Reviews (page 9 of 15)
I do not like this album because the songs don't have any words. The songs are also too long.
I don't like this song because it lacks words. It's too peaceful. Maybe I would recommend it only to people who like music without words and jazz. I don't like this song because it's very silent and has no words
I do not like this album because there are no words. I would listen to this to sleep but I feel like its too slow but loud at the same time. I don't like how there are only 2 songs and the instruments are cool but still. I wouldnt recommend this album to other people.
Do you want to listen to a song that is just jazz? well in SSSSHHHHHHHH peaceful you can! I rate this song a ⭐⭐⭐⭐. I recommend this. Do you want to listen to some calming music? well in a silent way you can! I rate this song a ⭐⭐⭐⭐⭐! I recommend this song!
If you want to listen to jazz music then you should listen to this album. I personally hated this album because it is jazz and I don't like that. I also don't like it because there are no lyrics and I feel like in music there should be lyrics to make it sound good. When you add those two things together, you get my least favorite type of music. I would not recommend this album to a friend because it is really bad and no one will or should like it.I give it 1 star out of 5.
in my opion i dont like it because there are no lyrics which is kinda not my music style of music. second i just think its to basic. the second one i also dont like because i dont like how his songs dosent have lyrics. i also dont like the queitness it just makes me kinda bored.
I didnt like this album because it has no lyrics I also didnt like this because its boring
I thought "Shh! Peaceful" was good. I liked the instrumental music even without the lyrics. "In a silent way" was also great because it very delicate and nice. It's actually good without the lyrics. I recommend this album
if you like the background sounds in jazz but not the words as much then this is the album for you. I like the instruments and sounds, I like that there is no talking but sometimes it is good to have words but with this album you don't really need words.
Shhh peacful: in my onpinion i dont like it becuase it only jazz and i wish there was lyrics so it could be better it a good song to make you feel calm at parties or dancing If you like jazz this maybe the song for you becuase it has jazzbut no lyrics to cover the sound of the instruments like the drumpet its pretty fast and relaxing empressive for jazz. In a silent way: this song in so calm i think it could even make you sleep peacefuly becuase it has slow jazz and theres no loud bang or anything
easy listening but background
Different strokes for different folks. Not my thing
No lyrics necessary
Minus 3 stars because I'm a philistine
Listened several times this weekend.
v chill
Hella relaxing and superbly played, wow!
Nice album, not his best 4/5
Ég mun spila þessa plötu aftur. Þetta er algjör stemmari og hæfileg lengd. Þrátt fyrir að elska góðan djass hef ég samt ekki haft neinar sérstakar plötur til að hlusta á. Þessi fer í þá hillu. 4.5 stjörnur en fær fimm af því að ég er svo ánægður að finna þessa plötu.
Esses instrumentais são divinos. A primeira música trás uma perspectiva incrível em algumas partes, como se os instrumentos estivessem dialogando entre si enquanto criam uma harmonia
Trance-esque tracks with a monologuing trumpet. Put me into flow state, but not too much to write home about.
It was calm and peaceful, like a pleasant wallpaper. I enjoyed it but it quickly faded into the background
Langeweile ohne Ende!
It was unlike most albums have listened to. I liked it. Listened to it at the gym, which was an interesting choice
Funky and obviously brilliant but in no rush to listen again, not my bag really
not bad
Lovely vibe, very palatable jazz. Beginner friendly. Listening in the wake of trying to listen to Bitches Brew and losing my mind lol.
Just some pretty pleasant jazz, not much more to say.
All time classic.
A breath of fresh air. I've tried to understand A Kind of Blue, but I connect far more with In A Silent Way speaks. Will need to give it a few more listens - there is so much going on.
Jazz Great solos
Delightful, but honestly too short. I could listen to that for hours.
In A Silent Way doesn’t ask for your attention, it grabs it, slowly and effortlessly. This isn’t jazz that swings, pops, or even really moves in the way you expect. Instead, it floats, unravelling time until you forget where one note ends and the next begins. The electric pianos hum like streetlights flickering to life in the dusk, the guitar drifts in and out, and Miles well his trumpet slipping through the mix like the wind blowing gently around you. It’s so delicate that you almost don’t realize how much tension is lurking underneath, like the calm before something either beautiful or a storm happens, and you’re just waiting to see which way the clouds are blowing. This is jazz stripped down to its very bare essence. Space, mood, and the art of not saying too much. Miles is practically daring you to slow down, to stop expecting anything, and just exist inside the music. It’s the sound of a band listening as much as playing, every note hovering on the edge of something bigger. And just when you think you’re about to drift off into some blissful, weightless oblivion, the whole thing fades out—like it was never really there to begin with. Maybe it wasn’t. Maybe I just imagined the whole thing.
Nice background music, but didn't capture my attention
3.8 5x
So peaceful, I think the theme which he tries to make works completely. Nothing alike kind of blue but not for the worse. I need to listen more times, and the score could get higher but for now.. Favourite songs: both (obviously). Overall around 8/10
I still don't get it. Maybe one day I will, but I was bored, bored, bored by this.
really cool, really chill side A and a chill and evolving side B. miles' trumpet playing is, of course, top notch, and it is cool to see this stop on his evolution from jazz icon to fusion innovator. the moment side B builds to that funky rock-ish groove is great! neat stuff.
Would be nice to have more distinct sounds on a Davis album on this list (Looking at you Kind of Blue), but still decent.
The title of musical genius holds up
I love Miles Davis’ trumpet playing of this type. Although it is relaxing there are many passages with tempo, which is also great - this is just the kind of jazz I love. I am dreading, though, the day when I have to listen to Bitches Brew, which is definitely not my taste
Calming and resonates with me
for some reason this took like 4 attempts listening to get through it but i really enjoyed it
I feel bad giving this a low score, but it just didn't do much for me. It's About That Time gets a 4 though
perfect album! not much else to say about it. I've listened to it hundreds of times and I'm sure I'll listen to it hundreds more. wouldn't change a single moment of it. one of the most singular, gorgeous records ever made. love the glass breaking sound at 4:26 (and 16:23) on "Shhh/Peaceful".
Need more listens, but it was nice to hear Miles and his way of forward thinking ways. 7/10
I tried to listen to this while working and it stressed me out too much.
In A Silent Way by Miles Davis is a fusion of jazz and ambient soundscapes, blending expansive and intimate elements. This near-perfect masterpiece demands full attention, rewarding listeners with its intricate beauty. While it excels in many ways, minor flaws prevent it from achieving absolute perfection. The album's dynamic range is exceptional, seamlessly transitioning from delicate, hushed moments to powerful crescendos. Every shift in volume and intensity feels intentional and masterfully executed, drawing listeners into quiet subtleties one moment and captivating them with the ensemble's sheer power the next. the instrumentation is stunning, with Miles Davis’ restrained yet expressive trumpet carefully balanced, allowing other musicians to shine. John McLaughlin’s guitar adds an ethereal quality, especially on the title track, with his minimalist approach acting as a thread weaving everything together. Teo Macero's production is genius, seamlessly splicing and editing takes to create In A Silent Way's hypnotic, cohesive structure. The album feels like a single, flowing piece of art rather than separate tracks. The immaculate layering ensures each instrument has its space while blending together perfectly. While In A Silent Way offers a meditative, almost hypnotic feel, it’s not a record for casual listening. It demands full attention, and if you're not in the right mood, the long, sprawling compositions might seem meandering. Some might find its minimalist approach too sparse, and the slow pace could be off-putting, particularly for those accustomed to Davis' more fiery early works. However, this minimalist style works in the album's favour, enhancing its introspective nature. In A Silent Way is a groundbreaking album that redefined jazz, with its dynamic range, innovative production, and seamless musician interplay. Timeless and as fresh today as in 1969, it's an almost perfect record. While its minimalist style may not suit every mood or taste, the unmatched atmosphere it creates makes it a deeply immersive experience. A well-deserved 4.9/5.
