The Stranger by Billy Joel

The Stranger

Billy Joel

3.86
Rating
30226
Votes
1
2%
2
7%
3
24%
4
37%
5
30%
Distribution

Reviews (page 11 of 15)

Great songwriter. The last two songs (Get It Right the First Time and Everybody Has a Dream) are complete garbage but everything else is top notch if you're looking for some well-crafted lyrics and perfect accompanying music. In other words, nothing super inventive or genre-shattering but still a great listen.

The album cover is clearly trying to be art. But what is that hanging on the wall? Boxing gloves? Is he torn between being a lover (of strangers) or a fighter? Is it the cultural proximity to Rocky? /shrug Of course we all know Billy Joel. But I can't say I've ever sat down and listened to a whole album end to end. The opening song is strong. Who can help singing along with Cadillac-ac-ac-ac-ac? Just the Way You Are was popular just as I started learning to play saxophone as a little girl, so it is impossible for me to listen to without intense consuming nostalgia. Goodness me, the hits keep coming on this one. In my head I lump Billy Joel in with Elton John and Tom Petty as a fellows who can reliably turn out a straight forward but catchy tune, often telling a sharply drawn story, with a singing style that invites one to sing along. To me this kind of music forms the common backdrop we can all pin our own personal stories to. This music is popular for good reason.

Classic.

Some great hits on this tune. Billy Joel is an artist that you have to know and understand his style. I think he's authentically "square" but I don't think that's a bad thing. I don't think he's trying any music that is not his genuine self.

Billy Joel's most successful album, by the metric that you'll hear a good chunk of these on the radio. Billy Joel is clean, playful, polished enough for the masses, making his songs a shoe-in for radio. He's also an extremely good songwriter. Sure it's piano pop rock, but it's really that good. Obvious standout is "Scenes From an Italian Restaurant", which is a sentimental song that tells a bittersweet story through a few "movements", if you will. Fantastic. Great closer to side 1. The rest of it is practically that good. I don't know what else to say.

I have incredibly beautiful memories with this album. Very beautiful moments and cheesy ballads. (8/10) FT: Nearly whole album :) Movin' Out (Anthony's Song), Scenes from an Italian Restaurant, Vienna, Everybody Has a Dream

This album actually surprised me. I've never been the biggest fan of Billy Joel's music, like, at all, and as such, had very low expectations going into this. I was surprised to find out that it was a super strong album. Was it great, or particularly mindblowing? No, but the album as a whole was still really good. The vocal delivery and just the vocals themselves from Billy Joel were great, as was the instrumentation and overall arraignment. I found the album to be consistent throughout; there isn't a song that I dislike (too much, that is). Overall, I'm glad I got the chance to listen to this album. Not great, but very solid.

Perfectly produced 70's radio pop/rock. More tunes knocking around than a pack of lozenges. Best Tracks: Movin' Out (Anthony's Song); Vienna; Only The Good Die Young

I thought this would be cheesy (and the cover art is creepy AF) but it was above average. Classic feel and none of the songs were terrible.

Pretty cool tunes

enjotyed this - MOR as fuck but great songwriting

The crew making this album had to know how big it was going to be. Far from big fan of his but this album is undeniable

Lotta hits and some filler. I wasn’t aware that “adult contemporary rock” existed when this was released, but that’s what it was in back 1977. Even though this isn’t my favorite style of music, Billy Joel scores with catchable tunes that have been radio staples for decades. I was struggling between 3 or 4 stars. Rounding up for “Only the Good Die Young” and memories of this track getting cranked up at our Jr. High School dances - fake silk shirts, arrowhead necklaces, red stripe Nikes, a lotta sweat and no girlfriends.

interesting to listen to more than just his hits. Real good stuff here, billy.

Didn’t think I’d like it. I liked it

Vibes of Elton's Honky Chateau through a lot of this. Enjoyable Listen. 3.5 really

"Movin' Out" is a fantastic start, and "The Stranger" is great too, but then things take a turn for the saccharine - I definitely prefer his more upbeat numbers to the ballads. When I listened to this yesterday I'd have given it 3 stars, mostly due to disappointed expectations after the strong opening tracks... Listened again today with more of an idea of what to expect, and found it a lot more palatable... Fave track - "Movin' Out", for sure, with the title track a close second...

4.45 Billy Joel is a lyrical poet or a prose writer

Better than expected, plays out like a mob movie soundtrack.

As a whole album The Stranger is the best of Billy Joel. His other album are far less consistent in quality. To mention which song is the best ("Scenes from an Italian Restaurant") is almost a crime considering that apart from the last two songs (being only solid) they are all great.

This is the first Billy Joel album I've listened to all the way through and its what I expected from a billy joel album. Every song is at least listenable and there are quite a few bangers. Favs: moving out, only the good die young, everybody has a dream

I loved this album start to finish., Even the songs I didn't know were really fun to listen to and great 80s rock that you expect from Billy Joel. Loved Vienna and Get it right the first time.

Mooi rustig album met een paar prachtige schijven

Joel offers arguably his most complete album for the masses. By avoiding typical levels of corn and silliness, Joel has several iconic slow, ballad songs that leave to a worthy listen. The final two tracks aren’t close to the quality of the rest, but it doesn’t hold down the effort back too much.

This album seems familiar, I feel like my parents have played this album before

Great album, really enjoy Billy Joel and 6/9 of the songs on this album are hits. At one point, I would have given it a 5, but just seems a tad bit poppy to me now.

There was a time when I really liked the best of compilation of Billy Joel and listened to it quite a lot. That was pretty long ago and I now realize how super cheesy Billy Joel and his songs are. Still, there are a couple of pretty good ones, he has a very good voice and occasionally I like the storytelling of his songs. I think I might have rated this a 3 or 3.5 on its own merits, but the nostalgia factor pushes it up to a 4.

Really enjoyed this album. Great songs and writing. Didn’t realize how many classics were on here.

Peak Billy Joel. I hated this a lot more when it was on the radio for 20 years. Is it possible it’s not as schmaltzy or ick as I remember? No, it’s still schmaltz.

Gut zu hören

Großer Mainstream

MOVING OUT! and Scences From An Italian Restaurant. This album is basically all hits, though I don't know that I find Billy Joel especially compelling. It's supremely polished, no rough edges, and all about appealing to the widest audience possible. Which is a valid approach, but not one I find super compelling.

I dig it

Never considered myself a Billy Joel fan, but this has most of my favorites. Some really creative arrangements.

Great listen. Fun and interesting songwriting and Billys singing is fantastic as well. 7/10

So the only thing I previously knew about Billy Joel is We Didn’t Start the Fire and Piano Man. Impressed.

