Graceland

Still a hugely entertaining album. Lots of musical variation, tied together by Paul Simon's unique vocal delivery and lyricism.

Lovely album packed with gorgeous tracks that are very diverse but kept together by an overall African spirit.

one of my all time favorite albums

Fantastic

A top record I've loved since I was a kid and my parents played it around the house. Beautiful arrangements played in a way no Western musicians ever could or would - the African continent is audible all over this from the wonderful harmonies, polyrhythms, and unique tones and attacks of every instrument involved. Brilliant songwriting from Paul Simon - definitely a high water mark in a career already full of achievements.

Best album opener ever?

Listened whilst working... Recognised more than I expected. Enjoyable and worth another listen!

Classic and even more appreciative of the album after listening to audio book Miracle and Wonder on Simon with Malcolm Gladwell.

Fell in love with this one. 'You Can Call Me Al' has been stuck in my head for days.

Always a 5!

This one I know by heart

The Boy in the Bubble Graceland Diamonds on the Soles of Her Shoes You Can Call Me Al

Based on my previous experience with Simon on this project, I was looking forward to revisiting him again. What struck me is that there doesn't seem to be any singular genre represented on this record. Where his album "Hearts and Bones" landed firmly in the easy-listening genre to me, "Graceland" has elements of 50s rock, big band, doo-wop, reggae, and traditional African sound with the song "Homeless" featuring Ladysmith Black Mambazo. I keep forgetting about the sheer quality of Simon's songwriting and hooks only to be absolutely blown away, and this album takes the cake in that regard. An absolute blast to listen to. Notable Tracks: The Boy In the Bubble - love the bass horns Graceland - not surprisingly had a 50s rock vibe Gumboots - REGGAE MUSIC Diamonds on the Soles of Her Shoes - doo-wop intro which transitions into island vibes You Can Call Me Al - all-time catchy song with an all-time bass guitar breakdown Homeless 9/10

I've been waiting for 241 albums to get to this. I know I can listen to it any time, but this has some kind of novelty to it. This is probably my favourite album ever.

love the African influence on this album. also has one of his biggest hits, You Can Call me Al. used to love the music video with Chevy Chase growing up. This album and Rhythm of the Saints is all the Paul Simon you need.

More interesting rhythms than I remember. Surprisingly, can have some more experimental elements than most pop from the time. Pop, folk, and definitely African influenced. Lyrics are often quite funny, and bordering on spoken word at times. Favorite tracks: Graceland, Diamonds on the souls of her shoes, You can call me Al

One of my favourite albums of all time. And for those complaining about "cultural appropriation" read around the making of the album. Music should be something that brings people and cultures together and it does.

So unique and fantastic songwriting. He explored the nature of life when writing this album and you can feel it, really cool

Awwwwwe my mom had this cassette! I remember listening to it when we lived in the trailer. So just for that it gets 5 stars. :) Loved it!

10/10 likely his best solo work, and a damn good album at that

Diamonds on her soles was one of favourites

1. The Boy In The Bubble-8/10 2. Graceland-10/10 3. I Know What I Know-9/10 4. Gumboots-8/10 5. Diamonds on the Soles of Her Shoes-10/10 6. You Can Call Me Al-8/10 7. Under African Skies-8/10 8. Homeless-9/10 9. Crazy Love, Vol. 2-9/10 10. That Was Your Mother-7/10 11. All Around the World or the Myth of Fingerprints-9/10 Final Rating: 95/110=86%

Gun to my head, this is my favorite album of all time. No gun to my head and I have time to think, it still makes top 10 at least. Easiest 5 stars I've given so far, and I'm so glad this showed up within my first 50 albums generated. I love African music. I remember in college I bought a CD at Borders that included a sampling of songs of different styles from different countries. I still have that CD, and I recently found as many of the songs on Spotify as I could to add to my playlists. (I recommend the song Love is Just a Dream (Tatazela) by Johnny Clegg and Juluka if you love Graceland too) I think Graceland is one of the most beautiful songs ever written. "The Mississippi Delta was shining like a National guitar"...what a killer opening line. "And I see losing love is like a window in your heart / Everybody sees you're blown apart / Everybody feels the wind blow"...so beautiful. And even when I don't understand the words being sung, that beauty comes through. I would die for this album.

I love this album, it’s like listening to a friend I’ve known forever. First heard it when I was 16 and it’s lived rent free in my head for 30+ years. It was my first foray into world music and Simon and the South African artists blend together so wonderfully.

Thoughts before listening: One of my favorite albums ever. Some of my earliest music memories are of Chevy Chase in the \"You Can Call Me Al\" video, but I wouldn't actually listen to this album until much later in life when I bought the vinyl as an adult. It's just such a a cool sound with very memorable songs. Review: Yeah this is such a great album. I see a bunch of negative reviews on here talking about cultural appropriation, but are we not allowed to be influenced by other cultures? Paul Simon recorded in South Africa and employed South African musicians for both the album as well as the associated tour bringing them much more fame and success than than they would have achieved otherwise. I don't see how that's a bad thing. He also produced a masterpiece of an album. I love the general vibe and sound of these songs, many of which are getting added to the playlist. The bass and drums are especially fun on this album. Easy 5-stars.

Pop rock, singer-songwriter. An eclectic collection of pop rock songs heavily influenced by African music. I don't know enough about the different styles presented, but I really enjoyed the variety. It would be hard to listen to this album and not have a fun time. Very political lyrics layered over cheerful instrumentals. Overall a beautiful album colorfully mixing light and dark. Definitely would like to revisit. 5/5

Look, this was always going to be a 5.

Enjoyable the whole way through. You Can Call me Al puts it over the top for me.

When you know every single song on the album by heart, it's clearly a 5-star album.

Quite interesting and different album, if you consider what Paul Simon had done before. I remember that my dad recommended this album, but after hearing it the first time I wasn't that impressed. It took a few listens to get there. Conceptually I think this is quite a clean album, the songs meld well together and the African influences and sounds shine through "just enough" so that it's still a pop album, but with a touch of other sounds. What makes the album interesting hinges quite a lot on how it was produced and made together with an African band in Africa, so if you don't know that it might not as special. Generally I think the album has its ups and downs. There are some definite top songs on here, like 'You Can Call Me All', 'Graceland', and 'Diamonds on the Soles of Her Shoes'. In-between those songs it ain't that interesting always, but I think they serve their purpose in tying it all together, and the top songs are worth sitting waiting for in my opinion. I was debating between 4 and 5, but I'll give this a weak 5 out of generosity. I think conceptually it's a really cool album, and there are some really good songs with interesting vocals, twists, and turns. It could really be a bit more consistent though, and some songs are just a bit too weak for my taste.

this was such a breath of fresh air in mbaqanga and zydeco we trust amen

all time favorite album

brilliant. lovely recording.

Controversial as it might be, and with doubts as to how much is really African artists being ripped off, this is still a really great album, whoever may need to share the credits.

