Reviews (page 2 of 15)
I think this might be another album that scores a point higher due to nostalgia. But I do think it's fantastic listen.
A total reinvention of Paul Simon. Simply amazing album!
This was a big hit when it came out and I tried to dismiss it as yet more boomer nostalgia getting jammed down our throats but the musicians on here are so outrageous you are forced to listen to this album on its own merits. Even if you were a goth or a b-boy or even a punk, if you were playing bass guitar when this record came out, your face was torn off by it. Respect must be paid to Bakithi Kumalo, a genius of the electric bass none of us had ever heard of before and who kinda steals this whole album. Call me Al and Diamonds on the Soles of Her Shoes are two tunes where he stands out particularly. It was popular in Woke 1.0 to single out this record as cultural appropriation but i think that's bullshit. Actually, the entire concept of cultural appropriation is bullshit. Also, I daresay this album did more for killing apartheid than any boycott a la Little Stevie's "Ain't Gonna Play Sun City." Songwriting is on point, too. This came out around the same time as the Talking Heads movie True Stories and between the two it was very much a time for quirky, slight white men of and about New York City at a time that is hard now to believe existed. A New York City where Trump is just starting to emerge into the broader culture, for a garishly guilded tower a block from Bloomingdales that seems mainly like a sign of the yuppie times; a New York City where Rudy Giuliani is also just starting to emerge, as a mob-busting savior, no less; a New York City where the culture these men are emerging into is one where the Epstein-adjacent norms underlying Woody Allen's Manhattan are somehow more praiseworthy than cancel-worthy. From this NYC, these two unrelated men, both in their own way embracing the Morning in America vibe and trying to tell a big story about it by seeking meaning in the flyover states. Good job, lads.
I knew this was eventually going to arrive as the daily album, and I was sort of dreading it. I was a bit relieved that it wasn't quite as painful or superficial as I feared, but I think my dread was still well-founded, and not just on such obviously derivative tracks like "Gumboots" or "Homeless", or the sadly stolen jam sessions from Good Rockin' Dopsie and the Twisters ("That was your mother") or Los Lobos ("All around the world or the myth of the fingerprints"). In some ways, the best of this album are where he tones down his infatuation (and appropriation) on the opening track "Boy in the bubble" and "You can call me Al" (with a fun video featuring Chevy Chase). "Graceland" is certainly better than the likes of Joni Mitchell's "The Hissing Of Summer Lawns", but even on the world-music-appropriation scale it's so much less interesting than Talking Heads' "Remain in Light" or Peter Gabriel's "So". I was also semi-aware of the controversies surrounding this album (especially the violation of anti-apartheid cultural bans), but reading the (largely positive) Wikipedia entry made me far more aware of how stubborn and seemingly uncaring Simon was (and likely is) about fellow artists and issues of cultural sensitivity and appropriation. This was clearly a high-water mark for him, and also re-energized him to the pleasures of music, but none of those things helped me enjoy his style of music particularly, and I still shudder at how much this album reminds of the most painful aspects of Western artists' perspectives towards everywhere else, and Africa in particular, in the 80s and 90s. It's not as bad as Toto's "Africa", Band Aid's "Do they know it's Christmas?" or USA for Africa's "We are the world", but to me it feels uncomfortably close.
This album never used to appeal to my punk aesthetic so I think yesterday and today might have been the first time(s) I played it all the way through. Even if I'm not a fan of some of the musical styles he incorporates (zydeco), he does so beautifully and the songwriting is genius.
JL : 2, The Boy In The Bubble
I don't think I ever encountered an album where the difference between the quality of the sound and that of the text bothered me so much. I understand that using stories that sound mundane and are told in a casual descriptive way are a style choice, it's just one that doesn't get me. The sound on the other hand is beautiful and rich. Especially the tributes to African cultures are an obvious inspiration and the musician's love for them really comes though. Best songs are I Know What I Know and Under African Skies. 7/10, held back by its lyrics.
Over 20 years after Simon and Garkfunkel first started, Paul Simon dropped what most people agree is his best project since then and possibly even his best project he ever worked on with Graceland. This album grabs from so many different influences and puts it all into one very immersive 43 minute project. Some of the genres at hand I can see this album including are Mbaqanga, which originates from South America as a mix of Zulu traditional music and a plethora of other African and American genres, and Zydeco, which is born in Louisiana by French-speaking African American Creole people. While I may just be skimming the definitions due to my very limited knowledge of these specific genres, the music itself goes a very good job of speaking for itself in how varied it is. This album doesn't win me over very much, but I can tell there is a lot of love and research put into play here and that alone is very admirable. Graceland is a music major's favorite album of his and it can definitely be heard why, but in terms of overall enjoyment, replayability, and accessibility I think this project does struggle with me a bit to make a bigger splash in my mind. A very cool project, just not one I will see myself thinking about much after this.
Very good album. Couple bangers but I can't consider it great top to bottom. But worthwhile listen and good sound.
YAYYYY favoriet van mn moeder <3
Great Paul Silon
Love the bass and all the different rhythms. Much more my thing than the very slow stuff.
super fun and enjoyable.
I love Call Me Al. Definitely a great song. The rest of the album was just ok for me. I recognized a sample from Diamonds on the Soles of her Shoes from a Pretty Lights sunset set at Bonnaroo and that was exciting for me.
Just amazing. One of the greatest albums of all time.... certainly one of the most important! Utterly perfect from start to finish! Too many highlights to mention.. The Boy In The Bubble has always been my personal favourite but Graceland is wonderful, I Know what I Know, Diamonds..... The album ending...the climax of All around the world is utterly joyous! 5 stars isn't enough!!
Urgh. Some points were less bad than others but overall wasn't my thing. Don't quite understand the tribal music.
Pristine pop songwriting marred by annoying ass 80s music production trends. I don't always hate gated reverb, I just mostly do.
Den här typen av blandning med västerländsk och afrikansk musik påminner mig om lejonkungen soundtracket. Ska lyssna på det nu.
Some nice moments in the album i like and i can appreciate why it's been so widely received. Feels very of it's time. It's not probably an album I'd actively listen to again (apart from one or two songs) but it would make nice quiet background music for an evening. Favorite track: Diamonds on the soles of her shoes.
Out of the park The reminder that graceland is really good Obviously his use of African music can detract but at a certain point it on the listener to search out and learn the sound used in this Paul Simon introduces you if you like it search it out
Between the decision to record the album in South Africa in violation of the cultural boycott of apartheid government (not to mention the hubris behind that decision) and the flat out musical theft of Los Lobos without initially giving them credit, “Graceland” is not without its baggage and controversy. But musically, there are not enough superlatives that can be heaped upon this album. This is an all-time great by one of the all-time greats. Aside from a few production and mastering issues (the album was recorded at a frustratingly low volume), “Graceland” is just one fantastic song after another. Just a masterpiece and the crown jewel of Paul Simon deep catalogue.
