Fishscale

Not too bad however it is very long.

Ganz cooles, gut produziertes Rapalbum. War nett zu hören, auch wenn ich es wahrscheinlich nie wieder hören werde und jetzt Monate nach dem Hören nicht nachvollziehen kann, warum es hier auf der Liste landet und als wichtiges Album gilt.

Meh. Slightly updated formula, with some really nice beats, but it feels like a decade behind its time. And ghosts hectic delivery is a bit much in solo album form. Annoying skits as well. What a weird, terrible way to open an album with a distorted angry rant.

Really fantastic album.

Cool co-labs and also beats from Dilla and Doom. Pretty good album overall a little long for me though.

Not my thing, just average rap

⭐️Shakey Dog

Pretty effin awesome!

Ok. Very long. Not my cuppa tea.

The Champ // 9 Milli Bros // Whip You With A Strap // Back Like That // Be Easy //

2.5 - decent

I couldn't finish it but I listened to a good 2/3rds of it and I can say it was pretty good. Wu Tang affiliates are good at what they do. The song with Nelly was surprisingly very good in my opinion and I should add it to a playlist lmao.

Very standard 2000’s rap album, few hits I enjoyed but nothing that excited me lmao

This album has me feeling a bit mixed. There are some incredible tracks that do a great job at sampling, showcasing the brilliance of his voice and are just polished. However, some of the tracks are just plain rubbish, like no soul and essence, and it just distracts from a great listening experience. I see the hype, but it could have been great.

Download this song for free at Youtubepromo.com 4/10

One of the best rap albums!

The best album from a Wu-Tang member outside of the 90s Classics.

Another rap album that can just go on and on and on because they don't actually have to construct any songs or concentrate on melody or bother about quality control. When it's good it's good and it's in the upper half of Rap for sure. Last (bonus) track may be the best on the album.

I'm not a hip-hop aficionado - that being said, there is a reason Ghostface Killah has had such an illustrious career.

Some classic rap.

Confession time. I'm a 51 year old German dude from a small town, middle-class upbringing, I just don't know what to do with most of hip hop. The conscious, dusty jazz rap and trip hop adjacent stuff from the 90s, yes, but this? I do know who most of these people are or have heard their names before and I associate MF Doom with interesting beats, but it's somewhat hard to connect with it in any capacity. And, some tracks seem like 00s hip hop's actual music taking a turn for a more sweetly produced RnB infused sound that I care even less for. I've given a lot of 4s for rap albums, in my helplessness, but Fishscale here doesn't cut it.

Solid, lyrics are full of purpose

Drivel.

idrk

I normally love Ghostface but this album didn't 100% do it for me, like it's good though I feel like his raps overstay their welcome a bit and don't really let the track or the listener breathe. It's like listening to the musical version of a run-on sentence.

Rap. Interesting. Some good backing tracks, lyrics pretty much of a much.

Over a "sinister" beat, the song begins with Offset rapping in the chorus and first verse about his diamond jewelry and having shooters by his side, while switching his flow and using his signature triplet rhyme scheme. In the second verse, 21 Savage immediately compares himself to North Korean leader Kim Jong-un as a joke, while rapping about how he is still hanging out with the "killers" and "gorillas" with guns. The third verse finds Travis Scott in Auto-Tune laced vocals, referencing his drug use and being a "Nike" boy. I enjoyed this album. Lot of MF Doom samples. I really like the Special Herbs albums and the beats pop up in other hip hop songs. The Ne-Yo parts feel dated.

4/10

It was alright. Some good moments. Too long though

Wont even listen to this crap

I enjoyed this album fine, not my favorite rap album I’ve listened to but not my least favorite. I haven’t really listened to Wu Tang Clan but maybe I’ll have to check them out. This album is pretty graphic in its language and explicit sexual content but that kind of comes with the territory of rap/ hip hop music. I’m not sure if I would listen to this again if I’m being honest.

Some good tracks in there

This was ok, as these things go. Won't look it up again, but had worse recommendations here.

Women and drugs and guns, oh my!

Musically superior.

This was better than expected but still not my cup of tea

6/10

I’ve been brought down with man-flu so will keep this short: better than I’d expected, as I’d assumed the collective had run out of steam by the late ‘90s, but more an overlong showcase of modish producers than a cohesive record, and lacking the weirdness or banging choruses that Wu-Tang’s best stuff has.

Music is pretty good, quite psychedelic in places and with fun samples. Vocals are unfortunately really cartoonish, so overall it's not really for me. Who gives a fuck about Tony Stark? [EDIT: having heard more Wu-Tang solo albums now, this one is probably my favorite. Extra point for teaching American kids the metric system]

well, wait moment, this man knows it

Loved this album. Great contributors as well.

Not for me, but I can acknowledge that it is good for what it is.

Fun listen. Lots of skits. I did like two songs on the album and added them to my "Likes" on spotify.

Not bad, not good. The samples generally feel a bit uninspired; the rapping is fine. Too many skits – ‘Heart Street Directions’ is particularly bad and pointless. Production collabs with MF Doom and Pete Rock and Dilla save this from being completely forgettable. There’s better Wu-Tang projects.

Not my vibe

++*: The Champion ++: The Return of Clyde Smith, Shakey Dog, Kilo, Major Operation, 9 Milli Bros., Beauty Jackson, Heart Street Directions, R.A.G.U., Bad Mouth Kid, Whip You With a Strap, Back Like That, Be Easy, Clipse of Doom, Jellyfish, Barbershop, Ms. Sweetwater, Big Girl, Underwater +: Crack Spot, Dogs of War, The Ironman Takeover, Momma, Three Bricks 9,7/10

Not really my thing.

Not my taste

8/18/25. Really glad I came across this, shows that my Wu-Tang knowledge is nearly non-existant! Good storytelling, great beats, and hilarious skits throughout. Will come back to this.

Je l'ai écouté. C'est ça.

That's not my taste in music - But ok (cool)

The Soul-sampling production is nice without it ever feeling corny. Favourite Songs: The Champ, 9 Milli Bros, Back Like That. Least Favourite Songs: Beauty Jackson, Jellyfish.

not for me

Pretty fire... I feel emotion through the bars

This slaps!

Rips. So much variation in an albeit very long tracklist. Never felt bored or like it overstayed it's welcome like many other longer hip hop albums. 4/5

*no music, just noise, too many tracks

- Álbum de hip-hop: dígase de un álbum, de más de una hora de duración, cuya letra y significado seguro que está muy bien pero que es musicalmente mediocre.

