Reviews (page 4 of 13)
Fav songs: - The Changeling - Love Her Madly - Riders on the Storm
Love Riders on the Storm which i first heard on the Top 100 aller tijden in 1978
A classic
Amazing
that was a pretty great album no complaints, I just love this kind of music 10/10, planning on listening to their other albums
5 stars guaranteed. The Doors, first band I was mad about at 15. Ty had a tape with The Doors and Soft Parade on it. Loved it.
Favourite album so far! Although started good, middle/end it became rambling, but finished well 😁
Rock-blues de The Doors. Dos megahits.
That's the doors. Pretty good
Such an amazing album front to back
Excellent Blues & Rock album. Thought I knew the Doors better than I really did but learned a lot listening to this in full. Love the blues instrumentals and the vocal repetitions/build ups. Plenty of energy and emotion. The changeling, been down so long, LA women 4.5
Some classic tunes
Out of the 6 Doors studio albums (not counting those without Morrison) this is my 3rd favorite behind their debut album and Morrison Hotel, but it’s still a 5 star album.
Great album. Very bluesy.
The Doors were my go-to band in late HS/early college. I had a big poster of Jim Morrison on the wall and secretly wanted to be a rock star. Some of the poetry rings as a bit hokey to me now, but I still love their songs, vocals, and unique sound. LA Woman is top to bottom probably their best , with competition from their first album. Such a shame that Morrison died 3 months after this album was released, when they were seemingly at their peak.
Loved every second of it…which I was expecting
One of the albums I keep returning to. Mostly thanks to Joe Watson.
Legendary album. Legendary band.
Hermoso álbum, poderoso
🔥
Super bluesy. JM is unbelievable. So far yet super controlled. Great band lockin. They are so tight together to allow Morrison to do what he do. The opening (Changeling) is great and contrasts well A side close with LA Woman B side close with Riders on the Storm.
Really good psychedelic 60s vibes. Surprised to hear some disco sounding baselines. Some dodgy lyrics by modern standards I think. Will definitely be back for another listen.
Was surprised by how much it reminded me of psychedelic rock. Pleasantly surprised.
berry good
Fucking classic. Every song. One of the best albums of all time. Prolly listened to this 100 times. Hyacinth House, one of my all time favs.
10/10 classic
The Lizard King
O primeiro do projeto a ganhar nota 5.
👍
Instantly made it to the top of my want list. Shame I didn't listen earlier, especially since I knew the album by name
Again just one of those albums I listen to regularly.
The Doors have always been a favorite of mine! Love this album
Classic album. The drums on the 1st track are huge and iconic.
Pierwsze doorsy na liscie, jesli nie bedzie co najmniej jeszcze dwoch, to bede poteznie zaskoczony w negatywny sposob, bo jako fangejowi drzwiowego, czy nawet bardziej morisonowego, bo to jedna z tych band gdzie front men i jego wokal byl punktem centralnym w okol ktorego grawitowala grupa, od tego jak grac, kiedy grac, co grac, po co grac, no i z jego odejsciem zakonczyla sie kariera banderska, jesli istnieje jakas definicja doorsowego brzmienia, nie liczac energii jaka na wokalu wnosil morison, to bedzie to zaglowanie stylami muzycznymi, prawie kazdy zklasyfikuje te plyte jako klasyke rocka, a mamy tu przeprawy od funku, do blusa, nie pomijaja takze popowych trakow, wiec mocne spectrum klimatow, a i tak wszystko brzmi na swoim miejscu, obok popowego love her madly kriegera stoi chocby been down so long, ktory jest najbardziej niebieskim trakiem plyty w moim odczuciu, ale chyba najpopularniejszym trakiem albumu, a moze i calych dorsow jest zdecydowanie zamykajacy riders on the storm, ostatni trak nagrany przez morisona, co w nim takiego niezlwyklego poza tym, ze jest 7 minutowa kompozyucja, co jak na dorsowy styl, jest juz poteznym kawalkiem, sam kawalek jest dorsowa interpretacja ghost riders in the sky jonesa, swoja kultowosc zawdziecza on pewnie przez ten niesamowity dzwiek imitujacy deszcz stworzony na elektrykowym pianiniaku przez manzareka, no i wokale morisonowe w pierwszej czesci traku tez zrobily swoje, zwlaszcza te szeptane overduby, ktore dodaja