Reviews (page 9 of 16)
Really good album by Rush with classics on it.
NO puedo con Rush, me parecen un soberano peñazo. Insoportables de principio a fin. Virtuosismo hueco, rollo intelectualoide sin ningún sentido. Este Moving pictures es un disco muy bien considerado, más de 4 millon es de copias vendidas y en las listas de mejores álbumes de siempre. Sin embargo lo único que agradezco es su corta duración, 20 minutos por cada cara, un alivio. Si Tom Sawyer y YYZ son lo mejor que tienen, no están hechos para mis oidos. NO hace falta escucharlo una vez en la vida, no he llegado a hacerlo, me he ahorrado parte del viaje y no me arrepiento.
Self indulgent prog rock.
10/10. This is one of the most exquisite albums of progressive rock, and of Canadian music. As a Canadian, I am really happy to share a country with the beast that is Rush. I'm a sucker for odd time signatures. The drumming is incredible. The guitar is awesome. The bass is amazing. I love the vocals. Rush is goated!!! :)
The prog daddies :)
Not a band I've ever really got into or listened to much but this was a very pleasant surprise.
- Surprised by how much I liked a couple of tracks on the first half of the album. "Red Barchetta" is unquestionably fun and "Limelight" is poignant without feeling pretentious. "Tom Sawyer" is fine; too much keyboard for my taste. - Very much lose interest in the latter half. Not a huge prog rock fan to begin with and the more electronic elements began to grid on my nerves.
Meni su rush super. Je da su počeli ko kopija Led zeppelina, je da je im je ayn rand najveći utjecaj na tekstove i koncepte, ali su baš sve što glupi prog rock bend treba bit pretencioznim i zabavni - primjer pre četri pjesme ovdje posebno tom sawwyer i limelight
👍
This was pretty good.
M'han gasato
Yes
what's not to like
This is #day221 of my #1001albumsyoumusthearbeforeyoudie challenge, and... when I said I was looking forward to this day, I didn’t mean I was looking forward to another progressive rock entry. Thanks to this challenge, I realized that this is one of my least favorite rock genres. There are exceptions, like Pink Floyd, but I've never considered them pure progressive rock, more like art or psychedelic rock, and beyond. Now, Moving Pictures... I like the album artwork, but this is where it all ends. This over-technicality of the music leaves me completely cold. Also, I'm not a fan of the vocals, especially when the guy hits higher notes and ends up squealing. This is a 2 out of 5. Looking forward to #day222. I really mean it.
rush rocks
I cant stand Getty Lee's voice. And generally dont like rush. But that was pretty good. I think their most popular songs might be thr worst ones
My rating of In The Court Of The Crimson King basically applies to this album as well. I think I prefer this one though, Rush have a really great way of doing upbeat sounding prog and it just sticks in the mind more. The album as a whole has more memorable riffs and is more consistent.
Generational album right here. Maybe a little front loaded, but I’ll be damned if it’s not got one of the best 3 songs to open an album with. The vibe is so clear here throughout, a total time capsule of an album. Red Barchetta is so clearly a song about a car even without knowing the title or hearing any lyrics. It’s got the Splash Wave from Outrun thing where it’s almost got a countdown built in to it as you start driving & then the core of the song hits right as you turn into a beautiful view. Iconic is a word I’ve been trying not to use much here, but if there’s an album to drop it on this is the one.
Going into this I was worried it's actually a 4 cause in my head the album is front loaded. (It is, but) the only reason I think of it as front-loaded is because those first 4 songs are all Rush at their absolute best. On revisit I am sad to report I have been grossly neglecting Witch Hunt and especially Camera Eye, though Vital Signs is still kind of a weak ending to the album. With most of this album being a new 80s sleek sound for Rush I think Camera Eye here sounds the most Rush-like so coming back to it again has been excellent. This album isn't just sensational but I'd argue, moreso, inspirational. Peart, Geddy, and Lifeson inspired generations of people to pick up instruments because of this album. Hell, I still want a Rickenbacker because of this. I'm not gonna pretend I can perfectly play YYZ but every time I have sat down at a drumkit I have tried to play that song every time, granted with at most half of Peart's kit. Highlight: Camera Eye
I don't know much about Rush but this seems like a good first album. Tom Sawyer is great and shows what they can do at their best. There's some cool prog breakdowns in this and it got me pretty amped for my bike ride.
Rush is a polarizing band but it was this era that I think was the most accessible to anyone, not just those of us that like a lot of technical musicianship and men with high pitched voices. The first 4 tracks are all classic Rush songs, staples of classic rock radio, and ultimate Dad Rock anthems. Not even the mangling of the pronunciation of "barchetta" by Geddy Lee can make me annoyed by any of it. I love that that song in particular is unashamedly nerdy. It's based on some random work of sci fi writing about a future where gas engines are eliminated and the cops chase you around in flying cars to stop you from polluting. Just pure dork shit. The last three tracks are less in your face, and "The Camera Eye" in particular is one of those songs where the three of them just give in to progressive rock moves and keep playing on and on and on. Not a bad thing when you're this talented, but not for everyone. This might be my favorite Rush album but I wouldn't put all the tracks on my personal greatest hits collection. That's one of the great things about Rush - their sound evolved without too much deviation from themselves, so you get the various eras of the band throughout their insanely long career while knowing that it couldn't possibly be anyone else. Anyway I obviously liked this. If I could give a 4.75 I would, but I'll round up.
Some big tunes on this guy. All the songs I think of when I think of Rush. I'm not their biggest fan but I was happy to see this in rotation. YYZ has a killer drum solo.
Not my fav group but undeniably talented
my friend’s dad has been telling me to listen to Rush
I just…don’t care
I like “Tom Sawyer,” this was not equally interesting to me throughout
2.6 not my favorite Rush album.
what ever
I secretly love a bit of Rush, they should be a lot of things I don't like about 80s rock but there's so much good in there too.
This is too much of everything. Show-off musicianship. Mediocre, self-important lyrics. 80s production. 80s song structures and melodies. Wow. This is truly terrible. Truly, truly.
This sounds like an arcade game!
kinda like it??
Already familiar with a few of the tracks on this album. It was good to listen to it in its entirety. Rush always remind me of The Limelight & 2112 rock clubs in Crewe where I hung out sometimes in my youth, so this was a bit nostalgic to hear.
Hells yeah, I have been looking forward to this. I am a fan of tool but I know Rush is like the grand-daddy of prog-rock
I only knew YYZ - it as classic amongst bassists (not that I can play it). So I was expecting a lot from this album. It is as well made as I expected. Clever prog rock, played with virtuosity. It also leaves me stone cold.
I only really know Rush because of my favorite movie ever, "I Love You, Man," with Paul Rudd (my bitch) and Jason Segel (also my bitch). They do "Tom Sawyer"! It rocks! Also, shout out to "Waterslide" by the Bonedaddys, which is another GREAT pick from that movie's soundtrack. Also, Pavement's Geddy Lee line -- "What about the voice of Geddy Lee? How did it get so high? I wonder if he speaks like an ordinary guy." "I know him, and he does." "And you're my fact-checkin' cuz." So adorable! And his voice IS very high. Almost comically so. This is a cool album cover and I like Tom Sawyer, so I think I will like this album. And I do -- I found myself thinking "Wow, this is REALLY good" a lot and I do think I'll listen to this album again. Many times, maybe. I don't know how much I like Geddy Lee's ridiculous voice, but it's ok, I think it'll grow on me. Red Barchetta was fire. 4.5 ish?
