Reviews (page 14 of 15)
It’s fine.
Fantastic album!
Really great rock/ pop album mixing with African music, this really works. Obviously a bit of controversy about this album can see both sides of the argument so I won’t judge.
I avoided this at the time of its release, as it seemed to be everywhere, but actually enjoyed this more than I expected, but another one that I got a bit sidetracked with by about halfway through. It starts off well with Boy In The Bubble, but I couldn’t really tell you what happened by the end. Pleasant enough, but I felt the more personal lyrics didn’t speak to me so much.
I've always loved Graceland and often come back to it. There's a slight uneasiness with the cultural appropriation. Breaking the South African cultural boycott of the time is also not cool. But the album opened up western ears to other possibilities. It's a really happy album that often leaves me dancing.
Hard to say where homage and admiration bleed into appropriation but one's always had a soft spot for this record, despite being Simon-bearish generally (for reasons of being overrated and difficult to work with). "Diamonds" is one of the best tracks of the decade, transcending the shiny-tinkling '80s production vibes. Quite a few other very solid tracks make for a thoughtful and mature record overall.
Top 3 Songs: 1 - Graceland (2) 2 - That Was Your Mother (10) 3 - You Can Call Me Al (6)
Classic album. Marrying the cajun south and African sounds without losing the distinctly Paul Simon songwriting, all without feeling derivative or contrived. As with many great albums, it's the singles that seem to lose their lustre the most, personally, over time. I still enjoy You Can Call Me Al, but the other tracks really shine.
Yea. Best album
I already know. It’s a goat.
I can never get into this album. I don't know what it is, but the music just doesn't speak to me. I do love his self titled and Crazy After These Years more. It's aesthetically weird. I love the tribal drums but I just don't like how he tries to mix rock folkish sound with it. Some of the songs I will get into because I love the rhythm of the percussion and sounds used but I get disinterested once Simon's voice slides through.
This just has such a nice vibe that it gets away with sounding like the soundtrack to The Jungle Book/The Lion King.
Obviously a classic, however one of those great albums with a (in my humble opinion) lower quality opening track. The Boy In the Bubble has never clicked with me, and it didn't this time either. Tracks 2-6 is a pretty supreme run of songs that the album doesn't live up to again. Some of the best lyrics ever written in a hit song: "He sees angels in the architecture, Spinning in infinity, He says, "Amen and Hallelujah!" Paul Simon does a good job mixing 80's instrumentation, elements of folklore, and Average White Guy sentiments.
Fantastic.
I love this album, Graceland in particular. He has a real knack of couching deeply moving/upsetting/profound ideas in beautifully melodic songs.
A pretty decent album. Favorite songs: I Know What I Know, Under African Skies. Rating: 3.5
YESSSSSSSSSS
Controversy aside, musically this is a culmination of Paul Simon’s musical meanderings during his solo career. He had flirted with exploring non western music throughout his career and he achieved that vision most fully in this album. The instrumentation is superb and the use of South African musicians and singers lends this album a bit of legitimacy in the face of the controversy of its creation during the cultural embargo. The lyrics (aside from ‘Under African Skies’) are contemplative and explore themes of self and finding one’s place in a larger world. This is truly one of the greatest albums of all time.
Many lovely songs, but some, on the second half of the album, don’t touch me that much. Maybe it’s because I don’t fall enthusiastically for such blend of styles and cultures.
It's Paul Simon. You either like him or you don't.
Overall good. Nothing bad.
Starts off slow, but then later stuff is good and familiar.
Great album, I’d forgotten all about it!
It’s good. But got my full dose when it first came out.
First thing I noticed was the jazz fusion-esque bass tone. Very 80s, clean production, nice analog warmth.
it was an interesting choice to do the things he did certainly 6/10
So much nostalgia for this. On my first listen it felt like hit after hit after hit. On my second listen I tried to figure out which ones are my faves for the purpose of this exercise and while the first 5 tracks are great You Can Call Me Al is incredible and Homeless was also a highlight.
Is it problematic? Yeah, probably. Is it a five star album? Absolutely! I have a lot of nostalgia for this - more so for the singles that would have been playing during my formative years than the album itself. I have to imagine they primed me to be more receptive to world music as I got older, so hats off for that reason if for no other! Fave track - "You Can Call Me Al" for the childhood nostalgia factor, but as an adult "I Know What I Know" is the stand out track...
Already listen the shit out of this
Great album by Paul Simon. Not only does this album have some great hits that are still great today but it also has some of the most unique instrumentals. The great thing about this album is that Simon makes these instrumentals work so well within the songs. This is a really well made album and I always enjoy listening to it. 8.5/10
Great album. Simon be good.
經典的鄉村民謠風，令人感到舒適的旋律走向，但比較難讓我有記憶點，適合做背景樂
8/10, definitely a product of the time and yet seemingly ahead. African influence and apparently plenty of African musicians for composition and production.
Listened to on 8/22/22 4/5 Favorite song: you can call me Al, all around the world This album was kinda folky and very upbeat. You can call me Al was an absolute bop
You Can Call Me Al is the best song and a classic. Overall a decent album to throw on in the background
I hadn’t heard this album in ages. Great album. I’ll make sure to listen again soon.
Great album, excellent songwriting, nice mix of serious lyrics with a light tone.
I can see why this album is so well revered. I wish the second half of the album kept up steam like the first half did. Amazing production by Paul Simon. Pretty damn great
I have a feeling that Vampire Weekend were big fans of this record.
Listening to Paul Simon is like sitting at a bar and hearing the local drunk ramble on and on but it’s enjoyable
Leuke mix van pop en Afrikaanse muziek. Een album om heel vrolijk van te worden
The complications of this involving going to Sth Africa during Apartheid and appropriating music of an at that time very oppressed people just makes this stick in my throat. That said musically it's inspired, but I can't give this anymore than a 2.
Homeless tem uns vocais bem legais, mais afro!