Many classic BJ songs from my childhood.

I'm from Jersey and my local soft rock station played half this album to death, but I'm surprised just how into it I am. Billy Joel is a dork. At certain points, he tries to portray himself as a tough guy (notably on "Only The Good Die Young"), but he's tough in the way that anyone who has ever portrayed a gang member in West Side Story is tough. I still can't help but really appreciate this album, despite the cheese. Favorite tracks: "Scenes From an Italian Restaurant", "Only The Good Die Young"

60 The Stranger - Billy Joel 9 tracks. This was lovely. Just a really enjoying foot-tapping, hum-a-longer. Enjoyed it so much I have listened to it 4 times over the last few days. It's really up-lifting. I loved it. 4/5

Great, familiar with the album.

nostalgic

Love the mix of groove and ballads

The American Elton John. Or is Elton John The British Billy Joel? Anyways, cracking songwriting.

This was bloody brilliant and sums up why I'm doing all this. I know all The Hits, but would never have gone out of my way to listen to Billy Joel. Fav new track: Scenes From An Italian Restaurant (absolute goals to play piano like this)

There are some classics on this album. First time hearing the album all the way through. It was an easy listen.

Spunky, fun, and heartfelt.

In general Billy Joel's whole vibe kind of rubs me the wrong way, the kind of serious showiness he exudes. But in spite of myself I must admit that I really enjoyed listening to this.

Poprock, muntert, opløftende, masser af klaver

Listened 5/10/21

Weird listening to this. For some reason, "Scenes from an Italian Restaurant" caused me to start reminiscing about 70s TV shows like Welcome Back, Kotter and Good Times. A solid album with a lot of recognizable pieces. Worth adding to your library.

I had only listened to the greatest hits albums and it was surprising to hear so many of the hits on just this one. Great sound!

Good album

Альбом простой, но понравился, похож на Маккартни сольного

Classics from start to finish. A bit dad-rock-ish and too much piano for my *heavily refined* taste XD, but what an outing!!

Enjoyed this one. Songs I knew

Excellentissime, surtout le moment où le fils de Schreck se saisit de Morrissey et déclenche l'interupteur de son briquet au plus proche de son corps tremblant.

Strong 4 stars. I’m still new to Billy Joel so his stuff may need some time to resonate with me. Sometimes his lyrics strike me as cheesy, but I love his songwriting and I think his storytelling is top-shelf.

Good album. Creepy album cover.

The first track is an absolute bop and it doesn't let up much from there. This was not what I expected when it gave me Billy Joel, but I love it.

Every song is a hit. Really well done and his voice is great. 4.5/5, but relegated down to a 4 star since it's not one I'll spin on the regular, but rather I acknowledge its greatness.

I emjoy

Great lyrics and the songs outside of the hits were really good.

good album great songs love singing the songs

A very solid collection of tunes

Full of classics, can't deny a great album.

This was a great experience. The only gripe I have with this album (and most Billy Joel songs) is that they sound good once in a one month period, and this album is no different. It sounds fantastic and held my attention, but I would never put it into a playlist or mix. It's likely the "pop" feel of songs that makes them unrepeatable. Favorite track: Movin' Out (Anthony's Song)

Oh, I've heard this one. Just looking at the track list, this is actually pretty single-heavy. Short in terms of number of songs, though "Scenes from an Italian Restaurant" is on the list, so that's basically three songs right there. I'm not a big Billy Joel guy because I feel like he's a distant third of the Springsteen/Elton group and gets unjustly included alongside them, but I could see this being the album of his I find easiest and breeziest to just throw on. Oh, I didn't know "The Stranger" was this song. I've heard this one before too. Every time it got near the chorus, I kept thinking it was going to be "That's All" by Genesis. I'm still completely and thoroughly unable to listen to "Scenes from an Italian Restaurant" without thinking of the John Oliver segment on public defenders. Anyway, pretty good album.

Det här GILLAS! Fan vad mysigt. Utöver Piano Man har jag varit i mörkret när det gäller denna pärla. Otrolig röst och ett välspelat piano gör att man känner sig alldeles varm inombords. Under någon låt sänks intresset något kanske. Men sedan återkommer lugnet och den fina känslan av trygghet. "Vienna" och "She's Always a Woman", är riktiga pärlor. Bäst: "Vienna"

A lot of hits!

A lot of hits. Easy listening.

Never listened to a whole Billy Joel felt good

Catchy but reminds me of Ted so I think will always have a sore spot - damn music and it’s power over nostalgia! And regrets? 8/10

I liked it more than I thought I would like a Billy Joel album. I enjoy his storytelling in songs in this album. Highlights: 1, 4, 5, 6, and 7.

This is definitely peak Billy Joel. I needed this one today.

Great tunes with good storytelling and dynamics! I didn't realize I liked Billy Joel so much.

Classic 70s

very good

Fun, upbeat, classic Billy Joel

Really enjoyable, especially Anthony's song. Great lyrics

Generally not my style, but total classic

4/5 Fint album

Didn't think I knew any songs on this album and ended up knowing almost all of them.

One of Joel’s best. A personal favourite. Side A is pure excellence, but side B lets it down a bit.

There's something comforting about Billy Joel. He's always been around, these songs are deeply embedded in the psyche as though they'd always been there. It's like a sign of maturity when you realise he's great, it happens in everyone's life eventually. Great songs, great music.

Tykkäsin monipuolisesta instrumenttien käytöstä. Silti yksinkertaisen letkeää ja hyvin ajanhammasta kestänyttä musisointia. 3,5 mutta nostetaan tällä kertaa ylöspäin. Annoin levylle toisen kuuntelukerrankin, vaikka kymmenet ja kymmenet rästit odottaa.

Not bad.

A true classic from a great songwriter. He's not my favorite, but there's no denying his talent.

good album, billy joel is one of the greats and he doesnt have many, if any, bad songs or albums

One of the great songwriters with possibly his finest album. Musically it’s somewhere between Elton John and the Beatles and that suits my own taste just fine. Only the good die young is one of my favourite songs ever. 4/5

Really enjoyed this one.

enfin ...un vrai meme si c est des chansons d amour c est tout bon voix texte musique

Très bon album! Pour une fois qu'ils mettents quelques hits d'un artiste! J'ai eu un faible pour la radio connexe que spotify m'a fait jouer après!

very yacht rock, I'd put this when I'm down to go down

Surprising, some great songs I hadn't heard, some classics, some a bit less.