Classic progressive rock album. No skip album. A lot of people may claim bias, but honestly I never grew up with rush. But if you like progressive rock, this album has it all. It’s got my two of my most important aspects of an album, it’s relatively short, and most importantly, it’s got variety. If someone had never heard of rush or progressive music, this would be the album I would give them.
Kinda forgettable
Ah the age old struggle to like RUSH, intensely irritated by the Tom Sawyer opener (have always disliked that track, a hard skip if it pops up in a playlist), I just can't vibe with RUSH very well, not my kind of jam, I like progressive rock but not the borderline cheesy stuff like this, Witch Hunt is probably the best track, ⭐⭐⭐
Such fenominal music from only 3 band members.
Headbangingly dull.
An optimal example of the proficiency of Neil Pert, the hard hitting drums drive this album. Also Geddy Lee's best vocal display (in my opinion). This truly is the quintessential Ruush album.
Geddy’s voice is a net negative, but it’s not unlistenable. The album is pretty entertaining.
Previously rated: 2112 (4/5) ********************** It's got several radio hits and some good deep cuts. It's hard not to like unless you hate Geddy Lee's voice (understandable) or the Libertarian-ish lyrics.
En ollut aiemmin kuunnellut tätä levyä, vaikka olen kuunnellut paljon Beatlesia. Hyvä, ei oma suosikki.
not that good like a 2.7 but i’ll round to 3
Not my favourite
Nice enough 3/5
😀
Enjoyed it!
The nerds got something right here
The thing I admire most about Rush is that they were never afraid to try new stuff. You get such a fresh twist on typical dad-rock music with all the added synth textures, guitar effects, genre infusions, and incredible technical songwriting. I think that's what really makes this record shine. You get these three amazing musicians, all pushing the boundaries, and creating something far greater than the sum of its parts. It feels new, and ultimately timeless. Did anybody else ever play All-Pro Football 2K8? No? That's where I first heard Rush. Tom Sawyer has been one of the greatest songs of all time since then. It's a rite of passage for all 10-year-olds in my book. Listening to this, I was just absolutely captivated once again when that first synth stab hits. I've heard most of these songs before, and they still were so fun to revisit. 10/10
I'm a reluctant fan.
I dig it.
A 7
Pristine prog rock from the undisputed Kings of the genre. What else is there to say about this one?
Like meticulous cinematographers, Rush frames each track on Moving Pictures with impeccable technique and artistic vision to create an album where technical wizardry serves storytelling, and seven distinct compositions form a singular, cohesive masterwork.
Loved it
I love this albumm! all the songs are good my favs are limelight, the camera eye but theyre all good
Complicated rock Expertly played That makes you feel nothing Except a desire for him to stop singing
Rush just isn't my thing.
Tom Sawyer is such an upbeat yet calming song. Truly perfect for all situations. 10/10 Red Barchetta is a fun dancing song, I can totally see it being played at school dances in the 80s. 10/10. YYZ is definitely one of those songs you “air drum” to. And I am SO here for it! 10/10 I don’t know how to explain it but Limelight gives off Surender x Under Pressure vibes. I am LOVING this man’s vocals. 10/10 The Camera Eye is slow at first but picks up BIG TIME. Worth the ten minutes 10/10 Witch Hunt gave cool magic vibes and I was here for it 10/10 Vital signs had a techno beat and it reminded me of a song that would be in TTG. Lowkey digging it. 10/10 5/5
Fun, but ultimately wouldn't replay this, and in comparison to other albums in this genre, just not quite making the 4. Would give 3.5 though
love these little freaks
Great drums, beat, lyrics, etc. Not a great time though.
It's an okay early 80s prog rock. But not something I seem myself coming back to.
Oh
If you haven't already listened to this, I am so jealous that you get to listen to it for the first time. Put it on the best speakers or headphones you have access to, turn it up as loud as you can tolerate, and enjoy.
Fantastic from start to finish
One of my favorites ever. Perched in the perfect place between long-form artistic ‘70s and pithy, synthesized ‘80s, this masterpiece never gets old. I won’t lie, it took me a long time to get Rush, but once I did I realized that I had been transformed forever.
Jeden z tych albumów, które nie są złe, pewnie nawet nie są przeciętne, nie są też nudne, ale są tak zapominalne. Prog rock jest jak filmy wojenne - wszystkie takie same i trzeba być wybitnym, aby się wyróżnić na ich tle. Ten zespół wybitny nie jest. 6/10
Absolute banger. I can't really say anything bad about this album in all honesty. The guitar tone is good - sounds a lot like Dream Theater - the bass is absolutely fantastic and the riffs and solos are even better. His vocals are decent too - one of my favourite prog rock albums for sure. Standout tracks are Tom Sawyer and YYZ
Come on man
Great and historic
Very Rush
Liked it fine through "Limelight", but after that I was done with it. I don't mind Rush in small doses, but this proved yet again that I'm not into them enough to become a fan. Totally respect their influence on other artists though.
Really liked this actually! Yay Canadian band
Exceptional as expected - just a bit too short
Complex but accessable listening at the same time. They are all outstanding musicians, not an album I'll probably listen to often but will definitely come back to.
Very cool but not my thing.
Awesome album, moving pictures is iconic and has tons of great songs
This is another one that falls into the thing of "Let's put all the bangers we can market as singles (and YYZ, let's be real) on side one, and then on side two we can have the.............. rest." And like, when that works, that works (I mean, Hounds of Love is right there), and if you know me, you know how much I'll love an eleven-minute concept piece with splashy synths that sounds like you got Peter Gabriel to make an Ecco the Dolphin soundtrack, but Witch Hunt and Vital Signs just feel desperately inessential, and it makes it all a bit of an anticlimax.
All I've heard of Rush before was the best of album, but this seems to be the best of best of!
This is genuinely one of my favourite albums ever, and I don't care if that makes me biased - these guys are Canadian royalty for a reason! Some great arena prog rock, with offbeat storytelling and sheer technical mastery on each instrument, what's not to love?
Yeah! Synth! Crazy time signature on YYZ's intro. I should probably listen again
Songs are nice, not really sure what to say about this album because I didn't analyse it thoroughly. Some of the riffs are really cool. I don't really dig the singing, it feels kinda bland. However, I did love some of the guitar solos. I added 1/7 songs to my playlist, and liked the other ones. I think it deserves a 3/5
Des synthés et des caisses claires qui résonnent, bordel que j'aime pas les années 80.
Moving Pictures von Rush, ursprünglich 1981 veröffentlicht, gilt als eines der einflussreichsten Alben der kanadischen Rockband. Es verbindet Progressive Rock mit eingängigen Melodien und markiert einen wichtigen Wendepunkt in ihrer musikalischen Entwicklung. Die Band, bestehend aus Geddy Lee (Gesang, Bass), Alex Lifeson (Gitarre) und Neil Peart (Schlagzeug), schafft auf diesem Album eine Balance zwischen Komplexität und Zugänglichkeit. Das Album wurde hauptsächlich im Le Studio in Quebec aufgenommen, einem Ort, der für seine gute Akustik und technische Ausstattung bekannt war. Die Aufnahmequalität spiegelt die präzise und durchdachte Produktion wider, die die Band anstrebt. Produziert wurde es von Rush zusammen mit Terry Brown, der bereits bei früheren Alben der Band mitgewirkt hatte. Moving Pictures enthält einige der bekanntesten Stücke von Rush, darunter den Klassiker „Tom Sawyer“, der durch seine markante Synthesizer-Melodie und den kraftvollen Schlagzeugrhythmus zu einem Markenzeichen der Band wurde. Ein weiteres Highlight ist „Limelight“, das die Schwierigkeiten des Musikerlebens thematisiert, und „Red Barchetta“, das eine futuristische Geschichte erzählt. Diese Songs zeichnen sich durch ausgeklügelte Arrangements und einen klaren, technischen Sound aus, der typisch für die Band ist. Insgesamt bleibt Moving Pictures ein prägendes Werk, das sowohl Fans des Prog-Rocks als auch breitere Rock-Publikationen anspricht. Das Album bleibt ein Beispiel für die musikalische Meisterschaft von Rush und ihre Fähigkeit, komplexe musikalische Ideen auf zugängliche Weise umzusetzen. Moving Pictures ist ein solides und vielseitiges Album, das sowohl die technischen Fertigkeiten von Rush als auch deren Fähigkeit zur Melodienentwicklung in den Vordergrund stellt. Die Band hat mit diesem Werk ein Genre definiert und gleichzeitig einen breiten musikalischen Appeal geschaffen. Es ist ein unverzichtbares Album für Fans des Progressive Rock.
