I can appreciate the political drive behind the lyrics, but they favor message over music to an extreme. Nothing here that other groups (before and after) didn't do better.

Look, Mariah undeniably has a great voice and that's on display here. And if one of these tracks popped up while I was shopping, or on hold for some company's customer service, I'd be fine with it. But listening to 1 hour straight of what felt like essentially the same song was more than I could take.

Didn't know anything about this artist. Album was lyrically interesting, and I like the jazz feel of most of the tracks.

So, so good. This album is filled with undeniable hits (it could almost be half of a Greatest Hits double album), but I'd probably have to rate it 5 stars just for Scenes from an Italian Restaurant.

Well it wasn't boring, so that's something. Just wasn't pleasant to listen to, at all.

Hard to separate the music from the feeling I got playing Fallout: New Vegas. Definitely transports you to dusty gunslinger days.

I liked this one alright, Janis Joplin's vocals and energy are definitely the highlight.

Obviously great vocals, and a nice sound that is reminiscent at times of some of the best Motown tracks.

Thoroughly enjoyed this- maybe not as much as some of the indie rock/alt rock albums that would come after, but it's easy to see the influence this had on them.

Phenomenal. Never get tired of listening to this one.

An enjoyable listen, but the more upbeat music is a bit odd coming from Elliott. I think I prefer his more brooding style from the earlier albums.

Enjoyable listen, but not one that had melodies that will stick with me the way some of his other works do.

Love Arcade Fire, this one doesn't quite grip me the same way as Funeral but still really enjoy it.

Pretty odd, I did like a couple of the tracks but didn't love the album overall.

Super interesting and unique sound. Probably the closest thing I've heard to Tom Waits.

This was alright, nothing really grabbed me.

One of my favorite bands, and a fantastic album.

Not a huge country/country-rock fan, but I thought this one was pretty enjoyable.

Well I'm a sucker for English folk rock apparently, as I really enjoyed this. Vocals were the highlight for me (lyrics were great too, but a lot of the credit there goes to Bob Dylan).

I've always sort of dismissed the Byrds as another 60s manufactured Beatles-wannabe band, that happened to have a couple decent songs. This album surprised me with its more experimental sounds.

Maybe not my absolute favorite Stones album, but still undeniably a great record.

Fun album with some real bangers.

Not bad, a few good tracks but nothing super memorable outside of maybe Waterloo Sunset.

While I prefer the albums he produced later (when he lived in the bass range much more than he does here), this one still has some of the same lyrical power and a couple really, really good songs.

It was short, but still felt repetitive. The sort of songs I would only listen to if I was playing Tony Hawk.

Not my favorite genre, but it is impressive how effortlessly it can evoke a certain mood and sense of place.

Great psychedelic rock. I knew Somebody to Love and White Rabbit of course, but the rest of the album had some other good tracks with a nice sound.

A great singer, but overall I thought the album was just alright.

I love the Black Keys' sound, and really enjoyed this album throughout.

Wasn't a huge fan of this.

I never really got into Alice In Chains, and I'm not sure why. Really enjoyed this one.

Love the sound on this album. Definitely transports you to the era of funk, but with some tracks that are timeless.

Prefer Wutang, but this was pretty good.

This was a new one to me, and I quite enjoyed it. "Everybody's Talkin" and "That's the Bag I'm In" were the highlights for me.

I can appreciate the political drive behind the lyrics, but they favor message over music to an extreme. Nothing here that other groups (before and after) didn't do better.

It's different, I liked the flow of it overall.

Steely Dan is one of those groups that I know are masterful artists and extremely musically gifted, etc., but that I just don't ever seek out to listen to in favor of other bands. I liked this album well enough, there were a few tracks that stood out as really good, but again nothing I'm probably going to think to come back to later.

