MC5 are overrated as hell

🎧Handful of really amazing songs, but pretty bloated overall. There’s probably a damn near perfect album in here if trimmed down to a single LP. Skits/dialogue are annoying and unnecessary too. Standout songs: Ex- Factor, Doo Wop (That Thing), Everything is Everything.

Rad debut from the Heads. Love —> Building on Fire should’ve made the cut.

Not good, not for me. Sounds like Muse but proggier

A 90s classic but not really my bag, and I find Alanis’ voice a bit grating at times. Important record for WOMEN in ROCK though, and I am an ALLY.

A 90s classic but not really my bag, and I find Alanis’ voice a bit grating at times. Important record for WOMEN in ROCK though, and I am an ALLY.

Gets overshadowed by Funeral and career best The Suburbs, but this is a terrific AF album. It’s not as consistent as either of those albums though standouts like Keep the Car Running, Intervention, and (Antichrist Television Blues) reach similar heights. My Body Is a Cage is an incredible closing track.

Not good, not for me. Sounds like Muse but proggier

Possibly peak Elliott. Absolutely love this album, such a gem.

Excellent CCR record, among their best.

Impossible not to like this album. Peak Eagles. Slightly darker/more melancholic than I recall.

🎧Good stuff here. I’ve long known Porcelain and South Side (still a banger). There are other nice techno grooves here like Natural Blues. Everloving with its tender acoustic guitar was unexpected and quite beautiful. Couple snoozers/skips on the back half—If Things Were Petfect and The Sky is Broken are basically just Moby doing spoken word over boring instrumentation.

🎧I expected to connect with this album more than I did, which is probably why I’m giving it 2 stars instead of 3. There are a few standout tracks, namely Date With The Night, Maps, and Y Control. I’m kind of indifferent on the rest of it. Would prob enjoy this much more in a live setting. I believe It’s Blitz! is on the list…think that one is more in my lane.

Pretty stunning debut

🎧Walked around Bucktown listening to this. Lovely jazz/soul album. Smith lays it down on the B-3 Hammond organ, Stanley Turrentine on the tenor sax. Very pleasant weekend listening.

GOATed fr fr. Even with an annoying dud like Don’t Stop Thinking About Tomorrow this thing is still somehow perfect and timeless and absolutely essential. Deserving of all the attention praise and the lofty place it holds in the history of rock/pop music.

🎧Look at them yo-yos, that’s the way you do it. First three songs are absolute heaters. After that album falls into a bit of a lull. Good laidback 80s rock, love Knopfler’s Dylan-esque delivery. Enjoyed the closing title track.

🎧What a drag it is getting old💊Listened to the UK version. Varied and adventurous Stones album with some classic songs.

🎧This album is something else. Must’ve really blown some minds back in 1972. Love Bryan Ferry’s goody weirdness on a lot of these songs. Virginia Plain is my favorite. First half is solid weirdo uptempo art rock. Meandering in the second half, not a strong. Eno had not yet figured out how to get the most out of a synth.

🎧This will not be the album that gets me into thrash metal. Sick cover art though, metal AF.

Arguably the greatest double album ever made

🎧I tired really hard with this album, and perhaps two stars is a bit unfair. Nyro has a beautiful voice and a swaggeringly confident delivery, but as a whole this record doesn’t work for me. Stoned Soul Picnic and Farmer Joe are nice songs. It’s when Nyro gets into the free-form scat-like delivery that she loses me.

🎧Interesting psych rock album with lots of cool experimental flourishes. Entirely unclear what the story of this rock opera is, but the same can be said for Tommy which it allegedly inspired (though members of The Who deny it).

Where Do The Children Play? is such an excellent song, one of Stevens’ best. Of course Father And Son is also great. I love Sad Lisa and the strings on that track. Hard Headed Woman is solid. Wild World is fine but overrated.

This is a decent new wave/punk album that I don’t find anything particularly special or exciting about. I love the song English Rose, but I’m pretty neutral on the rest.

Can only imagine how hard this hit in 1988. It’s good, aggressive, in-your-face political rap music. One of the most influential and important rap albums of all time. I’m not in love with it.

