This Year's Model

Not my jam. Not much to bring me in. It sounds like the start of 80's synth but not in an engaging or compelling format. Meh

own

Blind album, know the artist by name thanks to the project. Honestly I feel like the band is ahead of their time but that won't ever make me like the band. At least this album gets a 3.

I just saw him live!!! Yeah just a very fresh incorpation and early new wave stuff into an early incorporation of traditional piano and rock stuff with a little post punk in there

Wow, what a great album! Love the sharp lyrics and pop!

Can't stand him. Automatic 1

Couple of ground breaking classics.

Very good

Not a bad album, I'm just not super into Costello.

Sounded surprisingly modern for the year it came out. Very reminiscent of some 90s rock I have heard. Sounds pretty good too

I loved the sound but the lyrics were so lazy and repetitive.

Fun stuff.

Not for me

great white folk rock! Almost got through the whole album! Halfway at least

also annoying

wait these guys are british? Light 4

Enjoyed this album a lot. Very upbeat!

Album no. 2/1001. Not my thing! Maybe the 70s is not my decade...

Elvis Costello is great - I enjoy this album.

I love this album. It has some of the energy and attitude of punk but without the music or over simplicity and sloppiness. Great from start to finish.

No es de mi estilo pero no está mal

Only got to listen to half but it was great!

Better than the first one

The writing, musicianship, production, and the context of its era make this a flawless album, 5 stars. EC’s voice, yea get over it, I don’t like it either, but look past it; and befits here.

Here backed by The Attractions, Costello's second studio album. One of the Stiff Records roster, Costello emerged on the back of the pub rock and then punk explosion and on into the post-punk era and then onwards into major league start status, all of the back of exceptional song craft. This is a fine album, stand out tracks for me are '(I Don't Want To Go To) Chelsea' and 'Pump It Up', but the whole album is great.

Crisp pop album. Did not sound like it was made in the 70s. Unapologetic lyrics hidden in radio friendly sound. 5/5

"Pump It Up" alone makes this a great album, and it's just that, great, catchy, infectious...

I like this album. Good vibes and some great tracks to back it up.

Not bad. There was nothing in this that I hated, but nothing that I loved either. Definitely my second favourite Elvis!

I was ready to give this a 4 after listening to it yesterday morning, but then in the evening it took me a good few minutes to remember what the days album was. So it obviously didn’t make much of an impression. Sorry Elvis, you were a great guest star on The Simpsons.

It's alright but probably won't go back to it.

I liked this, all the songs were a sensible length. Had heard some of his stuff before but never listened to a full album.  Might dig in to some of his other albums if I find time

Surprisingly liked it a lot more than I thought I would. Started strong but got a bit samey half way through.

How cool I would have been in 1978 to know this album. Glad I got to hear it now. Catchy, edgy.

Some very enjoyable tracks on this album. I was pleasantly surprised by it, as I was never a big elvis costello fan.

This album really grew on me on the second listen.

Proper devil music, classic

First time actually listening to Elvis Costello though his reputation proceeded him. This backing band is insane. The drums and bass are both phenomenal. I was not sold at first but Chelsea, Living in Paradise, and Lipstick Vogue are all great tracks that grabbed me immediately. After a few listens and reading up about our man Declan, I think this is good music that suffers from just being too self aware. Elvis, as he calls himself, is the son of music industry parents and was part of the industry from birth. It's pretty apparent on this album. It's an interesting blend he hits on these tracks. He is biting and swaggering in a way that screams out his desire for authenticity but the tracks themselves are polished and clean as if designed by committee. I can hear the New Wave sounds bubbling up on this album and the punk rock vibes he's going for, I just don't fully buy it. I think Declan is authentic to himself, but who he is as a person is someone so influenced by posturing and marketing that he's fake even to himself. Interesting music, but I don't think I'll be coming back to it.

Not bad for a computer programmer. Kind of liked most of the songs.

For my tastes, the album was ok. Pump It up was the most memorable song. Would I listen to it again, probably not.

"Pump It Up" reminded me of "Wild, Wild West" by The escape Club.

it was ok! could see it being nostalgic if you listened to it as a kid. I wasn't mad with it on.

not vibe

"HAND IN HAND, HAND IN HAND, HAND IN HAND, HAND IN HAND" ruins it.

This was sonically delightful. Surprised to say, having never really listened to Elvis Costello before, that I can see myself putting this on to listen to front to back again. Honestly a huge part of why I like this album is Bruce Thomas, bass lines for days and awesome bass tone, loved the bass on "(I don't Want To Go To) Chelsea." I dig Costello's voice a lot, some songs more than others, and the harmonizing parts in songs like "Lip Service" we're great! I like the dangerous and fierce lyrics, The instrumentation on the album sounds great, the tones, the melodies, the compositions, the production, performances, bravo to everyone involved. "Lipstick Vogue" stands out as one of the best instrumental performances and compositions on the album. Definitely a poppy rock album, I think the catchiest songs are "Lip Service" and "Hand in Hand." Side Note - got a hint of The Monkees on the song "You Belong To Me, specifically the keys and tambourine. Playlist worthy: "The Beat", " Lip Service", & "Lipstick Vogue" Favorite Song Vocally: Pump It Up Favorite Lyric: Hand in Hand - "Don't you know I got the bully boys out Changing someone's facial design" Very Solid 3 / 5 more like a 3.5 / 5

Musicalmente mi piace (gli strumenti e ritmo). Non so bene cosa pensare della voce. Certe canzoni sono carine, hanno un bel vibe ma non so se le riascolterei di mia spontanea volontà. Non c'è nessuna canzone che mi ha particolarmente colpito. Non è proprio un 2 stelle, più vicino al 2.5.