Some ok rap. 3 stars

a lot of skits, I wanted more music

I was surprised to see this record was from 2006. I assumed gangster rap was completely played out by then, and it shows in this way this album comes together. The writing and production are tight and create some interesting songs, but the whole package is woven together with uninteresting skits, excessive sexism, and unending references to violence and drug culture. I guess one part of the album can’t exist without the other, but it weighs heavy on how worthwhile it is to visit the album almost 2 decades later.

Meh

Don't know when I'll ever be hyped up enough for this album but its fun.

7.5.

87/1001. Interesting. Starts up as a gangsta rap album with a very angry inside reporter from the drug scene, has soul / rnb love songs and skits about domestic violence and ends up with a very angry inside reporter from the drug scene. Wasn't boring to say the least, but as for me - the closest to a bar...was that ballet class? - I don't know if there is a place and time when and where this music would speak to me. Perhaps if and when I want to be evil.

I'm not very familiar with hip-hop but I always listen through albums from this genre to check how many songs I like. This album had some really good beats and rhythms, and it is very well produced and had some songs that flow together really well. I didn't pay much attention to the lyrics. It was too long which is usually my problem with hip hop albums. Overall it's a good album in the genre which I liked.

Not a fan of the skits. Enjoy the overall sound.

This is the 187th album I’m rating. I don't think I've ever listened to a Wu-Tang Clan song. Adding to my Playlist - Shakey Dog, Kilo, The Champ, R.A.G.U., Whip You With a Strap, Be Easy, Jellyfish, Dogs of War, Barbershop, Big Girl, Underwater, and Momma. Not Adding to my Playlist - The Return of Clyde Smith (Skit), Major Operation (Skit), 9 Milli Bros., Beauty Jackson, Heart Street Directions (Skit), Columbus Exchange (Skit)/Crack Spot, Bad Mouth Kid (Skit), Back like that, Clipse of Doom, Ms. Sweetwater (Skit), and The Ironman Takeover (Skit). All in all I liked 12/23 songs. Shitty interludes called skits hurt this album/

This is why I use the 1001 albums generator. This album passed me by, and I loved listening to it. Great flows, good storytelling, and some varied, consistently high-end production.

het muzikale equivalent van hardnekkige jeuk...

A kilo is 1000 grammes. So simple.

ghost outta water

Standouts The Champ

As someone who doesn’t typically gravitate toward rap music, Fishscale was an intriguing listen, though not entirely enjoyable for me. Ghostface Killah’s lyrical prowess is undeniable—his storytelling is vivid and often cinematic, painting gritty urban scenes with impressive detail. However, the rapid-fire delivery and dense slang made it hard to follow at times, leaving me feeling more overwhelmed than engaged. The production is eclectic, with soulful samples and hard-hitting beats that occasionally caught my ear, especially on tracks like “Shakey Dog.” Still, the overall sound felt chaotic and disjointed to my tastes. I can appreciate the artistry and passion behind the album, but it didn’t resonate with me emotionally or musically. For fans of the genre, I imagine Fishscale is a standout. For a middle-aged white male, it’s more of a challenging experience than an enjoyable one.

Was cool to learn a bit more abt Wu Tang. Back Like That was pretty cool song.

I liked this one more than the Raekwon album. Catchier songs.

It's good, but it's not really my style. And although the songs have different vibes, it's much too long. 3 stars, but almost 4.

I even liked it at first for the sound and work with samples but it's impossible to listen farther without skips

"Shakey Dog" is Ghostface Killah swinging on the first pitch of the game. It's aggressive, bombastic, and high-energy. He doesnt cut corners on forming a narrative on this song either; usually it's either super heady and moody OR screaming-in-the-booth hype rap - this song is both! "The Champ" a little later is kinda just the same song but less effective, unfortunately. It mustve been so cool to hear WTC in a completely different era on "9 Milli Bros". The novelty carries the song a little ways but not far enough for my ears. "Heart Street Direction" is so stupid that it almost loops around to being funny again - and was surely inspired by Eminem right? A bunch of sex innuendos formed into one skit/joke? Sounds like Eminem to me. "Whip You With a Strap" is such a beautiful reminder of J Dilla's sensibilities for making a beat and not overcomplicating it. He had an ear for samples like no one else. I'm a big fan of "Clipse of Doom" for how relentless the beat is with Ghostface keeping up too - more of those vibes that "Shakey Dog" had, I feel left wishing for more of this. What goes on in the last half of the album makes me wish the tracklist was put together with a bit more of a selective eye. Starts to all blend together. "Big Girl" into "Underwater" were super unique and almost reeled me all the way back in. Strong 3/5. Some great energy, fantastic personality and presence in the booth. Just wish for a bit more restraint on what got put on this album. the 10ish best tracks on here and nothing more wouldve been perfect.

Ranging from corporal punishment nostalgia to grieving after the women he sells coke to, Ghostface delivers an excellent album.

"Bursting forth with some of the most pungent yarns, potent barbs, and peerless production of the Wu member's remarkably consistent career, Fishscale is the choice outcome of an endlessly creative mind using experience as a compass en route to triumph." -- Pitchfork https://pitchfork.com/reviews/albums/3637-fishscale/ I know it's good, I just personally don't like it.

Sounds the same as all others albums I heard of the type, terrible.

This album is all vibe. High energy, delicious textures, beats and samples spread over everything like peanut butter, high energy party rapping with all the bros. Lyrics are meh but they aren’t the point. Good time contained herein.

There’s a few good tracks on here

So so.

Enjoyed more than expected - Sian Deb did not listen

Penúltimo día de julio y toca hip hop. No ubico al artista pero sí al colectivo al que pertenece, sólo por cultura general. Disco chill. Me lo imagino también para entrenar, ya sea levantar peso, ya sea practicar box. Hasta mañana, último día del séptimo mes.

Great raps. Great beats. Usual issues I have with rap with the unnecessary interludes and language. Deserves a higher rating but not something I'll listen to again.