I find this boring and dour. Might grown on me if I spent more time with it. I know Will Oldham is considered a great songwriter and I enjoy some of his other stuff. Can hear similarities to Jason Molina’s Songs:Ohia output, but again, I don’t enjoy this.

Best album of the 2010s IMO. Beautiful slow burns, urgent rock rave-ups, atmospheric guitars, searching and introspective lyrics…burning and suffering. A modern rock classic that in the 10 years since it’s release has aged like a fine wine.

🎧 Sturdy folk punk album, heavier on the folk. Bragg brings romanticism, humor, optimism, and charm to his distinctly British musings. Bit dodgy innit?

🎧Good alt rock record. Less abrasive/punky than the earlier Dü I’ve heard. Probably didn’t need to be a double album.

Funeral changed the trajectory of indie music in many ways. I’ve loved this album for a long time, but it’s lost a bit of its luster for me over time.

70s rock does not get much better than this. Front to back great. Peak Who. They’re all WASTED.

🎧Decent pop, nothing to write home about. Opener “Being Boring” is excellent.

🎧Interesting genre change up here: Latin, acid jazz, downtempo, electronic. Antropofagos is a cool song. All in all, this doesn’t feel like a record I’ll return to. Pleasant listen though.

🎧A sprawling, wildly ambitious pair of statements from Big Boi and Andre 3000. Outkast in their “fuck it/anything goes” empirical phase. The Love Below has some bangers and I appreciate the adventurous p-funk/Prince/jazz kick Andre was on, but I think I prefer Superboxxx.

🎧Not really my kind of glam

🎧Metal is not my genre, though some of this undeniably fucking rips. RIP Dimebag Darrell. “By Demons Be Driven" appears in the The Big Short. Christian Bale is seen performing along to the song, which he learned for that one scene.

Great Zeppelin

🎧Weird, idiosyncratic album that I enjoyed and will return to. Blues In Bob Minor a playful reinterpretation of Subterranean Homesick Blues.

🎧Well I enjoyed this a lot more than I expected to. Wild Flower thru Bad Fun had me pretty locked in, it loses steam in its second half half though. Singer sounds like Billy Idol, I’m almost positive I’ve heard songs from this record in bars/restaurants and assumed it was him

🎧 Pretty solid psychedelic/blues rock album, nothing to write home about

Excellent Kinks. A bit overrated in their catalogue though.

🎧Decent, but not my kind of Bowie. Love Is Lost is a highlight. Album is overlong.

A no skips double album that cemented Wilco as one of the greatest alt-country acts of all time. Shades of experimentation and some punk edge in the Peter Laughlin referencing opener Misunderstood, one Wilco’s best live songs. From the start, Tweedy makes it clear this is not another Uncle Tupelo-esque retread a la A.M. Jay Bennett’s songwriting contributions and Bob Egan’s lovely pedal steel place this album somewhere between standard alt-country and the lush orchestral/power pop of Summerteeth. It is the record in which Wilco first showed signs of greatness.

One of the best glam rock albums ever. Mambo Sun and Monolith are under-appreciated gems, and of course there’s hits like Jeepster and Bang a Gong. This album is not peak Bolan, but it’s pretty close.

🎧Good stuff here. I love Shadowboxer and of course Criminal is a classic.

🎧this is solid. It sounds nothing like All Mod Cons by The Jam. Folky. Pleasant.

🎧Mad respect for Tina, but this just didn’t click for me. The covers are kind of weak. The 80s rock production sheen sounds dated. Still, I found the title track’s lyrics charmingly dumb/on the nose (“I'm your private dancer / A dancer for money”). Yup, that’s what a private dancer is. Interesting song, Mark Knopfler wrote it. Lastly, What’s Love Got to Do with It is fantastic, probably Tina’s best.

♥️8️⃣🖤

🎧How the hell was Holding Back the Years a US #1 single? Cover of Talking Heads’ Heaven is good.

Classic Bruce.

⭐️⭐️⭐️

🎧The Sound of Someone You Love Who’s Going Away and It Doesn’t Matter is stunning.

🎧good hip hop

🎧I’ve dipped into Tago Mago in the past and while I find it cool/interesting, it’s also a bit…challenging. This is Can after all, legends of experimental Krautrock. Future Days has a much chiller vibe. Not so busy. More ambient. I will be returning to the hypnotic 20-minute gem that is Bel Air.