Standout Tracks: "No Action," "This Year's Girl," "Pump It Up," "Little Triggers," "Lip Service," "Lipstick Vogue," "Radio, Radio" Lyrics/Vocals- 3/5 (lyrics great, Elvis Costellos vocals hit or miss) Instrumentals- 4/5 (lot of songs sounded similar Vibes- 4/5 Overall- 4/5 Whenever I think of Elvis Costello I think of him getting banned from SNL for playing "Radio, Radio" even after Lorne Michales specifically said not to and to play "Pump it Up" instead. Costello went against this request because he felt that the American public would relate to "Radio, Radio" more. He was banned from SNL for the switch up, then when he was unbanned he pulled the "same stunt" with the Beastie Boys. Anyways, all of the Elvis Costello I have heard in my life was from this album, and I understand why now. This was a great listen. Very upbeat, lots of great tracks, and lots of talent is apparent on this record. Elvis Costello's voice is hit or miss often times. I've always felt that his vocals are very "full of himself," if that makes any sense. Sometimes it fits the song, other times it was a little bit grating or difficult to listen to. Regardless though, you can really understand why Costello is held in such high regard by many rock lovers by listening to this album. It's poppy, catchy, and fun, but when you listen to the lyrics you can understand the message behind them.

New artist/album although I have heard of Elvis Costello.. I enjoy the punk flavor with some classic 70s aspects as well, like synth keyboards. ‘Pump it up’ reminds me of ‘Voodoo Child’ - possible sample/influence there; one of my album favorites. Noticing some familiar sounds that remind me of later artists like Counting Crows and Tom Petty, but also earlier like the Who (‘You belong to me’ resembles ‘my Generation’). Interesting phrase “she’s last years model” in ‘(don’t want to go to) Chelsea’ when the album is titled “this Years Model”. Overall I really enjoyed the whole album, pretty cohesive across the board.

Bit of a Red Hot Chili Peppers vibe, but, not…

Started slow, but the album grew on me. I actually liked a few of the songs. Not my first choise of listening, but occationally good. Grade 3/5.

Favorite Tracks: This Years Girl The Beat Pump It Up You Belong to Me Hand In Hand Living in Paradise Radio Radio

Good album! Heard a bunch of it before but a few songs I didn’t know

Already forgot what this album sounded like

His voice annoys me, but I can see the allure of the poppier songs like The Beat and Pump it Up. Again, 70s teen Tito went crazy during high school dances for those. Overall sounds like someone doing karaoke who thinks they are good.

I was never a big Elvis Costello fan, but his hits would allways be a high spot in my day. This wasn't an album I could sit all tha way through, but it was good.

It was fine

Favorite tracks: Pump It Up, Little Triggers, Living In Paradise Rating: 4/5

Not as punchy as I remembered it

Never been a huge Elvis Costello fan. His music always seemed iterative rather than original and this album didn’t stand out for me in 1978 (I was there)

Whiny

Liked it, will listen again

I think that if I heard this music in 1978 i would have been super impressed. That being said it was not my favorite style of music. The musicians in the band seemed to be really talented; however, i was not a big fan of the singing.

I’ve never been a big fan but this album was interesting and relaxing. Will def keep on my list.

Punk/New Wave not really my thing. I didn't dislike the album or any songs on it, but would probably never choose it to listen to. I can see what the attraction is for those who like that style of music, just don't share it with them. I did listen to the entire album, though, so that says a lot. Most albums in this style I couldn't make it through the whole album, this inw is listenable. No complaints.

Love Elvis Costellos sound. Could listen to him at great length while driving or just going through the day. Easy to listen to!

So good! Costello's songwriting is razor sharp with barbs and melancholy but the real star is drummer Pete Thomas with fills to burn and beats that are intricate and precise.

This is my first time lie to Elvis Costellos music. His voice and demeanour on the tracks took a while to get used but once I did, I enjoyed this project a lot more. This is one of those projects I can see myself getting sick of or getting more admiration by the 3rd listen. Favourite tracks are ; The Beat , Pump it Up, Miss Trigger.

Unremarkable middle of the road

One of my favorite Costello albums. “Radio, Radio” is a classic song.

Ok album

Decent enough but very same same.

Kann mich nicht begeistern!

So so good. I wish i would have discovered this when it came out.

This album made me think we need a second rating system where I rate myself on how dumb it was of me to stop listening to this on repeat 20 years ago. It’s astounding that this came out in the 70’s. It’s so fresh even now. It’s almost magic how Elvis Costello combines soulful but edgy, impeccably punctuated vocals to layered, leveled up but super listenable composition. Leave this on repeat for 20 years. You won’t regret it.

Not really our thing, but not bad!

großartig

Niceish

4,5

it was fine, not rushing to listen to again

Thoroughly enjoyed this! I love Elvis Costello’s voice.

Nah wasn’t for me

Musically good but his voice is annoying.

This follows the other EC albums on this list, pretty good songs with a lyrical barb, which don't pack the punch they once did. Having bought the previous and following albums to this one it was the singles that had me shying away from purchasing this. Listening all these years later that has not changed.

A few really good songs and fantastic drumming throughout. I get why people love this but it’s not really my thing

In my high school and college years I listened to quite a bit of Elvis Costello, and I saw him in concert a couple times, too. I always liked his sound and style, and he has his own signature voice and approach to pop, which is great. This is a wonderful album to me in that it’s both creative and very well performed and also gives me a nice trip down memory lane. I don’t listen to him as much anymore so this gave me a good reason to enjoy it.

I’m probably too young to understand the Elvis Costello lore and that’s okay. His voice is grating enough to be unenjoyable to my hear, but the way he crafts his voice is undoubtedly interesting. Voice as the instrument etc etc. Not for me but clearly a pioneer and I can’t knock that. Probably won’t be returning to listen anytime soon. Also Olivia Rodrigo/her collaborators were very clearly inspired by the Pump It Up riff for Brutal.

Baller ass album. Originally given this by my uncle John to check out. Loved it. Wonderful blend of rock and soft punk for a nerd like me.

Costello would make some great music with the Attractions. This has a couple of great tracks, and a lot of work finding their footing. Undeniable chops, but not *great* great yet.

Really good. Lots of energy and poppy synths, with a cool spunkiness in Costello's vocal that reminds me of Billy Joel around the same time. (I still prefer the Piano Man's chops, though.) The compositions aren't especially memorable, but they keep the listener constantly engaged with radio-friendly instrumentation that plays it just safe enough to be universally appealing while still incorporating punk and pop sounds that would've been fresh and new at the time. Special shoutout to Chelsea and Living In Paradise for having a sick riff, and to The Beat, No Action, Pump It Up, and Radio, Radio for just being really strong overall.

Should've listened to all of it but it sounds really original for it's time tbh...

Catchy, good. Not really for me.