Never really my thing but I appreciate the 3 man band skills
Band and especially this record represent music I genuinely don't like but do so in a way I cannot find fault in. Few things here are the stuff my music-fan dreams are made of but still I have to admit to liking this record. Always had many friends who absolutely love the record so I guess it's ok if I still will not put this in my, say, top 500.
Forgot to listen
Very good Rock Album with no skips But that 10 minute song kills the good streak the album had Favorites- Tom Sawyer, Limelight, Red Barchetta Least Favorites- The Camera Eye, Vital signs
These men treat rock like it's their job. Not in a bad way; just they clock in, rock out, clock out. Geddy Lee doesn't sing as much as recite lyrics like an incantation. They're solid. They know each other. I have no idea of the history of the band, if they broke up, if they ended on good terms, etc. but they did a great job on this as a coherent unit.
3.5
The band Rush was previously unknown to me. Surprising, as I was into the prog rock genre. The band's sound is quite pleasing. It reminds me a lot of the Canadian band Saga. My brother was a fan of them in his youth and so I had to listen to this music all the time. At some point I just had enough. Maybe that's the reason why I'm not particularly enthusiastic about this album. 3/5
a childhood favourite band...
на разок
Desperately boring. 2 stars because it wasn’t annoying.
Love it.
dudes absolutely rock. this is awesome
IRON CLAWWWWW
7/10
Tom Sawyer is a great song but the rest is alright
Had fun listening to this one. Rock that doesn’t sound the same from song to song.
I sound like a broken record but YYZ and Tom Sawyer are perfect 5s and the rest just sound like worse YYZ and atom Sawyer.
I didn't think I'd like Rush as much as I did. Tom Sawyer and YYZ I've heard before, enjoyed playing those in Rock Band. But the rest of the album was pretty fun too. The Camera Eye was too long, that was the only dud. Otherwise, good album. Best song: Tom Sawyer
This is a very good album, not a single dud though I am reminded of Johnny Akins from the goldbergs 5/5
Buen disco, gran batería, aunque las canciones se parecen demasiado.
Rush is like the musical equivalent of mayonnaise. I don't really like mayonnaise. Best Song: Tom Sawyer Rating: 5.5/10 3 Stars
typisch Rush album... technisch vrij perfect, maar ergens mis ik toch iets...
I like progressive rock in general and the instrumental bits made it a worthwhile listen, not the biggest fan of his voice though.
7.5/10
Enjoyable album, some all time classic songs on there. Could have a bit more variability
Unfortunately it's not really my thing. I feel bad as I know it's been highly rated and all, but I struggle with this type of music. Would probably give it 2.5/5 if that was an option but 2 stars seems a bit too harsh. 1: 3/5 2: 3/5 3: 3.5/5 4: 3/5 5: 2/5 6: 2/5 7: 3.5/5 Average 2.86/5
Prog and 1980s soft rock aren’t my favourite genres, but put them together and you get… something that’s still not my cup of tea. Good drumming though.
"Catch the spirit, catch the spit" Wasn't much of a fan in 1981 and I still feel the same way. I'm feeling some bad sci-fi theme. They should read Sturgeon's Law. YYZ is good. While I know a song like Limelight, I was never curious about the band that recorded it.
Like a fine wine (nod to Gary/Geddy), this fine piece of craftsmanship only improves with time. All 3 musicians continue to improve and expand, it’s hard to believe 3 guys can create and replicate this live! The writing is solid, incredible bass lines, amazing guitar, and unimaginably sophisticated drums. Neil’s lyrics just keep getting better, how do they do it? Highlights for me have always been: Red Barchetta, Tom Sawyer, and YYZ (Toronto’ airport call letters) just blow me away.
Love me some Rush (Slappa da bass, mon!). I'm pretty sure this is the only album of theirs I've given a listen to before though it's been a while. The first side of this album is fantastic. All the songs are 5/5's, even YYZ which is just them jamming for almost 5 minutes. I feel like I don't need to expand on that further. The 2nd side lacks the punch that the 1st side had, but the songs here are still good. Witch Hunt was easily the best of the 3 songs. I felt pretty confident this would be a 5 heading into it and my expectations were met. Pound-for-pound, I'd put Rush up there with the best classic rock bands. Easily top-10 and maybe top-5 if I had to think about it. It's pretty incredible what these 3 men could create between them. This is a great record.
I'm sure there are loads of middle aged whites dads from north America that rock out to this album. Alas, I am not from north America, nor did I rock out.
3.5
rush is the most boring least proggy prog band and they suck lolipops
New to me, I liked some of this.
I never liked Rush
Great album. Brings back great memories with my first guitar teacher. Rush was his favorite band. I forgot how great of a bass player Geddy Lee is. Maybe I have more of an appreciation now that I play. His tone is one of my favorite rock bass tones ever. All of them are incredible musicians. RIP Neal Peart. I think my favorite is either Tom Sawyer or Red Barchetta. Drags on a bit in the back half but still some of the most interesting rock music out there.
2 sterne
The drummer is good.
Hell yeah
really not my favorite prog album but the praise it got got me rethinking if i should give it a relisten .I remember clearly i wasnt a big Tom Sawyer fan and nothing really amazed me . SOLID 7-LIGHT 8
THE Rush album.
I can just tell this guy got punched all the time in high school
- kurzweilig und dabei sehr unterhaltsam - wieder mal nicht wirklich hängengeblieben - so ein Mittelding irgendwie (2,5-2,75/5)
Not really my cup of tea but I get the appeal.
Some amazing moments... but all a bit pompous!
Limelight rules. Rush is a cool band but the types of kids wearing their shirts growing up were not lol. 4/5
Placebo alike
prog music < death in pain
My favorite Rush album. A bit front loaded but so good overall. Side 1 is basically all hits. YYZ and Tom Sawyer plus Limelight and Red Barchetta.
I was into it but nothing to write home about
Fire!
superb. epic game changer. the first record I bought with my own money in 1981. rode my bike 2 miles to buy it at peer records. iconic instant classic.
First of all, I love this. You can tell this is prog rock, yet the sound is very classic, especially the guitar tone and techniques they used, very 80s hard rock/metal. However, they managed to create a somewhat innovative and unconventional structure—at least a 4/5."Limelight" is beautiful.
Funny. I just referenced this album the other day when I said that I don’t like 95% of prog rock, and the other 5% is Rush. And this album is 90% of that 5%. YYZ is my favourite Rush song and my favourite thing to jam on in Rock Band as I pretend that I have a clue what these guys can do. And Neil Peart is god-tier all over this disc. While some of the other tracks trip some of my prog rock alarm bells, the majority pleases.