Sabbath: 👀 (cracks knuckles menacingly) You: 😐 Sabbath: Drugs? You: No thanks, I’m good. Sabbath: I meant are you in here for drugs? You: Why are you here? Sabbath: Drugs. This album rules.

SLAPPIN’ DA BASS, MAN!! Limelight is an all-time classic and this album as a whole is prog rock I can enthusiastically get behind.

Lotta people will try to have you believe this is a GREAT record. It is not, it is just a good record.

Brilliant synth-pop.

Fine background listening…nothing particularly interesting here. Pleasant wallpaper music.

🎧This band sounds remarkably like Oasis and I’m here for it. Mad fer it even.

🎧Queen of pop. Til Death Do Us Part and Cherish are great. Title track is one of the best pop songs ever. Pretty neutral on the rest.

Oh by the way, which one’s Pink?

🎧This album is 2 hours long. Much of it is whiny crap. Much of it is just plain boring. Here Is No Why and Bullet With Butterfly Wings are terrific songs. Shame Billy Corgan couldn’t trim the fat, there’s probably a halfway decent record in here.

Dream pop perfection.

Quite possibly the finest collection of odes to desire, love, lust, and of course 🎷 (knockin boots). An unparalleled celebration of the joys of sensuality. Nobody smoother than Marvin.

🎧I’m pretty neutral on all of this. Some of the vocals don’t connect and feel like kind of forced new wave posturing.

Me and my loser friends, we gotta get Aerosmith tickets. Top priority of the summer.

The traffic lights, they turn blue tomorrow 🟢💨🔵 🟡💨🔵 🔴💨🔵

Brilliant, bold, beautiful, blissful Beatles

Nice, pleasant jazz. Arrived in Stevensville today for 4th of July week. Ancient Well made for good listening while running a few laps around Churchill Farms. Windy day, swells breaking on Lake Michigan shore.

🎧Decent, not great. Richard Butler’s vocals kind of annoying at times. I like No Tears.

A classic album though it’s got some filler (spoken word recording of old folks, Voices of Old People is a drag). Still, Bookends contains some of the greatest songs in S&G’s discography. I’d argue America is one of the best songs of the 20th century, period. I was impressed by the Moog synth and electronic textures of Save the Life of My Child—atypical for S&G’s sound and pretty out there for 1968 as well.

The first four tracks are all great. Everything else is average to forgettable with the notable exception of In A Little While, quite possibly U2’s most underrated song. Joey Ramone was reportedly listening to this song when he died at New York-Presbyterian Hospital in April 2001. People like to shit on U2 and call their music soulless corporate rock, but if that anecdote and that song don’t move you in some small way, you probably either don’t truly care about rock music or don’t have a soul yourself.

🎧This is really good shit. On some of these songs Ice-T sounds like Rakim (who gets a shoutout along with a few dozen others on M.V.P.s). Rock song Body Count is a little out of place here.

Happy 4th of July to one of the finest albums of the 1980s and the Mats at their sloppy, immature, drunken, heartfelt, coming-of-age best. Look me in the eye then tell me that I’m satisfied.

In the right mood (miserable, depressed, angry, hopeless) Unknown Pleasures is the perfect cocktail of innovative post-punk bleakness. Much of this album piddles forth in somber despair. And then there are standout tracks like She’s Lost Control, Shadowplay, and album opener Disorder, the second strongest song Joy Division ever made behind Love Will Tear Us Apart. It’s an undeniably groundbreaking album, but also one I hardly ever want to listen to in its entirety. Maybe I should consider myself lucky for that.

🎧Handful of really amazing songs, but pretty bloated overall. There’s probably a damn near perfect album in here if trimmed down to a single LP. Skits/dialogue are annoying and unnecessary too. Standout songs: Ex- Factor, Doo Wop (That Thing), Everything is Everything.

Am I being a little harsh on the Peps? I don’t think so. Breaking the Girl and I Could Have Lied are decent. Under the Bridge is great. The rest is simply not for me. Some of it is mildly irritating actually.

