I'm not sure what comments to make. It lacks lyrical depth, melody, jazz-riffing, or theme. Feels like an exercise worthy of a nameless band during a SBSW week of pub hopping.
Repetitive; songs had a few common licks. Lyrically, the songs touched on dystopian themes, but did not excel at either melody or lyrical turn of phrase. Iron Man and Hand of Doom stood out. There are clear precursors of the metal genre; this album seems pioneering in the context in which it was released.
Distinctive voice. Musically varied, but strong blues and rock influences.
Heavy synth, classic 80s sound. Only two very distinct songs: Hungry like the wolf and Last chance on the stairway.
Cross between 80's heavy guitar, grunge angsty-sound, and bit of the 90s singer soundwriter. Fake plastic trees seems almost out of place on the album.
Heavy twang-distorted electric guitar. All songs fit together with a consistent sound and feel. , reminiscient of a nameless bar band on a Friday night.
Surprising blend of classic rock and R&B. One of the most musically varied Led Zepplin albums I've heard. Seems to be very exploratory, the songs don't entirely fit a cohesive album style or theme. It's a patchwork, but mostly enjoyable as a whole.
With the exception of Mokran mix tracks, most are dominated by a jazzy feel. They lack a consistent melody, but are driven lyrically in a speech-like, highly rhythmic declamatory style delivered with pained vocals.
Grunge, with intelligible lyrics. Consistent collection of songs.
Fascinating mix of R&B and bluegrass influences. It lacks the catchiness of other albums by Fleetwood Mac. Enjoyable, a bit offbeat.
It's hard to argue with the uniqueness of an Isaac Hayes R&B/Soul album. Four songs is a bit lean for a full album. Although minimalistic in terms of instrumental variety, this album highlights some clearly skilled musicians, more than Isaac himself. The spoken word style is in full form in By the Time I Get To Phoenix, by far the weakest on this album.
Staccato guitar solos and screaming vocals, fits well within the 70s punk-rock genre. Nothing distinctive or notable compared to the numerous other bands with a similar sound from that era.
Heavier rock overtone characteristic of the 90s rock bands. The first half of the songs blend together into a nondescript multi-minute punk-twinged sound. Alright, Time, Sofa, and Sitting up Straight are distinctive with some more melodically driven or R&B.
Lyrically pained, good base beat and some compelling rap poetry. Unnecessary amount of swearing.
Broad mix of R&B, ballad, dance, pop, and unique Senegalese beats. A rich tapestry of sound and feeling. Extra props for multiple singing in multiple languages so fluently.
Overwraught slashing guitars and yelled lyrics, truly the sound of the 90's grunge-rock. Dying, Northern Star, and Heaven tonight were a welcome foray into country twanged ballads.
Honky tonk rock for background listening . No clear theme or catchy melodies.
Smooth groove easy listening. Nothing particularly distinctive.
Solid rock , no truly catchy licks. Something for a drive.
Hard rock, skilled guitarist. Ice cream man was a non sequitur, but still fun.
Repetitive hard rock licks, combined with a few other instruments and vocals to provide variation. Not sure why this was included.
Classic big band music. The intro voice introduction was a nice touch to bring the listener into a mindset of a live performance.
Angsty, as expected from Nirvana, but lyrics are intelligible. Limited guitar chords or melody. A bit musically monotonous, but lyrically more interesting, something that is hard to appreciate on Nevermind.
In retrospect, generic classic 1970's rock and roll. Notable in it's role in establishing that sound in 1971.
Hookless punk rock. Surprisingly varied, but undistinguished from other bands of the 80s or 90s punk genre.
Mid to late 70's rock woven with some more timeless rock gems. Like several of the albums from Fleetwood Mac, this one includes multi-layered musicality, highlighting the skills of the artists on guitar, bass, drums, and vocals in varied blends throughout the songs and album.
classic jazz and skat. Sarah Vaughn's vocal power is evident, but without the formality of melodic or narrative prose.
Guitar riffs demonstrate skill. Less synth usage than their more recent stuff. A few clear winners, but a lot of filler. Missing the fullness of a band, the natural interplay that balances and enriches the songs.
If he was looking to irritate, offend, and otherwise annoy the listener and broader society, it was a successful attempt. If the intent was to force a hard examination of societal hypocrisy, then the point was muddied by the single tone of verbally expressed rage, and unbalanced by any alternative vision in any song on the album. It makes the listener doubt that this artist has thought beyond anger.
Distilled essence of Johnny Cash. Notable in the passion of the performance, as compared to other somewhat muted albums from him.
Still establishing the sound that defined their later albums, but the sparkle of that potential are audible.
I'm not sure what comments to make. It lacks lyrical depth, melody, jazz-riffing, or theme. Feels like an exercise worthy of a nameless band during a SBSW week of pub hopping.
Generally inoffensive synth and singer songwriter minimalism.