Bangers man. Rush is a great band and this is probably their best album. I base that on nothing. Still 4/5
Wow I am very impressed. So many good songs here. Very technical instrumentation as well. Witch hunt was very cool. YYZ uses a 7 time signature which is unusual but cool.
Some absolute classics and bangers on here, like Tom Sawyer, Limelight, and YYZ. The bombastic drums especially are irresistible. However, some of the album sounds dated 40+ years on, with very-‘80s synths and guitar solos making their appearances. Possibly it was many other bands imitating Rush - this album came out in ‘81 - but regardless, the sounds now carry a heavy whiff of cheese.
Some of the instrumental parts were okay and/or interesting for moments, but fuck me this album sucks and the vocalist is annoying
Three virtuoso musicians at their creative peak. "The Camera Eye" goes on a little longer than necessary, but other than that, there is not much to criticize.
this is peak and if you disagree you are no fun
Rush's music is fine. Their fans are the problem.
its a vibe. I really enjoyed it. nothing crazy but it was good.
Every track is a classic
Came out when I was senior in HS
Vocal não curti tanto. Baixo. YYZ bem bem boa. Baixo.
Amazing album, loved most songs. Would listen again
What a classic
Not a huge fan of Rush, but wow this was good!
ik my boss's boss is obsessed w this band. it was a p cool album. fave is yyz
Solid from start to finish with a few of their best in between.
This album was very good. I liked it more than I expected..
I loved it in the 80s and it hasn't faded a touch in the two score years since.
Ok, but not for me 2/5
The album that put them on the map. Side A is probably one of the five best album sides ever.
Tom Sawyer is an undisputed banger. But that’s about it unfortunately.
Love the first song, excited to hear more on my drive. absolute bangers all the way, for sure a relisten.
So annoying. Some cool sound effects like lasers. But the pretense is overwhelming.
I was really hoping that Rush was going to ‘Wow!’ me. In the search for ‘new’ music, my prog rock blind spot held hope for an undiscovered vein of old gold. But…I agree that, while technically pretty great, their music doesn’t get all the way from my ears to my soul.
Tough one for me- on the one hand I really want to like rush and when it’s on I do. However, it takes a lot for me to decide to listen to a rush album- there is still something about geddy’s voice that I just don’t jive with.
Mediocre rock that is presented quite simply, it lacks intensity and creativity. The vocals are an imposition.
Side A might be the greatest album side of all time. Side B ain't too shabby either. If you don't like Rush, you're suspect.
Tom Sawyer is a pure classic. I loved it. This highest rating Rush album I’ve heard so far.
Classic rock, meh
Björk is super cool, but there is a lack of a hook and is a very specific type of music.
Amazing album a classic rock must listen. Rush lays down iconic vocals strong instrumentals and creative writing in a masterpiece of work 9/10
"Moving Pictures" is the eighth studio album by Canadian rock band Rush. The album was produced by Rush and Tony Brown who was also involved in the songwriter. The resultant songs had music with a more radio-friendy sound and more concise and direct lyrics. Rush is Geddy Lee (bass, synths, vocals), Alex Lifeson (guitars, synths) and Neil Peart (drums, percussion, lyricist). The album had positive reviews and commercially did well hitting #3 in both the US and UK. Drums and a synth drone open the album on their signature song "Tom Sawyer." A deep bass, Peart's drums and a great guitar riff come next. There's a guitar solo, a fast-slow dynamic and a Peart drum onslaught for the outro. Peart took the literary rebel Tom Sawyer character motif and translated it to the purpose of the lyrics which is that there is a difference between what you see and what you really are. Alex Lifeson's high pitched guitar keys start "Red Barchetta." A melodic bass and guitar. They use that fast-slow dynamic in a song based on a short story about drving a fast red barchetta car and getting chased by the police. Nice detail in making the music sound like a car in spots. "YYZ" is an instrumental song named after the Toronto airport designation. This is a good song just to check out the dynamics of Neil Peart on the drums. The first side ends with "Limelight." A terrific guitar riff. It's melodic, catchy and definitely their most radio-friendly song. Peart wrote this about himself and his dissatisfaction with fame. Lots of little detailed references about Rush. "The Camera Eye" opens side two. The longest song at 10 minutes and split into two parts. The first part is mostly instrumental. The second part sounds a lot like "Red Barchetta." The lyrics simply talk about walking through NYC and London. Bells, an ominous synth and a heavy guitar start "The Witch Hunt." This is the third part of the Rush Fear series of songs with the the other songs on different Rush albums. A fantasy-like story about manipulating a mass of people by fear (Salem witch trials). The album closes with one of their more underrated songs in "Vital Signs." A synth sequencer and a slight reggae-sounding guitar. Well, the Police were big at the time. Lee with wobbly bass slaps and his most impassioned singing on the album. Sometimes you need to deviate from your norm. The first side of this album is one of my alltime favorite rock album sides. Even though I've listened a lot to this album, by doing the background research and ensuing listen, i have a much better appreciation of the second side specifically "Vital Signs." The band never sounded better. For the most part, the songs are tight with no excess. The drumming and bass are spectacular. Lifeson's guitar riffs are the best of his career. They continue their expansion into synths and it works. This is also my favorite Rush period with "Signals," "Moving Pictures" and "Grace Under Pressure" with this particular album being the apex. A classic rock album.
So many bangers on this album. I don't know the B-side of this well, but I'll likely give this a few more spins to remedy that soon. 4.5/5
Great album I've heard many times. They are unfuckwithable here. 4.5/5
This isn’t really prog and it isn’t really hard rock. This album is its own thing because Rush is its own thing. Rush is weird and nerdy and lame and cool and awful and amazing and pretentious and Libertarian and Canadian and beautiful and exciting and boring all at the same time. Rush is too complex to label. Every time you experience Rush, the band is something different depending of who you are at that moment. This isn’t my favorite Rush album but I still cannot deny what it is. I may like Da Vinci’s designs for a helicopter better than the Mona Lisa, but that doesn’t mean I’m going to say the Mona Lisa sucks. This album is Rush’s Mona Lisa.
oooh synth at the beginning the name sounds familiar but admittedly i don’t remember from where. i think they’re pretty popular the vocals are so high pitched lol i like the drums at the end of the first song i have a headache so i might not give this a good rating…
An easy no skip album, Canadian royalty and always interesting to listen to
Great album, but I probably wouldn't stick it on repeat. Tom Sawyer and YYZ are fantastic songs, the guitars and drumming are awesome throughout. I find the singer's voice a bit whiney, and the 10 minute song wasn't good enough to justify being that long. The final track was weirdly reggaeish which was kind of jarring after what preceeded it
Finally a Rush record and this one is easy. 5 stars can’t wait to listen to this gem as a whole collection again. Alex Lifeson is probably one of the most under appreciated guitar players. Love this record. Love this band. Wish I saw them live more than I did.
Don’t mind this at all- I would give this a 7/10, but don’t think it deserves 4 stars
Was fine
Brilliant album, the first 4 songs are straight out masterpieces
Not as repulsive as I was expecting. I can kinda see why people like these guys. I'm also pretty confident I'll never listen to this again.
Some classic key tracks
Obvious 5 star!
Classic Canadiana progrock
Nerds of the world, unite!