3.7/i enjoyed. also wtf how is biggie on this

➕kilo, the champ ➖back like that i dont listen to a ton of rap specifically from the 2000s, but my god im glad i dont so this was such a pleasant insane surprise. grew up in a house where my mom was listening to 80s and 90s, and by the time i came into my own music taste, it was in the 10s. i can hear so much influence from the stuff my mom listens to and more specifically i can pinpoint references in my own taste that stem from this album! fuck! no notes!* * one note actually. i have never cared for neyo

Wu Tang is the real thing. An extremely talented group that proved that its members were more than qualified to lead successful solo careers. At this point I’ve had GZA an Raekwon albums, and including this I have been convinced that NE rap was into something as it elevated the genre to impressive heights. GK has raw talent and a forceful energy in his raps, add to that some excellent production. This album is supremely complex and well made. Also it is goes hard.

It's good. I like some of it, I don't really care for some of it. Like a lot of hip-hop albums, it should be 10 songs instead of 27 (!!!!!!). I can see that it's influential, and I love the musicality of it. If this were tighter, and there were 4 or 5 great songs on a 10 song album, it'd be a 5/5. As it is, 4/5.

Started to like this then fell off for me v quickly. Some bizarre skits as well

3.5 A great album for sure, wondering why it isn’t one of his 90s albums which are usually considered his best, but whatever. GK has one of the greatest rap voices of all time, it just sounds right. Overlong as most rap albums of this era are, thankfully pretty light on skits. Amazing samples, pristine production. A great listen.

2 out of 5. It ran a little too long but there were some good songs here.

Shakey Dog grabs you! The beginning of the album feels like a journal from the street. The flow and rhythm—combining elements from ‘70s R&B—highlight the talent of Ghostface Killah. Kilo continues the groove and proto-documentary of street life. Somewhere around Beauty Jackson I started loosing interest. I think it was all the skits, which seem excessive here. RAGU tries to take it back with powerful lyrics and a slow beat, but then seems to feel long. In truth, I was listening to the extended version. Overall, it’s of mixed feelings. Culturally: not mine. Musically: respect. He deserves to be in the pantheon of rap.

Random thoughts: * I liked the samples and music feel. Very soulful. I haven't listened to much Wu-Tang or all the solo albums. * "Whip You With a Strap" really caught my attention. I'm not sure what he is saying or is just relaying his upbringing. Is he advocating for whipping kids? I'm not sure but it definitely was something. * "Kilo" was a funky jam and I nodded along to that one too. * Overall, pretty good!

Nobody does that 'flipping through early seventies radio/TV late at night' sampling like Wu-tang, and this is a very solid solo effort that perhaps lacks the mystery and crazy mythology of the very best of Wu, while bringing plenty of the gangsta chicks, guns and drugs stuff.

zwei bis drei

The purest crime-hyper bars of all time. A true master of his craft.

It was interesting to listen to this after listening to Straight Outta Compton 2-3 weeks ago. Although it felt reminiscent of that album at times, it felt more developed and much less self-parodical (naturally, having come out 18 years later).

Not dissing the bars and all but did not find it to be easy listening back to back. There were a few standouts, like 'Back like that', however.

Pretty good hip hop album, especially the beats and music. Ghostface is a pretty good MC just. Just doesn’t really have a lasting impact? And the topics are pretty generic and boring. Tricky to rate

i really want to like this. the j dilla/mf doom songs are fantastic, but there is just too much inbetween to justify coming back regularly.

aggressive clean old school, not bad

Sketch quantity aside, a fun album and great flow from Ghost - didn't expect to like it as much as I did

A bit of a slog at first, but got into it when I gave it a chance later in the day. Definitely asks for some focus to pay attention to the lyrics. All the diverse ft.s and production personnel really help for the variety, which is crucial. Some of the beats and samples are awesome (it felt like J Dilla was all over it but I guess he only did like one song). Hard to find credits for exactly who worked on each track, but the collaborative space is where any wu tang adjacent effort shines. And they seem to known it. Definitely made me appreciate Ghostface more, where he normally sat in the shadow of ODB, RZA, and Method in my mind. Fav tracks: Champ, 9 Milli, RAGU, Back like that, Dogs of War

not my cup of tea all all, better rap artists out there in my opinion

Nice listening to the end, the sound varied enough between songs to not get too stale and the production was satisfying

Not my thing, but well constructed. Flowed well. Decent mowing music.

Not my favorite Wu-Tang-affiliated record, but it's fun enough.

Fishscale is nearly 15 years away from Wu Tang's golden years, and while I don't think this is essential from front to back, Ghostface Killah does prove that he sort of still has it. He has super dynamic flows, and really engaging story-telling across Fishscale. And the beats here have a lot of variety, with a few incredible selections, and a few that don't do it as much for me, but I think that the beats are much better than they aren't. While talking about the overall aesthetic here, this album is stuck in a weird place, in some ways it's stuck in the '90s, but there are some 2000s-isms, like a lot of the beats. The best instrumental showing here may be from J Dilla, who produced Whip You With A Strap. Ghostface is also in incredible form on this song, he pulls off vulnerability very well. Some of my other favorite beats here are on Shakey Dog, R.A.G.U., Dogs of War, and the end of Barbershop. These are also songs where Ghostface is pretty incredible too. I'd also like to mention 9 Milli Bros, which features a rare (and exciting) Wu Tang reunion. We also have a rare and similarly exciting Biggie feature on album closer Three Bricks. The biggest problem I have here is just the consistency. This album is over an hour long, and it isn't really a slog or anything, but it is certainly a little bloated. Some songs here are kinda whatever to me, and a lot of the skits don't do all that much for me. But the core is here, and Ghostface Killah makes himself heard, he's (more or less) still got it, we we get a pretty great album out of it.

Highlights: The Champ, 9 Milli Brothers, Kilo. In a nutshell: the gathering of the rap tsars. "We got a history, full of lightning victories/ Conceptual breakthrough/ it ain't no mystery/ Long vision, from giants in every way/ Rap czars, magnificent flows for every day/ From the east to the ville, from the west to the hills/Incredible rhymes, encouraging skill..." GZA, 9 Milli Bros Impressive rhymes and storytelling, expert flow, good use of samples...but there are skits, ugggggghhhh 🙄 At a staggering 64:01, it is a lot to take in for hip hop learners like me. Fellow Wu-Tang Clan mates GZA, SZA, Raekwon and Method Man have their own albums on the list too, so as to some or all are essential remains to be seen. Overall: 5/10

I think this is probably the only one of the Wu Tang side projects I can see earning a spot on the list, but even then it needs some fat trimming.