I adore this album
The politics around this album remain complicated - it depends who you ask as to whether this is exploitation or collaboration, subversive or colonial. If a neutral standpoint is taken - especially now at 30 years distance - this is an incredible amalgamation of seemingly incompatible styes put together in a way that few others have managed. To quote Allo Darlin's "My Heart Is A Drummer": You see it's like loving "Graceland" / It's not allowed to be but we know it's everybody's favorite/Deep down in the place where music makes you happiest
Living in Memphis the juxtaposition of how and where Graceland stands and the majesty of this album are dizzying
What else can you say.
agarrar melodías e instrumentos típicos de africa para comercializarlo y venderlo a occidente con un toque distinto para q sea popular, no banco, es más ni siquiera es entretenido de escuchar, quizás no es malo y solo x eso se salva de ser 1 estrella
Discazo. La vida es bella
Easy to see why this album sold 16 million copies, not sure if I prefer this or say Peter Gabriel 3 which this album quickly reminded me of, Simon's voice always sounded tired to me leading to a feeling of a lack of energy sometimes
Wonderful listening experience. Bursting with creativity, catchy songs, and a unique fusion of South African rhythms with American country and folk songwriting.
The album Paul always will be remembered with. A brilliant blend of cultures with excellent songwriting and great playing. I'm very grateful this album introduced me to the beautiful voices (and moves) of Ladysmith Black Mambazo. Shining like a national guitar. 5/5
Good album. A little samey.
Listened previously. Expectations: High - Verdict: Near Perfect - The Boy In The Bubble immediately sets out the modus operandi for this album with a bouncing rhythm and bright, joyous instrumentation. The title track is a classic that just shows that Paul Simon's masterful skill as a songwriter is still at the level it was almost 20 years earlier in early S&G work. I Know What I Know is also phenomenal and I always end up singing along. Gumboots is a good track but maybe not quite up to the quality of the opening trio. Diamonds On The Soles Of Her Shoes immediately brings things back up to a very high standard with the stunning vocal intro followed by maybe my favourite song on the album. You Can Call Me Al was always destined to be a big hit, it's just impossibly catchy. Homeless has more beautiful vocal arrangements and Crazy Love, Vol. 2 is another good song. I think That Was Your Mother is the weakest track on the record but it's by no means a bad song. All Around The World is a good closer but is definitely not up to the high standards of some of the album.
solid. the 80s bass tuning sounds like a damn rubber band. other than that i really enjoyed a lot of this
I enjoy the album, but I just don’t get the crazy critical acclaim of Simon. He’s good, i like some of his songs but only a few songs I’ve heard of his have stuck with me over others. 3 to 4 star is good,
Fun and sometimes a little weird, but rather boneless
Love the different musical influences on this album.
hey there Mr. Jambo
Strong strong 4
This is one of those albums that I avoided for a long time because of the hype. When I first heard it a few years ago I was glad to find that it was pretty good! The first two songs are the best on the album, followed by Diamonds on the Soles of Her Shoes. The rest of it ranged from fine to mildly enjoyable.
An amazing album that blends cultures and sounds, even zydeco is in the mix. Pair that with Paul Simon’s smooth delivery and lyricism and you’ve got a gem.
Decent album the sound doesnt change much but its a good sound so cant complain. My mum used to and still listens to you can call me al so my memories of this album are from long trips in the car with my mum so naturally I have no negativity towards it
When you listen to old Simon & Garfunkel recordings, it’s easy to wonder what role Art Garfunkel actually plays - he seems more like Paul Simon’s backup singer than a full-fledged band member. Now that I’ve been asked to review a second Simon album in such a short time, I’m starting to see a slightly different division of roles. On “Graceland,” he combines his still-masterful songwriting and his unmistakable voice with various styles from all over the world: in addition to rhythm & blues, the album features Afropop, world beats, and more; I also think I detect Delta blues and Caribbean influences. The problem, however, is that - apart from “You Can Call Me Al” - he pulls off this combination in a way that’s anything but elegant; I’d even go so far as to say that almost all the songs are marked by a remarkable lack of taste. And that’s why I’ve come to believe that while Paul Simon was a gifted singer-songwriter, he was also a thoroughly uncritical person - at least when it came to himself. And suddenly, a counterpart who finds perhaps three-quarters of his ideas silly becomes very valuable. Art Garfunkel apparently filled this role well, but none of the later producers did. I think this explains quite well how such a talented musician could have recorded such a mediocre album.
Didn't like it. Un batiburrillo con sonidos africanos in the mix.
I 80'erne kom der 2 albums fra engelske solokunstnere, der lige var blevet forladt af deres partnere og havde udviklet en stor interesse i afrikansk musik af en eller anden grund? Begge kunstnere var med i et populært band i 70'erne. Jeg foretrækker Peter Gabriels soundtrack til The Last Temptation of Christ, men jeg kan også virkelig godt lide den her
Potentielt problematisk Afrika-fetish aside, shit den her plade er altså lækker. Vildt groovy på en måde der stadig lyder ret unik
Waaay to 80s synthy for me.. Thought it was made by an Australian because of all the tribal singing.. (I was wrong)
generally really not my cup of tea, except for "you can call me al" which is a universal banger.
¯\_(ツ)_/¯ I've had this album seared into my brain. Bakithi Kumalo's bass playing haunts my dreams. It's basically a perfect pop album.
Pretty Great album. My dad says it's his favorite. I didn't like it quite that much. If you like this you need to check out Mr. Jambo. Captures the spirit for a modern audience.
I see there’s a lot of societal problems with the history of this album. I don’t like that Simon went to Apartheid South Africa to record this and then fucked off back to New York to finish it, nor do I like that there are apparently uncredited musicians. I don’t think playing another cultures music is appropriation. Claiming you came up with it is definitely appropriation but borrowing elements from other styles and writing your own pieces and so on is what music is about. And Simon rightfully acknowledges that he was inspired by and used African music and musicians. As for the music itself, I liked most of it. The bass and guitars are absolutely the part of the pan African sound he was utilizing, the drums less so. The bass lines in here are really good, and they sound like they’re on a fretless most of the time which is a treat. His singing has nothing to do with the sound, but his backup singers obviously do. I think the songs on here that borrow from African styles are the better ones (I know I know, Gumboots, Under African Skies) sound the best. The ones that lean toward American southern styles sound a bit corny to me, and almost out of place. “Call Me Al” is a great song, otherwise I’d put it in the latter category. It has a production style like the rest but the blaring horns and synths make it a bit out of left field comparatively. Is it good? Yeah it’s pretty good. It’s a shame it came with all this baggage, which is not something that should be ignored, but we’re not at the point of having to completely separate the art from the artist to admit to liking it, I feel.
It's not Simon and Garfunkel, but it was dynamic, and creative, and catchy, and culturally and politically relevant. I enjoyed the music without having the background on the album, and despite the boundaries Simon crossed to make it, I think it does what he set out for it to do.
Very good album. Had high expectations for this afternoon it being a massively hyped one. Not perfect, but very enjoyable. Almost felt like it spent the whole time building up and around 'You Can Call Me Al' really though. Which isn't a bad thing necessarily, just would have liked some more originality from the rest.
great album, with alot of african influence. Really enjoyed the album. Super light and fun.
4.5 stars. Slightly overrated— only in the sense that, yes, most of the songs are pretty infectious and engaging, but as an overall work this is not necessarily an all-timer. Some of the Afropop arrangements are a bit distracting, in fact (maybe due to occasional novelty over craft).