Great album, the lyrics didn't make me feel a lot of things but the instrumentation and vocal performance on the album was top tier and I really enjoyed the listen.
its music. there was one song that sounded like a bladee song at the beginning but i cant remember which one
After first listen, side A classic, side B needs a bit of time to get used to. Geddy's voice is fine.
Drums go brrrr
the energy and guitars on this are incredible, but I cannot get into the rush guy's voice
This album is often hailed as one of the band’s finest works, and after giving it a listen from start to finish, it's easy to see why. This album captures the pinnacle of Rush’s progressive rock evolution, offering a perfect blend of complex musicianship, thought-provoking lyrics, and rich, immersive soundscapes that make it a timeless classic. From the very first track, "Tom Sawyer," it’s clear that Rush is firing on all cylinders. Geddy Lee’s commanding vocals and impeccable bass work are front and centre, with the song’s instantly recognisable synth line setting the tone for the rest of the album. Lyrically, "Tom Sawyer" is a meditation on individuality and defiance, themes that resonate even more in the modern world. It’s an anthem for anyone who has ever felt like an outsider, and it’s a track that truly encapsulates the spirit of Rush. But let’s be honest, hasn’t it been played to death? It’s everywhere: on classic rock radio, in movies, in adverts. As brilliant as it is, I sometimes feel like it overshadows other songs on the album, which is a shame because there’s so much more to love beyond the obvious hit. “YYZ” is a technical marvel. As someone who appreciates musicianship, this track is an absolute joy to listen to. The interplay between Neil Peart’s drumming and Geddy’s bass is mind-blowing, and Alex Lifeson’s guitar work ties it all together perfectly. Even though it’s an instrumental, it never feels like it’s just showing off—it’s pure energy and emotion, told entirely through sound. Every time I listen to it, I’m in awe of how tight and precise the band is. “Limelight” might be my personal favourite on the album. The lyrics are so introspective and honest, reflecting on the challenges of fame in a way that’s both relatable and deeply moving. Geddy’s vocal delivery feels raw and genuine, and Alex’s guitar solo is absolutely stunning. It’s a track that balances vulnerability and power, and it gets me every time. it might feel a bit niche compared to their usual epic, adventurous themes. If you’re drawn to Rush for the escapism, this one might feel a little too grounded, even though it’s a fantastic track. What I love most about Moving Pictures is how cohesive it feels. Even with all the variety—anthemic rockers, introspective moments, instrumental showcases—it all flows together so seamlessly. The production is incredibly polished, which lets every instrument shine, but it never feels sterile or overproduced. Rush managed to strike the perfect balance between technical brilliance and emotional resonance. Sure, there are minor things you could nitpick. “Tom Sawyer” might feel overplayed to some, and “The Camera Eye” could test the patience of listeners who aren’t into longer tracks. But honestly, those aren’t flaws in my eyes—they’re just part of what makes the album uniquely Rush. Every song has its own identity, and together, they form a body of work that’s as engaging today as it was all those years ago At its core, Moving Pictures is a perfect blend of technical skill, emotional depth, and storytelling. It’s one of those albums that rewards you more with each listen, and for me, it’s one of the greatest works of progressive rock ever created.
Rush at their peak and the peak of prog rock for many, maybe even myself. Accessible yet challenging at the same time. Anthemic riffs, stellar production, and standout performances create a timeless masterpiece of rock. I luvs it Best tracks: All of them Worst tracks: The ones not on this album
I had a crush on someone who was really into Rush when I was 17. I remember making a spotify playlist on it with a ton of Magnetic Fields and Car Seat Headrest. I listened to a ton of Rush and New Order cause that person really liked those bands and these bands. I listened to Tom sawyer so much while talking to them and it reminds me of that time. They did not like me back and was extremely respectable about it. After I told them my feels and got denied the feels died down and it felt nice to know that didn't make our relationship out of that all weird. Though that may have been from my POV, either way we still talked for a while til we eventually grew apart. I was not in a good spot mentally back then and they were really nice to me and was a great friend. I can't really say why mainly because I can't remember it. All I remember is having someone to talk to and be silly with in a trying time. It's a bit strange to have such a positive emotion on a time and place based entirely off of vibes and nothing else but what can you do. This album reminds me of that time, so it gives me a ton of good feels. Despite this, I don't really like this band at all or this album much. Like i recognize it is really cool and sounds good and I can see myself liking it but I just don't. Maybe i wasn't born with the hard rock dog in me. For being a song i don't really care for too much tom sawyer has a huge part in my brain that triggers a nice memory.
9/10 By no means am I principally opposed to Prog music, but I am a skeptic, and do find a lot of records in the canon to be self masturbatory at times, many priding themselves on the technicality and grandiosity on a surface level. Where’s the pith??? Moving Pictures has mostly everything that makes the best Prog records actually have an impact, using the progressive elements as a texture to a rich and colorful Rock album. Phenomenal drumming, kickass riffs and bass playing, really eccentric vocals, the timbre of this record is so rich and fun, while being completely palatable at the same time. The second leg of the album is great though it can’t beat that first half which I don’t doubt I’ll be coming back to. Cheese to the max, but it’s that good shit
Har hört mycket om Rush i amerikansk film/tv. Det skojas om att det är det ultimata "pappa-bandet". Hört Tom Sawyer förut och tycker den är ok. Inte svinbra. Tycker de flesta låtarna ändå är rätt bra. Lättlyasnat men det händer mycket.
Duktiga musiker helt klart och verkligen inget fel på hantverket, men det är någon typ av X-faktor som saknas. Trevlig lyssning rakt, men saknar åtminstone ett par låtar som sticker ut. Stark trea.
Ok
Have enjoyed this album since it came out in 1981.
It’s pretty good. I don’t have much else to say. It’s cool how I got my 700th album on New Year’s Eve though.
Stunning. An absolute masterpiece. Also nostalgic for me and my buds during middle school.
I get that it's popular but I'm really not sure why. This, Billy Joel, and Queen are my top artists of people like them because they want to fit in and "everyone loves them" it's really not very good
Super nerdy. I like moments but not songs. I don't like Neil Peart's drumming.
I've been meaning to give Rush a shot for a minute. I think it's neat, but the last third of this album ain't as good.
Are they actually Moving Pictures of dogs playing poker and a mime being burned in the Limelight? (I think yes.) The music on the album is really quite good, what I didn’t enjoy so much was Tom Sawyer singing out of his range on many of the songs. Great finish with Vital Signs which is the best song on the album. (3.1*s)
Rush always seemed to get picked on, like you were a nerd if you liked them or just somehow uncool. I think people struggle with the vocals and the angular time signatures but this album is actually pretty good. I liked it a lot more than expected. I will point out that it feels a bit emotionless at times and the lyrics lack depth. I think the strong suit is the backing instruments. 3.15 for the self-indulgent Canadians.
Rush gets better every time I listen to them but I have yet to venture deeper into their material. This album is really good but doesn't cross the great threshold for me...yet. "Tom Sawyer" has always been my fave Rush song and opens the album up with right away with power. Drum and bass work are so good throughout the whole album but there is something about Geddy and the voice that I can't completely commit to. Really like the instrumental "YYZ" track (prob cause no Lee). Deserves a place on the list and I wouldn't mind if I have to hear another one by the band...3.55.