I need to listen to this intriguing thing more but there's something here I think. Probably? Jazz is weird even when it's not jazz.
I listened to this three times in the night this was assigned because i like this and love this
This one was a challenging listen. It's not what I'd come to desire when expecting to hear a Miles Davis album. I'm someone who will lose themselves in 40 second beat loops I've got bookmarked on twitter working on something while the groove drives my function. There's an approach to that sonata style composition here that's novel, especially considering the modern instrumentation, that's no doubt formative of the modern media I so enjoy. It's hard to hear Davis at times. I wonder at times how much I'm actually hearing of him and not the producer, Teo Macero. It's got me wanting to revisit Bitches Brew in its entirety, I was surprised to learn he produced that as well. Perhaps contemporary critics were right, it just works better when you fully lean into the electric. Ambitious and ambient. Strange.
9/10 Miles’ first step into Fusion music is well regarded in retrospect similar to someone like Bob Dylan’s Bringing It All Back Home, and while it is a huge departure from his “traditional” work, being much more palatable for mainstream audiences who have begun embracing Rock music. The first side of this record is stagnant, with various isolated performances coming in and out of the mix pristinely playing along to a groove, and while it still has a lot in common with traditional Modal Jazz structures there’s various surprises and experiments that make these 20 minutes feel ominous. Continuing this ominous feeling for another 20 minutes is the other side of the record, this time with a surreal atmosphere, combining Ambient music with Rock, Funk, and Jazz in an incredibly smooth but elusive way, it makes sense why this album pushed some people away at first but it didn’t take long for them to really understand where Miles was headed. In a Silent Way works extremely well as a mysterious and hypnotizing soundtrack for the Manhattan streets at night, but it’s also an exciting teaser for what’s to come in Miles Davis’ career. Cool Jazz more like Drool Jazz! *Drives away in my 1984 Honda Elite*
Ooof, I struggle with 'free-form' Jaz, which speaks more to my inability to understand/enjoy it rather than the talents of the person performing it. Fuck that.
Too much noodling for me.
Oh no... The second jazz album has hit the list, and the first Miles Davis in what I assume to be a millionty billion forthcoming avant-garde jazz albums. It's going to be a bloodbath. My list of one stars will be so lengthy that I'll be left wondering what the point of even sending these albums is. What sordid, unimaginable horrors could possibly be entombed within this record... Okay, upon further research and after actually listening to this album I've discovered that it is not Miles Davis that I have a problem with, but Charles Mingus. And that Mingus only has one album in the book. And that this isn't even avant-garde jazz. And that I enjoyed this. This review is a disaster. I'm incredibly snobby when it comes to longform music, and it is for this reason that I've had a storied history of absolutely hating the shit out of jazz. It throws a complete curveball to the way that I traditionally assess music, which is to average out a score based on how long a song holds my attention, the emotions that it draws from me and the components of it that I admire or view as exceptional. I have no problem with rating ambient music on the pretense of it being something that isn't meant to hold my attention, but I can't bring myself to engage with jazz in the same way. I've always got an air of cerebral and distinguished songwriting from the way that people discuss jazz, which is completely invisible to me whenever I put on a jazz album. It all blends together, and in the case of the more experimental stuff, becomes a completely insulting cacophony of noise. It's because of this experience that I have a natural skepticism towards non-musicians that claim to fans of jazz. I can't understand how people can point to a specific song or moment on these albums that is exceptional or groundbreaking if they don't understand music theory or the way that these albums go against the proven formula. Anyways, to get back on track and to make up for the fact that I can't say anything specific about this album: Do I remember a specific moment of this album? Fuck no, but I can't remember any part of this that I explicitly disliked, either. Did I feel anything while listening to this album? Is there anything I admire about it? No, and no. Have I gone above and beyond in writing my longest review at two o'clock in the morning? I think it might be time to turn a new leaf with jazz - I feel more open to it now than I ever have previously. I'll just have to separate myself from all of the discourse.
Electric jazz fusion from Miles Davis. I've couple of his albums that were more traditional jazz ("Kind of Blue", "Sketches of Spain") but also had listened to "Bitches Brew" (released after "In a Silent Way" and also jazz fusion) so this was definitely an interesting listen. His talent as a trumpeter and as a band leader shines in what is his first true electric jazz fusion album after a hard turn in genres, according to Wikipedia. I'm a big jazz fan and this album was no exception.
I already knew I was not the type of person who appreciates jazz, but this one was less enjoyable than maybe all the other jazz albums on this list. It largely sounded like elevator music to me, with only brief forays into something interesting. A real shame since I was taught by "Billy Madison" that Miles Davis is the coolest person ever. 1.7
Perfection
Lovely album
Awesome possum. Dim lights and nice company. I understand why he is held in high regard. If I found this on vinyl for a decent price I would pick it up.
This is among the hardest for me to rate — I get the skill involved in putting something like this together, but it’s not something I plan to come back to. It’s a 2 or a 3 for me.
I don't know anything about jazz but this is nice
It was good but not one I will go back to I think
I know Miles Davis has some really influential work. This felt like background music. Surely there are other jazz albums one “must hear” out there.
1a musica melhor que a 2a.
Cidade noturna. Colagem. Prestar atenção.
2 songs, 38 minutes! Background music. It's ok.
You finally got me Miles, I quite enjoyed this.
I wanted to be blown away by this but mostly found it pleasant and sleepy. Track 2 got a bit too repetitive in the middle, but the end was a whole Explosions in the Sky type vibe.
el relaxation musica almost made me fall asleep honk shooooo… it’s nice to listen in the background but it’s not something i’ll come back to, sorry.
so far i only knew kind of blue and this is so different in comparison, kind of blue is just straight up cool jazz (i think?) and here it’s different, there’s more going on than in classic jazz and i LOVE when people mix genres to make something great and especially THIS great so this is without a doubt a 5 xx
It feels a bit unfair to review this since I know nothing about jazz and I feel pretty indifferent about it. I did listen to the entire album, but this was no more than nice background music for me. 3 stars
2nd Miles Davis this week! Think I slightly preferred the 2nd half with its Latin/funk, though I also love the spooky organ of “Peaceful”. Listened to it twice today, the second time temporarily interrupted by some loon on the bus spouting racist garbage. In a way, this is Bitches Brew without risk of headache. What I started to glean from the 2nd listen is that it feels more like kosmische, aka Tangerine Dream, than much of the jazz I’ve heard. Whereas with Kind of Blue, where I paid attention more easily to the individual talents of the players (Adderley, Coltrane)- here it’s just letting the collective sound drift by, like dark clouds that don’t ever become a thunderstorm. It’s hard to say what importance an album will have in the long run, but for tonight let’s call this my favourite Miles Davis album HL: Side B January 17, 2025
This is one of those albums that you kind of have to be in the right mood for. It’s not a bad listen at all — smooth, spacey, and definitely doing something different from your typical jazz record. For me, Side Two was the standout. The groove settles in better, the playing feels more connected, and it just flows in a way that pulled me in more than the first half did. There’s some real beauty in how minimal and patient the whole thing is. Not something I’d throw on all the time, but a solid listen when you want something low-key and a little out there.
it’s Miles, what do you expect?
In A Silent Way ist ein zeitloses Werk, das sowohl als entspannendes Hörerlebnis als auch als tiefgründige musikalische Exploration funktioniert. Die Subtilität und Tiefe der Kompositionen machen das Album zu einem Meilenstein in der Jazzgeschichte. Ob als Einführung in Miles Davis’ Fusion-Phase oder als meditative Reise – dieses Album bleibt ein unverzichtbarer Klassiker. Ein perfektes Album, um die Seele baumeln zu lassen und in die Weiten des musikalischen Universums einzutauchen.
great listen, had on while cooking, very interesting
Good album. Too much guitar noodling. Great atmosphere. One of my all time favorite artists.
Excellent jazz album, especially if you're fine with electric in jazz 👌.
Good relaxing music. Nothing I am looking to add to collection but would put on again for sleepy relaxing vibes.