So many classic hits on this one- "Fight for your Right", "Paul Revere", "No Sleep Til Brooklyn" are all ones I would hear blasting from dorm rooms in college (two decades after this album was released). Lyrics that would be juvenile or cringey from other artists just seem funny and charming coming from the Beastie Boys.

Enjoyed this listen, good background music.

Fun little indie rock album.

I was excited to get this album because I have such fond memories of listening to these songs back when it released (many of which I still hear quite frequently). For the first half of the album, I was not disappointed. So many huge hits on here- "Scar Tissue", "Otherside", and "Californication" are obvious highlights. Easy 5/5. But then the second half just kind of drags, you start to notice the poor mix quality (I'm listening to it now on with a much better sound setup than when I was jamming out to it in college), and there's no memorable songs to be had. Drags the whole experience down, but I still have to give it a 4/5 for the bangers on the front end along with the nostalgia kick.

Classic pop rock album, lots of well-known hits here. It's easy listening, and probably just as likely to be heard in boomer-directed advertisements as on the radio these days. Can't deny the catchiness of songs like "Just What I Needed", "My Best Friend's Girl", and "You're All I've Got Tonight".

Was not at all familiar with this group, but I thought this album was pretty catchy. "Grounds for Divorce" was my favorite track on this one.

Not a big fan of electronica, including of the hip-hop variety. This was still a pleasant enough listen, but not one I'm likely to want to return to.

Yeah this was alright, but didn't capture the same magic of the first couple Pixies albums in my opinion.

Classic 90s alt-rock/alt-folk album. Plenty of solid tracks on here.

Really enjoy this album and group, a couple timeless classics on there that I listen to regularly.

Classic voice, but only a couple songs from this album really stood out.

This was an interesting listen for me. The vocals sort of grated on me in the beginning, but grew me on me as the album went on. The instrumentation was pretty interesting though, seems like something out of time. "In Every Dream Home a Heartache" has a haunting, dark feel to it that was pretty captivating. Overall, not an album I would probably return to often but one I'm glad I experienced.

This was OK, I thought the mix of heavy/punk metal and funk made for an interesting sound. Just didn't have any songs that stuck out to me as very memorable.

This wasn't bad, by any means- I enjoyed the beats, and the flow of the MCs. I just don't think there is anything on the album that particularly elevates it above a lot of other hip-hop albums.

While it's not my favorite Beastie Boys album, and the second half starts to drag, it does have a couple legitimate bangers. "Sabotage" is on my short list of greatest hype songs of all time.

Outside of the title track (which I've heard countless times) I don't think I've heard most of the songs on this album more than once or twice before, if at all. There's some good stuff here, but it all has been (rightly, IMO) overshadowed by the iconic first song.

I liked this one ok, some catchy riffs on I Will Dare and Unsatisfied.

He's the king for a reason, and his influence is obviously felt throughout the whole history of rock music. But when it comes to this album, outside a couple tracks there's nothing here that really makes it a stand out.

Not my favorite style music, but a fun listen regardless. Shining Star is one of pervasive hits that pops up everywhere, and the album as a whole has a pretty nice upbeat energy that makes it easy to listen to.

Great album, not the best Springsteen ever produced but still powerful.

As a child of the 90s, when I think "80s music" the thing that always pops into my head is androgynous, brightly-clad singers in retro-futuristic clothing spouting nonsensical lyrics while backed by synthesizers. While this project has shown me plenty of great 80s counter-examples, this album is maybe the embodiment of that mental image. Some catchy songs, though.

Solid punk rock music with some seriously bleak and disturbing lyrics. There were long stretches of this album where I couldn't actually make out what was being said, and that might be for the better. Still an intriguing listen, and one that I suspect would grow on me with repeated listens (and that scares me a little).

Buckley is one of the great "what-ifs" in music for me. As it is, the one album he did make before his death is very solid. His voice is the star, but the instrumentation throughout the album isn't bad either. There's a definite haunting/melancholic feel that pervades the whole thing.

I enjoyed this one well enough, though didn't find a whole lot here to love outside the first track.

