Reviews (page 7 of 8)
Enjoyable but not my favorite of Banhart's
Modern folk. Not used to hearing it. Kinda enjoyed it. A little boring. 2.
It’s like I should be smoking a joint out in a garden with Devendra playing
beautiful
Tranquilo, relajado, pausado, sosegado. Sin ninguna chispa ni nada que le haga distintivo
Kudos to Devendra for developing an interesting sound and some strong ideas. Still, I lump this in with a lot of the early 2000s chill acoustic music that generally leaves me cold - Sufjan Stevens, Bon Iver, etc. Not bad music, but nothing that gets around me, either.
Devendra Banhart has often been a frustrating listen to me, but hitherto I haven't been able to articulate why. I think I've got it now. For all his adroitness with pretty, sometimes beautiful, song craft, there's little stickability afterwards. I can mentally coo over the dainty curlicues of his sound, but nothing haunts me later on. The hushed, reverential tone of this album perfectly suits Banhart's voice (again, quite lovely) but it evaporates from the brainpan almost immediately after a good listen. Interesting to hear the influence of American Primitive guitar players on his sound though.
Not gonna lie and not gonna apologize: I couldn't make it through this. Songs about beards are one thing, but that shit where he's basically naming Elvis songs in the lyrics and adding twenty extra V's to the word "viva"? I'm out. Not saying he doesn't follow in a long line of folk singer songwriters whose voices are an acquired taste, but I have no desire to acquire this particular one and I'm just gonna chalk that up to taste.
Yuck. 1.0.
It’s like we got a week of good albums and now I’m being punished for something. I don’t even know what to say about this album except that it was awful. Poughkeepsie especially. Just nothing good about this album except that it was relatively short so I didn’t have to suffer THAT long.
Scene: ...I find myself going out to dinner in summertime in the city and there ends up being a ~45 minute wait for a table and we decide to just sit outside on a bench and pass the time listening to a nice mellow busker across the cobblestone... this sounds quite nice.... I mean, sure, it's the setting - we're all feeling non-committal just sitting here absorbing, he's over there with his acoustic guitar, got some interesting chordal structures, a very unusual voice, hmm not sure where some of the songs are going so I drift a little ..."...man, is our table ready yet?... yeah he's pretty decent although maybe this would sound a little better with a band or some production backing him up I'm getting a little sleepy and maybe grouchy but no no it's fine I have a Snickers bar in my pocket, should be only a few more minutes this is sort of dragging no? is his voice getting worse? ah let's stay here they're probably calling us any second... yeah i heard those lyrics too, the ones that went 'i could take my teeth out and show them a real good time' yeahyeah what...ok you're right let's go wait inside instead good call..." Then after my unexpectedly not great and still unsettling meal I go home to find that my "album of the day" just happens to be this same music which has been placed on an album that sounds like it may have been recorded in an empty refrigerator box in the corner of his tiny kitchen in his grimy 3rd story apartment and consisting of exactly the same set and not only does it just not ring true I really can just reach for a snack in my fridge or better yet the Tums in the medicine cabinet and call it a night and be done already. 2/10 1 star.
This was like someone recording in their bedroom for their Mum’s pleasure. I hope she enjoyed it because I definitely didn’t ! 1*
Possibly because we had two awfully warbly singer-songwriters albums in a row this got short shrift.
I was on a streak of boring, medíocre albums, and this one made me miss them.
Really great for the first four or five songs...then it got weird! Sometimes in an interesting way, sometimes not. Overall a good listen if you are in the right type of mood.
Pleasant to listen to but I could have been listening to the same track 13 times. Nothing really outstanding to brag about here
New to me, and definitely interesting. Betrays some of the typical sins of this kind of super indie auteur post-folk... introspective past the point of obscurity, minimalist to the point of monotony, vocals idiosyncratic to a fault. I'd give this artist more tries nonetheless.
really good!
Odd. Anyone know why this is in the list?!
Albumas neprailgo, bet visiiškai niekuom neįsiminė. Vieną kartą perklausyti - super, bet aš nesu tokios muzikos auditorija. 2/5
Not a huge fan of this.
It's that patchouli-scented guy you knew from college. Not a bad album
Neo-Donovan type stuff. Floats over leaves little impact.
Hef heyrt þessa nokkrum sinnum áður. Ekki alveg mín tónlist, en samt áheyrilegt. Hef ekkert á móti þessu í bakgrunni. Tæpur þristur.
An intriguing album to rate - there's a lot that works well here and the stripped back approach to the songs allows them to breathe - but it is certainly music that requires approaching in the right mood and it won't always be on heavy rotation.
I tried but that voice travels from different to irritating pretty quickly.
This is just shite
It turns out that I have mixed feelings about Devendra Banhart's oeuvre as I imagine it to be more than as it actually is. I've always associated him with Joanna Newsom and that SF freak-folk thing which I both like and dislike. Of course, I've learned over time that there's a lot more to his music than just that. Taking his records one at a time has been instructive, and this particular album I find thoroughly enjoyable and affecting. Could have been a surprise 5 stars today, if not for a little too long. Still impressively better than expected.
On paper this is an album that I should like but there's something about it that feels like it's trying to hard to be sensitive/interesting folk music especially with the vaguely eastern musical tinges. I can deal with the voice; that style of singing was popular at the time and it's inescapable. The music itself is pleasant if not a bit bland. The lyrics are very uneven. There are some lines that are thoughtful and some that make me cringe. Overall, I didn't hate the album and it is not too long, but I just couldn't get into it.
Also: ich muss das nicht gehört haben. [gähn]
bien ! 7.5
Knew the name but not the sound. It sounds very quirky-noughties-folk (and to be fair, given the release date, it probably helped originate that whole scene). I like it. The 16 tracks rattle along at a decent pace, not lingering on ideas long enough to get stale, but equally they all clearly belong together as part of the same rustic musical landscape. I’m struggling to choose any standout tracks, but I think that’s because they’re all pretty consistent. 3.5
Having never heard of this band didn’t know what to expect. The music was ok but like Fleet Foxes, a whole album of it was maybe a bit much?
Really nice psych-folk album. Beautiful guitar work and solid songwriting. I’ll be looking at more of his records.
I liked this to start with, but it soon became cloying and annoying. Like The White Stripes if they didn't know what the fuck they were doing.
All new to me, and overall, I like it. It's approachable yet different.
