The lyrics are okay, and yeah, he's got good rocky energy.

Love me some Tom Waits! This is mostly his goofier side. "Nighthawk Postcards" is probably the standout track here.

Another one that's a perfectly nice vibe and not much else.

Not bad. Not spectacular, but not bad.

Really fricking long album. Some good stuff, some less-good, some funny skits.

Not bad for a live album, but it has all that chitchat and whatnot that attempts to capture the feeling of being there in person, and only serves to reinforce that you're not there in person. "Thou Swell" is a nice track, though, in its mixing of elevated vocabulary with playfully childish syntax. Otherwise, this is perfectly fine, but unexceptional.

I'm sure it's a good album if you like metal. It all just kind of went in one ear and out the other for me.

Usually melodically catchy, often nice rhyme schemes and such. Substantively, I could take it or leave it, probably thinks it's more meaningful than it is. And even musically, there are some duds. Though all of that speaks to it being a pretty varied album.

I mean it's Queen, their sound is always fun, if often nonsense. "Killer Queen" is particularly fun nonsense, lyrically, almost patter-song-y. "Flick of the Wrist" is another good one. And at least the album is pretty varied, so even if it blends into the background, you notice the start of each new song.

A lot of this is just easy-listening soothing sound to put on in the background. A lot of it feels like Beatles outtakes. "Mrs. Vandebilt" is a fun bouncy tune though.

Another one that's fine, but not as deep as it thinks it is. "Strange" has a fun Mountain Goats vibe to the vocals, but lyrically is the same kinda meh as the rest. "It's the End of the World as we Know It and I Feel Fine" is the standout, very patter-song. And "Fireplace" is oddly compelling.

Kind of fades into the background, though it's a nice texture. I like the jazzy vibe of "Leather," especially the piano. But do we really need a sultry piano-and-vocal cover of "Smells Like Teen Spirit"? Kinda gimmicky.

Welp, I don't speak the language, so I can't evaluate the lyrics (except for the final track, "Hamady Bogle," which is so-so and kind of silly). But musically, it's not bad. Another album that just fades into the background.

Perfectly okay. Lightly epic 70s rock, easy to listen to, energizing. "Foreplay / Long Time" has nice instrumental stuff at the beginning (I guess that's the foreplay). "Hitch a Ride" also starts strong, but becomes more samey as it goes. But then it ends with something as vapid as "Let Me Take You Home Tonight"...

Like this one a lot. Can't even tell if the lyrics are in a language I know. But the ambience of it is great.

Aggressively weird, almost to Oingo Boingo levels. Decided to be generous and rate this 4 instead of 3 stars. It does get a little repetitive, but it's so much itself that even that repetition of itself deserves some recognition.

You know? It's fine. I like the sound better than the older stuff, but it's mostly just a different flavor of fades-into-the-background.

I recently got "My December" and it was perfect for the playlist I wanted it for (though apparently that's not on this album? At least not the version I found on YouTube). But their sound is silly, with that over-the-top emoting and the squeaky turntable sound effects and whatnot. Yet another one that blends into itself.

Musically nice enough. Vocally, generally annoyingly vocal. Lyrically, hard to make out. Kind of fun in their over-the-top-ness. "Stumbleine" is a nice track, though.

A good album! That Brian Eno period where he actually had lyrics. Works both as background music and something to really listen to.

Nice sound, some nice lyrics that jumped out, solid enough.

Kinda blah all around, musically and lyrically. "Grey/Afro" has a nice sound, at least. "Keep Everything Under Your Hat," I think -- one of those around there -- has some silly-sex energy.

Perfectly okay rocky vibe, but nothing stands out.

Nice vibe here. "Cosmic Dancer" is lyrically fun. And it has that Lou Reed 50s-but-make-it-punk energy.

Perfectly okay, though feels especially generic. Everything -- music, vocal style lyrical content -- is kinda meh. The cutesy funetik song titles really helped push this into my first 2-star rating.

