Reviews (page 3 of 13)
Is there anything finer than when a trombone goes "Bwwwwaaaaaaaa"? Album cover: A+
This album really rocked. I experienced it as one long track, so don't have too much to say about the individual songs. It was a fun pace and didn't feel old. As many people of approximately my age do, I associate big band swing music positively with walking through the apocalyptic wastelands of America in the Fallout games. "Whirly-Bird" had an awesome trumpet? saxophone? some wind instrument? solo. I loved it. "Splanky" had sections that would be perfect background to elaborate heist scenes in cartoons or comedy shows. I liked the entire album and will definitely listen to it again. Fantastically engaging background music. Great length, it ended right as I was thinking I could enjoy something different. 9/10 Additional comment: making the album cover a mushroom cloud in 1958 is bold.
I’ve always been a bit of a sucker for big bands. I remember one coming to my school many years ago and the other kids finding it dumb, but I loved it. Today’s album sounds most definitely like something that could be on a Fallout soundtrack, and I love every minute of it. There are not vocals here, with the instruments saying everything necessary without any voices coming into the mix. This quite simply provided the level of bombast that I like. A definite recommend for me.
Went from a 4 to a 5 as the album swang along. Beautiful playing, a jubilant atmosphere and enticed everyone in the room to listen, enjoy and discuss. Surely what a true work of art is about. Will now class this as a new future favourite
tes
Right off the bat this is great. The kid from redbank swings fast and hard and then “duet” slows it down. This is possibly my favorite jazz album now.
Basie in the Placie London!
An absolute pleasure to listen to. The King of big band swing on a Sunday- can't be beat.
Hard to argue with that. 5
Outstanding, intelligent, danceable. We did not need rock and roll, this is a million times better.
Amazing high energy, big band sound. Great for easy listening all day long
Liked this very much would be a 4.5 if there was half stars but i did like it was great
I'd be lying if I didn't say I got into big band music because of the Fallout 3/New Vegas games, lol. That being said, I wasn't expecting music like this to be on this list, so I was pleasantly surprised to see this entry. Much like the big band/orchestra music of the mid-1900s (Sinatra, Frankie Carle, etc), this album has a lot of energy, jazz, swing, and ambiance to it. From the fast-paced tracks like "Kid from the Red Bank" to slower or more low-key tracks like "Lil' Darlin'" and "Duet", this album has quite the range to it in terms energy and tone. No song feels too long or overstays it welcome. I personally get annoyed when most songs on an album exceed 5min, especially if it's because of a very long intro or outro, but that's just my personal preference. Definitely a fun listen if you already like this kind of music. One of my faves on this list thus far.
Finally, some BIG Band!!! I know this genre well. It was my mothers era, so we heard this growing up. This music is so beautifully done, just flawless!!!!
Amazing sound
Smooooooooth Jazz for that ass!!
You know it's a banger big band record when every single member of the ensemble has their own Wiki page.
With a cover like this you could be cheated into thinking you’re getting a banger thrash metal record - instead it’s one of the greatest big band albums ever produced. Either way, you won’t leave disappointed.
Fantastic!
Reaalllllllllllly love me some big band. It’s just so fun to listen to and this had a good mix of big and small stuff. After supper was a great little mix up and might be my fav.
Bombastic sounding jazz that is as in your face as an Nuclear explosion. Count Basie really set a rhythm and bop.
This slaps
There is nothing not to love about this except it isn't longer.
The elation that came through upon seeing this album pop up. I don't even know the album, but I am familiar with Basie. This was a joy to listen to and a breath of FRESH 64 year old air. The list needs more jazz.
This album gets off to a slow start, but once it picks up it cooks all the way through.
hell yeah i feel like im in a movie from the 50's at a dinner party wearing a cute dress with my hair all done up whilst slow dancing with my lover like heellooururrr 5 stars nothing to dislike about this album
**In-Depth Review of "The Atomic Mr. Basie" by Count Basie & His Orchestra** **Introduction:** "The Atomic Mr. Basie," also known simply as "Basie," is an album that was recorded in 1957 by Count Basie and His Orchestra. It stands as one of the most iconic big band jazz albums, celebrated for its groundbreaking arrangements, tight ensemble playing, and the seamless integration of various jazz idioms. The album is a definitive example of the Basie sound, with a combination of swinging rhythms, sharp brass, and dynamic performances. **Music and Arrangements:** The musicality of "The Atomic Mr. Basie" is its most defining characteristic. The album was arranged by Neal Hefti, whose work on this project became some of the most well-known in the jazz world. The arrangements are sophisticated yet accessible, allowing each section of the orchestra to shine without overshadowing the overall cohesion of the ensemble. The album opens with "The Kid from Red Bank," a high-energy track that immediately sets the tone. This piece is notable for its driving rhythm section and the interplay between the brass and reeds. The title refers to Basie's hometown of Red Bank, New Jersey, and the composition is an homage to his roots. The arrangement captures the essence of Basie’s style – economical, swinging, and full of life. "Duet" follows, offering a more subdued yet equally engaging performance. This track is a feature for the trumpet and tenor saxophone, showcasing the band's ability to move effortlessly between high-energy swing and more introspective moods. Hefti's arrangement here allows for a dialogue between the two soloists, creating a conversation that is both playful and respectful. One of the standout tracks on the album is "Flight of the Foo Birds." This piece epitomizes Hefti’s use of counterpoint and dynamic contrasts, with a tight rhythmic foundation that allows the brass to soar. The track is both modern and rooted in the swing tradition, demonstrating how Basie and his band were able to push the boundaries of big band jazz without losing the genre’s core elements. "Lil' Darlin'" is another highlight, known for its slower tempo and bluesy feel. The arrangement is deceptively simple, with a laid-back groove that contrasts sharply with the album's more uptempo numbers. This track has become a jazz standard, often performed by other big bands, which speaks to its enduring appeal and the effectiveness of Hefti's arrangement. The closing track, "Splanky," is a quintessential Basie number, with its driving swing and punchy brass. The piece is built on a simple blues structure, but the execution elevates it to something far more sophisticated. The rhythm section, particularly Basie on piano, is locked in, providing a foundation that allows the brass to punch through with precision and flair. Overall, the music on "The Atomic Mr. Basie" is a masterclass in big band jazz. The arrangements are both intricate and accessible, with each track offering something unique while contributing to the album’s cohesive sound. The orchestra’s performance is tight and energetic, demonstrating why Count Basie was one of the most respected bandleaders of his time. **Production Quality:** The production of "The