Amazing
"Who am I to blow against the wind"
Another pleasant surprise for me. I wonder if he would make the album in today's racially charged environment, due culture misappropriation, or whatever it is called (excuse my ignorance). Anyway, was very good background music to start my day. Favorites include, the boy in the bubble, Graceland, I know what I want, gumboots and diamonds on the sole. Not a fan of you can call me Al. Solid 3 for me, even 3.5
3 It’d be hard to not have heard of Paul Simon or the song You Can Call Me Al but I definitely had never heard much else by him. Since he was part of S&G I was worried we were in store for another folk-rock album but this isn’t that at all. Apparently released near the end of apartheid and motivated by that you can hear the African influences in its rhythms and themes. At times you could almost imagine them all in the studio recording the different parts. The baselines were pretty groovy too. think it’s influence has only come to harm it though. It won a Grammy at the time but now it’s nothing I haven’t heard 1000000 times before in one way or another. Something about it seems off as well. Like he’s not quite on time or the reverb is bad, which definitely took me out of the experience. Catchy but mostly forgettable 80s fare. Favorite songs: I Know What I Know, Diamonds on the Soles of Her Shoes, You Can Call Me Al, Homeless
3.5 I really enjoy Simon & Garfunkel, but I haven't listened to much of Paul Simon's solo stuff. I'm not sure how indicative Graceland is as to the sound of the rest of his solo work, but it's evidently a lightyear away from his Bridge Over Troubled Water days. He clearly leans into an African-inspired sound on this record which was fun and provided a unique-listening experience, but that's likely because I haven't exposed myself to enough music of the culture. Still, it's cool to hear an accomplished songwriter like Simon weave it into his music so seamlessly. That being said, there weren't a ton of specific standout moments to me on this album, so I don't feel like I have ton to say on this one. Good album listen, but not one I feel like I'd go back to specific songs for - had to re-listen to pick my favorites below. Favorites: The Boy in the Bubble, Graceland, Homeless
It's objectively decent but none of it resonates with me or have any personal historical connection really. Same for all Simon and Garfunkel stuff.
I love this - really not far off getting a 5. I knew a few of the songs, but never listened to the album from start to finish. What elevates it from other S&G stuff is the quality of the album as a whole - all the albums we've had from them have had a least 1 or 2 really good songs, but amongst a sea of mostly forgettable folksy stuff. Graceland and You Can Call Me Al are the two standouts on this album, but the rest is much much stronger. Have listened to this 3-4 times over today and yesterday already in the background whilst working, and will happily listen to it again. There's so much variety in the album (with a clear African flavour to it).
So I'm from South Africa and of age when this was formative for me but not old enough to be socially conscious of the frankly strange political set up (80's) What is great that this album now makes me contemplate these things. Great album
What’s not to love?
Todo un icono de la música norteamericana. Estilo folk y, en ocasiones, algo étnico. Sin ningún título destacable, pero agradable de escuchar.
Will listen again.
Rock mezclado con músicas del mundo. Está bien. Un 4.
This was truly an exciting album when it hit. I feel like Paul Simon's album here was the siren call to usher out the nastiest parts of the 80's-- the unfettered capitalistic republicanism that threatened to destroy America. And for a brief ebullient moment, Simon put is in touch with out hearts. This album gave love and human kindness a reason to hope. the album reminds me of my long deceased best friend from childhood and weekends at my Dad's house. Cool. That said, it is not the best Paul Simon album in my opinion. That honor goes instead to the lesser known album 'Hearts and Bones'. And if you don't know that one, please go give it a listen.
Ja borde ha givit hearts and bones en två frrrrr
Nice enough albeit underwhelming. Crossing cultures can only do so much legwork. I do particularly enjoy the title track
Inte så greppande
All-time classic.
Solid album.
Legal
Paul Simon is cool. This album has a few of my favorites by him, but - while I appreciate his “discovery” of African music - it feels more like watered-down appropriation at times than it should. It’s one thing to be influenced by other music and another to try to replicate it for commercial gain. I’m not sure which category this falls into. Still, musically, I like it.
Love Graceland, beautiful album from Mr Simon
Enjoyed it. Little bit of unfortunate 80s production (that vocal reverb!) but that fades quickly and the songs stand out. Is it cultural appropriation for a white guy to make South African-style music?
A favorite
Opinion 80s album and the album that brought the music of Soweto to the masses. A cynical attempt to cash in on South African political unrest or an earnest attempt to help these great musicians to North American ears. Whatever the motivation Simon absolutely hit his stride on this masterpiece. His best most consistent album. Every song is a success, whether straight ahead pop; You can call me Al. Or beautifully South African harmonies; Homeless and Diamonds on the Soles of Her Shoes, or even a credible stab at zydeco; Crazy Love. There's just not a note put wrong or a rhythm not perfectly timed. 5 🌟
You Can Call Me Al is a bop.
The variety of sounds on this album kept the listen engaging all the way through, and the music was really well put together.
Very chill Bring chilling
Part. Good but plastic.
Wonderful album. Fully delivers on the world infused feel good tunes.
I don't get it. You Can Call Me Al is a banger though
Rating: 7/10
I remember when this was released to wide acclaim. Every track is a classic, like a “ best of” album. Has to be 4* ( so maybe Yes yesterday should have been a 5 after all !)
Probably slightly overrated. I think its quite of its time. But 'You Can Call Me Al' is a classic so...
Loved it then, love it now 😁
Complicated circumstances to say the least.
Paul Simon was naive, stupid, and arrogant to visit South Africa during apartheid to make this album. However, I don't believe it was done with ill intent, and the musicians he collaborated with clearly love him. Kendrick Lamar said on Sunday night that “imperfection is beautiful”. The result of this imperfect collaboration is a real pleasure to listen to. Every song on this album is full of joy, happiness, and hope. It makes for a superb start to the day! (or end). (or middle).
The MIssissippi Delta, is shining like cultural appropriation
Funke fett for meg. Men ikkje heilt oppe i fire stjerner. Nesten.
Erlend prøver alltid å sette på Paul Simon men eg er ingen fan
The upbeat vibe puts a smell upon a cardigan that you can enjoy with each wear. Call me Al always a favorite, second half better than first
An amazing listen front to back. It's full of amazing African influences mixed with pop flare. Reading about was interesting too, giving greater context for why this release exists at all. I can definitely how this influenced modern indie rock down the road.
5/5. Damn good from the first song to the last.
