I've listened to enough Afro/Soul-Funk to know that I can only really enjoy about 25 minutes of it. But I can see both the inspiration and the novelty of this album. But Suite II Overture was my favorite part and it was obviously the only non-pop-funk song on the album lol

Starts off strong, rocks hard, and then runs on for about an hour too long.

What a pleasant and optimistic lil album

On the first song, I really thought they were saying "Alex I see you" which creeped me out. This album breaks the stereotype of the 80s new wave pop album. Lust to Love is low-key punk? The fact that this album came out in early 1980s and yet boring 80s pop still dominated the decade baffles me.

The songs get a little too repetitive for me, but bonus points because sonically it has that signature Nirvana excitement. Also how does Nirvana have like 2 albums yet they still repeat guitar riffs?

I'm sort of shocked this made it into the top 1000 albums given that it's pretty generic rock. Not that they are perfectly comparable since Kings of Leon has more of a Southern spin, but aren't there like 3 Red Hot Chili Pepper albums better than this?

This album is actually one song too short, I'd love to have a little bit more. Great album artwork, I like to think that I'm the clown in the suit sitting with the pigeons in the gutter. Also listening to some of War's other albums this weekend, I discovered that they are the creators of the George Lopez shoe's theme song. I would've never guessed, the vocal distortion / lack of soulful singing in that song is a total shift from the rest of their work on TWIAG and Why Can't We Be Friends?

I apologize to vaasavi and the vaasavis and Bruce Springsteen and his family for my lack of professionalism. I did not direct my full attention to this album. Unfortunately, I find it far too boring to relisten. Springsteen is one of those artists where Americans are forced to listen to him in many situations, and while he has some really well written songs, listening to full albums can feel like pop-rock torture.

The influence of Joy Division on more modern music is incredible. I don't pick them up often because I think some of the bands they influenced down the line are more interesting, but I always enjoy diving back in. How good is 24 Hours? 4/5

I'm a big jazz fan yet I don't see why this in particular was recommended. There is a nice blend of smooth jazz, a little bit of bop, and a small tad of scooby-doo searching through an old creepy cellar music (Sameeda). I still enjoyed it (3.5 / 5), but I would like an explanation for why this was selected. Can I speak to the manager?

Oasis may be a meme, but they can really rock. Supersonic and a few other songs are just flirting with that same early-90s space rock revival sound that the Verve were perfecting on A Storm In Heaven and A Northern Soul. Oasis just didn't lean into the distortion as much as other bands during this time which is probably why they came out of the decade as the most popular. 4/5

I love Songs in the Key of Life, but this wasn't as enthralling for me. I do wonder if people who use to listen to Stevie Wonder all the time were just happier people. I always picture a group of people smiling and dancing next to the a record player when I listen to his albums. 3.5 / 5 rounded up to a 4 because I REALLY like Songs in the Key of Life

I effing love this album, it has so much excitement, passion, and a big sound. And that isn't just me being a nostalgic millenial because foremost, I am not a millenial. And also because I only started listening to this album in 2019.

I'm not gonna argue that this is in the same realm as All Things Must Pass - but I don't think they need to be compared (though the jab at George's religion in I Found Out is unnecessary). Both John and George are drawing great elements from late Beatles sounds. John has that funk-rock positivity that I love. This album rocks in simplicity. Does anyone else think Remember sounds a lot like I Dig Love?

I can't quite put my finger on it (though the album cover is a big contributing factor), but I find this dude creepy. Him singing about hooking up on moondance gives some serious pervert vibes to me. However, this album is infinitely better than Astral Weeks, I respect how much his sound and lyrics evolved from that garbage can. 4/5

if this inspired Godspeed! then I will acknowledge it's contribution. But listening to this out of context, it has moments of intrigue tempered by moments of blandness. 3.5 rounded to a 3

I don't have much to say, this was just really nice to listen to

This is the only Stones album I listen to because it's got all you'd ever want on it. Gimme Shelter is an all time banger, the twang in Love In Vain, You Can't Always Get What You Want is a Glee Cast classic ... hit after hit 5/5

sergeant pepper wanna be. honestly though, there were some enjoyable songs on this album - when i was ready to move on with my life, Walking Through My Dreams pulled me back in. 3.5 rounded down to 3.

That's one manic cat singing up there, 3/5

Similar to the Killer's, there isn't anything bad here but by the end I'm bored 2/5

This song rocks harder and is more engaging than other rock albums we've listened to imo, plus they bring in that the Doors-era psych spin to their music, so 4/5

What was it about pre-00s male artists that love writing songs about "stupid" or "dumb" girls"? Rolling Stones, Neil Young & Crazy Horse, Run-DMC... the only worse trend was referring to sexual partners as "little girl", i.e. in Going Home, he says "touch me one more time ... little girl". The ablum has some good jingles (Doncha Bother Me, Going Home), but some songs are just grinding to listen to (Out Of Time is a 5:30 song that is 4 minutes too long). Yet, I have to give this credit for sounding like the early 70s in the mid 60s. Clearly this album was influential to rock and roll. 3/5