Atomic Mr. Basie" is notable for its clarity and balance, particularly given the technological limitations of the 1950s. The album was recorded at Capitol Studios in Hollywood, known for its superb acoustics and engineering staff. The recording captures the power of the big band without sacrificing the nuances of individual performances. The brass is punchy without being overwhelming, the reeds are smooth and well-blended, and the rhythm section is clear and propulsive. This balance is critical in a big band setting, where too much emphasis on one section can easily throw off the entire mix. One of the standout aspects of the production is the way it captures the dynamic range of the orchestra. Tracks like "Flight of the Foo Birds" and "Splanky" benefit from the recording’s ability to handle both the quiet, more intricate passages and the louder, more bombastic moments. This dynamic range is a key element of the Basie sound, and it is well-preserved in the recording. However, there are some limitations in the production quality when judged by modern standards. The recording, while clear and balanced, lacks the warmth and depth that later recording technologies would provide. The sound can be somewhat compressed, particularly in the louder sections, and there is a noticeable lack of low-end punch. This is not necessarily a flaw, but rather a reflection of the era in which the album was recorded. Despite these minor limitations, the production of "The Atomic Mr. Basie" is a triumph. It captures the energy and precision of the band, allowing the music to speak for itself without unnecessary embellishment or studio tricks. The result is an album that feels alive and immediate, even more than six decades after its release. **Themes and Atmosphere:** While "The Atomic Mr. Basie" is not a concept album in the traditional sense, it does have a thematic consistency that runs through the music. The album’s title and cover art, which features a mushroom cloud, suggest a sense of power and energy, which is reflected in the music. This was an era when atomic energy was a symbol of both technological progress and existential threat, and while the album does not explicitly engage with these ideas, there is an undercurrent of modernity and forward motion in the music. The atmosphere of the album is one of sophistication and precision, yet it is also deeply rooted in the blues and swing traditions. There is a sense of confidence in the performances, as if the band is aware that they are at the top of their game. This is music that is both accessible and challenging, inviting listeners in while also rewarding close attention. The themes of the album are largely conveyed through the music rather than lyrics, as this is an instrumental album. The compositions and arrangements often evoke feelings of excitement, contemplation, and nostalgia. For example, "Lil' Darlin'" has a wistful, almost melancholic quality, while "The Kid from Red Bank" is exuberant and celebratory. There is also a sense of playfulness in the music, particularly in the way that Hefti's arrangements use unexpected turns of phrase and rhythmic shifts. This playfulness is balanced by the serious musicianship of the band, creating an atmosphere that is both fun and intellectually stimulating. **Influence and Legacy:** "The Atomic Mr. Basie" has had a profound influence on jazz and big band music. It is often cited as one of the definitive big band albums, and its impact can be heard in the work of countless other musicians and arrangers. Neal Hefti's arrangements have become standards in their own right, with tracks like "Lil' Darlin'" and "Splanky" often performed by other big bands and small groups alike. The album also played a role in revitalizing Basie's career. By the mid-1950s, big band jazz was beginning to fall out of favor, with smaller groups and bebop becoming more popular. "The Atomic Mr. Basie" helped to reaffirm the relevance of big band music in the modern jazz landscape, proving that the genre could still be innovative and exciting. One of the key elements of the album’s influence is its integration of swing and modern jazz elements. Hefti's arrangements are rooted in the swing tradition, but they also incorporate more contemporary harmonic and rhythmic ideas, bridging the gap between past and present. This synthesis has been a model for other arrangers and composers, showing that it is possible to honor tradition while still pushing the boundaries of the genre. The album's influence extends beyond jazz, as well. Its crisp, powerful sound has been admired by musicians in other genres, including rock and pop. The album’s sense of swing and groove has been an inspiration for artists looking to incorporate jazz elements into their own work. **Pros and Cons:** **Pros:** 1. **Exceptional Arrangements:** Neal Hefti’s arrangements are innovative, sophisticated, and perfectly suited to the strengths of the Basie Orchestra. Each track offers something unique, contributing to the album's cohesive yet varied sound. 2. **Outstanding Performances:** The musicianship on the album is top-notch, with the entire orchestra delivering tight, energetic performances. The solos are expressive and technically impressive, adding depth to the arrangements. 3. **Strong Production Quality:** For its time, the production quality is excellent. The recording captures the power and nuance of the big band, providing a clear and balanced listening experience. 4. **Cohesive Themes:** While not a concept album, there is a thematic consistency in the music that ties the album together. The sense of energy, precision, and modernity reflects the era's cultural and technological climate. 5. **Influence and Legacy:** The album has had a lasting impact on jazz and beyond, influencing countless musicians and arrangers. It helped to revitalize big band music and remains a touchstone for both musicians and jazz aficionados. **Cons:** 1. **Production Limitations:** While the production is strong for its time, there are some limitations in terms of dynamic range and low-end presence. Modern listeners might find the sound somewhat compressed compared to contemporary recordings. 2. **Lack of Variety in Tempo:** The album, while cohesive, does not feature a wide range of tempos. Most of the tracks are either mid-tempo or slower, which could be seen as limiting the overall dynamic range of the album. 3. **Accessibility:** For listeners who are not familiar with big band jazz, the album might not be immediately accessible. The sophistication of the arrangements and the instrumental focus may require multiple listens to fully appreciate. 4. **No Lyrics or Vocal Tracks:** As an instrumental album, "The Atomic Mr. Basie" lacks lyrical content, which may make it less appealing to those who prefer vocal jazz or songs with lyrics. 5. **Era-Specific Sound:** While the album’s sound is a strength, it is also very much of its time. Some listeners might find the style dated, particularly if they are more accustomed to the more eclectic and experimental approaches of later jazz. **Conclusion:** "The Atomic Mr. Basie" is a landmark album in the history of jazz, showcasing the power and versatility of the big band format. With its masterful arrangements, outstanding performances, and strong production, the album stands as a testament to Count Basie and Neal Hefti’s artistry. While it has some minor limitations, particularly in terms of production quality and tempo variety, these are far outweighed by the album’s strengths. Its influence and legacy continue to be felt, making it a must-listen for anyone interested in jazz or the history of 20th-century music.