Some songs were good, others felt meh. I could get into a groove for a bit but then the song changes and the next one is just ok. Pretty good album though
I went into this with medium expectations, and it blew them away. The sheer musicality of it all just overwhelmed me. Perfect album.
This is a top 5 album of mine.
I’d probably give it a 3.5 if possible. Well produced, fun world music stretches (though overall I don’t find it quite as compelling at the same year’s “So” from Peter Gabriel) highlights are the title track, Diamonds on the Soles of Her Shoes, You Can Call Me Al. Better than solid, definitely worth a listen, but not sure I’d give it regular listens end to end.
Well, I pull this motherfucker out about once a year anyway, so I guess the time has come. I know the politics of this album are all fucked up. Inexcusable, even. I know he ripped off Los Lobos and countless African musicians. I know this is (albeit well-intentioned, I guess) cultural appropriation. But the songs are so goddamned good. I'm happy this thing exists.
Mr Jambo!
One of my faves!
Pretty good
It was so good, I walked in I said woah it was so good. Paul Simon tremendous guy, avsolutely. Some say he’s the best
Favorite Track: I Know What I Know
Gleda meg til å høre, men denne var ganske kje og skuffende
En helt sensasjonelt irriterende plate
Liker den ganske så godt, ja, men kan ikke høre den for ofte, for den er litt irriterende også.
I know Paul Simon has quite a reputation in the business. And there is HUGE controversy over this album and whether it was appropriate to make. I find at the end of the day, I don’t care. Paul Simon is an amazing songwriter. His partnership with Ladysmith Black Mambazo WAS a partnership. And this album is magic. I know EVERY song by heart. I have known it since it came out when I was a kid and my mom got it on cassette. My first college roommate had a mini obsession with it and Graceland by extension because of it. Paul Simon is indelibly interwoven with my feelings of being American. And that seems very appropriate. A boy from Queens who loved ALL the music around him, he is quintessentially American. And I know where Graceland is because of him. And also know that there’s more to Memphis than Elvis. 5 Boolean: True
Crazy risk for a songwriter as safe and uncontroversial as Paul Simon to travel to South Africa in the midst of apartheid and showcase a rich cultural tradition in a country whose government had tried to shut it out. Everything works here, and the South African musicians add an extra layer to Paul Simon's usual neurotic folk-rock. Standouts: The Boy in the Bubble, Diamonds on the Soles of her Shoes, You Can Call Me Al, All Around the World or the Myth of Fingerprints
This is great stuff all round, was familiar with Simon and Garfunkel and the big singles from this album but this is a great versatile blend of sounds of styles.
It's a great record that combines Paul Simon's distinct songwriting skills with South Africa's prominent artists and music genres. One thing that caught my attention was the use of traditional US music in the album, which generates a very unique sound. I just felt that in many moments, the album is more Ladysmith Black Mambazo than Paul Simon.
Pretty enjoyable from front to back. I really do appreciate that they captured the sound and culture so authentically, and I think the songwriting compliments it well. Paul Simon’s vocals can really shine, but the singing mixed with spoken word really bugged me and some songs sonically didn’t stick out to me. Overall really entertaining and quite beautiful to listen to at times.
Listened before? No Familiar with the artist? Yes, but I think I know more Simon and Garfunkel than solo stuff. Thoughts: - This is a weird one for me; it might have been a mistake to read the full Wikipedia article before listening. I'm definitely not educated enough on South Africa to discuss whether the album should have been made, but I think I did end up going into it with a bit of a negative bias. - Musically there are a lot of cool things going on, and I do like the singles, but I don't see myself coming back to most of it. - I think this one will go into the "I get why it's on the list but it's not for me" category. Favorite track(s): You Can Call Me Al Least favorite: Under African Skies is pretty (sorry to use the word but,) cringe . . .
*Very unique sound, especially for Paul Simon *The African influence makes for some cool sounds on the album
This felt like such a breath of fresh air in music. I knew of 1 or 2 songs on this album but I didn't know they were from The Simon from Simon and Garfunkel. This was a incredibly lovely listen and gave me a very comforting relaxed feeling.
This album genuinely blew me away, it was really good and I'm definitely revisiting this because holy damn. I loved the incorporation of African tunes into the music, this was absolutely a lovely listen.
Thought this was the original version of Mr. Jambo first. But the album was better than I expected.
Liked Crazy Love, Vol. II
5/10
Listens: 3 Standout Tracks: The Boy In the Bubble, Graceland, Diamonds on the Soles of Her Shoes, You Can Call me Al This was pretty great. Diverse songs with interesting lyrics and catchy tunes. I don't really read too much into lyrics generally; whether the lyrics of these songs are happy or sad or somewhere in between, but this album feels pretty upbeat. I am teetering on 4/5. Is this really an album I would put into my rotation? I don't really have a "rotation" per se these days, what with all the new music I listen to, but I do have some regulars. Is this a future regular?
This album is just so good. Paul Simon is just a genius at creating melodies that are super catchy while also super complex. The highlights are pretty much every song.
There is not a bad song on this album. 'Crazy Love, Vol. II' is the highlight but the bar is set very high from start to finish. Lyrically captivating throughout ("Why am I soft in the middle? The rest of my life is so hard"). A very good day on the 1001 albums project
08/29 Meh. Other than "You Can Call Me Al" the album is forgettable
Still probably in my top 10 all time after all these years.
Yeah. Not much debate needed on this one. Even with a spirited discussion of cultural appropriation by multimillionaire white musicians of the 70s/80s -- this is still a five star.
Karret seg akkurat opp. Paul S sin stil fenger ikke helt, men anerkjenner en del alreite låter her. Andre halvdel av albumet er ganske kult.
I get it now
Mostly free-spirited songs with some diverse instrumentation. Some songs could've been cut but there are plenty of enjoyable ones to make up for it
Great album. Reminds me of so many people,too.
The boy in the bubble - 4 Graceland - 5 I know what i know - 4 Gumboots - 3 Diamonds on the soles of her shoes - 4 You can call me al - 5 Under african skies - 4 Homeless - 3 Crazy love, vol. ii - 4 That was your mother - 3 All around the world or the myth of fingerprints - 3
I like paul Simon more than his contemporaries and rank him ahead of Bob Dylan. Great album.
I struggle with this album but I can't deny that it's well wrought and conceived. I really like the title track and can admittedly take or leave much of the rest.
Pleasant, if a little bland.
Ok album with some wierd songs and some really good ones. Overall a decent experience. The bass playing was groovy as hell. Favorite song was You Can Call Me Al and Under African Skies.
25/08/2026 I am surprised this has rated so highly by everyone, but also, it's a brilliant album. Spotify listeners: 8.9 million
Some great songs but not my everyday
Okayy
Wonderful record - and the musicians and singers are incredible on here
Não é meu estilo, achei meio sem sal.
Very busy and fast instrumentals throughout, surprised me a bit for Simon's softer voice and earlier work. The African mixed in was interesting, but most of this sounded like a version of Call Me Al - sing-talking fast to those instrumentals.
Nydeleg plate. Eg sat ungdommen på gjerdet, og såg på denne som gamlismusikk. Som eldre kar nyter eg låtskrivinga, rytmane og ikkje minst stemninga som pregar heile verket. Eg lar meg begeistre!