The worst of the Wu Tang spin off albums. Not bad, but nothing special. Favorite songs: Three Bricks, The Champ, 9 Milli Bros, Shakey Dog Least favorite songs: The Return of Clyde Smith, Heart Street Directions, Bad Mouth Kid, Ms. Sweetwater (fuck skits), Whip You With a Strap 3/5

It was painful to go through the entire album... It quickly became repetitive IMHO! And yes, we can, and is refreshingly awesome, that we do have different opinions!

He's always been one of if not my favourite wu-tang member. This also has all of them on it, which is quite good, especially as its quite a lot later than their breakthrough albums. I think my favourite features are the Raekwon ones, as I think they compliment each other well, honourable mention to Masta Killa, who I think is very underrated. I think there's some kind of story, but I didn't fully catch it, although the themes and skits are quite immersive. I do think that he's an amazing lyricist, he's very good at describing stuff artfully and painting a picture (dare I say 'poetry'). Favourite songs: Kilo, The Champ, beauty Jackson, R.A.G.U, back like that, be easy, clipse of doom, Jellyfish, Dogs, of war, underwater, Momma

I remember vibing to this moderately. Not too intensely. 3.5

thoughts: this is such an easy listen but it’s just so much fun. the production is so slick, the samples are perfect, the storytelling is on point. “heart street directions” is the dumbest and funniest minute-long skit on an album i can remember. breaking it up halfway through with a ne-yo feature is so smart. MF DOOM and j dilla can’t miss songs: “shakey dog”, “9 milli bros”, “R.A.G.U.” rating: 8.1/10

This did not do it for me - the 00s R&B vibes really do not mix well with the Wus and the themes. Also, obviously too long.

I enjoyed this WAY more than I anticipated. Great beats and choice of producers, rock-solid flow and enough skits to normally make me go insane. Didn’t think I had pushed enough drugs or shot enough folks to get Fishscale, but somehow I do. Am I actually born for the streets? Tune is as I will write a very positive review of The Killers next. Now that’s what I call street!

Listened on holiday in Crete after day at the pool. Have heard of Ghostface from Wutang so had some expectations and was pretty much what I thought. Not my sort of thing at all. Didn't enjoy the misogynistic tones which I thought had gone by the time this album was released, but was littered throughout. Didn't get the Tony Stark references and even the samples didn't hook me in. Not really for me, which is maybe the point.

Good album, love back like that

I was concerned this was going to be another hour+ hip-hop record that needed an editor, but actually this was front to back really enjoyable. You can really hear the Dilla/Doom influence on this and it's so good for it. Great album that I will revisit.

4.5. mediocre beginning, but gets really good

In the right mood maybe, but I’m pretty much never in the mood for this.

A classic. Few rappers can conjure up images like Tony Starkks and put them in nicely street style rhymes. However, it's too much of the same, broadly separated into street tunes and love tunes with some sprinkles of social critique that's not that deep. Also ghost really couldn't sing so we have no proper hooks by him (this would Indeed change later with Ghostsdini and shit). The production is in top and it helped for the sake of mixing it up a bit to hand not only RZA handle the production.

I was walking my dog this morning and thinking I never pick Hip Hop when I have a choice. But I really enjoy it when it's like this. Everybody sounds like they are having fun making groovy tunes. The horns sound like they're going into the Rocky theme, just building up. In my opinion the way these guys rap is really impressive. It's easy to tell they've put a lot of time and hard work into what they do. It's no different than the time it takes learning guitar or piano. But anyway, I listened thru a couple times. The flow and vibe of the music is outta site. This album is brilliant. Quick aside, it's dawn, sitting in my backyard listening to this and the birds singing. Just absolutely perfect. Happy 4th of July.

Supuestamente el mejor álbum en solitario del que muchos dicen que es el miembro con más talento de los Wu-Tang Clan. En principio, promete. Musicalmente es una mezcla de temas entre el gangsta rap de los 90 y el rap/R&B más melódico y con una producción más compleja de los 2000, lo que hace que el álbum no se haga aburrido a pesar de ser bastante largo. Hablando de la producción, es especialmente buena. Las bases son una pasada, llenas de capas y efectos, y con mucha variedad de una canción a otra. Las letras giran alrededor de las cosas típicas del rap de su época (drogas, violencia, mujeres, etc.), cero innovación por ahí. Pero las rimas, por lo general, son interesantes y el flow es genial, la fama está bien merecida. Cada dos por tres hay algún skit de esos tan típicos, que llegan a irritar un poco. Pues no sé cómo calificarlo… un álbum de rap más. Muy bueno dentro de su estilo, sobre todo la producción, pero tampoco es que sea algo revolucionario.

Nothing life shattering here. Just some ordinary rap album. Didn’t recognize a single track.

I will forever die on this hill. I love me some samples! I was surprised that this didn’t sound like a Wu Tang album minus that clan. Sure there are appearances but this is really Ghostfaces album. It serves its purpose. I’m not mad that this album is on the list. Choice cut: The Champ

Long.

It's no Ironman. Has it's great moments (Clipse of Doom, Dogs of War, and Three Bricks are certainly standouts) but for the most part it fails to really impress. Another victim of quantity over quality.

It’s ok

I went in expecting to hate this because I assumed it was more gangsta rap. It was and it certainly wasn’t for me, but I could recognise the quality of it. I didn’t care for the skits throughout it and it went for too long but I didn’t hate it.

So this is definitely not a genre that I listen to often or know well, but I really loved it. This was a pretty long album, with 27 tracks average 3-4 minutes each, but I listened to it twice and each time it was over I was sad and felt like it went by too quickly. The production quality is really top notch and although I know next to nothing about Ghostface Killah, I really have a lot of respect for him for how musical and groovy this record was. Five stars.

Liked the variety, but too long, no standalone bangers, too many n bombs, and bravado

I believe this will be my final Wu Tang solo album to review. I’ve never listened to any of Ghostface Killah’s solo work before, but I love 36 Chambers, and I haven’t rated any of the other solo Wu Tang albums lower than three stars, so I think this album will be something that I’ll enjoy. Let’s close out the work week with some east coast hip-hop! Fishscale caught me completely off guard. This was an excellent album, and I found it incredibly enjoyable to listen to. Fishscale was full of catchy songs from beginning to end. Ghostface Killah’s rapping was fantastic, the production was incredibly rich, and there was a wide variety of sounds and moods that kept me engaged the entire time. The samples and beats felt like they were pulled right out of the seventies, and given a nice new shine that updated their sound for the 2000’s. Since cocaine was a big theme of this album, that funky sound was absolutely perfect for this album. I thought Ghostface Killah’s rapping was fantastic too. His flow was great, and his voice meshed perfectly with the beats and samples that were used. I feel like I missed so much of the lyrics on this album, but the things I was able to catch were great. Rhyming ‘hysterectomy’ with ‘penitentiary’ on “The Champ” was probably my favorite set of lyrics on the album. As far as favorite songs go, I really loved “The Champ,” “9 Milli Bros,” and “Jellyfish.” However, I don’t think there was a single bad track on the album. Fishscale was terrific, and it’s an album that I’d listen to again in a heartbeat.

