Fishscale

I'm surprised to see Fishscale over Supreme Clientele, but I'm not complaining. I enjoy Ghostface on principle alone; he has some of the funnier bars and better wordplay of the Wu (GZA takes the cake in the later) and generally has good shot selection. As compared to Clientele, I find this album to be a bit bloated and spotty. Not to say that there are a lot of misses, just it doesn't have the same level of consistency. There's a lot to love here... While RZA is not credited in production, there is a lot of quality and diversity brought from some big names: J Dilla (Whip You With A Strap -- a lowkey standout), MF DOOM (Clipse of Doom, Jellyfish, 9 Milli Bros), and Pete Rock (Be Easy). Tracks that I keep coming back to are Kilo, R.A.G.U., Be Easy, Whip You Across The Back, Clipse of Doom, and Jellyfish. Shakey is a strong display of endurance lyricism. Not hating, but something about the delivery and unshifting instrumental lands a bit flat. By comparison, Kilo is catchy AF. The buried funk guitar + bassline sway so nicely with the Ghostface floating effortlessly over top. Although the mixing sounds kind of terrible (to me) I've always enjoyed The Champ. The blaring horns and confident strut suits Ghostface so well. Honestly doesn't matter what the hell he's even saying. I lost momentum here, but in my mind this is a solid 4 all day.

Really enjoyed this one especially when it caught stride right around the middle starting with Crack Spot and Whip You With A Strap. It definitely fell into a more R&B style toward the end which I'm certainly not criticizing. Overall I would come back to this one for a few more listens. Pretty square 4 for me.

I originally did not like Ghostface because of his voice but over the years his flow and storytelling have won me over. Was not familiar with this - dug it.

Automatic 3/5 because Wu-Tang. This album's dope too. I found a couple of bangers that I like: Shakey Dog and Three Bricks. I'd say a 3.7/5, so we'll go 4/5.

Great beats and rhymes.

oh yeah baby that's what i'm talking about!!

I lived in a hospital that had many strange paths ro get to different areas.such as walking on logs with small ponds on either side. On one of these particular paths I learned that both my girlfriend and another girl were pregnant. This soon became the theme a d not so much living in the hospital though that was still a small thing. Things were now scenes of me talking to old friends while they were doing bizarre thing. Aaron and him playing some strange drawing game. I talked to him about the situation. Then David, who had a tattoo for me to examine. Things eventually settled to my parents who were both younger than me sometimes and in some instances not my parents wanted to hire another girl who cleaned for them it what seemed like a cheap motel to sleep with me. I pet her dog but that was it.

Ghostface is one of the best rappers of his generation, I like his style of lyricism and how he uses his almost shouting voice as an integral instrument in itself, especially when he vocalizes the rhymes. There's great production here, with a great use of samples. Listening to Ne-yo in the collaboration in "Back Like That" was a nice throwback - they don't make hip hop/rap like this anymore. However, I see a lot of modern kpop groups emulate the formula that make "Back Like That" and "Be Easy" so great.

The beats, production value, and bars blew me away even though it's what Wu-tang is known for. However, I struggle to get past songs like Three Bricks that are quasi-glorifying violence. 4/5

Dang. I've put out like 5 4-stars in the last week (only broken up by yesterday's 5-star). I guess I'm a kindly reviewer. And I'm not stopping now :( Loving the use of instrumentation on this. The horns are really fun, the beats are inventive and fresh. This album is a little long, but I don't really feel like it drags.

If there weren’t the skits in it (some of which are just problematic), this would be a great, 5-star rap album. But alas, the album before us has the skits in it, so I am downgrading it to a 4.

Really cool

Was really dreading this one once I saw that it was released this century. I have little faith in Ghostface Killah in the 2000s!! Anyway, I was wrong and this is great. A bit bloated, edgy, misogynistic, but still great. The production on almost every track is incredible.

a notably late classic on the overall wu tang timeline, theres not even any rza production on this (tho with occasional material from j dilla and mf doom its hard to complain, not even considering the high quality of the whole project), tbh if anyone was gonna stay vital past wu tangs prime its not a surprise its ghostface. theres something rly cohesive ab this whole record, the skits sticking everything together and the different angles each track takes on a heightened self-portrait character study,,,its not like an album-wide story i dont think (tho obviously there are plenty of self-contained stories on it) but as u get deeper into the tracklist ur perspective on the whole changes a few times. just in general theres a good mix of self-mythology and vulnerability on here, definitely not in equal portions lol but the latter often (re)colors the former...some lyrics on Momma feel like theyre a reflective shift from Whip You With A Strap for example. im not rly sure how to articulate the overall effect but i feel it under my skin in the aftermath of the record...it can be humane or silly or cruel and theres this darkness bubbling underneath all of it but theres also these quiet embers bubbling underneath That. deffo a record to sit with, and also just rly engrossing with a lot of great production and a forward momentum thats actually Carried by the brief skits instead of being punctured by it. hope supreme clientele is on this godforsaken list lol i remember rly liking that one

Wasn't a big fan of the slots but some really great Dilla production. Slightly too long, if it was 10-12 tracks I would see myself coming back to this a lot

This is so good from someone who doesn't love hip hop that much. If it weren't for the skits and a couple of tracks that could've been cut this would be a 5. Shakey dog and the champ both incredible tracks and I'll definitely revisit this album

really solid rap album. has a lot of old school soul samples that it wears on its sleeves, which i really liked. ghostface killah has great flow and it really shines here. a lot of skits, which like, definitely of the era, but maybe could have cut a few. but whatever. it's a good album.

He is extremely talented. Takes the Wu Tang idea and expands. Some of the songs are a little lacking and the skits are pretty unforgettable. Overall a good rap album. 4/5 Will listen again

super hard-hitting, aged well, overall very fun and great rapping performances. this goes hard. 8/10

This was a pretty impressive listen. A lot of really catchy songs and good uses of features and skits. Pretty badass all around. It'd have been nice itlf there was a bit more variety song to song and less dependence on J Dilla samples but I'll definitely go back again. 3.7/5 -> 4/5

Overall pretty good. Hard to find a bad rap record on this list. I still prefer Kendrick generally, but I think record has really good flow.

this man can fucking rap damn

Not much of a rap connoisseur, but I would be way more into hip hop if this was the standard. Great production, lyrically interesting, love the cameos, and even the skits didn't bother me. If this was a few tracks shorter it would make it a little more solid.

не, ну пиздатый нигга-репчик, мне нравки

Nonstop rap onslaught Of comic absurdities On tight, sampled beats

Really enjoyed this. Some pretty catchy aspects I wasn't expecting.

Fairly nice to hear some still melodic rap. Fun soundscapes .

Really liked this album and I'm sorry I had no previous GK or Wu Tang knowledge previously. The samples are really good and the album is propulsive from beginning to end.

I loved this shit, Ghost is what I think about when I think New York rap. The beats are just ridiculous- there's legendary producers all over this album. There's so much swing and samples arent chopped in a way that things always feel perfect. Its right up my alley. This hits on like 2 different layers of nostalgia. The worst parts of this album were the skits and the features. Raekwon holds his own most of the time, Method absolutely kills his one appearance, and Dirt's spot is perfect, but almost no one else could hang in the pocket on some of this weird stuff like Ghost. Not counting the skits, I didn't love 1/3 of the songs, but I liked them, the other 2/3 I loved. There's a 5 star album in there that's maybe about 45 minutes long, but as a whole I'd give this a 4.6

Was good but like, really sexist? Also there was a lot of singing about dicks

The Wu Tang boys have some good names, don’t they? This one is up there but it’s no Ol’ Dirty Bastard. Vibed to this one. Simpsons: Do Wu Tang references count? Maybe.

Normally I don't enjoy rap made after I was a teenager, and it's usually the lyrics that turn me off. You'd think an album with E for explicit on every song would immediately bias me against it, and it kind of did at first, especially that first skit (ugh), but damn if the music here isn't bombastic and entertaining as hell. It even has some tracks that are actually catchy to my ear, which is rare for rap. I liked it.

Lacks the texture and density of earlier hip-hop, and it's a tad too long, but Fishscale makes up for it by attracting a who's-who of hip-hop stars and progressing the form ever-so-slightly.

kalapaliikki.. Hän käskee heti kiinnittää turvavyöt, mitä arvostan, koska olen kyllästynyt kuuntelemaan rap-albumeja, jotka eivät välitä kuuntelijan henkilökohtaisesta turvallisuudesta. hei hei olen ghostface killeri.. anna mulle pippeli tai syötän sulle pilleri. hei katsellaan kalojen suomuja, mutta en voikkaan koska tuollapäin uomia... heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii .. jee.... jeee....... heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii ... skrrt... yea... yea... heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii heitä biittii shakey dog

This album was really good. Too long though, and could have used fewer skits.