Not sure why but Rush was unfairly seen as bit of a whipping boy in our household. As I've grown up I've learned to really appreciate them. For a 3-piece band, they bring of ton of diverse and interesting sound. They somehow manage to keep their music simultaneously eclectic yet smooth and effectively arranged. Heading into this listen I noted that Moving Pictures featured a few of the only Rush songs that I previously knew and liked. After a listen I'm blown away at how good it is. I was hooked for the entirety of the 40-minute listen and will definitely be going back to this again. Tom Sawyer and Limelight are deservedly huge songs but I also really enjoyed some of the extended instrumental sections. Neil Peart is universally recognized as a force to be reckoned with on the drum kit. Alex is no slouch on the guitars and pedals. While Geddy Lee's voice used to really annoy me, over time it has grown on me. Rush has always had a rabid fanbase and if the rest of their collection is anything like Moving Pictures I understand it. I expect that this album is basically their best version of an album release, but I can't help but think there's a bunch of other stuff I might enjoy from them. At some point I'm going to have to dip my toe into Rush a little bit. Props to Rush for hooking me with Moving Pictures. 3.70 stars
enjoyable listen from start to finish
Rush are a band my muso pals, particularly drummers, swear by. The Canadian trio’s technical mastery is undeniable, and I’ve always admired their craft. Yet, despite multiple efforts, I find it hard to connect with their music on a deeper level. On Moving Pictures, the precision of the compositions leaves me somewhat cold. The tracks are undeniably impressive from a technical standpoint, but they often feel so meticulously plotted that they lack a certain spark of spontaneity. “YYZ,” for instance, is dazzling in its complexity, with its time signature based on Morse code, but it feels more like a technical showcase than an emotionally engaging piece. Even on a narrative-driven track like “Red Barchetta,” which paints vivid imagery, the music doesn’t quite pull me into its world. Admittedly, I tend to connect more with music that feels rawer or less polished—something with grit or imperfections, less “clever for clever’s sake.” I don’t mind complexity or ambition, but here it feels detached as if the heart of the music got lost in the technical intricacies. Then there’s Geddy Lee’s vocals. On tracks like “Limelight,” his high-pitched delivery occasionally adds to the alien, otherworldly feel of the music, but often it feels like a barrier. I can respect what he’s doing—it’s unique, undeniably a skill—but it runs me up the wrong way more often than not. To be fair, the calculated nature of Moving Pictures might be entirely intentional, reflecting the band’s themes of alienation and modernity. Many fans would argue this coldness is the point—“Tom Sawyer,” after all, is about individuality and resisting conformity, and the slick production mirrors the era’s push for technical precision. There’s no denying the musicianship is jaw-dropping, or that Rush consciously aimed to create more accessible material here. For plenty of listeners, those efforts paid off spectacularly. Still, I can’t shake the feeling that this album is more to be admired than loved. Moving Pictures is filled with strong individual tracks, but they never quite coalesce into something I can fully embrace. It’s like being shown a perfectly engineered machine: I can marvel at the craftsmanship, but it doesn’t move me. For all its intricacies, the album leaves me longing for something messier, more human, and less calculated. Maybe the issue is with me—but I just like my music a little less... wanky. Did/Do I own this release? No Does this release belong on the list? Its blend of complex instrumentation with accessible songwriting set a new standard for progressive music in the 1980s, so I understand it being included. Would this release make my personal list? No. Will I be listening to it again? Rarely.
GOOD.
I was not a Rush fan in the 80s. Or 90s or anytime, really. The techno/synth sound is just not my thing in the rock genre. That being said, this album is really pretty undeniably good. The big hits were really big at the time, and the rest pulls it all together pretty well. It's sharp and it's tight. I enjoyed giving it a proper listen - most of 3 times actually. And with headphones, it won me over.
I really tried with this one, but Rush are just a collection of total gimps. Gimps who can certainly play their instruments, but their asinine humour combined with a pathological compulsion to muck about with time signatures undermines any musical or lyrical coherence they might be capable of producing (though they’re pea-brained Randians so I didn’t have high hopes in the first place). This is especially disappointing since when they do play things straight, they come out with some decent power pop/80s fm rock. Alex Lifeson’s guitar playing is a particular highlight also, but it’s the constant buffoonery from Neal Peart on drums and Geddy Lee’s twinky voice that irk me like few other bands. The cover really sums everything up - about as subtle as a Roy Walker joke, and half as funny. With the 80s picking up steam, this album was Rush’s attempt to keep up with the times and embrace the new wave of sounds coming through. It has aged rather poorly, like if Devo had an over-inflated sense of their talents, but without even the quirky satire that makes their music so fresh even today. Prog is shite, in other words.
++: YYZ +: Limelight, The Camera Eye +-: Tom Sawyer, Red Barchetta, Witch Hunt, Vital Signs 5,4/10
sencillamente no me importa 7/10
Classic, progressive, one of my first introductions to technical hard rock. Excellent listen.
An excellent example of a Rush album. Signals is also a great record that came right after this. Probably peak Rush in my opinion.
This one gets a great endorsement from the 7-year old. I never thought I would be listening to this much Rush, but ya gotta give the people what they want.
Always thought of Rush as being cringe and yeah it kind of is but it also rules?
Tom sawyer! Damn, what an awesome way to start an album
I'm not sure what everyone's problem is with this. Great album of two halves.
Deze heb ik meerdere keren moet een draaien omdat ik telkens weer dacht: euhm ja, wat heb ik eigenlijk gehoord? Nogal vergeetbare ska of progrock of wat het maar moet voorstellen. Het maakt allemaal geen enkele indruk.
Rush, nooit van gehoord dacht ik. Totdat ik de eerste klanken hoor. Ow...maar dat kennen we! Tom Sawyer heb ik zelf al duizenden keren opgezet. Super sterk nummer in het geheel, maar met extra pluspunten voor de eerste 10 seconden. Zonder al te gek te knallen, zit daar zoveel belofte in. De zang valt in die seconden heel erg op. Maar toch moet het album het niet daar van hebben. Natuurlijk, het werkt vaak versterkend. Maar de instrumentele delen luisteren vaak net zo fijn weg. Er is dus meer. Wat maakt dan wel het verschil? Dit album heeft dé middenweg gevonden tussen een makkelijk te luisteren concept en creativiteit. Ik kon het album makkelijk drie maal luisteren. Er wordt volop voor afwisseling gezorgd. Niet alleen tussen delen van de nummers. Maar ook de individuele instrumenten binnen een deel huppelen er vaak op los. Zelfs jaren '80 klanken die vanuit de ruimte lijken te komen worden omarmd en zo verwerkt, dat het warempel het geheel versterkt. In The Camera Eye past de zanger ook nog eens zijn zang erop aan. En het blijft prima klinken. Een van de beste en meest creatieve albums in het genre. Dat scoort makkelijk 5 sterren.
We hebben de jaren 80 in zijn volledige "glorie" gehad de afgelopen maand zo ongeveer, maar dit album komt dus ook uit de jaren 80. Onvervalste progrock in optima forma. Met een formidabele drummer, die verschrikkelijk moeilijke dingen doet, van tempo's wisselt etc. En toch klinkt het lekker. Je hebt wel eens als drummers een ongewone maat drummen, dat het niet lekker luistert, omdat je de tel kwijtraakt. Maar dat heb ik hier dus niet. Het fascineert juist om naar de drums te luisteren. Want nondeju, die zijn goed hoor. Dit zijn de snobplaten die je wel wil horen.
Fucking Neil Peart, man. This was always a 5.
Good but needs more, overall not too impressed
I’ve heard this album 1001 times, so it is hard to review with an unbiased opinion. I love the drums. I am not a fan of Geddie Lee’s vocals, but am a HUGE fan of him as a person. That’s all I can say about that.
Heyrðu... þetta rann í gegn óeftirminnilega og ég sé ekki ástæðu til þess að keyra það aftur. Tvistur og málið er dautt.