The Good: An album for people who like symmetry! The Bad: That’s not why it’s called fishscale… The Ugly: Realizing that the album refers to some desease you get from oral sex… I just made that up… you can’t get a venereal desease from eating fishscales… I think. What fischscales refers to is a different musical scale, one that doesn’t stick to a set norm… one that allows people to sing so off key that it is considered an art-form! For those reading one of my reviews for the first time; I hate rap music… except, it seems, when it’s Em or any one related to WuTang… Don’t know what it is with Ghostface Killah, but he just makes me ignore my hatred for rap, and I will actually dish out a 3*...

Not my favorite Wu Tang but still great Fav Tracks: Back Like That, Jellyfish

Good

This album has a great flow from start to finish, Ghostface rides the beats with confidence and energy. Most of the production is fairly simple, but he makes it work with sharp storytelling and delivery. The biggest drawbacks are the skits, which kill the vibe, and the runtime... It just goes on too long. Trimmed down, this could’ve been a tighter, more impactful record. Still, there’s plenty of quality here.

If you’re into gangsta rap as a musical style you will love this. Aggressive, crazy, anti-everything. Not for me and at almost two hours, way too much of something I don’t even like in the first place. Then Kanye is on here like wtf was this loser on EVERYTHING released between 2000 and 2010? Grr. DNF

maybe in 10.001

Each song is distinct, it's not a mushy bleed-together of left-overs to pad the length. But the production is consistent and each song obviously belongs on this album.

For some people, not for me. I don't enjoy yelling / screaming rap, much prefer Kanye / Kendrick poetry lyrical stuff. 2/10 for the concept

Return to form from Ghost. Along with Ironman and Supreme Clientele, these albums will always be a showcase why he has an argument of most talented member of Wu-Tang. He sure can tell a story but unlike those first two albums, here he struggles a bit to maintain the quality through the full hour+ runtime and you wish that he would have trimmed a bit more. Still the first half is top form.

Not the worst Hip-Hop album I've ever heard, but I just don't get it.

Rap, entspannt - aber nicht komplett meins

Meeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeh

Meh. There are better versions of this

Kan godt lide lyden.. men som altid er hiphop stilen / attituden / sproget ikke noget der tiltaler mig..

Sisters, brothers, we don’t need this misogynistic groove thing.

Bon, hier était pas un réel miracle, mais j’aime le croire, ok? Laissez-moi en pleine désillusion! Faque, ça c’était un autre gars du Wu-Tang? Voyons, ils étaient combien? Pis pourquoi tout leurs albums de wannabe gangsters pow pow tout juste correct sont dans la liste? Définitivement, je comprends pas le hip-hop

Listened in the truck via YouTube music Chose the expanded edition that had three bonus tracks on top of the twenty four original tracks. Lots of great production from Dilla, Doom, etc. First time listening all the way through a Gjost album. Definitely been missing out on this one at least. They definitely aren’t making rap albums like this anymore and deserves to be on this list.

Fine, a few bits that have stood the test of time but plenty that made me cringe with today's views

Fine/okay rap, not for me.

Decent rap/hip-hop. Love the crisp drumbeats. Lyrical content a little off my radar but didn't ruin it

This was my favorite of the Wu Tang solo projects we've had so far. I liked the production a lot.

Good, but not my preferred hip hop/rap. 3/5

'I'm on the floor like, "Holy shit!"' One of the premier storytellers in hip-hop, joining the ranks of Slick Rick, B.I.G., and Andre 3000, Ghostface is also a genius of free association. That's an impossible balancing act: how can you be at once committed to narrative structure and free to wander off in ways often hilariously allusive? My favorite instance: 'Liar, liar, pants on fire, you burnin' up like David Koresh.' I guess that's what you get w/ an artist this addicted to details, especially when he's giving directions to the heart ('fucking pervert!'). Lacking production from RZA, the record is set straight w/ the likes of Just Blaze, MF Doom, J Dilla, Pete Rock, and Cool & Dre. Simply put, perhaps the greatest album by one of our real originals.

Banger!

It was an okay album. I liked a few songs but it felt lacking without the rest of the gang.

The was meh for me. Wu-Tang hit hard for me, the solo album from a member just didn't have the same vibe. Nothing notible in this album minus a couple decent lines.

More enjoyable than what I was expecting. Ghostface isn't super high on my Wu-Tang list, and I didn't love Supreme Clientele my first few listens. That being said, I enjoyed this from the storytelling perspective. Kinda like watching a Ghostface movie for an hour.

Hard as hell. Not one to bump while the family are around, unfortunately. Some classy production, some unbelievable lines, delivered with panache. It's too long but it's still excellent.

Standard disclaimer...not a fan of the genre. Technical pieces were fine. Won't be on my playlist

Its not bad. Too many skits... Lots of MF Doom beats but honestly they were better as instrumentals.

A bit more gangster rap/heavily referencing drugs than I go for, but good to start listening to some Wu-Tang solo records. They’re all clearly great MCs but the ensemble stops any of them from shining fully. Ghostface is an amazing rapper.

I’d never heard of Ghostface Killah before this challenge, I enjoyed the album

Good. Too many skits though.

4.5 Chad

Solid, glossy rap, but goddamn is this thing long.

Aggressive rap, could've been worse

This record may not have the same renown as Ironman or Supreme Clientele, but it is just as good. In a time when Wu-Tang was inactive, the solo offerings from the Clan satiated our appetite. This record holds up today, even. "Shakey Dog", "The Champ", "Crack Spot", "Back Like That", and "Underwater" are standouts.

Var först lite skeptisk. Trodde alla låtar skulle låta som R.A.G.U. Jag har aldrig riktigt komma "in" på wu-tang clan. Men det var stor variation på denna skiva och det är mest riktigt najs. Alla "skits" kan man dock skippa - det blir otroligt tröttsamt, redan första lyssningen. Överlag finns många grymma låtar. Tre första låtarna är alla najs. Sen är det rätt smånajs. Men back like that är svinbra tycker jag. Skön röst på backup-sång-snubben. Be easy efter är grym. Det kommer nog bli lite mer av detta.