Unique sound. Nice mixture of drum beats, horns, and singing. A bit like easy-listening jazz.
Surf music alternative with a highly percussive guitar and bass. Yelled lyrics add minimally to the melody.
A cross between Beach Boys, Beatles, and the Byrds.
Synth heavy, melodically, rhythmically, and lyrically uninteresting.
Jazz rock fusion with slight bias towards jazz notes.
Slow groove fusion with rock. Some echos of Queen's rock-ballad influences. Nothing that was particularly memorable.
Several spoken songs, rest are standard plain R&B. Nothing particularly stands out.
Techno-dance with heavy synth and drum beats. Songs seem like a compilation rather than a single cohesive album narrative.
Rhythm and funk, just as expected from Jamiroquai. Easy listening, multiple albums including a few unique mix alternatives to the originals.
Classic 90s fare.
Mix of dance house and techno-ballad fusion.
Heavy drum beat. Fits well within radio of the early aughts.
Not one of princes best, but certainly good if you’re a fan
Standard and classic Stevie wonder. New find for me in pastime paradise, a clear predecessor to gangster paradise.
Classic Sly and the Family Stone funk. Decent if it's what you're looking for. 60's sound.
Several memorable top-10 hits.
This album provided a couple of recognizable songs to 70's and early 80's radio. Not really rock, pop, or jazz, but carries influences of each.
Not the Kinks best, but still carries their characteristic sound.
As noted by an explicit classification, there is use of profanity on every song. Mostly spoken, some beat driven rap. Lyrically, nothing noteworthy other than a surprising ability to relate every song to canines.
Variety of hip-hop songs. Interesting mix tape.
Borderline between rock and metal-rock.
Run DMC was a staple of the late 80s, early 90s. A couple of the hits here. Not much else.
Rock to hard rock lean to an otherwise alternative album.
90s garage rock, twinge of aughts sound. And birdsong sample?
Classic Curtis Mayfield sound.
A few melodic songs, most distorted.
Instrumental rock.
A couple classics, nice harmonies, poetic yet nonsensical lyrics.
Album not available on iTunes. Found the songs…most of them at least. Strange cross between bluegrass, rock, and jazz?
Decent R&B. Few unnecessary spoken interludes, otherwise a fine album.
90s shoegaze and ballad mixed. Not sure why those ever took off in the alternative genre in the 90's.
Distortion heavy nonmelodic precursor to metal .
Soul-jazz. Similar sound to Spyro Gyra, which is understandable for the release year. Lean on the # of songs for the album.
Standard 80’s rock
As expected, an anchoring album of the 80s
1980s rock, heavy horns, more like old rock in line with blues brothers crossed with fast drum beach rock.
Somewhat characteristic 90's anst rock
A bit like Beck, unplugged compared to his other albums.
Classic Led Zepplin. Not as experimental or refined as later albums, but a fan wouldn't be disappointed.
Eclectic mix of r and b, international, funk, and spoken .
Reminds me of a demo tape. No clear voice or message.
60’s easy listening soft rock.
Nameless standard 80s rock
Nearly identical songs. Improv jazz like.
80s synth rock. Standard Depeche Mode.
Unremarkable and uninspiring.
Classic riffs . Amusing premise.
Not Dylan’s best, but acceptable for a fan.
I'm not a huge fan. But it did have some 90's memorable hooks.
Synth pop.
Not entirely sure how to put into words my reaction to the noises on this album. Unique, and I have met those who appreciate the voice tapestry Bjork weaves.
80s alt rock, mimicking the raw style of the violent femmes. None quite as notably catchy as blister in the sun.
Fine for Aerosmith, but not their best album.
Not sure how to categorize. Sort of rock, sort of improv jazz.
Hard rock.
80s rap.
Eclectic mix of genres. I miss the thematic, or stylistic continuity, even at a song level.
Classic album by Joni Mitchell
Early 90s sound.
Heavy multi-layered alt-indie sound.
Few really compelling timeless songs, most just the evolution of his sound.
Grunge rock.
One of Sade’s classics
Discontinuity between raw punk lyrics and various folk, pop, rock melodies.
Eclectic artsy, rock, and alt.
Familiar in 2024, unclear of historical perception.
Eh, well known AC/DC
Standard country music
Early rock sound, heavy on instrumentals.
Sounds like an experimental album of a band still trying to identify their sound, genre, and to develop musically. You can hear Rolling Stones' classic sound. Belongs in a deep cut.
Best of the u2 albums, encompassing their raw sound, skilled melodic licks, and lyrical cleverness.
Bar band music. A few deviations.
Electronica-pop overlaid with lyrics.
80s punk rock.
Psychedelic rock.
Bruce Springsteen rock. Not his most well known, but acceptable filler of his portfolio.
Noteable album for Bowie
Not sure about the genre. Dance mixed in with artsy.
Electronica, without distinction
Fine, nothing notable.
Enjoyed, preferred other albums with Basie