I've never been a big Billy Joel fan, but this was a really great album to listen to! I mean, of course it has the hits like "Anthony's song" "Just the Way You Are" etc, but songs like "Vienna" and "Get It Right The First Time" were brilliant.

I've always appreciated Billy Joel even if not someone I listened to all that often. This album is full of great songs.

Suprisingly good. Pleasant surprise.

He’s an asshole but alright

👌🏽just 👌🏽

Very good album. Maybe it's just me but it gave me a lot of Graceland vibes even though it's quite different.

I like Billy Joel. Nice album. Nice to listen to. And some songs I recognized.

So many hits! Great album

Great album, scenes is a fantastic song

memories, was good to hear

Fav Song: Movin' Out (Anthony's Song)

Used to play this on Roy’s old vinyl

Some really great songs.

Nice to listen to the full album. "She's always a woman to me" very classic!

absolute classic, every song a hit

Oh who would have thought, another rock album...I liked the sax in just the way you are. It's a decent album.

det här är ett riktigt bra album. öppnar starkt med movin' out och fortsätter egentligen bara öka. har lyssnat hela helgen för att bestämma om det är en femma men dit når det inte riktigt.

Billy Joel's biggest hits are elsewhere, but his best songs are here. This is him at his purest, I guess. Best track: Movin' Out (Anthony's Song)

Very moody, stranger makes me want to curl up during rainy weather,scenes from an Italian restaraunt have me viking while I do my marvel superhero intro walk-dance down the street while gliding my hands on windows and finger-gunning at people I don't know.Vienna reminds me to take a slow pace and take in the views and risk of nostalgia and romance of the mundane we take advantage of. Only the good die young is a nice song to have a sing along in the car to with a close friend with good taste in music.

What a delightful album! 8/10 FT: The stranger

Great album, loved it.

I've never listened to the album but I've heard a few songs from it on the radio/rage/etc. I'll probably recognise a couple of others as well. Easy 4/5. Billy Joel might be a real prick but jeez he can write a song. I guess Elton John comparisons? Either way I'm gonna remember this album for background drinking music etc (for when I get bored of malevolent creation ha ha ha)

Billy Joel is an undeniably talented composer of popular music who, from reasons I can’t even really explain, has always grated on me. I really don’t like the schmaltzy showtune-esque quality to most of his work. That being said, this album has Scenes from an Italian Restaurant and Vienna which are the two songs of his that I enjoy quite a bit.

6,5 country bonne vibe

I fully expected to hate this album. Fair play to Billy Joel it's not bad

Bra men ikke bangin' i min mening. 3 av 5

A mixed bag for me after a couple of spins - She’s always a woman is a beaut and I quite enjoyed some other songs and the broadway flavours, but overall it got repetitive/forgettable, and the last 2 songs are a pair of absolute turds.

Damn Billy, you put all those songs on one album?

I mean he’s the guy. Italian restaurant alone makes this great. I’ve never been a huge primary fan of his, but this is a great album

Absolutely cracking opener, what a tune! Been stuck in my head all day. Album definitely drops off in quality as it progresses, quite meh in the middle. Ah well! 3/5 - certainly not bad, but neither was it great

Knew the singles ‘Just the way you are’ and ‘She’s always a woman’ but not heard this album before. I wasn’t expecting to like it but was pleasantly surprised. All pretty upbeat with a kind of New York vibe. Liked the title track and the Italian Restaurant track. Second half a bit weaker but all much better than the stuff he did in the 80s. 2.6/5

Nice pop/rock by Sylvester Stallone’s alter ego.

Typical overproduced American pap, though as typical overproduced American pap goes, it is better than usual. But better than Bridge over Troubled Waters? Wash your mouth out!

Great songs and fun drums. Solid album doesn’t really kick off much Stand out track Scenes from an Italian restaurant.

Not as bad as I thought it would be. But still not great. Less sax would be nice

Pretty solid album. Mr Joel is a great artist and lyricist. I’ve never been the biggest fan of his, but I really liked this album. Favorite songs were Movin’ Out and Scenes From an Italian Restaurant

5.5/10 Highlights: Movin Out The Stranger

Billy Joel is obviously the better writer (at least at this point in time), but Elton John sweeps him as a performer i think. and none of his failures are as inescapable as We Didn't Start the Fire. Just the Way You Are is pretty undeniably great. this album is already pretty Broadway but Songs From an Italian Restaurant kicks that up to eleven, which has pretty good results too. I don't like the sarcastic peppiness of Only the Good Die Young, and it hits lulls occasionally, but still. it's good. deserves to be one of the 1001? i think so yea

Me gustaron las 3 primeras canciones por las guitarras.

I've heard Billy Joel before and have never been a big fan. I'd actually heard most of the singles on this one and didn't realize they were all his songs. His vocals are fine and I enjoyed the use of saxophone and some of the more progressive elements and storytelling. His music is just too feel good and upbeat for me and comes off as kind of a try hard style to be liked by everyone.

I thought I didn't know this album but come to find out I recognize half of the songs! I think it has a nice sound, and I can see why this was so appealing for the radio waves. At times it felt like he was channeling a bit of Stevie Wonder--how successful it was isn't for me to say but it did remind me of some Stevie songs.

I found that quite enjoyable, only knew Vienna and some more tracks from the radio. At the same time it felt pretty schmaltzy

There are some wonderful songs on here, but a few of them trend too cheesy/sappy for my taste (especially Just the Way You Are).

I love the way Billy paints a picture with his songs. Makes you feel you are in the song with him watching the story in real time. I can see why my Mum was a fan. I find his song's wholesome and soothing even when up-tempo. With the obivous hits of Vienna and Only the Good Die Young on this album, I can only feel "fond" when listening. Would I buy this record if I saw it in the $5 bargain bin - 100%

I felt like I couldn't focus on this on either listen, what does that mean?

In the early 2000s I worked in a coffee shop and songs of this record were played all the time so there are a couple of tracks I can tolerate due to fond memories. Musically I quite like the piano bar vibes, a bit cheesy and kind of like they were written for a musical .... but the lyrics are just so so awful! Got better as it went on - may have been because I got used to the plinky ponkyness of it all. Good god that cover is absolutely terrifyingly terrible.

not my usual pick. enjoyable to listen to, repetitive. loooooong intro to "the stranger" less repetitive.

Not for me m8

Sounds fine while it’s playing. I feel like Billy Joel lives in a parallel Joeliverse where the languages are all different or they communicate in smells, and the things we say about him in this universe have no meaning.

Okay album, Vienna is the big hitter, the others were not particularly memorable

Anthony’s song slaps. Some stuff feels like show-tunes.