This album feels way ahead of its time. Lots of quirky sounds and vibes. Quite an enjoyable listen, if not my favorite overall. Fav tracks: The Beat, Radio, Radio, Living In Paradise

Mér finnst Imperial Bedroom, fyrsta Costello platan sem ég hlustaði á fyrir þetta verkefni, vera betri en þessi. En, ég er samt svag fyrir þessari líka.

This album is still this year's model.

Previously rated: Armed Forces (3/5) My Aim Is True (4/5) Imperial Bedroom (2/5) **************************** Good, catchy, lots of variety here. May be as good or better than My Aim is True. Every time I hear Pump It Up, I can't help but hear that Wild Wild West song. How did EC not sue over that?

B- No Action 3 This Year's Girl 3 The Beat 3 Pump It Up 3 Little Triggers 3 You Belong to Me 3 Hand in Hand 3 (I Don't Want to Go to) Chelsea 3 Lip Service 3 Living in Paradise 3 Lipstick Vogue 3 Night Rally 3 This was pretty meh from Fake Elvis. I think he may be better at racial slurs than music.

Couldn't finish

3.5

Elvis Costello's sophomore album, "This Year's Model," released in 1978 with The Attractions, stands as a pivotal work in the punk and new wave movements. With its razor-sharp lyrics, energetic music, and innovative production, the album has left an indelible mark on the music landscape. In this in-depth review, we'll delve into the various aspects of the album, including lyrics, music, production, themes, and influence, while also considering its strengths and weaknesses. Lyrics (Pros): Costello's lyrics on "This Year's Model" are a tour de force, characterized by biting wit, acerbic commentary, and a keen observational eye. The album's opening track, "No Action," immediately sets the tone with its self-aware lyrics, exploring the themes of romantic frustration and disillusionment. Throughout the album, Costello's wordplay and clever turns of phrase showcase a level of lyrical craftsmanship that is both impressive and engaging. Tracks like "Pump It Up" and "Radio, Radio" demonstrate Costello's ability to address broader social and political issues within the confines of a pop song. His lyrics often blur the lines between personal and political, creating a sense of urgency and relevance that resonates even today. Lyrics (Cons): While the majority of the lyrics on "This Year's Model" are exceptional, some may argue that Costello's verbosity occasionally borders on the cryptic. This deliberate ambiguity may alienate listeners who prefer more straightforward storytelling. Additionally, his rapid-fire delivery can make it challenging for some listeners to fully grasp the depth of his lyrical content upon initial listens. Music (Pros): The music on "This Year's Model" is a dynamic fusion of punk, new wave, and power pop, showcasing The Attractions' tight musicianship. The album's high-energy tempo, exemplified by tracks like "Lipstick Vogue" and "Pump It Up," reflects the urgency and rebellious spirit of the punk movement. The Attractions' proficiency with their instruments, coupled with Costello's distinctive vocal delivery, creates a sound that is both distinctive and influential. The incorporation of diverse musical elements, such as the reggae-infused rhythm on "Lipstick Vogue" and the Motown-inspired groove on "You Belong to Me," showcases Costello's willingness to experiment within the confines of the new wave genre. The result is a musical tapestry that defies easy categorization. Music (Cons): Some listeners may find the production choices, particularly the compressed and raw sound, to be polarizing. While this production style aligns with the punk ethos, it might be a deterrent for those accustomed to more polished recordings. Additionally, the intense pace of the album may be overwhelming for some, with few moments of respite or introspection. Production (Pros): Nick Lowe's production on "This Year's Model" is both edgy and innovative. The decision to record the album quickly and with minimal overdubs captures the raw energy and spontaneity of Costello and The Attractions' live performances. The intentional lack of studio gloss adds authenticity to the record, aligning it with the DIY ethos of the punk movement. The use of unconventional studio techniques, such as the deliberate distortion on "Pump It Up," contributes to the album's distinctive sound. The production successfully marries the urgency of punk with the melodic sensibilities of new wave, creating a sonic landscape that is as influential as it is memorable. Production (Cons): For listeners who prefer a cleaner, more polished production style, the raw and unrefined sound of "This Year's Model" may be a drawback. The intentionally chaotic mix may obscure some of the subtleties in the arrangements, potentially diminishing the overall listening experience for those who prioritize production clarity. Themes: "This Year's Model" explores themes of love, lust, disillusionment, and societal critique. Costello's lyrics often dissect the complexities of human relationships, with a sharp focus on the darker, more turbulent aspects. Tracks like "Hand in Hand" and "Little Triggers" delve into the intricacies of romantic entanglements, revealing a keen understanding of the human condition. Simultaneously, Costello's lyrics take on a sociopolitical dimension, as evidenced by the commentary on media and consumer culture in "Radio, Radio." The album as a whole reflects the tumultuous social and political climate of the late 1970s, making it a snapshot of its time. Influence: "This Year's Model" has had a lasting impact on the punk and new wave genres, influencing subsequent generations of musicians. The album's fusion of punk energy with melodic hooks paved the way for the development of power pop, a genre that would find success in the 1980s. Costello's intelligent lyricism and genre-blurring approach inspired a diverse range of artists, from alternative rock bands to singer-songwriters. The album's influence also extends beyond its immediate genre, with artists across the musical spectrum citing Costello as a source of inspiration. The combination of visceral energy, lyrical depth, and musical innovation positions "This Year's Model" as a seminal work that continues to resonate with both musicians and fans alike. Conclusion: "This Year's Model" remains a landmark album in Elvis Costello's discography and a cornerstone of the punk and new wave movements. Its enduring influence, coupled with Costello's razor-sharp lyrics and The Attractions' dynamic musicianship, solidifies its place in the pantheon of iconic albums. While the raw production may not appeal to everyone, it serves as a testament to the album's authenticity and captures the rebellious spirit of its time. "This Year's Model" is a compelling blend of intelligence and intensity, a testament to the enduring power of music that challenges conventions and stands the test of time.

A couple interesting, a couple annoying, all in all nothing special

Relevant for the time. Now a commercial theme song.

Great classic rock album Didnt know Costello jammed this hard

I enjoyed it, and periodically relisten to Elvis C's albums 1-3. Great sound, but the singles don't stand out to me. 3.4 stars rounded down. I also think I enjoyed the Spanish version of this album, "Spanish Model", more than the original.