Smooth- really really enjoyed this album. Ups and downs. I heard it was the start of his crazier era.
Fun jazz, what's not to like! Favorite track: In a Silent Way
Love Miles Davis but I'm not the biggest fan of +8min Jazz songs which low-key could be separated songs with transitions. I love progressive rock songs etc. but this album is most likely only listenable when not the whole album get listened streaming wise. But on wax its just a simple Side A and Side B which is cool. Kind of blue still my fav! (3.5/5.0)
Excellent musicianship, of course. Structure with no structure. I’m guessing this set the stage for great jam bands of the 70’s and beyond. But, in the end, jams are indulgent & you have to be willing and ready to go along for the ride.
Da haben wir den Miles Davis mal wieder :D N Album was wohl gut kommt, wenn man n Kamin, Kuscheldecke, weiches Sofa und gutes Buch hat. Ich werd glaub ich kein Fan von diesen unregelmäßigen Eingaben beim Jazz, also wenn einer plötzlich anfängt, ne Melodie auf der Trompete zu spielen und ab und zu einsetzt und aufhört. Insgesamt aber ein Album was man sich anhören kann, recht chillig, 3 Sterne
Ich bin mir immer unsicher bei Miles Davis. Dem letzten Album hab ich 5 Sterne gegeben, die kann ich hier nicht geben. Das zweite Lied hat mir besser als das erste gefallen.
I've always wanted to listen to Miles Davis, but never jumped in. This is me jumping in. It's really good.
Space age jazz, or perhaps just call it music. At times it is almost like a sound track. It sounds very late sixties and I like that - It could easily be incidental music for something like Mission Impossible. And this album is certainly more accessible than the following Bitches Brew.
Jazz i up son
Difficult to rate, there are occasionally ever so brief bits that just seem to jarr and irritate me, but on balance I think I came away from this rather liking it
I quite like jazz and this was nice, vaguely-on-in-the-background, music.
Tricky to judge this, did I like it? In places, yes. Would I listen again? Probably not.
Really neat sound, jazzy but not “old”, exploratory and unique. Not perfect but above a 4*
Holy crap! This album's amazing! Very peaceful jazz music that just seeps into my skull whenever I listen to it. Absolutely worth checking out, even if you don't think you're much of a jazz person 10/10
It was fine
Goed!
A classic- beautiful not daily listening, cocktail party
Solid 4, don’t love jazz but doesn’t get much better
Brilliant
Great album!
listened to again another banger
First time listening to Miles Davis, really enjoyed it !!!!!!! Funky groovy melancholic cool shit
nice reflective sound.
For as short of an album as this was, I did enjoy it a lot
I really hate to say this but I don't get the hype. Unlike that other jazz album I got this just seemed like a whole bunch of doing a lot without any purpose. It was pretty peaceful though, good to do homework to. Fav Songs: Shh/Peaceful
Someone in global said "something a rat might here when trying cheese and grapes together" (5) This is not the Ratatouille ost lil bro!!!!! Anyways, spectacular album, both absolute bangers, without a doubt the best jazz I've ever heard, and I'd probably say it's tied with some songs from Brothers in Arms for the best background-type music I've ever heard. Manages to be calming and engaging at the same time, it will enthral you if you give it enough attention, but it will also gently embrace your ears if you focus your mind elsewhere. Beautiful Album. Also a jojo reference so we'll move it up from a 2 to a 5.
Skibidi toilet before skibidi toilet. Elevator music from before elevators. Modern art before modern times. Yeah, I'd listen again.
Hmmm hmmm hmmm, ça c’est du Jazz qui coule tout seul
Calm, cool and collected. What a journey this record takes the listener on, through upbeat rhythms to more docile and relaxed, ethereal tones. What a wonderful and experimental jazz record from the legend himself.
actually really good when doing more mindless things, like puzzling or cooking and just needing noise or drawing put surrounding noise. only 2 songs, but each song felt like several complete journeys. good album overall actually and will likely listen again in the future :)
Not my cup of tea. after just 3 min I was so bored that I could not listen any more. But then Jazz is probably my last music that I want to listen to. I also need lyrics :)
Very much not my type of music but I quite enjoyed it nonetheless.
You can tell this album is the direct precurser to the magnum opus that is Bitches Brew. Unfortunately this one is much more regimented and feels like he is still grasping onto the form of Jazz albeit with loose hands. I may have to listen to it again and again and again like Bitches Brew to finally grasp its power, but as of now I see it as the demo tapes for whats to come of the Davis Fusion era. In a Silent Way stands out over Shhh Peaceful and combines some super cool slowed down dreamy moments 6/10
I liked this album. I'm normally not in the mood to listen to jazz, but this was a solid listen. 2 songs = 38 minutes lolol. The jams were fun and of course...Miles Davis is a legend. Actual rating is a 3.5 Liked Songs: I liked em both!
liked songs: both This is the kind of music you just have to exist in. There's so much going on that it would be impossible to identify everything in the first listen. The layers of guitar flowing in and out of keyboards, relatively simple basslines, and relatively unorganized solos evoke a sense of floating. The use of discord and harmony is so well done, preventing total resolution at any point. This is a master of his craft surrounded by top-tier talent. Miles Davis is an all-time great trumpet player and band leader, and an even better composer. 4.25
Didn’t hate it but only Running up that Hill stood out to me. Waking the Witch is sort of terrifying to hear if you are falling asleep which is what this album made me do.
Long Album
not much to say about this. It was just an enjoyable listen
Amazing jazz album. Very cool and relaxing 1001 album worthy: Yes - 25/44
Didn't hate it but its a one and done.
Aika paljon toistoa
Para pensar o para recordar.
way more digestible than Mingus because more predictable
Very groovy indeed. I felt like I was in the middle of a long Doors instrumental break for much of it, which is not a bad place to be. Quite transporting.
Not a fan of jazz but it does help me sleep. 3 stars or C.
Good jazz. A little slow for my taste
While I am obviously no expert, it feels as though there is no note out of place in this exposition. Wonderfully crafted, and truly beautiful music. My ignorance for jazz music makes me feel like I can't properly appreciate this, but nonetheless. Love Miles Davis. Still think he has some better albums in comparison. Best Song: Shh/Peaceful Rating: 8.0/10 4 Stars
This, for me, is like watching a Kurosawa movie in original Japanese. I realize it is brilliant, I recognize the pure genious of the art but I can't understand it. I wish I could since this is probably some of the greatest music ever made. That said, even though I feel I can't truly appreciate what I am listning to, it puts me in a mood and I find it pulls me back in. How awesome is that?
Breathtaking. 4.5.
I’m not usually one to put on a jazz album but something very soothing and soulful about this def kept me engaged . I’m not sure where it will fall within my rotation but def glad to have heard it
Great
Its hard for me to discern Jazz albums like this. I enjoy them but have trouble comparing them, this one from 1969 is ranked as one of his best. Foundational in the ambient genre. Totally smooth and perfect for my night shift
I have seen this album cover before. Never heard these two tracks. This is solid. Reminds me of Jimi Hendrix with the improv and jamming and guitar solos.
It was nice. Sometimes this album generator weirdly syncs with what I need in my life at a particular moment. This oddly came the day before Christmas, leaving a 14 hour retail management job and all the chaos that entails. It was just a nice sense of peace to drive home to.
El paso previo a Bitches Brew, una sola sesión de tres horas, dos etmas y otro disco para la eternidad en el zurrón. La banda brilla con Wayne Shorter – saxofón soprano, John McLaughlin (que ya había tocado con los Stones, Bowie o Claton) – guitarra eléctrica, Chick Corea – piano eléctrico, Herbie Hancock – piano eléctrico y sobre todo un Joe Zawinul al piano eléctrico, órgano, Dave Holland al bajo y Tony Williams a la batería, imprescindible con su entendimiento del ritmo- Wayne y Joe seguirían juntos en Weather Report.
Not for me. It may be great technique, but I really wouldn’t know.