Ghostface är bäst i Wu-tang och en av mina favoriter alla kategorier. Det här är en fantastisk skiva med grymma och varierade produktioner, som vanligt oklanderlig och unik (åtminstone till Action Bronson slog igenom) rap från Ghostface plus bra gäster. Lite förvånande att Ironman och Supreme clientele inte verkar vara med på listan, men jag klagar inte över denna.

Nice

It's cool. Like the stories, but honestly nothing too crazy here.

I'm not a huge fan of rap but I really liked the beats and song composition. The guitar was a really interesting thing to add, it made the album really unique. Rating - 6.5

Крутой альбом, олд скул

3/5

Good hop hip

Really good but definitely a cultural gap here.

His voice reminds me of action Bronson and some of these beats got a nujabes feel.

I had never listened to him before. Decent rap, not as good as Snoop or Eminem for me but it did not bore me. 3.5 stars rounded up.

I like most of it if I don't listen to the lyrics too hard

Not my jam. Too hokey, and soooooo long

Ah, the best member of the Wu Tang Clan. My man is underrated as heck. This album is smooth and cohesive, with incredibly well written and performed raps, and the beats are awesome. It's a classic 90s hip hop album brought into the 2000s with no sign of age. Excellent work.

This is one of the best rap albums I’ve heard! The rapping is in your face, the beats slap hard and the production is great! The only thing I mind is the length. The album is so intensive that it wears me down about 3/4 down. I’ll revisit this for sure!

Good rap music.

It all sounded the same after a while. Some good parts here and there but I just couldn't get into it

Excellent hip hop release. Has 90’s feel to it but that’s not to say it feels dated in anyways. The flow, beats and rhymes delivered by Ghostface and crew are impeccable. The production is excellent, there’s a fullness to the sound that is just so impressive. Thought it had an MF Doom vibe to it a times so I wasn’t surprised to learn he was one of several producers on this. Couple favourites on this are Shakey Dog and the energy on The Champ won me over. Great stuff and didn’t feel overly bloated for its length either. 4 stars

3.3 stars rounded down.

There's a noticeable '90s sound combined with the sound of the 2000s. Decent album, not his best work though.

Didn’t rock like yesterday’s GZA did, so it suffered from being the second in a two-in-a-row Wu-Tang sequence. Still liked it, though. Maybe more into the Wu-tang universe than I thought.

I wanted to skip this before even listening. I am not at all into hip hop or rap. I can enjoy some early stuff. But this is just not for me.

Wu-Tang forever. As east coast rap as it gets. I also never realized that Action Bronson is essentially white Ghostface both in sound and rhyme scheme. Just crazy.

349/1001 🌕🌗🌑🌑🌑

I have no idea how to feel about the use of donuts beats in this album

*did-not-listen*

I'M THA CHAMP!

Enjoyed it a lot more than I expected.

On the one hand, great production and beats. On the other, and I say this with full awareness of what hip-hop has always been like, the lyrics both bored and bothered me in equal measure. I'm quite keen to fill in the gaps of my own knowledge when it comes to the Wu-Tang Clan and their associated solo projects, but having filled this gap, I can ignore it from here on.

Not interested.

I knew the champ and shakey from some spotify playlists. Good album, perhaps a bit long/a few not so strong tracks. Momma and the ne-yo track really dated this as mid-2000s. The kids are now singing the chorus to kilo around the house. I hope they don't repeat any of the other instructions to their teacher

Ghostface is regarded by those in the know as the strongest rapper/mc in the group but I think in that case, because he’s so imitated his stuff doesn’t stand out at all. The highkights were when others like GZA and ODB showed up

Another boring rap album that nobody cares about.

Beats er fine, tekst er tung, siger jeg inta og en skid.

Dum 00er Hip Hop

Alright. Not offensive, not emotional. Fine

Not super my thing, but it was a decent listen.

I liked a few of the songs a lot and the whole thing was listenable. This style of rap isn't my favorite though.

I'm not really a fan of this genre at all, but I do enjoy this album. There's enough variety in styles to keep it interesting throughout. While I usually can’t stand the dumb skits that so many hip-hop albums include, most of them here actually serve the narrative pretty well. That said, Heart Street Directions is an exception—I'm all for lowbrow humor, but that track feels like the creative peak of a 13-year-old.

This most mostly bad. And stop it with the skits.

I will never understand the rap skit and this album had a lot of them. Whatever I found interesting about this album was quickly buried by cliches and the a bulk of boring tracks.

Another hour+ rap album full of skits that aren't funny or interesting along with songs that are just mind numbingly boring.

Pretty good listen

Surprisingly sweet for mafiosa rap <3 Great old-school beats, fantastic flows, and skits I could probably do without.

> The Beatles

Have you ever thought “damn I really want a dozen skits in the album I’m about to listen to?” If so, this is for you. Unfortunately I’m not that person. Some of the in between songs were good, but I never feel as if the skits add to an album

I love Ghostface. My favorite rapper Action Bronson essentially modeled his flows on old Wutang/Ghostface material. His voice is so cutting and New York-coded. This makes me want to run through a wall. I can forgive the skits.

First and probably last time that I’ll listen to any of the songs on this album. I just don’t dig the style.

Apenas perderé un minuto en esta " propuesta" . No es lo mío.

I would have figured more from one of the Wu Tang.

Another Wu-Tang Clan member appears on the 1001 Albums list—there really are quite a few of them! I’ll admit, I tend to struggle with this genre; the gangster rap themes don’t particularly resonate with me, and with 27 tracks spanning 1 hour and 12 minutes, this is a long listen. Wish me luck. Fishscale has its moments. It leans heavily on collaborations—perhaps a bit too much at times—but those features often end up being the highlights. Tracks with Ne-Yo and Raekwon, for example, really stand out. The flow is smooth, the production is tight, and the lyrical delivery is sharp—even if the subject matter isn’t quite my thing. One thing that really surprised me was the number of writers credited on each track. It genuinely took an army to put this album together. Favourite track: I really enjoyed “Big Girl” and “Back Like That,” but if I had to pick one, I’d say “Back Like That” takes the top spot. Least favourite track: I actually felt the album improved as it went on. It started off a bit weak for me, and I didn’t enjoy the tracks that leaned heavily into gangster themes. Album artwork: That stare on the cover is intense—I feel like I’m being personally challenged just by looking at it!