This album is weird, but not really in a good way. This guy is like Nick Drake if he didn’t want to sing nicely. Seriously, these vocal stylings are weird, and I don’t like them. The rest of it’s generic. 2, because I don’t really hate it.
Snooze fest
Fun story: I was visiting my oldest sister in L.A. and she took me to a tiny concert at an art gallery to see a couple artists I'd never heard of. The opener was some screechy lady with a harp (Joanna Newsom), and then "headlining" (keep in mind there was less than 50 people in the room, basically just a circle of people around a chair and a microphone) was Devendra Banhart. I didn't really enjoy myself at the time, but my tastes have changed. This is definitely a singular album, captures a certain moment in time quite well. I'm not going to keep coming back to it like I will with Sufjan or whatever, but it's definitely quite good and unique.
Yea, nice
Wow, yeah I’m a sucker for weird folky shite like this. There is a fine line between vocals being eccentric and downright annoying and it certainly crosses that line on a few occasions (See Saw in particular) but on the whole it’s inventive and often very pretty with some fantastic guitar playing and inspired songwriting
Never heard this before - interesting!
Reminds me of Shakey Graves, with less energy. Very nice and I’ll be listening to more.
It's certainly an interesting delivery, but it's not for me. I can't tell if he's just weird and singing his truth or putting on airs. Probably the former, but the thought that it might be the latter makes it hard to enjoy.
Not really any substance.
Folk-rock acústico. Un 4.
Acoustic, folk rock, moderno.
kinda a nothing album indie folk if I had to put a genre to it
Not for me. Only made it to track 2
l'album en somme est bon, belle musique et arrangement. Mais c'est sur la meme ligne tout le long, pas beaucoup de haut mais une bonne moyenne. 3.5
Not my thing. It’s not that the songs were bad per se, I just did not like it. DNF.
not bad, just not my style at all
Enjoyed the classical guitar work and the lyrics but vocals felt very forced.
# 15: MEH! Sounds like something my granddad would play around the campfire. Nothing special. You'd probably have to be a musicians musician to appreciate this. My favourite track: Fall
avg
Decent...I general like folk like this, so it was enjoyable. Just nothing that blows your socks off. 2.5/5
Boring and slow. His voice was also weird...
Do you like folk? If not, then this probably isn't for you.
lovely
I’ve been listening to his album “What Will We Be” for years and hadn’t heard this album. His vocal style isn’t fully fledged yet on it, and it is annoying how inconsistent it is from song to song.
Pleasant enough, background music for me though.
Really cool album!
Wow, suuuper plate
Nah. I don't like one sappy man and his guitar music
I like. Indie and calm
I didn't really like this album too much. it was alright to listen to but I wouldn't go back to it cause it's pretty boring and no tracks really stood out.
Weird shit. Not a fan. WIll never willingly listen to that again.
One listen to Rejoicing in the Hands and I couldn't help but think that had Marc Bolan be reincarnated and sent to the United States, he'd be Devendra Banhart. This album feels steeped in the psychedelic folk genre bestowed upon it while, at the same token, feeling as though it wasn't anywhere near it with its admittedly bare bones nature. Still, it is an overtly pleasant listen for a rather nice day. Favorites: This is the Way, A Sight to Behold, The Body Breaks, Poughkeepsie, This Beard is for Siobhan, Rejoicing in the Hands, Fall, When the Sun Shone on Vetiver, There Was Sun.
I don't normally enjoy folk rock music, but this one was pleasant to listen to. I liked the singer's soothing and melodic voice. I'd be into checking out more of his music.
I found this album to be relaxing & very of the time for indie music.
It’s alright acoustic music.his voice is fine.The lyrics are a bit odd but besides that it’s not very memorable at all.Nothing to hate.Nothing to love .
Found it really hard to enjoy this considering half the time all I could think about was how his voice reminded me of Adam Sandler’s while performing the Hanukkah Song. In general, I just found this really boring, and not for me.
This simply bored the ever loving shit out of me in the most annoying way possible. And that's just not something I can admire.
Ngl I kinda powered through this since I’m trying to catch up. Fairly sleepy one for me, nothing that really grabbed me but nothing offensive either.
Slightly better than run of the mill ambient folk. A nice listen overall, had some interesting instrumental passages, but fuck the vocals grated me good. It's unfortunate that C-grade indi vocalists (@every triple J singer songwriter) have adopted the put upon twang/hipster inflections exemplified in this, as the vocal style may have been less off-putting otherwise. Fav track: Will is my friend Weak 3/5
A timely toych of winter melancholy to suit the season. This kind of low(ish) fi singer songwriter stuff will always work for me growing up on a healthy diet of Elliott Smith. Te strange elements of vaudeville, the beautiful guitar flourishes and the emphasis on the corporeal in the lyrics really set this one apart. DBs voice was maybe pushed a little far at times, and it threatens to sink into twee on many occasions, but I was won over. Fave track: Will Is My Friend
This voice really annoyed me quite a lot. Some alright songwriting, but the sound of the guitar and the vocals I found pretty off putting. Probably not a bunch of standout tracks either. Didn’t connect with this much.
"We have Passenger at home" Passenger at home: this
Surprisingly pleasant.
Okay, based on the description as "psychedelic folk" I had very low expectations, but this was a great Friday album. It's actually the exact flavor of "folk" that I can get into; reminds me a little of Sondre Lerche or even Damian Rice. I was pleasantly surprised.
Chilled and relaxing album that caught me on another mentally tender day. These sorts of simple acoustic folk albums always make me want to go venture into the nearest forest and go and immerse myself in nature, maybe befriend some wildlife, become a wendigo or something. I dunno. Either way this was a really pleasant album, and I think the beauty comes from the raw, somewhat unrefined nature of the album. This was just a nice and comfy folk album, and I appreciated it a lot. Favourite: Insect Eyes
One of the most annoying albums I have ever listened to. The voice of Marc Bolan's irritating brother coupled with twee as hell acoustic guitar. I rejoiced in the end of the album.
Folk. Interesante
weird and interesting, 3 stars.
Slow folk with a repetitive style. Not something I would relisten to. Jose Gonzalez vibes.
AJ: LOUD FART NOISE
Not for me, massively
I know I've heard Devandra Banhart before, the voice is distinct, but I didn't recognize any of the tracks on Rejoicing In The Hands. Most of the tracks were okay or better, but there were a few tracks that I'd be happy to listen to only once ("Poughkeepsie", "See Saw", "When the Sun Shone on Vetiver"). Those tracks got me to take a mental pause in my listening, but not in a good way. I would still be interested in hearing more from the artist, because there are elements that I liked, but I don't think I'd come back to the album as a whole.