bardzo sinisterowego efektu calemu traku, co do kontentu lirycznego jakim jest napakowana plyta, to glownym podzialem jest to kto pisal kawalek, morisonowe traki sa bardziej poetycko liryckie, natomiast kriegerowe prostsze przez co bardziej popowe, no i jeszcze pozostaja covery jak snejk kingu, ale jednak lirycznie czuc z plyty smutek i ogladanie voida, jak na otwierajacym changelingu czy hiacyntowym domku, czy juz wspomniany been down so long, jednoczesnie sa traki o wiele bardziej energiczne ktore jakos balansuja poziom przygnebienia po odsluchu, ktory pomino 48 minut orginalnej wersji wydaje sie byc instantowy, dawno nie odgrzewalem doorsow, a przy takim przesluchu jaki poleca czasami lista, jeszcze bardziej doceniam jak swietne jest to granie
4.7 + “L.A Woman” alone makes this a classic. Throw in “Love Her Madly”, “Riders on the Storm” and “Hyacinth House”...damn.
Muy bueno para ciertos gustos musicales
#176/1001 🇺🇸 The last Doors record to feature Jim Morrison sees them head to a more bluesy sound which doesn't really break any new ground. The title track rocks but there is nothing to match the sublime Riders on the Storm - the sound of Jim riding off into the distance. Best tracks: Riders on the Storm, LA Woman, Love Her Madly, The Changeling.
Fine blues rock with some higlights. A tad bit overrated by musuc nerds. 3.5/5 "Riders on the stotm" is a super boring song. I never got the praise for it.
Great album. Very representative of its time. Riders and Love Her Madly are classics.
4/5
You don’t have to be a fan of The Doors to like this, it’s a great all rounder
Super cool, kinda blues-y which I didn't expect. Sounded like a dream in a way.
Solid album with a fantastic closing track.
Very exciting type/style of rock and roll that’s especially exciting to me right now Made me realize how far ahead the doors were when they completed their debut
There’s a very strong case that L.A. Woman is the Doors album for people who don’t quite trust The Doors. Not because it disproves the complaints. Morrison is still daft. The imagery still inflates itself. Manzarek is still capable of making the room smell faintly of incense and electricity. The band still occasionally look over the edge of profundity and fall straight into student theatre. But this album gives you something sturdier than the myth usually promises: a band with weight, breath, road grip and an unexpectedly good sense of when to stop showing off. The great surprise is physicality. Early Doors can feel sealed, pressurised, slightly airless. A fascinating sound, but also a strange one: a rock band with no permanent bassist, built around organ bass, jazz-drama drums, exposed guitar and Morrison’s enormous central voice. It is less a band than a chamber apparatus. It creates dread, but it also creates a kind of theatrical vacuum. Everything has to orbit Morrison. On L.A. Woman, the introduction of Jerry Scheff changes the room. It is not merely “they added bass.” It is that the band suddenly has floorboards. Scheff gives them hips and traction. The sound stops hovering and starts travelling. That matters because Morrison’s own voice has changed too. He no longer sounds like the beautiful doom-object of the poster. He sounds heavier, rougher, more lived-in. Not the Lizard King. Not Val Kilmer. Doug Morrison with lungs. That version of Morrison is much more useful. His raggedness works because the album’s material gives it a job. On “The Changeling”, he sounds mobile, slippery, still mutating. On “Been Down So Long”, the damage in the voice becomes texture rather than decline. He does not have to pretend to be a prophet there. He can simply stand inside a blues shape and let the rough edges do the work. The slide guitar helps enormously: dirty, lateral, Cooder-Richards in spirit, not virtuoso display but grime with intelligence. For once, Morrison’s battered condition is not being mythologised after the fact. It is musically functional. That is the key to the album: it makes the Doors’ absurdity functional more often than not. “Love Her Madly” is a perfect example. It rolls. It has proper chassis movement. Krieger’s pop instincts keep it clear and propulsive, while Manzarek throws atmosphere across the surface to stop it becoming merely tidy. The band sound