My favorite part was when they introduced a saxophone and immediately used it for evil.

Is it obnoxious? Yeah. Did I have fun listening to it? Sometimes.

The “wild” is silent.

This is certainly a 1957 live album by American jazz singer Sarah Vaughan, recorded at Mister Kelly's jazz club in Chicago.

Some really great songs with electric performances. It can still be a chore to listen to, though.

Rolling in the Deep: Classic Rumor Has It: Funny but the hand claps make it corny. Also it’s “Rumor” Turning Tables: Banger, respectfully Don’t You Remember: Saddest wedding song ever Set Fire to the Rain: Banger and a half, best song here He Won’t Go: RICK RUBIN?? Take It All: Like the gospel choir but kinda got bored this one I’ll Be Waiting: Banger, Amy Winehouse really paved the way for Adele One and Only: Adele in her R&B/Prince Era Lovesong: BOSSA NOVA CURE?? Someone Like You: Classic Overall: Did not think I would love it as much as I did, I took a star off because she’s British :(

Battery: Killer intro, nice tribute to their fans Master of Puppets: Do I dare say it overstays it’s welcome? No, the riff’s too good The Thing That Should Not Be: Not feeling this one tbh Welcome Home (Sanitarium): Not a huge fan of the “softer” tracks, Hetfield needs heavier instrumentals for his voice to work for me Disposable Heroes: This proves my previous point, best song on here Leper Messiah: David Bowie reference Orion: Ok Damage, Inc.: I feel like I can destroy a brick wall with my face Overall: While, I appreciate the significance this project has on metal music, I was left wanting more as the songwriting and Hetfield’s vocals were lacking on some of the tracks. Kirk Hammett killed it though.

A little bloated but c’mon, it’s Prince

It’s a solid enough rock album. You enjoy it while it’s on but forget it once it’s over.

Escucha muy agradable. ¡Me veo volviendo a esto a menudo!

Great piece of blues rock. La Grange is still a classic and Master of Sparks is electric.

I’m not saying it’s bad, it just did not click for me.

I wanted to give this five stars but after repeat listens of “I Want You Now”, I have to bring it down. It sticks out for its weak production, especially compared to every other track. Still a great album.

Collection of really good rock songs. Do you like collections of really good rock songs? You’ll probably like this.

Is it obnoxious? Yeah. Did I have fun listening to it? Sometimes.

Walk of Life CARRIES this thing. Everything else was either too long or felt too long.

These two decided to make pop music as a joke and casually made one of the greatest albums of all time. Modern hit factory.

Two hours of some of the best jazz ever created. It is two hours though.

It starts and ends with some phenomenal songs but most of what’s in between is pretty forgettable.

One thing that cannot be denied: this thing is sad. One thing that can be argued: it gets kind of boring as it progresses.

Did anyone else think the saxophone was way too loud in the mix? The Girl From Ipanema and Corcovado are classics though.

Absolutely insane.

The more “accessible” tracks are great, punchy rock tunes! The more “experimental” tracks make me want to eat pavement.

Great metal album, I took off a star because they’re British :(

Absolutely loved this. Great songwriting and the Thompsons add so much character to each song. I want to give this 4 stars because they’re British but I’ll let it slide this time.

I should really like this. It’s different enough from the other rock albums I’ve heard on here but I’m still not a huge fan. Shoutout Oklahoma though, we’re up.

I am no longer a Bob Dylan denier.

Next time, I’ll just play white noise over The Cure songs

This was the cheesiest, of-it’s-time 80’s album I’ve ever heard. I kind of liked it.

This was the absolute worst way to start my morning. I loved every second of it.

The production on this CARRIES hard. It’s tough listening to the Beastie Boys rap for an hour.

Maybe I would take dinner with Jay-Z.

I can’t lie, I had fun listening to this. Very hit-or-miss, though.

One hour of the most aimless, sloppy, poorly executed blend of rock, hip-hop, and blues that should be forgotten with time. I’m gonna go read a book.

This feels like MGMT before MGMT. Taking old sounds and giving them a modern sheen. Can’t say I loved it but I did like a lot of it.

It sounds like he thinks he’s too cool for this when that is absolutely NOT the case.

I couldn’t help but smile as I was listening to this. Every track has great sampling and some of the better rapping I’ve heard on a Golden Age hip-hop album. The only thing holding it back are the skits (especially THAT one).