Didn't really do anything for me
Eh. Not sure what to say. Meandering storytelling over acoustic guitar music. Some good, some bad. Fine, but not 1001 albums worthy.
I've heard this name before. Probably heard him a bunch of times on KEXP or something. This was alright. Kind of unremarkable, spacey indie folk. Not sure how it ended up on this list. Didn't dislike it though.
Not bad, Boring at times 3
Pretty good! Haven't listened to them before and happy I did
Unique and a little weird, but cool album
I quite enjoyed this. Can't really think of any particular track that stood out.
Hmmmm, this didn't quite hit the spot for me, although I like plenty of stuff that's adjacent to it. I think I prefer this kinda thing to be a touch more dreamy, maybe? Fave track - "Todo los Dolores" maybe? Individual tracks didn't stand out too much...
I didn't really like this album, it was nice to have in the background I guess.
first listen great stuff but gets slow at times
After getting a bunch of albums that were mediocre or worse, I have finally stumbled on an album that I think is really interesting. I not big on folk music, but there is something really compelling about this album. The production is great, bringing out the great qualities of his voice and fitting them perfectly with the guitar. The songs are consistently good, and they are variable enough in their structure that the album was able to keep my attention all the way through 4/5
Never heard of the artist or record. On first listen... A nice mellow record. Singer has a nice voice... music is acoustic guitar driven. I will not listen to this again, as it's not my favorite groove... but decent sounding. Get's a little annoying after 1 song or so...
Pretty good mid-2000's indie folk. Well produced, great vocals, though it doesn't push many boundaries. The first few songs are great, but the album does fade away and I found myself losing interest by the end.
Big fan- Ben Howard vibes, would hear again
Weird stuff
Good
3rd listen: first two times I gave 3/5 and 3/5. This is the reason for this list: To introduce new albums that we would have never heard of. This is a gem. I'm very grateful to this 1001 project to bring this to my attention. After listening this time, I realized how much I love the album. Standouts (Just about every song!): This is the Way, A Sight to Behold, The Body Breaks, Poughkeepsie, Dogs They Make Up the Dark, This Beard is for Siobhan, See Saw, Todos los Dolores, Insect Eyes 4.5/5
Very calming. I understand why this was on Young God, if that makes any sense. Just a very tender folk album, glad this is my first one. I'm gonna take a very nice nap after this. Fav tracks: The Body Breaks, Poughkeepsie, This Beard is for Siobhan, Fall, Insect Eyes
Every horrific acoustic-wielding singer-songwriter I have endured at open mic nights for the past 20 years seems to have been inspired by this. I think there were possibly 2 songs I enjoyed and one of those was definitely because he didn't sing on it!
Not available in Mexico
meh
Some ass
i dunno it's fine
very lo fi and a bit...dull
3.5/5 I liked this album. It felt kinda folksy, but it was a little too repetitive. Every song sounded very similar had the same vibe etc. It would be nice chill music for making breakfast to on a weekend again.
This was okay background music although not quite what I was expecting. He did warble a lot more than I enjoy and it seemed pretty one note. NOT one to revisit.
aivan hirveätä indie paskaa. tänään en jaksa,, tänän ei jaksa tällästä ei mitään hyvää löydy tästä kasasta 1-3 minuuttisia vinguntahetkiä. harmi että ei animals päässyt nyt listalle, ei nyt aivan ei IHAN siis niin lähellä mutta ei nyt ehkä 2002 albums listalla mutta nyt ei tähän päässyt....haista vittu the beard is for siobhan
Here I thought this would be easy and quick listening. That was really, really weird.
Listened to a handful of songs. Not my jam
No song that really sticks out and overall a weary folk album. It's too mellow. The production quality is almost recorded as a live album. Devendra Banhart is definitely not for me and I won't go back and listen to this.
A folk singer that can’t write lyrics or melodies. It’s a novel singer and guitar approach… Christ I’m only on the first song. The only positive is that each dreadful, insight free, song is mercifully short before the next tuneless banality begins. Only 25,000 copies sold and I'll take a punt as to how many ended up in charity shops.
This was like the quintessential folk/alt sound of the early 2000s
Devendra Banhart is new to me. His voice is quite affected which I don't love, I favour a more authentic vocal. Instrumentation is very pretty but not that varied or unusual, kind of basic guitar piano etc. There is an Asian feel to some of the tracks with the vibrato and guitar style but it doesn't quite get there for me, almost like it's trying to achieve that and failing to do so. I can't decide whether the lyrics are clever or just a bit bullshit haha. Some parts are really lovely and poetic and I do really understand how hard this is to achieve. In places it kind of reminds me of Alexi Murdoch who I love love love but it feels less exciting and less unique to me. But still beautiful. I don't think I'd come back to this as it's not memorable enough. I can see why this music has been used in some films and adverts... It's very standard trendy advert kind of music some of it.
Boring boring boring. Didn't like this at all
I kind of liked it but fairly dull overall. I can imagine it being quite nice if you were sitting in campsite with a nice beer.
That fucking warble.
This was great! Finding someone like this that I never heard of is what I was hoping for with this list. Easy 4 stars and could go to 4.5 on repeated listens
“Rejoicing in the Hands”, Banhart’s second album, is a sparse collection of alternative folk, labelled as “freak folk” by various critics and fans because of his quivering whispered vocals and off-kilter lyricism. Banhart himself rejected most forms of categorisation and wished not to be pigeonholed, allowing the album and his persona to gather their own freewheeling mystique. At its best, it has the feel of ancient folk songs carved out of cave walls, rings in fallen trees, frozen waterfalls. It’s vast yet intimate, otherworldly yet cozy. For just as much of it, it simply sounds like a subpar demo from someone mucking around in their bedroom. Almost every track consists solely of Banhart’s vocal and his own acoustic guitar accompaniment. It’s a rough and raw approach which is very risky: either it falls down completely after four songs or the performer has enough charisma and skill to have an audience hanging from their every word. Banhart is somewhere in between. There’s something very enticing about his songwriting: it’s enigmatic, evasive and often darkly strange. There’s a real poeticism at play: direct and unadorned in the rueful “The Body Breaks”, dark and veiled in “Insect Eyes”, dense and surreal in “Poughkeepsie” (ending with a stuttering list of Elvis songs). It’s well served by competent finger-picked guitar, though some more variety in the instrumentals would have been appreciated. The tracks where the instrumentation is a little more varied happen to also be some of the best: “Will Is My Friend” introduces some twinkling piano until it practically aches with an innocent yearning. Gentle percussion in “Fall” lends a hypnotic feel to get completely lost in. Folk hero Vashti Bunyan makes an appearance in the title track to double up on the vocals. And “Autumn’s Child”, at the end, is heartbreaking in its simplicity on piano. Gently enticing, softly stirring, faintly memorable… it passes by like an airy dream. When it’s done, it’s hard to recall many details, but there’s a feeling of vague contentment and peace.