Too much yelling. Just a lot of angry self-righteousness and simplistic political commentary. Like a lazy combination of rap and punk. That one crescendo part at the end of "Bullet in the Head" is cool, at least, but there isn't just enough anywhere else to make this worth it.

Lyrically delightful. Not quite the Tom Waits sound I know from "Blood Money" and other later stuff, but good enough that I'll give it 5 stars. He's done stuff that I like even better, but on the scale of this listening project? Definitely one of the best.

Fun energy, and lyrically inventive. And probably the most melodically interesting stuff I've encountered in this project so far.

Fun, upbeat, punky energy. Not super inventive, but nice to have in the background.

Perfectly fine. Nice electronic background sounds. The tracks are almost all too long. "Stagger" is nice.

Good stuff. Perfectly serviceable musically; lyrics range from "perfectly okay" to "hey, that's pretty good"; but goddamn can that woman sing.

Lyrically inventive, when I'm able to focus on the words. "Home Is Anywhere You Hang Your Head" and "I Want You" particularly caught my attention. But musically so-so, and his voice really makes me tune out.

Nice enough. "Spies" is a good track. Ditto "We Never Change." It is kind of samey in general, another one that blends into the background. "Everything's Not Lost" is a nice bit of variety, especially the earlier piano-and-vocal parts.

Heck yeah, it has "Ghost Rider" from my Halloween playlists! And "Girl" is pretty good. Wins 4 stars because I'm in a generous mood; if I gave 4 to Kate Bush for being emphatically herself, even if all the tracks sounded pretty similar, I can do that here.

This was fine.

You know, these are actually pretty catchy. The general metal-narrative-song thing is a bit of a cliche now, but these still feel relatively fresh, not a parody of themselves. But to be honest, I'm mostly rating it 4 instead of 3 because "The Prisoner" has the opening narration from the show.

I don't understand the lyrics, and musically, it just ain't my bag. Perfectly okay, but a bit bland.

Another perfectly okay one that blends into the background.

Musically nice enough. Lyrics often pretty clever. Some lines are probably unintentionally funny. What with everything Kanye West has done since, one worries that he actually may mean some of the silly things unironically.

Ah, so that's the Metallica song that Brooklyn Duo combined with the Moonlight Sonata in "Beethoven Goes Metal"! Other than that insight, this was just a perfectly okay album. Very backgroundy.

Nice punky vibe.

This one really melted into the background. Aside from one lyric that I heard as far more explicit than it actually was, nothing interesting about this one.

You know, it's fine. I'm not a big Marley person. It all just sounds samey.

Another one that thinks it's saying deep and insightful things about politics and society. Would've rated it lower, but some interesting stuff with the musicality of it all was enough to bring it back up to average.

"Lonely Women" is good, but otherwise this ranges from "nice enough" to "meh."

Love the musicality of this. Very James-Bond-theme. Can't really understand the lyrics in many of the songs. But those I could, I liked.

Yeah, sure, perfectly fine.

This was fine.

Nick Cave and Bertolt Brecht do this shtick better. But some of these are fun. The lyrics are often fun, and it's nice to have this vibe in an fairly straightforward vocal style with an acoustic band instead of overpowering electronic atmosphere. Honestly, it grew on me as it went. A Sondheim feel to it, as well.

Perfectly okay. The title track is particularly nice.

This just feels like 70s renditions of English folk songs. Overly earnest and generally uninteresting.

Nice enough blues stuff.

Some of these are wonderfully moody, others just background rhythms.

Good stuff. Classic feel. Just pleasant to listen to.

This was a nice one, but not outstanding.

Great cover, mediocre album.

A classic. Self-conscious melodrama; fundamentally silly, bouncy, fun.

Musically so much fun. Lyrically, hit-or-miss. The first time the lyrics kick in, on the title track, it's unpleasantly jarring; later in the same track, though, they're entertainingly weird.