En av verdens aller beste plater!
Full pott! Eg treng ikkje høyra den for å veta det, men eg gjorde det no likevel, slik eg gjer relativt ofte, og godt var det. Eg har det ikkje i meg å gå lei av denne plata. Nett i dag tenkte eg mellom anna på kor fint det er når koret tek over på slutten av tittellåten, at den harmoneringa på Under African skies sikkert er det finaste Linda Ronstadt har gjort, og at jaggu måtte eg blunka litt ekstra då han kom til Somebody could walk into this room and say “your life is on fire”. Den er trist og glad på same tid denne plata. Det er fint.
Lykkelig møte mellom to musikkulturer som gir meg null, ingenting, zip, zero. Ingenting av dette finner jeg å være bedre enn hva de respektive hadde skrotet rundt med selv. Hit-låten er i tillegg et av åttitallets aller største mareritt.
Nok en artist jeg har hørt utrolig lite på, spesielt i solo formatet. Denne gikk litt i bakgrunn mens jeg jobba så fikk ikke 100% fokus. Ser noen av låtene har mange hundre millioner avspillinger på spotify uten at jeg kan si jeg kjenner dem igjen. Sorterer denne under World Music eller 80s pop? Synes africa viben er bra nok den altså og finner lite som er irriterende med denne plata, men kommer neppe til å høre på den igjen. Beste låt: Diamons on the Soles of Her Shoes
Flink og velmenende hvit mann drar til Sør-Afrika for å spille inn plate. Ender med å finne opp Vampire Weekend.
Paul Simon - Graceland Han har ei sånn tidlaus aldri-irriterande stemme, Paul Simon. Som Will Oldham eller David Bowie. Til dømes. Eg likar den 80talske eimen denne plata (og særleg denne bassen) legg bak seg og dei afrikanske rytmane funkar betre for meg no enn for, tja, 20 år sidan. Den gong høyrte eg på “Still Crazy…” og den sjølvtitlerte på vinyl - ofte på dei før eg skulle på Mono og drikke øl og gløyme igjen kortet i baren. Av songane på “Graceland” syns eg dei varierer frå mildt irriterande (“Gumboots”) til perfekte (“Diamonds on the Soles of Her Shoes”). 8/10
I like the idea of mixing all these styles together. The American folk music, the Zydeco accordion, the African chants. I don't like how Simon disregarded the cultural embargo against South Africa due to Apartheid just because he was searching for new inspiration. Also, the 80s-ness of the mix is hard to ignore for me, I absolutely hate the reverb on those snare hits and the bass sounds so farty which is a shame because the bass lines are cool. 2/5 - below average
Really digging the African music vibes but when it leans into that 80s sound the album falls apart fast. Still a fine accomplishment. All good songs but none of them just really hit me.
really fun album to listen to. lowkey thought paul simon was that dude from psych. thought he was british or something when the bag pipes came in then the album switches to a kind of country vibe before letting some sneaky african instrumentals come in. made my ride to hershey really fun definitely gotta relisten 7/10
Good
I remember when this came out, great sing along tunes for the whole family
9/10 Wonderful songwriting and an excellent feel to the album
Smug. He stole songs from Los Lobos, and he broke the cultural boycott on South Africa, giving comfort to the apartheid state. One star, but only because that is the lowest rating I can give.
Bakithi Kumalo deserves a Nobel Prize for that fretless bass. And he and accordion player Forere Motloheloa (RIP) should both be appointed as Supreme Rulers of the Universe for their performance on “Boy In The Bubble.” God, the grooves. This whole album bounces and skips in refreshingly relentless major key (with the exception of “That Was Your Mother,” which is coincidentally the weakest song on the album.) Paul Simon’s typically sardonic lyricism really shines beneath all the syncopated rhythms and rich, celebratory instrumentation: just melancholy enough to be meaningful, but not enough so to diminish the danceability and excellent hooks. My biggest critique is that Simon’s vocals are quite thin and feel as if they ‘re attempting to build up to something they just can’t quite get to, particularly on “Call Me Al.” All the other amazing elements make up for this, however, and I'll definitely be checking out more of Paul Simon's other solo albums, as well as the work of the South African musicians he collaborated with here.
I really enjoyed this! So upbeat, such a blend of sounds.
80/100
I remember when Graceland was THE album to have, and my parents listened to it for six months straight while driving our carpool minivan. Although far removed from that time, I put this album on today and sang along to every word. It is a magnificent piece of my history. I didn't understand any specific criteria for great music at nine years old; I only knew it sounded pleasant and comforting to my ears, and growing up in south Louisiana, the zydeco was familiar. Today, I am blown away with how truly GREAT this music is, so I appreciate it on a whole different level, and that is 5 star quality.
The twang is interesting. Clean album. This music is generational.
Great album
Hey there Mr. Jambo
# Album Name: Graceland # Artist: Paul SImon # Rating: 5/5 # Comments: Fantastic Album. Love it. Wasnt expecting it either. First 6 tracks are power houses. # Top Tunes: Most of the album # Would I listen to it again? Yes
Not my type of music...
Have enjoyed slightly more on the second go around, however still have a hard time with this one. I appreciate the experimentation with sounds but the intended exuberhance comes off corny instead to me. Some good harmonies throughout the tracks
Just listening to this album without any of the baggage it carries around these days, I find it fun and spirited music. Back when it was released, it opened up an entire new wonderful world of African music for me that I wasn't aware of and couldn't have easily accessed even if I had been aware of it. I loved the percussion and the bouncy bass sounds that carried through each song and gave the album a peculiar lift. At a time when music was becoming increasingly artificial in terms of how it was written, made, and produced, this album stood out with its uniquely human warmth and craft. Watching interviews with Simon from around this time, it is clear that his interest in exploring other musical genres and art forms was not cynical or shallow in nature or scope.
Couple of great tracks but overall not a standout album
delightful
So THIS is the album You Can Call Me Al is on. Heard that as a single plenty of times but never in the context of the whole album. That song really stands out from the entire rest of the album to me in being way more modern sounding (for the time) compared to the rest.
Good album this. Much better than the Simon and garfunkle one. Bit cultural appropriasmey but I mostly enjoyed it
Some really unique instrumentals and vocals that work quite well here! Likes: Graceland; I Know What I Know; Diamonds on the Soles of her Shoes; You can call me Al;
Альбом имеет приятное звучание. That’s it…
Bad
Really like this album from hearing bits and pieces of it through my childhood to diving into it later in my 20s. The bass line through most of the tracks just captivates me which I guess was inspired by African musicians and blends into some really bouncy and fun moments. Seems like there is a lot of drama over this album but I always knew it as something positive and joy filled. If I collected Vinyls this would have to be part of the collection.
This is my jam.
97/1000 Imagine having your entire live falling apart through your connection to your music partner fading, going through a divorce, and having your label consider not supporting you because your last album was a commercial failure then busting THIS fucking thing out. It’s a bouncy, fun, singalong world music album that ranks among the best pop albums ever made. Simon collaborated with various African musicians and vocalists here leading to a sound that is both distinctly his, yet also part of the greater African music sound that Talking Heads had just been exploring in Remain in Light. The harmonies are warm and peaceful, the music is fun and engaging, and the messages Paul gives in a lyrics are great. It’s just an amazing world music album. God bless Paul Simon go fuck yourself Garfunkel broke bitch.