Great music All the way through

A must-listen. Great production, fantastic genre-mixing and cross-cultural nods. Lots of little quirks to discover upon a second or third relisten. You definitely notice Paul Simon's attention to detail and how he embraces the music of his global contemporaries. Add that to the kaleidoscope of different instruments meshing together seamlessly, and played excellently, and the entire album feels like a warm embrace between friends, amidst the surrounding chaos. You even have the large number of different vocalists contributing their little parts. Paul Simon's vocal is also very good here, but doesn't take the spotlight as much as his earlier material (including from Simon and Garfunkel). I like that. And no, this album isn't cultural appropriation. If the only people throwing around these allegations are white guys who raised themselves on classic rock and proto-metal of the 60s and 70s, and not the wide array of open-minded African and African-influenced musicians contributing to Graceland, then I think this speaks for itself. 5/5 Key tracks: Graceland, I Know What I Know, Diamonds on the Soles of Her Shoes, You Can Call Me Al

Bangers, groovy bass line the whole way through

Graceland by Paul Simon is nothing short of a masterpiece, a timeless journey through an eclectic mix of genres, effortlessly blending African rhythms with Simon's trademark songwriting prowess. Each track is a gem in its own right, from the infectious rhythms of You Can Call Me Al to the poignant storytelling of Graceland. Simon's collaboration with South African musicians infuses the album with a vibrant energy and cultural richness that sets it apart. The production is immaculate, with every instrument and vocal intricately woven together to create a tapestry of sound that is both uplifting and emotionally resonant. Lyrically, the album is a masterclass in storytelling, touching on themes of love, loss, and the human experience with sincerity and depth. Decades after its release, Graceland remains as relevant and impactful as ever, cementing its status as one of the greatest albums of all time. NUMBER OF BANGERS - 11 STAND OUT TRACK - Under African Skies

Love the music and the vocals are super nice. Not sure about the colonialism vibe i'll reassess when i'm in my 50s

Seen as Simon's comeback album (though his previous album was still very good - it has no chance against this one) this was pretty much just handed out to parents in the 80s. I mean EVERYONE had this album. Still he steal a couple of melodies? Probably. Did he piss a load of people off by going to work in South Africa? Almost certainly. However, this album's greatness can't be understated. The music is joyous and when it wants to be melachoic. The genres jump all over the place and yet all fit together. The lyrics are genius and as you get older, they will hit even harder. This is one of those albums that fits "you must hear this before you die." Best Tracks: Graceland; Gumboots; You Can Call Me Al

Nostalgic. Feel good album.

Top 30

It's kind of crazy that this is my fourth album with Paul Simon involved. Honestly though, I'm fine with it for a few reasons. I mean, two of them are Paul Simon and the other two are Simon and Garfunkel, so they're kind of different things entirely. On top of that, the two Paul Simon albums are pretty different. Hearts and Bones is kind of what you'd expect from "Paul Simon solo album." It's not bad, far from it actually. It's a good album. However, Graceland is just way better. It's so much more unique. The sound is fantastic. The multicultural influence adds to this experience to make it something truly special. The impact that this had regarding South African music was so huge that Nelson Mandela himself invited Paul Simon and his band to play in South Africa once apartheid ended. That's just awesome. I love the bass work on some of the songs. Everything here is just so fun and energetic. Paul Simon's singing is solid. The writing is nice. This album is just one of a kind and is very worthy of this list. 5/5.

Fantastic performers bringing their best together. Most importantly, all the performers got recognition. This isn't just Paul Simon but he brought together the ensemble.

Beautiful. 5

I have a special place in my heart for the music of Paul Simon.

He has a nice voice i like the sound I LIKE THE SOUND really good 4.7

I have this on Vinyl, really like it. Good songs, good mix of styles, just a classic.

Paul Simon is one of those musicians who always seems to come out looking well when I get his albums on this list. This album is certainly no exception, since some folks consider this to be his masterpiece. I won't weigh in on that issue, but this album is incredible. It treats its African influences so lovingly, and it introduced Ladysmith Black Mambazo to the world. Every song on this album is good, and it all fits together so well, despite bringing in a really diverse array of musicians and styles 5/5

More piccolo!

Simply great: music, lyrics, sound. Bringing the world together for western ears, expanding from the singer/songwriter to world music.

I first listened to this album a few months ago after getting a different Paul Simon album on this website and going through his discography. I'm not sure how I hadn't heard it before because it is right up my street and is absolutely brilliant. Vampire Weekend are one of my favourite bands and the amount of influence they took from this album is insane (the guitar on Crazy Love in particular). Easy 5 stars. Fav songs: Diamonds on the Soles of Her Shoes, Graceland, You Can Call Me Al

This album sounds like a man who was lost musically and discovered new sounds abroad like the synopsis says. You can hear the joy of discovery in the production and the lyrics. Close your eyes you can picture Paul Simon jumping around, dancing and having fun in the studio while making this. That, my friends, is the absolute magic of music and I’m glad he was able to capture that in the form of sound. I think this is what an epiphany sounds like!

One of the best albums to come out of the 80s and one of Paul Simon’s greatest works.

GOAT-level entry by artist who already helped define the ‘60s. There was more genius to come from Paul Simon, but this was the signal flare of greatness. Goodness start to finish.

A+. One of my favourite all time. Listen whenever I’m my happiest. The sounds of this truly move me. What a wonderful bass & guitar sound

"My dad was a huge fan of this album (especially ""You Can Call Me Al""), and this flooded memories back in. Almost 4 decades later, still a fantastic album"

hands down one of best albums ever recorded.

This album is great and almost feel like a one of it’s kind ever from an American artist let alone an artist from classic rock to incorporate African musicians and music into an album.

I loved it and a great concert at Waldbühne/Berlin!

What a fascinating album. I just watched “Under African Skies” - the documentary about the making of this album. It unlocks new levels of understanding. I knew that there was controversy around it, but the movie helps firm up and understanding of all of that. Opens up important questions about appropriation and appreciation. But however you feel about the way this album was made, it’s hard to deny what a truly excellent album it is. A genuine masterpiece.

Interesting to have two Simon albums back to back but really shows the difference between good to great. This album is amazing and I really enjoyed every song.

This could be the most subjective review I've written across 400+ albums.. I'm 6 beers down in a microbrewery. I've saved this album for over a year because my nan told me it was among her favourites and I wanted to give it my full attention (Google: oxymoron) This album is awesome. It's varied. It's ambitious. It's woke, but not obnoxiously so. It appeals to the UK Boomers - Call Me Al is among the most famous songs ever to air on Magic.fm. it appeals to my radical-left ass, sticking a finger to apartheid and celebrating being alive for the sake of sharing that life with others. I think I'll look back at this record fondly. It's so far removed from my usual top-albums but I have a lot of time for this for those reasons. Thank you, Al.

Fakk det albumet her er bra... Topp visesanger med afrikansk inspo = legendarisk album. Blander så mange sjangere og uttrykk men samtidig så er det noe som gjør at det funker dritbra og føles som ett album og en stemme. That was your mother står litt ut men er akkurat bra nok til at albumet fortsatt er fantastisk. De siste to låtene er nok de svakeste, noe som er litt kjipt, men gjør kun at albumet blir en 9/10 og ikke 10/10

A mesh of music traditions and cultures from South Africa to the southern United States, this album was daring, unique and groundbreaking. Truly great music doesn’t just entertain us; it tells a story and creates awareness. Five “diamonds”.

Even leaving aside the stacked guest list (Ladysmith Black Mambazo, Linda Ronstadt, the Everly Brothers, King Crimson’s Adrian Belew—just to name a few) and stellar production, Graceland represents Paul Simon at the height of his lyrical power post-Garfunkel. He can be playful, wistful, sober…but he is never ever boring.

Honestly, it's fantastic. The meshing of rock with the punchy South African sounds is just so spot on and perfect. I had so much fun listening to this the first two times and I'm sure it will just keep growing on me. 10/10

Always loved this album

Songwriting, man.

This was such a fun album to listen to. Great vocal and even better instrumentals. Such an easy listen and even has "You Can Call Me Al", which was a nice touch. This album also has a unique element of bringing in historical African music and killing it. 9/10.

