Reviews (page 2 of 8)
Love Beth Orton!
Orton's voice and lyrics set you into a unique space.
like a weighted blanket
im in the central reservation eating bugs and shit
This album didn't grab me after the first listen but I could tell there was something special about it and I needed to sink my ears into this one. This is an album worth marinating your ears in. Beth's poetry is deep & complex. Her groove is deceptively relaxed & chill but she starts the album off by stealing a car so buckle up, it's going to be that kind of ride. Great songwriting on Stolen Car. Powerful groove. Love the harmonies. Couldn't Cause Me Harm is a slow sensual groove with... xylophone? I like the beat on Stars All Seem to Weep & has more of a pop electro groove compared to Pass In Time which is rooted more in her acoustic folk sound. It's cool how she mixes it up and blends those styles. Love Like Laughter has a melody that makes me swoon. So at this point I'm at a 4 with the album but then we get to Feel to Believe. This is one those songs that really gets me right in the heart and makes it a 5 for me. That song gives me chills. It's so powerful. It's just her and her guitar speaking her truth. She's like... oh yeah we're at the end of the album and me & my guitar got something else to say. And then she's like oh yeah... one more thing, here's that one song from earlier but it's like the dancing club mix version. YES! awesome album.
I’m so annoyed that my draft didn’t save. But pretty much I’m glad this was finally a female artist. It’s been like 17 albums and this is the first one. Actually except the gogos but I wasn’t a fan of that. She sounds a lot like dido at times but plus some twang. Quality music.
Central Reservation is solemn and sacred through every element of its creation. Orton’s hazy singing and soft dictation, her lonely and emotional lyrics, and her gentle guitar weeping coated in an electronic glaze all comes together to form the most gentle and yet profound work of art I have discovered so far along this musical journey. Also this is album is pretty much exactly my taste in music so there is a significant amount of bias in reviewing this. But that’s the point in preferences soooo.
Not my cup of tea. An extra star for use of bongos.
I really liked it! Reminds me of Everything but the Girl, but not as electronic. Also the girl on the album cover looks like Nora
I really liked it and usually not the biggest fan of this style. I’ll definitely be coming back to this one in the future Rating: 4.6
Omg bass
Brings me back to San Francisco 1999 Golden Gate Park
Musically it reminds Bruce Springsteen a bit. Generally very beautiful and interesting album, I ended up listening to it the whole week😁
I loved this album when it first came out, and still love it now. Full of emotion, desperation... just a brilliant album altogether. Orton's voice is fantastic and the whole album just sits together beautifully.
Really great. I had previously known her only for her collaboration with Beck on No Expectations.
Totally new to me. Rather enjoyed it!
Love Beth Orton❣️🤩 9 1/2 out of 10!!!
brilliant
This was a very, very good album! I especially liked the “Feel to Believe” track but every other song was equally amazing! 9-10/10
Folktronica! Who knew that was a thing??? Well I do know. This album feels like Joni Mitchell meets some 90s electronic music. The biggest difference is that the songs here don’t rely on Beth’s voice too much. Her voice is really good, but there are many layers supporting it. This is one of those that make doing the 1001 worth it…the unexpected discovery.
Very relaxing. Not quite as much trip-hop and electronica as I was hoping for, but still an excellent listen. I had heard of her before but had never listened to any of her material. 5/5.
Fantastic! What a surprise. I don’t know who she is or how I missed listening to her in the past.
This is just such a gorgeous thing. Even today, almost 25 years since I first heard it, 'Sweetest Decline' and 'Central Reservation' can still send shivers down my back and move me to tears
Can't think of any other artists at the middle of the electronica( )folk venn diagram, and it doesn't seem like it should work, but this album pulls it off perfectly, setting strummy acoustic guitar singer-songwriter fare to Portishead sounding high-hat dominant electronic beats. Fantastic production overall, each instrument, sample, and effect comes into its own, letting the singing star and tie it all together. Like the best bits of Astral Weeks remade with a 90s pallete of trip-hop, dub & some krautrock. A few songs have some great lead guitar work with mildly-overdriven slides and volume pedals to create a swelling swirling edgeless shoegaze sound. Some tracks are more raw stripped down acoustic songs - forceful vocals, loud/quiet dynamics, finger-picked guitars - these are less distinctive in terms of production, but still have the unique voice. She has a distinctive voice and delivery; she hits the highs but lives in a breathier heady middle range, fading out at the end of phrases, the melodies disappearing into themselves, peaking with emotive variations on the hooks. A beautiful and nearly Sui Generis album.
This one was a big surprise, since I never heard of this artists before. Definitely listening to the whole thing again.
I LOVE
Amazing album
Beautiful vocals - missed most of the lyrics and definitely a second listen required. Great mix of electronic/folk in the first half of the album, then dropping down to just simple guitar and vocals.
completely new artist to me, and a real revelation. i love the folk-electronic anachronism of the whole thing, and combined with a lovely singing tone and really beautifully bleak lyrics, this was just great.
I found this album to be an absolute delight. Gorgeous. Now, on the first listen there was a window of two or three tracks that started to drag on me just a little...I think it seemed like too much melancholy or something. On the second and third listen, I didn't have the same reaction, so I guess it was my changing mood.
Thank you random number generator for steering away from the hateful gangster rap I'm still trying to forget and providing this welcome change of pace. I was immediately in love with that opening track, and then it was mostly songs to love and a few to like unfolding before me. What a lovely, jazzy way to spend the afternoon.
Lilith Fair-core. I don’t say that disparagingly. I first encountered Beth Orton when she replaced Liz Phair as the support on Alanis Morrisette’s recent world tour which I found a huge disappointment. I now put that down to her not being an artist well suited to massive venues. This album is a masterpiece. Listened to it walking through Glasgow Green and noticing the trees were all finally coming back. Pure bliss.
Very good
Lost touch with Beth Orton after her early success but on this record I should have stuck with her. Really enjoyable, thoughtful and tuneful stuff. Best song Stolen Car.
Fajne
This album is gorgeous. Beth Orton’s voice is incredibly versatile and can break through anything making the listener hang onto every word. She is known as a folktronica artist, but I found this album to be solidly in the folk category except for a few songs on the back half of the album. I can see how this influences later artists in the 2000s and 2010s when folktronica really came into its own.
Great album, I really enjoyed this. My first listen was at the beginning of the day and it was nice to drift in and out of sleep with. The second listen was just as good, but awake.
I listened to it twice, then I let it roll on the background for a while to keep me company.
A big fan of Beth Orton and as soon as Stolen Car started playing it was like a big warm welcome home. I was a bit dissapointed to learn that Central Reservation was about drugs but hey, all music (art) is open to interpretation. Faves: it's all good but special call out for Stolen Car and Central Reservation.