Not bad, but it all blended together after a bit, like so many of these albums. Good background vibe. I'd probably like the songs more if I heard them individually on playlists with other, more contrasting songs.

Some of this is nice and jazzy; other bits kind of rote English-folky.

Nice enough. "Old Friends" is the kind of sentimentality that I can get behind (and is part of a nice segment of songs blending one into the other). "Hazy Shade of Winter" is nicely energetic, even if the lyrics are silly. "At the Zoo" is Beatles-level silliness. And even the more run-of-the-mill tracks have a certain amount of lyrical inventiveness.

I like this energy and these lyrics. "The Fear" is a strong start to this album. "Dishes" follows up by somehow being both silly and serious. Love the title track too! Surprised by how much I liked this album.

Just another perfectly okay album. A lot of probably unintentional humor in the young macho puffery, and a lot of political commentary that induces little but eye-rolls. Rhythmically kind of simplistic, but some good rhymes once in a while.

You know what? Another nice album that receded into the background as I listened. When I happened to pay attention to the lyrics, though, I generally liked them.

Not my favorite Nick Cave. "Abbatoir Blues" is little too classic-rock, not the murder-ballad darkness I know and love. But the lyrics are fun and inventive. "The Lyre of Orpheus" is a bit tooo much the Nick Cave I know, but is a lot of fun. So altogether it gets 4 stars.

Mostly just blah metal noise. That one track had a fun stop-motion music video. And "Jasco" is actually some nice intense rhythmic acoustic stuff, so that was a good discovery. Really, the three or so acoustic tracks here are good, the rest is just blah.

It's fine, it's very good at being Prince; I'm just not a big Prince fan. Though "Darling Nikki" is surprisingly filthy. Didn't know that side of him.

Perfectly okay. Some of these are fun. But it's mostly just a bunch of American folk singing and blues. Not my jam.

Perfectly good. Honestly hadn't actually listened to much any Alice Cooper before. More of a classic-rock vibe than I'd expected.

Perfectly okay.

Childish.

Yeah it was fine.

Yeah, it's okay.

Not bad. Not spectacular, but not bad.

Easy-listening country. The music video for "Oh What a World" is great until it's a mutant Lisa Frank terrifying uncanny valley. The one for "Rainbow" is very nice though.

Okay. I like her voice, but mostly this is just rocky/punky noise.

"SS 396" is fun 50s car-head silliness. Some of the other stuff is just too earnest. This is a style of music that really can only be silly.

You know what? This one is fun. Just got a fun feel to it. "Dancing" is goofy. The vibe is silly and enjoyable pretend-darkness.

Yeah, it's fine.

Look, she's a good singer. The songs are catchy. One or two struck a chord, maybe. But it's overall not my style.

It might be hard to listen to this earnestly, since this kind of silly rock has been parodied so much. Like most of these albums, it's... perfectly okay.

Somehow underwhelming.

Yeah, it's fine.

Nice enough, good background music. The lyrics occasionally caught my attention. I thought this would stand out, from the intro to the first track, but ultimately it just didn't.

Yeah, you know what? This is a pretty good album. But I'm not listening to it again for this project, because it has unfortunate personal connotations.

Oh god, they think this is clever, don't they? I mean, in terms of lyrical wordplay, it's not bad. But substantively, it's just so juvenile.

It's fine. I mean look, I'm just not a big Dylan fan. He was very much of a time.

Just blends into the background. Forgettable.

Yeah it's perfectly fine. I was familiar with one or two of these, just through pop-cultural osmosis. The rest are novel to me, but still just, you know, okay. "E-Mail My Heart" is hilariously dated, at least.

A lot of fun. Bouncy jazz. What's not to love?

Same old familiar stuff. The opening title track is so familiar, overexposed. "Night Prowler" is a decent creepy song.

