Three catchy tracks to open, then 1 that would have been better as a b-side. Descent middle, then a few more good and great ones to finish off. Favorites - "I Wanna Be Adored", "Made of Stone", "I Am the Resurrection." I remember when this album came out. The band hit so big on the college/alternative scene so fast that it kind of soured me on them, though I've always like "Adored." Glad I was given a reason to revisit the album. I wouldn't call it an all-time classic for me, but a solid debut, which helped usher in the Madchester scene to America.

There's no denying Miles Davis' talent, and with so many other huge names (Chick Corea, Herbie Hancock, Tony Thompson) along for the session, of course this is a top notch jazz album. Little surprised at the choice of album, only because he has others that are more universally well known (Bitches Brew, Kind of Blue, Birth of Cool). The only negative for me was the occasional transition between song parts felt a little abrupt. Aside from that one minor thing, a great listen.

Meh. Just meh. I enjoyed the music, but couldn't get past the vocal delivery. Not an awful album, just didn't get me. Wouldn't listen to again.

My previous experience with Dylan has lead me to believe he is one of the best song writers of all time, but a less-than-stellar vocalist. I went in to this one trying to keep an open mind. Honestly, a good album. The writing, both lyrics and music, is of course top notch, and his voice doesn't distract like I expected it to. Can't say I'd run out and buy a copy, but I wouldn't be upset if someone put it on while I was around.

Ella 5/5. The band 5/5. The songs: 5/5. The only issue, as many others have pointed out, is the length. It's a fantastic set, but I'd be far more likely to put on the "best of" before I'd listen to the whole 3+ hours. Still, that's not a knock on the quality of the full set, more a knock on my own attention span and need for variety.

Always up for the funk. I've been a fan of Jamiroquai since Traveling Without Moving hit during my record store days. Never went deeper until now. Great album, with a couple of absolute killer tracks ("When You Gonna Learn" and "Revolution 1993")

Not a fan of Marcus Garvey (the person), though I understand his status in Jamaican culture. I am, however, a fan of Burning Spear (the living legend). Enjoyed the album throughout. Best tracks (imo) are near the end - "Jordan River", "Red Green & Gold"

There is nothing I can say about Sabbath that hasn't already been said by better writers than me.

At it's heart, it's a bedroom album. A well written, produced and performed album, but not really my taste. I would have loved for the band to stretch out a bit and go a little heavier into the funk, but every song is just kind of mellow.

I've heard of Joan Armatrading many times over the years, but have never listened to her prior to this. Absolutely wonderful album. I'm a bit shocked I'd never heard it even in my record store days. Favorites: "Love and Affection", "Join the Boys", "Like Fire", but then they're all great.

Definitely at the "challenging" end of the musical spectrum. Not for everyone, and honestly not really for me. That said, I do see the artistic merit in the work, so I won't criticize. They created something I couldn't have created. Not going to rush out and buy a copy, though.

I was a little surprised this album started out so mellow. The stuff I've heard before with Crazy Horse has been far more rocking. Great album, though. Just a bit thrown 'cause it's not what I expected. Favorites: "Hey Hey My My", "My My Hey Hey", "Welfare Mothers"

You can definitely feel the joy come through in these songs. To my ears, they all sound a bit too similar. I didn't dislike any of them, and yes I could tell them apart, but being that I'm not particularly familiar with qawwali music, they didn't sound very different. The end result for me, I enjoyed the listen, I get why people love his music, but I likely wouldn't put it on again. Favorites: "Yaad-E-Nabi Gulshan Mehka"(had a little different sound than the rest, so it stood out)

First, I will say that country has never been a draw for me. There are a few artists that I do like (Johnny Cash, Lyle Lovett, Willie Nelson), and knowing a bit about Merle Haggard's backstory, I can respect the man. The (I'm assuming typical) 60s production on this album kills any chance of me enjoying it. The backing vocals, the steel guitar (a little goes a long way), and worst for me, the abrupt fade outs just when the band starts kicking. For f*** sake, let's hear them stretch out a bit. I'll give it a 2, just because Merle doesn't deserve a 1, but I won't be listening to it again - unless someone has the original master tapes and can release the full songs without the unnecessary fades.

All hail The Sovereign of the Guild of Calamitous Intent! Best: "Young Americans" (an absolute classic) Worst: "Can You Hear Me" (string section made it sound like it was intended for Barbra Streisand)

I was over half way through the album when I realized I couldn't recall a single lyric or note from what I had already heard. At no point was I wanting to stop listening, but also at no point did I want to listen closer. It was just. . . forgettable. At least up until "Blue Motel Room". The lyrics in that one were so cringe inducing. "Hanging on your boom boom pachyderm"? "tell them you've got Gerrrrman measles"? Yeah, this one's not for me.

The title track is a classic of epic scale. Love the drum solo. Love the whole song. Side one is so of it's time that it nearly sounds like a parody of psychedelic 60s music. How many times can he say "Girl, I just know I love you"? Side one not as awesome as side two, but still pretty damn good.

Not much to say about this one. I liked it. Didn't love it, didn't hate it. Some songs verge on trip-hop (which I like), but others got a bit too typical modern pop. Did like the interplay of the two singers. Favorite: "Brave For You"

Loved the title track. Loved the closing track. Everything in between was great writing, great lead vocals, but overproduced. Unfortunately, that has long been the case for Leonard Cohen. I haven't listened to him since the 90s, and that's the main reason. Disappointing.

Loved the music. Not so much the vocals. At times they were ok, but he seems to purposely not enunciate on certain songs, and it distracts from the music. I'm assuming that was his artistic choice, but it just didn't work for me. Really wanted to like this one, because like I said, the band was kicking.

Here's one I've listened to many many times in my youth. Honestly, I'd have to say it's my least favorite of Police albums, but that's not saying it's bad. Just not a good as their previous efforts. Favs: both title tracks, "Oh My God", "Tea in the Sahara", "Murder by Numbers" Worst (by far): "Mother" Liked "Walking In Your Footsteps" back in the day, but today, lyrics are clunky and heavy handed. Music is still good, though.