A fun little ditty. Makes me want to swing
A really good album, I like the older orchestral/jazzy style songs. Splanky is my favorite song on this album and I've added the majority of the songs to my likes playlist.
A master. Great collection.
I’d like this to be the soundtrack to my life.
Love it
sizzling, swinging big band - great Neil Hefti arrangements, too.
I forgot how amazing this album was. Basie had been leading his band for over 20 years at this point, but he managed to capture some of the best big band music ever recorded. It’s the perfect confluence of great bandleading, interplay between musicians, and arrangements (by Neal Hefti). Probably the best swing/big band jazz album ever recorded.
Classic Count Basie music from a bygone era of jazz orchestras And a nice example here one of his better albums
I didn't know music could sound this good. Each song introduces amazing hooks and endings that perfectly conclude the song. This album blew my expectations away becoming an easy 5/5 for me.
Basie.
Just a really good album. Made me forget how grey it is outside and have a good boogie
Wow - loved this one! Very upbeat, so many instruments, catchy tunes. What a great find! 5 ⭐️
What a great album. Loved to listen to it. Will listen again.
Classic music from that era
This is like the heavy metal of jazz. It was thoroughly enjoyable
Easy listening
I've never listened to big band music before, but I will be going forward. This was a really fun album.
It was one of those albums in which you listened to the first track and knew it was going to be great from beginning to end.
classic big band/jazz sound. can tell Basie & his orchestra had played together for quite a while-they all blend so well together. excellent album
Love me the oldies and classics
I really liked this.
MARAVILHOSO MEU DEUS QUE COISA INCRÍVEL, FODA, BOM DEMAIS
Count Basie was a jazz pianist that led one of the most successful "big bands" in music history. He toured and recorded with his orchestra for almost fifty years. The Atomic Mr. Basie is a studio album Count Basie recorded after his orchestra had been together for almost twenty years. This is an incredible collection of tracks of remarkable depth and range. This is potentially the best of Basie's extensive catalog, and a canonical part of American jazz.
Love jazz with lots of wind and brass
Fire
Yeah this swings
Great big band sound
Classic jazz at its finest! What a masterpiece!
Has real swing, fun listen and very reminiscent of its era.
It’s so easy I see big band jazz I give it a 5 it’s all a science. Jesus what a well paced and beautiful album that is short compositions while still feeling engaging through its runtime. Drummer is on point and Basie on the piano is always a pleasure. This is a 10/10
I love this. It’s weirdly comforting yet fun to listen to.
Don't know much about swing but I feel like this should be a 5. Really enjoyed it and it sound tracked my moving furniture yesterday quite nicely. I've got to imagine the cover art here was pretty abrasive for 1958. I think it's great.
There is nothing tighter than a Basie horn section, and they do it while absolutely dripping with style and dynamic range. Favorite track is Splanky, but it's a tough choice.
Another one I listened to several times.
this was a very good album to listen to while sitting in the garden reading. jaunty.
Niiice.
Year I was born! Fantastic album, magic. Great energy. Great songs.
Great big band album of the 50’s. Solid vibe!
A very cool way to start the day. I’m not into jazz, but if I do listen to it, I prefer this big band swing style.
I loved this album. Definitely one of my favorite albums on the list.
I really like this album! This music is super fun to listen to
Loved this jazzy vibe! Favorite song was obviously Teddy the Toad but Midnite Blue is my new stripping song
This is sort of what i expected to find in this collection, and damn did the atomic mr basie not disappoint
With jazz only on the periphery of my listening life this turned out to be a treat - loved that big band sound and Midnight Blue in particular - the musical thread was always clear, holding my attention with quite gorgeous harmonies.
Count Basie at his big band best, Escalera would be proud
<3
Man, this is so lovely. The bops are bright and lively; the calmer songs are so warm and soothing. Gorgeous.
This came to me on a Friday spent the whole weekend listening to it really enjoyed it
Count Basie didn't invent big band, but this album is a flawless presentation of everything that makes it great. You'd have to be properly miserable to not enjoy this.
Wonderful big band album. Great variety in the tracks, yet they all sounded fantastic, this is the type of music that I want from this list. Different and unique.
The ragtime influence is apparent in Count Basie's piano playing and is folded into more contemporary big band jazz forms and chords. Overall, Count Basie is one of the best bandleaders in jazz and this is one of his best records. Big band was one of the longest lasting popular genres and this album was recorded towards the end of its reign. Despite that, the music is still exciting and shows why this music has endured so well.
I became aware of this album a few weeks ago after hearing a track on the radio. It blew me away. The rest of the album is equally excellent. The Basie Orchestra is tight and rocks. Neal (The Batman TV theme) Hefti arrangements are amazing. Basie's piano playing is energetic and alive. The music explodes from the speakers. I listened to complete sessions album which adds, I think, four more tracks to the original release. Each track was good enough to have made the cut back in the day. I recommend giving this a spin!!
Jazz really comes alive with this album. This album is as explosive as the fitting title and derivative album cover. Wonderful!
It was the perfect listen for this morning knowing I was going back to work after 10 days off. Needed that nerve calming jazz. Just a fantastic album
I grew up watching black and white big band musicals on TV in the 50's. Fred Astaire and Ginger Roger's twirling across the dance floor and all the others. This album is amazing!
Good from start till end.
This was beyond delightful. Great record.
Swingin!
Really a fantastic big band album. Not that I know much about it, but this was such an easy, pleasant listen. 9/10
Exceptional!