Wonderful stuff. Not only a great introduction to African musical styles, but important in that it helped break down cultural barriers around South Africa that kept the world in the dark about native South African culture as well as helped the apartheid government hide. I remember the controversy of Simon working with African musicians during the boycott of SA culture, and the musicians themselves taking Simon's defense. This is an important cultural touchstone, just one that you can dance to.

i cannot fairly rate this album -- it's a comfort listen to me. so it's getting 5 stars.

Great stuff. There's a variety of song styles here, but they all feel united by the production and sound somehow. I love the title track, I love Diamonds on the Soles of Her Shoes, and of course I love You Can Call Me Al. I've seen Paul Simon live and he starts on time, sounds great, and takes time to credit all of his musicians.

01) The Boy in the Bubble - 8,5 02) Graceland - 10,0 03) I Know What I Know - 8,5 04) Gumboots - 8,5 05) Diamonds on the Soles of Her Shoes - 10,0 06) You Can Call Me Al - 10,0 07) Under African Skies - 9,0 08) Homeless - 9,0 09) Crazy Love, Vol. II - 9,0 10) That Was Your Mother - 8,0 11) All Around the World or the Myth of Fingerprints - 8,0 TOTAL: 8,95 (90/100) So, is he an a**hole benefiting from cultural appropriation or a genius who introduced South African music to the world during the hardest period for the country and the majority of its people? I don't know. I mean, Queen played several concerts at Sun City in 1984. during apartheid. Was it wrong? Hell yes! Do I still think Freddie Mercury is God? Hell yes! All said aside, I think this is a great album, with several excellent songs ("Graceland", "You Can Call Me Al" and "Diamonds..."). It also introduced us to Ladysmith Black Mambazo, Youssou N'Dour and many other African musicians.

On paper this shouldn't work. Half of 60's folk duo travels to South Africa to collaborate with black musicians on album of American songs. It reads like a mushroom induced fever dream. But despite the odds the result is a truly fantastic album.

Chicago 5/30/24

Graceland has always been one of my favourite albums

Incredible creative

Marvelous!

YOU CAN CALL ME AL. BANGER. 10/10

Wow. I am just so glad I am doing this. I know this is a famous album but I’ve never listened to it. I’m obsessed. I love the gospel collaborations. Every song showcases different skills.

An album I've loved forever and continue to love today

10/10. Great vibes. Great mix of tones in the songs. Top notch.

Literally one of my favorite albums of all time. It was like a religious experience discovering this taste of “world music” as they call it for the first time. The bouncy rhythm section and chants paired with Paul’s quick witty lyrics and delicate guitar make this his best record in my opinion.

just incredible feat of cross-culture music-making, as well as being full of bangers

problematic bop after problematic bop

A great album. All the musicians are excellent, but the bass playing is on another level. An easy 5 stars.

Fantastic album. Definitely Simons best work. Love the influence and feature of African musicians. 5/5 Will no doubt listen often

My favorite album of all time! 1,000,000 stars!

There is a reason this won a Grammy for Album of the Year. Groundbreaking at the time -- controversial at the time, too -- but Paul Simon had a vision and executed it brilliantly.

One of my all time favorites, maybe Simon’s best work. The song writing for this album is second to none in my opinion.

Such a nice listen. Maybe my favorite album on this list (that I hadn’t heard before so far)

One of my favorite paul Simon albums

Great listen

Nothing to say that hasn't already been said: This is a brilliant album.

god the amount of culture in this album *chefs kiss*

Classic. My dad listened to this on the radio a lot, and I can listen to this all day. Reminds me a lot of earlier Sting work, which I've listened to a lot already.

When Rach and I started dating 12 years ago, I remember asking her what her favourite album was. She recommended Graceland. I went away to listen to it and realised I hadn’t heard anything like this before. I remember singing Diamonds On The Soles Of Her Shoes for weeks after. Songs I already knew: none Favourites: Diamonds On The Souls Of Her Shoes, You Can Call Me Al, Homeless I still don’t think I’ve heard anything quite like this album. It’s a blend of folk pop with Mbube brought in by Ladysmith Black Mambazo. On paper, it seems like it should be too weird but it’s just so very nice. Homeless is a definite hidden gem here. If you like You Can Call Me Al (and let’s be honest, everyone has heard that one) but aren’t sure if you’ve heard much else here, definitely give this a listen.

Great album. Lively and fun.

Perfect

Didn't actually listen to this one when it popped up...no need. This was one of those albums I listened to over and over as a kid...and into adulthood. Love it. Front to back. All rippers no skippers.

It’s really almost a perfect album.

Huge fan of Paul Simon, and a deservedly classic album.

👍

Top five if all time

5 star for nostalgia alone as I'd call this a "Dad would always play this so I learned to love it" album. Some may call this a exploitation or a....thinking of the word...cultural appropriation of these African styles and sounds. However, to me, these are just beautiful pop songs from one of America's greatest songwriter's exploring the fullest sounds with amazing collaborations of south african musicans like Ladysmith Black Mumbazo to american contemporary's like linda ronstandht. "Diamonds on the Soles of Her Shoes", "Homeless", "Call me Al" "Gumboots" "I Know What I Know" are all stand outs with 80's style production on the drums but beautiful African influenced style guitars. Such a weird combination with Simon's mousey/serene vocals but an instant classic.

A controversial album for some but oh to be South African and enjoy this in the summertime.

Even better than I remember!

One of my favorite albums of all time.

Rating: 9.5/10 Classic album, probably Paul Simon's best work. This album is absolutely infectious, it puts me in a fantastic mood every time I listen to it. The instrumentation and rhythms on this album are remarkable, very influenced by African and world music. The mix of styles from pop, African, world, and rock are masterfully done, it makes each song a pleasure to listen to. Paul Simon also sounds great vocally and lyrically, everything about this album is done extremely well. Favorite songs: The Boy In the Bubble, Graceland, I Know What I Know, Diamonds on the Soles of Her Shoes, You Can Call Me Al, Homeless, All Around the World or the Myth of Fingerprints. Least favorite song: Crazy Love Vol. II.

Still very sublimely great.

Mint

This album was really special. The compositions were catchy and satisfying to listen to. The inclusion of African musical motifs and rhythms while writing about the American South is a great touch. I really loved how the record sounded. Bonus points for the cheesy 80's gated reverb drums.

i unequivocally loved this album and once i get my headphones back, will listen to it again and in order as it should be. I don’t care for the controversies surrounding it, i will look into it out of interest, but i thought this was fun, whimsical, soulful. filled me with joy, and ‘You can call me Al’ has been a favourite song of mine since I was like 17 but never put two and two together, I’m glad because maybe I wouldn’t have appreciated this gem back then, who knows?

I love this album dearly. Diamonds is still my fave, but they're all fantastic. If someone had never heard this I think it's a perfect fit for albums to hear before you die. First time I heard it, it opened a whole new musical world for me. Last track is underrated!

This is one of those light 5s. It’s not something that’s got me obsessed but I also can’t fault it for a sigg by le thing and it is excellent. Great blend of styles with a cohesive sound. Wish he clicked for me just a bit more.

I think Paul Simon has probably written better individual songs but nothing hangs together completely as well as this album. Sonically interesting given the Afro influence and well crafted pop songs make this a great album.

I don’t think I have anything new to say about this album. It’s great. The fusion of sounds can only be achieved by a master musician like Paul Simon. The South African band is incredible and he really lets them shine throughout. Had no idea Los Lobos were featured on a track too.

Classic

Few albums can make laugh, tear up, dance and think and this is one of them. It also brings back great memories of my first year at uni and forging a really important friendship.

Glorious. Full stop.

