Flows smoothly, albeit nothing stood out in particular. Uptempo without a lot of the "lulls" that can throw me when typically listening to jazz.
Like most of Beck's catalogue, it's pleasant enough to listen to, but nothing I'd normally seek out. A bit more accessible than his later stuff. "Lost Cause" the highlight for me.
Middle section (Welcome to Paradise -> When I Come Around) is phenomenal despite utilizing fairly similar song structures, the beginning and end are even more lacking in variety though. Some phenomenal choruses and melodies really elevate the middle tracks.
Not bad by any means, but not really my cup of tea. Highlight track: \"Be My Wife\"
Prefer the more raw sound of their earlier albums, this has a lot of interesting ideas and use of negative aural space, but it just doesn't totally hit me in an emotional way. That being said, the last two songs are PHENOM. Favorite track: Red Rain, I'm Lonely (But I Ain't That Lonely Yet)
I believe this was my first time listening to Zappa, I actually quite enjoyed it even though some songs sounded like birds being strangled. Favorite track: Willie the Pimp
I can understand how this is a great album for those it's aimed at. There's a great variety of piano and guitar, but Springsteen's voice has never done it for me and I don't think the sound mix does him any favors on this album either, some of the lyrics are difficult to pick out. Favorite track: Thunder Road
There are a few moments that have nice harmonies but man this is really not for me. Not looking forward to 5 more of his albums in this project đ„Č. Favorite track: Sulky Girl
Well that was....different. Interesting mix of haunting and uplifting. Favorite track: Penguin Cafe Single
Started off strong, but the back half has some odd tracks that didn't land for me. Can definitely see why Bowie was in Lou's corner. Sound is crisp and mixing is top-tier.
Eclectic but very accessible, so cool that all of the "looping" was manual. Definitely gives it a human feel, even if it's subconscious. Liked this a lot. Favorite track: Crosseyed & Painless
Delightful! Some really soulful tracks, the middle run from Mbube -> House of the Rising Sun is great. Easy to see why this is considered part of the "coming out" party of African/world music. Favorite track: The Naughty Little Flea
Unsurprisingly, great guitar work, but a lot of tracks felt quite same-y to me. Nothing I mind listening to but didn't blow me away by any means. Favorite Track: Sunshine of Your Love
A really cool concept (a soundtrack with no accompanying film!) that builds up some really rich and evocative soundscapes, but eventually wears out its welcome. Definitely a unique album.
Cool concept behind the album (uncommon jazz time signatures) that I'm nowhere near technically-adept enough to truly appreciate. Nothing offensive or unlikeable about this music, but it's a bore. I do enjoy the "cool" jazz tonality a lot more than traditional jazz. Favorite track: Take Five (the only one Brubeck didn't write lol!)
Killer! Glam arena is a great combo, this was way less intense than I was expecting. Favorite Track: Women
Just a blast, probably only the middle of the pack in terms of my RHCP album ranks but Kiedis' energy is off the walls, and that's saying a lot for him! Great mix of funk and guitar solos, every band member gets multiple opportunities to shine. Favorite Tracks: Breaking the Girl / Suck My Kiss
Definitely my favorite Beck project, I enjoyed this FAR more than I thought I would. The genre bending is done incredibly well, and there's such an energy behind the hiphop/rock/electronic mixes that borders on a pre-Daft Punk or Justice sound. Loved it. Favorite track: Novacane
This album reminds me of such a specific time in my life, and it's incredible just how pervasive the hit singles were during 2011-2012. I do tend to enjoy the lesser-celebrated tracks on this album, but the entire thing is such a force that almost sags under its own weight at times. Favorite track: Lovesong
Probably my favorite Pac album, arrived at such an interesting point in his life and career, love the more mature and introspective style. Favorite track: Death Around the Corner
Pretty typical Blegh Bruce until the last 1/3, which is actually pretty good Concept Bruce! We like Concept Bruce! Favorite track: Paradise