Before even starting to listen to this album, I realized how little I know about Elvis Costello. Do I know any of his songs? I know he's famous for having glasses, and he had a funny appearance on The Simpsons. Let's see if I like his jams. After Listening - I had definitely heard Pump It Up before without knowing it was Costello. Nothing else was familiar. The music is funky and toe-tapping, but Costello suffers from the same issue I have with Lemmy from Motorhead, every song has the same vocal range. if you took out the music and just placed Costello's singing all on one track, you wouldn't know when one song ended and the next begain. Meh.

Crazy to think this was edgy punk/pub-rock in the 70's. I've always admired Elvis Costello. He inspired so many punk/emo/rock artists lyrically and musically. This album was a great listen, I really enjoyed it. It's timeless. Best Tracks: No Action This Year's Girl

My third Costello from this list so far. This one didn't really grab me at the start but does pick up around the end. Fave track: Radio, Radio

This is the fifth Elvis Costello album I've got through the project. Only one more to go! 🫠 Similar to all the others, it's fun pop rock - an entertaining listen, but not exactly my favorite, and certainly not deserving of 6 slots in the list. Ho hum. Fave tracks - "Lipstick Vogue" is baller. "Radio, Radio" and "(I Don't Want to Go to) Chelsea" are great too.

5/10, not my thing. Lyrics sometimes made me a little uncomfortable, Elvis Costello is a good singer and instrumentation is also fine. Not my record, maybe a different Elvis Costello record sounds better to me.

I'm not a fan of Costello.

Very good listen. Much prefer his earlier work. The stuff about his blue shoes and his time in prison, rocking out with the other inmates! 3.7

I don't generally like Elvis Costello's voice, but it's hard to deny the art-punk genius of the Attractions' instrumentalism. What really, and I mean REALLY stood out for me was the bass playing of Bruce Thomas, to the point that I think this album needs to feature Bruce on the cover :D. There are some great tracks on here - Lipstick Vogue's upbeat punk vibe, and The Beat's funky rhythm section (which is what made me sit up and take notice of the Attractions rather than Costello himself), and the more famous Pump It Up. There are undeniably catchy moments on this album such as (I Don't Want To To Go To) Chelsea. I find that Costello is at his weakest when he's trying to do the croony ballad's (Little Triggers). He's far better suited to belting out upbeat, punkier stuff, e.g. on the Jam-esque "You Belong to Me". Initially I gave this 3 stars, but I listened to it again and it's kind of grown on me. So it's a pretty solid 4 I think.

Enough Costello's come across here enough times now to make clear that there's not going to be too much stylistic variety between albums, so you'll either be on board with him or not (he is a consistent 4/5 for me). This one's maybe a little bit cleaner/tighter than *Armed Forces*.

Dreadfully boring

Ive never really listened to elvis costello and I enjoyed it. Was nothing mind blowing but I could see myself exploring his discography.

This album could be better as it just sounds like generic old punk rock music which is something im not the greatest fan of. I would have to give this a 2.5 if I could but from what ive been reading theres more albums from this guy and they are much worse so im not looking forward for them. Definetly won't recommend to any friends.

This is my first Elvis Costello project, and it pretty much fits what I expected. Sure it gets a little bit generic and same-y, but theres some groovy ass songs I found myself nodding my head to. Not exactly my thing, but I would probably revisit and give it another chance. Thoughts: Not bad! Favorite song: Pump It Up

The know nothing critics poster boy, elvis costello, underwhelms on this sophomore effort. I’ll be fair, I don’t want to go to Chelsea is a terrific song. But even Ed Sheeran writes good ones occasionally. In my Creedence review, I wondered how John Fogerty might have gone with a better band. It’s the opposite here. Had the Attractions been with a better songwriter and guitarist might we have got the transcendent album it seems the Thomas's and Steve Nieve had in them? Meanwhile, mogadon is available in a musical form. Just hit play here. 1.5 stars, just because I don’t wanna go to Chelsea is worth a listen. Rounded down because the album is nowhere near 'good' let alone anywhere near as good as it thinks it is.

I shouldn't like it but I do. Not sure why music critics don't like him. Is it the lack of edge?. It's a mood and sound and something relatable and ordinary about his drooling moan.... It makes me smile. Sore there are flat bits in his albums. But some gorgeous happy tingling bits too. Maybe the ordinary suburban male can imagine the slaves as this lesser less glorious Elvis. Music for playing on a hot summers night with friends while debating 90s cinema. Ploom.

I saw Costello on his first Australian tour, at The Regent in Sydney in December ‘78. That was only a month before his 3rd album, Armed Forces was released, but 6 of the 12 tracks he played that night were 6 of the 12 tracks from This Year’s Model, which had already been out for 9 months - The Beat, Pump It Up, You Belong To Me, Hand In Hand (which he opened with), (I Don’t Want To Go To)Chelsea & Lipstick Vogue. This was The Attractions’ debut album with Elvis, and they were never better than this. As was his songwriting - so sharp. And producer Nick “Basher”Lowe was at the top of his game - he produced Costello’s first 4 albums, The Damned’s first album (which beat the Pistols to the title of first British punk album) and just about everything at that time by Dr Feelgood & Graham Parker & The Rumour. Why “Basher”? Because in the studio, he instructed bands to bash it out, we can tart it up later. So with Costello, he tried to capture the band live, with few overdubs. Which has to be a major reason why this record just jumps out at you. And Costello’s obsession with 60’s music is everywhere. Chelsea has always been my favourite here, but Pump It Up is the enduring success. If Dylan’s Subterranean Homesick Blues grew from Chuck Berry’s Too Much Monkey Business, then Pump It Up has similar genealogy. One of my favourite albums.

Elvis Costello is at his best when he is rockin' out. I can live without the excursions into art song, or string quartets, or Bacharach collaborations or whatever. I like it when he and the band are banging out quick and dirty rock albums. And he never had a band better than the Attractions, appearing on record here for the first time, and at the height of their powers, banging out a quick rock album. Some might suggest that the Attractions were a better band than Elvis deserved. They are just off the road from extensive touring, and they are tight, driving and inventive outfit. The songs are so smart, so melodic, with such energetic playing. Nick Lower had the good sense to make sure that they captured the energy of band, and the recordings are immediate and attention grabbing. The songs are varied, each with its own identity, whip-smart lyrics, great melodies, inventive and tight playing. Beatle-esque in places, but possibly even more influenced by Aftermath-era Rolling Stones. It's a shame he picked up on some the Stones' dubious attitudes towards women. I could listen to this album over and over without getting bored. The singles are classics and never fail to get me hyped up. And the album as a whole is all killer, no filler. 4.5 stars, rounding up.