This album was controversial when it came out bc of apartheid in South Africa. What many do Not understand is that apartheid prevented South African black society from earning money from All jobs that’s the downside of sanctions of any kind. Paul Simon actually did a very Brave thing… he sought out South African musicians and he gave them work. He paid them and gave them credits on the album…it is a wonderful reminder of how music crosses All boundaries and divisions and ignites the souls of All it touches!!

One of the best all time albums. Paul Simon is a musician’s musician. He’s not afraid to play with sounds and rhythms and incorporate them into his unique lyrics. Yeah. It’s a good album.

One of My All-Time-Favourites!

Really good. One of the few times using music from another culture doesn’t feel fake, probably because he doesn’t try to act like it’s his culture. Plus, the songs are really good. 5 stars, and a massive step up compared to Hearts And Bones.

This was a favorite album of my mom's when I was a kid, so I've heard it countless times. I don't love everything on it, but there are some absolute classics. I'm not usually struck by lyrics, but Graceland and Diamonds on the Soles of Her Shoes are masterpieces in the way the poetry and music play together. Call Me Al is a certified banger even after playing it hundreds of times in basketball pep band. Easy 5 stars.

Oh my! Two bangers in a row. This album makes me wish I hadn’t given The Cars a 5! One of my favorite albums of all time here. I hope everyone enjoys it! Definitely an album to listen to with good headphones to enjoy all of the elements going into these tracks. Also, if you haven’t read about the recording of this album and the controversy surrounding it, the Wiki does a good job of covering it. Obviously, the music bouncing around among different genres and sounds is amazing, but when I think about this album it’s the imagery that Simon evokes with phrases dropped throughout that stands out to me. The title track is a great example of this. Also, the bass absolutely slaps in every track!

Een van de beste albums ooit. Ik houd van de Afrikaans invloed en. Soepele strelende zang. Practige teksten

A perfect ode to Elvis 5.0

One of my favorite records ever.

Paul Simon’s Graceland is one of those albums that I consider to be “important”. It had been 3 years since Simon’s last album, which had only reached #35 on the US charts, and 6 years since his last top 40 hit. Simon had just turned 45, he was recently divorced, and his star seemed to be fading. He’s quoted as saying he was “in a tailspin”. In response, he did something completely different. He was given a bootleg cassette of music from South Africa, and ended up going to South Africa to create an album with local musicians. And what an album! Graceland features a sound that was heavily influenced by the South African music scene, and has a sound and feel that stretched into new areas. The influence varies from light to heavy, but is always present. The result is Simon’s most successful album. Multi platinum around the world, Top 10 in at least a dozen countries. And deservedly so. The songs range from brilliant to very good. It opened the door for wider recognition and discussions about the political situation in South Africa, it exposed countless people to new types of music. It’s filled with memorable songs, and the total is greater than the sum of the parts. 5/5

Had heard it before but definitely didn't remember how complete of an album it was. Feels like when Mr. Garcia used to talk about the impact of albums being meant to listen to as a whole. Nice and upbeat, but also fitting different moods. A reggae feel. Great start.

Great album, no real skips. Songs make you want to tap your foot. I would say the second half after You Can Call Me Al is a bit weaker but it's still great.

Love the energy, not flawless but enjoyed the whole thing 9/10

Totally awesome. His voice is fantastic and the songs are wonderfully melodic and creative and quirky. I never got bored. -0.5 because I felt like he could have explored more different sounds harmony-wise (it’s very pentatonic and major triad-y) but other than that pretty perfect for me, 9.5/10

9.5/10 - I am a little biased as I grew up listening to Paul Simon and a bunch of songs on this album. Almost every song hits and even some of the ones I had not heard before surpassed my expectations.

Goat

Love this!

One of my favorites since it came out. I remember walking in downtown Lansing by the capitol and the courtrooms-with this album on a cassette tape in a WalkMan. Priceless memories of HOPE. Perfect listen for 12/31/23 a.m. retrospective (but would also be great for 1/1/24 a.m. prospective!).

Iconic

An incredible album, it's ageless and sophisticated. The songs are so musical and fun.

Absolute all-time banger of a classic, one great song after another, & showcasing different African music styles to ears that would never have otherwise heard them. And this version comes with a side-order of entertainment courtesy of predictable yawning about 'cultural appropriation' by self-appointed custodians.

No notes.

A monumental album by an American treasure. Easy five stars.

This is one of my all time favorite albums. Nothing says summer time like the car windows open and this blasting at full volume.

Simon's got a hit baby!

A great album and lives up to the hype. Full of great songs and worthy of its high rating.

Seems to be a huge divide between those that love this album and those that find it to be “sanitised world music for middle class drones with no imagination and less soul.” Maybe I’m a middle class drone with no imagination or soul, but I love this album like few others. Listening to it never fails to make me happy. Whether that is because of its innate musical qualities or because of nostalgia and my own history with it, I can’t say. All I know is that, to me, this album is as close to perfect as music gets.

Pure brilliance. One of the most artistic albums you'll ever hear, and every single direction clicks beautifully. Favorite track: I Know What I Know

Ive probably listened to this at least once a month since 1986. In my opinion one of the greatest albums of all time. If you like this, I'd recommend listening to the 25th anniversary edition. There's some alternate and instrumental versions, plus a really interesting description on how the song Graceland was put together.

All time great

She says “Losing love is like a window in your heart Well, everybody sees you’re blown apart Everybody sees the wind blow” Probably should write an entire essay about this album. Linda Ronstadt. Ladysmith Black Mambazo. Youssou Ndour. Adrian Belew. African skies. Diamonds. It’s all good and we forgive Paul Simon for whatever sins of appropriation because this album introduced a huge audience to a kind of music we were previously unaware.

making a fusion album incorporating black music is cultural appropriation? Any doubts should fade as soon as you hear the remarkable accordion intro to The Boy in the Bubble. The sound is tight and, unlike most 80's pop, is teeming with life. The song quality diminishes in the back half, but the production is so natural and immaculate its difficult to even care. Was going to give this thing a 4, but swayed to a 5 out of spite of the comments that totally misunderstand the record's ideologies.

Turns out I love every Paul Simon song ever.

One of the best Western musicians taking influence from some of the best parts of African music. What more could a person ever desire?

This album is a masterpiece. I remember listening to my Dad's copy when I was a kid and being in love with "Homeless" and "Diamonds on the Soles of Her Shoes". They are so easy to just get lost in.

Flókinn karakter hann Paul Simon. Einstaklega hæfileikaríkur með nef fyrir góðu stöffi. Sumir kalla hann þjóf og backstabber. Stundum er það blind-spot hjá fólki með náðargáfu og óöryggi á háu leveli. Hugsa að það sé bæði í bland bara. En tónlistarbransinn á það til að vera cut-throat og maður verður að líta framhjá ákveðnum skíthælastælum nema maður ætli að hlusta einvörðungu á Stevie Wonder eða eitthvað. Hvað plötuna varðar er þetta óneitanlega meistaraverk. Skemmtilegt og ódauðlegt 80's soft soundið sem virkar bara svo vel og hefur gert alla tíð frá 1986 og mun líklega gera um ókomna tíð.

I listened to Malcolm Gladwell's Paul Simon interview/memoir audiobook, Miracle and Wonder, when it was first released in 2021, just now listening to Graceland. What an impressive album, going to give this one a few more listens!