When I was a kid I had a keyboard piano where the demo song was Just the Way You Are, but I never knew the actual song, so hearing the actual song always makes me laugh since I heard that little demo version so many times as a kid. I think I recognized Only the Good Die Young a bit, but didn't know the rest, so as a first listen, being outside of my circle, it was alright.

Nothing caught my attention during work but Vienna hit pretty hard

Billy Joel is one of those artists you just dont realize how many of their songs you know well or at the very least are familiar with. Take this album for example, I own this record. I forgot I own this record its been so long since I've put it on. Heres the thing, everyones taste and attachment to music is different for different reasons. This album is really good, its not great TO ME. Its not like im going to go home and dust off the record and spin it. But if someone else is playing it I will happily sing along and (as always) be surprised that I know all the lyrics. This isnt a 4 star album for me for the reasons I just stated but its about as strong a 3 as can be without having that emotional pull that keeps me in.

I’ve just never got into Billy Joel. I enjoyed most of it. Still not my cup of tea though.

Stark trea!

Um disco irregular que vai de faixas geniais como "Scenes From a Italian Restaurant" e "Vienna" a outros momentos de inspiração menor que flertam com o brega.

Which one?

A good album with some great songs. I would argue there isn’t much special about the album though.

It was ok 3/5

Вайт гай

ok ale nie urywa 3

Good but shows its age.

Not bad, bit nostalgic for my parents music, but not for me. Feels a bit pretentious. Like he definitely saw this as "art". Which it is but still. Either that he was on drugs. Odd pacing and the songs almost change genre mid song sometimes.

Billy Joel has always been music for middle aged people or seniors and this just doesn't have the BJ tunes I like. I can't ding it too much though.

A couple of ultra cheesy guilty pleasures on this one

Not a Billy Joel fan. I can't even pinpoint why, but I understand why people like him. I may have even owned this album in my youth.

Some great songs on here from a polished performer.

Mikäs siinä. Laatuahan tämä oli miten vaan katsottuna

i guess i like the newer stuff more

This album was filled with good songs that I have heard but as I was listening today I was thinking that these songs were kind of just shit. Singing about Brender and what not. Sure it appeals to people and the ack ack ack was fun when I was a kid but it’s kind of dumb now. I’m not saying I could write these songs. I’m just saying that the songs didn’t do it for me. But at least I heard it.

Big ol cheesy cheeseball right here, a little bit too cheesy for my tastes if I'm completely honest, the ballads are a liiiitle bit trying for my attention span. That said I do like the up tempo ones especially when he goes ACK ACK ACK ACK ACK ACK ACK and I like how ol' Billy paints a picture with his words (that sounds like I'm being sarcastic but I'm not).

New York's answer to Elton John, The Piano Man plays a similar style of singer-songwriting piano-driven songs. Those songs are instantly recognizable. Very successful album with plenty of hits. Some of them have dated badly and are very corny, but there's still some singalong quality to them. But in the same vein, I still prefer Elton John's early 70s albums, specially Madman Accross the Water and Tumbleweed Connection.

Billy! Billy! Billy fucking Joel! While I appreciate his technical music and songwriting skills it doesn't do much for me. Some of the lyrics seem like cheesy hollow platitudes. It's like spice mayonnaise when I want hot sauce. I did enjoy the AK-AK-AK. 3/5

Some genuinely almost objectively great songs and also the most overplayed live laugh love songs before live laugh love songs were a thing. I am aware that Billy Joel originated these types of songs before I was born and at that time they were likely less annoying.

Piano bar's might not exist without this album. Really solid throughout. Though it honestly feels dated. It's a very solid 3 for me.

An enjoyable album very similar to madman across the water the Elton John record that was on this list too.

gefällt, frühwerk.

Sicher eines der besseren Billy Joel Alben.

Ihan kivoja kipaleita, mutta kovimmat hitit puuttuu.

Ihan kivaa poppismaalailua. Parit ikivihreetkin.

Ihan jees, vähän Elton John tuli mieleen. Ei mitään ihan isoja hittejä, mutta ihan oli musaa kuitenkin.

Great album - cheesy, but in all the right places

It was fine. Very fine at moments, but didn't really get hit big in the feels like I thought I was going to.

Kun ensimmäiset kaksi biisiä oli soinu, mietin, että tässä on potentiaalia viiden tähden levyksi, jos meno jatkuu samanlaisena. Ei se valitettavasti jatkunu. Musta tuntuu, että loppua kohti mentäessä biisit kävi jotenkin ikävän yksitoikkoisiksi ja keskityminen oli jatkuvasti vaikeempaa. Harmi, koska Billy Joel on taitava. Samanlailla harmi, että populaarikulttuurissa hänen suurin teoksensa on Piano Man, koska kyllähän hän ihan todella upeaa musiikkia ja tarinankerrontaa osaa tehdä, jota piano mies ei edusta. Harmi vielä kolmannen kerran, että hän ei selkeesti osaa myös lopettaa biisejään ko kaikki feidaa ulos. Kovin Disney-bängeri tulee tosin hra Joelilta, koska Why Should I worry? on uskomaton ja taidankin kuunnella sen hyvän mielen kipaleen juuri nyt saman tien.

Oli aivan jepa. No big feelings mut aivan mielellään tota kuunteli.

I am not generally a Billy Joel fan, but crazy how every song of his I do like is on this album.

fine background music.

His music is a caricature and not something I would reach for, but I’ll give some credit for having this many hits on one album

Donnerstag, 27.08.2026 In einem Rutsch durchgehört - Haustür Beusselstraße bis Eingang FU Mensa 2. Billy Joel ist der ultimative Loverboy, wow

Album n.12 I found the first few songs alright but a bit boring, not really my thing. Scenes from an Italian restaurant started a bit slower but when it picked up I really liked it. Vienna also very fun and enjoyable. Only the good die young had a very danceable sound. The last songs are nice to listen to but I'm okay with not hearing them again. I rate it 3.4

Silly Joel

I like this, but sometimes find the bombast a little exhausting. Vienna was my playlist pick. Kind of a working man’s Elton John.

When it's good it's brilliant, when it's not it's a bit tedious

Couple good songs

Billy Joel album. 3/5

Ikke helt for meg, men ikke dårlig.

Började bra men hann tröttna lite. Stark trea ändå för att den har ett gäng bangers.

Stabilt

mkt romantiskt

Wow. Direkt blir man hästsparkad i fejset av att detta är Dinomusik I sin kanske renaste form. Rätt bra men tycker han blir lite som en smådryg amerikansk Elton John ibland.