Find ich gut!
This was a really lovely listen. It feels some eccentric folk album from the late 60s, but still quite fresh. I think the brevity of a lot of the songs really helps keep the album flowing nicely. Banhart's vocal style is a bit of an acquired taste, but suits his songs well. Meanders a bit. Fave Songs: A Sight to Behold, There Was Sun, Fall, Insect Eyes, Autumn's Child, Tit Smoking in the Temple of Artesan Mimicry, Rejoicing in the Hands, The Body Breaks
Pretty dull. I could see maybe enjoying some of these songs on their own but listening to a whole album of it is just no good.
Hmmm not sure
Pretty generic acoustic guitar music.
Pretty good. Inoffensive folk. Not sure why it is on this list tho. Wait… they’re from the UK! Seems as though any UK artist is automatically included.
Escuché 8 canciones y me parecieron espantosas. El disco tiene 16. Ni empedo sigo escuchando. Y le doy un 2 porque tiene algo de mérito, porque sino...
Primer album de country, lírico. Posta con una pepa flasheas estar en Texas o en un desierto de California
Not sure how this one slipped by me.
Un dels discos més importants de l'anomenat 'indie folk', una corrent que es va posar molt de moda a mitjans de la primera década del segle. Gran part de l'éxit del génere es deu als treballs de Devendra, i aquest passa per ser el millor, tot i que jo sempre he preferit el seu posterior 'Cripple Crow'. Sona una mica desgastat i passat en el temps, però continua conservant alguns moments interessants i, sobretot, el toc nostàlgic d'aquells temps
Repetitive, but when it works, it works
Oof, sounds like an amalgamation of everything from Jason Mraz to George Ezra, which is certainly not a complement. Vox got really, really grating about halfway through the record. Not an enjoyable listen.
coffee shop
Thought I'd hate it. Didn't hate it.
00s album, they only keep 3-4 per year in the book so can't read the write up. Never listened to these at the time. Heard various artists I respect saying it was good, just never got around to it. I guess I was listening to Devotchka instead. With that and Devo, that was the allocation for DEV taken up. A really gentle, indie folk album which was perfect for a Sunday afternoon. Lovely finger picking guitar. His voice and singing style strays occasionally towards the annoying, but mostly stays on the right side of that particular boundary. It's also crucially not sad indie folk, which seemed to be everywhere at the time. Some of it is good but too much was definitely a bad thing. Sufjan Stevens being the most obvious example of the good. I think I'll listen to this again in quiet moments.
The music here was so captivating. It took its hooks and snagged me, dragged me in and imprisoned me in its haunting beauty. Loved it.
I was not familiar with Devendra at all, and I was blown away. This is a set of tracks that really feels like a bedroom in the mid 2000s.
Folk chill coffee shop music
Who is this album for? Me. And while it has flaws, overall I really enjoyed it. Nice and mellow, good guitars, unique voice.
I actually am a big fan of some folk music out there. Unfortunately, this will not be counted in that. I guess it was okay, at times very pleasant but other times annoying. I didn't hate it.
Interesting album, I enjoyed it quite a bit. I'm surprised I haven't heard this before, Listening to a lot of neutral Milk Hotel and the Decemberists plays a lot of indie folk after the albums are done.
This was pretty good. I don't know if I'm ever going to listen to it again, but if it were playing I wouldn't mind.
Devendra Obi Banhart - born in Texas. His first name was chosen by his parent’s guru and his middle name was from, you guessed it, Obi-Wan Kenobi. I can’t make this up. With this etymology, we have a quirky, artsy, original, intelligent singer - songwriter who sounds like an early days Tom Waits but sober.
This would have fit nicely into the late 60s psychedelic scene. His voice reminds of someone, but I can’t put my finger on who – some reviewer compared him to Nick Drake (who Spotify sent me three times after the last song) but I disagree, other than the fact they are both solo singer-songwriters, playing acoustic guitars. The closest I can think of is Tim Buckley or maybe Ray Davies on a ballad like Sunny Afternoon – but weirder of course. Still it’s very original and interesting material, especially for 2004 and kudos go out to all the people who got this out there. The songwriting is the weak link for me, but with 16 songs sung unaccompanied on solo guitar, I’m not expecting more than a handful to really resonate and songs like A Sight to Behold and Insect Eyes I will definitely listen to again. Between a 3 and 4 for me.
I prefer latter day Banhart that is not stripped down low-fi folk like most of this album is. For example check out Sea Horse from his 2007 album Smokey Rolls Down Thunder Canyon which features multiple instruments with lovely Brubeck-esque jazz/waltz time signatures. Or the playful Never seen such good things from his 2013 album Maia. The fella has real talent and can write beautiful songs, but on this album it's often just him and a guitar so its very bare bones. I get some Cocorosie, Joanna Newsome and Sufjan Stevens vibes here but ultimately this record is a light snack that's not very satisfying. The exception is the last song, Autumn's Child which is really lovely and somewhat redeems this album.