Sublime
It was an a-ok listen. This album was never my jam but I'd never actually listened to the whole thing in a go.
It's fun and mood elevating. Great folk, as I expected from Paul Simon. Yeah, I'm aware of that it's basically an appropriation of African music (done in Apartheid era South Africa!). I can definitely hear it in the tracks. They sound like pop-infused, at some point even country-ish. Furthermore, I don't understand the hype about "You can Call Me Al", this '80s pop infused African fiesta thingy annoys the hell out of me. What's funny about this experience is that I don't actually enjoy African music. I mean, yeah I respect it, but after a couple of world music rolls in this generator, I figured that I'll have a hard time trying to get into music like that. However, I liked the less pop-ish tracks in the album, most notably the acapella "Homeless". In conclusion, "Graceland" is basically African music for the mainstream. Another Elvis Presley-ish appropriation. This issue isn't unimportant of course, but if one sets it aside for a while, they can see that it's definitely an impressive feat.
Sure, people think that Pauls voice could benefit from being less douchie, but I think it works. Though there's a dip in the tenor that carries through the album, it's mostly fun, carefree and mellow. The Zydeco and international flavors keep this lively. Overall, this is a very different album than I've heard on 1001. The Graceland track plays almost as if he's exposing a darker past and a brighter future. I love it, and Graceland is a clear winner, but truth be told, all of the tracks here are inspired and worthy. Great listen.
You could ask questions about Paul Simon appropriating African music to revitalize his career. You could ask questions about Simon's choice to feature South African artists during apartheid against the recommendations of peers such as Harry Belafonte. You could ask questions about Simon and Garfunkel's on again, off again relationship. But none of that seems to matter when you are tapping your foot to "Graceland."
A meticulously crafted, deeply felt masterwork.
My first boyfriend was convinced that Paul Simon sold his soul to the devil after his failed relationships (with both writing partner Art Garfunkel and wife Carrie Fisher) to come away from those failures with Graceland. The album is a blend of such unique styles and sounds and it is amazing to me how joyous the album sounds despite the preceding failures of Simon's personal and professional life. My first boyfriend was not the brightest but he may have been correct in this case.
2e écoute pour moi de cet album dans le cadre de ce projet. J'aime de plus en plus Paul Simon. L'appréciation de la World Beat n'est pas chose naturelle pour moi. Par contre ici, avec le style d'écriture un peu plus pop/folk de Paul Simon, ça donne des mélodies accrocheuses avec des sonorités auxquelles je suis moins habituées. C'est rafraîchissant et ça fonctionne bien. L'époque vient par contre affecter négativement certains éléments comme par exemple les deux fills de drum au début de I Know What I Know. Ce son de drum électronique sur ce fill rentre un peu à la crowbar juste avant le premier couplet. Très étrange à chaque écoute. La pièce You Can Call Me Al aussi est très marquée dans cette époque des années 80, mais elle fonctionne tellement. J'adore cette pièce et encore plus le vidéoclip avec Chevy Chase. Cette pièce à elle seule ajoute une étoile à mon appréciation de cet album. Ça m'a demandé quelques écoutes pour apprivoiser et mieux apprécier l'album, mais dans son ensemble je crois que c'est un album important et je dois le trouver pour ma collection. Pièces préférées: You Can Call Me Al, Diamonds on the Soles of Her Shoes, I Know What I Know
I wasn't a fan when this first came out, but acknowledged that it was something special. Paul Simon's World Music sound never really landed with me, but I discovered Ladysmith Black Mambazo which I did like. Today I still feel the same about Paul Simon's solo work, I know it's really good and after a fresh listen to Graceland for the first time in over 20 years, I get it. 3.5/5
Peak comfy
Good album. Not the genre I’d listen to frequently, but definitely top of its class.
Fire
Good
Don't tell Alex I didn't enjoy as much as he wanted me to. I just don't think that the slick production goes really well with the "world music" it wants to incorporate, but maybe it's just me. There are some solid compositions though, but considering its reputation, I gotta say that I was expecting more from that one.
World music for white bourgeoisie
Guilty pleasure. It's nice to know that world music was part of a mainstream album. I love it, but I cant really explain more than that. Just a cool vibe.
Well produced material that has not aged well. This album is like a very pleasant and gentle little cruise, to do once in a lifetime, but without necessarily wanting to go back.
This was absolutely unexpected for me. Totally different from Simon's previous works, with a lot of influence from other song styles, and very nice songs. The kind of album that shines in the crowd of mediocre albums around. However, for me, it's still far from a perfect record. It lacks a little bit of Simon's personality. It's easy to note the importance of the album and how it resounds even these days in pop music.
I love this album dearly, but need time in between listens to refresh the magic, hence the 4. A lyrical genius, that Paul bloke. Clever wee bugger!
I could listen to this album everyday. Absolutely love the sound mixed with so many cultural musical expressions being celebrated.
Brilliant album showcasing rhythms and styles from Africa.
I miss Garfunkel.
My first cassette. Who knew I would select such a timeless opus magnum? 1000 stars.
I enjoyed very much.
9.5/10
Weird
A great Pail Simon album. Love the world music he incorporates.
I always thought this was an album from the early 70s, not the late 80s.. damn. Kind of a weird combination of synths and African singing. I've had the "Ladysmith Black Mambazo" album on here before and I quite enjoyed that one, but I think the song with them on this album was my least favorite one. Cultural appropriation? I don't know, I haven't read enough about the production of this album to know how he treated them and hell, I'm not the one to decide if this is or isn't cultural appropriation. I'm just happy to be exposed to South African music because I would never seek music like this on my own. Overall nice to hear something different because I've been in an uninteresting meh music limbo the past two weeks. A strong 3/5 I think.
Aika kasarit soundithan tässä on! Ja kunnon hittibangerii! Melkeen enemmän itse tykkään vanhemmasta tuotannosta. Sit en oikeen osaa olla noista afrokuorohommista oikeen mitään mieltä. Hämmentävää! 3/5
Tykkään tosi paljon Paulin kasuaalista lauluäänestä. Ja vaikka yleensä vähän karsastan kasarityylistä positiivisuutta, niin tässä toimii. Muutama erinomainen kipale.