I fell for Beth Orton the first time I heard She Cries Your Name in '96. Seen her live so many times, Acoustic Stage at Glastonbury '97, Union Chapel, Shepherds Bush Empire, an upstairs room in some random London pub, some venue near Southbank with Johnny Marr on guitar that was cut short when some wanker set off the fire alarm, and a church in Auckland. She never disappoints. All hail the Queen of Comedown!
What a beautiful record
idk yet
really beautiful, great songwriting too!
Das ist das perfekte Album um ein einem Anruf das nicht regnet den Tag bei ein paar Sachen spazieren zu gehen melancholisch und doch optimistisch. Kurz gesagt einfach gut ich überlege fünf Sterne zu geben. Inkl. Bonus für die Überraschung
Really liked this - need to listen again
This Lilith fair headliner is my favorite.
This was captivating and it made me feel nostalgic
This was a pleasant album. Great to finally get to another woman on this list; I enjoyed my listen though I can't say it left a lasting mark. There were a couple tracks that were a bit odd compositionally and several were over the six minute mark, which I mean I listen to prog so isn't a bad thing but just felt like an odd choice. Overall I liked it.
Have I listened to this album before No How familiar am I with this album Completely unfamiliar How do I feel about this artist? I don't know her at all Pre-Listen Thoughts: I'm sure this will be pleasant enough. probably 3 or 4 stars. Favorite track(s): Feel to Believe, Stars All Seem to Weep Post-Listen Thoughts: I liked this one. She reminds me of Dido or the Cranberries.
A good album. Would take a few listens to decide if it is worthy to be in the 1001
Day 322 Enjoyed this a lot, few songs went on a bit long but a really interesting album. Highlights Stolen Car Blood Red River Central Reservation
Forgettable, but I enjoyed the 90s vibes
Decent, female vocalist, ticking boxes
Grew up with a lounge/chillout compilation album featuring a couple mixes of her songs so the "folktronica" genre is pretty nostalgic to me. The songs are varied, her singing sincere, and the instrumentals are smooth and catchy. The mix at the end is a nice touch. I might be a little biased since it's been 100 albums since we've had a 90s female vocalist but it was a real fresh breath of air.
Very enjoyable... somehow I've gone this century without really being aware of Beth Orton beyond a name and a haircut. Not what I was expecting, a very pleasant surprise.
I had completely forgotten about this lovely album, and really enjoyed revisiting it. Those reviewers with nothing better to say about this sort of album than "boring" really need to grow up.
I had this on CD but haven't listened in years and forgot how good it is. It's less "folktronica" than her earlier stuff and more straightforward folk rock. I absolutely love the title song (both versions,), "Stolen Car," and "Pass in Time" which is straight out of the British folk tradition with great backing vocals from Terry Callier. But there are a bunch of great songs on this and it doesn't drag in the least. Love her voice and songwriting and I'm thankful for her inclusion on the list.
This is a really lovely album. Reminds me of a Laura Marling record, in the way that its very relaxing to listen to but never boring. A few songs, like Pass in Time, even have a vintage Fairport Convention feel
a bit Lilith Fair
I think I need a few listens to absorb this properly
'& I've lost the line between right or wrong / I just want to find the place where I belong.' A bit affected perhaps, Beth Orton reminds me some of Beth Gibbons, the lead singer of Portishead, tho the folk-country version, not the jazz-cabaret edition. But there's a lovingness involved, something that tells me it's all for the right reasons. '& I'm always walking down the escalator / The up way.' A beauty too, a simple, go-to beauty, one fulfilling & purifying, especially 'Pass in Time.'
ta buena
I had only really heard stuff from her from when she worked with Andrew Weatherall and the big beat guys from the 90s - hadn't paid much attention to it otherwise. Her voice is like a big comfy hug from a warm blanket. The instrumentation and production is lovely. Beth slays
I like Beth Orton, so enjoyed the album. Plus when she's good, she's very good. Some great tracks, especially the opener.
some nice background music for me. didn't really get a chance to dig into the lyrics, but i enjoyed it 4 stars
It’s all about Orton’s incredible vocals. The music is an afterthought. I love the quality of her voice. And Stolen Car is awesome song!
This album gets off to a great start with Stolen Car, which is a high energy song with great instrumentation and lyrics. The rest of the album, though... It's not bad at all, just feels kind of underwhelming after that. I think I would like it a bit more with the tracks rearranged so Stolen Car gets a bit more build. That said, the writing and singing I this album is all still very good.
Dreamy!
Nice vibe. Mellow. But not dull. Folktronica apparently. More folk than electronic I thought (Stars All Seem To Weep an exception- quite EBTG like - the Ben Watt involvement is clear). Great voice. Liked Sweetest Decline, Pass in Time, Blood Red River - though not really any duff tracks. Strong 4.
Very nice sounding- a little Van M in parts although on the whole I think the slightly more expansive and dubby Trailer Park edges this one out. Enjoyed the vibraphones throughout.
Very listenable without giving me any “wow” factor. It’s it’s one I could easily revisit
dios me encanta cuando los cantantes son mujeres alternas, el álbum me gustó pero cambia mucho el flow del primer tema al resto
Better than I expected
This was incredible. Beth was forlorn af
I’m pleasantly surprised by this. Like it a lot. Florence & The Machine vibes
Liked it
Chill
gillade!
I really enjoyed this album, which is a new record to me. It has a very David Gray vibe to it, and while it sounds rooted in late 90’s / early 2000’s singer songwriter music it doesn’t sound outdated listening to it 27 years after its release. Big fan of the title track and Stolen Car, but found it to be a solid, well crafted album from start to finish.
Actually quite liked it, I'll give it 4 so I don't forget it but I might bump it down after a re-listen
Pretty good stuff.
First time hearing Beth Orton and I liked it. A pretty relaxing listen on an Autumn Sunday while the rest of the gousebis still asleep
Great voice!! Also, nice juxtaposition of acoustic guitar with electronics.
está guay, rollo música de Magnolia de PTA
Solid album. Really enjoyed her voice. A lot of similarities to Dido, but just similarities. Beth Orton is definitely her own artis with a solid voice. I look forward to listening to more of her.
Wonderful.
yasssss my favourite microcelebrity
Interesting album to get on my birthday. Two friends of mine joined Beth Orton’s band a few years ago, so I actually got a chance to meet her briefly when they played the Bowery Ballroom. She was super friendly. I’d never heard her music prior, so it was interesting to see such a dedicated crowd like 20-odd years on from when Central Reservation came out, knowing all the words and really getting into it. Listening now, she strikes me as a nineties Joni Mitchell. Some of this is super dreamy and peaceful. Nice and relaxing for a quiet day.
Lovely.
I actually really enjoyed this one - Beth voice was very nice and enjoyed the accent.
Really didn’t expect to like this as much as I did. Perhaps it’s convenient timing, but this was a perfect Sunday morning vibe.
A soft, folky album, with a few electronic elements, and a great sound!