An iconic soundtrack that influenced a whole genre of movie soundtracks, and gets referenced still in popular music today. Such a great funky, soulful sound.

Any song or album automatically sounds iconic when it's got Elvis' voice on it. This particular one lacks any of his especially memorable tracks (save maybe "In the Ghetto") but I enjoyed it nonetheless.

Overly long with a plot that would be impossible to understand without the Wikipedia page, this was still way more enjoyable than I expected. Pinball Wizard also has one of my favorite guitar intros in all of rock history. Have to give credit to what The Who was able to pull off here, warts and all.

Never has my 3 years of high school French felt so useless.

A pleasant, if unremarkable, listen. The most interesting part is that (aside from 1-2 tracks) this album could have been made in almost any decade. I actually was thinking it was a late 90s/early 00s album at first, then started wondering if it was from the 60s. Turns out it came out in '89.

Just listening to this without context, I thought it was just OK- a cool funky beat with some nice saxophone instrumentation, but gets overly long and repetitive. ... but after reading the Wikipedia page and understanding the real-life consequences of this album (led to the Nigerian head-of-state sending an army to attack Fela Kuti's compound and murdering his mother), it takes on some extra weight. Puts into perspective the serious risks this guy took (and the price he paid) compared to the American musicians putting out anti-war protest songs in the 60s.

Bring the Pain is solid, the rest was meh.

Not an artist I was that familiar with, but I liked this album. Reminded me of late-stage Beatles with a bit of Dylan sprinkled in.

Look, Mariah undeniably has a great voice and that's on display here. And if one of these tracks popped up while I was shopping, or on hold for some company's customer service, I'd be fine with it. But listening to 1 hour straight of what felt like essentially the same song was more than I could take.

Not much to say here. Beautiful album by one of my favorite bands.

About the most classic of classic rock. While the sound would be built on by artists to come later, this album still holds its own with a couple particularly iconic tracks.

As someone who generally favors the 80s U2 albums, I actually really enjoyed this listen. Pretty impressive that they undertook such a shift from their previous sound and still managed to produce some absolute classics like "One" and "Mysterious Ways".

Apropos album title- some nice jazzy instrumentals interspersed with melancholic singing. Not bad.

I've heard several of these tracks countless times, and many are among my favorite songs from this era. I don't know that I had ever listened to this album straight through, though, and it was surprising at times. The synth sounds on "Save the Life of My Child", and the cohesion of the Side A tracks compared to the relative disjointedness of Side B was unexpected.

This one was just alright. Reminiscent of some sounds the Beatles had already done (better) on Sgt Pepper, nothing that really stuck out as particularly memorable.

Pretty on-the-nose name for an album. My reaction can probably best be summarized as "yep, that's what jazz samba sounds like". Pleasant enough as background music, but not something I'm going to seek out.

Loved this, just pure unfiltered rock energy from start to finish.

Every once in a while I get reminded that I should probably listen to Muse more than I do. This album served as the most recent such reminder.

Classic thrash metal. Not my typical genre of choice, though I do appreciate the energy.

Really, really liked this one. A couple big hits (Heart of Glass the most well-known) but I enjoyed the other tracks as well.

This is a great album that I haven't listened to in a long time. A couple tracks (most notably Take Me Out) got a good bit of radio play during my college days, but the rest of this album is really solid too.

Solid set of tracks, but I feel that including a compilation album here is sort of cheating.

This was decent, gets a bit repetitive but I liked "I Never Asked to Be Your Mountain".

I liked this one more than the other Fela Kuti album on here. Good background music, still not the sort of thing I'm going to seek out to listen to in the future.

One of, if not the, best rock albums of this century. That includes probably the most recognizable guitar riff of the last 30 years in Seven Nation Army. "Ball and Biscuit" is also a personal favorite.