Kiinnostavia elementtejä tuotettuna maksimaalisen hiotuksi kokonaisuudeksi. Tätä paremmin tehtyjä poppislevyjä en oo montaa kuullut. Tykkään myös tekstien vaatimattoman optimistisesta tyylistä -- tuntuu, että tässä on mies, joka elämän vaikeuksien jälkeen suunnistaa kohti valoa. 5/5
Rare poetry
Frábær plata. Er ad geyma fimmuna. Annars fengi hun 4,5.
Mjög hár fjarki. Algjört fimmunart.
I like it. Även om det är rätt jobbigt ibland
Ack så mysigt!
The music is ok. It is easy to listen to. Not very exciting and it doesn't invoke anything in me. I may listen to it again.
Add a start for Homeless
Has a very 80's feel. although can't quite say what that means, is different from every other album on this list so far and I enjoyed listening so it gets a 4
Some of the songs were familiar, Call Me Al is probably the most well known song. I have actually heard this entire album previously. I like Simon and Garfunkel and Paul Simon by himself can be good too. There is nothing wrong with the album, but I just don't see myself picking to listen to this album again.
This has been my favourite album for a very long time. Paul’s words and his elegant voice mixed with the fun, joy, beauty and celebration of South African music, mixed with American roots of blues and country, made for a historical album and a cultural moment in the history of popular music. It will always be an important album and meets every definition of “must hear”.
Great Album, can't help but to feel happy and in an elevated spirit when listening to those upbeat African rythms. Paul's great voice and folk style singing is the perfect bridge to make this combo easy listening
Brought South African Rhythms to my ears. Classic album.
The good: there's something irresistable about this album. The middle of it especially is very happy, and upbeat. Paul Simon's singing and songwriting in particular shines like nothing else. The bad: The heavy reverb, super 80s drums and overall MIDI sound of the opening track had me a little disheartened and it got better as the album went on, but the last couple of songs are... ugh. I can't for the life of me get over those dumb 80s heavy reverb snare hits. Combine that with hoompah drumming and it's just very off putting. The ugly: The bass lines that sound like wet farts. Paul Simon's singing is just so damn happy, though. It just about manages to balance out those negatives. Still, not something I'd listen to again, apart from some select songs. 3/5
A left turn of a Paul Simon album that eschews his usual warm, bare-bones guitar-based style for a distinctly unique take on the 80s. A wealth of genres and styles are sampled on this LP, but none clash or overwhelm in the way that most 80s records tend to do; this is still Simon's sound and songwriting, just clad in the sounds of its time.
So so great!!
This album is mostly just great but there's a couple of real clunkers. The bad songs pull this down from a 5 but just a little. 4.5 stars.
Bien aimé mon écoute, le mix zeideco pop africain est particulier c'est certain que c'est original. La grosse bass fretless ne m'a pas gossé étrangement, les grooves sont cool, c'est rarement convenu ou inintéressant, pour un disque pop ça voyage pas mal. J'écouterais pas tout les jours mais je ne rechignerais pas d'en trouver une copie pas trop cher usagé mettons
J’aurais probablement abandonné avant la fin si ce n’était pas Paul Simon. Ça vieilli très mal. Je pense que ce n’est pas inintéressant par contre, une fois qu’on arrive à faire abstraction de l’instrumentation.
Surprenant comme écoute. L'appréciation de la World Beat n'est pas chose naturelle pour moi. Par contre ici, avec le style d'écriture un peu plus pop/folk de Paul Simon, ça donne des mélodies accrocheuses avec des sonorités auxquelles je suis moins habituées. C'est rafraîchissant et ça fonctionne bien. L'époque vient par contre affecter négativement certains éléments comme par exemple les deux fills de drum au début de I Know What I Know. Ce son de drum électronique sur ce fill rentre un peu à la crowbar juste avant le premier couplet. Très étrange à chaque écoute. La pièce You Can Call Me Al aussi est très marquée dans cette époque des années 80, mais elle fonctionne tellement. J'adore cette pièce et encore plus le vidéoclip avec Chevy Chase. Cette pièce à elle seule ajoute une étoile à mon appréciation de cet album. Ça m'a demandé quelques écoutes pour apprivoiser et mieux apprécier l'album, mais dans son ensemble je crois que c'est un album important et je vais sûrement y revenir à l'occasion. Pièces préférées: You Can Call Me Al, Diamonds on the Soles of Her Shoes, I Know What I Know
Not my cup of tea, didn't finish it.
All-time classic. Still sounds great even after all these years. 5 stars.
Rating: A- or 91% A gem of an album. So difficult to choose a single track, seamless in its world beat / afro beat soundscapes and fun filled escapades. Paul Simon's best solo work hands down. Picks: The Boy in the Bubble, Graceland, Gumboots, Diamonds on the Soles of Her Shoes, Crazy. Well almost the whole darn album.
I enjoy the complexity of the lyrics. Pauls vocal skills are the dominant strength I take from this album
I didn't really know the background of this album. But as I was listening, I kept thinking this sounds a little bit like what would happen if Paul Simon sang the Lion King soundtrack. Read up on the history of the album and it's South African roots and it made a lot more sense.
❤️
Really great album. Love how visionary it was for the time...really nothing like it. 4.5/5
masterpiece. just amazing the blending of paul simon's folk and black ladysmith mambazo. feels like it could have been made yesterday.
Banger
Love this one
Lots of nods to Africa in the creation of this album, liked it more than I thought I would
Een van mijn favoriete albums! Vroeger als kind ooit gehoord bij de ouders van een goede vriend. Nu nog steeds kan ik elk nummer waarderen. Misschien voor mij wel het beste album dat ik ken. *****
Immaculate. One of the most beautiful albums ever. 10/10 1. Diamonds on the Souls of Her Shoes 2. Graceland 3. The Boy in the Bubble
Overall I really liked this album. I think it has some good folk vibes, and I was reading about it so I learned a bit about South African township music, which the album was heavily inspired from. I appreciate that Paul Simon used prominent artists that were a part of South African township music as features in his album. My favorite track on the album as a whole is probably Graceland, the title track. Overall, very strong, nice to listen to, but not life-changing. This one got the big like.