Really good. I love her vocals but a little long
I went into this totally blind having never heard of Beth Orton or knowing what kind of music she performed. Early on I was thinking a 3 but this album grew on me and I enjoyed it. I'd listen to this again.
Ok so this one grew on me. Started out thinking this was gonna be boring but the lyricism and her voice are really nice. Pass in time and Blood red river were the standouts
Really, really lovely. This is one I'll probably come back to a lot. I struggle with albums like this, wanting to give them 5s simply because I see nothing wrong with them and I enjoyed them so much. But, there is something to be said when an album is completely inoffensive. Not a lot of pushing the envelope going on here. Still so solid though. Why Beth Orton isn't talked about in the same breath as Norah Jones and Natalie Merchant, I have no clue.
Notes of REM on this folky electronic album. I liked it a lot, but nothing is a hit single for me. I can definitely see putting this on when I have to kill 7 hours in the car and don’t want to try to convince my wife to listen to Pup’s the dream is over again.
Wouldn't have listened on my own. It was mellow and worth the listen.
This one and Trailer Park are my favorite of her albums.
Beth Orton’s voice is a bit of an acquired taste, I guess. But I’ve acquired it. I probably haven’t kept up, but her first three albums at least are downright excellent—smart and engaging.
Enjoyed this. Gentle ride, some cool instrumentation and timbres, great voice, mix of genres/influences. Did taper a bit for the 2nd half tho 7 / 10 Best track/s: Central Reservation, Stolen Car, Couldn't Cause Me Harm
Another one that slipped past me in the 90s. Very enjoyable listen overall. Melancholy and breezy vocals throughout
This was a really enjoyable listen - strong songs with an interesting sound. The 2nd half of the album (excluding the last song) did get a little “same-y” sounding and was more traditional folk vs the really interesting “folktronica” from the earlier part of the album, but they were still good songs with strong writing.
I saw the genre being stated as "Folktronica", I was intrigued and excited. Largely lived up to the expectations. Enjoyed it, might return!
Stolen car is a great opening track
Album that likes to genre hop a bit, but sticks the landing really well for the most part. Fan of the more rock oriented tracks which have great hooks. 8/10.
Pretty strong standouts, stays good throughout and the variety is much appreciated. Favourite track: Central Reservation
8.5/10 This is my first time listening to Beth Orton and I'm really loving it. Her vocals really shine over the simple quiet instrumentals, especially the last few songs. Also I have to mention the beautiful singing on Pass In Time (with guest vocals by Terry Callier), definitely my favorite song on the album.
i LIKE HER VOICE
Not my kind of music, but how not to fall in love with this voice? 4 stars.
So, the generator allowed me to go from oh no, another 1990s indie artist I couldn’t be bothered with to amazing, sounds like Joni Mitchell, what lovely songs. Cheers generator!
That was nice. Great voice. Enjoyed my time with this one. Actually listened to another of hers, will be back for more.
Didn’t finish it but it was somewhere between Norah jones and Joni Mitchell. Could be just right a chill morning. 7/10
Stars all seem to weep the highlight of a very good record
music I imagine a character would listen to late at night in a period film
love this. never heard of her before, great discovery. learned from ana she is in a band called heavenly. also fire. fav songs: pass in time, stolen car
a keening, haunting voice, and some lovely melodies and arrangements
‘Central Reservation’ is a beautiful blend of folk and electronic textures, all wrapped around Beth Orton’s emotive, vulnerable, intimate voice. The record is further elevated by a stellar cast of collaborators, including Ben Harper, Ben Watt (of Everything But The Girl), Terry Callier, and Dr. John, among others. Hell, someone (Tedd Barnes) even plays bouzouki on track two, ‘Sweetest Decline’. It’s a super lovely, totally unexpected album.
Highlights include "stolen car" and "all stars seem to weep"
7/10
Nice Lilith Fair fare.
Good for chilling
Really enjoyed this, will listen in future.
Nice voice & catchy music. May listen again to focus on the lyrics.
This was better than I expected
very norah jonesy
I quite liked this! Saved a few songs. She sounds like Sinead O’Connor
Man, forgot about this one. A nice throwback, beautiful voice and songs.
This reminded me of Nora Jones? I think that's the right person I'm thinking of... #BarbaraHowardMoment
Maybe just a strong 3, but listened to it on a grey Winter day where I was feeling melancholy, and everything seemed both pretty and sad... and this allowed me to wallow in thst mood a bit. So, rounding up.
I always mix her up with Beth Gibbons, but I like this better than Portishead. Mixing folk with slight electronics is a winning combination for me! (See also: Beth Gibbons' solo work)
Turns out England does have an answer to Alanis Morissette: Beth Orton. I had never heard of Beth Orton prior to pulling 'Central Reservation' on this list, and now that I've listened to it, I want to hear more! The first song, 'Stolen Car', had me hooked immediately with its trippy electric guitar riff weaving under the folky acoustic rhythm and Orton's incredibly unique vocals sitting nicely in between Morissette and Dolores O'Riordan of The Cranberries. Then things get quieter and folkier on 'Sweetest Decline' and I continue to be impressed by Orton's authenticity and rich musicianship. Apparently, Orton's genre of music has been dubbed 'folktronica' (a mix of folk and electronica), although I would say the folk sound is a bit stronger. I've already compared Orton to Morissette and O'Riordan, but 'Pass In Time' displays a rich Joni Mitchell influence. It could well be my favourite song on this record, and the backing vocals by Terry Callier are a treat too! I'm truly amazed that Beth Orton hasn't received greater attention outside the UK. If you like Alanis Morissette, Joni Mitchell and The Cranberries, I definitely recommend checking 'Central Reservation' out. Amazing record! Best songs: Stolen Car, Sweetest Decline, Pass In Time, Central Reservation, Stars All Seem to Weep
okay i actually listened to this album and i would say this is a great folk/folktronica album i love it a lot. it’s so warming but specifically winter warming if you know what i mean. it reminds of me of carole kings tapestry with a little bit of PJ harvey and it turns out well. i love the folk aspects of this album and the tronica aspects. i need to listen to more of this to be honest the whole album is great. 8/10
Hints of Dido and KT Tunstall, both of whom came after Beth Orton, but who I'd heard first. Opening track is probably my favorite with its crazy reverse guitars. Her voice fits everything perfectly, even if her tuning isn't always perfect. The tuning issues are probably the only thing keeping this from being 5 stars from me. 4 stars.
A good acoustic revival album. I love Orton's voice. The lyrics are pretty vague, but that actually makes it easier to focus on the rhythm and tone, the flow of the melody, and the interesting instrumentation moments that a few tracks have outside of guitar.
Meget positiv overraskelse.