One of the first albums I ever heard. I'd love to be in South Africa when this came out!
couple great songs, couple questionable ones and some mid 6/10 best song - you can call me al
Some nice songs but I liked his work with Garfunkel more.
It didn’t excite me a lot
Still perfect after all these years
40 years on, this is still a good listen. There was some huge hits on here, and everyone my age remembers the film clip for ‘You Can Call Me Al’ with Chevy Chase. Whilst I’m not sure about the politics of going to South Africa during the Apartheid era, it did give a platform to Ladysmith Black Mombazo who parlayed that into some international success. The other guest stars do make the latter part of the album seem like a bit of a patchwork where Paul Simon just threw a bunch of stuff at the wall to see what stuck. Still, at its best, it’s a very effective mix
Genres of music have no boundaries or borders, and whilst one should definitely dive deeper into African music if you enjoyed what was on this album, there's nothing wrong with this being the entry point. This is great album, showcasing both the talents of Paul Simon and those he worked with on this.
I like this album but not as much as others. I think this is one of those albums that people think they HAVE to like. There's some songs I do like and some I'm just not into.
Es ist ein solides, rhythmisch starkes Album, das Simon mit südafrikanischen Einflüssen neu auflädt. Es hat Energie, Ideen, Handwerk – aber es bleibt weit entfernt vom Glanz und der emotionalen Tiefe des Duos. Die besten Momente funkeln kurz, doch das Gesamtwerk wirkt eher wie ein cleveres Experiment als ein Klassiker.
How fitting this came up when I had a road trip.
One of the best of all time.
its perfectly fine, nothing that made me think "wow, this is amazing!" this album probably just isnt for me, though i can see why others would enjoy it a whole lot more. my favorite tracks was probably you can call me al and under african skies
just not my thing
Hey there Mr. Jambo! Out there in the African sun! Do you ever get tired? I can definitely see the accusations of cultural appropriation in here, but I'll file this down to "ignorant" rather than "meant to be racist as shit." Purely on a musical basis, it's quite decent. Simon has a nice voice to listen to, and I have to admit that the record does its damnest to make the Zulu singing and three-chord structure sync well.
A timeless record that borrows from south african styles and gave them a western stage. As an example of appropriation it is quite weak. Simon credits everone he works with and performed with these people on live versions. Diamonds on the soles of her shoes should get more radio play.
So here the question: if this album was put out today would it considered “cultural appropriation” and cancelled, or revered for multiculturalism? Hmmmm…. I remember when this album came out. It was the album of the decade basically. So many of the songs from here were on constant radio play such as Graceland, You Can Call Me Al, and Diamonds on the Soles of her Shoes. I think in many ways this was the re-introduction of post-Imperial African culture for many Americans (Namibia didn’t decolonize until 1990). I didn’t realize that there were so many collaborations on here such as Gun Boots, and All Around the World with Los Lobos. Overall, I actually did enjoy this album quite a bit. I liked the change between the African styles and the Americana, such as Crazy Love Vol. 2, which showed that Louisiana flare. I have to give a shout out to both Paul Simon and Bakhithi Kumalo for their exceptional bass work, even if the most famous riff was redubbed backwards on the track. In truth, it is a really good album.
Random thoughts: * I'm going to Graceland, Memphis, Tennessee. * I thought I owned this album but I couldn't find it. And upon listening I'm not sure I've heard any songs except for: Graceland, Diamonds.., and You can Call Me Al. * Obviously those are the hits and ones almost everyone knows. I was expecting more African influenced music and that was definitely delivered, especially Homeless which I really enjoyed. * But I wasn't expecting so many other influences like cajun/zydeco. But boy was that fun too. * This is definitely a cultural treasure but I'm not sure this quite makes it to classic album status. It is a great listen, no doubt but no one has ever pulled me aside and pleaded or insisted that I listen to Graceland in its entirety. I know, I'm a difficult critic.
It was fine, some good classic tunes on there. Perfect background listening but nothing that really excited me.
It was good! Not for me, but I can see why it made the list. Loved the mix of African and Mexican music.
I really enjoyed this album, it was much more upbeat than I expected as Paul Simon has a lot of softer songs. It was nice to see him leaning more into a Pop sound than folk. Favorite Track - Call Me Al Least Favorite Track - Diamonds on the Soles of Shoes ⭐️⭐️⭐️⭐️⭐️
Masterpiece! You Can Call Me Al is goated, best track. Amazing listen with so many genres.
En general muy buen álbum. Me gustó mucho.
Folk Rock, 1986 -> 4
good departure from the other 80s music that was popular at the time. i keep a few of these standbys on hand for moods, but otherwise the album has just the one hitter in it
if whimsy was an album it would be this one. about the instrumental, it kind of reminds me of new wave, the smiths specifically. kind of love it?
i just love Paul Simon
Nothing to write home about, familiar with a few of the songs though
Album has some familiar songs on it. Didn’t mind the rest of the album.
Great album
An excellent album from a master songwriter. A diverse cultural adventure with a tongue in cheek sense of humor. Beautiful singing and excellent musicianship.
I liked Diamonds on the soles of her shoes and You Can Call me Al, last half of the album is kinda eh
For as much as I like Paul Simon, I had never really dug deeper into Graceland outside of the singles. This was fine. I’m surprised it’s so highly regarded though. At the time, I’m sure it seemed revolutionary. But listening with fresh ears and it just taking it in, it’s simply good.
Fine
I have so many scenes to set here that I may have set during the last Paul Simon review. To be brief, I didn’t grow up with Paul Simon so I don’t have the built in love for him that so many do. Second, I have a student who only listens to this album and no other album, he blasts it while we work in the shop truly every day. I really like this student, I cannot stand this album. Music for a curious George soundtrack. Production is whack and empty, I don’t find his quirkiness to be charming, I just don’t get it. Musicality high don’t get me wrong, and the man can obviously write a song, but I have completely missed the boat with Mr Simon. You can call me Al rips though.
Weird country pop
No wonder I've never had the taste to give this a listen. Putrid is the only word I have for this pap. Honestly, this is crap: earnest bullshit that of course the masses buy into it. Embarrassingly bad. I hated that I finally listened to this POS album. 1 "I don't have words how much I hate this kind of earnest I love the world shit" star.
It's been 24 hours and I still don't know how to feel about it. Maybe one I need to be in the right mood for? Or listen to a bunch to fall in love with? Or maybe just pedestrian? IDK 5/10
From what I’ve heard of Paul Simon, which is with Art Garfunkel. This album is packed full of ideas and most of them work for me. There’s African and Indian influences crammed all over this album and Paul really makes them work. Some really catchy songs here. Graceland, All Around the World and You Can Call Me Al are most memorable. I can can see where Vampire Weekend who are one of my favourite bands got inspired by too. Great album. I will be back
paul simon voice so soothing.... the guy knows how to freakign CROON
other than having "mr jambo" syndrome its otherwise pretty enjoyable. recognized a couple songs at least
Album #128: Graceland - Paul Simon Genre (W): Worldbeat, pop, rock, folk, Afropop Singles: You Can Call Me Al, Graceland, The Boy in the Bubble, Diamonds on the Soles of her Shoes, Under African Skies I have not listened to this album before. Thoughts?: I enjoy Paul Simon’s songwriting and the African influences in the music! I think the African influences elevate the album’s songwriting to another height though and overshadows a few of the attempts at great songwriting. An okay album. Favorite tracks: Graceland, Gumboots, Diamonds on the Soles of her Shoes, You Can Call Me Al, Under African Skies, Homeless, Crazy Love, Vol. II
So different than his stuff with S&G. A nice sound though!