Me gustó mucho
"The Atomic Mr. Basie" is a seminal album by Count Basie and His Orchestra, released in 1957. With its iconic lineup, the album presents a masterful blend of swing, jazz, and big band sounds. From the vibrant opener "The Kid from Red Bank" to the serene "After Supper" and the lively "Flight of the Foo Birds," each track showcases Basie's impeccable musicianship and the orchestra's tight arrangements. The album's standout moments include the swaggering "Teddy the Toad," the energetic "Whirly-Bird," and the soulful "Lil' Darlin'." With its swinging rhythms, smooth melodies, and soul-stirring solos, "The Atomic Mr. Basie" remains a timeless classic in the realm of jazz and big band music, capturing the essence of Basie's legendary career and influence on the genre.
Love this record upon first listen. I can already see myself coming back to it many times.
Classic
Very nice. So well done. Beautiful.
Jazz 🎺 superb
The badass album cover actually live sup to the music. Wow wow wow!
A very solid final big band record of the era. A perfect record for introducing Big Band jazz to someone. It is all here. It was also the final hurrah and the last barrier before Rhythm & Blues, and Rock & Roll take over the popular music charts, from here on out. The album cover is iconic and may seem subversive for the era, but wasn't really because Atomic Age visual design motifs were all the rage in America at this time. Swing would persist on the charts for a while longer but it was mostly around the personality and charisma of singers (such as Frank Sinatra), and iconic instrumental performers and arrangers (like Miles Davis), rather than the big bands themselves. My faves were "The Kid From Red Bank", "Teddy the Toad", "Splanky", and the "Lil' Darlin'".
What a gift, my life is better for hearing this album. The voicing in each instrument is so beautiful and full of character, I swear you can hear lyrics sung by each soloist. Every instrument shines in this unique cast of characters. The story this tells is incredible. Incredible work, I’m still tapping my foot
Great background music. Jazz/Big Band that just feels great to listen to and probably to write to. Adding this to my rotation for sure!
Basie gets a 5.
FUCK YAEH BONG BONG BONG BONG
Totally enjoyed the entire album.
If you're gonna pick one basie record this is probably the one. Outstanding and so smooth. Basie got his big break two decades before this and people were starting to count him out. At the time of its release, jazz was now dominated by the small groups, with bandleaders like Miles Davis, Art Blakey, Sonny Rollins and John Coltrane that were taking the the genre forward at an insanely breakneck pace. They rewrote the rule book. Then basie quite literally comes out swinging with this and people were gobsmacked. He incorporates so much more complexity into the big band arrangement, learning from the new generation but without compromising the signature sound he pioneered. This is a flawless record
This is the the type of jazz that I like. Big band music that's just fun to listen to. Love the horns. Probably a 4.5 but I'll round up
Loved it! It was a really fun album to listen to. I enjoyed the song ‘After Supper’ the most. So much talent & really good as background music that was uplifting! I almost felt I could see the band on stage, playing their instruments.
Wow, such good quality composing and playing!
Classic
Having played in bands when I was younger, the musicianship of these folks is off the charts.
Extraordinary big band/swing album. I love Hefti's arrangements. Both the band as a whole and the soloists are fantastic. If there is one who deserves an extra mention, it's the tenor saxophone player. Disclaimer: I played alto saxophone in a big band for several years, among other pieces some of Hefti's arrangements for Basie. Hence, I might be biased. 😉
Simply wonderful, a joy from start to finish. It's timeless.
Absolutely amazing.
Excellent album!
This is one of my favorite albums of all time. Mr Nielsen recommended this when I started jazz band. It was likely the first jazz album I listened on repeat
Fabulous album. The Count was a treasure.
Class
Big band Swing, Jazz and Blues performed by a master and his orchestra. Smooth, beautiful and amazing
Excellent! Great big band jazz
Big Band at its biggest.
Excelente
Big Band. Lively, easy listening.
Great music!
⭐⭐⭐⭐⭐ What a great album! I'd never heard of NEAL HEFTI (trumpet, writer, and arranger) before listening to this collection of Bop/Swing tunes. 45 minutes well spent listening and reading about him.
Loved this. Reminded me a lot of Vince Guaraldi.
Enjoyed
⭐⭐⭐⭐⭐
Iconic. I felt like I could sit in with the band and gain a lifetime of skill
Loved it!
Yeah baby! Absolutely having this on Boxing Day, totally nails the mood. The fast ones swing hard, the slow ones swing easy. Perfection. 30s big band jazz might have the most originality, but I can't quite overlook the huge developments in production by the time records like this were coming along 20 or so years later. So I do tend to favour this era over the older stuff in my listening. My favourite titbit I just learned is this is arranged by the guy who went on to write the Batman 60s theme tune.
the kid from red bank- 6 or 7. i like the keys. ummmm i forgot how to talk duet- the bass stepping is really nice. and of course the horns and the hits are great. i like the ending. 7 after supper- 6. i like the bass umm lucy type beat flight of the foo birds- THIS IS MY SHIT. i give it like an 8 i love to dance to it double o- i like those sax riffs. 6 teddy the toad- i forgor. 6 whirly bird- ummm i like the end. 6 midnite blue- 7 splanky- 6 fantail- 6 lil darlin- i havent been talking cause i got sucked into monkey mart but ive been enjoying the sucks just not much to say. this song is different from the others though and i think it works as the album closer. 7
Fantastic
In the waning years of the 50s, this album was probably the last definititve statement of Big Band Jazz before small ensembles would shift Jazz, and the electric guitar would fully shift popular music. Fantastic arrangements by Neal Hefti, and captivating solos throughout. As I'm a sucker for walking bass lines Double-O and Fantail are my favorites.
אחלה אחלה אחלה של ג'אז!
Building from an older style, I feel this was forward thinking. Consistent, concise, with solid playing. The songs on this album do a great job of both being energetic and relaxing.