Great album to showcase the best vocalist of the last 20 years. The range and power of Adele's voice is amazing, and I love the raw emotion and vulnerability in the lyrics on several of these tracks.

As far as I can tell, "post-punk" basically means 80s-era bands throwing stuff against the wall to see what sticks. Some of it works beautifully, some it is trash, but most of it (like this album) oscillates between "weirdly compelling" and "unpleasant to the ears".

Love this album. So many absolute monster hits, and perfectly captures the 90s punk aesthetic. I was too young to appreciate it when it first came out, but when I started listening to punk rock about 5 years after this (around the time Green Day had a resurgence) it still loomed large.

I've often heard Pavement (and this album specifically) listed as one of the biggest influences of some of the 90s/00s indie bands I really like. I can see where those influences lie, and there's a couple songs on here I do really like, but the album as a whole is just too uneven with a couple legitimately awful tracks.

I'm not the biggest fan of extended "jam band" live albums, but I have to admit I did like this one pretty well. My main issue with it is that it just... keeps... going, and I'm not sure what the destination is.

I love Pink Floyd, and while this is not my favorite of their albums from this period, that's an extremely high bar to clear. Sure, this one drags a little in the middle and is not nearly as tight as their best albums (an 80 minute runtime will do that). But it still contains some of my absolute favorite music ever created, including not one but two of the best guitar solos of all time on a single track (Comfortably Numb).

This was alright. I know Elvis Costello is very influential (and is going to pop up a lot in this list) but this album felt like it was all over the place and honestly just didn't do a lot for me.

I wish I could appreciate jazz more, but it rarely does a whole lot for me. This album was more of the same- enjoyable as background music, and this one has some unique sounds that got my attention, but just not my favorite style.

I enjoyed this one pretty well, doesn't have the super iconic tracks like some of the later metal albums it inspired, but I can see where those were influenced by this one.

I liked this better than most jazz albums, but I still have a hard time fully getting into it.

Over 130 albums into this project, and finally I get my first Beatles album. This is a great one to start with, as it shows them early in the process of maturing from mostly covers to fully original songwriting. And it starts with probably the most iconic and recognizable single chord to kick off any album, ever.

Not my cup of tea.

Listening to this I can see the neon lights on Fremont Street and hear the slot machines dinging in the background. I don't listen to much swing, but this was really fun.

This one just doesn't do much for me.

I think 'Ye has always been better as a producer/artist than an MC, and that is true on his debut album here too. I do like some of the tracks that he explores spirituality (which was so different from anything else in the rap genre at the time), but overall this album doesn't rate as one of my favorites.

This was a fun listen. I've not listened to a lot of prog-rock outside of Pink Floyd and Rush has always been right at the periphery of my musical tastes. Lots of good stuff on this one though.

Very familiar with this album, as it was on a frequent rotation for me back in my college days. "Do You Realize??" is one of my favorite indie rock tracks ever (was pleasantly surprised when it popped up in the latest GotG movie).

A couple interesting tracks, but just OK for me overall.

A couple pretty catchy songs, but overall felt this was just another relatively forgettable "new wave" album.

Not as rich as some of their later albums, but still a great listen. Does a good job of capturing the manic, upbeat energy I associate with early Beatlemania.

Fantastic album, southern rock at its finest.

Catchy tunes throughout, with some rather sinister lyrics that make it more memorable than a lot of similar albums.

Apparently Ministry is in a similar echelon of \"industrial rock\"/thrash metal with NIN and Rammstein, but I'm way less familiar with their music compared to those other groups. Still, I enjoyed this more than I thought I would.

I'm not a fan of shoegaze, and this only helped confirm that opinion. I honestly thought the stream had glitched at a couple points. Distortion can be artfully done, but its use here just felt antagonistic. Giving this 2* only because the latter half could be decent background music if you're feeling particularly melancholic.

Really liked this one- great beat and bass-lines with a real jazz feel mixed with some of the smoothest flows from any hip-hop album I've heard. The lyrics seem a bit dated now at times, but honestly that kind of adds to the charm.