We all know this: Paul Simon is a poet. He is amazing. There is something weird about a white man using this music, but also would most of America have heard it if he didn’t? It’s an uncomfortable question so I’m leaving it. Ladysmith Black Mambazo is amazing. And I love so many songs from this album. And even if I’d never heard it before I would have jammed to it. And no stinkers!
What an enjoyable listen. You Can Call Me Al is a great fucking song. 4.5⭐️
Approachable world music or cultural appropriation? Who's to say? I don't know, but it's still pretty groovy.
Never got the Graceland gene. Great he elevated (appropriated?) African musicians, but I just wanted more Fela Kuti or Sunny Ade. Simon too pop-observant for my tastes. Yeah, great voice. The best part of this is the outsiders' presence.
I think I've conflated this with Rhythm of the Saints, and that's my bad. This is great. That South African flavor spices it up nicely without being precious. Lyrically interesting, fun in many places. Why not a 5? Not sure, I have a hard time verbalizing it, but there's a tether holding it at a damned good 4.
I never quite got what all the fuss was about this album, but yesterday's listen really floored me. It was actually the first time I sat and listened to the whole thing. I really love Simon's lyrics on this one. He weaves a sophisticated world, very much of a time and place. And his wry humor is on point. Listening to this makes me feel like I'm brunching at a Manhattan cafe while reading The New Yorker and making plans to hit the Met later with my successful, literate friends. And let's give it up for that bassist! Damn dude, save some talent for the rest of us. PS, I also went down a rabbit hole about cultural appropriation, mostly because of all the comments on this website. I'm not really sure that's what's going on here, though his recording in South Africa during the apartheid boycott was problematic. Still, it's complicated, and this Rolling Stone article is well worth reading. https://www.rollingstone.com/feature/paul-simons-graceland-10-things-you-didnt-know-105220/
As impactful to my ears today as is it was in 1986. I just love this album.
So fucking good.
First impression: at this point I'm not expecting much from Simon, but this album art is exquisite. It feels like a medieval representation of Napoleon, and it's titled Graceland. I guess I need context. Onto the music. There's a nod towards that initial folk that deeply influenced Anglo cultures and their music, which helps explain the art. Coupling that with the production tricks of the '80s makes a barely listenable album for me. I understand the African influence, but it's so tame for me that it just blends into the '80s sound. Many years ago I'd heard You Can Call Me Al after a band on my radar covered the single and gave it away as a free download. Otherwise this would be a complete surprise, an album full of jangling guitar and the air of an arrogant king. I gave it another listen later on, because I feel like there's a lot of talent here I'm not appreciating. Re-listening to this makes me mad, so I'd rather just recognize the strings here are typically talented, but they're so annoyingly chipper that I can't enjoy it. 1.9/5
Fav: The Boy In the Bubble
my fav 'the boy in the bubble' without any doubt.
Sin más
Aunque curiosa, no me termina de conectar la fusión con la música africana Graceland
A really interesting listen. I like Paul Simon's songwriting voice, I could listen to it in a lot of contexts. I like the south African music placed right in here too. I wish the combination was just a little bit more seemless and felt a little bit less like appropriation. A really cool listen through and I guess with a few more listens I'll find it less confused.
This album was an interesting genre mix. I liked You can call me Al and Diamonds on the soles of her shoes. The songs were quite long. The production and clear sounds were great and I also liked Paul Simons voice. Not sure I vibe with all the talk singing he does, but I enjoyed the rhythms.
Hands down, one of the greatest albums of all time. Simon's songwriting with the eclectic and unique sound of South African music makes for such striking, memorable songs. And I'm a big Paul Simon fan so I already loved many of his songs before and after this. But Graceland really is just a magical album that transcends even Simon's already fantastic output. There is seriously not a single weak song here.
Pleasant. I Enjoyed the production - it's a bit slick, reverb drenched, and cheesy but nothing is muddy and there are a lot of good performances which cut through. The bass playing is perhaps the most standout thing on the album - I really loved listening to that. Obviously heavy African influence too. The vocal stuff is a bit on the nose, but the guitar playing made me smile. I'm not sure it's my favourite thing, but it's well produced and an enjoyable listen. It's from a time where "World Music" inspired albums must have seemed deep and sophisticated. But modern access to more authentic music, both pop and traditional, from anywhere in the world, makes it seem a bit tacky and false, and I can't help but think of a "Paul Simon's agent meets with an orange band" comedy skit. Forgiving its cheesiness - 4/5
Already knew this album but it had been awhile. I know there are some controversies about how Simon came across South African music, but I do think it pays homage and is a generally lovely listen
honestly it was fine but not my cup of tea
All of the songs on this sound beautiful, in no small part due to the amazing South African musicians that Simon collaborated with. Homeless' a capella singing is enchanting and the bass throughout this album is as well, especially with that solo near the end of You Can Call Me Al. From a political angle I think this album was overall a positive thing, at least from my white American perspective. Also, listen to Mr. Jambo by Kyle Gordon. It's a perfect and equally catchy parody of this album and the niche genre of "white guy goes to Africa." Favorite Track: Homeless
It was very emotional, turn on play and travel to another world
More less.
No nie wiem, poczytałam o tej płycie, faktycznie coś tu nie tak, ale jak mam ocenić tylko muzykę, a to też mam zamiar zrobić, to okazało się że znam trochę tej płyty, całkiem buja, ale nie wrócę do niej pewnie do świętego nigdy.
a worldly pop album and the sixth album released by paul simon. poor guy fell into a bit of a depression after a few close relationships of his started to break around this time, but after listening to a bootleg cassette tape containing south african music, he got inspired, traveled to the country and recorded some fresh material, blending american pop with traditional african folk music. the album proved to be very successful, despite country and cultural appropriation controversies. he may be a white guy but it's clear he took the time to study and understand african musical conventions; he got the likes of ladysmith black mambazo to accompany him, which kinda made my jaw drop. like his other half garfunkel, simon tends to make a lot of pop music that's really easy to listen to. soft pop music, like the kind of stuff that would easily fit in with a phil collins playlist. it's not a perfect five for me, but i can admire how fun the sound is. it's just very "of its time", the record essentially being 45 minutes of some guy dressed up like a full house character going on a safari in a 4WD. hey there mr. jambo! out there in the african sun... do you ever get tired?
Incredible album.
3.5/5
There are a lot songs that I love on this album. I also love the different genres it explores throughout. Hearing zydeco on one track, and the sounds of African artists on others, equals a nice blend of songs to keep you interested. They all have this underlying rhythm to them, and it makes you feel good (or at least me). It's one I went back and listened again once I finished the first time. Biggest Hit - You Can Call Me Al Biggest Miss (if I had to choose) - That Was Your Mother Not So Hidden Gem - The Boy In The Bubble
Not that great. The African-inspired parts were interesting, but not that much to it.