Radiohead’s Ed O’Brien said in 2008, “I never felt we were one of the great bands, up there with The Smiths or R.E.M. In my view, we’ve made three really good records The Bends, OK Computer and Kid A. What we needed was another great record just to seal it.” In Rainbows sealed it. For many, this album would be the bedrock of an argument for 2007 as the greatest year for indie rock. They’d have a strong case there. In his book This Isn’t Happening, Steven Hyden claims In Rainbows is the most beloved album in the Radiohead catalogue, even more than OK Computer and Kid A. That was published in 2020 and it’s become even more true in the ensuing years. In Rainbows didn’t have the kind of monumental career-making impact of OK Computer, or the prophetic, monolithic reputation of the genre-morphing Kid A. But it is arguably the most gorgeous collection of songs Radiohead ever released—each one taps into something deeply human and universal, without ever clearly being about anything specific. Yorke described the lyrics as based on “that anonymous fear thing, sitting in traffic, thinking, ‘I’m sure I’m supposed to be doing something else’…It’s similar to OK Computer in a way. It’s much more terrifying.” I’m not sure the manner in which In Rainbows was released has any influence on how the music is perceived today, but at the time it cast a wide shadow. Radiohead were not the first artist to release their music online as a pay-what-you-want download—Jeff Rosenstock, for one, already had been doing it for a while—but they were the biggest. The degree to which this choice influenced the way we think about and value music today, or whether it played a role in ushering in the streaming era is entirely up for debate. In my opinion, if it wasn’t Radiohead, it would’ve been some other major established musician. What I am sure of is that there is nothing else quite like In Rainbows in the history of rock music, and it will stand the test of time.

🎧Not without its charms, but a lot of repetitive and cheesy bits. Probably one of the most 90s cultural artifacts in existence.

🎧Decent drum and bass album

🎧Pretty terrific snotty UK punk

WHEN THE TRUTH IS FOUND TO BE LIES

🎧Kinks-y. Standout tracks: Chemical World, Turn It Up

Rad debut from the Heads. Love —> Building on Fire should’ve made the cut.

Fantastic Neil.

🎧I can’t exactly say why, but this doesn’t do it for me. Not my kind of new wave. Costello’s voice is kinda annoying sometimes. (What’s So Funny ‘Bout) Peace, Love, And Understanding is pretty good.

🎧So much of this album is irritating drivel. It’s not completely unlistenable but good God I do not like this. Nick Cave, I don’t doubt you are talented songwriter, but on Murder Ballads you are one grating motherfucker.

🎧Strange little album. I get Ween vibes from some songs but there’s also Up With People (favorite track) which sounds like Belle and Sebastian fronted by Bill Callahan. I also like You Masculine You and Butcher Boy.

Excellent, super catchy pop punk

🎧Cool album, I will probably spend more time with this one

🎧solid heavy metal. Highlights: Breaking the Law and Living After Midnight

🎧This is fine I guess.

🎧Excellent and lively jazz/big band/swing

🎧I don’t really know “cool jazz” from “bebop” or really an other jazz styles for that matter, but what I do know is this is excellent.

🎧I liked Runaway Lover and I Don’t Deserve It even though both drag on a bit too long. Otherwise this album is a stinker. Madonna is, of course, capable of so much better.

Absolutely brilliant.

There’s a lot to love here. A remarkably impressive debut. Could listen to Mesmerizing on repeat.

From Spacemen 3’s Wikipedia page: “Their music is known for its brand of trance-like ‘neo-psychedelia’ consisting of heavily distorted guitar, synthesizers, and minimal chord or tempo changes.” Pretty accurate description of this album. If you’re in the right mood or on the right cocktail of mind-altering drugs, Playing with Fire definitely scratches a particular itch. It’s not on the proper track listing, but the live version of Suicide is even better than the album cut.

🎧This album is WAYYY better than Fever to Tell. Some great lyrics, like on Hysteric. I was taking a walk in Bucktown while listening and saw a guy riding a bike backwards, sitting on his handlebars and playing an acoustic guitar.

🎧Pretty neutral on this. Nicotine Stain and Hong Kong Garden are cool

The only Billy Bragg album I truly love and of course terrific Wilco contributions throughout, the most notable being California Stars. They bring Woody Guthrie’s lyrics to life and make them relevant to modern listeners with their spirited, folk/rock affecting arrangements. Great stuff.