Some great songs and some very over the top songs.

I don't think I have intentionally listened to this album before, so I am amazed at how many songs I know from radio, TV, movies, etc. Not really my thing but you can't deny there are many great songs on this album.

Thought it was alright. A lot of songs I recognize (throwback to me in my younger years listening on repeat to Panic! at the Disco covering Moving Out). This seems to me like good music to put on if you don't want the music to be distracting. I definitely didn't dislike this, but it's not really my thing. Favourite songs: Moving Out (Anthony's Song) Vienna

superb!

Previously known. Sounds like my childhood.

Billy Joel always feels a bit like the American version of pub singer playing piano in some lounge bar. Not that there is anything wrong with this. It just feels a little bit like it is from a past time. And from the content of the majority of the songs on this album. That time was pretty patriarchal. The two major hits "Just the way you are" and "She's always a woman" are fairly damning of women being not particularly trustworthy or useful. It feels like poor Billy is going through a breakup here and is feeling quite sore about it. (2.500)

Instrumentation? Yes. Lyrics? Not quite the stories I'd like to hear

Never listened much to any Billy Joel, but was a pretty good experience. Very good song writing, he has a good voice. I can hear why this would be popular at the time. A decent 3.

Very average. Never thought “wow i could really go for some Billy Joel”

A poor man’s Elton

A lovely, lovely voice. Cannae move for ballads.

I didn’t know what to expect from a Billy Joel album and ended up quite enjoying this! Not many tracks stood out to me, even after a second listen, but I quite like Movin’ Out, Vienna (which I already knew), and Get It Right the First Time. Rating: 3.5

It was fine

Really like the song Moving Out, it feels like rebellious teen spirit. Whole album is like this. Has some all ahead of its, I can even say it's ahead of our time.

Pretty enjoyable I suppose, I’m not sure Billy Joel is really my thing. That said, Movin’ Out!! What an opener

Просто піаніновий рок. Я, буквально, не можу більше нічого написати. Альбом непоганий, але як же він не запам'ятовується. Оцінка: висока 5/низька 6

a lot of classics on this album!! not suuuper my thing but was good to listen to. enjoyed

i think its not my type of music, okay but not impressive enough

po prostu ok, dwie fajnie piosenki, moving out i vienna

Undoubtedly talented musically, with some great melodies, but something just falls flat for me here - none of the songs really stick with me, and the most memorable ones have a certain plastic-y sheen that prevents me from wanting to revisit this too much. It reminds me a lot of Queen albums - a musical theatre album put through the lens of a pop-rock act.

It was fine

I gotta say I don't really get it? But it was listenable enough with some fun tracks.

Cet album m'était en fait totalement étranger, mais j'aime bien. Playlist pick : Vienna

Pretty good

Surprising to me that piano heavy pop could become popular in the US. There are some good songs here, but also some inane ones (Italian restaurant, movie’ out) but also some good ones (she’s always a woman and everybody has a dream). Ultimately not something I would ever put on, but can appreciate it.

If this is Billy Joel's best shot, then I think it's confirmed I'm never going to be much of a Billy Joel fan. As I've said before, he's super-talented but also Springsteen for dorks.

Funny enough, I listened to this a couple months ago on my own volition, and I've been meaning to watch the new docuseries about Billy Joel. Although I loathe "Piano Man"—thankfully not on this album—I'm not reflexively anti-Joel. "Only the Good Die Young" is great, I like "Movin' Out," and "Just the Way You Are" may be sentimental, but it works. That summarizes Billy Joel in general. There's always a good amount of cheese, but he makes it work for the most part.

Ok, not my jam.

Ім,я знайоме)

Some of it isn't my thing, but some of it hits hard. Almost went to 4 stars just for "heart attack-ack-ack-ack-ack"

Sounded like I would expect.

Loved reconnecting with these old familiar tunes, transporting me back to nightshift in the printing factory, my first job is a brand new immigrant to New Zealand. Nevertheless a little too middle of the road for me

No me volvió loco

1. Movin'Out (★★★⯨☆) 2. The Stranger (★★★⯨☆) 3. Just the Way You Are (★★★⯨☆) 4. Scenes from an Italian Restaurant (★★★☆☆) 5. Vienna (★★★☆☆) 6. Only the Good Die Young (★★★★☆) 7. She's Always a Woman (★★★☆☆) 8. Get It Right the First Time (★★★⯨☆) 9. Everybody Has a Dream (★★★☆☆) TOTAL = ★★★⯨☆ (3,5)

me gusto la onda , le di like a un solo tema

I grew up with this one. Great album, but there are some duds.

7/9 great songs

I don’t love it, but 1001 is a lot of albums so it’s okay to be there. I like it more now that the youngens are discovering Billy Joel and embracing it. Plus, this album is his good one.

This is going to shock the masses...I enjoyed this a fair amount. It's obviously very shlocky and hackneyed, but fair play to Jo-el, he can sing, he can play and he can write. Just The Way You Are is horrible mush, but there are plenty of songs on here that are just good honest fun. Well done Billy.

Never really cared for Billy Joel but this wasn't too bad.

Much better than I thought it would be. My main association with Billy Joel is hearing my Grandma listening to Uptown Girl all the time and fucking hating it, even as a little kid. But this album doesn't have Uptown Girl on it. It has She's Always a Woman, a pretty hard track to argue with; kind of the perfect version of itself. That being said: I still felt there was corny sheen over all the songs, a certain lack of taste that other singer/songwriters of the 70's cultivated much better, and that got in the way for me. I see a world where, being more acquainted with the sound, I could see through it to the very solidly written tracks, because that already happened with some of the highlights here. But on first listen, I still have quite a few reservations.

Billy Joel’s best album, which means it’s mostly listenable with some great songs, many okay songs, and a few annoying songs.

Есть альбомы про которые ничего нельзя сказать - ни хорошего, ни плохого. Послушал и ничего не осталось. Никакого впечатления. Этот из их числа.

Not a fan but appreciate his standing in music. So many great songs.

I actually liked this more than I would have ever expected. His style sort of annoys me, but the songs themselves are good. Too fruity though.

There are definitely some hard-to-deny piano pop melodies on this album… but it’s still cringy Yacht Rock.

Billy Joel is a really talented musician. Great album!

Could probably be a 4 or 5. But Billy we didn’t need a 7 minute song about an Italian restaurant.

Not really my kind of rock. Feels repetitive and too lighthearted? Makes me think of an old-fashioned-traditional-romance-movie soundtrack mixed with classic American dream. The only song I actually sort of enjoyed was the album-titled The Stranger. Actually became kinda annoying after a while…

Decent but didn't blow me away at any points really.