like they’ve discovered that forward motion can do some of the work usually assigned to doom. Then “Cars Hiss by My Window” goes inward without becoming precious. That track is one of the quiet revelations of the album. It is not grand existential theatre. It is 3:15 a.m. filth: traffic outside, someone sleeping somewhere, the mind awake in the wrong way. Morrison’s scat-solo is the masterstroke because it turns the blues solo into a bodily symptom. He becomes the guitar because words have temporarily stopped helping. That is a much better kind of weirdness than “behold my symbolic trousers.” The album keeps working because the band keep changing operating modes. “Hyacinth House” is almost anti-Doors in its method. It feels arranged rather than extemporised. The band seem to have agreed the cue sheet: set the room, keep the frame, leave the life in the vocal. The result is a rare Morrison vulnerability that does not need to announce itself as revelation. It is contained, domestic, tired. Then “Crawling King Snake” does the opposite. Everyone agrees the inherited blues form and the invention moves elsewhere: into timing, sleaze, pressure, patience, touch. That is not laziness. It is using the 12-bar as labour-saving architecture. The weaker or more ridiculous tracks are still revealing. “L’America” is dubious in exactly the Doors way: a wicker man built out of mangrove tendrils, bad anthropology and swamp lighting. It has atmosphere, but it is on thin ice. It gets haunted, then lurches down the pub. “The WASP” is more interesting: jam-band prophecy, a locked groove under a semi-spoken transmission. You can hear an operating system there that Mark E. Smith would later make leaner, crueller, funnier and more durable: band as machine-room, singer as unreliable broadcaster, fragments as authority. But Morrison overcooks the landing. The final bars are the difference between prophecy and a man refusing to get down from a chair in a pub. And then “Riders on the Storm” rescues everything by doing less. That is the astonishing ending. After the swagger, swamp business, blues drag, daftness and overheated American myth, the band suddenly discover absolute restraint. The sound effects are not gimmickry because they dissolve the “band in a room” premise at exactly the right moment. The album has spent most of its time proving that The Doors can still function physically. The final track lets them become weather. Morrison finally stops trying to be enormous. The whisper doubles him into a ghost without making him shout for it. Manzarek becomes rain and glass rather than carnival. Densmore plays like tyre spray. Scheff keeps the road moving. Krieger barely needs to announce himself. The whole thing is drama by subtraction. As an ending, it is almost indecently good. The Beatles had to manufacture their ending. Abbey Road is magnificent, but it is imposed coherence: the system has failed, so the remaining machinery creates one last beautiful act of order. The Doors, somehow, get an ending that feels less designed and more received. Not because they were more intelligent or more important. They weren’t. But because the sequence, the performance, the sound effects, the biography and the silence after it all collapse into one image: road, rain, voice, disappearance. For a chaotic, quick-burn band, that is extraordinary. So the album’s achievement is not that it makes Morrison’s legend true. It does something better. It makes the legend less necessary. The Morrison myth over-promises: death, leather, poetry, shamanism, Paris, abyss. L.A. Woman gives you a flawed, physical, breathing band making a dirty, atmospheric blues-rock record with flashes of theatre, comedy, restraint and genuine menace. The Doors still shouldn’t quite work. That remains part of the fascination. They are cobbled together, structurally odd, slightly ridiculous. But on this record the cobbling holds. The missing pieces are supplied by feel, by watching, by theatrical listening, by Scheff’s bass, by Morrison’s ragged body, by the band’s ability to seethe and breathe. A flawed four-star record, yes. But not a small four. It is the sound of a daft band briefly becoming undeniable, then vanishing into weather.
crazy
Pretty good Doors album, very bluesy.