I think Simon’s greatest strength is his ability to write songs that fit his voice: equal parts carefree and melancholy. Known as the world music album, there’s more variety than I expected, virtually all of it fantastic. My bias is to say Simon is better with Garfunkel, but this album is a very strong counter argument to that.
A light breezy album with some of the chunkiest bass licks I’ve ever heard. It has a very unique and interesting sound. There’s a lot of African influence throughout, which some people call cultural appropriation. That’s not what this is. It’s very clearly cultural appreciation, there’s a distinct difference between the two. Namely, a lack of exploitation of the contributing artists. Ladysmith Black Mambazo were a beautiful addition. Anywho, it’s a musically impressive album, exactly the kind of thing you can expect from Paul Simon. The bass player was absolutely cooking and is easily the best part.
i think this is the music when u have a roadtrip or shi ionkno not rlly my stuff ig
Fun, summery record. You Can Call Me Al is massively overplayed though.
A remarkable and essential album in many different ways. It asks all the questions important art asks - while being a great listen. It’s an album worthy of every critique and praise it gets. It’s an album I wish I could write a book about. It angers and soothes. It’s musical theft and inspired genius. It’s everything.
It has to be full marks for this album. I know there are concerns these days about cultural appropriation but, as far as im aware, the African musicians involved in this album had no such concerns. And music involves learning from, borrowing from and interpreting the music of different cultures and genres all the time. Paul Simon's talent and creativity shines through.
I was torn between a 4 and a 5 with this, but after a second listen, I’m confident with a 5. Not every track is standout, but there isn't a single weak or even a mediocre one. Paul Simon's fusion of African musical traditions with Western pop feels thoughtful and organic rather than gimmicky, resulting in an album that's both adventurous and accessible. More importantly, it works brilliantly as a complete album. It’s cohesive, vibrant, and consistently enjoyable from start to finish.
I was already familiar with Simon & Garfunkel’s work but had not listened to Paul Simon’s solo work before. This is a great album with an interesting story. No wonder it sold so well
뭐라 쓰지
Know every word. Listened to it hundreds of times in the 80s and 90s. A favourite.
This was new to me. Better than the last PS album we listened to, but not one I'll be rushing to put on again
Scrapes a 2
5/5 for the music, 1/5 for the ham-fisted politics.
An extremely unpleasant listen, just horrible, one star. Tom.
Liked the bass actually Surprisingly good, i thought at first it would be a boring one but i get why hes famous
While it's most notable for the African musicians and influences involved, Graceland confines the most overt examples of those influences to short intros or interludes where the guests take center stage. But there are plenty of songs where the influences are subtle, a guitar rhythm here or some percussion there. I think this works to the album's advantage and is preferrable to Simon attempting more traditional versions of those genres. This is partially because the songs here are quite strong. The melodies are good and while the vocals and hooks are usually subdued they do worm their way into your brain. I do feel it lacks more than a few standout songs, and one downside to the subtle approach is that despite the variety many of the songs sound quite similar. A good collection, but one that mostly makes me want to explore its influences more.
Graceland is what happens when a man who’s had a critical failure in his previous album, split from the actual lyricist and musician he was working with, and is currently going through a divorce goes to a foreign country to find himself. I was optimistic at first with the titular song, but everything after was lacking with surface level understanding of the music and countries he was basing his music. The lyrics drip with self-aggrandizement and the disconnect between the song subjects and the use of South African musicians for a unique sound during apartheid is a little sketchy for me. 11/1001
Mid
I’ve always loved it.
Immediate 5/5 album, love this. I have no idea how he managed to create such a unique sound and collection of songs, it’s like nothing else and all of them are catchy and great to listen to
Interesting, but not for me. Don't really like it.
Brilliant, obviously
Nach langer Zeit mal wieder angehört - immer noch gut
My third Paul Simon album! Really enjoyed this one- it has a lot of songs that make you want to sing and move. I enjoyed the use of African beats and mixing of styles. Plus "You Can Call Me Al" is a jam for sure. Overall- great album. Probably in the 4 to 4.5 range
This is an all time classic album. I grew up listening to this from my parents and it is still great today. Anyone that calls this cultural appropriation doesn’t know the history or involvement of the musicians and how this opened doors for many of the artists he collaborated with.
Very Americana for a New York Jew. He was from New York, no? Anyways, a mostly killer album but the song ¨I Know What I Know¨ is annoying as hell. Great for a drive through rural upstate SC.
I enjoyed this. Didn’t know Paul Simon did you can call me al
1. wesoła o niczym, spoko głos 7/10 2. 6/10 3. 6.5/10 4. smieszne 7/10 5. african vibes 7/10 6. muzyka świetna tekst fajny 8.5/10 7. 5/10 8. 5/10 9. 5/10 10. 4/10 11. 5/10 Album 6/10
pretentious poo. It would probably have sounded better if Paul Simon took his head out of his arse when he was singing.
I dunno. It's a bit dated.
Paul is really good at what he does. His vocals are so smooth that the pop he creates is smothered in his vocal butter. And for the most part that is a good thing because he can really sing well and his tone is frankly perfect. The music, being the pancakes in this metaphor, sometimes suffers because of the amount of vocal butter which drowns the stack so much that all you really taste is the butter and not much pancake. And I really would probably enjoy more of the pancake taste. Aside from the cultural misappropriation, Paul sands the edges of some pretty catchy music in an effort to fit it into his sonic palate. Still, there are several songs that are so sweet and catchy as fuck, but too much of a good thing has side effects. In this case, there is a sameness that carries from track to track that interferes with overall enjoyment for me. So, this is a short stack record and not a full. 3/5
The first album I ever owned, and probably the best
Honestly could be super close to a 5. I love this album and the history of it and all of the songs have a great sound. It just gets a little bit repetitive and all the songs sound kinda similar. I could see this being a 5 eventually though
An okay album, i liked You Can Call Me Al and All around the World the most.
Great album, vibrant and alive
Not a huge fan of Paul Simon, but. I rate this album.
Spectacular
Graceland is awesome. The background vocals on most of the tracks make this one extra special.
A really joyful album The band he plays with is incredible
I enjoy Paul Simon. He does some different things with his music which I like.
I respect the inspiration he got from visiting this culture and collaborating with them to bring their sound more mainstream, but overall this just wasn't my vibe and I won't find myself going back to anything here. Was a fine one time listen though. 2/5
Classic. Get why it may not be everyone's thing but I love it
I love Paul Simon with my whole heart
Famous album Done with South African musicians. Neat concept Lots of good songs: You can call me Al, Homeless, Diamonds on the Soles of her Shoes. Great songwriting. Some weak songs on the album. A good album. Four stars.
feels poetic, reminds me of a Congolese jazz album I've been listening to which lead me to find out he worked with several South African musicians, which was controversial because it was during Apartheid - interesting stuff. I like the plucky guitar style and there are some killer lines.