I’m not much of a rap hip hop guy. Wi tang ain’t nothing to mess with

"Fishscale" is the fifth studio album by American rapper and Wu-Tang Clan member Ghostface Killah. The album follows an organized crime theme and is named after a term for uncut cocaine. Appearances on the album include every member of the Wu-Tang Clan and Theodore Unit. There were 13 different producers including MF Doom, Pete Rock, J Dilla and Just Blaze. The album had universal acclaim with critics citing its cohesiveness, lyricism and production. Commercially, the album hit #4 on the US Charts and #174 in the UK. After a brief skit, "Shakey Dog" opens the album in a dramatic way. A repetitive sample of Johnny Johnson & His Bandwagon's "Love is Blue." Killah comes in authoritatively as he describes a bank robbery gone wrong. The funk helped by the samples is brought on "Kilo." Wu-Tang member Raekwon joins in. Whoever has the kilo is the candyman. "The Champ" has a guitar riff and drum sample from Melvin Bliss' "Synthetic Substitution." Best yet, we get to a guy who sounds like Mr. T. The members of Wu-Tang Clan takes turns on the mic in "9 Milli Bros." MF Doom produced the song which also samples his "Fenugreek." They take turns dropping bodies. A gunshot ends the song. Ne-Yo helps to bring the soul on "Back Like That." A piano sample of Willie Hutch's "Baby Come Home" He's kicking her out for cheating on him. "Be Easy" features Trife of the Theodore Unit. Great rhyming and sampling of the Sylvers' "Stay Away Fom Me." Gansta talk. This is solid hip hop album and a big album at that with 27 songs. Most of the songs are gantsa and drug-themed although there are several songgs about relationships and urban living. There is a variety of styles (funky, soulful, 60's pop) seemingly based on the song samples and producers. I am curious on his Iron Man and Sponge Bob fascinations. Overall top-shelf production for sure. This is another Wu-Tang Clan member album that's worth your time.

Dope 💨 🤟

This was a really fun rap album! I loved the theme, the vocals and the rhythm... I'm giving it 4 stars!

Super creative beats on this, especially the MF Doom ones.

Of all of the rap albums I've heard so far from this list, this might have some of the best damn beats. So many shout-outs to the producers Ghostface got for this thing — up to and including MF DOOM and J Dilla! Which, yeah, true, their contributions came from previously released albums (DOOM's SPECIAL HERBS series and Dilla's DONUTS, respectively), but still, they're good-ass beats, and regardless I'm glad they still get to be on this list in some small way. So that's me complimenting what I mostly get out of rap albums: the beats. What about the actual rapping, though? Well, to begin with, compared to the last Wu MC we got, I like Ghostface better than GZA. I like his voice better, I think his flow and lyricism is more interesting... All of that. I actually wanted to pay attention to him, unlike GZA. Now, my problem with the album: its subject matter can get a little tiresome to my ears. Like, yeah, it's a concept album with an organized crime theme, and I've heard that that's Ghostface's thing, so it's not like I wasn't expecting it. It's just that, after an **hour** of it... I'unno, I jus' got a little bored by it. There's only so much you can say about dealing drugs before I begin to lose interest. But I don't think it's really a huge problem, honestly. The beats and the way the vocals interact with them were enough to carry me through, even after I stopped paying attention to the lyrics. And I **did** last longer than I thought I would, so... Hey, y'know? Still, however, I feel like it's enough to ding this album down to a 4. It really was almost there, but... Ahh. Blame my usual preference towards albums under 60 minutes, I guess. At any rate, I'm just glad I got to hear these DOOM and Dilla beats. I wish they coulda been on this list proper instead of being relegated to this album, but, eh, whatever. I'll take what I get, and what I got is pretty dang good. Of all of the rap albums I've heard so far from this list, this might have some of the best damn beats. So many shout-outs to the producers Ghostface got for this thing — up to and including MF DOOM and J Dilla! Which, yeah, true, their contributions came from previously released albums (DOOM's SPECIAL HERBS series and Dilla's DONUTS, respectively), but still, they're good-ass beats, and regardless I'm glad they still get to be on this list in some small way. So that's me complimenting what I mostly get out of rap albums: the beats. What about the actual rapping, though? Well, to begin with, compared to the last Wu MC we got, I like Ghostface better than GZA. I like his voice better, I think his flow and lyricism is more interesting... All of that. I actually wanted to pay attention to him, unlike GZA. Now, my problem with the album: its subject matter can get a little tiresome to my ears. Like, yeah, it's a concept album with an organized crime theme, and I've heard that that's Ghostface's thing, so it's not like I wasn't expecting it. It's just that, after an **hour** of it... I'unno, I jus' got a little bored by it. There's only so much you can say about dealing drugs before I begin to lose interest. But I don't think it's really a huge problem, honestly. The beats and the way the vocals interact with them were enough to carry me through, even after I stopped paying attention to the lyrics. And I **did** last longer than I thought I would, so... Hey, y'know? Still, however, I feel like it's enough to ding this album down to a 4. It really was almost there, but... Ahh. Blame my usual preference towards albums under 60 minutes, I guess. At any rate, I'm just glad I got to hear these DOOM and Dilla beats. I wish they coulda been on this list proper instead of being relegated to this album, but, eh, whatever. I'll take what I get, and what I got is pretty dang good.

Wu-Tang Clan still ain't nothin' to fuck with, and this solo album is no exception. 4.5 bumped down to 4.

I’m at a 4.5 that I’ll bump back down to a 4, but it was pretty close to going up to a 5, This is my second time hearing anything Wu-Tang related, after Liquid Swords – Ghostface Killah is pretty damn good, man. His verses and storytelling on this album are really good, and the obvious highlight. When he passes it off to the features, they’ve got high bars to reach, and only a handful of them do on this album; all the Wu-Tang members get there pretty easily, and the big surprise, for me, is Ne-Yo absolutely killing it on “Back Like That”. The reason for this getting a 4 is simply in the skits; there’s so many of them that just kill the pacing of the album for me at times. Even a few tracks without the (skit) moniker are sort of just glorified ones, in a way, getting in one short verse. Those tracks sort of ruin the cohesiveness of the album, even if a number of them do flow pretty well into the main tracks. Past that, the production on this album, despite the absolutely loaded contributions from MF DOOM, J. Dilla, Pete Rock, and others, is… a little suspect at times. It feels like some of the flows on some of the tracks didn’t quite mesh well, and the overall vision of the album, sort of driven by the storytelling device of the kilo of cocaine set so early on, feels a bit lost and muddled over the course of the whole thing. It feels like there was meant to be a more cohesive plot here, given the amount of skits and setups for future tracks, but a lot of them feel unanswered and sort of left me… befuddled, I guess. With that said, what’s here is still really good – when this album is rolling, it’s fucking *rolling*, and it succeeds in spite of my perceived flaws and nitpicks. I do think there are ways to improve upon what’s here, namely trimming down some of the “fat” of the album to cut down the runtime, and to more cohesively flow the whole together without the minor comic book, DOOM-esque narrative transitions (which are cool, but just feel a little out of place here with how short they are), but as a whole, this is just a great hour of good beats, good flows, and for 2006, it’s got pretty damn fun wordplay and some great verses. Certainly stands up there with some of its contemporaries for the time. It's a very good 4.5 that just barely doesn't get up to a 5.

So smooth.

I thought this was really good. Funny, with a storyline, and all the rapping was top-notch.

Two solo efforts from Wu-Tang Clan members in the span of 3 days - it’s almost a repeat of what happened with the Beastie Boys a week ago. But it at least gave me a point of reference, as I’m not too big a fan of Wu-Tang Clan, nor was I too hot on Method Man’s debut when it generated 2 days ago (although I still liked it overall). This album, though? I thoroughly enjoyed my time with it. This is somewhat of a concept album, as every song hits you with a theme of crime. Almost like Ghostface came up with 20+ screenplays for modern, completely off-the-wall, gangster movies and managed to gather a plethora of other artists and producers to join in and “guest star” in them; Wu-Tang Clan themselves, Ne-Yo, Trife da God, Theodore Unit, Megan Rochell, B.I.G, Ice Cube, and MF Doom. It’s legitimately an impressive list of all-stars. Ghostface, much like Method Man on his debut, isn’t the most technically amazing rapper out there. But he makes up for it with lyrics that speak at you with a raw honesty - and sometimes the most absurd humour. But where this album really shines is in just how eclectic it is. Ghostface is working with a wide range of producers and the tracklist is just layers upon layers of samples and instrumentation of different genres being placed over fundamentally great hip hop beats. From contemporary jazz, light rock, piano based pop, R&B, orchestral backdrops, and funk. I was honestly worried when I saw the sheer amount of tracks on offer - but the variety in styles helps to keep it engaging as hell. So while it is a slightly bloated LP, it is never boring. I had a really good time with this one. The concept, the lyrics, the production, and the variety of styles all combine to make this one of the stronger hip hop albums I have come across on the generator so far. It almost makes one want to check out the group efforts of Wu-Tang Clan; as I may have dismissed them too harshly. I don’t know. Either way, ‘Fishscale’ is a must listen for any fan of the genre. 4/5

Core Memory: Senior year of college I wrote an 18 page paper on the arapaima on one Sunday because it was due the following Monday. I was on weed and Adderall but I sat in one spot and banged that shit out listening to Fishscale and More Fish by Ghostface. Lots of favorites on this one: Back Like That (Remix), Kilo, RAGU, Big Girl, and Three Bricks. Top 3 Ghostface solo records

Great album !