Not so good album, linear and without great songs
Best Song: I Know What I Know. Nice storytelling style to communicate a very slice-of-life ordinariness, while being backed by some great South African music. Worst Song: Diamonds on the Soles of Her Shoes. Sometimes writers can enjoy the sound of a lyric they've a little too much, and repeat it to the point where it loses its lustre. This is one of those times. Overall: Quirky little album, with Simon telling these quaint little stories over varied African rhythms. The juxtaposition didn't really feel like it added much though, and the whole was no more than the sum of its parts. I often found myself wondering why I wouldn't just listen to the African artists themselves, without Simon overtop, as they were often the most interesting part of the music.
23rd February 2022 Listened at home while working before driving home to glos in preparation for Ali’s wedding. Combination of folk, pop and African influences as Paul Simon’s wonderful songwriting hits it’s heights. Anchored by you can call me Al and diamonds on the soles of her shoes. 4.5 if I could.
I don’t understand why this is rated so high. I didn’t hate it, but can’t say much stood out to me other than it being generic like world music. 3
great songs on this album. so many good things have been said about this album. song "Homeless' is great, with a great lyrics. remember when this premiered, Paul said "this is my best album" and everyone was wishing for more music from him and Garfunkal. when it came out, everyone was amazed with it. different types of music and instruments. maybe this started more globalization of music, seemingly it was ahead of its time.
Game over. Best Paul Simon Album ever IMO. I love the African influence and recognition given to those contributors. Is and will always be one of my favorite albums, period.
i am rather conflicted on how to approach my rating and review. i read deeply into the polarizing controversy with this album; it’s fascinating that this album is so deeply beloved when so much contention surrounds it. while the african music is gorgeous, it is not the place of a white westerner to steal and profit from it, let alone during apartheid. that being said, i cannot deny how amazing some tracks are—diamonds, al, graceland. those songs alone can explain why this album is so memorable, more than 35 years later.
I KNOW this album is iconic, but I had never heard it. In fact, my total knowledge of Simon's solo work is pretty well limited to just a handful of songs, most of which are on this album. I was eager to give it a full listen. The ways Simon and his team found to blend African and zydeco music with his more typical folk sound was not only revolutionary for its time, but nothing short of artful and masterful. In listening to this, I knew I was hearing something that was unique, and is probably still fairly unique in its execution, even today. The music and album craftsmanship at work here is undeniably top notch. On one hand, Simon did westerners a great favor by making them aware of the beauty of African music, but on the other hand, this could just as easily be interpreted as a white musician with a slumping career using an "unknown, exotic" sound to revive said career, building it on the backs of South Africans who more than likely did not get their fair share in pay and recognition in exchange for what Simon took from them. This really is an album that people should hear before they die, as there is nothing else quite like it. I really did enjoy it from an idealistic "one world" perspective, but that's not the world we live in, as much as I wish it was. Realistically, Simon knowingly did something great AND horrible in making this album.
Maybe a 3.5, I actually liked this much mroe than I thought I would. very 80's in parts though.
Another album I’ve not actively listened to in ages. Dug out the vinyl. Drums, bass and accordion really drives the rhythms. Loved it. But it’s his vocals and the production that adds some grace, depth and lightness of touch when it’s needed. Really need to listen to this more. Staying on the turntable for tomorrow.
1986. Graceland, You Can Call me Al
Very good
I forgot how much I like this album. You Can Call Me Al still fills me with glee. How can it be that I still remember all the words?
Such a delightful stretch from the normal folkie stuff. Paul Simon is definitely multi talented
Liked it a lot more than I thought I would. Honestly it's pretty good, It's fun and His voice is kind of Nostalgic to me for some reason.
Fun to listen to. Kinda have "You Can Call Me Al" stuck in my head now haha. Really interesting to read the Wikipedia article and about him going to Africa and all the hubbub that followed; how it tied it with political and social things happening at the time.
This a good one
Call me allll
When this arrived as my album of the day today I was thrilled. It’s been a long while since I’ve listened to this album and my love for it hasn’t changed. Now added to my favourites and will be listened to again and again
Had quite an interesting sound, seemed almost like sea shanties at points. Quite interesting, but not my favourite.
5 stars for the bass player alone
Brilliant 👏
Приятный мелодичный альбом. Из-за небольшой продолжительности не сильно приедается. Поставил бы около 3.5
probably wont revisit
Listened Before? N This turned out to be an amazing album. It feels like the 80s, but it's timeless in its musical composition and eclectic sound. Everyone is familiar with You can Call Me Al, but the rest of the record is just more of the same! I never knew. This is why I am doing this project. Added to Library? Y Songs added to playlist: You Can Call Me Al, Graceland
classic.
It seems harsh giving this renowned classic two stars but I honestly recoil when I listen to it. Diamonds and Al are good songs though.
A blend of dated 80s sounds and casual cultural appropriation. Sounds like a Sting record.
Really pretty fun to listen to. Wavered between a four and a five on this but it's just not quite got enough pull to it to make me want to listen to it again and again.
omg so wonderful
Душная хуита!
Uh
A fantastic album that has been on my playlist since it was released.
More upbeat than BOTW. Lot of familiar tunes.
the singles are life changing, the rest of the album is pretty damn good. 8/10
9/10. Spectacular album. Graceland and You Can Call Me Al are the obvious stand-outs, and everything else seemed solid as well. Could easily go up to a 10 on a relisten, only reason I am holding off is because nothing really blew me away on the more filler-y songs, but I think that might have just been me multitasking homework and forgetting about it.
Fun to listen to. 8/10
One of my favorites. I hadn't listened to it in a while, so it was good to get back into it.
Ok so it might be a bit problematic but still great
Classic
Pop rock tepidness
216 albums in, it's clear this book isn't going to introduce anyone to African music. So, instead of reviewing this very good album, here are some great African albums for those who like what Simon's collaborators bring to the party. Omona Wapi, Franco & Rochereau (1976); The Music In My Head, Various (1998); The Guitar Paradise of East Africa, Various (1991); The Indetructible Beat of Soweto, Various (1985); Egpyt, Youssou N'Dour (2004); Rough Guide to the Music of the Sahara, Various (2005); Specialist In All Styles, Orchesta Baobab (2002).
