this album is bound to be crucified on this hellhole website for the great crime of having a country tinge and a slightly nasally lead singer, everything else be damned. meanwhile Chicago gets a fucking 3.7+ get me outta here
Rating Distribution
Rating Timeline
Taste Profile
Breakdown
By Genre
Top Styles
By Decade
By Origin
Albums
You Love More Than Most
| Album | You | Global | Diff |
|---|---|---|---|
|
Here Come The Warm Jets
Brian Eno
|
5 | 3.07 | +1.93 |
|
The Lamb Lies Down On Broadway
Genesis
|
5 | 3.08 | +1.92 |
|
Close To The Edge
Yes
|
5 | 3.2 | +1.8 |
|
The Black Saint And The Sinner Lady
Charles Mingus
|
5 | 3.33 | +1.67 |
|
Amnesiac
Radiohead
|
5 | 3.42 | +1.58 |
|
Third
Soft Machine
|
4 | 2.45 | +1.55 |
|
Five Leaves Left
Nick Drake
|
5 | 3.46 | +1.54 |
|
Blackstar
David Bowie
|
5 | 3.48 | +1.52 |
|
Low
David Bowie
|
5 | 3.54 | +1.46 |
|
Heroes
David Bowie
|
5 | 3.61 | +1.39 |
You Love Less Than Most
| Album | You | Global | Diff |
|---|---|---|---|
|
If I Should Fall From Grace With God
The Pogues
|
1 | 3.32 | -2.32 |
|
Pyromania
Def Leppard
|
1 | 3.13 | -2.13 |
|
Pump
Aerosmith
|
1 | 3.1 | -2.1 |
|
Elephant
The White Stripes
|
2 | 3.84 | -1.84 |
|
Nick Of Time
Bonnie Raitt
|
1 | 2.84 | -1.84 |
|
Brothers In Arms
Dire Straits
|
2 | 3.73 | -1.73 |
|
Boston
Boston
|
2 | 3.7 | -1.7 |
|
Californication
Red Hot Chili Peppers
|
2 | 3.68 | -1.68 |
|
Getz/Gilberto
Stan Getz
|
2 | 3.67 | -1.67 |
|
Calenture
The Triffids
|
1 | 2.55 | -1.55 |
Artists
Favorites
| Artist | Albums | Average |
|---|---|---|
| David Bowie | 7 | 4.57 |
| Bob Dylan | 4 | 4.75 |
| Radiohead | 3 | 4.67 |
| Nick Drake | 3 | 4.67 |
5-Star Albums (23)
View Album WallPopular Reviews
1-Star Albums (5)
All Ratings (266)
The Alex Turner + orchestral arrangements combo works well occasionally, but most often the word that better describes this album is merely "competent"
I regret not giving the other Def Leppard album on this list a lower score
the more melodic/layered tracks, some of which are definitely highlights, work better than the more traditional hip-hop ones, probably because neither kanye’s lyrics nor his flow are particularly interesting. it’s a bit too long and uneven for its own good, but I do get what the fuss is about.
Not a big country guy but I do feel like it's an overhated genre, this site included.
vocals are a burden on enough songs to hold it back from an otherwise easy four stars
not a big metal guy, but you can’t deny the energy here. yes it’s mostly the same song every time, but it didn’t start to grate on me until half an hour in
I love most of the more avant-gardy songs in this (Venus In Furs, All Tomorrow's Parties, The Black Angel's Death Song), EXCEPT European Son. It feels like a missed opportunity.
hopefully “oops I beat my wife, haha well I’m doing better now =)” will continue aging worse and worse with time
1001 albums to pick, entire globe to pick from, entries with repeating artists allowed, and you still can’t help but put multiple cock rock albums in?
While Zappa’s talent for composition shines a bit more than on Freak Out!, the album still relies too heavily on mostly-played-straight “parodies” of boring 60s song tropes accompanied by Zappa’s cynical but mostly witless lyrics that make him look more like an annoying child than the intellectual satirist he sees himself as. With an odd musical detour here and there to keep the “experimental” label Freak Out! got by throwing shit at the wall for its last couple of songs. Hot Rats this is not.
This is not exceptional or interesting in any way, not even how uninsteresting and unexceptional it is. Why is it here?
The thing about ugly aesthetics in art, particularly in art that requires audience engagement over a period of time like music, is that you need some kind of anchor to keep the audience’s attention while still conveying whatever feeling you were trying to. There are few things motivating me to try to care about what’s going on in the music here, so “bad on pupose” becomes just “bad”.
Having a couple of good tracks doesn't help much when they have to carry 13 others. The lyrical whiplash from Bootylicious to Nasty Girl was so wild I had to go check the lyrics for all songs afterwards to try to glimpse some semblance of a coherent world view (I failed)
there’s a great album underneath the mass of songs thrown at it for a funny title
Surprisingly light on the punk for such a seminal punk album.
it’s ok. would rather listen to kate bush or fiona apple instead
This should've been a 20-minute EP.
All the goodwill from Jump instantly destroyed by Hot For Teacher.
Even if the compositions were great (and they're not), I have rarely seen a lead singer so impressively bad that they could completely condemn a whole record.
this album is bound to be crucified on this hellhole website for the great crime of having a country tinge and a slightly nasally lead singer, everything else be damned. meanwhile Chicago gets a fucking 3.7+ get me outta here
thanks to the little richard pull a while back I can safely say my dislike of this album isn’t purely due to the decade it was recorded in
blergh
strong candidate to most influential 6/10 of all time
Flea and Frusciante are good enough musicians that not even Kiedis can fully drag them down by himself… unfortunately he’s getting help from some of the shittiest mixing known to mankind