Loved it 😍
HELL TO THE MOTHER FUCKING YES!!!! PERFECTION
When I was a kid growing up in North Texas, football was a religion, and marching band was the choir. We were led by a legend in the area at the time, and he was very much a "by the book" kind of director. Marching Band 4 Life. I played trumpet, and even though all brass marched as a rule, when the football season was over, we were split into two bands: the prestigious symphonic band, and the one I was in – the "concert" band. It wasn't that I was a bad player, I just wasn't engaged enough to actually practice to make it to the level of the #1 band. I chanced to take some private lessons that year, and my teacher saw my disengagement and took me on a track a bit away from the drudge of etudes. He started teaching me blues. This lit something inside of me. I rounded up a number of my slacker band friends, and we approached our band director. We wanted to form a jazz combo, and would you please give us some direction? We received a cold no from the man, and furthermore, if we insisted on forming the combo and actually started playing jazz, he would ensure that we would never climb the ranks into symphonic band, and we would kiss any future scholarships or personal recommendations goodbye. (I know: this sounds like the plot to an 80s teen movie.) This was *not* the reaction we were expecting, but we wouldn't be deterred. We called ourselves "Unauthorized Jazz". Our first seat trombone's dad was a big cable marketing guy in the area, so we had regular mall openings, car dealerships, and parades that we were invited to play through his connections. We quickly coalesced our sound around big band swing and ragtime, and we honed our chops at the local senior center on the weekends, providing the accompaniment for the little old couples to dance to during lunch. That was a wild year. We had no end of access to sheet music, too. The local university was (is) huge in the music education scene, and it so happened that one of the local TV stations was old enough to have transitioned from radio into broadcast TV. When they did, they donated *all* their sheet music (for the live broadcast bands) to the local university. As long as we had dimes for the copier, we were set. We got really cozy with Mr. Count Basie during this time. Our arrangement of Splanky always brought down the house.
Great jazz album, one of Basie's best.
I didn’t know they made this kind of music in 1958 but I’ve always been partial to it.
Totally enjoyed this on a rainy evening. A strong big band album that totally swings. Bonus points for a mushroom cloud cover
keep this album. good mind stimulation to get moving
An absolute classic of the genre!
I dig the trumpets. Don’t normally listen to instrumental but this was fun
It’s Count Basie, it’s great. Lots of fun high-energy tracks, some really sweet slowed down peaceful ones too. I wish there were more modern artists trying to pull from big band sound.
I'm not familiar with this genre. It was a great Jazz album in my opinion.
Amazing flowing jazz which hurt my balls. Awesome
Love this😊
Good stuff
Simply the best. This is what all big bands should aspire to sound like. So tight, so brash at times, gentle at others. Lil darlin might be the perfect closer.
w jazz
This one was actually pretty great. I had nothing bad to say about it except that the cover was strange. But I'm not supposed to judge by thr cover so 5 stars it is
Great big band jazz. Piano was impressive.
Lively and fun, Reminds me of dancing with Amanda!
I can't tell how much I loved it but it was good.
very good album that i can play in the background
Great music to listen to while coding.
Very cool big band sound. Enjoyed it for several listens.
Felt like this took me to another place. Amazing.
As a trumpet player, I was excited to listen to some Count Basie & His Orchestra! I loved the track “Duet” - it reminded me of playing duets with friends throughout school. Listening to “Flight of the Foo Birds” brought back more found memories of playing trumpet in big band. “Whirly-Bird” is such an exciting track - while technically demanding, it sounds nimble and easy! “Midnite Blue” follows immediately after and completely the mood changes. At first warm, a hint of dissonance in the piano is hinted, as the track progresses the orchestra takes over. “Splanky” is a classic and instantly was familiar with this track. The track “Lil Darlin” is such a feel and that trumpet solo is lovely! This track is so warm and lush - it feels like music you could live in forever.
I really enjoyed this Felt like the vibe of a Fallout game, a nice dinner, or holidays with the family.
Really nice jazz / orchestral
Fantastic big band sound from a master of the genre.
Boomers always complain about slang, but this record is from 1958 and EVERY SONG TITLE is slang. I don't know what any of it means and I don't care, this fucking rules.
I loved this. It was a wonderful listen throughout the day.
Wow so cool! Great big brass jazz! Saved the album
What a fun album. It’s clear this band is extremely tight.
I like this. I started with going 4, but this is a 5 because it’s fresh and the remastered version brings out the brightness of the instruments. I’m going 93/100
Finally a record I actually own - on vinyl no less (thank you Giles)! Swing baby, and swing hard and hot. Smoking solos and crazy tempo
Heard before: no Just fantastic! I always thought of Count Basie as a little older, more standard big band stuff, but this sounds like Duke Ellington. Lush, fast, sophisticated, and swinging hard. Gotta do a deep dive on these players. It's everything I want in a jazz record, already in heavy rotation. Top tracks: Lil' Darlin', The Kid From Red Bank, Whirly-Bird
Oh man. I feel like I'm running through a Looney Tune. While I generally dislike jazz (jam bands, blues, long heavy metal riffs, etc...) this is hilariously fun. It's like a bonus level in Cuphead. I put this on full blast throughout my house and chased my kids with a mallet. One of them painted a door on a wall and I ran right into it. The Weasel gang busted into my house and laughed themselves to death. Then a saucy broad walked in and my eyes literally gazoongad out of my head "The Mask" style. 5 out of 5.
Great album. Loved Joe Williams dropping in at the end as well!