Some fun tracks, nothing to write home about. S/o to Vampire Weekend for making a whole career out of ripping off this record.
This album is fantastic. Except for "You can call me Al" that single song kept me from listening to this masterpiece for decades. Not that it is a bad song. It is an example of record companies back in the day pushing singles that did not match the rest of an albums's aesthetics.
Bueno
On one hand this is an album with some great songs the opened the door to people listening to more South African artists. On the other it can be seen as musical colonialism and didn't do much more for the black South Africans apart from steal their tunes. I am torn as I would like to believe Paul Simon went into this project with the best intentions and the legacy of this album is a mostly positive one.
Great album by an amazing singer/songwriter. Great experimentation with the blending of different styles from South Africa.
nothing spectacular. some songs were good, others were bad. it just wasn’t intriguing.
I grew up listening to Simon & Garfunkel - to clarify: I almost literally learned to read by following along with the lyrics on the back of their albums. So yes, I was/am a big fan of theirs (most notably their final 2 albums). Additionally, as a little kid in the 70s it was impossible to not be exposed to a shittonne (scientific measurement) of solo Paul Simon on the radio. Which for me wasn't the same without Art but still - very good songs that helped define a lot of my childhood. But - and I know I'm in the minority here - I never could connect with this one. Sure I was in high school and in my peak hard rock / metal fandom but I (thought I) could still appreciate the finer musical arts, but I rejected this *huge* album at the time. So what better time to do a reappraisal of an album in so many "top 10 alltime" lists... And I know I'm wrong here ...but I still don't like it at all. What about this album is so cold to me even amidst the many radio hits that should at this point hit me with some degree of nostalgic fondness? I think on one level the overly-wordy tendency of Paul in these songs is almost an overt turnoff; of course he has made a career of storytelling in his songs but something in these is just too much. Also the music ... there's no passion, no energy or mystery...all of it is just not exciting to me in any way; I want so much to like this with the incorporation of African musical cultures but the progressions on nearly every song are terribly repetitive and none of it carries anywhere near the same musical weight as his earlier material. Maybe it just carries too much of that 80s sterile shine. Honestly I just think it's the songwriting. For a very lazy one word review - I did and still do just find it all terribly boring. I won't argue the consensus on this, I know it's a beloved album, but it'll never hit me. Personal pass. 3/10 2 stars.
The best.
Something about this sound just makes me feel happy. I think it reminds me of some old Disney movies or childhood shows I grew up with(album came out the year before I was born). I think Paul Simon is such a great artist and for him to be down and out, divorced, band broke up, last solo album flopped, so he decided to come out of left field with this album focused on African rhythms and things. Very risky but it paid off and created a one of a kind album. Also, You can call me Al...Probably one of the happiest songs and music videos of all time, watch it and try to stay in a bad mood, you can't.
2/5 pretty forgetable.
Sooooo The very first song had me saying this sounds like "you can call me Al" . It carries on and I just keep thinking g why do all these songs sound like an extension of that son..then lo and behold! That fucking song comes on. I'm sorry, I don't get the raves about this album. Its not bad but it's also not great. A solid 3.
Paul Simon was in the doghouse when he decided to record this album in South Africa during the international boycott. Also people accused him of stealing ideas from (African) musicians as he had none. In the end it was a great musical and commercial success and it helped a lot of African music to get in the picture again. It songs are fabulous. "You can call me Al" is maybe one of the weaker ones, but the thought of the accompanying video always makes me very happy.
One for the yuppies and highly problematic at the time. A couple of stand out tracks - but even they are limpid and uninteresting. Overall it's over-filled with instrumentation and rhythms.
Such a great album. Interesting, cohesive, original. It can draw you in or just kinda be there, comfortably, like your favorite blanket warming you up on a cold winter's night.
A classic album full of love, life and passion, has any album so popular been so controversial? Critics argue Simon broke the South Africa boycott to make this album and took a musical genre he had no right to play; his supporters argue he crossed the colour line and collaborated with African artists, helping to hasten the end of apartheid. It is for each listener to determine for themselves how they feel about this album. Judged on the product alone, however, this is an exquisitely crafted collection of songs with Simon at the height of his lyrical powers and an assembly of musicians playing beautiful melodies and memorable polyrhythms. A great singalong album, a road trip album, a unique album in its blend of Western song writing and African music (is Simon flying too close to the sun, evoking Elvis, a white artist accused of stealing black music?) with so many highlights- Boy in the Bubble, Diamonds in the Soles of her Shoes, You Can Call Me Al, Graceland -what a quartet of singles! - Whatever else, Simon took a massive risk with this album and what could have been a colossal, laughable failure turned out to be one of the greatest albums of all time.
I had great expectations for this based on memory. This LP could be summarized as 1) a bunch of mediocre songs made good by a few South African musicians or 2) an excellent album featuring excellent ZAR musicians. I choose #2 but acknowledge that #1 is also true. The songs (e,g. Homeless) featuring Ladysmith Black Mambazo are excellent and this is a good amount of a cappella for an album. You Can Call Me Al was the big hit but for me it's not the strong point of the album. Graceland, the other hit, is quite good and made so by Ray Phiri's guitar playing in the Soweto style. Diamonds on the Soles ... is a great tune that would be average were it not for the excellent intro by LBM. Likewise I Know What I Know would be a fairly lame song without the ZAR guitars and bass. It's true, the lyrics about the cinematographers party would not, by themselves, have carried this song. Crazy Love Vol II continues with the ZAR sounding guitar riffs. There was lots of politics around this LP. It's said that Paul should not have broken the boycott by going to ZAR to record. This argument makes sense. He probably should also have taken a pass on having Linda Ronstadt sing on the album. There are also accusations that Paul took advantage of the musicians. That sounds like a nonsensical argument made by the wingnut section of any Socialist party and was probably led by the likes of Billy Bragg. I bought a lot of records by South African musicians like Ladysmith Black Mambazo, Joe Mafela, Miriam Makeba, Mahlathini and the Mahotella Queens, etc. Paul Simon wasn't directly responsible for my liking their music but I would not likely have found material from LBM in the record stores were it not for Paul. Paul created tremendous interest in and benefits for South African musicians. --
The amalgamation of different sounds and styles, which I thought I wouldn’t like, works well, though I’m still not a fan of his voice or lyrics. They sound contrived. For example, I can’t picture him saying “hey senorita” to anyone – Bob Dylan or Neil Young or Tom Waits could pull it off, but not Paul Simon, who seems more upper east side. Overall, he’s too soft and radio-friendly for me.
