Spy Vs. Spy: The Music Of Ornette Coleman
John ZornIncomprehensible at the tempo it's played. Feels like showboating. Not for me.
Incomprehensible at the tempo it's played. Feels like showboating. Not for me.
The duel-interplay between Ritchie Blackmore's guitar and Jon Lord's Hammond Organ is hard rock bliss. Best played while speeding down the highway like a star.
Heavy riffs, bitter-sweet ballads, and a whole lotta cocaine.
The singles are pretty fly. The rest all sounds the same. I miss Crazy Taxi.
Packt full of hits!
Un guiso multicultural con un toque de buen rollo.
It’s got the hits! And some other songs or whatever. I don’t care.
Every song here is pitch perfect for a montage in a 90s boomer romcom.
A spooky old man singing about spooky old man things. Not bad!
Opens with a triumphant classic rock radio staple and then immediately deacends into five tracks of the weirdest shit your ever heard. Ends strong tho.
“Papa Was a Rolling Stone” could be 30 minutes longer and I’d still say it ends too soon. A fucking classic.
Listened to this high while laying down in the dark. Now I know all the secrets of the universe.
Feels like music you'd hear while shopping at the JCPenney in the 90s.
They rocked so hard they made a blimp crash.
Truly lives up to the t-shirt.
Sober: “This is cute. It’s like a tribute to that Nuggets box set. Retro with a modern electronic flare. Nothing revolutionary.” High: This is revolutionary!
i love that Martyn pays tribute to Nick Drake but this album feels like a poor man’s Nick Drake.
“When I say Yee you say Haw. I DIDN’T SAY FUCKIN YEE!”
Very cool and very British.
It’s not Getz/Gilberto but if you’re throwing a 1960s cocktail party you could do a lot worse.
Cool samples. Boring execution.
Oh baby.
Bandoneon and Vibraphone... Name a more iconic duo.
Sounds like 80s Chili Peppers.
Great beeps and/or boops!