Couldn’t listen to the record. It wasn’t available on any streaming service. So.. 5 stars.

I'd give this a 3.5, but I'll round up to 4, as I do think this is just a solid hip-hop album. I don't think it rises to some other level. It doesn't break a lot of standards or challenge much in the way of what Ghostface, Wu-tang, or hip-hop has done before, but it is just very solid and quality, real stuff.

It is definitely a little long and stuffed with songs but the varied production and flow keeps things interesting throughout. Ghostface is always a welcome surprise!

Not for me.

Shite!

Not my brew

Every other hip-hop fan seems to rate Wu Tang, but their stuff never really clicks for me. This album has a pretty solid sound. Production credits include Pete Rock and MF DOOM, as well as UK boom bap mainstay Lewis Parker. Some of these tracks have a killer sound. Ghostface has a fairly enjoyable flow, and I can see what people like about his cinematic, storytelling flow. However, if this were a piece of cinema, it would be 80% action sequences, with no attempt to really convey anything meaningful to the audience. Some of the tracks have an emotional depth in the lyrics, but lots of the songwriting is just a dull fantasy about being a drug dealing kingpin. Something about this style of mafioso rapping just never speaks to me - it doesn't give me anything to hold my attention. Having said that, there are a few great tracks here and the overall sound is solid. 3.5*

I tried 4 times to get into this album and couldn’t :/

This slapped, but I would give it a better rating if it didn’t have all of the skits

Not my cup of tea

Pants

was ok but went on way too long. could only get expanded edition on spotify and wish I could have at least had the original

Very inconsistent album. Some really great tracks woth fantastic mid-2000s beats and verse, but a lot of forgettable filler thay does bog the album down. More than a few hidden gems, but a lot of skippable songs. Top tracks: The Champ, R.A.G.U., Clipse of Doom

A bit heavy in a good way at times

Really strong album from Ghostface Killah, but ultimately it is too bloated. The music starts to lose steam after Jellyfish and there are probably too many skits. That said, there were a lot of high points. Loved the beats on: Shakey Dog, The Champ, 9 Milli Bros, R.A.G.U., Be Easy. I could come back to those songs any day. I think it's a low 4 though I came close to knocking it down to a 3.

I'm surprised to see Fishscale over Supreme Clientele, but I'm not complaining. I enjoy Ghostface on principle alone; he has some of the funnier bars and better wordplay of the Wu (GZA takes the cake in the later) and generally has good shot selection. As compared to Clientele, I find this album to be a bit bloated and spotty. Not to say that there are a lot of misses, just it doesn't have the same level of consistency. There's a lot to love here... While RZA is not credited in production, there is a lot of quality and diversity brought from some big names: J Dilla (Whip You With A Strap -- a lowkey standout), MF DOOM (Clipse of Doom, Jellyfish, 9 Milli Bros), and Pete Rock (Be Easy). Tracks that I keep coming back to are Kilo, R.A.G.U., Be Easy, Whip You Across The Back, Clipse of Doom, and Jellyfish. Shakey is a strong display of endurance lyricism. Not hating, but something about the delivery and unshifting instrumental lands a bit flat. By comparison, Kilo is catchy AF. The buried funk guitar + bassline sway so nicely with the Ghostface floating effortlessly over top. Although the mixing sounds kind of terrible (to me) I've always enjoyed The Champ. The blaring horns and confident strut suits Ghostface so well. Honestly doesn't matter what the hell he's even saying. I lost momentum here, but in my mind this is a solid 4 all day.

Really enjoyed this one especially when it caught stride right around the middle starting with Crack Spot and Whip You With A Strap. It definitely fell into a more R&B style toward the end which I'm certainly not criticizing. Overall I would come back to this one for a few more listens. Pretty square 4 for me.

Some solid hardcore rap from the 2000s. Didn't know a single one of these songs because I am guessing these could not be played on radio. Some of them hit for me and some did not. Still don't fully understand the appeal of every rap album it seems to have skits throughout the album. This is a high 3, not quite a 4

3rd of the solo albums by a Wu-Tang member that incorporates every member of Wu-Tang. For the Children. Love me some fishscale. Kilo is a measure. Portugal. The Man used to cover this at every show and it was incredible. 9 Milli Bros is pretty sick with all the Wu members. This one started pretty hot but went on too long and faded out for me. Ghostface does kill it though whenever I was super tuned in.

I originally did not like Ghostface because of his voice but over the years his flow and storytelling have won me over. Was not familiar with this - dug it.

A quality album that is pushing the definitions of coarse and raw. Pretty much what you should expect from someone with such deep Wu Tang roots.

I would have given Supreme Clientele a 5 and maybe thinking about this in the context of that and all the other excellent Wu-Tang solo albums is a bit unfair. Some of the skits are over long, as was the style at the time, but the density of absolute bangers on this album is excellent.

In 2004, I began my love of hip hop with the release of Madvilliany by Doom and Madlib. A year late came Fishscale, the Sgt. Pepper of rap with the dense Shakey Dog to Whip Me With a Strap, a J Dilla beat heavy testimonial, and Kilo, a stuttering, horn heavy masterpiece. A great entry for hip hop neophyte.

Automatic 3/5 because Wu-Tang. This album's dope too. I found a couple of bangers that I like: Shakey Dog and Three Bricks. I'd say a 3.7/5, so we'll go 4/5.

Sometimes I'm unimpressed by the grandstanding in rap, sometimes I'm bored of the never ending womanizing and drug glorification, and sometimes I like it....I can't figure me out. I'll let you know in 200 more albums.

The production is fantastic (got some DOOM on here?) and Ghostface can rap. The album is a bit too long.

Great beats and rhymes.

Elements I liked but mostly just annoyed me

Now this was a classic, old school hip hop banger. Awesome storytelling, great flows and iconic singles. I can see why this is here. "Back Like That" might now be one of my favorite Hip-Hop songs ever.

I don't know why I dig Wu Tang more than other money drugs hoes rap, but, darn it, I just do.

More classic hip hop. Great album

kanye if he was good

oh yeah baby that's what i'm talking about!!

Absolutely loved it. Ghostface is quickly becoming one of my favorite rappers. Very versatile rap albums with a lot of fire. I've already listened to The Champ like 20 times after listening to this album

2.94

WuTang!

I'm not a good judge of hip hop albums. This one is ok, some melodic elements I really enjoyed.