Really great, wistful album. Fun rhythm and vocals, unique and lyrics with substance. Favorite tracks: Graceland, Diamonds on the Soles of Her Shoes, You Can Call Me Al

Ok

I watched a documentary about Graceland and the groups that were fighting apartheid in South Africa were disgusted that Paul Simon breached the embargo to make this album. I’d agree that PS probably shouldn’t have made it... I’m not sure if it was his US exceptionalism or he genuinely thought making it would improve the situation in SA. The fact is I like this album a lot and to me it sounds completely unique. The bass line for diamonds is easily one of my favourites of all time. Would I have heard of Ladysmith Black Mambazo if this album was never made? Probably not. Others have said it’s cultural appropriation but some of my favourite music has been a result of a clash of different cultures and genres, and it’s not as if he took the black music and performed it with white American musicians like other celebrated albums on this list. Having said all that when I found out that Graceland is literally Elvis Presley’s house I thought that was a dumb thing to name an ‘iconic’ song/album after.

Amazing!

Very fun, very easy. Cool songs, lots of diversion

wah

So many styles, and layers, of music. Every track is so unique in its construction and style. Amazing.

“Graceland” is a remarkable reinvention for everyone’s favourite musical control freak, Paul Simon. Twenty-two years after his debut with Art Garfunkel, in the throes of a divorce and plagued by depression, Simon was introduced to South African music and channelled/appropriated (delete as appropriate) their sound into some of the best music of his career. If you’re a sucker for 80’s pop-rock, “Graceland” is indispensable. If you aren’t, just try not to be swept away in the jubilant soundscapes here. The instrumentals are gorgeous: from the accordion and explosive drums which open the record, to the constantly shifting fretless bass throughout, to the joyful and buoyant lead guitar lines as catchy as the vocals, to the always-tasteful-but-unmistakeable synthesisers. And then there’s the roster of featured musicians, adding their distinct flavour to each of the songs. Linda Ronstadt’s vocals perfectly complement Simon’s on the stirring “Under African Skies”. The glorious Ladysmith Black Mambazo run away with “Homeless” and “Diamonds of the Soles of Her Shoes”. Good Rockin’ Dopsie and the Twisters bring accordion, sax and washboard to the barnstorming folk jam “That Was Your Mother”. Los Lobos provide the backing for the excellent, propulsive closing track “All Around the World”. For god’s sake, even Morris Goldberg’s penny whistle in “You Can Call Me Al” is unforgettable. This before we arrive at the glue of the record: Graceland’s lead vocals. Melody after melody, line after line, Simon’s conversational free-flowing tone is at its finest here. Right from the opening, “The Boy in the Bubble”, his lyrics are immaculate: not a single word feels wasted, yet they’re tossed out so casually in Simon’s featherweight tone against such dense instrumentals. The effect is of songs that feel lighter than air, but are so satisfyingly rich in texture. I first heard “Graceland” in 2015 and fell for it pretty much instantly: further listens have only moved it higher and higher in my personal canon. It took me several years to learn about the claims of plagiarism, appropriation, and criticism of Simon for breaking the cultural boycott against apartheid in South Africa by collaborating with its musicians. I don’t want to blindly absolve Simon based on how much I like the music of “Graceland”, and I definitely still have a lot more reading and reckoning to do on the subject. But I do feel that Simon’s repeated intentions - prioritising the artists, giving them a platform, sharing and celebrating cultures - shine through in the joy of these songs, and the ensuing success of acts like Ladysmith Black Mambazo.

Awesome and pure. 4.5

Awesome album.

Excellent classic

Have always and still do love this album!!!!

Wow. Superb stuff. Great record, super eclectic. Favourite tracks: The Boy In The Bubble, Graceland, I Know What I Know, You Can Call Me Al (obvs!)

Yes! I have this one and I feel everyone should! Lovely guitar work, vocal melodies and harmonies. I feel most of the songs are on the same high level

Classics throughout. Superb musicianship. One of the greatest albums of the 80s.

Stellar, duh

This album has such a feel good vibe to it, and You Can Call Me Al is such a banger! The songs Diamonds on the Soles of Her Shoes & Homeless have a real African/ world music feel to them. Favourite songs: You Can Call Me Al, All Around the World or the Myth of Fingerprints, That Was Your Mother, The Boy in the Bubble, Diamonds on the Soles of Her Shoes, Graceland, "Crazy Love, Vol. 2", Gumboots, Under African Skies, Homeless Least favourite songs: I Know What I Know (simply because of the female accompaniment. Their echoed responses and harmonizing were kind of annoying). 5/5

When I saw it was Graceland today I was thrilled, I've always loved Paul Simon. I then went on a deep dive into the cultural context of the album (something I was blissfully unaware of when listening as a child) This is probably 5 stars based on the music alone. The cultural significance removes any question marks.

5/5

Awesome album

Wow, the fusion on this album and the quality of the songwriting is absolutely stellar. I was expecting some more temperate folk, but this was an excellent and fulfilling experience. Definitely recommend.

One of my favourites

YES! I love this album!

It is one of the most feel-good albums I’ve ever listened to. Loved it! Lyrically intriguing and musically otherworldly, he puts you in a place you’ve never quite been before but somehow feels commonplace and rather familiar. Excited to listen again. I think I had heard 3 of the songs, of course the smash hit Call Me Al, and I feel like I’ve heard Boy In the Bubble too. Homeless as well. Great record! Onto the next!

Great songs. Can see the African influences clearly. Couple of real bangers on it. Very poetic

J'avoue que je suis onomastiquement favorablement biaisé. Mais ça reste vraiment très bon, alors que de base la world music c'est pas ma came. Allez, hop, 5/5.

Absolutely classic album with a strong vision for itself.

Loved it. Fretless bass.

One of my favorite albums ever. The way he’s able to weave poetry and song together is unmatched.

Always great, the titular song hit like crack this time

Listened to this a lot in the car growing up so I do have a bit of a nostalgia bias here, but nevertheless I still think this is one of the best albums of the 80s I feel like the influence from African music and the glorious productions has helped this album to age very well too Favourite tracks: The Boy In the Bubble, Graceland, Diamonds, You Can Call Me Al, Under African Skies, Homeless, That Was Your Mother

Je m’attendais pas à grand chose parvenant de Simon sans Garfunkel (y’a vraiment une drôle de tête), mais j’ai été vraiment surpris par la diversité musicale et l’influence de la musique africaine apporte beaucoup de fraîcheur à cet album pop EDIT DU FUTUR: J’AI TROUVÉ LE CD DANS UNE BIN À 1$, ÇA M’A PERMIS DE L’ÉCOUTER UNE COUPLE DE FOIS SUPPLÉMENTAIRE, C’EST VRAIMENT BON, EUH YEP, C’EST TOUT

I don't know why I wasn't particularly excited when this came up. It is magnificent from start to finish.

I don't need to listen to this again to tell you that it's great. Sure, there's a lot to unpack, with Simon's breaking of Apartheid travel bans, and whether his work is culturally appreciative or culturally appropriative, but the long and short of it is that the music is just fabulous. "You can call me Al" is probably one of my all-time favourite songs, though I have to say that when listening to this album again, I found "Graceland" to be way better than I remembered it being. The lyrics hit me this time in a way I don't think I'd picked up on before. Great stuff.

I’m not sure I understand the other reviewers upset over cultural misappropriation. Just enjoy the music without overanalysis. This album is perfection.

Great album - Paul Simon flexing his solo muscles. Few classics in there that are timeless. 5 stars

Enjoyed

Classic

Stone cold classic

An absolute masterpiece. I love the warmth of this album. Beautiful songwriting and virtuoso execution

Oh my - this was wholly unexpected - a stunner of an album - with South African music - which at first inducting start to ring ‘cultural appropriation’ alarm bells, being at centre stage for most of the album, but after a bit of reflection they feel more like a collaboration with actual stars of the genre. Even more interesting is the story of the record and the divisiveness that ensued as Simon as perceived to be breaking the apartheid boycott… but as someone cleverer than me said - this record was not propping the apartheid regime - but rather giving jobs to black South African musicians. At least I hold that view - I might be wrong. Anyway this record is fantastic objectively.

lots of things i don't ordinary like, but the writing and songcraft is superb

Great and Underrated album

I like this record. It's got a really great feel to it. Good songwriting too.

