My 1001 Albums Journey

416

Albums Rated

3.08

Average Rating

38%

Complete

673 albums remaining

Rating Distribution

Rating Timeline

Taste Profile

1970

Favorite Decade

Metal

Favorite Genre

Top Origin

Tough Crowd

Rater Style ?

5-Star Albums

1-Star Albums

Breakdown

By Genre

Top Styles

By Decade

By Origin

Albums

You Love More Than Most

Album	You	Global	Diff
Tarkus Emerson, Lake & Palmer	5	2.78	+2.22
The Colour Of Spring Talk Talk	5	3.08	+1.92
Pyromania Def Leppard	5	3.13	+1.87
The Yes Album Yes	5	3.31	+1.69
Come Away With Me Norah Jones	5	3.37	+1.63
Bat Out Of Hell Meat Loaf	5	3.42	+1.58
Reggatta De Blanc The Police	5	3.44	+1.56
Aja Steely Dan	5	3.48	+1.52
So Peter Gabriel	5	3.52	+1.48
Machine Head Deep Purple	5	3.57	+1.43

You Love Less Than Most

Album	You	Global	Diff
It Takes A Nation Of Millions To Hold Us Back Public Enemy	1	3.36	-2.36
Loveless My Bloody Valentine	1	3.19	-2.19
The Blueprint JAY Z	1	3.18	-2.18
The Bones Of What You Believe CHVRCHES	1	3.16	-2.16
Cypress Hill Cypress Hill	1	3.14	-2.14
OK Computer Radiohead	2	4.12	-2.12
Bandwagonesque Teenage Fanclub	1	3.07	-2.07
Kimono My House Sparks	1	3.06	-2.06
Fire Of Love The Gun Club	1	2.98	-1.98
Brown Sugar D'Angelo	1	2.96	-1.96

Artists

Favorites

Artist	Albums	Average
Queen	3	4.67
Pink Floyd	2	5
Jimi Hendrix	2	5
Led Zeppelin	3	4.33
Steely Dan	3	4.33

Least Favorites

Artist	Albums	Average
My Bloody Valentine	2	1.5
Public Enemy	2	1.5
Björk	3	2

5-Star Albums (28)

View Album Wall

1-Star Albums (18)

D.O.A. the Third and Final Report of Throbbing Gristle

It Takes A Nation Of Millions To Hold Us Back

All Ratings (416)

Not the worst I ve ever listened to, but if possible no stars.

What a noise

Really good music from the 70s.

Classic

Not my kind

Dark

Schönes Album einer Legende.

Smooth

Masterpiece

Noisy. No Blues, more explosion.

Sounds like an African John Lee Hooker.

2,5 * kein Fan, aber man kann es anhören

4,5 *

Masterpiece

2,5 *

3,5 *

something i don't need

4,5 *

2,5 *

3 and 1/2 stars

3,5*

3,75 *

not my cup of tea

The Clash’s debut is one of punk’s purest mission statements: raw, politically charged, and crackling with urgency. Its blend of speed, attitude, and surprisingly sharp songwriting still feels electric today. Tracks like "Janie Jones," "White Riot," and "Career Opportunities" hit with both rage and melody, showing a band already thinking beyond punk’s limits.

Elephant delivers the raw, signature White Stripes sound with strong highlights like “Seven Nation Army.” Still, the album feels uneven and loses momentum at times. Solid, but not consistently compelling. Elephant liefert den typischen, rohen White-Stripes-Sound und starke Highlights wie „Seven Nation Army“. Dennoch wirkt das Album teils zerfahren und verliert zwischendurch an Spannung. Solide, aber nicht durchgehend überzeugend.

Avec Thriller (1982), Michael Jackson signe un véritable chef-d’œuvre pop. La fusion de pop, funk et rock reste d’une modernité étonnante, portée par des titres cultes comme « Billie Jean », « Beat It » et l’inoubliable « Thriller ». La production raffinée de Quincy Jones et la voix unique de Jackson donnent à l’album une puissance durable. Verdict : Un album révolutionnaire qui a marqué l’histoire de la musique.

CHVRCHES’ The Bones of What You Believe is an astonishingly boring debut. The songs drift along in an almost identical synth-pop formula, with no tension, no surprises, and no real character. Everything sounds cleanly produced but as interchangeable as background music from a commercial. Lauren Mayberry’s voice is clear, but it does little to save the completely predictable hooks. In the end, it’s an album you forget immediately after listening — and that might honestly be the best thing about it. CHVRCHES’ The Bones of What You Believe ist ein erstaunlich langweiliges Debüt. Die Songs plätschern in nahezu identischer Synth-Pop-Formel dahin, ohne Spannung, ohne Überraschung, ohne echten Charakter. Alles klingt sauber produziert, aber austauschbar wie Hintergrundmusik aus einem Werbespot. Lauren Mayberrys Stimme ist zwar klar, trägt aber wenig zur Rettung der völlig vorhersehbaren Hooks bei. Unterm Strich: ein Album, das man nach dem Hören sofort wieder vergessen hat – und das ist vielleicht sogar das Beste daran.

Neeee, ich mag es nicht hören... gar nicht!