🎧THANK YOU Elvis for coming BACK

I too sometimes wish I had a river I could skate away on.

🎧2 stars might be a bit harsh for this, but it’s about as dreary and dark as they come so you really gotta be in the right mood to vibe with it. Favorite track: A Strange Day

🎧You can here this band’s influence on Counting Crows. Favorite track: Somewhere

🎧This does basically nothing for me, except for Big Me which is actually an excellent song

Decent garage rock record, albeit fairly uneven. Certainly not “the second coming of Nirvana” as the British press hailed them. Influential to Alex Turner in forming the Arctic Monkeys, so that’s a win.

🎧Nice soul record, little bit bloated

🎧Pleasantly surprised by this one. They’re not all gems, but some real nice pop/rock songs in here. Grungey at times, power-poppy at others. Shades of Teenage Fanclub and Weezer. Will definitely revisit.

A bonafide American classic by a group that was 4/5ths Canadian

Not my particular brand of schnitzel

🎧Decent, sort of generic-sounding at times. Not as good as Heartbreaker.

Cash is king

🎧Delightful jangle pop album. Really digging this. Closing track Dive for Your Memory might be my favorite.

🎧No thank you!

🎧Sick album cover. PJ Harvey rocks. Favorite song: Dry

🎧Really liked this. Mostly covers, almost all of which Cash nails and a couple of his originals. Favorite tracks: The Man Comes Around, I Hung My Head, Personal Jesus

🎧Wonderful. The Naughty Little Flea and One More Dance are the only songs preventing me from giving this a 5. 🇿🇦

🎧AFRICA! 🌍 Solid Afrobeat album, though not as impressive as his father’s work. Favorite track: Wonder Wonder

Solid Bowie but not among his best IMHO

🎧The longer I listened the more I disliked it. A mish mash of things in their worst possible form—musical theater, Cabaret, Bill Murray lounge singer-type fare, bland sentimental crap. It’s all there and it’s all bad.

🎧This is fine. Nothing in particular grabbed me (there’s no The Killing Moon or Bring on the Dancing Horses-level hits) but it made for a pleasant, if brooding listen. Final night of the DNC in Chicago tonight, Kamala Harris will accept the party’s nomination for pres. P!nk to perform (🤢). Rumors of Beyoncé showing up. And so it goes…

🎧Anita Baker sure can sing but this is drenched in bad 80s production that I can’t really get past. It’s not on Spotify so I listened on YouTube where every top comment is “who’s listening in 2024?” Favorite track: Same Ole Love (365 Days a Year)

This is the sound of star power. An essential soul record and one of the best live albums ever recorded. All hail James Brown, the Hardest-Working Man in Show Business and Godfather of Soul.

🎧Didn’t love this but it’s probably the best metal album I’ve gotten so far. Title track is cool, didn’t need to be over 7 mins long though. Some cool solos throughout and impressive musicianship, especially on Orion.

🎧Decent. Eclectic in sound. There’s nothing particularly great here. I liked Pressure Point as a kid. Enjoyed Railroad and Dirty Dancehall this time round. Probably not an album I’ll be revisiting.

One of the best from the Queen of Soul. Absolutely timeless.

🎧It’s certainly unique, isn’t it? Vibey as hell too. What in god’s name is Elizabeth Fraser singing with those angelic pipes?? Favorite track: Lorelei

🎧More songs should start like “I got loaded last night” (Sittin’ and Thinkin’)

🎧What an adventurous, unusual album this is. Musically interesting and a bit challenging (though not altogether inaccessible). It’s pretty damn out there at times—some of the most enigmatic krautrock I’ve heard, maybe even more than Can. According to Wikipedia “some fans of Faust's earlier work felt that it was a ‘sell-out’ album” which is baffling and hilarious. “The Sad Skinhead” reminds me of Fear of Music-era Talking Heads, wonder if they were aware of Faust. Traces of early Eno in “Giggy Smile.” So yeah, overall did not love it but I can see why this is considered a must-listen pre-death.