Another fantastic album by CCR. Enjoyed it from start to finish, very tight and no filler whatsoever.

The last album I got before this one was a CCR record, and in the course of reading about that one I stumbled on this quote from John Fogerty: "I didn't like the idea of those acid-rock, 45-minute guitar solos. I thought music should get to the point a little more quickly than that." Pretty funny then that I got this album the next day, which is probably the purest form of what he was criticizing. While I can understand the appeal, and there's some interesting stuff on here, I'm with Fogerty on this one.

This was alright, the unique feel from the horns at least helped distinguish it from other like-sounding new wave albums.

I liked this one, very 90s hip-hop feel to it.

Solid album- has a couple of my favorite Dylan tunes, though unlike a few of his top-shelf albums it does have some tracks that just don't land for me.

This one was good, outside of the title track I didn't recognize most of these songs but I liked them.

Had never heard of these guys before, but this was a fun one.

One of the all-time greats! Absolutely love this album, especially the guitar work on the title track.

I liked it, it's like a window into another time.

I have to credit the staying power of a couple of these songs- as I write this, nearly 40 years after this album came out, the current #1 movie in the box office features "Everybody Wants to Rule the World" quite prominently. But outside that and "Shout", I found the rest of the album to be pretty average.

Great album, I loved the first half of it especially. Eddie's guitar is definitely the star of the show.

I didn't enjoy this one as much as their other album in the list, it just didn't have any songs that grabbed me like that one did.

Meh, this just doesn't do anything for me. Detroit Rock City is a decent song, but the rest of it is just... nothing special.

Wow, this took me off-guard. Had never heard any of this before, and I enjoyed every minute of it.

I've never been all that big on Meat Loaf (the dish or the musician), but there are some stone-cold classics on here. These rock ballads with a great vocalist are the sort of music that just never gets made anymore, and I think that's too bad.

I know this is a seminal album for hip-hop, and it does have a nice laid-back, R&B-feel to it. Plus I like the message and emotion behind the lyrics throughout. There's just not a lot of songs here that really stick in my brain the way some others do.

Ghostface does a good job creating some interesting stories, and is very talented lyrically. I just feel like the gansta rap thing had kind of run its course by this point, and this one starts to wear out its welcome partway through.

Great singer, wonderful energy, really solid album.

Pretty solid, but not spectacular, 90s alt rock album. Really enjoyed the first couple songs on this one, but there wasn't enough in the back half to make me rate it that highly.

I enjoyed this a lot more than I thought I was going to, really pleasant vibe and good background music.

I had no idea what to expect from this, and was pleasantly surprised. Probably not something I would listen to on repeat, but it had some nice grooves to it.

I'm familiar with a couple of the Byrds' big hits from the mid-60s, but had not heard most of this album before. I thought it was very solid, though the random acid-trip breaks in the middle of a couple songs wear a little thin.

Great album with a couple massive hits. "Papa was a Rolling Stone" is one of my favorite songs to ever come out of Motown.

I guess we had to get a Sinatra album eventually. I didn't hate it, it has a definite charm to it- but I'm sure glad this isn't where popular music peaked.

Not my favorite songs by the Beastie Boys, but the production with the layered samples and how well they work together is pretty astounding. This is one of the few albums on the list that I think truly could not be made today, just based on the licensing costs it would incur alone.

Quintessential 90s alt rock. Lots of nostalgia here, and the sound still holds up even if the album might get a bit long.

A charming, pleasant listen.

I've always preferred CSN to any of the solo efforts from that trio, and this one didn't change my mind. Still had some pretty interesting tracks though, so I didn't hate it, but not one that rises to the top for me.

A couple solid classics here on a good, tight funk/soul album.

The title track really stands out here, I love the sound and underlying story. But not much else on this album really gets me that excited.

Apt name for this album, some old-school rock with an R&B/soul feel to it. Enjoyed this one.