They’re all good songs but they all follow the same formula, which makes it harder to listen all the way through.

Surprisingly loved it, I thought it would be some pretentious hipster garbage but there’s a lot to like about it.

This would have been a 4 if we stopped letting drummers write songs.

Bob Dylan is quickly becoming one of my favorite artists of all time. His lyricism is unmatched and his unique and emotive voice is a perfect vessel for it. This is the second Dylan album I’ve heard and it somehow surpassed my high expectations.

Very very good. The ballads hold this one back though. I know Stevie can do better and I hope I get to hear another project of his very soon.

There’s no way they sound like that in Berkeley.

In another life, I was dancing all night long to this in a Scottish club. Not this life though, so it’s just alright.

Some classic songs on here but overall, did not love it. It’s good for a debut but the songwriting is not 100% there yet.

Don’t let anyone make you give up your funk.

Hella whimsical.

British post-punk. Whatever you’re thinking this sounds like, you’re right.

There are some REALLY good songs on here but it’s interspersed with random B.S. for no reason.

I listened to this after getting “Court and Spark”. I don’t know what it is but this is lacking something that was on Mitchell’s previous record. Is she phoning it in on this one? Is it the production? Genuinely can’t tell.

The first four songs are great, completely lost the plot after Oh! Darling.

Really good but it starts to blend together after repeat listens. Shoutout all women.

Garage rock at its finest. Anyone who says Meg is a bad drummer hates women.

Morrissey tries to convince you that there is nothing harder on this Earth than being Morrissey. It has its moments, but I could definitely live without it.

Very interesting concept and Adamson executes it brilliantly. Even without any visual aid, it’s easy to see what the story would look like.

Gimme Three Steps is a little basic but everything else is really good. Still don’t fw the Confederacy though.

The performances are so good I forgot it was a live album. It has a very rich sound despite only having three performers.

This album feels so phoned in. The instrumentals feel cheap and the performances sound aimless. I hate fun.

Consistently good first half (excluding Nasty Girl), back half leaves a lot to be desired.

The instrumentals are great but it does get a little taxing. “Hot Rats” is a fire name though.

Besides a couple of tracks (Is She Weird, The Happening), nothing else was really interesting enough to keep my attention. It all sounded like standard 90’s radio rock fare.

Quirked up white boy with a little bit of swag.

I’m convinced that some of these are on here just because they’re British.

12 tracks of pure, unadulterated rock!!! (It was ok.)

Peak easy listening. Makes me wanna fall in love.

80’s New Wave is such a cheat code.

How can one person be so talented at singing AND rapping? Lauryn Hill deserved a longer career.

If this were an instrumental album, I would lean towards a 4/5. Anthony Kiedis is a freaky ass rap-rock domestic terrorist.

Where ZZ Top jumps the shark. In order to adopt a “newer” sound, they decide to water down everything interesting about them.

All of the great moments are canceled out by the absolutely horrendous ones. The singer manages some good performances but overall, he is still not good.

Paul McCartney writes such good songs… why let anyone else do it??

How the hell do you write something like this at 18?

Blues seems like one of those genres you have to hear live. Oh, to be born 80 years sooner and see this show.

Very fitting that there’s a song on here called “Basic Space”. This whole album is full of that! There should have been another song called “Terrible Breathy Singing”.

This is certainly Talking Heads in 1977. They haven’t quite found their footing yet.

Heartland rock isn’t really my thing and this album didn’t convince me of anything I didn’t already know. Just some good songs and good performances.

I made the mistake of waiting until after Christmas to listen to it. Wasn’t really into it. Phil Spector is a monster.

I have listened to three Dylan albums now and I am stunned by his consistency even 30+ years into his career. He is becoming a contender for favorite artist of all time. The only reason it’s not a 5 is because of the final track, but it is still a great listen overall.

This is what I imagine the 70’s sounded like all of the time.

While The Vines have more personality than other early 2000’s indie bands, their songwriting is still lackluster.

You know how sticky it gets.

I used to love a lot of these songs when they were all over the radio. I’m glad I have since changed and grown as a person <3

I’ve learned that jazz is a genre that takes time to appreciate. On my first listen, I was not impressed at all. By my third, I loved almost everything this project had to offer.