Some good tunes. Some filler but the good outweighs the average

Like this one.

Have never really listened to Elvis Costello but knew some of his songs and liked them. Did not realize he started in the 70s and started so incredibly strongly. This was one hell of an album, and quite a start for The Attractions backing him.

скушновато только главный хит норм но его я и так знал

I still personally only like one album by Elvis Costello, which is the one he did with Burt Bacharach. Otherwise, I don't really care for his voice, and that prohibits me from appreciating other albums. However, his songwriting skills, and the arrangement and composition of the songs is so impressive. There is so much going on at almost any given moment, that I do believe Costello deserves all the praise he gets. I'd probably give this album 3 stars for me, but I bumped it up to 4 due to the fact that I can't deny the art, even if its not to my personal taste.

It’s a fun one

Bit scarred by this years girl but all in all good

Declan and the bois cook on this one

very inconsequential album for me. Doesn't stick.

Not my style. I enjoyed it slightly more than the Bruce Springsteen album. 3/5

Good punk + good new wave = very good. 4 stars.

The album is alright. I somewhat understand why others may like it but I found the instrumentals average and the vocals to be a little annoying. Not to say it is a terrible album, just not one that I would care to listen to on my free time. It would be 3 stars if I could get over the adolescent whine that is the vocalist's voice. Favorite song is really the least hated song, and that's no action.

bravi, what a masterpiece

This guy again? Hope this is better than “Brutal Youth” … I’ll try to keep an open mind. Okay, this is better so far. I actually like “The Beat.” In the end, still mediocre - 2.5?

Very underwhelmed. Pump It Up might be the only good track. The rest are just... fine at best. I'm sure it's cited as inspiration behind some other acts, but I just couldn't get into it.

Wow. Really good. Loved No Action

Was not expecting that based off the album cover but I like it. It’d probably be closer to 4 but there’s way too many songs.

Not much to say. It’s aight

You really can’t go wrong with Elvia Costello, and especially not early Costello. In an era when punks were all about loud and fast guitar, Costello’s witty lyricism and sharp guitar is like a breath of fresh air. So many good songs on this album from start to finish, but (I don’t want to go to) Chelsea is definitely my favourite. Pump it up and Radio Radio are absolute classics though, and even though I didn’t know a lot of the rest of the album it didn’t disappoint! Will definitely listen to this another few times!! 10/5

No idea why this guy is on the list so many times.

Good vibes. Timeless

Standouts: Pump it Up, This Year's Girl, (I Don't Want to Go to) Chelsea, Others: Little Triggers, You Belong to Me, Hand in Hand, Living in Paradise,

I'm not getting it

Pretty catchy songs

This is a really solid album, and the two singles are especially great. I'm not a huge fan of Costello and think he is over represented in this book, but this is definitely the best I've heard from him so far. His band sounds fantastic and the production is great too. Nice album cover as well, overall a very good project. 8/10

Very much enjoyed it

This was a pretty boring album. There weren't any horribly offensive songs, but there also wasn't a single song that stood out. While thinking back on the album, there honestly isn't a single song that I can remember, it was all so forgettable.

So I love the melodic bass lines. That’s my aesthetic. In fact, what works best for me on this album is the Attractions, whose playing is fun, energetic, and sounds awesome together. I also love the Power Pop sensibilities of the album (that’s my other aesthetic). The only thing I struggle with is Elvis Costello himself. I’m not crazy about his singing, which sounds like he’s just been punched in the stomach. And a lot of the melodic choices are strange to me—sometimes discordant or vague. It means that few of the songs end up being catchy, despite the instrumentation leading me to believe otherwise. And so I’m of two minds with this album. I love the orchestrations and production, just not the songs or vocals, which are kind of the point? But I do think I’ll be returning to this album. It seems like it might grow on me, like I’m acquiring a taste for Elvis Costello.

Not sure what I thought Elvis Costello's music would sound like but this wasn't it. Not bad but not my thing.

Back half of the album had some good instrumental breaks but overall it felt a bit corny

Заебок

Fun, I hadn’t heard of this guy before

super cool, pretty punk rock. Interesting music, lots of variance song to song, really good bass lines.

Fondly remembered from my teenage years!

I’m biased, 100%. I grew up with Elvis Costello, and this album was always a particular favourite of mine. But I really do think it’s pretty much perfect. One of the talking points about Costello is his often blatant stalker-ish qualities and anger towards women, and while that’s certainly a feature of his writing, it’s interesting to note that people forget to mention how great his straight love songs are. Little Triggers is a particular highlight

good vibe i like elvis costello

Not my favorite at all. Weirdly sounds modern, but not in a good way necessarily.

Pretty alright, quite forgettable.

Was für eine Neuentdeckung für mich

Cat: he’s got a great voice and the music is good. Catchy. I dig it.

I liked it more than I thought I would. Listened to the front half, liked the energy of it.

Some songs I've heard before but good to get their album context, a nice listen

Been waiting for an end to end Elvis Costello album. One of the coolest dudes and brings it all together on this one.

I've got no energy left for Elvis (after only 3 of his albums on here), but this was one of the better ones.

Brani Preferiti: - "No Action" - "Pump It Up" Note: Ho la sensazione che ci sia poca variazione all'interno dell'album e per tale motivo mi dà l'impressione che lo stile rimanga tutto monotono senza mai raggiungere la vetta. La voce di Elvis non mi fa impazzire, ma sin da subito ho apprezzato la batteria per poi approvare la parte strumentale di questo disco.

Aðeins of cool fyrir minn smekk. Steiktar línur stundum og söngstíllinn á það til að pirra mig. Bandið er hins vegar afar þétt og soundið er mjög gott. Alveg fjör í þessu.

Ekki það besta frá Costello. Frekar einsleitt. Pump it up langbesta lagið og Lipstick Vogue líka skemmtilegt pönk.