Ouve se, mas nao é a minha cena, se calhar um 3.5

Billiam Joel ain't for me. He's a weird nostalgia trip for a life I never lived. My parents never listened to him so neither did I - this is actually my first full Billy Joel album listened to all the way through - and I just have no attachment to it whatsoever. The songs are pretty richly told stories, but they just sound dated and campy. It's all a bit overperformed. But still, there are some pretty decent tracks on here. Standouts are "Scenes from an Italian Restaurant" - I both kinda enjoyed and cringed at it, I dunno, it's complicated - "Only the Good Die Young" "She's Always A Woman" and "Get It Right the First Time" The second half of the album picks up, but then "Everybody Has a Dream" brings it back down to end in mediocrity, which is a shame. I just wish the songs didn't sound as cheesy as they do. There's a lot thats good about The Stranger but a lot that bugs me. It's a 3/5 for me.

My neighbors in college used to listen to this record over and over until I grew to hate it. Listening again after almost 50 years I enjoyed it.

The album that saved him from being dropped by Columbia. I don't have any Billy Joel albums, but this is pleasant enough.

Esta bien

Soft piano-driven rock, with those piano ballads Billy Joel is known for. Quite easy listening, solid song-writing throughout. Just the Way You Are is a bit too smooth and cliche for me. If you think about it, Billy Joel is kinda parallel to Elton John with the soft rock piano vibe. But I do think Billy is the better songwriter. Ah, ending the album on a gospel track.. not so original Best track - Movin' Out, The Stranger Torn between 3 or 4 stars. It's straightforward high quality soft rock. It doesn't blow my mind but it is such a polished project and an easy listen.. I'm not in a rush to listen to it again, so it will have to be a 3. Sorry Billy

While I can appreciate that these are objectively good songs, reflected by the fact I knew almost all of them already despite never putting this album on before, it doesn’t really do much for me. Falls into the genre of perfectly pleasant but uninteresting for me. Not bad.

Fito Paez and Charly García vibes

A good album, I liked Movin' Out, The Stranger and Only The Good Die Young the most.

Wearing a leather jacket that was a gift from your mom. 3.5/5

might get shot for not quite liking this, but what can i do...?

Me gustó y es bastante interesante

The first part’s really good you know there’s some definite hits. It’s probably a no skip album. I do not like Billy Joel but he used to be cool a little.

I know of Billy Joel, but never listened to a whole album of his which I did on my morning walk yesterday- yes some classic tunes here, but a bit MOR for me, but ok

Enjoyed much more than I thought I would, still not exactly my type of music but enjoyed the listen

essential mom type album (complimentary)

Not my favourite nor his best IMHO So, I'll stick with a 3/5. Also, it didn't help the day I got this, it was not the best day to listen to it. Again, sorry :-(

1977, a mountain of amazing, interesting, innovative music is being made around the world. Billy made this. Recoganise a lot of them though, wacks of muzak. 2.5 rounded up Heard before? Some Owned: No: 68/277 (24%) Will I get: No

high energy story telling, great songwriting, very interesting song structures, the melodies are simple but emotional and catchy it is a great melodic pop record, even though the music doesnt really resonate with me completely; rhyming two words in the same sentence gets old really fast, the pseudo anecdotic perspective of the lyrics is the best part of it, makes it feel authentic

142. cool

6/10 Billy Joel is one of those artists that has sort of sat on the periphery for me. I know his biggest hits, but I’ve never really felt inclined to dive deep. The Stranger was his critical and commercial breakthrough album, so it’s an interesting prospect, and there are a couple of recognisable titles on the tracklist. Straight off the bat, it’s clear that he’s got a great ear for melody and a classic pop-rock delivery that’s easy to engage with. There’s a decent edge of groove in various places too, even if it is a tiny bit on the safe and controlled edge of the rhythmic spectrum. When those strongest elements combine, there’s some really compelling songs in here; top notch pop music that gets you tapping your toe and swept up in the hooks and melodies. There are places where it sounds a bit Elton John-esque and places where he borrows from the pop-soul of the 60s and early 70s, building those sounds into a digestible soft-rock format. But boy is it cheesy. He’s clearly a fantastic song writer, but he also seems to make a lot of clichéd choices, both musically and sonically and while I enjoyed decent amounts of the work, there were times when I was taken out of it a little by the wheels of ripe camembert that came rolling out of my speakers. That wasn’t really helped by how dated some of this sounded, particularly the synth strings and horns used in various places that sounded fairly weak and of their time. Had I grown up with this record, I can imagine that I would be likely to look past those factors, but with fresh ears, the production did fell pretty dated and added to the air of cheese that floated over the record. That being said, underneath it all, there is some great musicianship at play here that compliments the songwriting well and, despite the of-its-time production in places, the mix was crisp and easy to digest and I did enjoy getting to know this record. While it may not be one that I’ll dip back to often, I’m certainly intrigued enough to check out a bit more of his work. Movin' Out (Anthony's Song) - Great track to kick us off. It’s a slow groove, but it’s got great feel to it. The cadence of the bass line and chord structure shifting up and down is super cool. There are some really cool rhythmic blends across the different parts that give it a constantly shifting feel that’s used really effectively when he brings everything together on the odd occasion. A quality pop song. The Stranger - A nice, lazy intro and then some cheesy but delightful guitar that feels like it belongs to the 80s rather than 77. The vibe shifts really nicely through the different sections and the feel of the groove is pretty easy listening, but with a little twist that elevates it above that. I’m not in love with it, but it’s well written and executed. The fade out to a repeat of the intro is weirdly jarring though. Just The Way You Are - Sweet gorgonzola. I mean, it’s a brilliant song, with some incredible melodies, delivered with great feel and swagger, but it’s so incredibly cheesetastic. The lyrics, the general vibe, the sax solo, I mean, wow. The production is great too, with everything having its place and all offering an essential part of the blend. The finest cheese money can buy. Scenes From An Italian Restaurant - This has more than a whiff of Elton John about it. It’s a tiny bit rambling, but in a very cool, organic way. There are more moments of übercheese, particularly the sax solo, but there’s just so much going on that it flitters on to something fresh quickly enough. There are some very groovy parts that have great pace and feel to them. It’s kind of hard to sum up feelings about this song because it does go everywhere, but I think it still feels pretty coherent and when it’s grooving along it’s excellent. The piano playing is top notch, and there are some great vocal hooks too. Vienna - A jazzy number now with an edge of pop soul. He delivers with a great swagger here and there’s an excellent gentle touch to the playing. Great vocal melodies again and more of that organic, rolling compositional flair that’s been a highlight of the record thus far. The string synths sound pretty dated and cheesy now, unfortunately and I’m not completely sold on the accordion either. But compositionally it’s great, I think it may just have aged a little poorly from a production and instrumentation point of view. Only The Good Die Young - Another classic full of white boy swagger. It’s got great touch and groove to it and that main hook is so, so good. Again, this sounds pretty outdated and cheesy in places due to the production choices and some of the synth patches, but the quality of the song writing does shine through. Weirdly, with actual horns on this record, the seemingly synthesised horn/organ calypso lead line that comes in during the choruses is pretty terrible mind. Still a cracking song though. She's Always A Woman - Great piano playing again and a lovely vocal performance. The layered guitar and piano work is really nice, underpinned by a simple but effective strolling bass. As with much of the album, it’s cheesy as anything, but melodically lovely. I find it less engaging than the more uptempo stuff, but it’s still a great composition delivered with skill. Get It Right The First Time - Back with some great uptempo groove again now. There’s excellent touch to that beat and this shifts along really nicely. He’s giving things a bit more grit and attitude in places, but he doesn’t forget to add in some cheesy flutes and la, la, la vocals too. It’s a pretty cool blend, and while I don’t entirely love it, I’m still having a pretty nice time. Everybody Has A Dream - And to close us out, there’s a gospel inspired number. It’s not bad, but a little bit slow and meandering. There’s some cool playing, but it doesn’t really manage to give any particularly hooky melodic moments like much of the rest of the album and while the vibe is decent, it does feel a bit like a pale (literally) imitation of music of this type that at its best has a LOT more soul than this. This is the favourite song of the sole white guy in the gospel choir who is always swaying out of sync with his choirmates. Oh, and then we get a little dip back into The Stranger. Meh.