Listening to this is like being stuck on Space Mountain, in the dark, right before the ride is about to actually start. The music (effectively) sets a tone, and gets you ready for *something*, anything, to happen, but it never does.

Great, lean album with no filler.

A solid, but unspectacular, entry on this list. There's a lot of 90's/00's indie groups (whom I really like) that clearly took some inspiration from these guys, but I don't get quite as much from this one.

Another great golden age hip-hop album. This one looms larger than most, with some monster hits that have stood the test of time.

I liked this one, I of course knew "Son of a Preacher Man" which is a great song, but most of the rest was new to me.

I liked this one a good bit more than I expected to. Nothing about the genre in general (or Bjork in particular) appeals to my musical tastes, but somehow this album just kind of works. It's full of melancholy, beautiful in places, and vulnerable.

A decent golden age hip-hop album, but not one that really stands out for me.

Had never heard of these guys before, but this was a pretty solid album.

Nostalgia does a lot of the heavy lifting here, but I was the prime age to enjoy this when it came out and I still do.

A band that I had heard of but never made it a point to listen to. I really liked this one though, the guitar harmonics are really beautiful and I like the simplicity of the production. This is one I'll probably return to.

Captures that same raw, bluesy energy from the Beatles earliest albums. I like the original songs on here ("Strychnine" and "The Witch" stand out particularly) but most of it is treading old ground with well-covered songs from the time.

Had no idea what to expect from this one, but I ended up enjoying it well enough. It's like a mix of Skynard (who gets referenced more than their fair share) and Tom Petty with some extra social commentary thrown in for fun. It's not the best southern rock I've heard, but it's far from the worst. I just wish it wasn't 90 minutes long.

There's a lot of heavy metal out there that I like, but the only thing that distinguishes this one is the so-over-the-top-it-has-to-be-parody-right Satanic lyrics. It's almost funny in its ridiculousness, but the fact that it spawned a whole subgenre of music that is responsible for some legitimately awful stuff is enough to keep from just dismissing it out of hand.

Well I'm a sucker for 00s-10s indie folk, so this one is right up my alley. The lyrics, the instrumentals, and the harmonies are just so good.

Pure 80s pop bliss. So many of these have stood the test of time, and are an essential part of any soundtrack for any media set in that decade.

Starts out on a really solid note with "Rise Above", with a couple other bangers scattered throughout ("TV Party", "Six Pack") but the back half starts to get a little grating and repetitive (even with the short runtime).

I think I like Eno better when he's producing for other artists. There just wasn't much here that captured my attention.

Classic old-school hip-hop.

I've never been a huge fan of Prince, but I can't deny his talent in producing massively popular pop songs. There's some classics on here, but did it really have to be a double album? The back half really drags in my opinion.

I was first introduced to RATM from watching The Matrix a few years after this albums came out, and hearing "Wake Up" for the first time probably marked the beginning of my foray into this genre. Lots to like on here, and bonus points for one of the more affecting album covers I've seen.

Pretty run-of-the-mill early 00s album that has a few nice beats but nothing special.

Awesome album from one of the best singer-songwriters of all time.

Björk is one of those artists that I'm glad exists, simply because I think you need people like this to come along and challenge musical conventions every once in a while. I admire her creativity and boldness in that regard. Unfortunately for me as the listener, it turns out a lot of those conventions exist for a reason, as this weird, confusing, disjointed album shows.

Solid album from a fantastic singer.

Early 80s new wave synth-pop is just not my jam, but I liked this one better than I expected. I knew some of the bigger hits from it, but I think the standout track for me was The Chauffeur.

I love Radiohead, but this is my least favorite of their albums on this list. Still a good listen, just not to the level of their better efforts.

Didn't love it, some catchy sections here and there but overall I thought it was pretty boring.