Not as much variety as you would want in a double album but almost every song was insanely catchy. It does lose steam towards the end, though.

The production sounds thin throughout and the singing performances can be rough but bottom five?? I don’t think so.

It’s ok. I think more jazzy songs like “The Windmills of Your Mind” would have suited her voice better.

Dire Straits has to be the most boring rock band of all time.

That bald head is full of ideas.

All tracks before Treefingers: Fallen out of favor for or never clicked for me. All tracks after Treefingers: Some of the greatest Radiohead songs ever.

I imagine this is what the 60’s sounded like all the time.

Boring. I guess folk rock had to start somewhere but show some passion, man.

He’s got the method, man.

Genuinely can not tell if I like this or not. I like the lyrics and the melodies are great. Those damn upbeats though…

The album equivalent of whatever your grandfather was watching on TV whenever you visited.

I think I see the hype behind this band. You could probably call this album front-loaded but the back half still has some very solid songs.

I owe Bob Marley, The Wailers, and the entire reggae genre an apology. I was not familiar with their game.

This is like the less successful little brother of “3 Feet High and Rising” but he’s still chill to hang with.

Didn’t click. I fear it will when I am most vulnerable.

While more focused than the other Yes album I’ve heard, it still has the shortcomings of your standard prog rock “experience”.

Such an inventive record. If it came out today, it would still sound fresh. RIP Neil Peart.

Karaoke Night’s gonna be a movie with this one.

The two complaints I have always had about jazz music are nonexistent on this album. All of the tracks have their own distinct sound and none of them overstay their welcome. This might be jazz in its purest form.

If you’re new to R&B, this might be the perfect starter album. Very good blend of sounds and great performances on every track. It can get boring at times, though.

It should be a bad sign that I prefer the covers over the original material but I can’t deny how fun this project is overall.

Pleasantly surprised. Young’s voice isn’t as “strange” as people made it out to be.

I’m not saying he deserved it, but if he was always this pompous and annoying…

This might be one of the most interesting hip-hop albums I have ever heard. The way he is able to pull from a lot of different sounds to make a cohesive project is remarkable. His flows are crazy too.

I don’t think this cute little crab would like what it’s representing :(

Decent blues rock. Though aside from “Riders on the Storm”, the songwriting and performances don’t do a lot for me.

It’s hard to rate albums like these. All of the songs are good but they sound SO similar.

Some great songs on here but not a lot that resonates with me.

Dolly really shines on this one! Linda and Emmylou are here too!

“Here Are the Sonics” Live Reaction -This sounds like ass. -Why is this on here? -Oh, it was very influential for punk and garage rock genres? … -This sounds like ass.

I underestimated just how corny 80’s hip hop can be.

Love the experimentation on this. It’s also nice to hear jazz that doesn’t overstay it’s welcome.

Ice Cube’s flows can lead to the project feeling a little bland but the sample-rich production and his scathing verses make up for it.

Honestly not think RHCP had a good album in them. The hits are hits for a reason but some of the deep cuts could have easily been singles. Anthony K. is back in my good graces.

For this project, I like to listen to a given album three times before deciding a rating. It took me about a week to listen to this album ONCE. The horribly raspy or painfully boring lead vocals over butt country instrumentals is so uninspiring. If you don’t like the first couple of tracks, you will be in for the longest 90 minutes of your life.

One of the best rock albums I’ve heard from this list. Unfortunately, when I tried to replay it, the album had disappeared from every single streaming service. Shouldn’t have looked back ig :/

Similar to “Fear of a Black Planet”, Public Enemy bombards the listener with crazy sample-heavy beats and political lyrics. Also like that record, it becomes taxing listening to the whole thing front-to-back.

Electronic jazz sounds cool in theory. The execution leaves a lot to be desired.

It’s good but overstays its welcome. “Cop Shoot Cop…” did NOT have to be 17 minutes long and full of unnecessary filler.

There’s definitely a formula The Undertones follow for every song. Occasionally, a great song comes out of it. More often than not, it’s only good.

Consistently great folk rock album. It hits a lull in the middle of the track list but picks right back up with the jazz trifecta at the end.

Not very inspired but some good tunes on here.

Bumping this in my Subaru Legacy before a night of debauchery.