I lived in a hospital that had many strange paths ro get to different areas.such as walking on logs with small ponds on either side. On one of these particular paths I learned that both my girlfriend and another girl were pregnant. This soon became the theme a d not so much living in the hospital though that was still a small thing. Things were now scenes of me talking to old friends while they were doing bizarre thing. Aaron and him playing some strange drawing game. I talked to him about the situation. Then David, who had a tattoo for me to examine. Things eventually settled to my parents who were both younger than me sometimes and in some instances not my parents wanted to hire another girl who cleaned for them it what seemed like a cheap motel to sleep with me. I pet her dog but that was it.

GFK rules

This wasn’t really my thing.

Mostly, it’s just kind of average. Nothing all that special. It’s frustrating. I keep waiting for it to kick off or something, but it’s just not getting there. There’s a lot of potential, but not much payoff.

Loved that!

I had only heard one song from this album before today. The rest of the album is pretty good too. I really like how it tells a story, it's always nice when the artist makes a cohesive story. I'm sure I will listen to this one again.

Ghostface is one of the best rappers of his generation, I like his style of lyricism and how he uses his almost shouting voice as an integral instrument in itself, especially when he vocalizes the rhymes. There's great production here, with a great use of samples. Listening to Ne-yo in the collaboration in "Back Like That" was a nice throwback - they don't make hip hop/rap like this anymore. However, I see a lot of modern kpop groups emulate the formula that make "Back Like That" and "Be Easy" so great.

The beats, production value, and bars blew me away even though it's what Wu-tang is known for. However, I struggle to get past songs like Three Bricks that are quasi-glorifying violence. 4/5

Dang. I've put out like 5 4-stars in the last week (only broken up by yesterday's 5-star). I guess I'm a kindly reviewer. And I'm not stopping now :( Loving the use of instrumentation on this. The horns are really fun, the beats are inventive and fresh. This album is a little long, but I don't really feel like it drags.

If there weren’t the skits in it (some of which are just problematic), this would be a great, 5-star rap album. But alas, the album before us has the skits in it, so I am downgrading it to a 4.

Not great and them childish skits get annoying after a while.

Too long, but great storytelling and mostly fun to listen to. Except the skits.

Greit nok til ein rolig lørdag

Not a fan of the genre but I like this album.

Really cool

Was really dreading this one once I saw that it was released this century. I have little faith in Ghostface Killah in the 2000s!! Anyway, I was wrong and this is great. A bit bloated, edgy, misogynistic, but still great. The production on almost every track is incredible.

I am not a really big rap fan. I did like learning about cocaine, though.

a notably late classic on the overall wu tang timeline, theres not even any rza production on this (tho with occasional material from j dilla and mf doom its hard to complain, not even considering the high quality of the whole project), tbh if anyone was gonna stay vital past wu tangs prime its not a surprise its ghostface. theres something rly cohesive ab this whole record, the skits sticking everything together and the different angles each track takes on a heightened self-portrait character study,,,its not like an album-wide story i dont think (tho obviously there are plenty of self-contained stories on it) but as u get deeper into the tracklist ur perspective on the whole changes a few times. just in general theres a good mix of self-mythology and vulnerability on here, definitely not in equal portions lol but the latter often (re)colors the former...some lyrics on Momma feel like theyre a reflective shift from Whip You With A Strap for example. im not rly sure how to articulate the overall effect but i feel it under my skin in the aftermath of the record...it can be humane or silly or cruel and theres this darkness bubbling underneath all of it but theres also these quiet embers bubbling underneath That. deffo a record to sit with, and also just rly engrossing with a lot of great production and a forward momentum thats actually Carried by the brief skits instead of being punctured by it. hope supreme clientele is on this godforsaken list lol i remember rly liking that one

Wasn't a big fan of the slots but some really great Dilla production. Slightly too long, if it was 10-12 tracks I would see myself coming back to this a lot

Decent

Good record. Skits were annoying, bit too long.

Enjoyed it a lot more than I expected, hate the skits so probably wont listen to the album again in its entirety

Enjoyed this but it’s a bit long

This is so good from someone who doesn't love hip hop that much. If it weren't for the skits and a couple of tracks that could've been cut this would be a 5. Shakey dog and the champ both incredible tracks and I'll definitely revisit this album

In high school, Wu-Tang Clan could unite hip-hop heads, punk kids, and sportos as easily as red Solo cups. Half of the appeal was the music, half was buying into the mythos. Maybe that’s a backhanded compliment or just a sober assessment decades later. Listening to any Wu-Tang related record means setting aside some sensitivities—the celebration of the life often comes with a heavy dose of misogyny and profanity. Fishscale is no exception. The strongest tracks are Ghostface at his best — no one can deny The Champ, Whip You with a Strap, and Back Like That— but the album is longer than it needs to be. There are more I'd keep around: Three Bricks, Be Easy, Dogs of War, Clips of Doom, Shakey Dog, 9 Milli Bros, R.A.G.U., and Kilo. But the weaker tracks can’t run with the rest. And, the skits? I’d filter them all out. The best moments save the record, but they’re working hard to hold it up.

Early rap. Meh

Sehr sehr solides album

A classic album from Ghostface, that is a banger from start to finish. While his Ironman album is my favorite of his, this one is definitely a close second. Wanted to get out my vinyl copy, but had a bit too much of a backlog of albums I still needed to get to, so settled on streaming it.

Great album, honestly. Enjoyed this one a lot.

Raps not my thing but if I’m going to listen to rap this is a style I don’t mind. Enjoyed quite a few songs. But holy cow I don’t have the attention span for that entire album it had like 27 long songs. Did not finish.

really solid rap album. has a lot of old school soul samples that it wears on its sleeves, which i really liked. ghostface killah has great flow and it really shines here. a lot of skits, which like, definitely of the era, but maybe could have cut a few. but whatever. it's a good album.

i liked it but didn’t feel like anything special to me also….

Some good beats and samples but his voice doesn’t work for me. Also the skits were super stupid and annoying

I don't know what to say about this one. I love the rhythm. Dislike the vocal and lyric. Boring.

He is extremely talented. Takes the Wu Tang idea and expands. Some of the songs are a little lacking and the skits are pretty unforgettable. Overall a good rap album. 4/5 Will listen again

Ganz nice aba toooo fucking horny

didnt listen to the whole of it, and it isnt really the usual stuff i listen to. not bad but wouldnt listen to again