Definitely better than I thought it was when I first heard it last year. It has a nice bluesy vibe like Morrison Hotel did. Probably my 2nd or 3rd favorite Doors album. Highlights-The Changeling, Love Her Madly, Been Down So Long, Cars Hiss By My Window, and Crawling King Snake.
This album is probably what The Black Keys wish they sounded like. It has aura that can be felt from the beginning to the end. The subtle psychedelic elements mix well with the pure rock and roll that is definitely the highlight of the record. The production also sounds modern. Jim Morrison's vocal delivery is confident and works well. I can say that thematically it feels like the soundtrack of one's bohemian lifestyle. I liked it. My favorite songs were "Cars Hiss by My Window" and "Riders on the Storm".
Un des rares albums qui devient de mieux en mieux au fil des chansons
More like 4.4. Can’t do much wrong but they do have better.
Incredible, until yesterday I never really paid much attention to 70s rock music, and I loved it, especially their bass. The repetition of some parts forged a solid structure for each song; I especially loved "The Changeling" and "Riders on the Storm".
Do you remember when Hinge and Bracket teamed up with Handel to form The Doors?
Buen disco, todos los temas tan buenos. Sape
standouts: love her madly riders on the storm
Riders on the Storm is a standout on a great album
This is a great listen. Not one I’ve listened to before but wish I had sooner. Full of great songs.
A great album with the title track and Riders on the Storm the top classic tracks. The genuine blues tracks drag it down a bit but an awesome listen.
An enticing album with a lot of love for the '50s and such, from the greased-hair diner rock of the title track to the bluesy flair of... everything. They still sound unique and separated from everyone else, with a classic Doors-y sound and Jim Morrison's distinguishing voice They still find the means to have some nice variety and the tracks are interesting new experiences, the album gets to its weakest points when it's a little more firmly set in the blues, things like "Crawling King Snake", not only a little standard-sounding but also at this late into the album, it can start to feel somewhat predictable, too The excitement of the Doors sound still lingers through each track and the album is, on the whole, pretty awesome
While being somewhat familiar with this band throughout my life, this is my first time sitting down with a full Doors record. I'm not usually a huge fan of blues rock, but the quality of the material here outweighed my preconceived notions of the genre. Aside from a couple of stumbling points, I found this record extremely enjoyable front-to-back. My favorites were the obvious picks of "L.A. Woman" and "Riders on the Storm." With "Hyacinth House" as a new favorite from the group. The weakest moment in my opinion was "The WASP." The mix of Morrison's poetry and the band jamming felt like a mess after a lot of very well-crafted songs. Overall, it was a great listen and I'm looking forward to exploring more of their material. 4/5
Like Morrison Hotel yesterday, this 4 is probably at least partially just purely personal taste, but I did enjoy listening to this album and think it's pretty good!
Good stuff, maybe even better than the self-titled.
The Doors ❤️ good music and whisky
Rock and roll auténtico Este album me hizo darme cuenta del nivel tan marcado que representaban en su momento, era un nivel totalmente diferente al de muchas bandas de aquellos tiempos Riders on The Storm es la mejor canción del álbum un gran broche de oro para lo que sería la última canción grabada con la banda para Morrison Pero The Changeling, y L.A. Woman son otras muy buenas contendientes El piano es inmaculado, casi que me es difícil equiparar lo que el pianista hacía, con cualquier otra banda de ayer y hoy Y como digo rock and roll genuino, pero además letras y blues Disfruten
Great album a classic - again matched the weather perfectly
Probably their best album, although I haven't really been a Doors fan since I was about 13. It's more stripped back and raw, bluesier, has less of Jim Morrison's r/im14andthisisdeep poetry (although L'America is particularly rough in that regard) and his vocals sound their most unhinged. Really makes you FEEL like a fat alcoholic with an undiagnosed personality disorder.