Excellent eclectic international sound. A landmark album

It’s Graceland. It’s brilliant. I love it. Nice to see this on here and looking forward to listening again.

little boogie :) wahooo

Cat: instant 5 stars AJ: an album of miracle and wonder.

Paul is a treasure, as is this album.

Paul Simon at his best.

Phenomenal.

This is a brilliant album.

This was one of my very favorite albums when it came out and I had it on cassette. I have missed listening to it, so it was a happy reunion today. There's not a song here that I don't love.

I did not jump on the fanwagon for this album when it came out, just not ready to make the investment back then. I was happy to give it a listen today. I really enjoyed it.

I didn't pay much attention to this album when it came out but I picked it up a few years ago. That was the right time for me to find it. It's brilliant. And Boy in the Bubble seems especially relevant these days. Love it.

I bought this album not long after it came out after falling in love with You Can Call Me Al. The mixing of pop with South African street music is still pretty unique sounding. A classic from Paul Simon that sounds just as great today.

:)

Love

With this endlessly engaging and pivotal album, Paul Simon once again became the darling of the music press and reestablished his status as one of music's more reliable storytellers and forward-thinkers. While One Trick Pony was a nadar and Heart and Bones an underrated gem that put Paul back on track, Graceland was the tale that made him the comeback kid, weaving simple, everyday tales into a palette that encompassed Apartheid era South Africa rhythms, zydeco and highlife; thus, Graceland became not only a hotbed of controversy and intrigue but perhaps the most important album in Paul Simon's discography. While the uproar remains justified, the fact remains that Paul Simon pulled off a hat-trick that was inconceivable a few years before; a middle-aged musician gathering up not only increased goodwill but interest from a younger generation who saw him as a standard bearer for this intoxicating blend of music. Poor boys and pilgrims with families, we're going to Graceland!

An easy FIVE. the album is great, particularly the front half. I will likely revisit this album constantly, love the African influence, love it all

Easy 5 stars; grew up with and love this album. Just incredibly good. Will say that I think it tapers off a bit (I think that the first half is stronger than the second half) but it is all really special.

Absolute banger and one of the finest pop albums ever made.

Didn’t need to listen because I’ve heard it 100X

This is honestly the Paul Simon album to beat for me. The production is killer, the songs are varied and great, and I have a lot of nostalgia for it because my dad had it on repeat quite a lot when I was a kid. Waffling between 4 and 5 a bit here because on one hand I really really like it, and on the other hand I kinda need to be in the mood for it? But I also need to be in the mood for some of all time favorites, so... We'll give it the ol' 4.5 rounded up because nostalgia lol.

day 36. I got behind on my album listening because of this one - thrown off by all the negative reviews and wanting to listen to this multiple times to try to understand. But screw it, I’m going with my instincts and basing this off the music here. I love this album, it’s funky, it’s fun, it’s eclectic and it has heart. I can’t pick out a skip on the album because they’re all really solid. There are so many layers here between the horns, accordion, groovy bass, background vocals, and yet it never feels like too much, they all have their place and get to shine perfectly. This album puts me in a good mood, is unique and I could listen to it many times over, and for me that’s worthy of 5 stars. 5/5 Faves (besides Al) - Graceland, Gumboots, I Know What I Know, The Boy in the Bubble also I thought the “bodyguard” in Al was named Eddy, oops … I think I like Eddy more than Betty :)

Puur genieten

One of his best albums

Whimsical, witty, vivid and heartfelt vignettes about the idiosyncrasies of life. Set to a compelling blend of 80s pop and (a small slice of) African music. I wouldn’t want to live in a world where this album was never made. Indie music of today would be a lot less interesting and a lot more Western.

Cracking album, already loved it!

An instant classic and masterpiece. Great song writing and rich and enchanting arrangements. Rating: 5/5 Playlist track: You Can Call Me Al Date listened: 08/06/23

Graceland by Paul Simon is a masterpiece that seamlessly blends world music influences with Simon's impeccable songwriting. Released in 1986, it introduced the world to a vibrant fusion of African rhythms, infectious melodies, and heartfelt lyrics. Tracks like "You Can Call Me Al" and "Diamonds on the Soles of Her Shoes" are timeless classics, showcasing the album's infectious energy and Simon's distinctive storytelling. Graceland's production is polished and rich, allowing each instrument to shine. The album remains a testament to Simon's musical exploration and ability to create an album that transcends borders and genres, making it a true gem in his illustrious career.

Saying that there are 1001 albums that are better than all others is arbitrary and suggests there is one album is better than all others which is frankly ridiculous until you hear this album and realise that there is a best album of all time and it is Graceland.

5 stars from start to finish. A damn near perfect album.

An album of deep beauty and respect for the collaborative process. Wildly important given its anti-apartheid roots. A genuinely deserved AOTY winner.

One of my favorite albums, grew up listening to it

Close to a perfect album. Standouts: Diamonds on the Soles of Her Shoes, All Around the World - who am I kidding, all the songs are standouts. One of the first ultra-popular albums to merge non-American influences (South Africa) with American pop. Cannot believe Paul got crap for violating the boycott of So. Africa and working with these musicians. This definitely accelerated the end of apartheid. One of my favorite albums.

One of the most famous left-turns in pop history. He’d been making music for 23 by this point? It takes a lot to make world music this accessible, this succeeds. I don’t always feel like listening to the whole thing, but it objectively earns the 5th star. The a capella opening to Diamonds on the Soles of Her Shoes is the standout moment

Again this is one of my faves. There's a lot of haters though I guess. I think they're forgetting this is the height of the 80's here. It's 80's sensibilities. Let them hate. The rhythms, melodies are hypnotic and the lyrics cutting. One of the best.

From start to finish, I love this album. It's euphoric, melancholy, funky, folky, melodic, harmonic... just about one of the most effective blending of different musical styles, and all of the emotions seem real. Well done Mr Simon.

One of the all time best.

PREFS : TOUT MOINS PREF : RIEN

A perfect fusion of 80s pop and African styles. Peter Gabriel and David Byrne had been experimenting with some combinations before, but Paul Simon really went ham with incorporating so many different styles that each song stands out for some unique instrumentation or playing technique that you will will never hear anything like it. It's groovy and optimistic; you could almost dance to it. Yet it knows to only take the background, with Paul Simon's vocals and excellent songwriting taking the forefront at all times. My first time listening to this was actually on my drive to Graceland when I visited Memphis, and I truly was not prepared for every song to stand out. But he really put thought into each and every one. My only complaint is that I wasn't too crazy about some of the last few tracks, but they were still interesting ideas.

This is a low 5 for me but kinda just barely. Lots of 'experimentation' and blending of South African stuff right into his more 'traditional' American style. I have a lot of nostalgia associated with this one that helped bump it up a notch for me. A pleasure to listen to even though the shine of surprise/newness have worn off.

I was well aware of most of the controversies when this album was released (and I did not buy it at the time), but not aware that Paul Simon stiffed both Heidi Berg (who introduced him to South African music) and Los Lobos (who co-wrote the final track and were uncredited). But I'm trying to judge these albums on their musical (& lyrical) content, not on the performers. The 1980s drum sound dates it, but this is a 5⭐ album.