Definitely has its moments, but the instrumental portions and the failed experiment “Stuka” keep this from being a great record.

These guys are now my best friends and my dads.

A larger-than-life voice paired with some great instrumentals. Crazy to think she might not have even reached her full potential. RIP Janis.

Good-enough punk fare. The lead singer is only really convincing to me when he portrays himself as a loser.

Man I sure did Love this one!

I did not like this album. However, I don’t know how much blame I can attribute to Barrett himself. It’s clear he can write songs and sing but the album sounds rushed and a lot of the production is awful. The studio was probably the last place he needed to be at the time.

I’ve gotten the three highest rated Beatles albums on this website. I’ve given all of them 3/5. Am I cooked?

As a longtime Muse fan, I am a little biased in saying this project is great. Some of the lyrics can be repetitive and the more radio-friendly tunes can be boring but the musicianship and performances make up for it.

The Stones aren’t rolling just yet GOD I am so funny!

Whenever I see a live rock album I start rubbing my hands like Rick Ross cos I know I’m giving it a three before I even listen to it.

Why is American New Wave so bad 😭😭

Lindsey was off the henny for this one.

Great lyrics and beats but the constant barrage of sound becomes taxing after both discs.

Solid album that really sounds ahead of its time. I’m sure other people will get more out of it than I did.

Maybe I’m too cynical or too stupid because this just sounds like another 60’s rock album to me.

This project has some very interesting ideas and was highly influential on artists in the internet age. Why does it suck so bad?

White showcases his forward-thinking songwriting talent while restricting himself to rock’s rulebook.

It’s like a jazz lounge ran by robots. Really cool sounds but the vocal effects on some of the songs take me out of it.

I’ve seen a lot of people call any prog rock album “pretentious” and I always thought it was a bit dismissive. We don’t know the artists’ intentions when making these records so how can we really call it pretentious? Most of the time, the albums are pretty accessible or have a clear purpose, so I wouldn’t deem them pretentious at all. That being said, this was pretentious as hell. Stop making long songs with no interesting ideas.

Cash’s personality is on full display but the songs don’t hit as hard as I would like. I need to see the alternative reality where he pursued stand-up.

Where’d they record this? The Snooze Fest? BOOYAH!

I am not denying Simon’s talent as a songwriter, but something did not click for me. I think his boyish voice needs more instrumental backing to work.

Beck is doing way too much on this.

Evil Bruce Springsteen.

I think that was just the same annoying song nine times in a row. I can’t say it’s objectively BAD though.

I listened to this after getting “Funhouse”. Honestly, it sounds like it’s missing something that their previous record had. It feels more phoned in. Still pretty solid though.

I wanted to like this more than I did. I think they’re more suited for pop but they wanna keep their rock energy.

Some parts of “Shine On You Crazy Diamond” will have you looking at your watch but everything else is pure prog-rock bliss.

This might be one of the craziest hip hop albums ever. André and Big Boi pull from so many sounds and make it sound super cohesive. It doesn’t end on the greatest of notes with the last couple of tracks but 22/24 is not bad at all. Yes, I did like the skits.

Genuine question: Is Malcolm trying to profit off of cultures he’s not part of while making mockeries of them? It doesn’t sound like he’s taking any of this seriously.

Spotify tells me I listened to this three times. I guess I’ll take their word for it.

My glorious king David Bowie… my darling angel… my sweet scrumptious pookie bear… my Earth, sun, and moon… my Thin White Duke… where do I even begin? Not a day goes by that I don’t think of you. Even in Heaven, you still make me smile. I hope we meet one day so I can personally thank you for your tenth studio album “Station to Station”. Until then, I will do everything I can to honor you. Rest easy. I’m pouring honey on you GOAT.

It can bore and show its age at times, but there are still some bright spots on this.

Peaceful easy listening. Nothing too stand-out though.

Pop country executed to near-perfection.

It sounds really good but it’s too damn long. If you shave like 3 to 4 minutes off some of these tracks, it would be phenomenal.

This is one of those albums that’s ONLY meant for Sundays. I will not elaborate.

It didn’t convince me of anything I didn’t already know about Metallica (I’m still not a huge fan of Hetfield as a vocalist), but it is a good metal album with good pacing.

It finally clicked.

The ear fatigue hit HARD. Also, why did he say that?