The production and beats on this album are immaculate. I don't think I'll ever really become a Wu-Tang fan, but this is probably the best one I've heard so far. I might return to this album again later just based on the beats Standouts The Champ R.A.G.U Clipse of Doom 4/5

Wu-Tang Clan forever.

Good flows, sick beats, some decent lyricism but also some dated references and obviously the sexism. As far as rap goes this is pretty good.

Really good!

Wu Tang is forever! This was a cool album. Its rough, raw, and a bit heavy with the lyrics and song elements. I really love how it flows and rolls though. The beats, dubs and samples are all really digestible. Lyrics are definitely on the heavy side tackling social issues, sexism, racism, drugs, etc. I really love this style of rap though. Its self reflective, first person storytelling and fun to have on.

Probably like a 3.5 but I’ll round up because there are some bangers in here.

Another one that is a part of Wu-Tang. I liked it pretty much. It was quite interesting. Not a song sounded the same. Very cool and enjoyable album.

This album is too long but it’s also too good. Whatareyougonnado!?! But seriously this is like the third good to great rap album out of the 500+ albums this list has put up.

Loved it. Dramatic beats, cool lyrics, great guest appearances. Highlights: Shakey Dog, The Champ, Clipse of Doom, Underwater, Three Bricks.

Felt like a Wu Tang album. & Wu Tang is forever.

Doesn't start strong, but boy does the back half hit hard, really good shit here. Unfortunately, it has the run of the mill misogyny (and homophobia if i recall correctly), so it's hard to say I love it.

ma sai che c'è? mi è piaciuto. molto meglio di mille altri album hip hop che proprio non capisco, almeno questo, ascoltato da queste mie due orecchie ignoranti quando si parla di rap, si regge in piedi egregiamente.

Slow burner, but really picked up as the album went on. Loved the skits, great flows, sick beats. Overall great.

This was a bit of a blast. Not huge on records full of skits, but it's cool. Favourite tracks: Kilo, 9 Milli Bros, Whip You With A Strap, Back Like That, Clipse of Doom, Back.

Day247 - sucks to call this classic old school rap but it’s so much better than 2024 rap. forget kendrick lamar give me the wu tang clan in the super bowl halftime show

I nearly gave up on this on track one which was a godawful skit However I’m glad I stuck with it as there are some great songs on this if you skip the skits

I don't really like skits, but the beats on this are great Ghostface is probably my favorite from wu tang.

Honestly not the greatest, but has a lot of iconic moments. Ghost is a top 5 rapper in my opinion, so it has to be great, but it's not even his best. Everyone will point at Ironman and Supreme Clientele, but check out bulletproof wallets. Still features great production from some G.O.A.T.s. RIP DILLA , RIP DOOM, RIP ODB, LONG LIVE GHOST and WU TANG FOREVER.

the skits are goofy ofc but that's pretty much always the case (something to be said for the inanity/levity of the skits in contrast with the heavy narratives of the actual songs—necessary in order to maintain some kind of emotional equilibrium?). i really really liked this, more than i ever would have expected honestly!!! i actually knew "whip you with a strap" from the j dilla album but other than that this was entirely new to me which was exciting too. a lot of solid tracks, engaging lyricism, nice beats...idk what else do you want from a rap album. more like a 4.5 because i hated that ne-yo feature so much. deeply unserious man. fav tracks: shakey dog; kilo; be easy; jellyfish

This one's better than I remember. People really get down with Ghost as a story teller, but songs like "Be Easy" are just straight swagger and so good. I will forever give Ironman five stars, but this one runs a close second or third.

Ghostface's flow is still great. I love the references to old school (pre-MCU) Iron Man and general nerdery.

7/10. Some good, some ok. Added a couple of songs to the playlist.

First reaction to a mid 00s rap album that's almost definitely over an hour long is usually oh no. Then I remember Ghostface is Wu Tang so I hope it's going to a funky, well produced and fun album that rewards close listening. And this is! The Champ is an absolute banger. Record goes a bit uncomfy with the 'humour' in the middle but it's still exquisitely produced lol. Ah yeah, Be Easy, remember this one. Similar vibe to The Champ, just pure fun.

Bangers back to back

This one is full of heavy hitters in every sense of the word, tracks, rappers and producers. Anytime you have MF Doom and J Dilla producing on the same album it’s going to be good. There was a lot to like from this album at the front and back end but I also get the feeling the middle third was phoned in. Songs get more lethargic than anything. The ends more than make up for it though to make for a really solid album.

Sick flow.

loved this album. ghost face killah never has had a whack verse or bar in his career.

This is the kind of hip hop that I have always dismissed. The name "Ghostface Killah" just sounds silly like he's trying too hard to be cool, and the best way I can describe the album cover is that it has a very "shiny" feel to it, which a lot of commercialised hip hop of this era has. But you know what, it's a tad rough around the edges but this goes way harder than I expected. Great flow, great rhyming, and really good social commentary and political messaging that's more than just blindly hating the police.

One of the finest voices in rap. Everything from flow to storytelling is on point.

Was good

I enjoyed this album overall, but it's a little uneven. There are a couple of tracks that I didn't think really fit with the rest of the album, but all in all, it was pretty good.

Very enjoyable music; not down with messages though.

Best Song: Back Like That. Smooth as butter, sweet storytelling, killer chorus. Action Bronson wishes he could. Worst Song: Beauty Jackson. It feels like a weird inversion to have a song function as the setup to a skit, instead of vice versa. Overall: This was really good. Ghostface's flow is so smooth, lyrically everything is on point. The features are great, production is high. Will definitely return to this one.

A very strong album. Lots of different contributors give it a very varied feel.

Extremely creative story arcs and imagery. Great flow and beats.

I found this album mostly easy to listen to. Of the solo efforts from Wu-Tang we have heard, I think this one might be my favorite...so far (are there more?)...

4.0

Great rapper, great album. 4.5 🌟

it’s about time wu-tang showed up in this list…

A new album for me. This hits on all fronts with powerful lyrics and Wu-Tang additions throughout.

Good album. I like this more than Supreme Clientele by a mile. 3.5/5

This is no Supreme Clientele, a little too mid-aughts rap/R&B for my taste, but it’s still Ghostface and has great parts throughout. Especially surprised to hear Ne-Yo go as hard as he does with his verse. B

Ganske bra album egt

So much energy that at times felt very action-focused. Wasn’t sure what to expect, and I’m still very surprised.

Favourite tracks: the champ; whip with a strap; be easy; kilo; shaky dog; back like that; clipse of doom

This is a pretty creative album and felt very intentional and cohesive. Great raps, good storytellimg, lots of cool hooks. I dug it.

Love the beats on this, and of all the WTC alum, Ghostface might be the rawest.

i greatly preferred this to the GZA album i got a while back. love his flow, catchy beats, excellent storytelling and atmosphere. not a huge fan of skits in general but they were okay here.

everything that glitters ain’t fishscale

I wasn't much in to rap when all of these albums came out, but I wish I would have been. Maybe I wouldn't have appreciated it as much then, but - in retrospect - there were a lot of great artists innovating in the genre at the time, Including Killah.

outside of GK being a part of Wu Tang I have no idea of his work (outside Def Jam Vendetta) but I gotta say I liked it!

Really, really liked this!

Liked this way more than I thought I would!

Ghostface’s performance on this project is amazing. He brings so much personality and style over very bombastic production that fits perfectly complements each other. Then, the features overall are really good and Raekwon, who is all over this album, goes bar for bar with ghostface. On the other hand I think some of the features on the wu-tang track do fall a little flat. Beyond that this was a fun album with plenty of bangers.