I just can’t get enough. Been listening to this on a loop several evenings in a row.
not a big fan of jazz itself, but this was pleasing.
Not bad. Like the experimental, plugged in version of Miles
Solid stuff. Really like that each song is just one side of a record
Maybe a bit too peaceful sometimes. It's nice though.
Es hermoso, me generó mucha paz. Tiene dos tiempos extraños entre armonioso y alegre.
Just not my cup of tea…
Very chill, loved the drumming
This and Birth of Cool are by far in a way his best....
Sweet and chill
If peeing your pants is cool, call me Miles Davis
Short, sweet and beautiful!!!
Enjoyable
Stone cold classic, which works both as ambient music and dynamic, emotional, driving exploration.
jazzy but nothing more to it
Obviously, this is a great album. I prefer it to Bitches Brew. One I reach for fairly regularly.
This is a great and classic jazz record, despite being a transitional album between Davis's Cool Jazz and Jazz Fusion periods. I don't have much else to say here other than I wish there was more jazz on the list. Key tracks: Shhh/Peaceful
A whole vibe. Proto-Bitches Brew, a little more groovy and accessible than that one.
Chronologisch en stijlistisch tussen 'Kind of Blue' en 'Bitches Brew' in. Maar het heeft daardoor niet de waanzinnige souplesse van de eerste, en de breinbrekende intensiteit van de tweede, waardoor het bij mij nooit écht aansloeg. De intro en outro van het tweede deel zijn wel echt schitterend. 6,5/10
Precies even langs als mijn treinrit naar Den Haag. Maakte het staan in een benauwde 1e klas coupe toch iets draaglijker. Mooi om Miles' transitie naar jazz fusion goed te horen. Blijft tegelijk goed behapbaar voor mijn onervaren jazz-brein. De fenomenale muzikanten maken van een nummer met 1 (!) akkoord toch iets bijzonders. 7,5/10 Highlights Shhh/Peaceful
Greta background music
順順的聽過去的一張專輯，居然只有兩首歌曲。很抒情的聽過去。
This album is a lot more energic and funky than I thought it would be based off of the title and the album cover. Great energy throughout the songs that keep everything flowing well, you really don't feel the long run times. Very slick album. Mid 5.
Pretty great to have on in the background. It's interesting and inventive and easy to listen to.
In A Silent Way (the track) to me sounds like my ideal day. With you. Slow and calm when we wake up and fall asleep. The beginning and end feel intimate and cozy, and I can close my eyes and see/feel you. Interesting, unexpected, fun evolutions throughout the song. Love this one.
Miles Fucking Davis, ladies and gentlemen. I want to give a 17 minute standing ovation but I’m walking my dog in the freezing cold and the neighbors might call the cops.
Had never heard before. Was shocked to see just two songs, but they were long. Really nice mood and tonality. Parts reminded me of The Doors (The End) and bits of Atom Heart Mother.
I was in a huge dilemma of what to rate this. Honestly I enjoyed my time so well with this and the music is almost a guessing game in spots. It’s so interesting and to MILES DAVIS. This has always been one of the albums that I love most by him (Bitches Brew the follow up has always been a harder listen) This is 2 tracks but it contains a lot within those two tracks. Few minutes it’s nice and chill and others it’s frantic. This is a beautiful piece of art and deserves a 5/5
Неплохой фоновый шум.
Sounds like the soundtrack to a movie. It's not interesting enough without the movie.
One of my alltime Favoriten. It‘t the Sound, the Tempo, the musicans. All absolut perfect.
Ethereal sessions of jazz. The guitar work adds an interesting dimension to it. 4.5*
A cracking album, very spacey and psychedelic. There were parts I wanted for be a bit more explosive but in general an exceptional listen 4.75/5
Never thought I was a jazz man but here we are
Bitches Brew might get more of the accolades, but for me, In A Silent Way is top. …and by the way, should you ever find yourself about to make an absurd claim for the entire world to see, like this one… “I genuinely reckon that if I knew how to technically play a trumpet then I could do what Miles does here” …do yourself a favor, take Miles Davis’ advice and consider expressing that “in a silent way”.
Again, I just don't get it. It's fine. Nice to play in the background.
Nice
Look, I've listened to this Album on a rainy day, while sipping some red wine and saying words like furthermore and still didn't enjoy it.
What a great listen. Only two pieces but they each move in so many directions. You can feel the anguish and disparate realities of 1969 permeate. But the drums, particularly the hi-hats, give them a forward momentum in spite of all they're up against. A glimmer of light through the clouds. Miles Davis at his best.
I do enjoy jazz but some of this album is just very slow, almost too ethereal for me to stay with.
I am not usually a jazz person, the kind of chaotic improvised nature of it can make me feel pretty uncomfortable actually. But this album was different, and the slow, meandering nature of these two tracks really captured me. I almost felt like I was being led on a walk and told a story. I'm not exactly sure how to put into words how I felt while listening to it, but it kind of felt like a warm hug for my ears. I loved every minute of this album.
I really enjoyed this. I know next to nothing about jazz but this was great. Initially I was intimidated with in being 38 minutes with only 2 tracks, but it flew by and I enjoyed every second if it.
Miles Davis' heritage is incalculable.
improv jazz, meh
This album sounds like "hold music?" Y'know, I don't very much like to make commentary on other people's reviews. I mean, I don't think anyone's here for that, and I'd rather focus on trying to express my own opinions than spend my time having a one-sided debate or argument with someone else's. Absolutely, honestly, it'd be a waste of review to do that. But, like... The top-rated review of this album is a 2-outta-5 calling it hold music. And enough people, who knows how many, agreed with it to make it the top-rated review. Frankly, I don't know what insurance companies these people are getting stuck on hold with if anything on this album sounds like hold music. Not a single instance that reminded me of Kenny G, anywhere. I mean, most hold music isn't made to be anything more than pleasant-enough background music to keep your ear occupied while you wait six hours. To suggest that this album is as mild and unadventurous as that is an insult — in fact, it seems to land on exactly the opposite of this album's mission. Now, look, I was negative years old in 1969. Heck, **my parents** weren't even born yet, I'm sure. I can't exactly remark on the controversy this album stirred up in the jazz scene, but just knowing that it was controversial... I mean, I can't say I can't hear it. This is some adventurous jazz fusion. I mean, electric piano like this? I can't recall the last time I heard something like that on a jazz album — and it's great. Especially on "In A Silent Way"; that song's downright pretty. And the thing is, these are long songs — this album's two long, and they both approach 20 minutes — but they're never boring songs. Really, they both fit into the two ways I figure makes a perfect jazz album. These songs are a journey-and-a-half hearing where they go next, so, hey, if you're into listening to jazz for its complexities, it's no THE SHAPE OF JAZZ TO COME, but it'll still be right up your alley. By that same token, they're, yes, pleasant to listen to; to get lost in — so if you're into jazz for a good atmosphere, absolutely, you'll love this. I mean, there's no shame in that sort of thing — let's just not add on the extra disqualifier that they're meant to be ignored, because they absolutely aren't. The album's a big ol' 5 from me. Like, put aside any rebuttals I have against randos for their opinions — which, let's be clear, are absolutely valid, no matter what I think. It's just an incredible work. I'm thinking back to every instrumental jazz album I've heard before, from Frank Zappa's to the stuff I've discovered on this list, and I can't think of one I liked better than this. Maybe ELLINGTON AT NEWPORT for "Diminuendo And Crescendo In Blue", but even there I'd call it a pretty close tie. It's just... Oof, way. Immaculate. And not even in a very loud way. Goodness. I mean, seriously, if I called the bank and they served me up either of these songs as hold music... Well, it'd probably sound like ass comin' out of whatever machine they play hold music on, but still, y'know? I'd hardly complain.
An absolute masterclass of jazz rock from one of the best to play it. Solid 5 Stars.