I do appreciate the rather broad range of tones. The feel changes quite a bit from track to track.

What can I say? I like Tom Waits. The title track is particularly delightful.

Yeah, this was pretty good.

Yeah, it's pretty good.

Honestly, this one blended into the background even more than most.

Nothing deep, but I am a sucker for a fun pop-punk sound. Oh, and "Shoplifter" is a silly parody of a crime ballad.

Kinda fun rhythmic instrumental stuff. More offbeat than a lot of the albums on here. But at the end of the day, still just a silly little thing to put on in the background. The title track is a delight, though.

Gotta love Siouxsie!

Nice vibe.

Juvenile but amusing. Oh hey, that's the song that the term "Stan" comes from.

Kinda silly and meandering. Not bad, but really not great.

Kind of a fun vibe. A little more interesting than most.

A little cheesy, but basically perfectly nice.

Most of these things, I've heard, even if I didn't know they were his. Honestly, most interesting part was seeing this with music videos on YouTube; seeing when Jackson still had that youthful charisma.

Perfectly okay, but very much a put-it-on-in-the-background thing.

This is just kind of drab folky nonsense. It's pretty nice until the lyrics kick in.

You know what? Some of this is pretty nice. I like "Little Umbrellas," which seems to echo Chopin's funeral march.

You know? It's fine. Feels a little punky-grungey, nothing earth-shattering, but a nice feel to have on in the background.

Another one that's a perfectly nice vibe and not much else.

Nice vibe, some fun lyrics (I'm looking at you, "Into White"), and a delightfully whimsical cover image. What's not to love?

Not bad, but uneven. It really feels like she decided to write a dozen love songs that could match whatever relationship and mood you happen to be in.

Overall a bit unmemorable. But "Sally" stood out. Old-school dramatic jazzy thing, very noir vibe.

This gets points for variety, but overall it's just kind of a silly unfocused mess of styles with very little substance.

Whatever, it's fine.

Just kinda sixties folky vibe. Not bad, but nothing special.

Yeah, it's Joan Baez. Perfectly okay.

Not bad.

Perfectly fine.

Nice vibe. Often obsessive and a little creepy. "Unmade Love" is particularly good. "Blinder by the Hour" for the creepy imagery too. "Jerdacuttup Man" is good fun too, as is the mellow and melancholy title track.

I was doing other stuff while listening to this, and yet, my ears kept tuning in and realizing I liked what I was hearing.

The usual kind of over-the-top bravado. Amusing but nothing special.

A classic for good reason.

I mean, on principle, I want to like any album with a track title "Black Shuck." But this is, you know, just okay.

Bowieeeeee! My favorite Bowie? Not quite. I'm not super into concept albums. But it's a very good one. And the title track is hard to beat.

Not much substance, but I love the mix of styles.

I mean ya gotta love Billie

Mostly just fine. "Sometimes" is a catchy track. But overall a bit generic.

Hey, this is pretty good!

A little more blah than most.

Nice vibe.

Ugh whatever it was okay.

Another one where I like the instrumental part of it, but the lyrics and vocals just take it down a bit. But, hey, never realized this is where "Everybody Wants to Rule the World" came from.

Aerosmith always sounds kinda like a parody of itself.

Pretty good, a little offbeat.

Perfectly okay.

Kinda quirky, kinda fun.

Some pretty good, some just okay.

"White Rabbit" is deservedly a classic. The rest is fine.

Some easy listening with a pretty fun vibe.

Very earnest but goes down easy.

This was a fun discovery. A good feel to it, even if the quality is a little uneven.

Hey, it's some pretty good country-type stuff.

This is a great album cover. The songs are perfectly okay. "Poledo" stands out, I suppose, at least the beginning. Good discordant acoustic vibe, good lyrics. But the whole thing just involves a little too much gimmicky playing with radio-tuning interference sound effects and whatnot.

Yeah, ya know? It's fine. Like most of these albums. It's perfectly good.