5-
Last song was great. I can imagine using it as background music for a goodbye speech. Huge plus
Title: A Timeless Masterpiece - Count Basie's "The Atomic Mr. Basie" (1958) Count Basie's 1958 album "The Atomic Mr. Basie" stands as a timeless masterpiece in the history of jazz music. With its revolutionary arrangements, impeccable musicianship, and unparalleled swing, this record showcases the genius of Basie and his orchestra in all their glory. Each track on this album is a work of art, contributing to a seamless and unforgettable listening experience. The album opens with the iconic "Kid from Red Bank," immediately setting the tone for what's to come. The lively horns and Basie's signature piano playing intertwine flawlessly, creating a vibrant and dynamic sound that captivates from the very first note. As the album progresses, tracks like "Duet" and "Flight of the Foo Birds" exhibit the exceptional talents of individual musicians, allowing them to shine through inventive solos and tight, cohesive ensemble playing. One of the standout tracks on the album is "Li'l Darlin," a ballad that demonstrates the orchestra's versatility. The rich and soulful melody tugs at the heartstrings, while the carefully balanced instrumentation showcases Basie's arranging prowess. It's a moment of pure musical beauty that lingers in the listener's mind long after the last note fades. "The Atomic Mr. Basie" also features several up-tempo, toe-tapping numbers such as "Splanky" and "Whirlybird." These tunes perfectly capture the essence of the Basie sound, combining swing and blues elements with infectious rhythms that make it impossible not to move along with the music. The interplay between the musicians is extraordinary, highlighting the chemistry and camaraderie that have become synonymous with the Count Basie Orchestra. Throughout the album, Basie's piano work is a marvel to behold. His sparse, yet perfectly chosen notes, act as the backbone of the orchestra, providing the space for other instruments to shine and contributing to the signature "Basie Swing" that has made him a legend in jazz history. "The Atomic Mr. Basie" was recorded during the height of the big band era, but it remains fresh and relevant even today. Its innovative arrangements and flawless execution have influenced countless jazz musicians and continue to do so. This record serves as a testament to Count Basie's ability to create music that transcends time and trends. In conclusion, "The Atomic Mr. Basie" is a must-have for any jazz enthusiast's collection. It encapsulates the brilliance of Count Basie and his orchestra, leaving an indelible mark on the landscape of jazz music. Whether you're a seasoned jazz aficionado or a newcomer to the genre, this album is a journey you won't want to miss. Its timeless charm and musical excellence guarantee a rewarding experience with every listen.
This felt like living in a Hanna Barbera cartoon and I loved it. It's easy to see how more modern orchestral influences would come from this, as well as how jazz was already imbued in the music world
What a nice little treat. Don't listen to enough jazz and this was a good place to get back in to it
Big band - alright
Classic jazz Awesome masterpiece
My favorite genre! Super relaxing background Jazz for work!
Wow, very impressive sounds and some were familiar and some were new. It was nice to listen to the whole album together, it is a fantastic evening album - Duet was one of my favorites.
I fucking love jazz: I was getting the chilled out vibe and it would make for perfect background music to a dinner or a function. The big band post-war jazz will always be a genre that I hold a fondness for. No stand out songs but will definitely give it multiple listens.
Oh, yeah. The Duke Ellington one was great, but this is just hot fire all the way through, with some slower-paced numbers to ground it. Songs like ‘The Kid From Red Bank’, ‘Double-O’, and ‘Whirly-Bird’. The explosion on the cover was ballsy for the time, but it fits so well. Just amazing.
Smokin' hot
Really good upbeat paced jazz
Absolutely brilliant. Even the slow tracks swing beautifully. Favorite track: Teddy the Toad (former trombone player, don't have much of a choice here)
Own on Vinyl
Very much enjoyed it.
Kid from the red Bank: Absolute Bop. Great energy Duet: The song you imagine plays in the background of fancy dinner, classic After supper: The saxes blend together so well I couldn't. Love the tenor tone, so full. Would for sure have all the goose bumps in person from that alone Flight of the foo birds: This song would be so much fun to play. The first sax solo was actually nutty omg. The whole song is so joyful wow. Double O: Fantastic energy, top tier, can't say anything bad about this. The cat head bopping emoji all the way Teddy the toad: The song arangment of this album is so good. The bass is so phat for this song, very nice to hear it come out so well.love the loud trumpets be loud and give so much room for the soft trombones to let their part sing. The slide at the end👏, for sure this was for the trombones Whirly bird: What a small flex from the saxes. The solo came in so strong, go off, all sorts or noice moments, and a great overall build Midnight blue: Let's the stew simmer on low and suddenly shits going down, and then were back down to relaxing and the finish is strong. Love the contrast Splanky: Played this song in highschool, was an absolute joy then as it is now. What a classic call and repeat. The "bu wadada bu wadada" on the high is so juicy. Fantastic Fantail: Again with the sax solo, obviously, but it screams inteligence and mastery of the instrument and music theory beyond what can be taught. Makes the song for me Lil Darlin: Time to go to sleep. I think its a accoustic guitar with the little runs sprinkled in the mid -beginning so subtle but valuable. What a beautiful trumpet solo, the vibrato is chefs kiss. What a nice way to end all the excitement. Summation: obviously 5 stars, very good, 10/10, not even questionable
Great album!
This album is da bomb
It was around this time that the genre of Swing was losing its momentum, mainly because people stopped pushing it on the playground. In the face of this, Count Basie looked at the writing on the wall and decided to do what he could do best: Swing. “The Atomic Mr Basie” is Basie’s last great Swing record, and is packed to the gills with passionate, punchy, and catchy tunes to pack a dance floor with. Like a Swan-song, except not as romanticized. Basie was raging against the dying of the light. And his rage was fully captured on this record, leading the band in feverous moments of swinging the beat so hard it may go soaring out the window. Standout Songs: “Kid from Red Bank” “Whirly-Bird” “Lil’ Darlin’”
Love it!
Awesome.
"The Atomic Mr Basie" tem uma sonoridade única que nos mergulha numa mistura de jazz e semi-rock, tornando-se real e perfeito em todas as faixas.
Kid From Red Bank explodes and is then followed by the cheekily suave Duet. After Supper lives up to its name, a smoky blues number. Flight of the Foo Birds is big, bold and brassy. So far each track has featured a different lead and a different vibe. This one has had trumpet, sax, and the whole brass section lead it. Double-O is classic jazz, with the lead being handed over to everybody. It's a great track that is really driven by the bass. The sax at the end is invigorating. The whole song would have couples racing out onto the dance floor. I wish that Teddy the Toad had stayed with the piano, the brass was a bit dull. Whirly-Bird is exhilarating, once again it's all about the bass, with plenty of treble from the brass. Midnight Blue is so suave. The quieter moments give us plenty of time to enjoy The Count's piano. Splanky is fun while Fantail just keeps building, while once again that man, Eddie Jones, nails it with the bass. Lil Darlin' is a standard that just sweetly sweeps you out the door.