Almost a 5. I have a really affinity with this album
I love Stolen Car so much that it's one of those songs I wish I could hear again for the first time, because I know how much I would fall in love with it every time. Such a simple chord progression, but so beautifully treated, and accompanied by haunting and affecting lyrics. I also absolutely love She Cries Your Name, from the previous album. Strangely, I don't think I've ever listened to this album before, although I've heard Trailer Park. Completely my fault for not making the time - I was quite busy with babies in 1999, and then I suppose I sort of forgot about it, despite Stolen Car being seared in there (it must have been; it's already on my Spotify playlist). Anyway, I'm burbling. I thoroughly enjoyed this - it was all well-crafted and beautifully paced, with spaces in the music. I wasn't sufficiently won over by every song to go to five stars, bit I think it's an album of real quality, and it finished strongly, I loved the simple meandering of the final track.
Hipster McLachlan? Let a great singer sing. The Then Again Version of Central Reservation makes me think I better go listen to Trailer Park (assuming that's where more electronica is).
Cooler than I thought it was going to be. There's maybe something here that reminds me of Sufjan Stevens.
Folktronica. Nice music overall, definitely worth a deeper dive.
A little too long but great tracks
Pretty good album. Kinda reminded me of a mix between Alanis Morisette and the lady from the Cranberries
Beth Orton is going to need some more listens and I think warrants it. I’m tentatively going a low 4 as I think the songwriting is interesting and she hits upon some beautiful melancholy. It’s a little long and sags in places but I’m engaged and intrigues and want to get deeper into it, hence the tentative low 4.
There were a few songs on here (namely the opening and closing tracks) that I really liked. Everything else kind of paled in comparison and was just ok. 3.5/5
174 Pucha, tenía tantas ganas de que fuera como el Orton, pero no. Me gustó harto, como si Joni Mitchell hubiera sido full 90era. En mi cabeza es un 4.5
Really good
This was the perfect album to listen to on a walk in a cold January afternoon in England, after a night of snowfall.
First artist I had never listened to (I think) and I really liked the album. Her voice sometimes reminiscent of Dido. Can't really understand how this one stayed of my radar for so long.
I did enjoy this album and, though her voice can be a bit much at times, she has solid lyricism and good variance of theme. It's a nice relaxing listen for the morning.
A lovely folky, emotionally rich album. It’s a mood piece, but a nice one for a chilled rainy Sunday afternoon. I enjoyed it.
Liked this a lot more than I thought I would. While it is kind of simple, the emotional aspect really shined through
The first track, Stolen Car, was wonderful but the rest of the album didn’t live up to it—a bit flat and samey. Between a 3 and a 4 bit rounding up because I’d like to listen more and explore her other albums.
Es ist ein feinfühliges Werk zwischen akustischem Folk und elektronischer Eleganz. Mit ihrer warmen, leicht brüchigen Stimme erzählt Orton von Verlust, Sehnsucht und Selbstfindung – mal introspektiv wie in „Pass in Time“, mal beschwingt wie im Titeltrack „Central Reservation“. Die Produktion ist detailverliebt, aber nie überladen, und lässt Raum für Emotionen und Atmosphäre. Besonders hervorzuheben ist die Balance zwischen organischen Instrumenten und subtilen elektronischen Elementen – ein Markenzeichen des „Folktronica“-Stils, den Orton mitgeprägt hat. Zwar fehlt dem Album stellenweise der letzte Funke Überraschung, doch seine melancholische Schönheit und lyrische Tiefe machen es zu einem bleibenden Hörerlebnis.
Really impressed with this, feels like she should be more well known
Apparently, this is a Folktronica album - a mixture of Folk-Rock and Electronica. Her voice on a lot of the tracks reminded me of Judie Tzuke (from the late 1970s), although Beth Orton's muisc is a bit more Folky. I liked it.
Beth Orton's Central Reservation makes me feel a number of ways. When listening to her, I imagine cozy afternoons lying on my spent watching the shadows climb the walls of my childhood home. I imagine nights cooking and drinking wine with a girl I liked in college. I imagine stepping outside for a cigarette at 2am on a brisk autumn night. Orton's singer-songwriter/folk-pop stylings reminds me of Joni Mitchell, Suzanne Vega, and Tracy Chapman, which is strong company to keep, and like them, I'm constantly blown away by Orton's lyricism. Her voice is smokey, full, and plaintive. The instrumentation is often beautiful, delicate, but veers Into slinkier territory reminiscent of her trip-hop past. Produced by one half of Everything But The Girl, you know the production on this will be fantastic, and it is; perfectly catching that late 90's cross section of sophisti-pop, trip-hop, and singer songwriter folk. I had never even heard of Beth Orton before this, but this was such a great surprise! Goddamn. Incredibly strong and consistent album.
Overall dug it, reminded me of the Garden State soundtrack at times in a good way.
Fiona Apple vibes. This is top-tier lyricism wrapped in a very chill package. It paints a picture of someone who knows exactly who they are: gentle, but impossible to trap. The emotional weight is there, balancing the pain of yesterday with the need to live right now. I just wanted the music to match the intensity of the words a bit more often. Spins: 2 Playlist Additions - Stolen Car - Sweetest Decline - Stars All Seem to Weep - Central Reservation - The Then Again Version
A great solid album.Have had this cd for years and always enjoyed her voice .The title track is a highlight .
i like it but its too long
I like her voice and chill sound.
Nice voice and I like the indie folk rock sound.
First impressions really strong, even better on round two. It's going to be a repeat listen for me! 4/5
It's been a long time since I have heard this. We had the CD back around 2000 and put it on all the time. Still sounds good: quiet folky soul: slow, poignant, and Orton's voice has that edgy little crack. Stolen Car is amazing, and I like the techno-dance version of the title track. Good stuff.
I own this album but hadn’t listened to it for at least twenty years. Orton’s voice is remarkable, and the album creates an evocative moodscape, dreamy but grounded.
Singer songwriter in the tradition of Joni Mitchell and Natalie Merchant. My favorite kind. 4/5
Nice enough album. A great voice. 4 star
Classic 90s sound
Ok
Thoroughly enjoyed. 3.5
Different and nice
Throughout the album there are many beautiful chord progressions that truly made me want to take out my guitar and learn them. I enjoyed the emotional vocals that can help anyone experience the pain that she may have faced. My 3 highlight tracks off the album are Couldn’t Cause Me Harm, Central Reservation (The Then Again Version), Stars All Seem To Weep, Honorable Mention Stolen Car.
Folktronica? Sure. But this album is also very much the descendant of the corner of 120 Minutes populated by Sophie B Hawkins, The Sundays, Mazzy Star, and even Dolores O’Riordan. And like those acts, the vocals are doing the heavy lifting, so much so that on the more ethereal tracks the atmosphere fades into emptiness. Put another way, some of these tracks don’t need to be 7+ minute songs. But, either way, a great revisit of an album that is somewhere in my crate of CDs.