🎧This was a terrific listen, and I’ll be spending more time with it. Everybody knows the title track and The Passenger—both great, the latter maybe my favorite Iggy song ever, but everything else here is basically top notch as well. Joyful and irresistible post-punk from Iggy Pop and David Bowie, both at the peak of their powers

Interesting that I got Low after Lust for Life. This record is fantastic. Rare that you encounter an artist doing something completely different on side two from side one. This is almost like two different albums and yet the whole thing is perfectly inhabits the same universe. Canadian critic Dave Winnitowy called Low "hideously interesting.” I’ve been listening to this thing for years, and it’s also endlessly interesting. With the exception of pop stunner Sound and Vision, the music on Low is experimental, often very cold, and yet somehow strangely inviting. It sucks you in. Bowie and Eno are geniuses, Low is one of the most influential albums in the history of rock/pop, and the music here is unsettling, lovely, moving, strange, and stunning. I’ve taken many naps to side two, and I mean that as praise. It is a first rate experience, slowly half-nodding off to the soothing, otherworldly sounds of Low and appreciating its beauty with a semi-conscious mind.

“I’m coming to your party / And I won’t be able to stay / But I’m gonna kiss you one more time / Then I going away” Terrific soul. So much emotion in Burke’s singing, some great female backup singers too. There’s often pain in love and Burke reminds us of this in just about every song here.

🎧Excellent African rock/desert blues, really enjoyed this. Favorite tracks: Al Hassidi Terei, Petit Metier

🎧Not for me

🎧Lots of boring/annoying/noodling guitar jamming. Not a fan. First part of Who Do You Love cover is alright.

Lest we forget the Eagles have a song called “Chug All Night.” And it’s decent. Peaceful Easy Feeling is great, Take It Easy is an all-timer. Solid album.🌵

🎧Nicely done Slowhand. I’m assuming Have You Ever Loved A Woman is about Pattie Boyd/George Harrison.

🎧How do you say “absolutely not” in French? Absolument pas.

🎧Listened to the US 1991 issue. Mostly generic sounding techno. Favorite tracks: Evil Is Even, Make It Minimal

🎧Butt rock

“We sing covers of songs, but we do it without any instruments. It's all from our mouths!” -Pitch Perfect “I thoroughly enjoyed this album.” -me

An absolute masterclass in songwriting. Gorgeous, warm, inviting, soulful songs that will continue to stand the test of time.

🎧Can’t see myself ever revisiting this but I sort of understand the charm of Waits’ growling, almost gargling, sad drunk bastard with a glimmer in his eye brand of BS. Made me laugh.

Janis rules

🎧Interesting but kind of aimless sounding post-punk album. I may spend more time with it. Songs drag on a bit. Favorite track: The Light Pours Out Of Me

🎧7/9ths of this album kinda stinks, but then it’s got Walk This Way (good) and Sweet Emotion, one of the best rock songs of the 1970s.

I realize that giving Purple Rain anything less than 4 stars is widely considered blasphemous. Its place as one of the “greatest records of all time” is not lost on me—that’s a distinction it deserves, even if I don’t fully agree with it. In my estimation though, Purple Rain contains one killer party track (Let’s Go Crazy) and three truly great songs (When Doves Cry, I Would Die 4 You, and Purple Rain). Ok I guess it does deserve 4 stars.

🎧This feels like a bad Stephin Merritt/Magnetic Fields knockoff, though I believe The Divine Comedy came first. Regardless, no one needs to hear this album before they die. As noted by many listeners, “If…” features the lyric “If you were a horse I’d clean the crap out of your stable.” Listening to this made me want to put on a much better equine-themed love song, “Since She Started to Ride” by Jonathan Richman.

Eno’s first solo record and he’s already surpassing most of Roxy Music’s output. It’s enigmatic, it’s exciting, it’s catchy, unusual, unpredictable, fun. Challenging but accessible, arty but not pretentious, weird but cool. Eno proves he quite possibly could’ve been the next Bowie if he hadn’t chosen another path, to build upon the genre of ambient music and produce some of the finest albums of the past 40 odd years.

Crooked Rain, Crooked Rain tracks in order from best to worst: 1. Gold Soundz 2. Range Life 3. Silence Kid 4. Cut Your Hair 5. Elevate Me Later 6. Stop Breathin 7. Fillmore Jive 8. Heaven is a Truck 9. Newark Wilder 10. Unfair 11. 5-4=Unity 12. Hit the Plane Down

🎧British AF. You can’t deny Jarvis Cocker’s panache and droll delivery, especially on Common People which is an absolute banger. Other standouts: Bar Italia, Mis-Shapes. Still, this is not quite my cup of Britpop tea.