Reminiscent of Elliott Smith, but not in the "everyone should hear this" category at all. 2/5
Acoustic Folk Rock from 2004. It starts strong and continues throughout. Never heard of him before and I'm glad this album made this list so I got the chance to hear it. It is definitely something I would really love to hear more of it in the future. Single: Sight To Behold Standouts: This is the Way, Sight to Behold, The Body Breaks, Poughkeepsie, Others: This Beard Is for Siobhán, Rejoicing in the Hands Overall: 3/5
So OK, I "get" the feeling of grassroots-folk authenticity this sort of record can provide to listeners who might have a knack for moody, melancholic pieces. But the price to pay here, the unshakable feeling that *all* those droning songs sound very samey in the end, is a little too high, maybe. I don't hold a grudge against the artist, just doing his thing here. But the critics who raved about him during the early naughts seemed to have turned a blind eye to the obvious limitations of what it was that he was *actually* doing: mostly a sort of barebones psychedelic folk thing not harmonious enough to serve as decent background music, and, very unfortunately, churning out tunes that are not layered and memorable enough to catch your attention for more than three songs in a row either. A lose-lose situation, if you can get my meaning here... Only 15 persons or so on the app thought this record was an absolute keeper and gave it a 5/5 grade. That doesn't *necessarily* mean they're wrong (this music is *not* horrible). The thing is, if you want to select an example of outlier, off-kilter folk tunes, The Incredible String Band were probably more interesting and adventurous than Devendra Banhart ever was, even though that earlier band received an even lower grade than him. Sometimes you need to pick a side. The Incredible Strings Band were too original to be labelled as "background music". Devendra Banhart's intent is not so clear, comparatively speaking... Number of albums left to review: 697 Number of albums from the list I find relevant enough to be mandatory listens: 149 Albums from the list I *might* include in mine later on: 71 Albums from the list I will certainly *not* include in mine (many others are more important): 84 (including this one)
Pleasant but dull
Very familiar with more recent DB records but I’ve never listened to this one before. Really enjoyed it, I think this style can often sound familiar or samey, but he manages to keep it interesting with his sound and lyrics. Mostly folky, sometimes lo-fi-y, always bordering strangeness. Most of this album wouldn’t be amiss on a Wes Anderson film, or pretty much any mid-2010s indie film.
That was brilliant. Took me a little while to get on board with the singing but the slightly mathy riffs/timing is right up my street. Poughkeepsie, there was the sun and insect eyes stood out on first listen.
A lot of this album was rather strange. The guy either sings in an annoying baby voice, or wails atonally. The lyrics are mostly nonsense. However I did enjoy the actual music behind the singing, which was creative and different.
Found this to be a very dull and boring album. It's not terrible but it's just not the type of music I enjoy.
Never heard of this guy before. Reminded me a bit of José Gonzalez in parts. Quite enjoyed it. Thought the opening few tracks were the best.
Folky with lots of guitar snd vocals. Meh.
Expected Cripple Crow instead of this album. Banhart, Coco Rosie, Anthony, Joanna N etc were very popular 15-20 years ago. More of a challenge to listen to most of these artists these days - songs are still strong but somehow the mannered way of singing and lyrics have become more annoying. However, back in 2005 I really liked Cripple Crow and bought Rejoicing on the strength of CC. There are good songs on it, one was used in a horror movie, so will give it a 3, but overall it is a bit hit and miss and vocal style is "on the edge".
Not bad. I liked the acoustic guitar playing very much, as well as the minimal additional instrumentation. Banhart's vocals are interesting, but I can't say I am really enjoying them.
I have problems with the contrived vocals, as actually holds for many singer songwriters. The songs themselves are of mixed quality.
You know, at first I felt this was a good change of pace from the other stuff we had listened to. But then everything started to get to be very much the same after the fifth song. There wasn't a lot of variation until maybe "This Beard Is For Siobahn". Which was good, but very repetitive, I thought. And "Insect Eyes" was just creepy. Such sparse instrumentation, I have to wonder how this would be with a full band, perhaps more like Dave Matthews Band? Is that a good or a bad thing? So if I had this on shuffle on my computer and a song came on, I'd be like "ah, cool." But listening to the whole album became a bit tedious. Good in small doses, but not the whole album at once.
A little bit weird, but it grew on me quite a bit. I was busy and didn't have the time to carefully listen or comment, so I just kept restarting the album and it was pleasant in the background. Nice soft picking and plucking and vocals. I can see how it's not for everyone (lyrics or themes especially) and even I'm not yet scrambling to go listen to more of his stuff. So not a stand out album but it's definitely something different worth listening to if you wouldn't normally. Good inclusion on this list. Favorite songs were This is the Way, The Body Breaks, Poughkeepsie (almost a Days of the New flavor to it), Will is My Friend, and Todo Los Dolores.
It’s been a while since I listened to an album where I was praying that each track was the last one. First the good: His guitar playing is impressive and I really liked the instrumental track with the pretentious hipster name “Tit Smoking in the Temple of Artesan Mimicry.” Now the bad: This is the annoying kind of artsy shit that makes you want to listen to a Kiss album after it's over, even you don’t like Kiss. It's the bad kind of pretentious, not the good kind. That warble he kept adding to his voice just got more annoying as each track passed. The only thing that brought this up to 2 stars was the good mentioned above. I didn’t even give this one a second listen because I knew that the at best it would stay 2 stars but I might have just been annoyed enough to drop it down to 1.
It was pretty nice, that’s about it.
Kind of slow. Had some good songs but I probably wouldn’t be excited to listen to it again.
Fine folk thing
This is fine ‘I’m a quirky guy with a small guitar singing about whatever’ not sure why it is here?
Reminds me a lot of the Tallest Man on Earth. I loved just about every one of these tracks, especially Todos los Dolores and Insect Eyes. Eager to check out more Devendra. This is the kind of stuff I started this project for! I think if I were in a better mood I would go full 5 for this, but I'm cranky today and wasn't able to get as into it as I know I would other times
меланхоличненько хорошенький
Alright folk album, weird lyrics, ok vibes
good grade of odd job. brings something a bit different to the 'man with acoustic guitar' genre which is fairly difficult thing to achieve. the standard feeling when you hear some fella with an acoustic guitar is to ask 'shall we go somewhere else?' however we all know 'Fell just like a child' ist the only devendra banhart track worth listening to and its not on this album.
As someone who likes listening to music whilst I flick grapes into the open minge of my obese wife, I can confidently say that Devendra Banhart improves the experience tenfold. She came in under seven minutes. A new record for us.
👾
Actually quite good - little bits were very T-Rex glam singer-songwriter guitar rock. Easy listening. Pleasnt, lyrical. Dipped at points but basically good
Yuh
Plaintive and less “freak folk” than I remember—but still a singular statement
Oddball but honest - suffers a tinge of over-tweeness of the noughties but still a good record - at times haunting, at times delightful while being very well paced.
A lot of really pretty guitar licks on this album but the overall “hippy dippy” vibe really irks me, not least because Devendra’s voice is a clone of Marc Bolan. I don’t tend to let an individual component of an album grate on me to the point of disruption, but the fact is he had to have listened to this record back, and he actually proceeded to release such a shameless pastiche of those early Tyrannosaurus Rex records. That being said, a couple of the more instrumental tracks are lovely, and they make you wonder what Devendra Banhart’s melodic strengths could have done in the hands of a more capable vocalist/lyricist (the pseudo-quirky gibberish on this album reeks of try-hard energy). A bit of a forgettable listen, even if it has its moments.