Wow yes. I love this. I kept waiting for a song to pop up where I would say "Oh she sings this very popular grocery store music song" but it never came. This is just 11 really good songs, but nothing truly great. Best Song: Stolen Car Rating: 7.5/10 Stars: 4
I'm only familiar with Bess's more recent work which I do enjoy, so it was a real treat to find this today. Lovely album for a fall morning. 4.5/5
Best songs: Stolen Car, Central Reservation, Blood River Overall a solid and consistent album, would have defined it as pop folk as folk is certainly the main genre of the album, while the electronic influence did not really feel evident in the album (except for the closing track). There are no lows, but also no staggering highs.
This was great. What a voice!
nice
Excellent.
Huggulegir tónar
Kinda nice
Sensational lyrics on this one! Heavy subject matter.
Beautiful voice and smooth songs with a lot of feeling to them. Really good music to relax with at home.
I really liked this a lot. Great voice, great instrumentation, my favorite type of vibe. Everything was thoughtfully done and good. I'll definitely listen to this more.
Lovely. I am not totally fan of her voice, but I do like the songs and the arrangements.
On the more enjoyable side of 90s pop/folk. Sounded like a lot of other singers that came out around that time. Had a few really good songs on here though so it'll get a nudge to low 4
It's a 4, but that first song is a 6/5
Another really good find. Nicely played reminds me of Edie B, Joni M, Natalie M. Just about as good as it gets. 8.0
beth orton has got a super haunting yet beautiful voice that feels a lot like Joni Mitchell or Kate Bush. Google calls it a "witchy" sound, and i'm a big fan of that descriptor. It's a mix of high energy and smooth shuffle as far as the songs go, and i'm quite the fan.
Old friend Beth Orton. I listened the crap out of this album when I came out.
dragut sincer. nu e pop pe care il ascult sincer si de asta ma incanta cat de cat
This was really nice. I think I've heard her name, but don't know her music. Looking at my last.fm history, I've scrobbled one track prior to today, back in 2023. It has not stuck with me. I enjoyed this from the get go - very Knopfleresque guitar work on 'Stolen Car', definitely a highlight. Her vocals are very engaging without being overpowering. More of this, please!
I really like this one, great voice and lyricism intertwined with simple yet also complex instrumentation (in some aspects), mostly folk but with definite trip-hop elements most notable in songs like ‘Stars all seem to weep” and the last song (a remix of an already established song previously on the album), both of which feel slightly out of place but culminate in what are probably my favourite songs of the album as they really seperate thus album from other folk ones. It also bas a great, catchy intro song which is always a good thing to immediately hook you to the album, followed by less energetic folk songs with some really nice acoustic guitar and strings, there was actually quite a few instruments i noticed in each of the different songs which definitely added some variety. Also, once again the lyrics throughout were really nice and quite deep. Favourites: the first three, stars all seem to weep, love like laughter and the last three. Overall, 8/10.
took me like half the album to actually get into the mood for the album i was listening to, which u would think would doom the whole thing but im willing to believe that the whole album Is as good as the chunk that hit me the hardest and my brain was just being stupid. wonderfully watercolor singer-songwriter stuff w/ trip hop and folktronica being used to break down the fences that mark out the Obvious way these songs "should" be done. creative and precise but still lots of air and nothing overly flashy...and rly rly beautiful once i was able to fully give myself over to it instead of just letting it drift by. which is v easy to do ofc, but u get out what u put in yk!
Good variety of moods
3.5 07.25.2025
Kind of surprised I liked this enough to give it a four. Heavy late 90's singer songwriter vibes, but very chill
I actually quite liked this one. Has a sound a lot like Regina Spektor who I also like a lot.
Pretty good. Pleasant to listen to.
Beth Orton was and is one of the most underrated artists of her time. The voice, her beautiful songs, the quiet folksy instrumentals, it's a vibe. Highlights: Stolen Car, Central Reservation, Pass in Time
Beth Orton has such a beautiful voice. I have never heard her before and I am so glad I have now! Fav songs: Stolen Car, Central Reservation
There's more than a bit of Moon Safari hiding in this production, and with some excellent vocals on top this was just what I needed! 4*
I wasn't expecting much going into this album, but I was pleasantly surprised at how much I enjoyed this. This is pretty good! It's not spectacular, but I'd call this an album that was worthy of my time. I wasn't super interested upon generating the album. I thought "Folktronica? Were the TWO Goldfrapp albums not enough?" Turns out, I actually like this album more than the Goldfrapp albums! I actually didn't really think of her that much with this album. The outside artist I thought about most while listening to this was actually Joni Mitchell, which is not a bad thing seeing as I love what I've heard of Joni's music. This kind of reminds me of a blend of her stuff with a bit of Portishead thrown in on songs like "Stars All Seem to Weep." I like it. The instrumentation blends the softer acoustic stuff with electronic influences well. Beth Orton's singing is nice. Not my favorite singer named Beth. After all, I did already acknowledge Portishead in this review, so I might as well mention that I like Beth Gibbons more. However, I feel like comparisons to other artists aren't what I need to do for a review like this. I will say that I do have one specific problem with the album. It's a little long for my liking. Other than that, I feel somewhat positive about everything. The writing's alright, the vibes are nice, and the music's good. Nothing's phenomenal, but nearly everything in this album brings me some level of positive feelings. I like it. Light 4/5.
I liked this album, I listened to it quite a few times. But that's partly because I didn't know what to say about it. Beth Orton's voice is wispy and beautiful and Ted Barnes' mostly acoustic accompaniment fits nicely alongside. But I felt like some of the songs felt the same; in the back half of the album I was asking myself if I already heard this. The album feels like it's somewhere around a 3.5, and not sure if it's a 4 because I had to think so hard about what songs I really liked. But when I stopped to think about each song, I chose a lot of good ones - Stolen Car, Sweetest Decline, Pass in Time, the title track, Blood Red River, Devil Song, and Feel to Believe. That's 7 out of 11, which feels like it's worth bumping up my rating.
Beautiful Singer-Songwriter/Folk
Pleasant enough. Some standout moments.
Solid Natalie Merchant and Dolores O’Riordan vibes. Really enjoyed discovering this one.
Lovely
Beth Orton's second album (third if you include the highly collectable debut 'Superpinkymandy' from 1993 - an album that even Beth disowns). Compared to the previous album 'Trailer Park'; many of the electronics have been stripped back. This more rustic approach works perfectly in tracks like 'Couldn't Cause Me Harm' and the very gorgeous 'Central Reservation'; but it lends the album a very subdued feeling as a whole. Take 'Stars All Seem To Weep', for example, which incorporates trip-hop and elements of dub. It's a very muted affair that seems primed to break out into something truly special, something genre-bending, but it never quite gets there. Meandering and "playing it safe" aside; there are two very strong highlights on offer here. The first is 'Stolen Car', an ubiquitous piece of late 90s nostalgia where every instrument, every arrangement, hits in exactly the right way. The second is the Ben Watt (Everything But The Girl) mix of the title track 'Central Reservation' which transforms the original into a sugary sweet and catchy piece of dance pop. All being said; there really isn't too much to fault about this album. It's a very safe affair, but that also gives it it's own certain wonderous charm.