Yeah I can’t pretend to care about this. This brand of nerdy 90s alt rock never did anything for me.

The first track lulled me into a false sense of security. I thought I would get something unique but this is largely still one of those ‘70s rock records that I will most likely forget by next year. Still pretty solid though.

“What an album, what a woman, what a music.”

I feel like I should enjoy this more than I do but it just washes over me.

Tends to sound like Christian contemporary but has some genuinely great country music.

Great piece of electronic/experimental pop, but the Björk influence on this is VERY apparent. It’s almost derivative.

Beautifully composed psych rock but I don’t think it reaches its full potential. Makes me very excited to listen to more Hendrix releases.

Do NOT look up why Michael Jackson is bad.

Every song on here is good. That’s because it’s the same song 13 times. In fact, the title track is used for the introduction so you get to hear the exact same song TWICE! Easy listening shouldn’t make me this upset.

Some good songs, some bad songs. It all cancels out to create the most mediocre album of all time.

At the time of writing this, this is the lowest rated album on this website. I completely understand why that is the case, but I would be lying if I said I didn’t enjoy this German freak music.

GOD I wish I was there. It feels like something’s missing without the visual component.

I DON’T WANT SONGS ANOUT BUILDINGS AND FOOD I WANT SONGS ABOUT LETTING THE DAYS GO BY AND THESE HANDS PASSING IN-BETWEEN US!!! It’s still pretty good though.

I hope no one actually waited 22 years for this. Even if you liked “Loveless”, it doesn’t add anything really interesting to the MBV formula. Shoegaze sucks.

Incredibly ambitious to base such a long album off of one of the most boring states. Unlike the real Illinois, Chicago isn’t the only highlight.

Impossibly smooth. I’m giving this four stars instead of five because I will never be as smooth as Maxwell and I resent him for it.

Practically ushered in the Britpop scene with a great debut album and did nothing else. I have to respect it.

This might be the rock album ever. It sounds like every song was written to be put it in a movie.

The “wild” is silent.

I would like this a lot more if discount David Bowie wasn’t the one singing.

My favorite part was when they introduced a saxophone and immediately used it for evil.

If the final track had more vocals and fewer fart noises, this would be an easy 5/5.

I would probably spend a couple of hours at the Chicken Shack.

Definitely prefer the first half over the second but overall still a solid live blues album.

Call me a Zoomer™️ but the outdated recording and lack of variety hinders my enjoyment of these songs.

The cover is the most interesting thing about this album. I’d rather stare at it for 42 minutes than listen to this again.

This album dies by its long intros and outros, but at least they still sound good.

Insanely beautiful. I don’t think it has enough interesting elements to justify the song lengths.

This might have been put on here as a joke but I kind of enjoyed it. The main drawbacks were the repetitive instrumentals and childish sense of humor.

This is certainly a 1957 live album by American jazz singer Sarah Vaughan, recorded at Mister Kelly's jazz club in Chicago.

Very surprised by how good the recording sounds on this. It has aged very well in that aspect. What hasn’t aged well are some of the lyrics (chaining women to your wall is not appropriate, Mr. Presley).

Surprisingly, my favorite song was the shortest one. I don’t know if that’s indicative of these songs not having enough steam to carry their run times or my shortening attention span… I’ll go with the former.

Hate when something so influential to hard rock sounds like dog ass.

My parents showed me Pink Floyd in my early teens, right around the time I started collecting vinyl. Even as a child, I was in awe that a record like this could exist. I’m 22 now and I am STILL in awe. An album with writing, performances, and a concept this strong is generational. It doesn’t even matter that there are moments on here I don’t love, what matters is that it all adds to the story. This is a landmark record, a timeless classic, and the greatest concept album of all time. I can’t wait to show this to my kids one day.

Very cool piece of Latin Electronica, mayhaps a bit too long though.

There’s a good EP in here for sure. I like some tracks on the first disc but the more stripped-back tunes on the second disc fall flat for me.

I liked some of the songs but I hope my favorite artists never make a live double album.

I am already so tired of live rock albums. They’re never really good or really bad. They just ARE.

A disco album that doesn’t really sound as fun as I thought I would. Maybe it just hasn’t aged all that well.

The songs range from painfully boring to entertainingly edgy. Hearing Iggy Pop declare he’s a murderer after making those weird mouth noises was the highlight of my day.