This simply doesn’t belong on this list Cover art: 1/5
favourite song: this is the way least favourtie song: poughkeepsie started really well but dropped off in qualoty quickly
Enjoyed way more than expected initially but I have to say: this record is totally a gamble. Some songs are good but some others are real stinkers. It certainly starts strong but falters later. First Listen?: Y Fav. Track(s): A Sight To Behold, Will Is My Friend, This Beard Is For Siobhan Rating: 3/5
This album really stood out with its simple acoustic guitar and unusual singing. Reminds me of an alt-J album
This is the way Poughkeepsie The body breaks
3,5/5. Sympas mais assez répétitif.
3.5/5
Clima bom pelo acústico bem executado.
Typical of the indie folk thing that was going around at the time. I'm not sure this is the best representative of the genre. Best track: Todo (sic) Los Dolores
Unknown...
Cool, I'll rotate some of these on a playlist the next time I trip. Not sure my attention span could take 42 minutes of this though, sober or not. Would have to play a few at a time cause they don't even sound complete on their own. I'm a fan of the surreal imaginative lyrics, mystical instruments, and ghastly vocals (including the multi-tracks). It's enjoyable and I can get behind its simplicity, but bands like Fleet Foxes and Grizzly Bear took the genre way further just a few years later. For my later trips: This is the Way, A Sight to Behold, Poughkeepsie, This Beard Is For Siobhan, Fall, When the Sun Shone on Vetiver, Insect Eyes
I can see why you might pick this album to be on the list. Maybe if I listened to it a million times when I was younger it would resonate with me. But on a first listen now it seems mediocre. I may listen to it more and see if grows on me. and maybe not...
So I think I like it on a very passive level. I like his voice, but more for his delivery in a Leonard Cohen kind of way than his "singing" in the conventional musical sense. I see the Jeff buckley comparison, but Jeff's in a totally different league (range, tone, emotion and everything else) imo. I do really enjoy the guitar playing though. It's simple and repetitive, but feels very soothing and brain-massaging - it's like a warm hug. I also like how stripped back it is, mostly for the fact that all other musical inclusions (piano, electric geetar and drums in particular) and throughout the album feel more significant and tastefully selected because of it. But I agree that it's static, and I also found it quite boring at times. It doesn't have enough magic or X factor to carry it's minimalism
Will listen again
No guts, no glory.
Good album! Saved the artist to listen more.
Nice to get an album I know and love. This is the Way is a favorite song of mine. Like lots of great poetry, Banhart’s lyrics lie somewhere between nonsense and profundity. And his heavy vibrato voice delivers them perfectly. The fingerpicking isn’t overly complicated, but the songs don’t fall into folkie cliches. Eccentric and whimsical like listening to a familiar stranger play songs by the fire.
This was a nice listen.
Prévisible
petite brise automnale
Just could not get into it but still okay
Boring, pretentious crap. Was there actually an intentional "outtake" left on Todo Los Dolores???? Perfectly sums up music like this--trying entirely too hard to be artsy and against the grain
I want to give this more, but ultimately I'm just bored here.
A bit modern, a bit tradish, rather folky, quite nice, a bit boring. Rating: 2.5/5 Playlist track: This Is the Way Date listened: 13/09/22
Calming and nice music. But his voice sucks.
Was excited to listen to a more modern folk album. Then I listened to this and thought sometimes the list of 1001 albums may be wrong. This was pretty mediocre and seemed to be a hodge podge of random words thrown together with a guitar. This was a pretty boring album. 3.7/10
Did not like this at all. Like a shitty version of a Damien Rice album. I think the shittiness was further intensified by the fact that there was a whole movement of this sound maybe 5 years later. Nothing exceptional about this sound at all. Also, there's no reason for this album to have 16 tracks. It's a mess.
My god its tedious
acoustic, poetic text (I guess), short songs (I've heard one that only had 1 sentence), cowboy voice, going wild at the guitar to apoint where it's more noise than music
A nice listen. Not the liveliest of albums and some of the tracks sound just like the rest, with the standout tracks being at the very beginning and end of the album. A new artist to me, recognised one of the songs from the movie Eagle vs Shark, and will give him a try again
This is so 2004 it’s crazy.
Hmmm...captivating at first, then it remains more of the same to my ears.
I really dig it
This was new to me, so we'll see how it holds up to repeated listens. For now, I'm really into it.
This is the way opens up the album in a boring folk way… ( actually I normally do track by track reviews but I’am not feeling it today so I’ll just sum up my feelings after I’ve herd the album). Okay so here we have a middle class poshie that tries to act all hipster by singing like an old man and spurting the strangest lyrics to some actually decently picked acoustic guitars. I personally believe that all of this combined makes quite a boring experience overall not providing much sonic verity across the tracklist ( all 16 songs!) And yeah even if the average length for a given song is around 2 minutes 16 songs feels like way too long and he should’ve honed in on around 10-12 of them extending their run time to improve the experience. But yeah I don’t think it’s dreadful no where near one of the worst albums ever but still a 2/5.
Heel leuk album. Fan van het genre, al zijn de teksten soms nogal vreemd
I don’t really like his concert. Nice guitar licks and really poignant lyrics. To clarify, some of the lyrics are poignant he said buhbuhbuh maybe 20 times.
I like the tone of this album. I like the singer/songwriter with the guitar picking lovely and inventive sequences of notes. The quivering voice is a little hard to get used to. I know who some of Devendra's inspirations are and I would like him better if he were to follow more in their footsteps, delving deeper into the philosophical and life's hidden mysterious things. I enjoyed the album though, it was a pleasant surprise. I will listen to the song Rejoicing In The Hands again, it was good!
Really like it. I would like to hear this again soon! 3/5
I didnt enjoy this. I might move if I was at a coffee shop.
Started off ok and had some glimpses of enjoyable but overall couldn't wait for it to be over. 1.6
I don't like their voice. I really don't like this. Yep, still don't like it even with it being in spanish and 4 and a half songs to go. This folk singer songwriter sound has never appealed to me and its sort of nice to know that it still very much does not.