Amazing jazz
Band music like this is such good vibes honestly. It just sounds like so much fun that I can’t fault it. “Duet” was my fav. Very catchy
WOW! This was such a fun ride. From the very first track…I was grooving and imagining an old crooner singing along. Then, upon finishing. Spotify led me to an album of Basie & Frank…So I got enjoy the result of my imagination. Beautiful compositions.
For some reason I have a real soft spot for big band and swing music. Therefore this was very much up my alley. From 1958, it's a late album of its genre, probably one of the last hurrahs of swing, and right slap-bang in the middle of the Atomic Age. When I first saw the album cover I for a second expected a punk album, before noticing it was a Basie album. An interesting cover choice for sure, but I'm sure there had to be a weird public fascination about nuclear weapons at that stage of the Cold War. Pure speculation though, this came out 40 years before I did. Either way the songs were wonderful and it was a nice warm treat on a Thursday evening. Some of the songs were a little too slow for me, but it was still just lovely. Favourite: Flight of the Foo Birds
A lively big band album that really works for me. The opening piece; The Kid From Red Bank might just be the perfect introducton for a newbie to big band jazz. Throughout this album the music is fast paced and joyful and infectious and incredibly played and arranged. I can't even imagine how incredibly amazing it must have been to be present at the recordng sessions. 5 stars
This album is so great that it can name one of its tracks “Splanky” and make it sound cool.
Love it. These songs melted together so nicely it was hard to distinguish when one song was ending and another was starting. Very cozy, coffee shop/fancy restaurant vibes. Favorite track - After Supper Least favorite track - N/A
Oh, hot dog. This is fine
I believe we've come across the only artist on this list that I can say this for - I have been on stage and played a song from this album to an audience (in my grade nine Big Band). The song was Splanky and I even busted out a sax solo.
Bombs away, Mr. Basie! Regardless of the apocalyptic nature of the album cover, this is a perfect soundtrack for winding down your day and sailing off into the night, bopping around as though no one is watching with nary a care in the world and not having to worry about time, place, et al. From my experience, anyway.
Always love a good jazz record
Et av mine absolutte favorittjazzalbumer! Det smeller og spreller!
Bangers only
Really great big jazz album. Really enjoyed this one, it was a lot of fun. Album art is fun too.
Great, fun classic Jazz
If I had to choose only one record to listen to for the rest of my life, this would be it.
Amazing swing/jazz. Makes me want to sit and listen and dance at the same time. Would be great music to paint to.
Basie <3
10/10 shout out to swing jazz easily one of my top five favorite genders
really liked it, some good jazz
This is about music right? Well this is music. Pretty much everything else can only dream of this energy and talent and musicianship.
I’m hype for jazz Bass line goes crazy hard Banger 5/5
Awesome album! Lots of fun, start to finish.
Love big band
Excellent
Good. Not really my type of music.
Not my favorite Count Basie, but always enjoy his music.
Un viaje genial para encarar el día! Música de otro tiempo pero imperecedera
Classic
Love me some big band. Basie, and this album in particular, is out of sight.
Divine
That's album cover is Punk Rock for sure. This whole album is pretty heavy. Dear metal, you've invented nothing.
Simply magnificent
I haven't listened to much of his stuff before, but the optimism and positivity conveyed through this music was contagious. Planning to check out more of his stuff!
Remember when atomic shit was sexy and cool? Well, no, you probably don't, but in 1957 it was, especially in the US (probably less so in Japan). As somebody who bought Mingus Ah Um and Miles Davis's Blue Christmas at the age of 19, largely in an attempt to appear cool and mysterious to the girls at university, and as someone who has been to Ronnie Scott's several times, I feel supremely qualified to pronounce upon this album. It's great! Good humoured, light-hearted, glad to be alive (and not vaporised into nothingness by an apocalyptic nuclear blast), joyously played big band jazz. These cats can play! Boom. We hope you enjoyed your time on this planet.
Love this shit. Might be one of the ugliest covers ever though. 5
Orquestra de jazz, só sonzao pode crê aham
Enjoyed listening to it, and watching the baby move her feet in time to it!
Saksofon
I really like the swingy mood. It gives such a cool vibe and the whole album has this very cozy, almost a home feeling.
It's got a great beat and you can dance to it
Extremely badass
Cool cover Killer jazz Wicked solos 5 stars or gtfo
What happened to that high schooler who vehemently defended his dislike of big band? This music just makes me feel happy now. 9/10
Very good one. I float listening to the trumpets!
It's really great. Count Basie is a legend
jesus, what i'd give to have been able to see these guys back in the day. atomic is the right word for this one - it just swings, right out of the gate, and never stops. even on slower songs, there's just so much soul in this recording. holy crap, is this good
Really good. Love a bit of big band
Excellent album. Really fun old jazz
Amazing, full, big band greatness.
Enjoyable. Kinda what I needed at that moment too, so hurrah for coincidences.
Two words: Heck yeah!
im a fan. reminds me of christmas music
Now this is the sort of jazz that I like to hear. Tremendous, a tour de force of syncopation and effortless style. Amazing!
Iconic and classic. Thank you, Count Basie!
Even for fans of big band jazz, or anyone old enough to have this sound firmly in their cultural DNA, this album is truly a nuclear level American classic, worthy of the album cover (if you're willing to dismiss the real world associations with the US putting the globe on a permanent killswitch state). What's amazing to me is how in 40 minutes and 11 songs, Basie and band managed to hit such peaks and lightning strikes of individual performances while also effortlessly soaring through a wide horizon of dynamics and moods and emotions in the selections. Motherfucking off the charts 5+++++
Can really see how it influenced bands like the Replacements. Or specifically the Replacements. A little more moody esoteric than my preference but still good to listen to and culturally relevant.
Insert < satisfaction> meme.
Classic instrumental jazz, fav songs are Duet, Midnite Blue, & Splanky.