Pretty shocked I haven't meaningfully listened to this Philly queen before, supremely talented. Excellent use of skits/spoken word. Favorite track: Price Tags
Some absolutely classic bangers on here, but overall there are too many tracks with sparse soundscapes and lo-fi production to make it an easy, cohesive listen. Wild that Paint it Black wasn't on the UK release! Favorite track: Under My Thumb
My first intro to The Go-Go's, they have a special place in music history. Learning about their place in new wave speak volumes to their influence! Favorite track: Skidmarks On My Heart
Was ready to knock a star off regardless of the score knowing that these were all covers of folklore tracks...lesson learned. Joan elevates many of these classics. Beautiful, haunting, and pure. From the first measure, voice and guitar blend incredibly for close to an hour, invoking a wide range of emotions. The sound and mix is incredibly refined for 1960, just a masterpiece from every angle. Favorite track: Mary Hamilton (and it takes a LOT for House of the Rising Sun to not be my fave)
Lou's music really just does nothing to grab me. Sorry guy. Favorite track: Oh Jim
Quite the medley of sounds! Favorite track: Damaged
Pretty inoffensive but nothing that caught my fancy much either. Crazy they're still releasing new albums and have had over 20 members! Favorite track: Starship Trooper
Meh. Favorite track: Fireworks
I found this more diverse in sound, but as a result, much more disjointed than Moss Side Story. Enjoyable but not some evocative. Favorite track: It's Business as Usual
Can't believe I'm saying this about a Zep album but that was almost...tame? A lot more major keys and \"lightness\" vs their earlier, darker, heavier sound. Favorite track: Kashmir
An undeniably impactful on the history and development of hip hop, but not a particularly enjoyable listen. The spoken word style isn't my favorite and falls flat when combined with the often nonsensical lyricism. Also felt the game show framing device had a lot of unrealized potential. Favorite track: This is a Recording 4 Living in a Fulltime ERA
I think I'd get more out of this if I *really* knew The Who's music, as the vocals are a bit muddied, but the sound is great besides that. The riffs and medleys are tops and the energy is tight throughout, exactly what you want from a live album. Favorite track: Heaven and Hell
Absolute classic. ENERGYYYY. Favorite Track: War Pigs
Loved getting this b2b with Sabotage. Vol.4, though only 2 years later, shows a lot of evolution and refinement from the band, both in the technical recording and sound mixing, as well as the musical approach. There's a wider variety of compositions and experimentation with guitar solos. Less uneven than Sabotage. Excellent. Favorite track: Snowblind (those solos!!!)
I've checked out a few of Fiona's albums before and never been much moved, but this was fantastic right off the bat. Much more punchy than her other stuff. A very impressive debut. Favorite tracks: Sleep to Dream / Pale September
Very clean sound and lots of variety, without an overwhelming amount of 80s synths :D Favorite track: Strangelove
Fairly bland and repetitive overall. There are some decent cuts â Somebody Told Me, This City Never Sleeps â but quite forgettable. Outside of, of course⊠Favorite track: Sweet Dreams
Absolutely not for me, I was surprised to see this was from '69...could've understood this earlier in the decade but not really picking up why this was so innovative/influential.
Interesting to hear that the band viewed this as an R.E.M album "without any R.E.M." songs. I'll need to listen to another to compare, but I can see how this was so influential to the alt rock movement with ease. Favorite Track: Turn You Inside-Out
This was more atmospheric than I was expecting. Unfortunately, the lackluster vocals and repetitive nature drag this album down, although it's still infectious enough to make you want to turn off your brain and rock out. Favorite track: King of the Night Time World
A shotgun to the FACE, a cacophonic chorus of controlled chaos, but always unpinned by the sneakiest of harmonies. A hell of a debut. Favorite track: From the Ritz to the Rubble
Love the visual joke of the album cover. Pleasant brit rock, great audio mix and more mature than their earlier counterparts. Favorite track: All Mod Cons (jeez I really love openers..)