🎧In which Morrissey laments his deficit of British pride, forgives Jesus, and tells America where it can shove its hamburger. There’s nobody like this guy, this ignorant, out of touch, obnoxiously in-your-face vegan guy. Shitty man, surprisingly decent album.

Neil rips, this is terrific. Favorite track: White Line

Hot take: Lucky Man is even better than Bittersweet Symphony. The Drugs Don’t Work is solid. Rest of this is fine, particularly like Weeping Willow, but doesn’t really connect with me like Lucky Man.

🎧Lotta top tier Reg tunes here, but a few that definitely could’ve been trimmed (looking at you Jamaica Jerk-Off). Opening track Funeral For A Friend / Love Lies Bleeding is epic and unlike any other Elton song, as far as I know.

🎧Wonderful album, though I could do without The Yo Yo Man and Thorn of Crowns. The Killing Moon is one of the finest songs of the 1980s.

Sometime shortly after college (might’ve been during my senior year) I burnt a bunch of albums onto CDs for listening in my car. It was mostly personal favorites and classics. Rumours, White Blood Cells, Alligator, etc. I still have those CDs in my current car. Anyways, one was Soul Mining. Unclear why I picked it as I wasn’t familiar with the album. Pretty sure I’d read online about how some consider it one of the best records of the 80s, and I already liked This Is the Day (the song was in an M&Ms commercial). I sure am glad I took a chance on it all those years ago, because this album is really special. It’s a pop record but an undeniably strange one, propelled by aggressive percussion and world-weary yet hopeful lyrics. It rewards repeat listens. I’m convinced the beauty of Soul Mining (aptly titled) can creep up on just about anyone who enjoys adventurous pop music and is willing to let it sink in—while driving, at home, or anywhere else.

Beat It, Billie Jean, P.Y.T., Thriller. Just loaded with hits. Best selling record of all time. Most of the non-hits sound kind of dated. It is also, of course, a shame that he molested children.

🎧Thriller followed by My Life In The Bush of Ghosts. Hard to think of two more different albums. And they were released a year apart from each other. This is sone bizarre shit, innovative for its time, and still a fascinating listen in 2024. Favorite tracks: The Jezebel Spirit and Very, Very Hungry

Terrific side one. Side two not as great, but pretty solid! Forgot how good All Through the Night is.

🎧Bowie takes a crack at blue-eyed soul producing mixed results. Title track is terrific, nothing else to write home about here. Fascination is decent, Fame is fine but overrated.

🎧Interesting, ambitious Joni record, but not my favorite.

🎧Le Freak gets all the attention but I Want Your Love is the real highlight here. At Last I Am Free is 7 mins 8 seconds long which is about 8 minutes too long.

🎧This one never got off the ground for me. Them Changes is good though.

🎧Damn good blues record from a bonafide legend

It’s not an overstatement to say about 75% of modern popular music wouldn’t exist without Little Richard and this album.

🎧Nice, pleasant, relaxing background jazz

Brilliant record, a psychedelic masterpiece

Borderline unlistenable

Decent hip hop/R&B

🎧There’s a midget standing tall

Some of the King’s best work

🎧This is good! Lead singer kinda sound like Paul Westerberg

I read somewhere that TVU&N could be interpreted as the story of a wild drug-fueled weekend, starting with the bleary-eyed awakening of Sunday Morning and then looking back to Friday afternoon onward on I’m Waiting For The Man. I don’t know if that’s what the band intended, but I like that reading. One thing I do know is this is among the most important, interesting, and influential albums in the history of rock music.

In Noah Baumbach’s 2005 film The Squid and the Whale, the teenage son Walt played by Jesse Eisenberg performs and claims to have written “Hey You” by Pink Floyd at his school's talent show. After he wins first place and receives praise from his family and friends, his school realizes that he did not write the song and disciplines him. The film takes place in 1986. The Wall came out in November 1979. It was the best-selling album of 1980, and spent 15 consecutive weeks at number one. I love this movie, but it always struck me as odd and unrealistic that an audience full of Brooklyn teachers, parents, and students didn’t call Walt on his BS more quickly, so he wouldn’t win the talent show in the first place. Anyways this album is bloated and pretentious but has a few great songs, like Hey You.