Fuuuuck hvað þetta er leiðinlegt. Hreimur og fraseringar drepa mig
It's pretty decent. Too long tho, and no song here is as good as shampoo shalom
Very interesting and different than what I expected. Probably won’t listen again but I’ll remember the uniqueness of it.
twang twang twang, random lyrics, twang twang twang
Loada wank.
Poor man's Marc Bolan. His middle name Obi takes after Obi-Wan Kenobi 😂
A really nice album. Found it to be quite interesting. High 3 star.
Mostly decent. Becomes a bit boring after a while. A generous 3
Started off nice and felt pleased of getting a low key album. But then as it went on I got bored and more irritated.
Fiona appleesqe, but with less feeling, and a man. Enjoyed it.
Not my thing
Thanks Devendra, I'd only ever really heard the 'come out a crab cake' song before this.
A really lovely vibe, was just what was needed for a Sunday family board game soundtrack
Annoying, repetitive riffs and vocals. His voice is not fun to listen to. Bleh.
Standout Track: When the Sun Shone on Vetiver
Don't think I would listen to this again.
Gut, aber trifft nicht genau meinen Songwriter-Geschmack
Mannomann ich wäre musikalisch gerne so klug wie das Album
A beautiful album just not sure it's for me. High level songwriting, sweet melodies. Will play this more than once and see where it leads me. 3.5 🌟
I respect albums like this, clear personal statements. Most folk on the list is either pop-oriented or very clearly part of a tradition; This is neither unless you look at hippiedom as the latter. Many tunes seem cut short, but Insect Eyes proves he can do multi-part work. It's charming, but I'm bearish on that fact. Folksy and charming, but lacking folksy charm, y'know?
Svag för Devendra ändå. Han har någoet.
Wel mooi maar beetje slappe singer songwriter gedoe
Really liked this lyrical and soft.
I guess you either like his annoying voice or you don’t. I did
It's funny that sometimes, you can look at an album cover - not knowing the artist or what the album will remotely be like and just pick the style of music that it will contain. Devendra Banhart's Rejoicing In The Hands definitely fits the bill for this. Overall the slow indie/folk vibe seems to be alright for popping on in the background, or would fit seamlessly into countless indie movies/TV shows from the early/mid 00s. Best: Insect Eyes Worst: When the Sun Shone on Vetiver
No.
eh, good songwriting
I enjoy the intense finger-picking moments very much, some great guitar playing on this album. Not crazy about the vocal performance. I understand that the shaky vocals are adding to the overall image of the album, but it's a bit jarring for me. Kind of ruins it if I'm being honest. Guitar-playing = 5/5 Vocals = 1.5/5 Fave tracks: This is the Way, Tit Smoking in the Temple of Artesan Mimicry
This is a very beautiful album. Banhart's singing is quite unique. The hollow/echo-y recording of the instruments really compliments it well and the combination really creates a dreamlike atmosphere. The way the instruments are recorded kind of reminds me of Blonde on Blonde. The songwriting is also good, enough variety to not get tedious over the 40 minutes of the album, yet maintains a consistent sound throughout. This album seems to have been slightly ahead of the current indie folk wave, Fall sounds like it could be an Alt-J song, also evokes Tallest Man on Earth and Fleet Foxes. Although I wouldn't call it groundbreaking given the long history this sound has. Overall, very much enjoyed, not excellent, but would definitely listen again. Fav Tracks: A Sight to Behold, This Beard is For Siobhan, When The Sun Shone on Vetiever
Another sad lyricist. Good but not great.
Torture
Meh
I don't love the vocals, but it is very much in keeping with the style of the genre. Songs are nice, I quite liked them. The earlier songs in the album were much better than the later ones - it ended up feeling like a dragged out collection 3/5
This is a very interesting album. Acoustic style eclectic music all throughout. I'm not sure this is for me, but it does pique the ol brain.
Odd
meh
5/10 cool and relaxing but god does that voice get on my nerves.
4/10. I don't understand what's supposed to make this good.
Actually really didn't care for this. It was kind of creepy and the wavering vocals got annoying quick. 4/10
a lot of the tunes sounded similar but the whole thing was good.
Un album minimaliste pour Devendra, le chanteur se contentant de simples passes latérales et de plats du pied « sécurité ».
Je trouve comme mon camarade d'écoute robclairière que la ressemblance entre Devandra Bahnhof et Steve Savidan est frappante. J'ai notamment été très troublé par le ciseau acrobatique lancé par Devandra, qui ira trouver le fond des filets, similaire en tout point à celui inscrit par Steve Savidan dans les années 2000 (qui avait enflammé le Stade Malherbe de Caen on le rapelle)
An album that I could kind of tell what it sounded like, but not how much I would enjoy it. It's a little trippy, little weird. The first track had me worried I'd hate it, but the record really grew on me. For some reason, paints a vivid picture of hanging on someone's outdoor porch in the dead of summer: it's hot, sticky, warm, but the conversation is too interesting to really care. Favorite tracks: "The Body Breaks", "Will Is My Friend", "Fall"
Imagine my surprise when halfway through 'Rejoicing In The Hands' I googled a pic of Devendra Banhart and… well, let’s just say it was not what I expected at all! I have a good friend (the very one who introduced me to this 1001 LP exercise) who does not appreciate any, and I mean any, pre-knowledge or references to movies he has not yet seen, preferring to experience it himself before entering into a discussion about its meaning. So in the event that he has not had the opportunity to listen to this LP, I don’t want to spoil it for him, or for any of the rest of you. Devendra Banhart, I believe, was born out of time. The arrangement and performance of the songs on 'Rejoicing In The Hands' are minimalist, mostly fingerpicking guitar ala 1960’s folk music, and a handful with an almost early 20th century American ragtime style. Many of the recordings have the sound and feel of live one-takers, captured in a tiny club right before closing, the permeating odor of stale beer and cigarette smoke that hangs in the air mingling with the unrealized desires of the three separate, remaining patrons. Nobody will be going home with anyone, or worse, with the one they didn’t really want in the first place at the beginning of the evening. Devendra’s vocals sound as if Devendra is familiar with this kind of longing; but, also, mercifully, with love. Both hurting and healing may be found in these songs. And sung in a voice that has learned to embrace and endure rather than avoid and deny life’s painful situations. The genre itself has been variously described as freak folk, new weird America (never heard that one), trippy-hippie tone poetry, ashram-appropriate (that one cracks me up.) I like the New York Times’ take on the whole thing: ‘free associative,’ meaning ‘the mental process by which one word or image may spontaneously suggest another without any apparent connection.’ Here’s an example to support that from the second to the last song on the LP: ‘And each strand of… hair is really insect eyes.’ Or the unexplainable (to me, at least) Elvis songs referenced at the end of ‘Poughkeepsie.’ How about this title for free association, the LP’s sole instrumental, ‘Tit Smoking in the Temple of Artesan Mimicry.’ I’m guessing Sigmund Freud, the deviser of the free association technique used in psychoanalysis, would have a field day with this one! All this is to say that it’s probably pointless to spend much time here analyzing Devendra’s lyrics- who knows if I’d hit or miss, or if it matters, or even if there’s a target at all? I did pick up, however, on an awful lot of references to the sun, which seems to shine through the darker places pervading this LP. There was a particularly lovely lyric on ‘The Body Breaks’ that represents this hope amidst the heartache. Following a lot of talk about the body breaking and aching, and that both you and I will get over it eventually, Devendra concludes: ‘The body stays And then the body moves on And I’d really rather not dwell When yours will be gone But within the dark There is a shine One tiny spark That’s yours and mine.’ I can only imagine the experience of listening to 'Rejoicing In The Hands' while backpacking, alone, up in the mountains, enduring the cold and darkness of the wee hours of the morning until finally the warmth of the sun's rays make their first appearance, the daily resurrection of light that the darkness cannot fully overcome. We are alive, thankfully in the Sun’s hands, rejoicing.