Such an odd album, such lovely sounds. Tough to pick a favorite here when some tracks are almost just trolling and others are exposing deep emotional wounds. Favorite tracks: North American Scum / New You, I Love You but You're Bringing Me Down
Fun! Of course I'd heard Epic, but never knew who it was by. Lots of great tracks on here, but never takes itself too seriously. Great War Pigs cover. Favorite track: The Real Thing
This album fucking ROCKED. As an Electric Callboy fan, I can totally see how these guys blazed the path for them. Great production, full sound and blazing guitars. Favorite tracks: Age of Pamparius, Monkey on Your Back
Definitely enjoyed this more than typical Bowie, never heard the term "blue-eyed soul" before đ I'm not quite sure *why* it connected more, I guess the Soul/Motown sound? Some great guitar work and a few iconic tracks (Fame, Young Americans). Favorite track: Fascination
Much more layered, upbeat, and guitar-heavy than I expected from a Blues artist. Favorite track: Help the Poor
My first one-star review! There are glimmers of musical interest here, but they get overshadowed by the awful vocals and way-too-proud anti-pop attitude. Interesting band historical (over sixty members!) but the lead singer's crappy attitude clearly bleeds into the music in a pompous and unpleasant way. Ick
One interesting part of this journey so far has been discovering just how much folk revival there was in the second half of the 20th century, albeit blended with modern genre bending. An enjoyable, if kitschy, listen. Favorite track: I'm a Man You Don't Meet Every Day
Singing and instrumentation were both good, not great. Suffers from a lack of variety in subject matter, but overall an enjoyable listen. Favorite track: Beautiful Brown Eyes
There are some highlights here, but nothing that particularly grabs me besides the track I highlighted. Difficult not to romanticize the story of his rapid rise and fall. The live aspect has tradeoffs - his voice inflections and crowd interactions bring a new dimension of energy, but they lyrics and instrumentals are frustratingly muddled. Favorite track: Bring it On Home to Me
I mean this in the most admiring way possible, this music puts me to sleep. It's even-keeled, calming, maternal, comforting. ELH seems like a gem. Favorite track: My Baby Needs a Shepherd
Not usually one for teetotalers, but CCR is an exception. Loved the contrast of major-key, bright music with the darkness of the lyrics. Will definitely be revisiting this one. Favorite tracks: Wrote a Song for Everyone, Green River, Lodi
There's nothing to really dislike here and it's quite the refreshing lighter selection compared to some of the other 1001's, but that simultaneously puts a ceiling on how seriously this can be taken as "elevated" art....god that sounds pretentious. Surprised how much closer it is to orchestral rather than twangy folk. All said, a pleasant, coloring-book invoking listen! Favorite track: Hard Headed Woman
One of the finest albums ever created, and the accompanying film is essential to elevate the experience. The absolute pinnacle of concept albums as an art form. My favorite PF album among a legendary discography. Favorite Tracks: Comfortably Numb, Is There Anybody Out There, The Trial
What could rightfully be considered the bridge between both 90s & 80s hip-hop, as well as the very avante-garde hip-hop movement and the more jazz-, alternative- sound that would soon come to be so dominant in the 90s. This isn't my favorite Tribe project, but it's somehow both refined and boundary-pushing and really set the tone for a new era. Favorite track: I Left My Wallet in El Segundo
A modern classic, it's difficult to overstate just how pervasive this album was when it debuted. Epic, ambitious and sonically-diverse, AI's theme and anxieties were a prescient harbinger for the trajectory of the 21st century. A punk-pop rock opera for the ages. Favorite tracks: Jesus of Suburbia, Holiday, She's a Rebel
Being familiar with their popular records from the late 2000s, I was hoping to find something more compelling in their first album...this was not the case. There's a *little* bit more rawness and experimentation with the guitars, but overall the tracks are bland and the singer's voice is as grating and incomprehensible as I've come to know. Favorite track: Razz
Thought that'd be another Brit band slog after the first track but oh how the rest of the album changed my mind. Ripping guitar work, early synths and unique song structures make this a frenetic, in-your-face jam. Favorite tracks: Strictly Confidential, In Every Dream Home A Heartache, The Bogus Man
Simultaneously refined and wild, there are a plethora of bold choices (highlighted by the drum fadeout in Sex Machine) in this cut. STFS sits at a crucial crossroads of funk, rock, jazz, and psychedelia both tonally and culturally. Favorite track: Don't Call Me Nigger, Whitey