This might be one of the most back-loaded albums ever. The first seven songs are a bit tough to get through but then Harvey locks in and delivers a phenomenal five-track run to finish the record. Also, she sounds vaguely like Björk and it’s throwing me off.

Freaky ass title.

A nice of variety of sounds yet remarkably cohesive. There are moments that sound a little too cluttered, though.

Maybe some of the best songwriting I’ve heard on an indie pop record. Very pleasantly surprised.

I want to like this more than I did but the tracklist is bogged down by instrumental songs that can’t really stand on their own.

The production sounds so thin and the vocals do nothing for me.

Whatever.

I liked this! Though it definitely feels like it was made in the 60’s.

Some killer, some filler: The Metallica Story.

This goes hard now but will go even HARDER when I have my mid-life crisis.

One of the preachier albums I’ve heard but still delivers an enjoyable product.

While consistently good, it doesn’t quite reach the highs he would set on later records.

It’s a testament to Jackson’s hit-making abilities that despite having heard many of these songs countless times, I still love a lot of what this project has to offer… except “Human Nature”.

Not as bad as other reviews make it out to be. Definitely not as good, either.

Chronologically, Elbow is the middle child between Coldplay and Radiohead… and the really sound like it.

Some of these songs genuinely felt like a sanity test. The rest were pretty good ig.

I know this is a hot take but their second album has been the most enjoyable to listen to so far. Just a bunch of good songs without any failed experiments.

I really appreciate getting the Talking Heads discography in release order. They’re a band I have been meaning to get into and I love seeing their songwriting and performances improve with each album. While this isn’t a perfect Talking Heads album, I probably won’t have to wait much longer for it.

There is a lot to like about this album but I think that mainly comes down to how accessible it is. It’s just some good ‘90s rock that is definitely NOT better than Nevermind.

It’s cool he loves God but he should devote some of his time writing better songs.

This album is all over the place. I think that adds some charm to its record, though.

Consistently good but rarely great. I know Radiohead can do better because I have heard four projects from them that I love.

PJ is talented but inconsistent. I can do without about half of these tracks.

Common is a talented rapper that is unfortunately rapping on some of the greatest beats ever. I don’t think he was quite up to the challenge. Still a great project!

Two 9+ minute songs, Young was trying to piss me off. Still decent.

I can’t stress enough how ok this was.

I’m 22 years old, of course I love it.

This was a very pleasant 90’s album that unfortunately came out in 2005.

He needs to stay in the corner and think about what he did.

I shouldn’t like this but I have a soft spot for old sounds with modern production.

Over half of the album is a sci-fi odyssey that you could not pay me to care about.

If you caught me in a vulnerable moment, I might say this is the best Radiohead album.

Get this guy out of the studio until he sobers up.

Kate Bush’s talents do not quite match up to her ambitions yet.

It’s fine but just sounds like NFR! leftovers. Why did this make the list over NFR!? I’m gonna go listen to NFR!

Solid album. I just wish there were more strings and Leonard used his range more.

The production is immaculate but 80’s hip hop is still corny.

Making rock music shouldn’t sound this effortlessly good.

Most of these songs could pass as 80’s TV intros but I don’t care, it’s fire.

The Beastie Boys remain the worst part about Beastie Boys albums. The production carries.

Willie arranges a near-perfect album that finds common ground between jazz and country. The only reason I’m not giving it 5 stars is because there is no original material. It does take away some of the enjoyment of this record.

Pleasant but I don’t really care.

Great pioneering new wave album. You can tell it’s one of the first of its kind, though.

As someone who doesn’t like metal music, this did very little to change my mind. The drums were cool though.

Not sure why I love it but I do. It’s tight, catchy rock music and I give it 4 brown rats out of 5.

This is a very crucial album for me. I remember my mom playing this CD all the time and it slowly growing on me as I grew up. It starts and ends incredibly strong but a couple of songs (Change Your Mind and Believe Me Natalie) feel out of place on this. Still a great listen.

I knew this was one of those cult classic records but I was still pleasantly surprised by it. No songs I disliked but the title track did not need to be that long.

I like the ideas presented but it doesn’t keep me as engaged as I would have liked.

This is the good kind of “British bullshit” that is all over this list.