Nothing special some enjoyable songs though

Not a huge fan of the singer's voice, but the album itself is pretty good. Hard to go wrong with some good classic rock vibe, but at the same time not incredibly special or unique to me. No particular songs really stood out to me. 3

- tacky billy Joel - it’s almost boy band music - but I’m not against it, it’s catchy - some are annoying though - instrumentation is surprisingly enjoyable

It's okay, not great. His voice is interesting, though not very strong or precise. The whole album sounded like every Elvis Costello song I've ever heard, to be honest.

Lipstick vogue oli kova, this years gurlista tuli deuce mieleen - muuten 3/5.

Jailhouse Rock was better

Bouncy and upbeat britpop from the turn of the 80s. Unfortunately it really isn't my cup of tea. Perhaps Costello requires multiple listens, but for me each song just bleeds into the next at roughly the same tempo and key. I couldn't really find my way "in."

Not bad but not what I was needing to listen to while working

I actually enjoyed this one. I really wasn't expecting much after the last album from this band, but this was decent. We'll see if I give it another spin. 3.5/5

Not quite what I expected. Only got halfway through

I was excited to hear and Elvis Costello album because I couldn’t name any of his music off the top of my head. Now I know why. This was probably good radio fodder in the late 70s but nothing timeless. The album is consistent but not memorable.

A lot has been said about the high number of Elvis Costello albums on this list. But many of the songs on this record are catchy and good to dance to, so I don't have any complaints. Sounds like alternative before alternative was a separate genre. It is also really quaint and stylish. (Yes, my taste is really basic. I am easily impressed by any 70s British music).

4.5

I've never actually sat down and listened to Elvis Costello before. I was pleasantly surprised!

Really enjoyed this one! A great blend of new wave, punk and pop that tickled my ear bagels in just the right way.

Elvis and his band are quite prominent on this list and I view him as very hit or miss. I think of the albums of theirs I’ve gotten so far, this is one of the better ones. I think it would grow on me the more listens I give it.

Super annoying

This would be nice good mood music for background but I didn't really get it.

Listened to this once and it’s very well produced and everything, but I feel like Elvis Costello just isn’t totally my thing

Very bad album cover. Also it's kinda fun music, it's lyrics remind me of bon Jovi, but worse - and better bass yes, its bass is pretty great. I probably won't listen to it again, atleast not the whole album

Before listening- I never got the appeal of Elvis costello. First track I’m thinking it’s power pop- is that why he is loved? So far it feels like a vanilla new wave power pop. Pump it up annoys me too. I did like lipstick vogue and I really liked night rally- the latter was an affront to the rise of fascism that could be sung today with just as much immediacy. That was a perfect closer- why did they change it for America? Lame Americans .

How does it not feel generic? The secret is the killer melodies. A total laugh, liked it a good deal.

One of my absolute favorites. Jam-packed with tight, angsty songs about sexual frustration and full of big hooks and memorable melodies. Elvis Costello takes on the persona of the smart, snarky guy in the corner of the room judging everyone at the party but his lyrics have enough self-deprecation that you're always on his side. To me, this album is a gold standard for balancing sharp lyrics and loud rock. I love punk and I enjoy a good singer-songwriter album but sometimes I secretly wish that the punk songs had sharper lyrics and that the singer-songwriter album had more guitar riffs. That's probably why I love Arctic Monkeys so much. Their early albums do what this album does so well. The music is high energy but Nick Lowe's production is clear enough that you can always hear the snarl in Elvis Costello's vocals and pick out the details in the music. The backing band here is just incredible.

Nice album, enjoyable listen. Elvis Costello has a cool sound that tends to resonate with me and doesn't leave me with any lingering "why did he write this song like this?" questions. The flip side is that his records can then tend to be a little forgettable for me unless I'm really tuned into the songs (lyrics mostly i think). I have a feeling that on more listens I'd be rating this one higher. Cool album cover too. His stare and pose is pretty interesting. To me, I thought the album title would be about a car model "This Year's Model" but the album cover makes me think more of a person modelling (and being given direction by him). That's pretty cool- there hasn't been many album covers that have made me think differently so far in this list.

Mega gut very gut sehr funky unso

I was meh about this. Nothing stood out to me

Meh. Couldn’t finish it. Sounds like a blend of The Cars with an early punk rock sound.

The superior Elvis?? I always liked this album. It’s just a lot of fun, even if it never reaches any particular peaks.

Although poppy, punchy, and, of course, pumped up, the lack of a certain je ne sais quoi will likely keep me from returning.

I liked it. Not much else to say. Pretty good album all the way through. 7/10 Top 3: 1. No Action 2. Pump It Up 3. The Beat

Juuust crept into 4⭐

Not what i was expecting, but lively

enjoyed more than I expected

not into this. just pretty boring all around not good or bad.

I remember disliking the first elvis costello album I heard on here, so this is definitely a pleasant surprise

Nice, good solid music, doesn't even sound dated

I’m a believer with the majority on Reddit there are far too many Elvis Costello albums on this list. But along with Armed Forces this album deserves to be on the list. I would go as far to say it’s his masterpiece, takes influence from the past and makes an album that sounds so ahead of its time, brilliant. I’d these were the only 2 albums on the list he wouldn’t get anywhere near the hate

Well that what a waste of my time All the songs feel like an 80s/90s movie that needs to fill minutes and they play a mix of idiotic scenes (washing the car, making breakfast and the toast falling on the floor, that kind of shit)

Quite good. I wouldn't listen everyday but the variety is nice.

Started great, but wore out quickly

Wouldve been a four star but the last 3 songs are not that good.

Huh

Haven’t heard this all in before but it was awesome! The Spotify recommendations from after the album played through were equally as excellent!

Meh

I enjoyed this quite a bit! I didn't know Elvis is basically like Bruce Springsteen's dorkier cousin.

Really can hear the influence Elvis Costello had on 90s/00s alternative. This album is ahead of its time.

not bad, didn't leave a lasting impression. Would need to listen to again

Eh

First album with the Attractions... Check. Fave songs like "Pump it up", "(I don't want to go to) Chelsea", "This year's girl", and the song that would live in SNL infamy for over 20 years "Radio, Radio".... check. Fantastic album!