Repetitive samples are a bit annoying in some songs, cool and vibey in others. Favorite track: Frontier Psychiatrist

🎧I thought I was already familiar with all the great New Order albums. I thought wrong. All the Way sounds like The Cure.

🎧While this is definitely interesting and not bad per se, I can’t see myself revisiting any of it ever again. Czukay was a pioneer of tape loops and sampling, so respect for that.

With Rubber Soul The Beatles, to quote Obi-Wan Kenobi, “took their first step into a larger world.” Brilliant stuff, a top 5 Beatles album for me.

🎧Some interesting prog rock stuff going on here, and I like an album that’s one long song per side. But there’s all this growling about midway through Tubular Bells Pt. II that kind of spoiled it for me

SZA’s got a great voice and these are cool, sensual, chill jams. Favorite track: Prom

Seven Nation Army, Black Math, Ball and Biscuit: these songs rule. Little Acorns rips, as does Hypnotize. A rare vocal take from Meg on In The Cold, Cold Night…underrated tune. And yet this isn’t even the best Stripes album (that’d be RBC). It might not even be the second best (arguably De Stijl). What a great fucking band.

MC5 are overrated as hell

Schmamazing album. Without You is such an amazing song, it’s begging to be belted by someone like Lady Gaga. Nilsson’s no vocal slouch himself though.

🎧Undeniably important album about blackness and racial injustice, released in the summer of 2020 at the height of the BLM movement. A rich R&B/soup tapestry—some of these songs landed for me, some are pretty meandering. Favorite track: Wildfires

🎧Thoroughly enjoyed this. Stellar debut from Amos. Traces of Joni Mitchell and Kate Bush. Couple moments that reminded me of Joanna Newsom, I wonder if Amos influenced her.

The first and forever greatest psychobilly record ever made. The Lord hath taught The Cramps well.

🎧If Prince had consolidated this down to one LP it probably would have rivaled Purple Rain in quality. It’s got some great tunes! Starfish And Coffee, U Got The Look—great slow builds on both I Could Never Take The Place Of Your Man and The Cross. But then there’s also a lot of filler. Title tracks seems to suggest in one line that weed is a gateway drug to heroin?

A stately, austere, reflective triumph from one of the best rock bands our country has ever produced

Look I get it, millions of people think Metallica is a great band and most of those people probably agree that this live record from 1999 is an album you must hear before you take your final breath. I simply am not one of those people.

🎧Sick album cover. Music sounds exactly as you would expect from looking at it.

Just as great as I remember it in 2004, if not better

🎧Good songs: E-Pro, Girl, Go It Alone. Sonically mish-mashed, altogether fine but somewhat forgettable songs: everything else here.

🎧2 might be harsh, but this punk album just doesn’t cut the mustard. It’s like if the Buzzcocks or The Fall were less interesting and fun, and kinda shitty instead.

The cornerstone of punk.

It is US presidential Election Day 2024, Harris/Walz vs Trump/Vance, and I’m listening to Trafalgar by The Bee Gees.

11/6/2024. Fuck.

🎧This is good, maybe even better than Crocodiles. It’s not as strong as Ocean Rain. My favorite track, The Cutter, sounds like New Order. Echo were undeniably a very good band. Do we need 3 of their albums in the 1001 AYMHBYD? Probably not.

🎧Fantastic, and one I’d never heard before. In fact Joan Armatrading’s name was completely unfamiliar to me. What a voice. Did not care for Join The Boys but otherwise this is great. Favorite track: Down To Zero

Graceland rules.

🎧Giving this album a 3 largely on the strength of Fistful of Love, a song I am obsessed with. Put it in the 1001 Songs YMHBYD.

Such incredible, stirring performances of great songs. Cooke elevates them to another level, and you can feel the excitement and joy in the room. Probably the best recording from one of the greatest soul singers to ever do it. Cannot say enough good things about this album.

🎧The sonic equivalent of scrambled eggs mixed with horseshit. Favorite track: If You Loved Me At All

🎧This thing is kind of a mess. Nothing against goths.