For how much I loved Rush during high school and early college, I never really spent much time with this, their most popular, album. I'm sure that's more a comment to my mental predisposition than anything about the quality of the work itself. I feel like subconciously (or perhaps not even) I chose to delve into their lesser known and accessible works (A Farewell to Kings, 2112, Fly by Night). In any event, this album is chock full of radio wet dreams. Opener Tom Sawyer remains to this day a stadium anthem on which each member of the band really shines and come together greater than the sum of their parts. Peart, doesn't steal the show, but does enough to keep things interesting. Really the shine goes to Lifeson and Lee as the latter's quintessential bass riff and synths provides the life force behind this whole thing, while also holding things down with an ambitious falsetto. All the bombast of TS are thrown aside as Red Barchetta comes in on a series of pinch harmonics. A strange ode to a sports car, the song treads an interesting line (as with many Rush songs) between corny as fuck and absolute ripper. Here, the latter impulse wins out as the bridge takes us via glittering guitar on a tour until things open up. Peart does a lot of the heavy lifting throughout to keep things moving and keeping this song from falling into dull territory. Witch Hunt opens ominously and rises slowly into a warm synth tromp. Has some of the better lyrics of the record IMO with staying power. Vital Signs bites on The Police and dub/reggae infusion pretty hard, but they do it really well. Its actually among my favorites on this record -- love the arpeggiating synth line that comes in and out. This album deserves the flowers it has received over the years and holds up incredibly well in spite of its overtly 80s "futuristic" synth tones. I don't get moved in a really big way by this one, but it is solid all the way through. I put this in the high 4 verging on 5 territory. Like an 8.8-9.1 or something.
Love Rush and I also have all but one of these songs on a playlist somewhere (sorry Red Barchetta, not sure why you didn't make the cut). Tom Sawyer, YYZ, and Limelight are all incredible songs. The rest of the album is a solid 4 if we were to exclude those songs. I am amazed at how much I like all of the components of Rush. Geddy Lee's vocals are great, though I could see how someone would not like them. Neil Peart really shows off why he is arguably the best drummer in the world (RIP). Honestly I thought this was going to be a slam dunk 5, but I did deliberate giving this a 4 toward the end of the album because it starts to sound a bit samey. Then I listened to the first couple songs again and remembered the highs.
A top 5 album for me of all time and probably one of my most listened to albums ever. Can't possibly give this an unbiased review. All I will say is that I know that Geddy Lee's singing may not be for everyone, but the absolute musical genius that they play on the instruments in this album is unmatched. Every single song on this album is a 5/5 in my opinion. Best part about this is that after it ended on Spotify it jumped into another Rush song, Leave That Thing Alone, that I have never heard before and it is an absolute banger so I instantly added it to my snowboarding playlist. More Rush plz
I see this one has some of the classics in Tom Sawyer, YYZ, and Limelight. All jams. That opening note of Tom Sawyer rules and love that it's the first of the album too. YYZ is also a jam, especially because it is a complete instrumental and I don't have to hear Geddy Lee's voice. Limelight is another classic. Witch Hunt is a pretty epic song with those synths. Love the background bass on it too.
As a Canadian, I've never felt truly complete knowing that I had yet to check out one of the biggest prog bands (and biggest bands in general) from this country. But that's what this list is for. I've heard bassist and lead vocalist Geddy Lee before though, the guy's a renowned bassist and this album showcases his greatest strength - visibility. While the tone, style, and technicality remind me of Chris Squire of Yes' playing, its presence on this particular album is even stronger, driving the lead melodies on many of these songs. I was a bit indifferent towards his vocals but they grew on me by the time I got to the song 'Limelight', maybe my favorite song here. This prog album feels like it's doing a lot with very little - which is impressive as is, but with songs that are much shorter than your typical prog song, the respective members also manage to showcase a strong understanding of what it means to be "progressive rock". And I say that because many songs, especially the instrumental 'YWZ', manage to encapsulate all those '70s prog tropes very well. The ever-changing song structures, the unconventional time signatures, the bizarre guitar tones, aggressive breaks, and fills - they're all here in spades. And it's all just very enjoyable and doesn't dabble too long on any one idea or motif. This is an album that's constantly changing and one that values cohesive song structures and melody - things that are oftentimes missing from this genre.
Not always a huge fan of prog but there's something about this album I find kinda charming. I would describe it as wacky maybe? "Tom Sawyer" is banger and so is "Limelight" but in my opinion "Witch Hunt" is the true star here. Also I've always rally enjoyed this album cover :) Favorite track: Witch Hunt
From one of the greatest "nerd rock" acts of all time, this might be Rush's magnum opus. Including catchier hits like "Limelight" and "Tom Sawyer" in addition to more technical instrumental sections and full tracks, this record is Rush to a tee. Universally revered while also being underrated, this trio belongs in the conversation of best band of all time. Notable Tracks: - Tom Sawyer - YYZ - Limelight - The Camera Eye 9/10
3.8/5
I've heard this album multiple times. Some of Rush's best songs on the album that made them stars. Great musicianship throughout.
Forgot I had heard this befofe
Slap da bass. I love Rush, and though this is not my favourite album by them (2112 or Caress of Steel) it's definitely a great album. Geddy is an incredible multi-instrumentalist, and Alex and Neil are both some of the best at what they do. Kicks off strong with Tom Sawyer, probably one of their most well known songs, and continues on strong. YYZ is a great instrumental piece. I don't think there's a song on this album I don't at least have a strong like for, if not full out love.
Man I love this album. Neil Peart was one of my idols growing up. The Godfather of complex drumming (at least to me). He really opened my eyes to what you can be done on the drums. Honestly, this whole band was so innovative and so many bands that I currently love are heavily influenced by their sound. Tom Sawyer, YYZ, and Limelight were already in my love list of songs. Honestly I want to give this album a 5 stars, but I don't think it's a perfect album. The last 3 songs are kinda lack luster, especially when the first half of the album are just BANGERS! 4/5
Utter guff. Was expecting some hands in the air soft rock. Not prog rock wank. I thought my musical tastes were maturing but that was a real struggle.
Rush! While there are other rush albums I enjoy more, this record is a tour de force. 7 songs in 40 minutes and some of the bands biggest hits: "Tom Sawyer","Limelight", and "YYZ" are all here. It's a little poppier than their previous efforts, which helps in ways and hurts in others. Overall, fantastic outing from a great band. Definitely belongs in the list.
Such a brilliant album
This is a fantastic album and a cornerstone of progressive rock. As a fan of progressive metal, it’s fascinating to revisit the source of inspiration for so many bands I listen to today. Rush’s ability to blend technical complexity with melodic accessibility is on full display here, creating a mix of tracks that are both radio-friendly and satisfyingly intricate. The musicianship throughout the album is stellar. Geddy Lee’s basslines and distinctive vocals provide a strong foundation, while Alex Lifeson’s guitar work alternates between soaring leads and atmospheric textures. And Neil Peart—well, my controversial opinion is that he might just be a decent drummer. Joking aside, his performance here is extraordinary, with his precision and creativity shining across the album. What I particularly appreciated was the album’s balance. It offers a mix of accessible, almost radio-friendly songs alongside more intricate and progressive compositions. This combination makes Moving Pictures one of those rare albums that can appeal to both casual listeners and those who enjoy the technical intricacies of progressive music. With Moving Pictures, Rush found a perfect harmony between their artistic ambition and mainstream appeal. It’s easy to see why this remains a landmark in their discography and a benchmark for progressive music. Standout Track: The Camera Eye Score: 4/5
not my thing but was actually enjoyable
Love it, some great stuff there.