Very boring. Dislike the genre

Some Songs i really liked, some rather funky

I enjoyed it but probably wouldn't listen again

Blackcurrant with hints of date

Ahead of its time, proto punky

Samey, but good samey.

i see the merit for sure but not really my thing. nothing really stood out to me

After who knows how many Elvis Costello albums on this list, FINALLY I get it. This is a great album - not, for me, a 5 star, but one where EC’s greatness and clear songwriting skill very clearly shines through.

Very punk rock! Great Organ riffs. Pump it up -Adam Love the organ, but the vocals are a little hard to enjoy - Ari

Not quite sure exactly what genre this album is...maybe just "rock"? It's almost too generic to associate with anything but overall it was a solid album. Has simple melodies and rhythms which is nice.

Pump it up is so good. The album is great, but it never hits as hard or as high as pump it up though

I think I might just not like his voice... should probably give it another listen

It’s a pretty good album by a pretty good Elvis

surely this is a joke

4/5 Not as revolutionary now as I’m sure it was in the days. It’s a very tight album. I was torn between 3 & 4 because I was expecting a bit more. But I realized I’ve been too ready to drop a 3. And, 3 should be reserved for the “meh, didn’t hate it and don’t need it.”

Couldn't finish it, great instrumentation and he has a good voice. Just for me it's a really annoying voice.

There's too many Elvis Costello records on the list, but this one belongs on the list. Favorite song: the beat

Really good. There's a few songs that especially go hard, but overall really quite good. Particularly enjoyable energy and sound, very classic

Sasvim ok, nista spektakularno

Dobar je, ima zanimljivih

This album takes a lot of different ideas and puts them all into one big melting pot. There is a lot on offer here. We've got Ska music, and some new wave, and some pop rock/punk. All genres that are adjacent to each other in some way, but also with their own unique characteristics. And Elvis does his best to blend those elements together on this album. I found that this album also balances two different time periods in music. Elvis' vocals would feel right at home on a 2000's pop punk record. But the instrumentation, especially the keyboards and synths sound straight out of the late 70's and early 80's. This record is just full of interesting combinations of ideas. That doesn't necessarily save the album from repetitiveness. They try a couple new things on each song to keep things interesting. But the variation is minimal. I do think Elvis actually has a really nice singing voice. It fits the aforementioned 2000's vibe really well. But nothing is super special about what the band is playing from song to song. As a songwriter, Elvis might be one of the greats to some people. And I'm not denying that he doesn't write some compelling lyrics on this album. They are eccentric and silly, but also filled with a slight bitterness to whomever he is speaking about. But I don't see this album as the glowing achievement a lot of others claim it is.

Niet echt knallers man, dit is dus dezelfde Guy die ‘she’ heeft geschreven. Dit album is meer oude rock ofzo.

Saai

Yep! A 5 for sure, one of my favorite albums. Recently bought it on vinyl and re-found Elvis Costello and appreciated him even more than I did 20 years ago. The Attractions kill it on this album. The lyrics are great. Top tier album.

Lots to like here if you like Elvis Costello's distinctive vibe. Pump it up is rightfully the best known track, but I also liked Little Triggers for being something different and the breathlessness of Lipstick Vogue

Well crafted, but not my jam. There is a lot of organ. Definitely some bangers, though.

A peak of the art form. No notes.

3/5, expected more from british elvis presley

Good music that's certainly been influential to many genres. But still niche and his nasal voice is an acquired taste.

this book’s rose-tinted obsession with mediocre new wave tests my patience more and more every week

Been a while since I've listened to this album. I'm not hugely bought into Elvis Costello, but I remember this album surprising me. The Beat, is a hoppy jam. Tight drum and bass with solid song writing around it. Great song. Followed up by Pump It Up, which features more of the same. You Belong to Me, is another one that stand out from the rest, as is (I Don't Want To Go To) Chelsea. I enjoy the beachy guitar tone. Lipstick Vogue jams; especially the bass breakdown midway through. Big Tears is my least favorite, but the album ends strong on Radio, Radio. I feel about the same listening to this now as I did 10 years ago when I was first introduced. For what it is, this is a really solid quirky, pop-rock album. I feel like I will never be fully converted to love Elvis Costello; something about his schtick is a bit too quirky for my taste. But end to end this album is solid -- more hit than miss in my opinion. Really love the bass tone and found the writing to be good. 4 / 5

Some really good basslines in this album. Better than I expected from Elvis Costello since I wasn't crazy about the other albums that we have review by him. Definitely a poppy sound to this album. This one approaches 4 territory, but it would be a stretch to put it there.

That was some interesting funky ska punk combo that sounds like it was way produced way more recently than 1978. Not the biggest fan of his voice but the instrumentals were quite good. I did really like The Beat.

Something about Elvis Costello annoys me and I can't put my finger on it. Sometimes it's pleasant but other times I just really really hate it. Idk I may give it another listen to see but not really feeling it in the moment.

Ei jäänyt mieleen

While I appreciate the impact this album may have on the singer-songwriters who came after it, ultimately I felt like the band didn't have enough space to breathe, and Costello's singing consumed too much of each song. Great drumming though!

Will absolutely listen again, best album so far. Though it soundet a bit like Tom Petty.

Baita som tche, rock n roll da mais alta quality

I can see some appeal, to me, it’s fine: No Action lots of organ - reminiscent of TMBG; This Year's Girl vocals feel like Billy Joel; Intro to The Beat feels like Vampire Weekend, song is jammy; Pump it Up serious Billy Joel vibes (apparently We Didn't start the fire was 11 years later); Lipstick Vogue the instrumental breakdown is fun. Overall jammy, can feel the influence in lots of other music, feels very modern for 1978

średnie

I don't care for it, and I won't respond to it.

Decent

I could do an Elvis Costello ‘Greatest Hits’ compilation but I’m not keen on the actual albums. He’s one of those artists

Lo volvería a escuchar porque es el tipo de sonido que se acerca a lo que suelo elegir, pero no hay mucho que destaque, es un pop rock británico sin grandes lujos o variaciones

quite interesting how this album has many rock variants at that time. Nonetheless, the lyrics are emotional but not that interesting? IDK

Super cool! Didn’t realize how many cool songs came off of this album!

There’s something retro, but fresh about this. A great listen.