I’m at a 5, and I’m glad I get to say a little more than “it’s just good jazz”. It’s good jazz with a little bit of a rock flair to it, and that distinction adds a bit of depth. It’s not an overwhelming rock flair – you’re not gonna get an extreme hybrid with like, a sick guitar solo in here, but the instrumentation of traditional jazz mixed with the electric guitar and synth-driven keyboards is blended together really well, in such a way that neither overpowers the other too much to be a distraction. Shhh / Peaceful does feel like the “lesser” of the two songs here, but it’s like picking between two different slices of pizza – at the end of the day, it’s still pizza. There’s not a wrong pick, one just might feel more flavorful. In this case, “In A Silent Way” is the more flavorful for me. Starting with the almost Eno-esque droning tones, before going into a really fun trumpet & keyboard driven riff held together by a super catchy bassline, then finishing back on the Eno-esque tones with a little more of the middle part involved, just caught my ear more. Ultimately, this album really succeeds through its simplicity; there are ways this could’ve gone wrong, but it never does. It doesn’t go too risky, and I think that’s the correct choice. It plays itself super safe, so it’s not as engaging as Birth of the Cool or Kind of Blue, but the different style of production makes the comparison feel a little weird. I can honestly boil it down to “I just liked it.” If Bitches Brew is indeed this but even better, I cannot wait for that to pop up on the list. As far as this album goes though, it’s a 5.
That's not my taste in musik. But interesting music. Great musician.
Ok, wasn't differentiating between songs
How did it take over 400 albums for me to get Miles Davis? The man has 4 albums on the list and I had to wait this long for one of them? I can't believe this. You know what else I can't believe (except I totally can)? In A Silent Way is amazing. This was an excellent introduction to one of the greatest jazz artists to ever live. In A Silent Way stands out in the Miles Davis discography for two notable reasons. Reason 1 is that this album is seen as his first foray into jazz fusion, a decision that would cement the later years of his career as being just as important as the early ones with albums like this and its followup Bitches Brew. The other reason is that, as I said earlier, In A Silent Way is REALLY good. It's considered by many to be one of his best albums. Of course, I haven't listened to his other albums, but I can safely say that this is something special. The album is a lot more chill than I thought it would be. It's not entirely chill. There are fun elements in here. The general vibe manages to strike a great balance between the two, which works out quite well. The sound is just amazing. There's only two songs here, but both "Shh / Peaceful" and the title track keep you captivated long enough to really appreciate the artistry here. Honestly, that might be my favorite thing about jazz. The technical artistry at work on the best jazz albums is truly something to behold. The unconventionality of arrangements like these works to create a unique music experience that's pleasant enough to work as background music, but interesting enough to analyze as a work of art. This album is great. I love it. Light 5/5.
I really liked this! I preferred the second track to the first, although I'm not sure if I'd listen to it again in the future, as I'm not a fan of super long songs.
Virkelig godt musik at have i baggrunden på arbejde. Kunne lidt bedre lide Kind of Blue men generelt er Miles arkiveret under COOL CAT hos mig
Totalt banebrydende og lyder stadig fantastisk.
Better than expected experience.
Difficult not to compare to his next, superior, album Bitches Brew, In A Silent Way is a gentle introduction to jazz fusion. It doesn't quite get there for me, and as blasphemous as it might be, I found John McLaughlin's guitar to be downright clunky at times.
Miles fully commits to jazz fusion on In A Silent Way - only to later perfect it on Bitches Brew.
A really good album by a jazz great. Not jaw dropping or iconic, but good nonetheless. 3.3/5 -> 3/5
Meh. It's fine background music.
Not as unlistenable as Miles Davis albums I've previously encountered in this 1001. It felt like a soundtrack to a noir detective TV show from the 70s. I felt I should be driving round some rain soaked nighttime streets, chain smoking, giving a running monologue to the rearviewmirror.
Ok
经典，豪庭啊
Nur zwei Titel. Interessant.
the trumpet was trumpeting
There are parts I liked, and parts I didn't like. Not sure how else to expand on it beyond that.
Stellar line up of musicians. You can really hear what Jazz Fusion was about to become and how the next decade was gonna look.
Like the soundtrack to an early 70s crime drama. 2
Did not hate it, did not love it either. Some parts are good, first minutes of the second track are really good. Not gonna give it a bad score just because I don't understand, neither do I care about, jazz.
Con Miles, todo vuelve a estar en calma y en su sitio. Simplemente es uno de mis ídolos indestructibles y este álbum marca uno de sus pasos de gigante. La batería y el bajo, simplemente son geniales
Chill jazz.
Es el mejor. Nunca deja de sorprenderme, probablemente de los discos más accesibles de él que he escuchado.
Another classic album by Miles Davis. While I enjoyed listening to this, it did not have the same overwhelming and inspiring feeling of his Kind of Blue album.
TBH I like this one better than Bitches Brew. Can't explain that. But there it is.
... ... ... ... Jazz. Rock. None of the above. Somewhere in between. Somewhere in between things that are not there. Things that are not there. Take them out. Edit. Splice. Take out. Wrong note. The wrong note is the right note. Insist on the wrong note that is the right note. Stop insisting. Ambient. Electric. Organic. None of the above. Somewhere between electric and organic. Somewhere between is the silence. Wayne Shorter. Joe Zawinul. Chick Corea and Herbie Hancock. John McLaughlin. Dave Holland and Tony Williams. Teo Macero (the genius editor). And Miles. "Shhh" "Peaceful" "Shhh" "In a Silent Way" "It's About That Time" "In a Silent Way" ... Number of albums left to review: 16 (plus the 80-ish extra LPs listed on this app, included because different past versions of the book have mentioned albums that have since been dropped in subsequent editions) Number of albums from the list I find relevant enough to be mandatory listens: 423 (including this one) Albums from the list I *might* include in mine later on: 252 Albums from the list I won't include in mine: 313
I can respect Davis's artistry in this album, but it's not really my cup of tea.
not my cup of tea
this was good, just really long 2 songs
Miles Davis has so many albums Wikipedia can't even be bothered to count them. Apparently Laughing Stock by Talk Talk based it's structure on this album. I've also seen this described as an early ambient work. So it's no wonder I'm intrigued.
11/4/24. Beautiful album all the way through. Still remember hearing it for the first time and was blown away. Love it.
When I want Jazz, Mike's is in the mix. I like the album.
Again, I'm not cool enough for Miles Davis. 2/5
This was much better than previous miles davis album I got, but it was still meh
Hard to pinpoint, but an engrossing listen. As there are only two pieces around 20 minutes each, the build ups are quite rewarding - when that bassline kicks in at the 14 minute mark on the title track, or in Shhh/peaceful, when after pounding a closed hi-hat for around 9 minutes the drummer releases the pressure a bit and we get a single snare drum hit (I do not fully realize whether that was irony or not.)
Very solid entry
Nice Jazz music. One reminded me of Ella
Not my cup of tea, but I can see the value and artistry in this album
Legit one of my favorite jazz albums. So compelling to listen to all the way through. The tension on the title track to make you want these big drums to come in for over ten minutes before they finally do is just masterful.
interesting moments
Not that I’m qualified in general, but I feel like it’s damn near impossible to actually talk about this album and break it down unless you have any actual experience in improv fusion jazz. Two tracks long, 40 minutes in length, and just some of the most chill instrumental work that you can sit and relax to. It’s moody, it’s smoky, it’s delivered in a simple manner, yet it’s delicately complex in its construction and production. I actually really enjoyed it, even if it’s not the flavour of jazz I would typically seek out. But I also think it should get bonus points for really kicking off an unforgettable period of the genre and being a pretty important release in how influential it was in the years and decades that followed; and I can certainly hear how it influenced a number of albums I happen to love. Maybe I have some writers block today. Maybe my knowledge of jazz needs some work. Or maybe this is just an album that needs to be listened to, rather than it being recommended by mere words. But it’s certainly an LP that has me stumped for words. If you like contemporary fusion jazz, and/or like to experience a bit of important music history - this is totally up your street. An appreciative 3/5.