Mjög kósí plata, lágstemmd og notaleg.
Pretty bad. Not musical. Not interesting.
I would say that folk is my primary genre that I listen to and to me this is a decent early 2000s folk album. But as far as early 2000s folk goes there are much more notable albums missing from this list. Sufjan Stevens' Michigan had come out about a year before this and his album Seven Swans came out a little over a month before. Iron and Wine had also just released Our Endless Numbered Days which belongs on this list as well. That all being said I think it's still a good album and I'm just being picky because it is my genre of choice. I think there is a good exploration of different instruments and playing styles without being overwhelming. Which is something more experimental folk musicians struggle to achieve.
Not bad. Definitely worth another listen.
Folky but in a strange way.
Non mi piace la voce che vuole spiegarmi come vivere la mia vita, almeno non in un album. Oddio, peggiora anche, in 'Poughkeepsie' comincia ad avere qualche problema strano. Ma dai, ma cosa sta dicendo, ma che schifo. Pessimo
Its OK, some interesting bits in there
Let me start off by saying that I didn't dislike this album, I found a few tracks rather enjoyable, but it just got too monotonous for me after about the 30 minute mark. I definitely enjoyed the second half of the record a lot more than the first. That being said, I will probably never listen to this album ever again in my life, nothing here will probably ever stick with me (besides the title track, I really rather enjoyed that song) but that's completely fine. 2.5/5
Beautiful
Cantautor. No de mi gusto
I enjoyed this mellow album heaps. It sounds like the guitar parts from a Nick Drake album, with the dude from T Rex singing.
Well this is a laugh a minute.
I like , I like. This was kinda cool.
Its pretty but it drags. Michael Gira from swans produced it. Vashti Bunyan featured on it. He stood on the shoulders of giants and its aight.
I am not familiar with DEVENDRA BANHART and his third album REJOICING IN THE HANDS OF THE GOLDEN EMPRESS. Never even heard of him. After listening to REJOICING IN THE HANDS OF THE GOLDEN EMPRESS, this album is okay, I am surprised to find it listed in 1001 Albums, it really does belong here. In 1001 Albums You Must Hear Before You Die, with DEVENDRA BANHART - REJOICING IN THE HANDS OF THE GOLDEN EMPRESS, this is the only album listed. Rate Artist: DEVENDRA BANHART (3.0) Rate Album (Year): REJOICING IN THE HANDS OF THE GOLDEN EMPRESS (US 2004 Original) (3.5) Ranking of DEVENDRA BANHART - REJOICING IN THE HANDS OF THE GOLDEN EMPRESS songs No. Title Length Ranking 1. "This Is the Way" 2:53 08.0/10 2. "A Sight to Behold" 2:26 08.0/10 3. "The Body Breaks" 2:43 10.0/10 4. "Poughkeepsie" 2:17 06.0/10 5. "Dogs They Make Up the Dark" 1:20 08.0/10 6. "Will Is My Friend" 3:04 08.0/10 7. "This Beard Is for Siobhán" 2:36 06.0/10 8. "See Saw" 3:22 08.0/10 9. "Tit Smoking in the Temple of Artesan Mimicry" 1:25 05.0/10 10. "Rejoicing in the Hands" 1:41 10.0/10 11. "Fall" 2:53 08.0/10 12. "Todos los Dolores" 2:30 08.0/10 13. "When the Sun Shone on Vetiver" 3:34 06.0/10 14. "There Was Sun" 1:31 08.0/10 15. "Insect Eyes" 5:08 06.0/10 16. "Autumn's Child" 2:40 08.0/10 US 2004 Original Release 121.0/160 = 7.56 / 2 = 3.78
Enjoyable
02/15/2022 Chill, laid back tunes. Really nice acoustic guitar and lyrics. More rainy weekend music, but there's a lot to enjoy and appreciate here.
Ktebt Zouz Saf7at Fy 3l Bouheli Mte3 Dostoevsky, Still Sick, Za3ma Corona Walla Bech Nmout?
Now let's have another glass of wine 🍷. Listened on my walk to work and really enjoyed it.
Great relax and coffee house music, good for working, cleaning, and reading 3/5
Very boring. This was a harsh let down after Stevie Wonder yesterday, damn. It was pleasant enough to have on while I fed my son breakfast this morning but I don’t care about it or for it at all.
Cute, some nice tracks on here
That was really beautiful. Distinctive voice and equally impressive guitar playing.
not as boring as I anticipated! actually pretty good!
1/12/22
Look at this nerd
Total ass. The music was nice, the singing was awful.
Only listened to half of it. It started to grow on my a few songs in, but overall its not really my cup of tea. Too.... spoken word and "hipster-folk"-ey.
Pretentious, hipster, an obvious rich kid slumming it.
Saved Prior: None Off Rip: Will Is My Friend (I too have a friend named Will!) Cutting Edge: None Overall Notes: Seen someone with a four star review whose only complaint was "I only wish it was longer". We gon kill you dog we gon get you gone
So nice
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