The Good: Dude was a NASCAR driver! Music has a distinctive Western flair. Unapologetically narrative songwriting ... The Bad: ...almost to a fault. A cool anthology of short stories, but doesn't really land in the medium. Instrumentation wears out its welcome. I won't mind hearing these on their own once in a while, but together they're repetitive as hell. The Ugly: His political views đŹ Favorite track: In The Valley
Holy WOW it is incredible how similar his sound from 1971 sounds to his Disney-Pixar soundtrack work. His voice is like a warm hug! Wholesome and even silly at times isn't really my bag, but how can you resist this guy! Favorite tracks: Sail Away, God's Song
Despite being on the tail-end of her career, this is still powerhouse Janis from a vocal standpoint. The backing band tracks are hit-or-miss for me, with the middle portion being the weakest, but this is still a strong posthumous (always a bit concerning) offering. The fanfare around this release must have been wild. Beyond the music, this album is so representative of the fragility of life and how the ripples of small-decisions can echo through history. If her studio sessions had been delayed even a week, this album, and Mercedes Benz especially, would've never existed. Wild to think of all the albums that we've lost and never known because the coin landing the other way a certain time.
I recall renting this album from the library sometime around middle school and just....not getting it. Looking back decades later that makes sense with my limited musical history at the time, but in the intervening years I've been changed -- exposed to so much. Play offers up two of my favorite musical elements -- sampling and electronic beats -- with unapologetic fervor, gripping you from start to finish, though there are some well-earned (and well-timed) respites along the way. Each cut moves along its journey in almost concurrent scientific and organic tracks. I'd admittedly let this one stew for a few weeks before listening to it, and it's been a good reminder to leave your past biases at the door because a few decades is an eternity in musical taste. Favorite tracks: Find My Baby, South Side, Natural Blues
Each track has a distinct personality, but at times this works negatively as there are a few times where thay become just a touch too repetitive. Overall, really enjoyed this album though, the mix and recording is incredibly clean, there's quite the array of different sounds, and all while seeming so suave and effortless. Will have to check out the film, even though I can nearly envision it off the soundtrack alone! Favorite tracks: Little Child Runnin' Wild, Freddie's Dead
For a gangsta rap album from 1990 this offers very polished production, if simplistic by modern standards. Cube also breaks from the basic subject matter that had already worn tired, and instead explores more complex storytelling and subversive material. Definitely my fave solo Cube album. Favorite tracks: The Nigga Ya Love to Hate, A Gangstaâs Fairytale, Itâs A Manâs World
Like so much other 80s prog rock, this album suffers from a lack of tonal variety, especially on Side A. Geddy Lee's monotonous voice doesn't help. This get a bit more interesting in the last few tracks, but overall this wasn't anything special. Favorite tracks: Tom Sawyer, Vital Signs
Remarkable how different Bittersweet Symphony sounds compared to the rest of the album, which was my only touchpoint going in to this. Despite some repetitive song structures and shallow lyrics, there's enough strong guitar work and interesting musical flourishes to keep things from becoming monotonous. Favorite track: The Rolling People
Half of this album sounds the same and the other half is a grab bag of completely different, seemingly unrelated tracks -- and this is a case where that diversity is a drawback rather than a strong suit. Another case of terrible mixing where the vocals (which are difficult to discern by themselves) are drown out by the guitars and percussion. A few decent cuts but largely forgettable. Favorite track: Here Comes the Flood
The instrumentation is so pure and intoxicating, but I cannot get past how flat Cohenâs voice is. I guess you have to work with what youâve got, and admittedly the few times he does go up or down on the register it makes an impact, but the overall lack of variety in the singing is too significant to ignore. I did enjoy the songwriting, some much cheekier moments than expected! Favorite track: Famous Blue Raincoat
Essentially an unofficial Wu Tang album, OB4CL brings everything youâd expect from that group, with RZA behind the decks, at the height of the power. This album isnât going to surprise you often, though there are a few tracks where the production and the content are moving just slightly towards a more contemporary sound. Despite these efforts, thereâs not quite enough going on to justify the 75 minute runtime. Gangsta rap fans will love it, the rest will probably leave it. Favorite track: Ice Cream