What is sometimes a pity about this list is that it contains good artists who, in my opinion, have made better albums. Perhaps those will appear on this list as well.

You know Billy Joe? Cheesy love songs and faux blue collar novelty songs, amirite? Turns out he’s a bit more than just a piano man, with some cleverly constructed songs. I remembered the hits from this, but the big romantic ballads Just the Way You Are and She’s Always a Woman fall a little flat when you find out that he’s now on his fourth marriage to a series of increasingly younger and more glamorous women. I was more impressed with the mini song cycle Scenes From an Italian Restaurant that looks at the ups and downs of a relationship over a lifetime, and Vienna which is a tribute to that city with an appropriately Brechtian European feel. I also found out today that George Martin was initially tapped to produce this album which I think would have made it quite a different experience. As it stands, it’s a fine piece but probably just a bit too smooth for me.

"Movin' Out" and "The Stranger" are kinda nice, but otherwise I wouldn't relisten. Just not my cup of tea probably.

Ik vind dit over het algemeen wel goed en aardig om te luisteren. Het is me alleen richting het einde net iets te saai en langdradig om er 4 sterren voor uit de kast te halen. Het had net iets korter mogen zijn. Of één nummer met iets meer tempo in plaats van een balad mogen hebben.

I can imagine me liking this one day but for now its just a bit too bland, and too sentimental.

I liked this album. I feel like all the songs have catchy lyrics and instrumentation w/o sounding all too similar, there’s a lot to fixate on in each song. I think I’d come back to this album again. Fav song is She’s Always a Woman, least fav is Only the Good Die Young.

I appreciate Billy Joel. I like quite a bit of his stuff, especially later in his career. There are three songs on this album, all big hits, that I have HATED for decades. It also has one of my favorite Joel songs of all time "Only the Good Die Young". I get why it's here. I also get why people adore this album. But for me, it's just average.

good vibes

Not really my thing, but clearly talented.

First time listen Good piano rock in the first half that gets pretty let down by a boring second half. Listen to the first half + Vienna and I don't think you'll miss out on much Favorite tracks: Movin' Out (Anthony's Song), The Stranger, Scenes From an Italian Restaurant Least favorite: She's Always a Woman, Everybody Has a Dream 3/5

It was alright! Harmless and easy listen, probably won't return to the piano man but ya know.

Quiye a groovy album, loved Scenes from an Italian Restaurant

First and only Billy Joel album, surprisingly. I'd figured him for more prominent musician than only having one list album to his name, though in all fairness I've never listened to his music. I think I can very safely pin this as a 70s singer/songwriter rock album a la Bob Dylan. Anyways, here goes. A bit of a mixed bag, truth be told. The first half of this album carries itself very well, but side B is packed full of indistinct filler. That isn't to undercut the strengths of this album, however. This album is pretty great when it lands. The songwriting is incredibly tight and dynamic, the vocals hold their own very well and the piano rock stylings are liberating and fun. Good chord progressions too, and I like the distinctively 70s mellow-tempered flourishes of this album. Even if side B was a bit of a slog, I can commend the runtime of this album - it's at a good length. Overall, I fall down the middle on this album, though I'm favourable to giving this another listen somewhere down the line. I've heard the title track before, though I've no clue where. I think it might be another song my Dad used to play in his car. It's pretty good. The bouncy, discerning vocal style is fun and paired nicely with those signature guitar riffs during the chorus. The bridge is pretty great too with how much levity it grants to the song. Overall, a watertight and commendable song, particularly for how lightweight and free-flowing it is. "Just the Way You Are" is another song I'm familiar with, but I have even less of an idea where I've heard it from. It's either another Dad song or has been covered by another artist (this version is only faintly familiar). In any case, it's a nice song. It doesn't match the pure dynamism of The Stranger, but it's a good tune all the same. I like this mellow, mildly decadent sound which was present throughout a lot of 70s and early 80s music, particularly with the brass and organ-sounding instruments. The vocal melody isn't as strong on this track as it is on The Stranger, but it carries itself well all the same. Good tune overall. Man, what the fuck? I've heard "Scenes from an Italian Restaurant" before, too. I distinctly recall hearing this song through my Dad's car. Guess he's a fan of Billy Joel. He's always been a "puts individual songs onto his phone" type of guy rather than an album fellow such as myself, which is why it's particularly surreal to hear three songs from his music library back-to-back. Anyways, this song is the best of the album. It has a commendable level of ambition which it pulls off quite well. The introductory section is nice with those spacey saxes, but the song really comes alive during the remaining three quarters, once again due to the songwriting. The mile-a-minute vocals are at just the right tempo, placing enough emphasis on the syllables while also having a fun, free-flowing airiness. Underscoring the vocals are the great pianos, which add further emphasis to the vocal performance while also contributing a parlor song sound that is befitting of this song's setting and subject matter. I'm sure there's a lot of crazy shit going on with the composition of this track thanks to how it transitions between different tempos and styles, but to my plebian ears that's more or less the extent of what I could impart from this song. Good tune overall. I've heard "Only the Good Die Young" too, once again through my father. I think this might be my Dad's favourite album. It definitely has a high strike rate with him. It's a fine song, though admittedly the weakest of the tunes I already know. The chorus is strong and I can appreciate the lyrics, but the remaining parts of the song aren't as tight or cohesive. Like I said at the beginning of this review, I'd figured Billy Joel for a more prominent musician than only having one list album to his name, so I'm not going to consult the book on this occasion. I imagine this album is in here on good authority. I cosign this inclusion.