This is like if Alanis Morrisette and Noah Kahan had an English baby. Her voice reminds me a little of Dolores O'Riordan. It was solid! Scratches my 90s itch.
This was a delight from start to finish. Beautiful vocals. Close to a five-star rating. Highlights were Stolen Car, So Much More, Pass in Time, Central Reservation, Blood Red River, and Feel to Believe.
Sorta like the British Norah Jones.
Gran voz, buenas canciones y excelente grabación. No obtuvo el reconocimiento merecido.
Nice voice. Raw
Chill vibes from Beth, breathy ethereal vocals over lush arrangements is the order of the day. Loved this.
Unique voice. Wonderful lyrics
Listening to first track Stolen Car
Really great album.. Kind a like a modern Astral Weeks in some ways.
Listened without any knowledge. Can literally not tell what era this is from. I hear the Carol King & Joni Mitchell influence.
A very comfy listen. Her voice is the best part of the album.
A chance to reconnect with this artist. Bought a CD years ago when that was still common, Trailer Park. Beautiful voice, great arrangements. Pleasure to listen to
This was full of great songs. Yet another example of a complete unknown (to me) artist that surprises me with an album full of great songs. Dang near 5 Star territory.
A good album, I liked Stolen Car, Central Reservation and Blood Red River the most.
Singer songwriter pop. Great soft and honest voice. Some tracks like «Stars All Seem to Weep» leaning towards trip hop - those I really liked a lot. The rest is also good, but a bit more boring.
This was a decent singer/songwriter album. I found out that Ben Watt from Everything But The Girl produced a few tracks, which was interesting, but honestly, nothing really stood out as all that memorable. Still, like I said, it’s good for what it is.
I liked this more than I expected, having never heard of the artist. She's got an emotive voice and uses it well.
Some magical songs included here. ‘sweetest decline’ evokes memories of relationships which have broken down which I’ve not even experienced. “What are regrets? - They're just lessons we haven't learned yet.” I prefer the remixes of the title track and would have liked to have heard more of that influence on a few more of the songs. Either way, utterly beautiful In parts.
Woah! Folktronica! I'm not going to give an album 5 star just out of the genre, but if there was ever a case to, it's here. Most tracks are pretty solid, but at its best, this album absolutely rocks. The production was pretty good, although a bit inconsistent. Overall, great album! Favorite Track: Stolen Car
"Central Reservation" is the third studio album by English singer-songwriter Beth Orton. The Wiki-listed genre is folktronica (acoustic instruments with hip hop, electronic and dance beats). Hmmmm? Multiple musicians were used including Terry Callier (vocals), Dr. John (piano), Ben Harper (guitar) and Ted Barnes (guitars, bouzouki). The album received critical acclaim and won the UK Mercury Music Prize. Commercially, it hit #17 in the UK and #110 in the US. The album opens with "Stolen Car." A melancholic mood with violin strings and an acoustic guitar. A constant drum beat. Orton with emotional vocals as she is singing about a wrong relationship . An interesting screeching and distorted guitar solo outro. I've always like this song. The next song "Sweetest Decline slows it down. Piano, strings and softer drums. A compelling song as she describes watching someone die and it's effect on her. Baroque pop for sure. A vibraphone gets added in "Pass in Time." Orton is whispering at the start and the song picks up. The great Terry Callier comes in on backing vocals giving this song some soul. Orton is just trying to get through life. Beautiful song. I wouldn't call Orton's vocals muddled but there's a murkiness to them. She totally clears that up in "Feel to Believe." Acoustic guitar and more of a straight-forward pop song. She is telling her partner to go since they someone love else. Beth Orton has a unique voice: longing, emotional, soaring, weary, sometimes rapid and sometimes let's the music play. The instrumental arrangement which are mostly acoustic are very good. There's a chill and somewhat spiritual vibe with the guitar, strings and piano. I don't know if I heard enough of the previously mention beats to call this folktronica and this album suffers a little from being too long and monotonous. But overall, this is a very good album and worth a listen.
Pretty good. Kind of a Fiona Apple rip off?
This is an artist I've not heard before and that's my loss. I love her voice, it's so expressive. This one will need a few more listens to fully appreciate all the nuances. Stolen Car, Stars All Seem to Weep and Blood Red River were the standouts.
Liked it a lot
I struggled a bit with this. It's a really good album and I did like it, but it never really excited me. It took me weeks before I finally sat the whole album out because I kept turning it off because I wasn't in the mood for it. The mood never came... I think it would make the perfect soundtrack to a tranquil rainy night sitting by the window feeling melancholic, I don't have those nights too often unfortunately.
beautiful, reminds me fi fiona apple a bit
I really enjoyed this album overall, my only complaint is that it is all really the same tempo. A little variety would have improved this album a lot for me.
Another day, another artist I've never heard of but delighted to have found! Beth is a masterful lyricist, I love her beautiful reflections on life and love, and the emotions she evokes. Despite the overall gentle nature of this album, a lot of songs feel very empowering and fierce. She sings of accepting pains of the past and how fleeting it all is, living for now yet yearning for more, and in being a butterfly you can't pin down (love that line). This was a near 5 for me, I was wishing for a little more variety in the tempo though. For instance, I really enjoyed the more dancy Central Reservation Then Again Version. Would've been cool if a few more of the songs were treated that way. Still an amazing find! "You're here just a while. You might as well smile." I love simple universal truths like this, and it reminded me of another of my fave lyrics - "Enjoy yourself, it's later than you think."
4/5
This sounds like a soundtrack to a Rom-Com in the best possible way. There’s depth to the songs, the vocals sound great. “Pass in Time” is a truly amazing song. Good stuff!
Love her voice and love the range of sounds here.
I really liked this album.
Really enjoyed the varied musical styles here incorporating both folk and trip hop. Very mellow and perfect for winding down to after a busy day.
She has made folktronica, this particular fusion of folk and electronica, all her own, though this particular record leans much more into to a pop folk sensibility. Her voice has strong shades of an English folk version of Joni Mitchell. So Much More feels like a tribute, which I mean as a compliment because it’s still totally Beth Orton. There’s a beautifully understated intimacy to the lyrics, kitchen sink poetry, though there’s nothing homespun about the production which is competent and occasionally rich without being obtrusive. Stars Seem To Weep is the track here which justifies the folktronica label. Credit for the ultimate songwriters’ lyric on Love Like Laughter: ‘Some of the worst wrongs get righted on three chords.’ How true!
Just by looking at the cover I thought this is going to be good. Did not dissapoint.
I honestly like this more than I would have expected, I am surprised it doesn't have more accolades.
Stolen Car shows up on my playlists with some regularity, but I don’t think I’ve sat through the whole record before. I enjoyed it.
норм.