Not a fan

Heyyy it's an Elvis Costello album I actually liked. What are the odds! I didn't know he wrote Pump It Up, although it makes a lot of sense in hindsight. The theme of the uncompromising beauty standards in our society and how transient the quality of 'attractiveness' can be made me unhappy. It seemed, when I caught that theme, that the band presented it as a matter of fact. You're this year's model, that's it. Personally I would have taken a more critical tone, but perhaps that simple statement of fact was intentional commentary rather than unexamined and harmful beliefs. I'll give them the benefit of the doubt.

Yet another Elvis Costello album. It was one of the better ones. Had life to it. Songs got a little repetitive and I couldn’t quite get into it, but at least he’s original and sounds unique. 3/5

Still can’t stand Elvis Costello’s voice. People say he’s one of the greatest lyricists but all I’m getting is someone who tries to fit lots of big words into a flat melody. At least with rap you have rhythmic flow instead of verbosity. I gave him 1/5 on another album and this one is begrudgingly 2/5 because Pump It Up and Radio, Radio are kind of okay.

Not my thing. It’s so drum-forward, and I usually love that, but here it seems to make the songs sound too repetitive. Monotone even. Like an overactive metronome. Pump It Up is a perfect example. But I do love the vintage Hasselblad on the cover, so the second star is purely for that.

With Elvis Costello, I just don't think I can abide. It's just not doing it for me. This is the one where everyone becomes a fan right? It's just too fast, wordy, frenetic, clever. The band, yes, they are doing a lot of heavy lifting here, it gives the records this real fantastic tightness and intensity, as well as cohesion, as he moves frenetically from target to target. I'm just not super into the songwriting or the delivery, it just must not be my cup of tea because I can totally acknowledge it's a really infectious and fun series of songs. But altogether, it just doesn't do anything for me. Hate to dismiss such a *competent* and really well-played album like this, with a writer with a vision. Just not for me! 2/5

Aguanten los temones cortitos del capo.

Ehhh it was okay.

Sounds like a mailman singing pop rock. I have no idea what the end goal of this music is.

I have to agree with the top review, this is the best Elvis Costello I've heard, but I don't mean that in quite as negative of a light! There is quite a bit here to enjoy, with Costello feeling liking he is putting the most effort into the music he's making more than anything else that I've heard, and it doesn't fall into that problem a lot of his music has where he never hooks me with the songs, as there are quite a few songs here that catch my attention. The issue is that even with most of the songs being pretty short they still feel too long and never do anything particularly interesting, at least, most of the time. Good album, I'd say, but still doesn't quite hit that four star mark, and I'm worried if this one doesn't, none of them will.

Great record, got this on vinyl several years back. Love the attractions

Riktigt bra! Snygg instrumentation och många bra refränger. Favoritlåtar: Pump It Up You Belong To Me Radio, Radio

Best Costello album I have heard

This is some of the better Elvis Costello on the list, when it's at its best it bangs, and it's short enough to not have a great deal of filler. Pump It Up smashes it out of the park and gets us up to a 4/5.

This is really modern for 1978, could quite easily have come out in the 2000s and not felt dated. That said, it's just a bit underwhelming, isn't it? Feels like every song on there is an album track, in a style that is designed to generate singles. There's plenty of energy, all the ingredients are there, but it never quite comes together to make something truly memorable. 3/5.

Excellent album. I’ve been meaning to listen to Elvia Costello properly forever. He played a lot in my house growing up and I figured I’d like his work. This was a lovely listen.

En av världens mest överskattade artister och galet överrepresenterad på denna lista. Inte skitdåligt men saknar ändå det mesta.

3, fun

Didn’t expect to like it but it was very good

Overall not aged well. Nothing innovative to my ears. Annoying that intros have potential but then goes into same old stuff. Disappointing.

meh not my style

First listen Saved 4/12 Top track: Pump It Up

I mean technically this is fine I guess. It's cohesive enough, but then, what would you expect from the 1,001 albums list? Elvis Costello doesn't hold back vocally or anything, and I guess some of his lyrics are kind of clever. But I just found him very pretentious and the whole thing super cheesy. Costello reckons he's an alpha or something. I liked "Radio Radio," though, which I was disappointed to find out wasn't even on the original release. A good commentary on media censorship, although the hook at the end went on too long and got on my nerves, just like every other hook on this album. It kind of weakened the message just a little for me. My first 1 star. I almost gave it 2 for "Radio Radio," but decided that wouldn't be fair as even that one good song couldn't make me enjoy the album as much as I enjoyed the other albums I've rated 2 stars. Favourite track: Radio Radio

never heard something more boring in my entire life

love it

i liked it. nothing too special for my listen experience

Is this the only good Elvis Costello album? I love it.

i liked lipstick vogue

My espectation were not very high for this album, i have to admitted that it suprise me, "Pump it up" really worth the listening, no action is allright, this years girl is good and the rest of the songs are mid in my opinion. Its a very new wavy kind off album, a bit more "groovy" and more pop than other bands a the same times (Pretenders, Clash, Blondie ect), but still with punk rock et pop rock influences and i respect that. anyway i guess it deserve its place here, but i'm not sure its reallty the masterpiece critics have describe it.

Costello comes off as a total douche. But that’s not always negative when making rock music. This album really has some great songs (the beat, I don’t want to go to Chelsea, lipstick vogue) and it is especially well arranged and produced. It still sounds great.

Alright

This was excellent! Hadn’t heard a lot of this Elvis prior to this so a real discovery! Will for sure check out some more and add to the list for purchase! Excellent album!

catchy late 70s pop rock. elvis costello shines with sharp lyrics and catchy hooks. tight band behind him as well. the version i listened to was the 2021 remaster which contained “big tears” and “radio radio”, the later of which was a brilliant indictment of the radio broadcasting industry. quality stuff. highlights: “this year’s girl”, “pump it up”, “radio radio”.

I thought Elvis Costello was a lot softer than this. This was unexpected and I quite liked it. I wouldn't give it a five-star, but it's a four star for sure.

Pretty good background music for work but not sure I’d be down to listen to it whenever it pops up again.

Quite like this - never been particularly into Costello, but this hit lots of buttons for me and is listenable to.

Surprisingly good. I never quite got him before this. Other than Alison his songs sounded a little too affected. But this album is a banger.