grocery store music that low key slaps

Putain 1977, rendez-vous compte deux secondes du décalage ! Pendant que New York brûlait sous l’étincelle du punk, que les mecs du CBGB s’envoyaient des décharges d'électricité brute dans les veines, Billy Joel, lui, était sagement assis sur son lit, en costume, à regarder un masque posé sur un oreiller (c’est l’image de la pochette). Je vais être honnête avec vous, en écoutant cet album, j’ai eu une impression persistante de déjà-vu. Ou plutôt de "déjà-entendu-en-mieux". L'analogie m'est venue tout de suite et je ne peux plus m'en défaire : Billy Joel, c'est un peu le Elton John du pauvre ou pour être plus moderne, c’est le Elton John version Wish. On a le piano, on a le sens de la mélodie qui accroche l'oreille dès la première seconde, on a cette capacité à brosser le portrait d'une Amérique de banlieue... Mais il manque le panache. Il manque le côté flamboyant, le génie mélodique stratosphérique et cette espèce de folie baroque qui rend Elton intouchable. Ici, tout est à sa place, c’est du travail d’orfèvre, merci Phil Ramone à la production. Et musicalement, il n'y a rien à dire, ça tient la route. Le mec sait écrire des chansons, c’est indéniable et il sait comment construire un pont, comment poser un refrain qui va rester coincé dans ton cerveau pendant trois jours, que tu le veuilles ou non. Mais il y a ce "petit quelque chose" qui ne passe pas, ou qui passe trop bien, justement. C’est trop poli, c’est trop "civilisé". Prenez le titre éponyme, The Stranger. Ce sifflement introductif, tout le monde le connaît. C’est efficace, c’est mélancolique à souhait, mais dès que le rythme s'installe, on sent qu’on est dans un confort acoustique presque trop douillet. C’est de la pop de luxe pour cadres moyens qui veulent se sentir un peu mélancoliques en rentrant chez eux le vendredi soir. Et puis, il y a Just the Way You Are et là, on touche au summum de la ballade sucrée. C’est beau, c’est mignon, c’est la chanson parfaite pour un mariage dans le New Jersey mais c'est justement "trop" sucré à mon goût. Et même quand il essaie de faire le dur sur Movin' Out, on n'y croit qu'à moitié. On sent le bon élève qui veut jouer les rebelles de classe moyenne. Mais attention, l’album n’est pas mauvais, loin de là. Scenes from an Italian Restaurant est une pièce ambitieuse, presque une mini-opérette rock qui montre toute l’étendue de son talent de compositeur. C’est bien foutu, les changements de rythme sont impeccables, on voit le film se dérouler devant nos yeux. C'est du storytelling de haut vol, très "Broadway" dans l'esprit. Mais encore une fois, c’est très académique, c’est de la musique qui ne prend pas de risques, qui veut plaire au plus grand nombre et qui y arrive avec une insolente facilité. Ce qui me dérange le plus, c’est ce côté "entre-deux". Ce n’est pas assez rock pour transpirer, ce n’est pas assez variétoche pour être totalement méprisable, ce n’est pas assez expérimental pour être intéressant sur la durée. C’est une sorte de perfection pop un peu chiante, un peu trop lisse. Quand je compare ça aux disques qui me font vibrer d'habitude, ceux qui te prennent aux tripes, qui te bousculent ou qui t'emmènent dans des zones d'ombre inconfortables... Ici, c'est le calme plat. L'eau du bain est à la température idéale, ni trop chaude, ni trop froide et on finit par s'endormir dedans. Pourtant, je ne peux pas décemment dire que c'est une bouse car ce serait de la mauvaise foi pure et simple. Les arrangements de cordes sont superbes, les musiciens sont des pointures, et Billy Joel est un chanteur tout à fait compétent, bien qu'un peu trop scolaire dans ses envolées. On dirait qu'il a pris la recette d'Elton John, qu'il l'a passée au tamis pour en retirer toutes les excentricités, tous les costumes à plumes et toutes les drogues, pour n'en garder que la structure mélodique de base. Le résultat est une version déshydratée, très efficace, une version "soft" pour l'Amérique qui n'aimait pas les paillettes britanniques. Au final, j'écoute ça comme on regarde un vieux téléfilm bien produit : on ne s'ennuie pas vraiment, mais dix minutes après le générique de fin, on a déjà oublié de quoi ça parlait. C'est l'album du "oui, mais". Oui, c'est bien écrit, mais c'est fade. Oui, c'est culte, mais c'est daté dans le mauvais sens du terme. C'est le genre de disque qui a sa place dans une collection, parce qu'il représente une certaine idée de la réussite commerciale et de l'efficacité pop de la fin des années 70. En résumé, c’est pro, c’est propre, c’est l’archétype de l’album qui mérite la moyenne parce qu’il est techniquement irréprochable, mais qui n'aura jamais plus. C'est un produit de consommation courante, de luxe certes, mais de consommation quand même. Ce sera donc un 3 sur 5, pas un point de plus, pas un point de moins. C’est la note de la compétence qui ne parvient pas à se transformer en génie. C'est la note de l'élève sérieux qui rend une copie sans rature, mais sans aucune imagination. Billy, tu resteras mon Elton John de substitution quand j'aurai épuisé toute ma discothèque de post-punk dépressif. C'est-à-dire jamais, mais bon, l'intention y était. On passe à la suite, et si possible, quelque chose avec un peu plus de distorsion ou de désespoir authentique. Parce que la vie, ce n'est pas juste boire du vin dans un restaurant italien avec une nappe à carreaux. C'est aussi le bruit, la fureur et les ombres soit tout ce que cet album évite soigneusement de toucher pour ne pas salir son joli costume gris.

Bastante bien.

nothing burger album

Reminds me of my childhood. My mom played this album A LOT.