Some of these are a a little too earnest ("Androgynous"), some are downright juvenile ("Gary's Got a Boner"). Altogether a kind of amusing mix, but nothing exceptional

What's this Bjork-sounding nonsense? Oh, it's early Bjork.

Gotta love their sound. Washes over you. Sad, anxious, soothing, all at once.

Yeah whatever it's fine but kinda meh.

Utterly delightful, very noiry.

Yeah whatever it's fine.

Some good stuff here. "Lilac Wine" is fun-sad.

Not bad but nothing spectacular.

Ooh this is fun.

Sure whatever

Blended into the background and was over quick. Perfectly nice sound though.

Perfectly good.

This is nice, but I'd like it a lot better if there were no lyrics.

This was so hard to get through that I just stopped listening to these albums for several days. It's like a parody of itself. This is so dumb.

Very good, but not her best. Feels kinda country-rock-fusion.

Nice fun punky sound.

Don't think I've really listened to much Iggy Pop before. This is actually pretty good.

Hey, I like this.

Nice sound. Kinda epic and crunchy. And the lyrics are pretty good too.

Lil angsty at times, but in a good way.

So that's where that irritating "White Winter Hymnal" comes from. Overall this is okay, but it's also the kind of pseudo-folk that the Oh Hellos do so much better.

Whatever, it's fine. I mean, some of the lyrics are really cringey. But overall it's okay.

Perfectly good. Some nice tunes, though not my cup of tea.

Ooh this is nice. I kinda wish I could just have the slow, opening solo bits of a lot of these tracks. Like the piano solo that begins "Inner Crisis." Definitely gets better as it goes along.

A little quirky but altogether backgroundable.

A lot of fun! Particularly liked "Hong Kong Mambo."

A classic by the Man in Black.

Okay, this thing of tossing the line back-and-forth between multiple rappers is fun. Excellent timing and discipline. And hey, a music video with Penn and Teller?

Consists mostly of rambling nonsense. Didn't expect the music video to "Relax" to have such a late-20th-century gay vibe; that almost made that bland, overplayed song interesting, at least for one listen. I like how eclectic it is within the constraints of its overall vibe, but that vibe remains kinda meh. Giving it a 4 is generous, but that eclectic approach earns it a liiitle bit above average.

Better than I expected. A concept album with a consistent atmosphere, for better and for worse. A lot of long tracks that feel very similar. Definitely some good lyrics here and there.

It's Bowie, of course it's good, but it's not my favorite. I know I listened to it before this, and I couldn't remember a single thing from it.

Yeah it's fine.

Can't listen to Steely Dan without thinking of "Oh Hello."

Just background sound.

Yeah sure it was fine.

I'd heard her name but never really knew her music. It's pretty good!

Perfectly nice, but honestly I slept through a lot of it.

Pretty good.

Really fricking long album. Some good stuff, some less-good, some funny skits.

Never heard of this guy, but he's got a nice enough rocky/country vibe.

Nice enough, but feels pretty dated.

The lyrics are okay, and yeah, he's got good rocky energy.

Sure, it's fine.

Yeah it was fine.

Is this where "Smoke on the Water" comes from? At any rate, this one kinda faded into the background like so many of them.

Nice stuff. The title tracks are a fun concept-album kind of thing. "Do You Realize?" is a classic too.

This is just a lot of 60's-style vaguely folky rock, with clumsy use of stereo. At least one track where I thought, "Oh, hey, that's where this is from." But overall kinda meh.

Huh. I didn't expect to like this Bowie as much as the Bowie stuff I've known since I was a kid.

This one was fine but kind of annoying.

Good stuff. Not his best, but very good. Love the strings in "Steer Your Way" and the final track.

I mean it's okay, but it ain't great.

Okay, a little better than average. I like the more personal tracks. A high 3, but not quite a 4?

Good stuff in here, but also some bland.