Very old school, but I enjoyed it. Definitely inspires rappers today.

Liked this one way more than I thought I would. Could do without the skits (bad mouth kid can stay).

I avoided this for almost a full year because I didn't think I'd ever be in the mood to listen to skits, but turns out I didn't even notice them. Nice! Lesson learned!

A very good rap album. I'm as much a fan of the Wu-Tang as every other old school hip hop head out there, so I can't give this record anything less than a 3.5/5 grade (here rounded up to 4). That said, I have to admit that when it comes to Ghostface Killah's solo albums, I'm more familiar with his debut *Ironman* (which I don't *love*, actually), and also sophomore effort *Supreme Clientele* (that I *do* love this time). Pretty busy today, so I don't have enough time for repeated, proper listens, unfortunately. Seems to me that on average, one track in two is a banger, most of them in a nice boom-bap formula. Not to say that the non-bangers are not worth your time as well if you like hip hop, but we're not here to the *perfect* level of Wu-Tang Clan's *36 Chambers* or GZA's *Liquid Swords*. Which, in a list like this, might take its toll. Hope I'll have time to revisit this well-crafted record though. Who knows? Maybe after a few more listens, the (fish)scale might tip the other way? One thing's for sure, with an absolute gem such as the MF DOOM-produced "Underwater" towards the end of this album's tracklisting, it will never feel like a chore to return to *Fishscale*, and have it play out until the very last seconds. 8.5/10 for more general purposes (different than the ones given for this list of "essential album". (5+3.5) Number of albums left to review: 263 Number of albums from the list I find relevant enough to be mandatory listens: 323 Albums from the list I *might* include in mine later on: 183 (including this one) Albums from the list I won't include in mine (many other records are more important to me): 237

The claim that Ghostface hadn't been hungry since Supreme Clientele seems a little far-fetched, considering that most people who think themselves an aficionado of the Wu haven't peeped at Ghost since that time. With his third masterpiece (Ironman and Supreme being their first two), Fishscale has Tony Starks weaving tales of the cocaine trade (only the Wu is built for Cuban Linx) while espousing it with tales of childhood misdeeds and wayward love interests. With production flourishes from MF DOOM and J Dilla (whose Hi and One for Ghost was used for this), Fishscale didn't just reinvigorate Ghost, it served as a reminder of just how potent and powerful of a storyteller he is. Favorites: Shakey Dog, The Champ, 9 Milli Bros, Beauty Jackson, R.A.G.U., Whip You With a Strap, Back Like That, Be Easy, Clipse of Doom, Jellyfish, Dogs of War, Big Girl, Momma.

Just a solid hip hop album.

Maybe it's the NYC Buff but this I'm really vibing with this album Best Song: The Champ Worst Song: N/A

Length works against this thing, something I find common with a lot of the hip-hop albums of the time. Definitely influenced by the "chipmunk soul" styling of Kanye West, but luckily these beats aged very well. Ghostface shows that he can float over any beat, and while his lyrical subjects can get tired at certain points, and this record could've had some fat trimmed, it's a solid listen. Call it a 3.5. Favorite tracks: "9 Milli Bros", "R.A.G.U.", "Be Easy"

8/10 lyricism is as always great by ghostface killah his delivery on the verses were on point throughout the album

Best rap album so far, which isn't saying much but it's pretty good

Another fantastic Wu-Tang solo album. The soul samples and upbeat style here really set it apart from the majority of their stuff which I really dig, but Ghostface still has absolute bars on top.

After an incredible RZA-produced run in the 90s, many of the Wu-tang solo members left behind that minimal, off-key, and gritty sound that kick-started their careers for something more flashy and glossy to keep up with the changing sounds of hip-hop. When it comes to the 2000s, no Wu-tang member transitioned better than Ghostface Killah. The first full song is nuts. The beat is loud with blaring horns in your face on a heavy beat. Ghostface's storytelling on this track is superb; his lyrical style I always found somewhat disorienting with his excessive use of pop-culture references and slang but on "Shakey Dog", it's not hard to visualize the absurd scene he's setting. Ghostface raps about a variety of things ranging from the mafioso-styled ramblings to intimate lust-driven songs. There's also "Whip You With a Strap" which has Ghost reflecting on his relationship with his mother as a child. "Momma" also tackles the topic of his mother but with a much more empathetic and emotional view; detailing her struggle and the implication that has on her dependents. I just love Ghost's flow; It's almost non-existent. The word delivery just flows seamlessly from one bar to another. There isn't a flow like it and it's very addicting. This album's production credits are scattered and varied so you'd think it'd turn out to be an absolute mess, and it sort of is. But the beats are just too good so I'd say it comes off more chaotic (colorful even) than incoherent. I already mentioned "Shakey Dog" but the Just Blaze produced "The Champ" is another highlight. These beats are noisy, laced with sound effects, and strange, almost out-of-place, samples (like on "Kilo" and the Dilla-produced "Whip You With a Strap"). As loud as some of these beats may be, Ghostface is just as loud on most of these tracks so this blend yields extravagant results that tend to be my favorite moments on the album. Not all the songs are explosive; other production highlights are the fuzzy electric guitar leads on "Clipse of Doom", the overblown synth chords on "Jellyfish", and the marine-themed "Underwater" The features mostly consist of other Wu-tang members. It's been over 10 years since their conception at this point and their chemistry remains undefeated (like on the track "9 Milli Bros" featuring most of the clan over the MF beat). The standout is his partner-in-crime Raekwon who does the story-telling thing just as well as Ghost (like on "R.A.G.U" and the sinister closer). There's also Ne-Yo with his sticky chorus on the 2000s R&B classic "Back Like That". I can say the same thing about Megan Rochell on "Momma". This album is quite long but strangely enough, on this relisten, I can't say it overstays its welcome. What Ghost and his band of producers do well, they do very well on this project. A wild hip-hop album that's sharp, tight, and, above all else, undeniably enjoyable. 9/10

Nearly 5, just some irritating skits

Ghostface Killah's Fishscale exceeds expectations with its strong flow and clever lyrics. Name-dropping pop culture icons like SpongeBob and Edward Scissorhands adds a fun twist to the album, making it both engaging and memorable. Overall, it's a standout release showcasing Ghostface's versatility and skill as a rapper. NUMBER OF BANGERS - 5 STAND OUT TRACK - Shakey Dog

3.7 so much fun, definitely his best solo faves: shakey dog, the champ, back like that

I have to admit I wasn't listening super closely to the first third of the album, but once I focused in it was decent. I'm not a big fan of gangsta rap, but this isn't exclusively that. There's a lot of variation and engaging content. The lyricism was well done and witty; the hooks, samples, and beats were catchy; and it was surprisingly feminist. The skits were absolutely dumb, though—"Heart Street Directions" should've been on the Dr. Octagon album, and I don't mean that in a complimentary way. It's also pretty long (even taking the skits out). Probably closer to a 3.75, but I'll give it a 4/5.

I liked the vibe of this album

GhostFace Killah!!

Enjoyed this one.

Not bad

This album really exceeded my expectations. It's a great blend of classic and very tight hip hop beats set against gritty rap. The collaborations were particularly a nice surprise as I didn't realize how involved MF Doom was on this album. In contrast to a lot of mainstream rap albums, this one isn't afraid to experiment. One of the best Wu Tang projects I've heard. On the negative side, it's really unfortunate how it falls into the stereotype of including misogynistic and homophobic lyrics. Also, the skits. So unnecessary and boring.

Solid classic hip hop album.

venturing right into our first actual hip hop album and this one is actually pretty good i would say! i know there's at least a number of people who aren't into the vulgarity and sometimes shocking material in terms of rhymes, but if you realllllly have an open ear like i am you'll hear all sorts of life experiences and really cool wordplay; even for something like gangsta rap, which subject material tends to lean towards at least a few common topics... probably the whitest white guy take on that but am i wrong? like past albums, not every track is a winner, but the ones that win certainly win. also i'm LOSING my mind with these beats. SO good.

This is the first album in this project that I hadn’t heard previously! I love Ghostface Killah but have mostly just heard his newer stuff and his work with Wu Tang. This was a great sounding album that I’m sure to revisit.

Slick beats and some absolute bars.

exceeded expectations

Love Ghost.

9? Probably

Real good shit, haven’t bumped this in a while, should be downloaded. Could be a 5, but the skits are a bit much.

A good Staten Island listen.