Presenting Miles as the musician of subtlety and restraint.
It's jazz. It's nice, smooth, but not more than 3 stars.
Ja, een album met twee ellenlange jazz-nummers... Ergens voel ik me verplicht om hiervan te zeggen "meesterlijk, geniaal, tijdloos", maar ik ken te weinig van jazz om dit te appreciëren. Dit zou passen in een donker café met whisky en sigaren. Maar ik luister dit in een kil kantoor met ongezellige, witte kantoorlichten en hier en daar een kamerplant om toch maar het imago van een "toffe werkplek" te kunnen claimen. Niet de ideale setting dus. Al bij al ga ik toch op de twee sterren moeten duwen. 2.4.
Thoughts before listening: One of the all time greats. Considering I am pretty sure that I once had a Miles Davis poster on my college apartment wall, this is a pretty embarrassing confession, but I think I have only ever listened to Kind of Blue and Bitches Brew. I definitely don't remember ever hearing In a Silent Way. I am excited to listen to this...and to make my younger self just a bit less of a poser. Review: This is right up my alley. Two long tracks of jazz fusion studio jams with all the players getting a chance to shine throughout. And what a list of players! Besides Miles obviously, this album also has Herbie Hancock, Chick Corea, Joe Zawinul, Dave Holland, and John McLaughlin. I am especially enjoying John McLaughlin's guitar contributions here. I am adding both of these tracks to my playlist, and I am very glad I had an excuse to listen to this today. 5-stars
This is a fantastic palate cleanser. When you need something a little different than what you normally listen to, this fits the bill. This is also great background music while you work, cook or whatever. Highly recommend.
A jazz album that's not too long and doesn't get boring. Made in the same year as many other classics. Some jazz records can be monotonous after a few minutes. But Davis avoided that as there's many instruments on "In a Silent Way". In other words, I liked this album. 4 stars for "In a Silent Way".
10/24/24 first time listening!
4.5 Kinda weird but I can appreciate that given its year. Also really beautiful. Big fan!
So beautiful
100
Interesting listen. Has a definite vibe. Requires more listening
Cooooool Jazz man.
Appreciate the artist. Not for me.
In a Silent Way is Miles Davis' most underrated album. Most people point to Kind of Blue or Bitches Brew but for me this is his best album by far. Although it contains only two songs (both made up of two parts each, so actually four) but they are filled to the brim with some of his best playing, ideas and composing. Additionally, he changed his sound into a more Psychedelic Jazz-Fusion style and got new artists into his band to roll out that new sound. One of them is the legendary John McLaughlin but also people like Herbie Hancock, Chick Corea, Joe Zawinful and Wayne Shorter meaning this thing is an absolute powerhouse. And they created an absolute masterpiece that blends Jazz Fusion with a very atmospheric and often dark sound that still has a lot of diversity and as well as soothing and mellow passages. The album starts with 'Shhh / Peaceful' which takes up the first half with around 18 minutes of playtime and brings in a mix of the established Modal Jazz sound he's been doing for a decade together with the new Fusion ideas as well as a bit of Avant-Garde playing here and there. On top of that it all follows the very Cool Jazz additude that makes his career and playing so poignant in the first place. The track starts with the sound of an Organ around which more and more instruments get together and just play a ton of lovely melodies and ideas around a certain theme. It just flows from one instrument taking mainstage presence into the next with all of them feeling like they work together beautifully. Sometimes a little bit weird or Avant-Garde but this is Jazz of course it'll be a little bit weird here and there and this is really not that strong here which is a good thing because I think that too much Avant-Garde would disembody the atmospheric nature of the track. After certain ideas are established and the guitar takes the the centre together with the electric piano, the song really starts with the psychedelic influences and creates a beautifully hypnotizing effect that pretty much lasts for the entire duration of the song. There are such beautiful moments woven into all of it that it not only makes a perfect night time album but often just a great album to appreciate the calm moments of life. And everytime Miles Davis returns with a beautiful trumpet improv it really filps everything over and shows a new side of the song but in a different light and angle. And the song goes back and forth it returns in a split of a moment back to the theme at the start and again gives same ideas a different light with the same atmosphere but all different and with even more psychedelic sounds until it returns to the start once again and let's Miles himself finish this song by building some intense tension that is released slowly by a more and more quiet playing from everyone. This entire song is simply perfect! The second side starts with the title track 'In a Silent Way / It's About That Time' of which that first part is composed by Joe Zawinful which plays out very calm, nearly Ambient but full of beauty especially with the guitar that transitions into Miles' trumpet. I think that this guitar/trumpet part right here at the start sounds exactly like the album cover art looks like. After this "intro" it suddenly changes its pace very fast and turns into a more energetic and more Avant-Garde playing that with the Jazz-Funk influences feels totally different than the start of the track. After it calms down and settles into a more atmospheric sound which is still more energetic than the title part, it again turns into a calm and hypnotic listen that beautifully transitions between the different instruments and playstyles including a wonderful guitar passage that very much embodies this first wave of Miles' Jazz Fusion adventures. But of course the sax, the pianos, the organ, the rhythm section and Miles Davis all do a wonderful of giving this part incredible life and love that really pays off with the way it's structured and flows from part to part. And although I still love this part, it is definitely the weakest on the album. It then transitions back into the Ambient beauty of the title part with less rhythm, mainly driven by the piano, organ, guitar and the trumpet to finish the track which again, is absolutely beautiful and definitely a perfect song as a whole. favourites: Shhh / Peaceful, In a Silent Way / It's About That Time least favourites: none (If I had to choose a part: It's About That Time) Rating: decent to strong 10 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes
mr davis kinda disappointed me on this one, still good though
4 estrelas fácil. Miles sempre esteve milhas à frente.
The last Miles Davis we got was Birth of the Cool. Here he is 20 years later showing he's can take the two chord jams of psych rock into a new kind of cool. appreciated. (⌐■_■)
This guy sorta knew his way around a song eh
Obviously the playing is impressive but I’m not a musician and so there’s nothing to hang onto for a layman
I was already familiar with a number of albums by Miles Davis, but I hadn't heard this one before. In someways I'd say I was already a fan of his music even though I haven't heard everything by him, I'm glad to add this one to the list of the ones I have. I've listened to this album multiple times today and there is no doubt about its credentials for being included on the 1001 albums list. anyone with an interest in Miles Davis should give this a listen.
Why all the waiting for something to happen? 13 minutes into the second song, the album has it's climax but it's gone before you really get a release. Then just more waiting.
Not perfect but really good.. added
Some good background vibes
the former jazz band kid in me has to give this at least a 2. i didn't like it and again i'm trying to stay ALIVE AWAKE ALERT ENTHUSIASTIC while working. this made me feel like i was in dreamland. pretty cool he recorded it all in one day! but i can say that i'll probably never listen to this again until maybe my mid life crisis when i rediscover my love for jazz or something like that. i like 'in a silent way' better than the first song fs! daily dad update: no response, he must not like jazz
Funky jazz vibes. Not something I would choose to listen to but I can understand why people might like this
This is definitely a good album, but it's more subtle and ambient in nature than exciting, and, therefore, for me, it also is less memorable. However, I did like it. I just don't think it really wowed me in any way.