Singing is great, instrumentals are great, I love the drums. Some songs even feel like they have a little ounce of trip-hop, especially stars all seem to weep and the last one. The more emotional songs I also think are great. Favourite songs: all but the fourth and second and third last. Probably barely not 5 stars but will probably listen more and maybe update. Overall around 8/10
Kedvenc/Favourite: Feel to Believe Jó volt, bár azért kell hozzá egy hangulat. Kicsit összefolytak a számok néha, de jó volt mindegyik. Elég egyszerű volt zeneileg, de nem is kell ehhez a stílushoz több szerintem, kicsit hagyni kell a szöveget érvényesülni. A szöveg viszont jó volt, elgondolkodtató és nagyon érzelmes. It was good, although you need to be in the mood for it. The songs blurred togerher at times, but they were all good. It was pretty simple musically, but I don't think you need more for this style, you just need to let the lyrics shine a bit. The lyrics were good though, thought provoking and very emotional.
I had never heard of Beth Orton before this album popped up on this list. I was impressed with it and love her voice. My favorite tracks were "Stolen Car" and "Stars All Seem to Weep." I will return to this album and check out her other releases. It's also interesting to note that Dr. John appears on this album.
Really beautiful album. A semi-modern singer songwriter blend folk with some gentle electronica occasionally. Really lovely voice
Soothing. It's nothing groundbreaking, but I can listen to this and relax/chill in my room.
Central Reservation was actually a super nice surprise. This album is a very poppy folk album and i do enjoy that kind of sound when it is done well which this album does do it well. There were many songs that all had some really nice melodies to them with Beth's voice adding quite a lot to them. The songs here were a little samey but all generally had a good sound to them so that wasn't an issue that i cared about too much. I don't think i have much more to really say about this album so all i will say is that this album was a really nice surprise and it really does deserve more attention than it seems to get. Best Song: Stars All Seem to Weep Worst Song: Pass in Time
A very pleasant singer song writer album sounding very much from the 90's. Enjoyed it as background music for work.
Очень приятная музыка и голос
Solid indie rock.
Took me a minute to warm up to it. I thought this was going to be an empty bowl of oatmeal, honestly, but then I got it. Beautiful and understated album.
this is an interesting listen this time around! sometimes you just suddenly get exposed to some nice singer-songwriter material, and i wanna say this album pleasantly surprised me with how it sounds. it's a very curious blend of sound, an even blend of vocal jazz, lounge pop, folk... it's very quiet and soothes the mind. if you like the soft sounds of joni mitchell, you might get a kick out of this.
Actually enjoyed this more than I expected, especially since I'm not huge on singer-songwriter stuff. 4*
On first listen pleasant but unremarkable. On second listen grew on me substantially. There's quite a bit of nuance hiding in the chill vibes.
Orton's second album has some powerful tracks, but she's obviously breaking away from the "folktronica" before she becomes "the folktronica chick". The single from the album that got major airplay in my area, "Stars All Seem to Weep," sticks out awkwardly from an otherwise solid folky album. I love me some Beth Orton, but I don't think this is her best album.
Folktronica is a genre I never knew I needed
Enjoyable songs with a very 90s vibe, enjoyed it a lot but not the best of the best.
Det är var en kul överraskning och en riktigt bra skiva, snacka om underskattad artist. Går ut riktigt starkt med Stolen car, som jag fastnade för direkt. Även Central reservation och den trip-hopiga Stars all seem to weep är riktigt bra låtar. Däremellan är det också bra, om än inte riktigt på samma nivå. Hennes röst är fantastisk.
BEST SONGS: - Sweetest Decline - Love Like Laugther
Beth Orton's *Central Reservation* (1999) is a landmark album that bridges folk, electronic, and jazz elements, establishing her as a pioneer of the "folktronica" genre. The record is both deeply personal and sonically adventurous, showcasing Orton's ability to blend introspective songwriting with innovative production. Below is an in-depth review of its lyrics, music, production, themes, and influence, along with its strengths and weaknesses. ## **Lyrics** Orton’s lyrics on *Central Reservation* are poetic, confessional, and emotionally resonant. She often explores themes of love, loss, self-reflection, and resilience. Tracks like "Stolen Car" feature vivid imagery: “Your fingers like fuses / Your eyes were cinnamon,” creating a cinematic quality that draws listeners into her world. The album’s centerpiece, "Pass in Time," is a poignant meditation on mortality and familial bonds, with lines like “My mother told me just before she died / ‘Oh darling, don’t you be like me.’” These lyrics are raw and heartfelt, offering a window into Orton’s personal experiences. However, some critics have noted occasional lapses into cliché or overly simplistic metaphors. For instance, phrases like “She’s as deep as a well” on certain tracks feel less inspired compared to the album’s more evocative moments[7]. Despite this, Orton’s lyrical honesty and emotional depth largely compensate for these shortcomings. ## **Music** Musically, *Central Reservation* is an eclectic blend of folk melodies, electronic textures, and jazz influences. The album opens with "Stolen Car," a track driven by Ben Harper's electric guitar work and a nervous energy that sets the tone for the record. Songs like "Sweetest Decline" feature lush string arrangements and jazz piano by Dr. John, showcasing Orton's ability to craft richly layered compositions[3]. The album also experiments with different moods and styles. "Stars All Seem to Weep" incorporates trip-hop beats reminiscent of her earlier work on *Trailer Park*, while "Pass in Time" leans into soulful jazz with Terry Callier’s throaty vocals complementing Orton’s introspective delivery. Tracks like "Feel to Believe," a sparse acoustic ballad, highlight her vocal prowess in an intimate setting. One of the album's strengths is its diversity—each song feels distinct yet cohesive within the broader narrative. However, this eclecticism can occasionally feel disjointed. For example, the inclusion of the house-influenced remix of "Central Reservation" at the end has been criticized for feeling out of place[5]. ## **Production** The production on *Central Reservation* is meticulous and innovative. Collaborators like Victor Van Vugt (Nick Cave), Ben Watt (Everything but the Girl), and David Roback (Mazzy Star) bring their expertise to create a soundscape that feels both organic and modern. The use of reverb, layered instrumentation, and subtle electronic elements enhances the emotional weight of Orton’s songs. Tracks like "Couldn’t Cause Me Harm" feature vibraphone textures that add depth without overwhelming the folk core of the song[3]. Similarly, the title track employs open echo chambers to create a sense of spaciousness that complements Orton's reflective lyrics. However, some critics argue that certain production choices—like heavy reverb on acoustic tracks—can clash with the rawness of Orton’s voice and guitar work[5]. Additionally, at over an hour long, the album's length can feel excessive for some listeners. ## **Themes** Thematically, *Central Reservation* delves into personal growth, love’s complexities, grief, and existential musings. The title track captures a sense of longing and introspection as Orton sings about navigating life’s uncertainties: “I’m always walking down the escalator the up way.” This metaphor encapsulates her struggle