangers bro
Oh my god- Another BANGER produced album.
The chaotic atmosphere here just bodes so well with the artwork which is equally sick btw.
This was probably the most edgy shit of it's time, and although I don't like a good chunk of this album, there are a ton of fun highlights!
Most of the time, I would complain about the instrumentals drowning out the vocals, but I actually think it works very well here.
My stand out is Me-Jane, absolute banger.
Is this another project that we are seeing the full length of?
Listened to the 4 song EP on Spotify, and I very much enjoyed the opener “Cool in the Pool”
Feels like a bunch of genres thrown into a blender and this was the result. Very very interesting and I will need to dive into this artist more.
As far as the rest of the project goes, it just didn’t really hit for me. I don’t think a re-listen will be necessary on this specific EP.
Bob Dylan’s records are so hard to rate bro.
They are all so amazing, and each hits a different string inside of me.
This album brings a bunch of country elements into classic rock and his usual spoken word poetry, and it works amazing.
She Belongs to me, Outlaw Blues, on the road again are my favs
Oddly enough, the Beastie Boys have grown very heavy on me.
I visited this album not too long ago after doing an Eminem revisit, and I was surprised how much I enjoyed this one.
Now I will say that a lot of these songs sound very sameish.. but, there’s still some good content that’s easily digestible here.
I like songs like she’s crafty where it blends hip hop and rock a lot, I wish there was more genre fusion on this record because that’s where they are at their best!
4 Tracks of very upbeat, high tempo Jazz.
Gonna go on a limb and say that the other tracks aren't cleared for Spotify, but from what I heard, this deff leaves me wanting more.
Update: apparently it's just 4 tracks?!?
Added them all, would love this in LP form!
This is your easy listen, dinner making music right here.
God I need to get more Jazz records.
It’s giving me blondie smokes cigs vibes.
I think her voice will grow on me, but I really dig the groovy production here. I had a lot of fun with this one.
Super easy listening experience, and the opener is so damn iconic.
This is a must for any record collector. This has been added to my list!