"Fishscale" by Ghostface Killah, released in 2006, is a hip-hop masterpiece that showcases the artist's storytelling prowess and lyrical dexterity. The album is a vivid journey through the gritty streets of Staten Island, with Ghostface's razor-sharp rhymes and intricate narratives painting a cinematic picture. Ghostface Killah and the producers of the album demonstrated a keen ability to integrate diverse samples, creating a rich and textured sonic landscape throughout "Fishscale." The samples come from soul, funk, jazz, and other genres, contributing to the album's unique and vibrant sound. From the soulful samples to the intricate production, every element of "Fishscale" contributes to its immersive atmosphere. Ghostface's distinctive flow and vivid lyricism, paired with guest appearances from notable artists, make this album a standout in the hip-hop genre. "Fishscale" is a testament to Ghostface Killah's enduring talent and a must-listen for any hip-hop enthusiast, earning a solid 4/5 for its lyrical depth, production quality, and overall impact on the genre.

Dra åt helvete vilket flow.

Solid as fuck. 4 stars.

Pretty solid

The sampling and lyrics are great

I enjoyed this

Solid album! A bit of a strange choice compared to some of the classic rap albums omitted (and over Supreme Clientelle?) but all in all it’s a great piece of work

Bra skiva men byt ett av dessa 15 wu tang album ut mot chief keef

Much more entertaining and fun than I would have thought.

A solid east coast hip-hop offering by Ghostface Killah, and maybe the best I've heard so far from this Wu-Tang Clan member.

Banger album

Never listened to Ghostface before, except in Wu-Tang, but will be again in the future. Good couple of remixes on the expanded edition with Ice Cube and Kanye as well.

I love Wu-Tang Clan and I've listened to some of the solo works but Ghostface Killah is one of the members I haven't focused on that much. I've listened to his first two albums Ironman and Supreme Clientele and I think they're good. This probably is one the same level of quality after just hearing it one time and I would gladly go back and listen to it. My first impression is that it's not really a 5/5 album. There's a bit too much padding which makes it bloated. If you trim the fat it would probably be a 5/5 album. Oh and it teaches the metric system to my American friends. You can ignore the part how to cut cocaine.

Pleasantly surprised by this one, maybe one of the last hurrahs for gangsta rap before Yeezy overhauled the game.

Enjoyed this. Will listen again!

Eh bah c'était vachement bien. Je savais déjà que j'aimais de loin le Wu-Tang, mais c'est vraiment tout à fait mon type de rap dans les instrus et le flow (reste à savoir pour les paroles, auxquelles j'ai pas prêté attention plus que ça).

Fishscale is the fifth studio album by American rapper Ghostface Killah, released on March 28, 2006, by Def Jam Recordings. The album features guest appearances from several artists, including fellow Wu-Tang Clan members, and production from a variety of producers, including Pete Rock, DJ Toomp, and MF DOOM. The album received generally positive reviews from critics, with many praising Ghostface Killah's lyricism and storytelling abilities. It also performed well commercially, peaking at number 5 on the US Billboard 200 chart and reaching gold certification by the RIAA. One of the standout tracks on the album is "Tush," featuring Missy Elliott and Timbaland. The song features a catchy hook and beat, with Ghostface Killah delivering his signature smooth flow and vivid lyrics. Other notable tracks include "Be Easy," "Back Like That," and "Good." One of the things that sets Fishscale apart from other hip hop albums is its diverse range of sounds and influences. From the soulful samples and boom-bap beats of "R.A.G.U." to the electronic-infused production of "Slow Down," the album offers something for everyone. Even the skits, often seen as filler material on other albums, add to the overall listening experience here. Lyrically, Ghostface Killah is in top form throughout the album. He weaves intricate stories of love, betrayal, and street life, painting vivid pictures with his words. His flow is effortless and natural, making even the most complex rhymes sound easy. Another highlight of the album is the chemistry between Ghostface Killah and his guests. Overall, Fishscale is a classic hip hop album that showcases Ghostface Killah's skills as a rapper and storyteller. While not every track may be perfect, the album remains consistent throughout and offers plenty of replay value. If you're a fan of Ghostface Killah or just looking for some quality hip hop music, Fishscale is definitely worth checking out.

Just funky enough. Great lyrics and voice. Could easily become five stars.

Woah...have we gotten a Ghostface album on here before? Two rap albums in a row, and of course while I'm on vacation. Early 00's rap, and right around that same time as Chamilionare and a few others I can't think of. Lil Wayne maybe. This was like early highschool. But never heard this one before.

Nice, can't say I was expecting to see Ghostface on this list, but it seems like this listmaker was at least aware of Wu Tang and its members enough to have a few inclusions. We got Only Built 4 Cuban Linx too right? I have to say, Ghost in isolation is not as compelling as that duo album, or as a feature artist for example. Nothing wrong with that, plenty of rappers I feel that way about. Still, it's a great and enjoyable album, with a decent degree of variety and some solid features. Dilla production on at least one song too, RIP. Looking at the tracks I saved, there's only one that doesn't have a feature, confirming my suspicion. Ghostface is lower on the list for solo Wu Tang members for me, but I'm glad this was included. I wonder if we'll get Supreme Clientele? Favorite tracks: Kilo, The Champ, Back Like That, Jellyfish, Dogs of War, Be Easy. Album art: Not great if you ask me. Ghost posing like a tough guy in the front, group of dudes behind him with a lens flare in the back. Really quite dated, generic hip hop look. 4/5

Hard hitting album and enjoyed it, but can't say I was in love with it. 7/10.

Dope, minner nesten om action bronson, tony starks skitsene er vittig

LP

yassss 💅 very good 4*

Another fantastic Wu solo project. I just don't think that it's a 5. It is very, very good but I just can't see it as a 5.

4/5. A very lyrically heavy and interesting album, albeit a little long. Goes really hard and the instrumentation and sampling is great. Slick features from other artists and Ghostface has a great way to words, clear and articulate despite the complexity of scenarios he is creating. Just a great album front to back, only downside is some filler skits and the length of the album.

Knew Fishscale has a high reputation but still had expected to see Supreme Clientele. Anyway, this is good, in fact it is very good but also long. Even the original album is clocking well over an hour. Could have been *very easily* a 5-star album if the weaker songs were left out. This is more like a general point, true for many albums from the 90s/00s on this list. In essence they could just be as strong as the 1001 albums from the decades before, but their length is ruining it.

Defintely need to give this album another listen.

My first listen. Amazing lineup for production. This deserves more spins.

Pretty f*cking good. Some good tracks to work out to.

Need to revisit it, didn’t listen to it as hard as I should’ve

Hadn't heard this before, enjoyed it more than I expected

It can be pretty intimidating diving into GK’s discography. There’s so much Wu Tang I haven’t checked out just because the quantity is kind of overwhelming. But this album is a great entry point! Honestly, it’s 4:45 am, and I have no words to make a coherent review. So in place, here’s the rest of my review autofilled by my iPhone… The album was written by a very young woman and she was a very good listener and a very good friend of mine who was very good at it and she was very good with it and she was really good at it and she was so good at it and she is a great singer so she was very passionate on the topic of the song. I think that was the first time she had ever heard of it.

Ghostface Killah’s stream of consciousness rhymes shine iridescent over a murderer’s row of producers and co-conspirators.

I can't pinpoint if it's this endeavor, my expanding brain, some sort of wearing down of my defenses, or what, but damned if I'm not warming up to rap. Or maybe it's what I've said in the past — I just needed someone to feed me some good stuff so I could figure out what's what. So it is with Ghostface. I liked this album. I was drawn into the stories, I was impressed/amused by the wordplay, the skits were fun (the "bad-mouthed kid" skit was funny), it never felt like this one one long flex. I did not love the repetitive samples — which is one reason the genre in general never really landed for me. There were more than a few times where I was wondering "why a sample and not just an original pad of keyboards — or something?" That was a detraction, and probably makes this a true 3.5 . But I'm going with 4 as I came away from the album with a sense of satisfaction at having dug it. Am I a Wu-Tang fan?

Great big beats! I loved it.

Very enjoyable for the most part

Simply brilliant. Ghostface flows prose as good as any that ever attempted. Storytelling and vivid images shine thru here, overshadowed sometimes by potentially overproduced tracks. Don't get me wrong, the tracks alone could be a successful venture even for a less talented MC. It becomes a challenge to digest all this album has to offer. Still a bit long as Hip hop albums are known to be, but all said, a Masterpiece.

Sometimes I think I just don't like hip-hop that much, then I listen to an album like this and realise I've just not been listening to enough of a range of hip-hop. Top stuff here; much prefer this to the Wu-Tang collective output.

Very solid, this rating could go up with more listens tbh.