I managed to listen to the entire album and I confirmed that I'm just not a fan of Paul Simon's brand of folk/pop/rock. Something about his voice and his style just doesn't work for me.
Eh, I’ve tried to get into him. This wasn’t it
Paul Simon is the real deal and always was.
Still a fresh sounding album
I see what Vampire Weekend was talking about.
Superb. All the elements are finally balanced between commercial and experimental. This is an album that rewards you from the first listen. An absolute timeless classic that still sounds fresh 35 years later.
Possibly his best album. Nostalgic
Post colonial appropriation at its best. Paul Simon takes fine musicians and mumbles some bullshit over them. An incoherent and messy album with no real ideas beyond hey I really like 'their' stuff. The best song being homeless untill Paul jumps in at the end and screws it up.
Hits all the right spots, including nostalgia.
Nothing says stealing black music and making it white like Graceland. A beautiful album, with coherent lyrics, made by a proper musician. Well done, Mr Simon.
Whenever the topic of cultural appropriation comes up, this album gets a mention. Maybe I'm naive, or probably just nostalgic, I saw this in a positive way - would I ever have been exposed to South African music styles? I still enjoy this album, upbeat, bass, love it! (again, nostalgia!)
I had only heard one song from this before. I liked it, and it was interesting to learn about. Although the African influence was cool, I did get a little tired of the constant pep.
It was good!
Different and interesting
great basslines, some catchy tunes
Amazing album. 5/5. I just had Ladysmith Black Mambazo come up in my list a couple of days ago and immediately thought, I wanted to hear this album - and here it is.
While familiar with Simon & Garfunkel as a group, I have never listened to Paul's solo stuff. I wasn't quite sure what to expect after reading a little bit about the making of this record, but it did make me a bit more curious about it. I found myself wanting to like this album more than I actually did. It's a bit cheesy at times, like Disney soundtrack cheesy. Even though I appreciate this album, it irritates the shit out of me for being so damn happy.
Not as good as his self titled, but still good.
I heard about this album on reddit. People rated this album as a 5 stars album, saying it was a "family trip" favorite. I listened to it from there and found it magical. Now I listened to it when I travel and I really love it :)
v good, 4/5
7/10
Pleasant listening. At the time it was released, it brought a group of talented but often overlooked musicians from Southern Africa to a huge audience, with follow on success for many. A gentle and beautiful collections of songs.
This album is amazing
Любимейший альбом
I've got some catching up to do so I'm glad to get another album that I know very well. There's so much to love about this album I don't know where to begin, just fills me with so much joy and excitement every time I hear it
I was introduced to this as a child and still listen to it regularly, especially on hot summer days. The lyrics are great and the music is joyous, and it still sounds fresh after all these years. The blend of African and American music was clearly very influential on future artists.
I prefer my Simon with a Garfunkel but this album is pretty close to faultless. Easy 5/5.
Ready for a 5. Big fan. Didn't quite get there though. Grrat music, love the album cover, but I think some of the songs need some time to come around.
Lame
Really catchy songs with pretty hooks, wonderful lyrics giving each song an enjoyable listening experience. However the album can get pretty boring in parts. Really dislike the bass sound though, and the massive amount of reverb on each instrument. But that’s the 80s I guess! 3/5 - A fun ride.
A classic, even if Steve Berlin's story gives me pause...
Absolutely brilliant. An uplifting classic that I'd guaranteed to put you in a good mood despite some of its darker undertones and subject matter.
Not really a big fan of this although it was pretty diverse musically. 1.5/5
Good album obviously and the source of some of the most recognizable Paul Simon songs in existence, but I think it gets dragged just a little bit by its use of tymphonic 80s drums. Can't really BLAME it for that, but it is an element I don't love. Need to revisit.
Love this album!
The rave reviews make me feel like there's something I'm missing out on, or perhaps this particular brand of... 80's African-inspired folk(?) just isn't for me. It's okay.
Fun album
Great album. Starts very strong and goes strong for most of its runtime but I feel like the last 2 tracks are considerably worse than the rest.
Homelessness was a terrible song. Boy in a Bubble reminded me of Come With Me Now; accordions are underrated. I did like the more popular songs on this album. You can call me Al is a classic.
I sort of enjoyed it.
A real mixed bag. Loved some, some was shit. His voice is a bit meh.
Listened to this a TON when it first arrived. Still holds up well.
Brilliant.
My favorite of his, so far
Marvellously intelligent.
An outstanding album by Paul Simon, arguably his best. The songs are perfectly crafted, with a rich, eclectic sound. It’s a clear labor of love for Simon, who worked with an extremely talented roster of musicians in South Africa and in the US. But it feels like a real collaboration between artists, not just Simon playing musical tourist. Simon’s exceptional songwriting is the icing on the cake, some of the best of his career. Musically, the songs are joyful, warm and engaging, with gorgeous arrangements. Hard to single out any one performance because it's all amazing. I can’t imagine many artists being able to pull off such an ambitious effort, but Simon delivers an album for the ages. Fave Songs: You Can Call Me All, Gumboots, Graceland, The Boy in the Bubble, Diamonds on the Soles of Her Shoes, That Was Your Mother
Do I think about the great sounding sounds, or think about cultural appropriation? I think he does a good job of paying homage to the culture.
Impressive. An amazing mix of african rhythms into folk-pop music with creativity and energy. Very cool how someone can start with a blank page and end up with music like this. Very enjoyable.
Ok aber bisschen nervig am Ende
“In yoking this intricate dance music to his sophisticated New Yorker sensibility, Simon created a bridge that neither pandered to nor patronised either culture.”
Mikil nostalgía, skemmtilegar sögur og frábær hljóðfæraleikur.
Good album... Production/sound quality is lacking.