One of the first albums I distinctly remember listening to growing up in my parentâs house, the familiarity almost makes it more difficult to critically approach decades later. PSRT display the typified, beloved acoustic S&G sound while also daring to venture into new soundscapes and instruments. I do find some of the lyric meanings to be a hair too obtuse at times, but this also allows for the delivery of additional depth upon multiple listens. Favorite track: The Dangling Conversation
Zep a bit more refined, a bit more in control than their earlier works. More mysticism, less raw power. Whether better or worse boils down to personal preference, but the amount of hits from this album speak for themselves when it comes to mass appeal. I find IV to have a lower ceiling but a much higher floor than I-III. Favorite tracks: Stairway to Heaven, When the Levee Breaks
Seemingly stuck between a played out 80s hair metal sound and an underdeveloped 90s punk vibe, a few strong tracks barely keep the rest of this subpar album afloat. Similarly, some strong guitar solos can't elevate the toneless vocals and the oft juvenile content. Favorite tracks: Mountain Song, Pigs in Zen
The blueprint (ha) for the modern singer/songwriter album, Blue demands â and deserves â your full, undivided attention. With sprawling compositions that go to unexpected places, Joni keeps you on your toes whilst giving one of the best vocal performances of all time. Top it off with some of the rawest, poetic songwriting and youâve got a bonafide, even in those few instances where her melodies donât go in my personally preferred direction. Favorite tracks: Carey, Blue, River
A wildly diverse album, there is something for everyone here â the flip side to that is that youâre going to have to have an insane breadth of musical appreciation to like everything thatâs on offer. The virtual band concept is a brilliant, yet almost inevitable response to approaching the millennium. A struggle to appreciate the body of work without engaging the external content is the real downside here. Delâs tracks are all stand outs, he was made for this moment. Very strong 4. Favorite tracks: Clint Eastwood, Sound Check (Gravity), Rock the House
Stripped down, sultry disco. Immensely enjoyable listen with the talent of these vocalists. Favorite track: Thinking of You
Most striking thing about this album is the use of secondary (behind the guitar) instruments. Lots of flutes, strings, percussion, and some that I wasn't even able to ID. Paul's voice isn't the best but its simple nature lends itself well to this album's atmosphere of mirth and celebration -- don't be fooled though, there is depth here that is only heightened by how much the self-title seemingly doesn't seem to take itself. Favorite tracks: Celebration, Me and Julio Down By the Schoolyard
Some fun heavy hitters on this one, great basslines and latter-track breakdowns. A tad too long and the vocals could be clearer at points. Favorite tracks: Let Me Down, Head Down, Spoonman
TIL the That 70s Show theme was a cover. Love the album art and on the nose title, and the albumâs sound is just as smile-inducing. While the song structures are simple, theyâre executed well with beautiful harmonies and a cozy sound mix. Plenty of tracks going in to the rotation from this one. Favorite tracks: Try Again, Thirteen, In the Street
In the upper mid-tier of Jay's discography for me. Some classics but not enough elevated consistency throughout to be his peak. Favorite tracks: IZZO, Heart of the City, U Don't Know
Never been much of an FF fan, their individual tracks are fine but albums get far too repetitive. Bland 2000s indie sound, which is made all the more frustrating by the few times where they break the formula and it hits so well! Favorite track: Your Protector
A largely well-executed concept album that is able to toe the line between the serious and the absurd with ease. While it isnât something Iâd want to listen to every day, this was a fun change up. Listened to: walking through prospect park to go to the doctor. Favorite tracks: The Seerâs Tower, Chicago
Beautiful acoustic guitar and some surprisingly strong electric riffs as well. Lots of funk and rock influence and subversive lyricism. Favorite tracks: Save Me, Tall in the Saddle
One of the most influential albums of the 20th century and it still holds up today. Favorite track: Now I Wanna Sniff Some Glue
The best way I can describe this is âmedieval electronica,â and WOW I liked it far more than expected. Wild how significant it ended up being (even ignoring all musical influence) because of 1.) being Virginâs first album, and 2.) The Exorcist. A delight! Listened to: on the train to New Jersey. Favorite track: Iâm not picking a favorite on an album with 2 20+ minute tracks.