It's Sinatra. He's never not good. Not always my jam, but very good at being Sinatra-y.

Fun silly trippy mystical stuff.

That good old Elvis Costello sound. I'm not his biggest fan, but I have to acknowledge, he's pretty good. And very distinctive.

Hey, it's a classic for a reason. Silly fun boppy bouncy music,

His lyrics are often good, but the style is a silly kind of 60s folkiness, and his voice is irritating. Give me something like "Desolation Row" sung by someone like Tom Waits, and I'd be all in for that. But why is something like "Mr. Tambourine Man" so long? Come on.

I'm a sucker for a Slavic sound, however corny, so if the whole album had followed in the tone of the first track, I might be rating this a 5. But then it's got some so-so rocky and country stuff. Then again, "Seven Seas Symphony" and "With All Nations" and "The British Opera" -- basically the neoclassical instrumental ones -- are fun, and the variety of styles has its own appeal.

Hey, their sound is actually pretty catchy. "Suburban War" has a nice teenage-angst epic quality.

You know, they're actually pretty good. I don't think I'd heard anything but "Rock Lobster" by them. This is all a good assortment of vibes, very silly, little crunchy, good stuff.

Ugh, it's fine. It does that hip-hop thing of interspersing corny skits and self-important tracks that think they're saying something deep. But it's got some catchy beats. Too many tracks, though at least most of them are pretty short.

Kinda weird and fun. Don't think I've even heard of these people before. The moodier, darker, instrumental stuff is nice.

Do I... like this? I think I've heard "Gotta Get Up" before. Maybe it's just that I'm in my mid-30s and the lyrics strike a chord, even if the musicality is very late-60s Beatles-knockoff... That being said, there's good variety in these tracks.

Perfectly okay. In one ear and out the other.

Nice enough vibes, but really a background listen. I do really like the hypnotic rhythm of the last track.

Oh wow, I'm a sucker for a beautiful female voice and jazzy melodies, aren't I?

Some pretty good country stuff.

All right, not bad.

I like these songs musically. The lyrics are often overwrought and seem as if they've been translated into English; and the subject-matter is melodramatic but seems to take itself seriously, not playful or campy. I'd rate this at least 4 stars if it were instrumental.

It's fine, I guess. The songs are generally too long, though, and they're just kind of... so-so.

Always a nice jaunty beat, and the Pogues' bitter enthusiasm is generally delightful. "Fairytale of New York" is, of course, a classic. "Metropolis" has a great, instrumental energy; ditto "Sketches of Spain."

Meh, whatever. Generically percussive and shouty. Some of it is okay, and I like the silliness of "Futuristischer Dub," but overall... not great.

Huh, this is Neil Young? It's all... perfectly okay.

Huh, this is Neil Young? It's all... perfectly okay.

He's a very good singer. The songs are good enough, musically (and short). The lyrics are merely adequate.

Uneven, but some good stuff. I like "Le premier bonheur du jour," not just because it's actually in a language I can understand, but for the almost Renaissance harmonies and melodies of it. "Tempo no Tempo" has a fun patter-song quality to it, too. Maybe I just like their covers?

This was pretty good. Not really my jam, but good for what it is.

This one went down smooth, and almost entirely in the background of my brain. Also: kinda funny that the cover art of this 1969 album looks so much like the low-res pixel art of computer games that would come out decades later.

I like the vibe, musically. The lyrics are nice in a "series of striking words/images" kind of way; not sure they make sense in a more coherent way, but that's not essential.

Good enough, but it mostly ain't my vibe. 100% I first heard "Walking in Your Footsteps" as "Walking in Your Food Stamps." "Every Breath You Take" is, of course, a fun creepy classic.

I mean, it's Dolly. She's very good at what she does. Just not really my jam.

Some good stuff but basically background sound.

This is perfectly okay, musically. I'm docking a point because it seems to think it's saying something important.