Wow, wow, wow. You can just feel the importance of this album as you listen to it--just fantastic. To cover this many genres in a cohesive way is something only very few artists could have pulled off. Granted, not all of the artistic decisions made here landed for me, but the overall project is so interesting that I have to give it 5 stars without a shadow of a doubt. Favorite track is obviously You Can Call Me Al, but Diamonds on the Soles of Her Shoes and Homeless are right there as well.

You Can Call Me Al is a goddamn masterpiece, and the rest of this album slaps just as hard. 80s Paul Simon has so much BDE that you can’t help but get swept up in his strange little pop rock fantasy party.

I've heard this before and thought it was alright but for some reason on this listen it just clicked - absolutely joyful from start to finish. These are going to be in my head for a long time, and I'm definitely going to listen to it again soon.

Not much left to say about this one. Take your 5 stars and get out of here Paul.

One of my favorite albums of all time.

I have and still do love this album

I’m already very familiar with this album. I love it!

It was a slow day And the sun was beating On the soldiers by the side of the road There was a bright light A shattering of shop windows The bomb in the baby carriage Was wired to the radio These are the days of miracle and wonder This is the long distance call The way the camera follows us in slo-mo The way we look to us all The way we look to a distant constellation That's dying in a corner of the sky These are the days of miracle and wonder And don't cry, baby, don't cry Don't cry Thats how this incredible album starts - which maps the global music of the mid-80s, a time when technology had become the new favorite deity and drugs were cheap and plentiful. Did he appropriate music and culture from Africa and the Caribbean? You bet your fucking ass he did. It doesnt detract from the album, which is outstanding. Paul Simon, who couldnt write a bad song if he tried, stealing from global music and writing a masterpiece. 5/5

Poppy, catchy, lyrically lovely. Something where my chief criticism is that You Can Cal Me Al lives rent-free in my head.

A fantastic album. Between the Cajun/Creole/zydeco vibe on songs like "Gumboots" and "That Was Your Mother," and the contributions from African artists like Ladysmith Black Mambazo and the Gaza Sisters on "Diamonds on the Soles of Her Shoes," "Homeless," and "I Know What I Know," it's a true multicultural treat.

Given my usual taste in music, people are often surprised that I count this as one of my all time favourite albums. I listened to it a ton when I was a kid and with the tracks involving African artists like Ladysmith Black Mambazo it was an ear opening experience to "World Music" Super fun to go back and revisit this classic.

Excellent.

One of my favorites.

Wish there was a 6th star for this favorite

I guess it's the most careless and life-affirming album in my dark playlist. These vibes of "Lion sleeps tonight" and african folklore, my inner child loves it so much!!!

This definitely deserves its place on the list, as it hit the world like a bombshell, putting South African (and African American) musicians at the center of a musical sound during Apartheid. In fact, the politics of this album are controversial - many criticized Paul Simon for violating the embargo against South Africa, while others congratulated him for bringing attention to Apartheid. (I was only 10 years old at the time, so I didn't have deep opinions about that issue back then.) There is also the title and the explicit connection that Paul Simon makes to Graceland and Elvis, which I now find a bit creepy (Elvis profited on bringing African American music to white audiences). Paul Simon "helped" black musicians with this album, but also made a nice pile of change. There is complexity here. That said, Paul Simon's songwriting really takes center stage in this album, with the sounds of South Africa and the Southern United States included for texture, but never totally appropriated. I think it was that skillful meshing that saved this album from being more problematic than it was. Paul Simon's songwriting could never be confused with anyone else's - it is so distinctive and unique. Furthermore, I think Simon did a good job of letting his guest artists express their own creative powers, without forcing them into his mold too much. I think this is why the album has aged so well. It's so unique. There's nothing that sounds like it. An important and unique album, and distinctively of its time. 5/5

i love vampire weekend

My favorite album when I was 12, even got to see the tour at the Royal Albert Hall, anti-apartheid protesters and all! Still love it to death

Good memories

Hele fijne muziek, vier sterren lijkt me. Vooral een blij album, met ook lekker wat verschillende invloeden (o.a. Afrikaans) erop. Nee, toch gewoon vijf sterren, ik heb eigenlijk van het hele ding genoten.

classic

Loved it

Do you enjoy 80s pop and New Wave? Ever find yourself thinking "Gee, I wonder what it would sound like if the intricate polyrhythms and harmonic structures from traditional African music joined with pristine engineered, 80s pop in some kind of fusion. Is there anything like that that even exists?" Well guess what: Yes. Graceland fills that niche perfectly. In the hands of a lesser musician and a lesser producer, this album would sound over-produced and kitchy. But with the melodic hooks devised by Paul Simon and his collaborations with various South African musicians, the atmosphere of the record is one that provides a rare feeling nowadays: Joy. No songs wailing about how the government is failing its citizens or how you'd rather be dead than caught by police, and even the song "Homeless" has an optimistic twang to it, only heightened by the smooth interweaving of the acapella arrangements. The eclectic choice of instruments and arrangements provide a unique experience that few albums could boast about. Standout Songs: "Boy in the Bubble" "Graceland" "Diamonds on the Soles of Her Shoes" "You Can Call Me Al" "Homeless"

Love this!

I bought the cassette from Columbia House Records and Tapes back when this album came out. Nearly wore it out. African sounds have always been at the core of American made music - jazz, blues, rock, bluegrass (that banjo), hip-hop, rap. Sounds and rhythms brought here through the instruments and voices of enslaved humans. Whites condemned it and took credit for it when they figured out how to appropriate and profit from those who were responsible for it's roots and development. I understand how Simon also did this. I also see that he went to the source and brought forward the music and voices of those oppressed by colonization and apartheid. Would I have had the same opportunity to attend concerts and support the music of Ladysmith Black Mambazo were it not for this album? Perhaps breaking that cultural boycott opened a door that helped wake up white people and did some service toward ending apartheid. This album helped this white girl understand better the African roots of all the music that I loved. After this album I ate up roots music, I started listening to Zydeco. Simon doesn't deserve all the credit for broadening my listening landscape. It was the African voices that this album incorporated celebrated who made me keep listening. African voices and rhythms were the best thing that happened to the over synthesized music of the mid-80s. I still love this album

5*

I love the Zulu-style tracks. Since these songs are written or co-written by Paul Simon, they are as perfect as a pop song can get.

One only understands so much about cultural appropriation but one knows this is a great record – and knew it from the first time one ever heard it. One's a bit of a Simon skeptic (if not quite a hater), but there is such enthusiasm and appreciation for the music he’s sharing and co-creating that it’s hard not to like. In a more just world, the South African artists would’ve had top billing and enjoyed more of the benefits, but there was at least some upside for them. “Diamonds on the Soles of Her Shoes” is an all-time pop song, easily one of the best of the ‘80s. Too good to be just a 4 though maybe not the highest 5.

Graceland the single fucking kills it. Gumboots is killer. Under African Skies slays. This album is so full of rich texture.

Great 80s vibe

Very Very Good!

Pretty pretty pretty good 5

Een van de eerste albums ooit die ik luisterde en Paul Simon was de eerste die ik tijdens een concert zag ❤️ ly4ever Paul

The soundtrack of my teen years. Not a bad song on this album. From the cheeky You can call me Al to the harmonies of Under African skies - such deep and rich music. Although, I never understood why an album with such African music influence was named after, and a song about, Elvis’ home.