against societal expectations and personal challenges. "Pass in Time" stands out as an exploration of mortality and legacy. It reflects on how grief shapes us while offering hope through lines like “The love that you have is stored in my soul.” Meanwhile, "Devil Song" uses religious imagery to grapple with inner demons and self-doubt. These themes resonate universally while remaining deeply personal to Orton’s experiences. Her ability to balance vulnerability with resilience makes the album emotionally compelling. ## **Influence** *Central Reservation* solidified Beth Orton’s place as a key figure in late-90s music. It earned her critical acclaim, including a Mercury Prize nomination and a BRIT Award for Best British Female Artist in 2000[2]. The album also helped popularize folktronica by blending traditional folk elements with modern production techniques. Its influence can be seen in artists who followed in Orton’s footsteps by merging acoustic songwriting with electronic experimentation. Musicians like Laura Marling and José González owe part of their stylistic lineage to Orton’s groundbreaking work. ## **Pros** - **Lyrical Depth:** Songs like "Pass in Time" and "Stolen Car" showcase Orton’s talent for storytelling through vivid imagery and emotional honesty. - **Musical Diversity:** The album seamlessly blends folk, jazz, trip-hop, and electronic elements. - **Strong Vocal Performances:** Orton’s voice conveys vulnerability and strength in equal measure. - **Innovative Production:** Collaborators like Ben Watt bring unique textures that elevate the songs. - **Timeless Quality:** Even decades later, the album feels fresh and relevant due to its carefully crafted soundscapes[3]. ## **Cons** - **Occasional Clichés:** Some lyrics lack the originality found in Orton’s best work[7]. - **Disjointed Moments:** The eclectic mix of styles can sometimes feel inconsistent or jarring[5]. - **Length:** At over an hour long, the album risks losing listener engagement toward the end. - **Out-of-Place Tracks:** Remixes like “The Then Again Version” disrupt the flow of an otherwise cohesive record[5]. ## **Conclusion** Beth Orton's *Central Reservation* remains a stunning achievement that balances artistic ambition with emotional authenticity. Its blend of folk traditions with modern production techniques helped define folktronica as a genre while showcasing Orton's unique voice as both a songwriter and performer. While not without its flaws—such as occasional lyrical missteps or uneven pacing—the album's strengths far outweigh its weaknesses. For fans of introspective music that pushes boundaries without losing its emotional core, *Central Reservation* is essential listening. Its enduring appeal lies in its ability to connect deeply with listeners while offering something new with each revisit—a hallmark of truly great art.
Sounds nice. Might revisit.
I know it's kind of bland and stupid. She's just kinda whining, but whatever, she's got a great voice and I actually WANTED to listen to this a second time. I don't know why, but it was pretty solid for something I've never heard before.
something i would listen to but that sean recommended for me. added a lot of songs to my liked
Fav song: Devil's Song
While it does drag on, I found her vocals on this to be incredibly serene and relaxing. The album has this dream-like quality to it that I really enjoyed.
Her voice reminds me a little of Delores from the Cranberries and I also get Norah Jones vibes from some of the slower songs. I enjoyed this album a lot.
Until now I've never heard of Beth Orton. I enjoyed her songs - they are thoughtfully constructed.
Całkiem, całkiem
Very enjoyable.
I vaguely remember the name Beth Orton. Surprised by how much I enjoyed this. The first track is outstanding. She has warm vocals similar to Bonnie Paine of Elephant Revival, and the melodies reminded me of the Cranberries compelling pop riffs. Ben Harper's slide just adds to the atmosphere of an expertly played backing track. The rest of the album is warm but lacking in standouts. I was fond of Sweetest Decline, Stars All Seem to Weep, and Live Like Laughter. Great for a chill, warm fireside vibe
This really grew on me- quite haunting. Eclectic collections of style- pop, folky acoustic, electonic and country? Maybe....
This fills me with a warmth and comfort thats only partly explained by nostalgia. I had this on CD when it came out and played it non stop, the simple folk with a slightly more modern and urban feel felt more relevant to me. I think the songs are beautifully crafted with some excellent writing, good production and it creates a beautiful atmosphere. I think it lacks a better voice for 5 stars but this was a good day.
Another album not returned to for 20 years or so. Doesn't quite have the effect it used to, but some of the old vibe is there, and her voice is great: haunting, dismissive, expressive and understated. 4 stars, not sure how much of that is nostalgia.
I’ve been listening a lot to Fellowship’s new album over the past few days (triumphant-feeling power metal). This album couldn’t really be further from that, but felt like a nice reset to get me onto a somewhat neutral listening palette. It’s no secret that I seem to have found an affinity for female fronted folk music thanks to the likes of Joni Mitchell and Carole King, and this sounded very much in the same vain, although maybe more comparable to Norah Jones. It was a very cosy album, with a lovely calming vibe throughout. I quite enjoyed it.
Very nice and pretty. Really enjoyed this one. Funny music to work out to.
Had not heard this before. Like very much. Beautiful voice.
Strong folk album - with a twist - from start to finish, only a few weaker moments.
Cool to see this one here, I've always thought Beth Orton was kind of underrated (especially with how fire Stolen Car is). This was a really good singer-songwriter album. Not necessarily groundbreaking, but all the tunes are good and I just love Beth Orton as a vocalist
This was pleasant 3.5 stars
good album, would like to listen some more.
Love this album. The first song pulled me in right away and I wanted to listen to more. Absolutely must listen to again as well as other of her albums. The music feels so familiar. Stolen Car is my favorite
Cool songwriting.
I remember buying this album when it came out.... feels like yesterday. Oh, no, wait - it was 25 years ago! Still sounds fresh and current to my ears.
I should listen to more Orton.
This album was able to evoke real emotions out of me and I like how it ended on that high note.
Charming, warm, sophisticated. This is one of her three very strong records that one played a ton for a few years early in the new millennium. Both versions of title cut are great, as are "Sweetest Decline" and "Pass In Time" and "Love Like Laughter." Her last record showed exactly what made her great but an unfortunately failing voice. Still most worth knowing.
4 is probably too generous because there is a lot of filler in this. But I do enjoy listening to it. Some pretty cool lyrical lines here and there.
A few songs are amazing! The type that you listen to and they make you want to dance with your wife (who I don't know yet). But a few are mid and the rest are forgettable. Overall though, for the sum of songs that make me feel like slow dancing, the album earned a decent review.
Peaceful, very enjoyable on a rainy Monday
Lovely voice. Never heard of this person before, but this was solid.
Excellent. Exactly what I need from this list. Showing me great music that I had not heard previously.
I enjoyed this album. He voice was great and the music was very good. I would listen to her again
Reminds me of Dido, Alanis, Natalie Merchant. Beautiful voice and good tunes.
Pleasant sounding voice. Nice to drift in and out of sleep to. And/ or a background sound. Like it a lot.