I enjoyed this! A bit alarmed at first as the initial track is a bit shouty, but loved the rest of it. Going to listen to again right away.
Great stuff. The band was locked in, and everyone really had it together. Hard to believe that it was years ago. Definitely on my list to get.
Favoriete nummers: - Duet - Whirly-Bird - Lil' Darlin' IK ZIT IN EEN FILM UIT DE JAREN '60
This is great, will listen again.
5/5 - Loved this album!
You can note the evolution of the big band sound in this recording, but then again let Basie be Basie and you get solid gold every time.
This was so good.
Awesome big band jazz. Splanty, Whirly-Bird, and The Kid from the Red Bank were incredible. Ella & Basie’s version of “Dream a Little Dream of Me” is also a great listen
This album rules. Titles way ahead of their time
A pleasant surprise. It was jarring when I pressed play before bed but as I listened it became a great background for all sorts of activities throughout the day..
Very nice sound, good to keep in the back of my mind during my workouts
Very nice album. Even though i dont listen much to jazz this album is light and fun to listen to.
Hello basied department?
10/10
Great album. Nice and varied tracks. Perfect to chill or to study.
Most favorite album to listen to, so far
Great album! Fun!
No words - just stars.
great big band jazz
jazzão pesadeira, no começo parecia mais do mesmo, mas a pegada é outra, tem uma energia, e pelo ano do disco, ditou o tom para os discos da decada de 60
Didn't know that Count played piano - thought he was a trumpeter
Nice album dig the big orchestra sound.
Buenísimo. Un álbum imprescindible
Now THIS is music!
Jazzy, good
This was great to hear. I love the variety of adding jazz/swing into this list, and I really enjoyed a lot of the stylings on this album.
This album has always been a favorite.
Exceptional, but then again I'm a jazz fan.
Jazz, swing The kid from red bank- first impression... WOW!!!! this is what music should sound like, so much soul and talent. the piano is nasty... the base is so brain itchy, the trumpets. dang i don't know how were gonna go up from here. DUET: this feels very balanced, like im going on a walk in a pretty place. not as es explosive as the kid AFTER SUPPER- i want someone to seduce me to this song. thats it, thats the whole note FLIGHT OF THE FOO BIRDS- get your ass up and DANCE! so fun and swingy. sax solo so good. i want to be on my tip toes tapping around DOUBLE O- This sounds like what christmas shopping in new york city feels like. was this in the home alone soundtrack? it feels like i should be when they're rushing to get to the airport and make their flight and realize kevin isn't there TEDDY THE TOAD- i really like the builds throughout this song WHIRLY BIRD- i looked up the word crescendo during this song. i felt like kicking my feet out infront of me this entire time. the base did make me a little anxious ngl MIDNIGHT BLUE- this song is very adequately named midnight blue. it feels like leaving the bar alone but content late on a cooler fall night, walking through quite streets until you step into a bustling pizza shop with drunken strangers, order your slice while listening to fumbled conversations, then returning to the quite streets, slice in hand, heading home as you eat until finally arriving at your front door, fumbling the keys then getting quietly into bed SPLANKY- i honestly wasn't very excited by this song. FANTAIL- i was not intrigued until the sax solo. so good, love a sax moment. drums were fun and interesting too LIL DARLIN- i cheated and saw this is one of count basies most popular songs. it feels so good, so easy on the soul. the trumpet? is so gentle, it almost feels like a cry for help. really liked this song
5/1001 A perfeita definição de "fim de noite de um domingo" The Kid from Red Bank - 80 Duet - 75 After Supper - 75 Flight of the Foo Birds - 80 Double-O - 75 Teddy the Toad - 75 Whirlybird - 75 Midnite Blue - 75 Splanky - 80 Fantail - 75 Li'l Darlin' - 75 Media: 76.4
How do they make some of those sounds?
Based
Pre Listen: Based on the album cover, the mention of Orchestra, and the release date, I think I know what this album will be all about. Fallout music time. Notable Tracks: Whirly Bird - I really appreciate the brass and drums on this one. They're doing a bangin job. My favorite on the album. Li'l Darlin' - Another highlight. The best of the slow songs, it's so nostalgic. I think it's the soft guitar playing that does it for me. Post Listen: Oh yeah, that was some fallout music. This was a nice change of pace from the various genres of Rock that makes up most of this project. A long time ago this album would've been a perfect 5 for me. Jazz and its various genres made up the foundation of my musical tastes growing up. I hadn't yet narrowed down what parts of Jazz I really loved, so I just listened to it all. Since then though I think my tastes have gotten a bit more filtered. I appreciate this album a lot, and it's all very well made. I think the majority of the songs were a bit too low-tempo and smooth to be amazing. Slow swing isn't bad by any means, it just isn't 5/5 worthy. 4/5
Fun, nostalgic. What's not to love.
превращает происходящее в ситком
супермузло но когда мне такое слушать????
Nice. 3.5 :)
Leuk. Soort Bossa nova
Ok swing!
Really enjoyed this one. I've not historically listened to a lot of swing/big band but what a treat! :^) Beautiful and bold, can absolutely see how influential this would have been.
I really don't know how to describe The Count but just listen to more of his music. Once you've heard music that swings, I think every other kind of pop will feel a little bit hollow.
This is just jazz orchestra 👍
This and Birth of the Cool are basically the same album. But it’s a good album
Great jazz, reminiscing on my high school jazz band years.
Hard not to enjoy this one. Big band/swing that put me in a good mood. More an album to soundtrack an activity than for individual tracks though, not that that is a criticism
Really nice.
essa capa eh mto foda parabens aos envolvidos. dito isso, é pedradaça. geral ARREGAÇANDO o instrumento, bão demais. dá pra ouvir em um milhão de situações diferentes e ainda assim ficar com vontade de dançar e encher o rabo de cachaça. muito bão!!
swingazo legendario loke la gente que no sabe de jazz piensa que es el jazz mui chevere iwal
Smooth unoffensive background band music. This project continues to push my to listen to entire genres I would not have listened to on my own.