"Xtina" has great talent, obviously, and I remember this one being when she started to really break out of the teeny-bop image. It has several good pop songs, maybe even a couple great ones ("Beautiful" and "Fighter" still get tons of play 20 years later). But man, going through this list has made me realize how much the invention of the CD caused serious runtime bloat to albums. This one is about 8 songs too long.

Much, much better than the last Kate Bush album on here.

Not quite to the level of his work on White Stripes, but still a lot to like here.

This was OK, got a little repetitive after a while with nothing really that memorable.

Not terrible, but IMO doesn't stand up well to most of the other hip-hop albums on this list from that same era.

I liked this one just OK, not sure baroque pop is to my taste.

It's very different, and I didn't hate it. Didn't love it either.

A very, very popular album from my youth. Still holds up really well.

Classic UK punk rock, pretty fun.

Oh, more British punk rock. I liked this one, especially "Noise, Noise, Noise".

Didn't know this one, but there's a lot of well-known songs on here that have been covered extensively. Impressive collection of songs.

Some absolute classics on this one, probably the peak of 90's "Britpop" and one that I listened to a *lot* in high school and beyond. Anyway, here's Wonderwall.

This was fine, just unremarkable.

I liked this more than I expected to, late stage 80s (really early 90s) synth-pop.

Not bad, a little morose but I enjoyed it.

Good music, great energy, all around a classic.

A fun, upbeat album. Really liked the sound on this one.

I liked the soulful sound on this one. Had a hard time connecting to any of the lyrics, which I guess is to be expected as it says pretty explicitly that it's not "for me". Oh well, still a pretty interesting listen.

I can see where later Britpop bands get their inspiration from here, but this one just doesn't have the same appeal (or hit songs) that those others have going for them.

I think this one would probably grow on me with time, as it is I liked it fine but didn't find anything particular memorable that elevates it above a lot of other 90's indie rock.

I get the appeal, it's definitely got a beat and you can dance to it. The repetitiveness just gets to me, and that's why I can never get into techno. Still, I have to give this one props for having a couple huge hits that got way more airplay than I'd expect from this type of album back in the 90s.

This was an impressive listen, a mish-mash of different genres and influences from all over the place, but it all somehow comes together and just works.

It's fine as background music, it's just not really to my taste.

Sounds a bit like Springsteen if he just took a sleeping pill.

Beautiful album with some of my favorite folk/folk rock songs of all time.

The only jazz album I really listen to on a regular basis. Just an all-time great.

Great sound, with some really catchy songs. One of the "new wave" bands that really transcended the sounds of the day.

This is enjoyable, just not particularly memorable outside a couple of tracks that have filtered down through the years and still got regular airplay. Not enough here to get me overly excited about it.

I like the raw, early grunge sound. Outside of "Blister in the Sun" though, none of the tracks really stood out as particularly memorable.

Love this album, one where the legacy speaks for itself but it's such a great listen too.

Just an all-around pleasure to listen to, so soothing to listen to and an interesting contrast to something like Kind of Blue where the brass tend to command attention.

I expected to hate this one, and while it still wouldn't rate high on a list of albums I'd be listening to on purpose, I have to acknowledge there's some real artistry here. Plus the way this music was just showing up *everywhere* in the early 00s says something about its mass appeal (as background for car ads if nothing else).

It's fun to hear something with this much raw, punk energy from such an early album. Really liked this one.

Decent classic Brit rock from a band I knew little about, "Feelin' Alright" was the only one I was already familiar with.

Iconic, immediately transports you to a very distinct time and place.

Love their sound, and what an impressive debut album. I hadn't heard much of these outside "Sultans of Swing" but I really enjoyed it.

I didn't expect to like this one. The lyrics are cringey in places and sexist/overly hedonistic throughout, and it lacks some of the fire behind the more "conscious" rap. But Snoop's flow and Dre's production still makes it a fun listen in places.

Wow, this list-maker really likes Elvis Costello. Like his other entries here, this was a solid if unspectacular album.