After listening to In A Silent Way, it is a pretty decent jazz album and a pretty decent step above the last Miles Davis album i looked at. This one, like i already said, seems to take a different approach from Birth Of The Cool (The previous Miles Davis album i did). While that previous album had a bunch of different songs which sounded generally similar to each other, this one had two songs split up into 3 sections each with the third one being a continuation of the first. I do like this style more since it allows the songs to be stand out much more from each other and the songs in general feel pretty darn relaxing. This album isn't exactly anything amazing but its still a pretty solid effort. Best Song: In A Silent Way / It's About That Time Worst Song: Shhh / Peaceful (Side note: Honestly, i don't even know why i'm picking a best and worst song for this album since there is just two songs but i guess i can just say i liked the second song more than the first one)
Vibes men lååång
I'm no stranger to Miles Davis, and Jazz in general, but I'm not as well versed in Davis as I'd like to be at the moment. Coltrane is where I've spent most of my jazz journey. In a Silent Way is a wonderful in-between of Davis cool-jazz earlier work and the behemoth that would come after this, Bitches Brew. It's not so avant-garde that it'd turn people away, but not as clean and simple as his most popular work. IASW is a welcoming album that I think anyone could get into. It could set a mood while you make dinner, or more be subject to a more intense listening experience. *Heard before
Miles Davis' *In a Silent Way* (1969) is a landmark album in jazz, widely considered a precursor to the jazz fusion movement. Known for its innovative soundscapes, the album marked a radical shift in Davis' career. With contributions from a stellar lineup of musicians, such as Joe Zawinul, John McLaughlin, and Chick Corea, it embraced electronic instruments and studio editing techniques that were groundbreaking for the time. Although the album is purely instrumental, its structure, production, and themes carry a deep emotional and philosophical resonance, making it a pivotal work in the jazz canon. ### Music *In a Silent Way* represents a watershed moment for jazz music, where Davis transitioned from the traditional modal jazz style of his earlier albums (*Kind of Blue*, *Milestones*) into a new realm of sound exploration. The album is notable for its minimalistic approach, elongated improvisations, and the introduction of electric instruments. The rhythm section — consisting of bass, electric keyboards, and drums — provides a rich, almost ambient background, while Davis' trumpet leads the melodies with sparse, yet poignant notes. The music unfolds over two long tracks: "Shhh/Peaceful" and "In a Silent Way/It’s About That Time," each around 20 minutes long. Both tracks are built around repetitive motifs and grooves, giving them a hypnotic quality. The interplay between Davis' trumpet and John McLaughlin's electric guitar is especially striking, with McLaughlin’s gentle, almost ethereal playing complementing Davis’ sparse but emotive lines. The album is a departure from the high-intensity bebop and hard bop styles that dominated jazz in previous decades. Instead, it embraces a more serene, contemplative sound, one that leaves ample space for the musicians to experiment and for the listener to get lost in the music. Each instrument seems to flow organically, weaving in and out of the overall texture without ever overpowering the other elements. The recording process itself was innovative. Davis’ producer, Teo Macero, played a crucial role in shaping the final product. Instead of simply capturing live performances, Macero spliced together different sections of the recordings, creating a seamless, dream-like flow. This use of editing as a creative tool was relatively new in jazz and would later influence how many albums were produced, not just in jazz but in rock and other genres as well. This approach allowed for a cohesive listening experience that was not strictly linear in nature but rather circular, with themes reappearing throughout. ### Production The production of *In a Silent Way* is arguably as important as the performances themselves. The album’s revolutionary use of studio techniques set it apart from other jazz records of the era. Teo Macero’s production approach was akin to that of a film editor, assembling and reassembling various takes and sections to create a new whole. This method gave the album a cinematic quality, where the flow of the music feels deliberate and intentional, even though it was constructed from numerous improvisations. One of the most notable production choices is the heavy use of reverb and delay. These effects contribute to the album's spacious, almost otherworldly sound, giving the music a sense of depth and dimension. The electric piano, played by Herbie Hancock and Chick Corea, often takes center stage in the mix, providing a shimmering, liquid backdrop against which the other instruments can play. The drums, played by Tony Williams, are subdued in comparison to traditional jazz recordings. Rather than driving the rhythm aggressively, Williams opts for a more subtle approach, often using brushes and soft cymbal work to maintain the meditative atmosphere. The decision to include electric instruments was another bold production choice. Although electric keyboards had been used in jazz before, they had not yet been integrated into the fabric of a jazz ensemble the way they are in *In a Silent Way*. Zawinul’s Fender Rhodes and McLaughlin’s electric guitar provide textures that were previously unheard of in the genre. This move towards electrification was met with some resistance from jazz purists at the time, but it ultimately paved the way for the fusion of jazz with rock and electronic music in the 1970s. Moreover, the album’s minimalism is reflected in the production, where restraint and space are key elements. Each note feels carefully placed, and the sparse arrangements give the music an almost meditative quality. This was a significant departure from the dense, complex arrangements of Davis' earlier work, like *Miles Ahead* or *Sketches of Spain*. ### Themes Although *In a Silent Way* is purely instrumental, it is rich in thematic content. The album’s mood is one of introspection, serenity, and subtle tension. The title itself suggests a quiet, understated approach, and the music reflects that ethos. Davis' trumpet playing is sparse, almost meditative, and the slow, deliberate pace of the music gives the impression of time stretching out. There is an overarching sense of calm throughout the album, but it is punctuated by moments of intensity, particularly in the improvisational sections. The album can be interpreted as a reflection of Davis' own state of mind at the time. In the late 1960s, Davis was increasingly interested in breaking down the boundaries between different genres of music. The social and political upheavals of the time, such as the civil rights movement and the Vietnam War, may have influenced the album's more subdued, contemplative tone. Rather than responding to the chaos of the outside world with equally chaotic music, Davis chose to retreat into a more personal, reflective space. The result is an album that feels timeless, both in its sound and in its emotional resonance. Another theme that emerges from the album is the idea of collaboration and collective improvisation. Each musician is given room to explore their own ideas, yet they all come together to create a unified whole. This sense of shared creativity is one of the hallmarks of jazz, but it is especially pronounced on *In a Silent Way*. The musicians seem to be in perfect sync, despite the album’s free-form structure. There is a deep sense of trust between Davis and his collaborators, allowing for moments of spontaneity and surprise. The album also subtly explores the relationship between technology and art. The use of electric instruments and studio editing techniques blurs the line between live performance and studio production, raising questions about the role of technology in shaping artistic expression. In many ways, *In a Silent Way* was ahead of its time in this regard, anticipating the ways in which technology would come to play a central role in the creation of music in the decades to follow. ### Influence *In a Silent Way* was a groundbreaking album, not only for Miles Davis but for the entire genre of jazz. Its influence can be felt across a wide range of musical styles, from jazz fusion to ambient music to progressive rock. The album is often cited as one of the first examples of jazz fusion, a genre that would come to dominate jazz in the 1970s with albums like Davis’ own *Bitches Brew* and Weather Report’s *Heavy Weather*. Musicians such as Herbie Hancock, Chick Corea, and John McLaughlin, who played on the album, would go on to become pioneers of the fusion movement themselves, incorporating elements of rock, funk, and electronic music into their own work. The album’s influence extends beyond jazz, however. Rock musicians like Carlos Santana and John Frusciante have cited *In a Silent Way* as a major inspiration, and its ambient, textured soundscapes have been compared to the work of artists like Brian Eno and Aphex Twin. The album’s use of studio editing techniques also foreshadowed the rise of electronic music, where the manipulation of recorded sounds would become a central element of the creative process. Despite its influence, however, *In a Silent Way* was not universally acclaimed at the time of its release. Some jazz critics and purists were skeptical of Davis' move towards electrification and minimalism, viewing it as a departure from the complex, virtuosic playing that had defined jazz up to that point. However, over time, the album has come to be recognized as one of Davis' most important works, and its influence on modern music cannot be overstated. ### Pros and Cons #### Pros: 1. **Innovative Use of Technology:** The album's pioneering use of studio editing techniques and electric instruments set it apart from other jazz records of the time, helping to shape the future of jazz and other genres. 2. **Cohesive, Meditative Sound:** The minimalistic, ambient nature of the music creates a calming, introspective atmosphere that invites repeated listening. The interplay between the musicians is subtle and deeply immersive. 3. **Groundbreaking Genre Fusion:** By blending jazz with rock, electronic music, and ambient textures, *In a Silent Way* laid the foundation for the jazz fusion movement of the 1970s. 4. **Timelessness:** The album’s sound remains fresh and relevant more than 50 years after its release, a testament to its enduring influence on modern music. #### Cons: 1. **Lack of Traditional Jazz Virtuosity:** For listeners accustomed to the more technically demanding, fast-paced styles of bebop or hard bop, the minimalism of *In a Silent Way* may feel too subdued or lacking in energy. 2. **Sparse Composition:** The album’s long, repetitive sections and slow pace might be off-putting to those who prefer more complex arrangements or tighter, more structured compositions. 3. **Not Immediately Accessible:** The album’s experimental nature and reliance on studio editing techniques might alienate jazz purists or those who prefer live, unedited performances. ### Conclusion *In a Silent Way* is a transformative album that marked a turning point not only in Miles Davis' career but in the history of jazz. Its innovative use of electric instruments and studio technology helped pave the way for the jazz fusion movement, while its meditative, minimalistic sound continues to influence musicians across genres. While it may not appeal to everyone, especially those who prefer more traditional jazz forms, its importance and impact on modern music are undeniable. With its seamless blend of spontaneity and precision, it remains a powerful listening experience that continues to resonate with new audiences even decades after its release.