Probably my favorite album of all time. When I first heard it in 2012, this record changed how i listened to and thought about music. There are so many songwriting and production decisions here that just totally floored me, from the combination of the upbeat accordian grooves with totally programmed drums to the super melodic bass lines. What really made me become obssessed with this album, though, is how conversational and impromptu his vocal delivery is. There are sooo many lyrics on this album, and his phrasing throughout is very cluttered and erratic. It risks sounding clunky and awkward, but instead it makes this whole record feel unpredictable and lively. One of the few albums i wish i could hear again for the first time
I do not like Simon's voice or the style in which he sings. Some cool instrumentals, but this isn't for me.
Meh. Decent enough background music.
Loved it once but now realise how shitty Paul Simon was to the musicians. Plagiarism and appropriation with terrific lyrics
My dad was big Simon and Garfunkel fan but somehow Graceland never came on his radar. I always wondered what my life would have been like if the sounds of this album had been played around the house in the mid 80s. (I probably would have hated it.) This album absolutely feels like the creative work of a middle-aged man who has hit a creative rut and has taken inspiration from other cultures in other to get his groove back. There are some good tunes but ultimately it feels a little overwrought.
Was okay
A classic album, with truly memorable melodies and lyrics.
America, 80s, Folk rock/pop + Warm = Male, - Folk, Alike, Boring, Oldish, NFM {0/12} [2/5]
The beginning was great
Great album.
Классная обложка
Decent classic album
One of my favourite albums of all time. Of course, it is impossible to extricate Graceland from the political environment from which it was born, and the folks who would tell you otherwise are ignoring a significant and real part of its history. The album is a beautiful mixture of American pop, rock and jazz, and traditional black South African music. However, it would be remiss of me to not draw a connection through Graceland to Elvis Presley, a white man who popularized black music among white audiences. I don't believe his intention was ever to take credit wholesale for the sounds of Graceland, but it's not an unfair comparison, and one worth considering as you listen. Still, Simon's goal was to create new musical expression free of political boundaries (such as the ongoing Apartheid) and at this, I think he succeeds, creating one of the most vibrant and diverse feeling albums I've ever heard. Exceptional.
Dai, alla fine ci siamo divertiti!
Penso che l'unico modo per definire questo album è: una baracconata. Simon ha fatto praticamente "La mia africa" di Boris, ha preso vari musicisti africani e non, tutti generalmente talentuosi, e gli ha fatto fare un album al posto suo senza probabilmente andare oltre una comprensione superficiale. In certi casi è veramente troppo palese, tipo "Homeless", dove Simon esce dal bagno durante gli ultimi 20 secondi di registrazione per dire le sue due cosette in modo da firmare il pezzo. E comunque è meglio così, perché quando Simon è più presente nei pezzi il risultato è a dir poco discutibile e più di una volta m'ha strappato una risata che non credo fosse l'effetto sperato da Simon. Un'altra nota che non possono non fare: ma che c'entra la copertina? Comunque per me sto album è tipo un 2, e volevo dare 2, però poi me so reso conto che c'è il suo nome sulla copertina e sto votando la parte sua dell'album e quindi è 1.
Questo disco ha dei problemi, non si capisce bene quale fosse l’idea di Paul Simon, molti pezzi richiamano sonorità africane mentre verso la fine del disco si va verso una sonorità country vecchio stile mentre il primo pezzo è una specie di folk ritmato. La copertina invece ha un cavaliere in una raffigurazione medievale non si capisce bene il perché. Non credo ci sia un problema nel tentare di contaminare la propria musica ma come viene fatto in questo disco non mi convince affatto. Sembra come se Simon abbia preso delle cose che non gli appartengono culturalmente senza capirle realmente e si ha l’idea che i musicisti, che sembrano di qualità, vengano danneggiati da questa mancanza di scambio. Musicalmente penso che uno dei problemi maggiori sia sulla ritmica perché i pezzi sono scritti imponendo una visione occidentale di essa e questo finisce per appiattire molte delle performance degli ospiti.
Upbeat but synth-y
I've heard this album before. I'm familiar with a few of the songs but didn't really enjoy it.
Meh
An top artist in top form demonstrates what innovation and exploration means. Yet, at the same time, I find I’m unable to connect with the music as much as I can with other Paul Simon stuff.
A few good songs, but not my favorite album from Paul
some gooders I knew like "call me al". cool to hear the south african influence, but all in all not an overly memorable album
Enjoyed it way more than I thought. Strong 3.5
Would have given it a 1 but you can call me al makes up for it. Rest of the songs are brutal
bleck, not good.
I sensed a connection to Jah Wobble, went back, and realized that my reaction to this type of impresario project is largely the same. Except with less affection in this case. Slight, uneven melding of musical material (feels like halves). Doesn't have a standout track. Not offensively bad.
I like it very much!!
5/5 Well produced and nice sounds
Thought I would like it better but wasn’t bad
Me rehuso a escuchar este disco. Perdón. Le doy una estrella.
Un disco que hoy nacería cancelado por apropiación. A mí me gustó, una versatilidad armoniosa, como que es un recorrido guiado de cómo puede sonar la música desde muchos lados con orientación sobre todo pop. A veces incluso se oye lúdico. En fin, disfrutable. Canciones fav: "I Know What I Know", "Diamonds on the Soles of Her Shoes", "You Can Call Me Al" y "All Around the World or the Myth of Fingerprints" 8.5/10
Mon préféré de Paul Simon. Tellement bon 5/5
increasingly got more “ok I really don’t like this, why is this guitar making me so irritated”
Första 8 låtar var en go variation från allt annat, sen blev det väldigt mycket Paul Simon
Was good in its day.
I go back and forth between “Paul Simon is so good” and “okay, Paul Simon..I get it”
Call Me Al has been one of my favorite jams and most favorite music videos for years now. This album would get 4 stars just for that. The other songs are new to me, but are all infectiously good. Glad Paul went to Africa.
Another three attempts at the famous Graceland album… to me it’s cohesive and an easy listen. But it doesn’t reach any particular heights. Most of the instrumentals are good. I’m eagerly awaiting Simon & Garfunkel’s “Bridge Over Troubled Water” album.
Please stop.
This album sucks. Paul Simon sucks.