I'm actually liking this! I like that it's not gangsta rap. It's talented good rap. I think Aaron would actually like this. LOL Heart Street Directions skit was funny. R.A.G.U sounds great! Bad Mouth Kid lol. Whip You With A Strap is awesome too! Momma is good too. Solid 4 stars

How do solo Wu-Tang projects hold up in the landscape of hip hop in the 2000s? Pretty good, as it turns out. Notably, you get both MF DOOM and J Dilla production. If that wasn't enough, you get the full Wu-Tang Clan song, including Ol' Dirty Bastard just two years after his death. Even putting this all aside, this is an extremely tight hip hop album. Ghostface is consistently on his A-game, with the production fitting his energy. Not a single feature feels underwhelming or poorly placed. Quality is consistent, and I don't take that for granted.

It was a good album and I enjoyed it it. I had not heard it before but it appears the entire Wu Tang Clan shows up at one point or another. I will round up

This is actually really good, and pretty consistent throughout. For someone who doesn't really listen to hip-hop, there's a lot to like here. The beats and production are really solid throughout. There's a lot of variation here too, with some real driving and funky beats. The Champ is siiiick, what a tune.

Long but enjoyable throughout

si bueno... este tampoco es mi estilo para nada, de hecho escucharlo se siente como apropiación cultural haha pero de menos está más entretenido que el pasado eso si. Heart street D esta muy perv y no en un buen sentido, en el senitdo heterosexual que no me agrada. Bueno ya escuchandolo más tiempo creo que es bastante interesante la vdd... Tiene ritmos cómo interesantes. Intentaré guardar la cancíón: Jellyfish, a ver que tal si no me harta o la borro. Por ejemplo, Dogs of war esta de que no me gusta cómo el lyric, no entiendo nada, pero el ritmo de la pista y los sonidos que integra están D+... Interesante pero muy estraño. Nevermind I love it. Muy buena sugerencia página aleatoria de discos diarios. Dice Mía que es una buena persona, le vamos a dar like.

I really enjoyed the experience of listening to this album and just letting it wash over me. The lyrics are nothing special but the beats are excellent and the vibes are a blast.

A lyrically dexterous, hard-hitting tale of crime and the streets as only a member of the Wu-Tang Clan can deliver. Bonus points for multiple J Dilla samples.

I thought this was a blast - really easy and fun listen which has not been my perception of Ghostface Killah at all. Would definitely put this on whenever.

Solid album, I liked it a lot but I didn’t like it as much as I like the Wu-Tang Clan’s work as a collective. The only song I wasn’t into was Jellyfish.

Great production. I really enjoyed this, but some of the skits were not as good.

Ghostface is utterly relaxed and on point, and it's not the skits that slack as much as the late-album features. Flaws and bright bright points are secondary to Clan albums, and production doesn't ever disappoint here.

Excellent album overall. Ghostface Killah has a great flow and man, he just goes! No hooks, just tight bars packed with imagery and wordplay. The opening track "Shakey Dog" is incredible -- it's got a cinematic sweep and he's relentless on it. The album could benefit from some editing but I don't think there's any glaring filler. Just a few too many tracks. Fantastic production. The Pete Rock beats are so good, especially "R.A.G.U" and "Be Easy." The drums! MF DOOM has some great production here too. I love those sustained notes in the “Jellyfish” beat. Something different that stands out from the rest of the songs. His beats have little psychedelic and retro touches, which helps the whole album to sound more varied.

I liked it

Bars are shap beats are varied

Ghostface’s absolute masterpiece in my mind. No misses!

Ghostface at the top of his game and some all time classic tracks.

Liked it. 4/5

I was really enjoying the album, I was prepared to give a very high rating, then the album ended and spotify played me WuTang and MF Doom and made this album look pedestrian. I really enjoyed the production and flow and some of the woke themes, but this is no masterpeice.

If you cut 20-25 minutes from this album you'd end up with a fantastic album. As it is, it is a bit too bloated

Never was a fan prior, however, was a great album. Would consider to buy as a vinyl.

I enjoyed listening to this album. I don't know a lot about rap, but Ghostface Killah has a great flow and a knack for interesting rhymes. He also has a way of telling stories in his songs that keep me interested, so I never got bored despite the 1hr 12min playtime. The production here is fantastic as well. I loved the instrumentals throughout. I can't see myself just throwing on this album again, but I'm really glad to have heard it. It left an overall positive impression on me. Standout Tracks: "Kilo," "Whip You With a Strap," "Back Like That," "Jellyfish"

Paints a pretty vivid picture of what I imagine being a New York gangster is like. I appreciated the more sensitive moments as well. The album's runtime is one drawback but it's not a huge one. I also like that each song is sort of it's own thing, telling it's own story, rather than every song being about the same thing. Favorite Song: Big Girl 4.2/5

very good beats very good lyrics very good features but it kind of drags on, if some songs/skits had been cut this would be an all-timer but it's hurt by the fact that it's just too long

Dangerously close of being a perfect rap album. It's true that the album may seen unfocused sometimes, and it's length can be intimidating, however every verse is worth hearing. 4,5/5.

So yeah! I've never listened to Wu Tang (before a week or so again), but this was such a change from the Wu Tang sound (imho) even though all of the Wu Tang Clan showed up on this album. I liked it, it was such a snippet of every day life in that time. I mean, maybe not everybody's life, but there was a definite poetry to it. Like, GFK was like, I'm sitting here, thinking about my childhood, or a lady I have a crush on, or running in to the cops, and here is my first hand account. I can't exactly relate to a very city dwelling existence, but it was like seeing it through his eyes, and that gave me a much better appreciation what that life might have been like at that time. More, I feel like it truly is what poetry and art is supposed to evoke. Here is GFK's story, slinging drugs, getting spanked as a kid, being obsessed with comics, all that stuff, and in that way (some of it) feels like stuff I've experienced before. About the production, this one felt more produced in a way that I'm used to vs. the earlier Wu Tang album. There were samples, for sure, but there were also R&B singers singing hooks and choruses which is more like the hip hop I grew up with. MF Doom also produced 9 Milli Bros, Clipse of Doom, and Jellyfish, and it was cool seeing his fingerprints all over the album. Solid record, and my fave of Wu Tang so far. Favorite tracks: Momma, Kilo

Easily one of the best Wu Tang solo albums. Got the whole Clan on it with "9 Milli Bros," and the producer lineup is like The Avengers of beatmakers from this era. Despite being focused on hardcore street storytelling, it manages to have a nice variety of moods and tones.

I always really like when rap/hip hop songs are more than just rhymes and a beat - when there's musicality and interesting backing tracks. That's how this whole album was. I never felt overwhelmed by raps and beats, it just flowed nicely from one song to another. And it didn't even feel like this was 19 full songs

An example of you know good music when you hear it

Surprised for sure, classic old rap

Qué bien suena esto!!! De lo mejor que estoy descubriendo en esta colección de 1001 albums está siendo el Hip hop/Rap que se pierde uno fiera del mainstream y visto desde España. Temas como "Shakey dog", "Kilo", "The Champ", "R.A.G.U." y "Jellyfish" me han parecido muy buenas.

Ghostface is such a technically talented rapper that I don’t even need to like his songs that much to enjoy listening. The skits are a bit much but I think the content makes up for it. Loved the biggie feature at the end. Big Girl was my favorite.

the last truly great wu tang album along with cuban linx 2. Basically every song here is a banger, and with some great features too. the champ might be one of the greatest rap songs ever.

surprisingly good listen

Rapzao daora

I really enjoyed this. The production is great

Excellent. Took me forever to listen because I haven't been listening to rap lately but I loved it. I will listen to more of his solo work now.

Superb production and beats. A bit too much profanity though

I have always been a fan of Wu-Tang Clan and their various incarnations. While hip-hop does not have singer songwriters in the conventional sense, they do have storytellers and Ghostface Killah has always been a great one. At times he is almost literary. Consider the imagery in Shakey Dog. It reads like an outline for a movie. Good stuff all around, in a genre I am usually critical of.

I was really impressed by this album. Ghostface is a great rapper still interested in showing off his skills 15 years into his career on FishScale. The soul-based production was great too. I could always do without the skits on a rap album and would have made it shorter but I will listen to this again for sure. Fun fact: He did a concert at Vassar when I was there and went on earlier than scheduled bc he was already there and wanted to leave lol.

niet helemaal aandachtig afgeluisterd vwant geen tijd voor, maar eerste deel wel cool

🔥🔥🔥

Top notch lyricism from a rapper that has it all. A cool voice and a strong flow. The production is perfect and sounds classic and contemporary at the same time. Iconic features take it to the next level as well.

Great album, and 9 Milli is an absolutely brilliant tune.

classic album

I really liked the flow of most of the tracks on this one. Hadn't heard it before. Skits are still cringy though.