10/5 one my all time favorites..fantastic music…whole new insight into international music

One of the best albums ever

Probably one of my wife's favorite albums. Most people think of the one song "You Can Call Me Al," but there are so many great songs here. Paul Simon was firing on all cylinders on this. Probably one of my favorites is "Under African Skies", very underrated song. I'm sure that people would say this is the album that pretty much represents Paul Simon's work, and I would have to agree (although The Rhythm of the Saints is a great work of his, too.). Highly recommended.

As I said when his debut album made the list, Paul Simon has many other better albums. This may be his best. A masterpiece. The composition and musical arrangements are incredible (and his lyrics are some of his most clever/witty). So much sound right from the get go in Boy in the Bubble. And a lot of the album's sound is unusual for the typical listener (native African instruments & vocals, other worldly sounds, accordion, woodwind and brass for days) and yet he makes it all sound so familiar or normal. Graceland, Diamonds on the Soles of her Shoes, and You Can Call me Al are all stone cold classics; the last one perhaps the most typical pop rock on this album but the other two more of the worldly sound he sought on this album. His many collaborators deserve a lot of the credit too for making the songs so magical. Don't know what I mean? Listen to Homeless - beautiful. Or I Know What I Know - super fun. I could listen to this album on loop over and over and over.

Cultural appropriation or beautiful mix of cultures? Far be it from me to decide. I know what I know, as the song goes, and I know this is an absolutely perfect album. We had Ladysmith Black Mambazo as a pick in the 1001 albums and I rated it pretty low because an album of just their singing was kind of meh. Combine them with Paul Simon's voice and writing as well as a wealth of other styles, and suddenly you have a classic. It's all about the synergy of styles that makes it wonderful. It's good to see Paul Simon treated the artists very well - he paid his band far above scale and made sure all the South African acts received writing credits. He received a ton of criticism for violating a cultural boycott of South Africa over apartheid, but it's questionable how it was a good thing to have a cultural boycott of the very people oppressed by apartheid. Regardless, I've loved the album since it came out and never get tired of it. Easy 5. Favorite tracks: The Boy in the Bubble, Graceland, Diamonds on the Soles of Her Shoes, You Can Call Me Al (even if the video was all kinds of overplayed), Under African Skies (I had no idea that was Linda Rondstadt or that it was so controversial), Homeless.

This might have been one of the only good albums I had as a kid.

A flawless album if there ever was one. Everything is so goddamn smooth! From Paul Simon's melodies to the fretless bass (well done Bakithi Kumalo) everything seems to melt together in a perfect blend. Graceland is a true rebellion against division and the road to harmony.

The full force of Paul Simon’s creativity and ingenuity is on full display on Graceland. The controversies regarding his trip and work in South Africa taken aside, the mbaqanga influence is what makes this album - and there’s no way that could’ve been this successfully recreated in a US studio. For such a rather complex album it’s impressive that it managed to create singles in the scale that it did - everything just works here. Looking forward to re-listen to some more Paul Simon later on this list.

Be sure to watch the 2012 documentary Under African Skies for a look at the making of and the controversy surrounding the album.

Love it

Classic. Even if he did rip off Los Lobos. Prick.

Shortarsed song thieving genius.

This is a perfect album in my opinion. I listen to it fairly often but I may as well listen again! Unfortunately, you do have to take into account the allegations of cultural appropriation and the (far more serious issue) of breaking the cultural boycott of Apartheid. I'm glad to see now that the other artists are credited on each song on Spotify, because this was much more collaborative effort than the original album credits show. However, if you take the music on its own, this is nothing less than a 5 star album, and it did also bring a new style of music to western audiences.

Great

This album owns. I didn't know it, but yeah, I really dig it. Now I know where Vampire Weekend got a lot of their sound. 4.5/5

Amazing album, very engaging and fun, excellent bass

This album was phenomenally good, I was blown away by the composition and depth present in each song. I will definitely be listening to this again!

Perfect album for introducing a mass audience to a "new sound," South African music. Graceland is a "Put it on and let's dance" record with lively melodies and fun lyrics, though probably the least meaningful written by Paul Simon. Though I still give it a 5 Star and will always regard "Graceland" as a timeless classic, this listener would recommend to others looking around - maybe the Putamayo label or a collection of Hugh Masekela-produced music, which I got an a pretty inexpensive price on Itunes - to get a "real intro" to African pop music.

One of my absolute favorite albums. It might be the album Dree and I have listened to together more than any other. Hard to imagine a road trip or a long car ride for vacation without us putting this on in the car. The music bursts at the seams with joy. Paul Simon writes some of the best pop songs of his career, blending his style perfectly with African melodies and rhythms. His lyrics are also sharp, funny and endlessly quotable. Always a pleasure to revisit this one.

Really incredible album that I have not listened to enough. This comes up on "top albums of all time" lists very often, but more when it's like "top 10" or "top 100". The songwriting is so spectacularly great and is my favorite facet of the impressive album. The songs are fun, timeless, and thoroughly enjoyable to hear in any situation in life. Easy 5/5!

As a big fan of Simon & Garfunkel, and of the song “You Can Call Me Al,” it’s a shame I had never listened to this album before.

Un grand classique. Une musique qui allie traditions africaines et cajuns, avec des textes intelligents et une instrumentation toujours originale.

"Graceland" is the seventh solo album from Paul Simon. In 1984, Paul was in a period of depression with a deteriorating relationship with Art Garfunkel, a collapsing marriage with Carrie Fisher and the commercial failure of his previous album "Heart and Bones." He became fascinated by South African music from a bootleg cassette and visited South Africa for two weeks recording with South African musicians. This and the whole album were quite the controversy as he was breaking the United Nations' cultural boycott of South Africa due to apartheid. He also received a lot of criticism for using Linda Ronstadt as a backing vocalist due to her playing a few years back in Sun City. Additional recording was also done in New York City. Well, musically this is a mixture of pop, rock, a capella, zydeco and South African isicathimiya and mbaqanga. Caribbean too. It is bass-driven with the outstanding playing of Bakithi Kumalo. Outstanding backing vocals too. Quite an album. It was Paul's most successful album, won the 1987 Grammy for best album and was added to the US National Recording Registry as "culturally, historically or aesthetically important." "The Boy in the Bubble" gets things going with an accordion and that bass. Elements of both South African and zydeco music. It's about starvation and terrorism but there's optimism to lighten it up a bit. The bass continues to star on "Graceland" along with some unique guitar and steel pedal. The Everly Brothers on backing vocals. The song is about his break-up with Carrie Fisher. I did not know that. "I Know What I Know" is my favorite song on the album. That funky bass, rhythm and guitar. And the backing vocals by General M.D. Shirinda and the Gaza Sisters totally steal this song. Almost an instrument unto themselves. Playful Paul. Tremendous. The fourth single "Diamonds on the Soles of Her Shoes" ends the first side with great South African starting vocals and then contrasting and combining with Simon's. This song is also kind of fusion of South African and Caribbean with the horns. And speaking of horns, side two begins with the first single "You Can Call Me Al." Again, a South African and Caribbean music vibe. And, yes, immediately I think of Chevy Chase. About a mid-life crisis. "Under African Skies" is a very happy-sounding sound with Adrian Belew on guitar. Continued great bass playing. Linds Ronstadt on backing vocals good. "Homeless" is sung a cappella by Lady Mambazo and Simon introducing us to Zulu isicathimiya music. The global music journey continues to the end on "That was Your Mother" with backing zydeco band Good Rockin' Dopsie and the Twisters and "All Around the World or the Myth of Fingerprints" with Los Lobos. Each song bringing the backing bands' style of music. I think one of the great things about this album is that it sounds fresh and great today as it did back then. When it came out, I really didn't get into the politics and stayed away today commenting just focusing on the music which is great.

bizarre but it was class