Rating Distribution
Rating Timeline
Taste Profile
Breakdown
By Genre
Top Styles
By Decade
By Origin
Albums
You Love More Than Most
| Album | You | Global | Diff |
|---|---|---|---|
|
Tommy
The Who
|
5 | 3.3 | +1.7 |
|
Crosby, Stills & Nash
Crosby, Stills & Nash
|
5 | 3.47 | +1.53 |
|
Aja
Steely Dan
|
5 | 3.48 | +1.52 |
|
Deja Vu
Crosby, Stills, Nash & Young
|
5 | 3.7 | +1.3 |
|
Pearl
Janis Joplin
|
5 | 3.71 | +1.29 |
|
G. Love And Special Sauce
G. Love & Special Sauce
|
4 | 2.71 | +1.29 |
|
(Pronounced 'Leh-'Nérd 'Skin-'Nérd)
Lynyrd Skynyrd
|
5 | 3.73 | +1.27 |
|
Brothers In Arms
Dire Straits
|
5 | 3.73 | +1.27 |
|
Guitar Town
Steve Earle
|
4 | 2.79 | +1.21 |
|
The Stranger
Billy Joel
|
5 | 3.86 | +1.14 |
You Love Less Than Most
| Album | You | Global | Diff |
|---|---|---|---|
|
Rage Against The Machine
Rage Against The Machine
|
1 | 3.97 | -2.97 |
|
Oracular Spectacular
MGMT
|
1 | 3.62 | -2.62 |
|
Yoshimi Battles The Pink Robots
The Flaming Lips
|
1 | 3.57 | -2.57 |
|
Funeral
Arcade Fire
|
1 | 3.55 | -2.55 |
|
Paul's Boutique
Beastie Boys
|
1 | 3.46 | -2.46 |
|
3 Feet High and Rising
De La Soul
|
1 | 3.45 | -2.45 |
|
Never Mind The Bollocks, Here’s The Sex Pistols
Sex Pistols
|
1 | 3.45 | -2.45 |
|
Sound of Silver
LCD Soundsystem
|
1 | 3.43 | -2.43 |
|
Endtroducing.....
DJ Shadow
|
1 | 3.34 | -2.34 |
|
Figure 8
Elliott Smith
|
1 | 3.33 | -2.33 |
Artists
Favorites
| Artist | Albums | Average |
|---|---|---|
| The Who | 2 | 5 |
Least Favorites
| Artist | Albums | Average |
|---|---|---|
| Arcade Fire | 2 | 1 |
| Elliott Smith | 2 | 1.5 |
5-Star Albums (9)
View Album Wall1-Star Albums (34)
All Ratings (269)
Great rhythm section! Bass was there but not overplayed. Hardest working drummer I’ve heard.
I would rate lower, if I could. There has to be a better way to discuss real or perceived racism than to create a racism rant against racism, especially in a format as repetitive and artsy as this tried to be.
Parts of it sound like surfer Pink Floyd. Not your typical Beach Boys. I really enjoyed “Student Demonstration Time” though.
Parts of it sound like surfer Pink Floyd. Not your typical Beach Boys. I really enjoyed “
5 of 8 songs are classic rock staples. Billy Powell is amazing.
An interesting listen. The well-known songs are the best ones. With a few exceptions this album is like a long EP.
Not really my thing, but there were some good parts.
Ugh.
Some treasure hidden between the commercial successes.
Great album. She really shines on the songs she sings with a gritty voice or a strident tone.
Great album. Broken/Head Over Heels/Broken is fantastic! Good sangs I already knew, but the rest of the album was varied and excellent.
Not my jam, but there were some moments.
Monotonous
Band was OK - vocals had too much Patti LaBelle going on.
Dark. Put together well, but a live show would be better, I think. Overall, very good.
Great album - several classic rock staples here. Innovative use of synth, for the time.
A couple good tracks
This is one album that has not aged well. I can see where some of the later bands (Metallica, for one) got their inspiration, but hindsight is not kind to this one. That being said, it was surprisingly musical. If you listen to this with nostalgia, it is probably great. But the genre left these baby steps (and my tastes) behind long ago. It needs a remix. Still a good album, just not my thing.
TikTok versions of songs that are only slightly longer than most contemporary TV show theme songs. Not for me.
not for me
Don’t You Want Me just proves that even a blind pig finds an acorn once in a while.
A good record, but this could have been awesome it they all had only played the same song at the time.
I really enjoyed this one. This may be country but it’s just on the verge of rockabilly. I’m going to listen to the next couple records, as well.
Yep
Some good tunes here that I knew from later covers.
Fun, if overly commercialized, album. Blues-flavored pop that cannot be played live. I can’t help myself - I like it despite the “Modern Music” aspects.
Great album!
The arrangements, instruments, and vocals are great. The pathos is overbearing, but maybe it was cathartic. Schadenfreude is the nature of this beast, unless you’re going through the same thing, I would guess. Still, very good overall.
I never really knew much about this album, and I didn’t care much for what I heard at the time. Album-oriented FM was no longer the soundtrack of my daily routine. But listening to it now, and having learned its back-story, I can appreciate it for what it is, even if it isn’t an album I’m going to play over and over.
Parts were OK, just not my thing.
Ugh
Some parts were really good. Others not so much.
A little bit goes a long way
Not what I expected, but pretty good.
Not my thing, but not as much “not my thing” as I expected
If Sly Stone sang Lou Rawls, it would sound like this.
So not my thing. A depressed existential crooner - perfect for the beatniks in smoky coffeehouses, but did not age well.
A little twangy to get a 5, otherwise excellent. A young Emmylou Harris really shines.
Not a high 4 but better than a 3
The B52s do it better.
Dated
Just barely ...
Hints of U2 cannot save it from the MTV house party vibe.
I liked this much, much better than I thought I would!