One of the best rap albums I've ever heard. Mr. Killah is a powerhouse and absolutely relentless. Every track was enjoyable. He did not miss. 4/5

Incredibly well produced, with creative, bright (often dreamy) samples. Loud and proud, each song has its own style. Has a lot going on, especially small studio effects like the sniffing or the horn injections in "Kilo," or the cheering in "The Champ," which paint a large colorful scene in every song. Ghostface Killah himself gives an enthusiastic performance and works well with the samples and vibes he's dealing with, and the guest performers aren't half-ass either. At an hour long and 18 songs, it drags on too much, but due to the richness and speed of the tracks and the skits, a lot of it passes by. Favorites: Shakey Dog, Kilo, The Champ, RAGU, Back Like That, Dogs of War, Big Girl, Underwater

Pretty good hip hop album, good mix, good rhymes, enjoyable listen

First time listening Some great beats, sick storytelling Favorites: 9 milli bros, R.A.G.U, back like that, Clipse of doom, Dogs of War, Three Bricks

When I was in college I remember hearing NWA and thinking they were great. This led me looking into Wu Tang Clan too, but they didn’t click for me at the time. Since then, I can honestly say I never looked into them again, and likewise never thought to look into the solo pursuits from the members. Hip-hop is generally a genre that I rarely listen to, so I’m interested to hear something new. Songs I already knew: none Favourite after listening: The Champ, 9 Milli Bros Damn, this was so much better than I expected! It hits hard, has lots of violent lyrics and he clearly knows his way around… substances. Aside from the lyrics, the beats were so tight, and I think I hear some influence from the older funk rap at times (Grandmaster Flash, etc.). I think I’d need to be in a certain mood to seek out this album again, but I’m definitely impressed and enjoyed it a lot.

Ok, sure, I can get on board with this. Usually not too into the whole crime braggadocio thing, but this is more like straight up storytelling - very noir! Fave track - "9 Milli Bros" maybe? Or "R.A.G.U."? Probably need to give it more listens to select one...

Fuck Yes. Amazing production (Pete Rock, Dilla and DOOM? Come on, you can’t go wrong), amazing flow, great guest spots, high energy. Like it’s namesake, Fishscale hits hard.

Good album but hardly "necessary."

The few skits that were on this were a bit distracting. I have stated before that skits do take away from the re-listenability of the entire album. Tracks produced by MF DOOM I can pick out pretty easily now, which is weird, because it wasn't that long ago I didn't know who he was. But now he's really on my radar. It's sad he's no longer with us, as he seemed to be a really highly regarded force in hip-hop, but not known outside that circle. Ghostface Killah really draws you in. The beat was great. It's interesting that all the members of Wu-Tang guest-starred. That the group were willing to do solo albums and help each other out like that is great. It's not an album I would come back to often, only because of the language and violence. But the lyrics are real and I totally get where he is coming from. I did enjoy this a lot. If this came on, I wouldn't turn it off.

Damn. Great album. The first time I listened I didn't even pay attention to the lyrics, just the music - which was awesome. Great beats. But it's a concept album so I had to listen again to see what I thought about the themes throughout. He's so smooth you really have to pay attention or you'll miss the wordplay in his lyrics. Best tracks - I mean, absolutely loved them - were Shakey Dog (so smooth), Kilo (great beats and female vocals), Be Easy (inclusion of Ice Cube is awesome), and Dogs of War (intense beats and rapping). The skits were okay and some songs weren't as good as the rest, but still a great listen overall.

Another new album for me. Some great grooves on here. “Be Easy” is easily my favorite on here, no pun intended. The skits were funny too but not as funny as the vocal melody in “Jellyfish.” The second half of the album hit me more than the first half and that’s a good sign. On a bad album I’m usually waiting for it to be over at that point especially when the album clocks in at over an hour but I’m grooving the whole way through this one.

I didn't expect to like this album so much. I was expecting some old-style hip-hop or maybe some kinda 90's-ish melodies that I like but it's not the best thing that we have from this style. However, I found a strong record of what I consider modern hip-hop, even with some proto-trap if I exaggerate a bit. The lyrics are not the best of what I like, but I git the album idea. The greatest problem for me is the length, it's too long, but it's still great.

Layered and immaculately produced

Strong Tyler the Creator influence if I can guess anything like that. Relentless.

Brilliant album, tells a story but with songs that stand alone as well. Some of the skits were arguably unnecessary, but they give the songs room to breathe. Production of all wu-tang (and wu-tang solo) albums is always spot on.

get rid of most of the skits and like 5 songs near the end and you've got a 5 star album

I really liked most of the tracks on the album. The song with Ne-Yo was garbage. Great album overall, will be giving it multiple listens.

This is pretty dang good. Production is tight, rhymes are tight, samples well chosen. Two thumbs fresh.

I really didn't expect much from this album. Maybe that's why I found myself enjoying it. Sure, the skits are super lame and a lot of the content is dated but it turns out that Ghostface Killa is a damn good writer. The delivery is on-point and these tracks are just so tasty. Color me surprised.

I wasn't expecting much from a Wu-tang member about a decade from the group's peak to release something this great. It's cinematic, perfectly produced, the beats and flows are on point. This might just be one of the best albums of the early 2000's.

Loud, noisy, black, and gangsta. I don't care too much about the lyrics, I feel like I'm too disconnected from that black anger and black power that is reflected in the lyrics, so I judge this purely on how much I enjoy the noise that comes out of my speaker. I have to say, the first two songs are the best, Shakey Dog and Kilo. Crack Spot being number three, and then maybe R.A.G.U...perhaps I just have a soft spot for rap with female voices.

4.1 + I remember liking lots of the joints off this record back in 2006, especially "Kilo." Sadly, it quickly fell off my radar and I think the skits are to blame. With the exception of "Barbershop" that turns into a fire track, the skits add so much bloat to an otherwise amazing record. At the outset, it's intimidating to look at these 24 track that clock in at over an hour. Overlooking all that, all the actual songs on here are bangers. First, I love Ghostface's writing, his ecstatic storytelling on "Shakey Dog" and the way he adds strange details to his descriptions on "Big Girl." Second, there are recognizable samples to create some insane beats. Third, the collabs: Raekwon, Wu-Tang, BIG, etc.

I'm totlly digging this!

I love the song Kilo, I might use that in some Maths lessons in the future. Back like that is a bangerrr. There's a lot of variation and interest in this album. I like it! Enjoying the samples on some of these tracks and great rhymes, every track is distinct. We all know by now, I love skits! I wish I had discovered this album earlier in life and I prefer a few more melodical moments than this album provides so it isn't my perfect hip hop album but it's certainly a 4.

I have to say this was a total surprise and I really enjoyed it!! I loved some of the sampled songs. I think I'll listen again - some of those got me pumped

I was not really looking forward to this album but it really surprised me! Great beats, the rapping was really clear so you I could understand what he was saying. And that's the most grandpa thing I've ever said.

I really enjoyed some of the songs on this, particularly The Champ and Three Bricks. Overall great album.

Klassisk hiphop, soul-samples, nice flows, wu-tang, hård lyrik

This is pretty great. Now I know where a few samples on Donuts come from.

Rating: 8/10 Best songs: Kilo, Whip you with a strap, Back like that, Big girl

Feels pretty underrated as rap albums in this list go. Took me a while to listen twice cause of the length but there are some incredibly catchy cuts in this. I'm astonished I'd never heard Back Like That before this album Saved: Shakey Dog, The Champ, 9 Milli Bros, Back Like That*, Be Easy, Back Like That - Remix

pretty great album, some of the skits were a little corny but that music slapped I’ll give it an 8/10

Production > lyrics but crack spot and kilo are elite. I probably missed a lot so gotta run it back

Nce flow

Unexpectedly incredible

I quite enjoyed this. Pretty chill.

Above average cocaine rap. Great NY attitude.

