Rating Distribution
Rating Timeline
Taste Profile
Breakdown
By Genre
Top Styles
By Decade
By Origin
Albums
You Love More Than Most
| Album | You | Global | Diff |
|---|---|---|---|
|
Tarkus
Emerson, Lake & Palmer
|
5 | 2.78 | +2.22 |
|
The Colour Of Spring
Talk Talk
|
5 | 3.08 | +1.92 |
|
Pyromania
Def Leppard
|
5 | 3.13 | +1.87 |
|
The Yes Album
Yes
|
5 | 3.31 | +1.69 |
|
Come Away With Me
Norah Jones
|
5 | 3.38 | +1.62 |
|
Bat Out Of Hell
Meat Loaf
|
5 | 3.42 | +1.58 |
|
Reggatta De Blanc
The Police
|
5 | 3.44 | +1.56 |
|
Aja
Steely Dan
|
5 | 3.47 | +1.53 |
|
So
Peter Gabriel
|
5 | 3.53 | +1.47 |
|
Machine Head
Deep Purple
|
5 | 3.57 | +1.43 |
You Love Less Than Most
| Album | You | Global | Diff |
|---|---|---|---|
|
It Takes A Nation Of Millions To Hold Us Back
Public Enemy
|
1 | 3.36 | -2.36 |
|
Loveless
My Bloody Valentine
|
1 | 3.19 | -2.19 |
|
The Blueprint
JAY Z
|
1 | 3.19 | -2.19 |
|
The Bones Of What You Believe
CHVRCHES
|
1 | 3.16 | -2.16 |
|
Cypress Hill
Cypress Hill
|
1 | 3.14 | -2.14 |
|
OK Computer
Radiohead
|
2 | 4.11 | -2.11 |
|
Bandwagonesque
Teenage Fanclub
|
1 | 3.07 | -2.07 |
|
Kimono My House
Sparks
|
1 | 3.06 | -2.06 |
|
Fire Of Love
The Gun Club
|
1 | 2.98 | -1.98 |
|
Brown Sugar
D'Angelo
|
1 | 2.95 | -1.95 |
Artists
Favorites
| Artist | Albums | Average |
|---|---|---|
| Queen | 3 | 4.67 |
| Pink Floyd | 2 | 5 |
| Jimi Hendrix | 2 | 5 |
| Led Zeppelin | 3 | 4.33 |
| Steely Dan | 3 | 4.33 |
Least Favorites
| Artist | Albums | Average |
|---|---|---|
| My Bloody Valentine | 2 | 1.5 |
| Public Enemy | 2 | 1.5 |
| Björk | 3 | 2 |
5-Star Albums (28)
View Album Wall1-Star Albums (18)
All Ratings
Not the worst I ve ever listened to, but if possible no stars.
What a noise
Really good music from the 70s.
Classic
Not my kind
Dark
Schönes Album einer Legende.
Smooth
Masterpiece
Noisy. No Blues, more explosion.
Sounds like an African John Lee Hooker.
2,5 * kein Fan, aber man kann es anhören
4,5 *
Masterpiece
2,5 *
3,5 *
3,5 *
3,5 *
something i don't need
4,5 *
2,5 *
3 and 1/2 stars
3,5*
3,5*
3,75 *
not my cup of tea
The Clash’s debut is one of punk’s purest mission statements: raw, politically charged, and crackling with urgency. Its blend of speed, attitude, and surprisingly sharp songwriting still feels electric today. Tracks like "Janie Jones," "White Riot," and "Career Opportunities" hit with both rage and melody, showing a band already thinking beyond punk’s limits.
Elephant delivers the raw, signature White Stripes sound with strong highlights like “Seven Nation Army.” Still, the album feels uneven and loses momentum at times. Solid, but not consistently compelling. Elephant liefert den typischen, rohen White-Stripes-Sound und starke Highlights wie „Seven Nation Army“. Dennoch wirkt das Album teils zerfahren und verliert zwischendurch an Spannung. Solide, aber nicht durchgehend überzeugend.
Avec Thriller (1982), Michael Jackson signe un véritable chef-d’œuvre pop. La fusion de pop, funk et rock reste d’une modernité étonnante, portée par des titres cultes comme « Billie Jean », « Beat It » et l’inoubliable « Thriller ». La production raffinée de Quincy Jones et la voix unique de Jackson donnent à l’album une puissance durable. Verdict : Un album révolutionnaire qui a marqué l’histoire de la musique.
CHVRCHES’ The Bones of What You Believe is an astonishingly boring debut. The songs drift along in an almost identical synth-pop formula, with no tension, no surprises, and no real character. Everything sounds cleanly produced but as interchangeable as background music from a commercial. Lauren Mayberry’s voice is clear, but it does little to save the completely predictable hooks. In the end, it’s an album you forget immediately after listening — and that might honestly be the best thing about it. CHVRCHES’ The Bones of What You Believe ist ein erstaunlich langweiliges Debüt. Die Songs plätschern in nahezu identischer Synth-Pop-Formel dahin, ohne Spannung, ohne Überraschung, ohne echten Charakter. Alles klingt sauber produziert, aber austauschbar wie Hintergrundmusik aus einem Werbespot. Lauren Mayberrys Stimme ist zwar klar, trägt aber wenig zur Rettung der völlig vorhersehbaren Hooks bei. Unterm Strich: ein Album, das man nach dem Hören sofort wieder vergessen hat – und das ist vielleicht sogar das Beste daran.
Neeee, ich mag es nicht hören... gar nicht!