I personally prefer Em's next few albums over MM, but this classic put him on the map. Some all-time great cuts but a bit too long as an entire body of work. Favorite tracks: Stan, I'm Back
Perfect rainy day music. Didn't realize they were so intricately tied to Sofia Coppola and her work. Favorite tracks: Ce Matin-la, All I Need
My first Krautrock experience and boy was that odd. Enjoyed the more ethereal, synth-driven tracks but everything else was a miss. Favorite track: Lauft...Heisst...
A landmark album that doesnât hit quite as hard today â not because the societal issues being skewered have been solved â but because rap has been influenced so pervasively by Public Enemyâs brash style. Production also lacks the tonal variety to hold up for a full hour when pair with underwhelming vocal performances. Favorite tracks: Fight the Power, Fear of a Black Planet
An album that simply oozes SoCal, this was a lot stronger and more sonically diverse than I remembered. Favorite tracks: A Nigga Witta Gun, Lyrical Gangbang, Bitches Ain't Shit
The harder electric Beatles era is just night and day better from where they started out. Tracks develop in unexpected yet organic ways, and never overstay their welcome. There are a few head scratchers that keep this from being a 5, but really great record overall. Favorite tracks: Come Together, Because, Carry That Weight
Absolutely wild range from Stevie on this one. A genre bender with a diverse assortment of subject matter on the lyrical side. Favorite tracks: Too Shy To Say, They Wonât Go When I Go
With the exception of Save a Prayer, if youâve heard one some youâve basically heard them all. Thereâs some fun variation in the last 1/3 of some of the songs, but the structures are very similar and rely far too heavily on a repeated hook. Still, enjoyable enough. Favorite tracks: My Own Way, Save a Prayer
Liked this, but the thinness of Smith's voice can almost cause you to strain to listen at times. Still, strong instrumentals and even some surprisingly heavy electric guitar bits. Favorite tracks: Son of Sam, Somebody That I Used to Know
This album shines when Cobain doesnât overstrain his voice and actually sings! Heâs good! Favorite track: Breed
There are some good moments (second half of Night Prowler) but as a whole it's a repetitive album without much to say. Favorite track: Walk All Over You
While no doubt a vivid lyricist, I found most of the content difficult to connect with, or frankly, care about. Tonally there's not much variation from song to song, although there's certainly talent behind the musical performance and arrangements. Listened to: walking around Keyport at dusk. Favorite track: The Thin Man
Dynamic string arrangements, certainly an album that delivers more with background context. Bjork is just a liiiiittle too out there for me though. Is it a great piece of avant garde art? Yes. Is it an enjoyable listen? Eh not so much. Too meandering. Listened to: walking through prospect park to a dentist appointment. Favorite track: Notget
Jazz ainât my bag but thereâs a lot of objective talent on display here, especially when it comes to drum breakdowns. Listened to: on a bus to Quetzaltenango. Favorite track: Ba-lue Bolivar Ba-Lues-Are
I find jack antonoffâs production incredibly dull, although itâs admittedly fitting for or Lanaâs style. Lanaâs cadence, songwriting, and always-interesting inflections and vocal delivery are as good as ever, but the bland production makes this far from her best album. Breaking Up Slowly is a standout because its complex sound layering stands in contrast with the rest of the songs. Favorite tracks: Wild at Heart, Yosemite, Breaking Up Slowly