Well, sure, fun throwback. But 3-5 minutes is more than enough time for the nostalgia. After that, it gets tedious.
They are legendary, not really my back, but they are sick with talent
Absolutely terrible - makes no sense to me at all.
Easy 5/5, it’s Rush! What a great classic album, playing is immaculate and interesting. Always enjoyable!
I used to live in rural Montana. I grew up in the 90s and 2000s, before you could just look up whatever music you wanted on spotify or youtube. When I was in high school, I came across Rush. I was immediately smitten. Nobody I had ever met had ever talked about them. I had never heard them on the radio. Tight percussion, grooving basslines, lightly philosophical lyrics (with topics like, authoritarianism is bad) and packaged in a synthy, jazzy, hard rock box. I loved it so much. I had no idea that Rush was even talked about. When I got to college I was shocked at how many people hated Rush. Shocked at how many people wouldn't even give the music a chance because "Ew Geddy Lee's voice" or "this music is trying to be too smart". Just shocked. Anyway, this music inspired me to be a better person, a better musician and a better friend. I'm sorry some of you can't see what I did.
Nice background listening, not the most engaging ever though.
couple good tracks.
Neil Peart.
My first thought, “oh fuck, now I have to get through 120 minutes of the prog rock kings”. Then I realized it’s practically an EP…but it’s 40 minutes long. So all in all, it’s jammy. It’s spacey, it’s what you know Rush sounds like if you’ve ever heard a few notes from them. Did this make me a fan? No it didn’t. Choice cut: Tom Sawyer
ich bin keein rush guy s erste album vo 1001 isch rush gsi und ha nöd so geim gfunde. tom sawyer macht vieeeel sache und d sounds insgesamt findi meeega cool. ich bin kein fan vom geddy sinere stimm afoch. red barchetta het au wieder mega verscheideni teil und sie sind sehr virtuos und so abeeeeer äääähm. jo bin kein fan. limelight bis etz s beste cooli chords cooli hihat, s tönt afoch alles goofy woner seit. the camera eye findi etz mega pleasant? so d sounds und d chords und de bass geil und melodie mega happy. witch hunt get nüüüüt gmacht bi mir. glaub da git e 2. kartoffelsalat.
ok tom sawyer hani na fun gfunde, v.a. d drums hend amigs sehr gäse geh red barchetta passiert sochli? sini stimm isch halt au nöd die stärchst yyz hani megaaa gfunde teilwiis hetsmi chli ah maiden erinneret, bis de off beat teil cho isch und nachane ischs allgemein chli meh abgange (DE BASS) limelight seehr langwilig bi camera eye erinneret mich de synthi am ahfang ah irgendöppis vital signs hani nomal seehr cool.gfunde joaa finds chli schwierig, sicher dur min heavy metal ihfluss find ich paar stellene sehr cool aber doch au villes isch eifach echli. zwüsche 3 und 4 HE WEISCH WAS VIA BOUM
oh damn! these guys are legendary. the first track off the album, a classic.
Somewhat attractive album, with interesting and somewhat subversive instrumentation. Easily can imagine this album being influential for rock albums afterwards. Album brings fun retro-futuristic at this point beats, but that's part of what makes it appealing. However, vocals are at least an acquired taste which I haven't acquired yet, and as such, I don't even have a feeling of what the album could be about. The further in, and during a relisten I feel like I'm sold on all but vocals. Red Barchetta feels like an interesting song for me - where Bat Out Of Hell I, Bat Out Of Hell II and Bad For Good were all about having freedom, youth related to having a motorcycle/car, here this freedom is taken away, and has to be taken back.
When prog rock is good, it's great. When it misses, it makes me cry. This is in the latter camp unfortunately. Will not remember one song from this album. Last part, after the 10min wander, was decent though. A 2* that is unfair but displays my disappointment.
Pretty good, not a huge fan of the vocalists voice. High 2.
It usually takes a full listen to an album until a prog rock band clicks for you. Well, now I can finally say I get Rush.
Probably my first time knowingly listening to prog rock. Loved Tom Sawyer and Limelight.
Proper rock and really enjoyable.
A very very good album. Not quite my thing but the bass player was ace, so was the drummer. Good of its time rock 🤘🏼
This is one of those albums that runs off of vibes and not quality. The songs themselves are not good. I can't count the amount of times I've heard 'Tom Sawyer' and wanted to claw someone's eyes out. 'Limelight' is so bland it can only be Rush. But when I listen to an album that's just meant to make me feel like a teenage 70s burnout, it all suddenly sounds good together. The good vibes just kept on coming.
It was ok, but loud and not an easy listen
I like this one! Can't fully explain why but it sounds well crafted and interesting. Not on the level of Led Zeppellin but its aight 7/10
This was shorter and way less pretentious than 2112. I enjoyed it throughout, the music was good enough to overpower Geddy Lee's singing. Stand-out: Limelight
Album Ben curto com 40 minutos mas já começa com Tom Sawyer, um clássico absoluto e segue nessa mesma visão. Adorei conhecer também Rush, já que sempre ouvi falar mas nunca parei pra escutar
This is simply and easily one of the top 10 greatest rock albums ever recorded. Its perfection on vinyl.
One of my favourites. Still remember the day I bought it.
2.5
Bangers
Mental instrumental work.
An interesting album, that bounces between Prog Rock experimentalism and more mainstream rock and roll. Best song - The Camera Eye
Classic - 40th Anniversary edition was great
26/11/24 Honestly do not get the hype around this.
4 big hits in a row... Tom Sawyer Red Barchetta YYZ (love this instrumental) Limelight
Never sure if I’m a fan or not. But, a great album nonetheless. Vivid memories of getting this for Christmas.
4.5/5. BEST: YYZ LEAST FAVOURITE: THE CAMERA EYE
Hmmmmmmmmm ekki alveg my scene held ég, peppandi samt, ekki alveg að hjálpa mér að einbeita mér að efnafræðilestrinum æjæj Limelight er reyndar geggjað úlala Fíla ekki space vibeið :( Witch hunt er reyndar líka alveg cool
Strong 80's vibe is present. But not in a bad way. My experience with Rush is very limited for some reason but anyway this listening experience was actually very nice.
I've listened to Exit...Stage Left, live recording which I own and came out after this one, and R30, so lots of the tracks are familiar. Out of their albums I've heard some here and there, but haven't real idea how their style has evolved from one decade to another. I mean, this album is basically mostly classics, for me anyway.
Best Rush album
Already love a ton of these songs, bangers. Drummer is fire, very neat album. Would (and already have) add to my playlists
Moving pictures but there were no pictures nor moving, lies
3.5/5
I feel like you have to be ready for this album if you want it to be good. Like at first I was like no but when I was ready for it tell me why I was obsessed?! Like Sweet and David Bowie together - making it a great listen but slightly unoriginal
Just as epic as the first time i heard it
ótimo álbum amei os instrumentos me impressionei q o vocalista é homem bateria absurda
Uma absoluta Banger YYZ musica de nerd Red Barchetta musica de nerd automobilismo Eu amo esse album
highlights: red barchetta, limelight, YYZ eu gosto da voz do geddy lee e rush me traz memórias boas
Simply not a huge fan of progressive rock. Obviously there’s a a few replayable hits, but although I appreciate the genre, it isn’t for me. Limelight is one I can continue to come back to.
Rock opera vibes
I dont really like
Love it. Seminal record.