No skips. If I were Art Garfunkel I would’ve blown my head smooth off after hearing this
I live for the the beat drop in diamonds. 10/10
you already know. ☆☆☆☆☆
Simon ja Garfunkel on tuttua jo lapsuudesta, sitä on kuultu kotona ja varsinkin autossa paljon. Tätä Paul Simonin levyä en kuitenkaan kasarilla muista kuulleeni. Tai korkeintaan hitin You can call me Al. Jo menestystä niittäneen musiikillisen neron yritys tehdä jotain luovaa monikulttuurisesti siinä koko lailla hyvin onnistuen. Hyviä biisejä mutta ehkä Paul Simon -asteikolla vähän väkisin väännetyn oloinen albumi kuitenkin. 3/5
This is not an album I would necessarily listen to again but it is surprisingly consistent throughout. The music draws from a global repertoire that makes the songs sound richer than most of the albums on this rich. There is a certain warmth to the singer's delivery and his accompanying musicians that make the album sound cozy. I couldn't really tell you what each song was about but I listened to the entirety of this album while at work and it made my tasks feel seamless.
This album and Simon's use of African music has been known to me all my life, honestly, but besides the song Al, I've never actually given this album a shot. So I'll let my cultural feelings about this one settle, but the music for the most part wasn't the most exciting anyways. The bassist was phenomenal, though, if it was solely him it would've probably been five stars.
Weird, folksy African vibes. Didn't like it much.
No va
Pretty boring, self indulgent
I was really glad to see this as my album of the day but dismayed to find how much my opinion on it has changed!! I think it’s partially that our headteacher in primary school used to play diamonds on the soles of her shoes for us to walk into assembly every bloody week (day??? Year 6 was a long time ago…) so it held some begrudging nostalgia for me. I also now listen to a lot of world music, so this no longer feels like a good example or truly representative of that the way it maybe used to be for me. I also remembered feeling like this album was a really cohesive record and this time around I actually thought it was massively disjointed! Songs like ‘You can call me Al’ (whilst brilliant!!) felt completely out of place. Anyway, I’m now listening to the eponymous, and in my opinion far superior record: Paul Simon.
I would like it a lot more without some of the backing vocals. Especially in I Know What I Know, those felt especially clashy. Of those weren’t there I’d like the whole album way more but as it stands it was just alright. Best song: The Boy In The Bubble Notable(s): I Know What I Know (dreaming of what could have been without some of the backing vocals)
One of the albums of my life. I’ve listened entirely hundreds of times. Simply perfect.
good
I think I’m adding Paul Simon to my list of artists I’m just not going to like. I don’t like his voice. I find him creepy. There’s all the controversy about whether this is promoting African music or if it’s cultural appropriation and theft from the musicians involved. But mainly I just don’t like his music and never have. “You’re can call me Al” is famous and has a funny video. But even that’s a bit cheesy. I appreciate the songwriting and (stolen?) instrumentation but something about him gives me the creeps.
Good vibes
You can call me Al and Diamonds on the soles of her shoes are familiar and take me home
i feel like paul simon really had fun producing this. cute lang ganun. i feel like this is that kind of album u listen to as a kid bc of ur dad then pag napakinggan mo to when you're older sobrang nostalgic ganun. track 2 (graceland) is the cutest song ever. bass lines go crazy sa you can call me al tho
Needs more chevy chase
One of the easiest 5s. One of my favorite albums ever. The 1-star reviews on here are baffling.
Excellent, fun vibes.
Listened in the past and could never connect with this album, but the more I learned about the making the more I liked it.
Kelsey was way ahead of me on this one. This album has so many elements (especially the accordion and elastic bass on the first song) that I would typically not enjoy, but somehow, together here, it's nearly flawless. Also, listening to Paul Simon explain how the song Graceland came together really affected how I view the album as a whole.
There’s some magic in this.
Amazing album. Love Graceland. Classic.
Such a fun, upbeat album full of unique music and styles. I loved the variety and Simon’s storytelling. Not a bad song on the album.
Pleasant listen all around. Fitting for a summer pool party. However, not quite memorable. 3/5.
I'm more of an S&G guy but this tried something new and pulled it off pretty well, not really my thing exactly but it is good music I will admit.
I was not very familiar with this album, but it was everything I thought it would be. In a good way.
I love this album.
This album has been a favorite of mine since it was released and I never tire of it. This was one of the very few records both my Dad and I both loved, so it has even a little extra juice for me.
Takes me back to college, and to the years past college through which this CD stayed on more or less continuous rotation for me. But it had been a while. Because of the ubiquity of Call Me All, I'd forgotten about some of the other great songs, even Boy in the Bubble. (Also, go watch the music video for Call Me Al again, the one with just Paul Simon and Chevy Chase. Still understatedly hilarious.)
5/5 - I know this album backwards and forwards. I never get tired of it.
There’s something really warm and comforting about Paul Simon’s music, I feel like I could listen to this all day. And I think seeing him live and hearing him talk about the Graceland band gave me an extra dose of appreciation for the sound of this album. He’s doing so much fun stuff here, and it all works really well. Favorites: Graceland, Diamonds On the Soles of Her Shoes, You Can Call Me Al
Ughhhh. Look, it's probably his masterpiece but I cannot make myself care about Paul Simon. I promise I've tried and I don't think any amount of trying harder is going to change the outcome.
Sorry angry young people but this album rules.
enjoyed: i know what i know & homeless; esp the african influence with the ladysmith black mambazo feature
Good album overall, I did not get bored thanks to the versatility of it but I probably don’t need to listen it again. I do understand this album is very important tho
Definitely not for me.
not sure i like his personal work
Again genre and groundbreaking. At the time of release it opened our ears and eyes to this music from Africa. Paul Simon has since been cast as the villain accused of stealing the music and musicians. I’m not sure on that subject, but it did make us appreciate the music and African musicians who made it and what followed.
One of the best of the late 80s, helped popularize African sounds in the West but it still had Linda Rondstadt guest feature during the Apartheid boycott and there was plenty of controversy. I prefer Peter Gabriel's So from 1986.
Really good
Favorite songs: The Boy in the Bubble, Graceland, Diamonds on the Soles of Her Shoes, You Can Call Me Al, Under African Skies, Homeless
Meh, siento que por mucho tiemp la USA sacó música muy plana Aquí hubo un poco más de variedad de sonidos, pero nada impresionante
Single-handedly introduced the western world to International Music with this album, so stfu about cultural appropriation.
Liked it a lot.
-definitely the most unique-sounding Paul Simon work i’ve heard so far, obviously because of the introduction of South African / Louisiana elements -i’m intrigued by the lore and controversy surrounding this album, i wouldn’t say it’s my favorite Paul Simon album but it’s really good and i’m glad it was made -Favorites: Graceland, You Can Call Me Al, Under African Skies
4/5 - Great songs, great sequencing, really just love the vibe of the album.
Ngl I like
Es triste lo que me pasa con este disco. Entiendo su importancia y me parece innegable lo rico, diverso y creativo del proyecto, así como el talento de todos los implicados en crear ritmos y melodías que transportan a uno a las planicie de África. Pero con todo y con eso, se me ha hecho completamente cuesta arriba. Esa mezcla de música africana con folk, si bien está perfectamente integrada, se me hace muy complicada de escuchar. Estoy seguro de que es buen disco, pero no es para mí.