Czego jak czego, ale pana Ghostface Killaha na takiej liscie sie nie spodziewalem i to dodatkowo z takim materialem, bo dalbym sobie obciac lape, ze ironman, gdzie persona tonyego starka snuje opowiesci z getta bedzie miala o wiele wieksze szanse na pojawienie sie tutaj, tak samo sprawa ma sie z supreme clientele jako album inspirowany czarnym ladem, a tu jednak fishscale, czyli album ktorego motywem przewodnim jest dealowanie koko, na co juz nawet tytul jasno wskazuje, rybie luski to okreslenie na wyjatkowo czysta kokaine, okolo 90% wtedy nie mamy do czynienia z bialym proszkiem sprzedawanym na dworcach, ale raczej z bialo lsniacymi krysztalami lub czyms oscypkowo wygladajacym przed pieczeniem, wiec plyta trzyma sie tego motywu opowiadajac na temat dzialalnosci przestepczosci zorganizowanej po murzynsku, jak przystalo na gettowe historie mamy opowiesci o biegaczach, porucznikach, kucharzach, niewinnych przechodniach wciagnietych w ten swiat kilogramow za sprawa kawalka olowiu, thugowej milosci, lojalnosci do rodziny i do ulicznej rodziny, szybkich pieniadzach, szybkim zyciu i jeszcze szybszym umieraniu, plyta to godzina dwanascie solidnego materialu, z 27 trakow 7 to skity, ktore sa dla mnie jak najwiekszym problemem albumu, bo w wiekszosci sa to bardzo typowe ghostowe monologi, ktore maja wprowadzic do traka, o ile ghost nigdy nie byl w moim top 3 czlonkow wutangowych, tak jak slucham tej plyty to jest zadziwiajaco rowna, jesli chodzi o liryczny deliwery, nie ma tutaj przesadzonej liczby featurow, jak na poprzednich materialach, taki ironman, to praktycznie album trio killaha raekwona i cappadonny, dodatkowo z beatami od pana RZA, wiec wutang pelna geba, tutaj natomiast czuc o wiele bardziej solowosc tego projektu, takze od strony beatowo producenckiej, bo RZA nie wystepuje tutaj jako producent, tylko ma jednego wersa na 9 milli bros, ktory featuruje wszystkich zyjacych, oraz tych troche mniej zyjacych, czlonkow wu tanga, a wiec kto wyprodukowal plyte, odpowiedz na to pytanie jest skomplikowana, bo dlugo by wymieniac 11 apostolow producerki ktory zebrali sie zeby ugotowac taki krazek, obok takich nazwisk jak pete rock czy j dilla pojawiaja sie takze calkiem niespodziewane picki, ktore slychac juz podczas pierwszego odsluchu, mianowicie mf doom na producerce, zastanawialem sie skad on mial tyle materialu zeby wypuscic trzy albumy czysto instrumentalne, ktorych w wiekszosci nie uzywal na swoich materialach, to wlasnie po czesci otrzymalem odpowiedz na clipse of doom czy jellyfish, albo na wspominanym juz wutangowym traku, na nastepne instrumentalne sluchanie musze obadac orginy reszty special herbsow, z pikow plejlistowych na liste wpada kilo, brosy i back like that, z najbardziej 2k06 featurem jaki mozna sobie wysnic, czyli pan ne-yo i jego aksamitne wokale na chorusie, lista kolejny raz pozytywnie zaskakuje iloscia murzynskich albumow, a zaskoczenie tym wieksze, bo to jednak thugowo hardkorowy material, a nie radio friendly kontent

OH NO ITS A SPOOKY GHOST

This is what I imagined Wu-tang would be like; actually creative and a blast to listen to! Closing in on a 5 for sure

It's alright. I mean, I do like it. It has a lot of charm, with its pretty fast and short skits along with the array of producers (Pete Rock, MF DOOM, J Dilla, etc.) I do think straying away from RZA Production does kind of hinder it but I still think its a unique album. Its pretty long, tackling an hour with 23 tracks. A few of them are skits, but still. It's a lot of tracks! Raekwon, Trife, & Cappadonna are some of the recurring features but its not limited to them. I do like the J Dilla cuts on here. Using "Hi." And "One For Ghost" on Donuts, I really think GFK uses these beats very well. The production on songs like Jellyfish, Underwater, The Champ, all great. I think this album loses me a bit with it's length but overall, its a fun one. 7/10 As of July 21th, 2021 Best Tracks: Kilo, The Champ, 9 Milli Bros., Beauty Jackson, R.A.G.U., Whip You With A Strap, Be Easy, Jellyfish, Underwater Worst Track: Barbershop

My type of music. Definitely some favourite yracks

This was really really good and lyrical with amazing percussion and flow. But man the jokes are really cringe.

A high quality rap album with great rhymes and beats. The album flows through from beginning to end and it's hard not to bop your head to the beat. I thought I wouldn't like it from the first song/skit, but it drew me in and I enjoyed it until the end.

Ghostface Killah is peerless on this album of grimy storytelling and verbal dexterity. His taste is impeccable,with beats from underground heroes J Dilla (RIP) and MF Doom (RIP), old school innovator Pete Rock and chart topper Just Blaze. The samples are sublime - the old soul tracks gives the album a cohesion often lacking in other rappers’ efforts. If Ghostface isn’t the GOAT then he damn near gets close to claiming the crown with this record.

Great lyricism. Solid RZA production.

Jesus this album was dope. I haven't really listened to any rap album before, and initially I wasn't that into it, but I gave myself some time and went for a promenade in the rain with this album and and felt it very much. Every now and then I wasn't that into a song, but overall it was tremendous. It definitely feels like a complete work and the songs work together. Amazing.

Man, I listened the hell out of this back in 2006. Kilo has a great, great hook and I didn't remember anything else about the rest of the album. But I think pretty much every song on this is a gem.

A very solid and lyrically rich rap album. 8.0/10

buena primera escuchada jajaja me aburri un poco escuchando pero es wea mia pq si el disco es muy largo me da lata fdajkadjkf

Really enjoyed it, Ghostface a legend

Yeah

This was actually great. Very funky / soulful. Not very Wu-Tang. Didn't catch many lyrics on first listen, but lots of effing and jeffing. Terrible skits though.

great production, good flow but iffy lyrics in places... would rather mr killah spat rhymes about the benefits of recycling so knocking it down a star until he makes that change

Disco desigual, las canciones más populares creo que son las más culeras. Es mejor The Supreme Clientele. ¿Cuál es el criterio para elegir los discos? En fin. Aún así, como es tan largo, tiene chingos de rolas chidas.

Shite at the beginning Good decent Got slower Got bored

Liked it.

8/10 a lot of good tracks on here, great beats and samples. i think it's a little overly long.

Not normally my thing but enjoyed that added couple of songs to my favourites.

Love this album. Could still do with trimming down a bit

Es que siento que no tengo las suficientes herramientas para la apreciación de este género. Diría que pasó sin pena ni gloria. Está okay para un ratito, pero sí me pesó una hora. Me gustaron Kilo, The Champ, y Underwater que tiene un instrumentación chidilla. Heart Street Directions es muy cagada. Mood: "it's kinda wet down there" lol

This album is completely out of my normal wheelhouse of rock/punk/emo, but I loved it. I wish there were less skits, but they come with the territory I guess.

Every rap album on here seems to be by a member of the Wu Tang Clan and takes about a day to listen to. This one, though, is the best. Great use of smoky soul samples, skits that actually add to the proceedings, and a genuinely brilliant couple of tracks in The Champ and Back Like That. Gonna use The Champ to get myself psyched into a killer mentality before playing badminton with my work colleagues

This is real good. Three Bricks is an awesome closing track

Pretty good, I like the beats but it was long and had a bunch of boring skits. 8

Wasn't familiar with this (so much wu tang catalogue), but loved it.

Mucho flow, más de lo que puedo procesar... por ahí caché letras bastante buenas, creo que el disco suena bien en conjunto y las colaboraciones son muy chidas. Especialmente me gustaron "The Champ", "Three Bricks" y el remix (con la familiar voz de Kanye) de "Back Like That". 8/10

Great production, overall a great listen and def up there with one of my fav hip hop albums of all time. RAGU slaps.

Impressive!

This is a great album from start to finish. Ghostface is always great, and this is hands-down his best album.

Miles better than the Raekwon album, IMO. I don’t know what makes “9 Milli Bros.” anything other than just a Wu Tang song, but I ain’t complaining. I would absolutely listen to this again.

I like the style and flow. Enjoyable hip-hop/r&b variant of rap, with creativity, color and an attitude.

good album, can’t go wrong with wu tang

i don't really think i understand how to appreciate hiphop but this has an energy....a lifeblood running through it.

Ok

Wu Tang Forever

Cinematic and dense. I need to listen to this again, I feel like I missed so much. The beats just felt so groovy and vital as well.

One of my favourite unheard hip hop albums so far. Doesn't sound like he takes himself too seriously but hits hard all the same. Lots of solid features but surprisingly the Ne Yo hook was my favourite - especially loved Kanye's verse on the remix. Can definitely hear where Action Bronson gets his style from. The Bad Mouth Kid skit was hilarious.

Great album

Great solo album from the clan man

This was super great and a pretty vicious album! I feel like this is an album that if I listened to it when I was younger it'd have an even bigger impact. As it stands though, a really great reason why Wu-Tang ain't nothing to fuck with.

This is probably tied with Inspectah Deck's Resident Patient as my fav Wu Tang solo record out there.