Gotta love Aretha.

That kind of classic country that I probably wouldn't have listened to on my own. Very good for what it is, but not quite my thing.

Love me some Tom Waits! This is mostly his goofier side. "Nighthawk Postcards" is probably the standout track here.

Yeah, okay, it's nice enough.

They're okay, but too sixties.

Too loud, too self-important. It's like a bunch of hippies got high and thought that they knew how to save the world.

Nice vibe and some good tracks.

Some good stuff in here. "Lullaby" is particularly nice, musically and lyrically.

All right, well, it feels like cheating to include a two-volume set on this list? I like the upbeat songs, even when not particularly cheery in substance ("Don't Tell Me Your Troubles," for example).

It's not bad, but it does fade into the background a lot. "Art of Dying" is a nice jam, at least, vaguely stoic, and with some Beatles-style vocal harmonies. "Johnny's Birthday" is delightfully manic and unhinged in its musicality.

The vibe is pretty good, but the words are generally kind of hit-or-miss. "You Would Know" is amusingly creepy. There are long and rambling instrumental tracks, too, which aren't bad, but don't really do anything.

Nice voice, nice vibe. "Devil Song" might go into one of the Halloween playlists.

It's all right. Yet another that kind of fades into the background. It feels jarring for Prince -- so stylized and affected, with his elaborate costumes and precise choreography -- to sing of blatantly crude and sexual things, as he does occasionally in these songs. Otherwise... yeah, it's fine.

Nice enough, at times a Queen kind of vibe. One of the many albums here that just kinda fades into background music, in a not unpleasant way.

It's perfectly okay. I like parts of Jethro Tull's sound, but there's usually too much going on, and the lyrics are usually kinda middle-of-the-road.

Nice enough, eclectic.

Surprisingly enjoyable. Folky but not in a bad way.

Yeah, nice enough.

To my ear, feels very Bowie. But then I guess I just don't have much other experience with this brand of glam-y punk stuff.

Pretty good! The last track especially. Let's be generous and rate it above average.

Some pretty good stuff on here; some that kinda just fades into the background.

Stone-cold classic for a reason! No notes.

I'm not a real Smiths person, but they are pretty good. The title track is amusingly self-important, though, and takes this down from a 4 to a 3.

The King! Pretty good.

Kind of interesting.

Honestly this is just too long and not particularly interesting.

Gotta love some nice, moody jazz.

Bowie! Not my favorite Bowie, but it's still damn good.

Perfectly good energetic pop.

Um, whatever? It's fine, I guess.

Admittedly, this does has a lot of classic hits. But they're all just, you know, pretty good.

Ugh, this is as if someone mashed together the silliest kind of braggy hip-hop with the most annoying kind of country and generic rock.

Y'know? It's fine. Standard punky fun. "TV Party" is endearingly goofy.

I mean, I've never liked Dylan's voice too much. But these are perfectly nice. I like the slice-of-life stuff.

Nirvana. Nice sound. Sometimes a little silly. Good background listening, since the lyrics are often borderline unintelligible.

Yeah, okay, perfectly nice but nothing exceptional.

Say, this guy's pretty good! "How Blue Can You Get?" is a lot of fun. And it's all good listening.

I like this musically; lyrically, I could largely take it or leave it.

This is just... not my jam. A warbly Bjork type voice, and the lyrics are kinda meh and drag on and on.

Kinda fun and silly. Once we get into the goofy alien baby voices in "CTA," you know you're in for silliness. Not much real substance, but it's amusing.

Yeah whatever, perfectly okay but not my thing.

It's loud and shouty, but at least not incomprehensibly so, so I guess there's that. Some good vibes (the driving rhythm at the end of "No Good," in particular).

Not bad. Never heard of this group before.

Not a fan. It's that level of talky rap stuff that isn't interesting, but also doesn't have the decency to fade into the background. The title track is, at least, musically strong.