It’s jazz. It sounded good but nothing really notable except it’s two long songs on a single album. What am I missing?
What’s not to love? Not as experimental as Bitches Brew, but a nice integration of electronic instruments with classic Miles jazz
I don’t understand jazz I guess. It’s fine. I’m sure in a historical context I would be more impressed. It’s not as jarring as other jazz I’ve listened to. Not my jam.
Chefs kiss
AMAZING YES 4.5-5/5
I must have overlooked this for the wilder fusion records of Miles Davis. This one has all the electric energy, irresistible tone, and top-notch playing of Bitches Brew and On the Corner, but contained into a more subdued record. Instead of hitting a rolling boil like those other albums, the title track is a menacing simmer here. The A-side is a swirling, hypnotising mass. The B-side finds a groove and follows it through to an understated climax and a final, dream-like resolution. It is maybe the most cerebral Davis record. The personnel, as expected, is an absolute dream team, with Wayne Shorter, Herbie Hancock and Chick Corea particular all-star players. If you can get used to the change of pace compared to his most famous albums, this is stunning. 5*
Listen to this made me feel anxious. Clearly not the right headspace for me for this album on this day.
Quite lovely, though two incredibly long songs is pushing it for being called an album.
It's weird that today this sounds quite generic to my ear. Perhaps I'm not in the right head space?
Like going to a fancy art exhibition consisting of only two huge pieces by this one famous dude. While I have to admit that I don't really get it on an artistic level, I respect the effort and appreciate the craftsmanship. I also like how it makes me feel super sophisticated. About 40 minutes is also the perfect amount of time to spend on it until you've had enough and want to sneak off in a silent way. 3.5/5
Anytime. Anywhere.
I keep hoping this album will be better, but each time I hear it I'm disappointed.
Magic. I can't hear all of it on my streaming service but what I can listen to is mesmerising and superb. It's been on my repeat for ages. A wonderful revelation.
++: In a Silent Way/It's About That Time +: Shhh/Peaceful 9,6/10
It’s jazz alright
Beautiful.
Previously rated: Birth of the Cool (3/5) Kind of Blue (3/5) Bitches Brew (3/5) ************************ Side A doesn't really go anywhere. Side B is just kind of boring.
It seems like I've been getting a lot of jazz lately . This album was a little different in that it only had two, rather lengthy songs. It hit me like good jazz is supposed to.
A perfect set of tracks for walking around empty city roads late at night in autumn.
In A Silent Way, this album was Peaceful. Shhhh
Fantastic music
Aight
An album full of tension, but it gets released in the end in a satisfying way
First song was okay but got old quick. Don't like the second one.
Good
I don't know if I'm really qualified to review this. I like it better than most jazz, but it's also more rock-like than most jazz. The middle section of "In A Silent Way" is basically two long stretches of them just hanging on a riff. It's got more in common with "Band of Gypsies" than with Duke Ellington. But it's cool, it's really cool. It's got a lot of strange, strange sounds - lots of atonal stuff, wide diversity in voices (with the guitar and organ and all that added in). But then there's also very pacifying sequences with a very smooth sound. It's disorienting, in a good way. I listened to this a couple times, in part because it's short and because it's good background music for work. It definitely rewards repeat listens. There's a lot there.
I kind of like Shh/Peaceful
Miles Davis is among the best-known performers in jazz, and all of modern musicians. He is also among the most prolific of recording artists, with over 60 studio albums, over 40 live albums, and more than 50 compilations. In a Silent Way is his 41st studio album, and is Davis' first major work of fusion, a transition marked, in part, by his incorporation of electric instruments. In a Silent Way is a jazz band playing rock, showing that Davis was responding, at least in part, to the popular music of the late 60s. While Davis' next album, Bitches Brew, drew far more attention initially, In a Silent Way has gained recognition in hindsight, and regarded as among his best recorded work.
I do not listen to jazz at all so I am completely unaware if this is good, bad or influential in the jazz world. What I do know is I like it. I don't listen to jazz because I don't feel like it has a flow, I feel like it is all over the place and the instruments don't really work together but do their own thing. However, for me this was totally different, worked together and made sense in coherent musical pieces. It was different because it was more electric and not just jazz band instruments, which was also cool and a different experience. It did give me the vibes of background music in an elevator or a store, but it was still enjoyable.
It's okay for mood music. Not something I would normally listen to.
This had some cool sounds, the trumpet is great, and I like how it’s mixed, but jazz continues to bore me. And because of the electronic influence, it almost feels like a more boring form of jazz.
Okay, wasn't expecting pure instrumentals
A lot of jazzy elevator music vibes, but in a good way. Not huge into instrumental only albums so this didn’t hold my attention much. There were some stand out moments towards the end of the album where the feel changes a lot. This is a nice background music album but I probably wouldn’t search it out again.
Shhh/Peaceful - 6.5/10 I feel like I'm in an 80's detective movie rn and its the intro and I'm getting ready to start my day as New York City's greatest detective and running down the stairs of my apartment with toast in my mouth and a cup of coffee in my hand. the jazz is me sitting in court. um, so this is long. Love the song but my attention span could not. Maybe if I were to use it as background noise it would work. I'm only 12 minutes in so I'm gonna skip to the next one. In a Silent Way - 7/10 I like this one a little bit more. I think I can see myself listening to this but as background noise. Only because it's a little calmer. I do feel like a little bohemian/70's princess listening to this. Oh nvm, we're on the move now. Now I'm not in the forest anymore but in the city again. TIME TO WAKE UP AND GO BACK TO WORK! 6 minutes in and seems like I'm staying up late to do overtime at my detective job. now the sun is rising. I PULLED AN ALL NIGHTER! 13 minutes in and now I'm on the run! for donuts? bagels? a crime? oh, now we rest up... I guess I solved the crime or something because now I'm getting tired. Overall Rating: 6.75/10
Because I had built up a little bit of a backlog I listened to this immediately after Kind Of Blue. It is not bad, but it just doesn't quite compare. Two nearly 20 minute songs are kinda rough.
Second miles Davis album inside of a week, I just can't seem to enjoy his music. Low 2.
Atmospheric. Two very long songs that somehow didn't become dull. We liked it.
Miles Davis is hit or miss for me, and this album hits very big for me if I’m in the right mood. I was pretty into this album either in college or shortly after college. I think I read about it on some best of listicle kind of like this project. One time back then I listened to this album very loudly by myself during a long drive on the interstate at night. It was a perfect mixture of music and circumstances.
Beautiful, especially the title track. Lovely sounds you can just live in and ruminate on, a nice contrast to the more chaotic songs of Bitches Brew.
Damn. Maybe I was just in the right mood for this one, but I loved it. Fantastic.
Someday, jazz will reveal its whole beauty to me.
Some of the best jazz that I’ve listened to but I’m still not a huge fan of the genre.
The trumpet was nice but the music was not for me.
Pretty chill
Awesome
Some call this musical masturbation. Well, joke's on you because I like masturbation.