Love The Doors, great album
han die türen scho seeehr gern. find etz aber die erste 3 songs eher filler doors tracks. been down so long aafoch en blues. l.a. woman eig au aber s het chli tempo und de jim morrison tönt endlich wie er? am afang hanen nöd erkennt bide erste songs. aaah ja und coole klavierpart bi l.a. womaaan :). hyacinth house isch eeeendlich en song mit chli athmosphäre woni mi vo ihne gwöhnt bin.
hammondorgle isch halt würkli immer guet coole erste song! been down so long macht easy spass oahh richtig bluesy und denn chli en unbefriedigende schluss leider l.a. woman findi glaub de best song bis jz sini stimm isch halt scho geil hahaha l'america wird jz nöd mis lieblingslied aber s het na öppis? omg riders on the storm isch sooo en FUCKING BANGER s het jz kei unglaublichi bangera uf dem album aber de meh blues-ahsatz hetmer mega gfalle. au recht es "gmüetlichs" album
classic, interesting vocals, good background music
L.A. Woman opening The Doors to my ears on this one.
Great album for driving a car around at 6 pm without a destination.
This was pretty great. Would highly recommend. 7/10
나쁘지 않은데? 모스 데프 엘범에서 봤던 사운드가 여기가 원산지였구나 라이브러리에 추가하고 귀에 익을때까지 들을 듯
The dore
lekker! LA Woman het nummer zelf erg irritant maar genoten van de rest van de plaat
Inte deras bästa. Svagare låtmaterial. Men rösten och Riders from the Storm ursäktar mycket. En fyra
3.9/5
Crawling King Snake is THE song to do kegels to The keyboard on this album is straight fiyah Favourite song: Been Down So Long
Strong record.
I find so much of the Doors obnoxious. This album has the two longs I like. Not sure that merits a 4, but I guess.
GREAT album. Probably my favorite Doors album. Highlights: - Love Her Madly - LA Woman - Riders on the Storm (wore this out in high school) 4.5⭐️
Well it's got Riders On The Storm so that already makes it a million times more crucial than Morrison Hotel. I'm not a huge fan of the blues rock ones but they are a bit more interesting than the Morrison Hotel blues rock ones. And overall I like its loose thrown together feel. LA Woman has that tantalising 20 seconds at the start where they almost invent Californian motorik.
It'd be a 3 if it didn't have two awesome bangers with L.A.Woman and Rider of the Storm. Highlight: Riders of the Storm, and it ain't close.
No es específicamente mi tipo de música, pero muy bueno. No puedo pensar en algún momento en el cual lo podría escuchar en mi día a día, pero lo volvería a escuchar.
Kinda grongy
I've been a Doors apologist for a long time and this album is very easy to defend. I won't pretend they were doing anything especially revolutionary but the vibe carries, and I think the particular arrangement of tracks really helps that. Ending with Riders on the Storm leaves an excellent aftertaste. This isn't music I come back to often, but when it hits, it hits.
This was good! I remember slinging some Doors songs on my CD player and MP3 player as a teen--thinking that I was hot shit for liking a previous generation's music (I also liked contemporary music. I had range!) This is probably the first time I've ever listened to this particular album all the way through. Really like the stripped-back sound but you can hear that the 1960's are capital "O" Over on this record. Surprising amount of anger in Jim Morrison's vocals. Can definitely feel the influence on Josh Homme and Ian Curtis on this record.
Curti!
Nout wrong here. Peak pissed morrison. LA woman the song is mumbley greatness
The self-titled debut earned a five for its commitment to extremity and danger — a record so singular it still feels strange and slightly unhinged decades later. L.A. Woman is a different proposition entirely, and the comparison is useful rather than unfair. This is The Doors pulling back from theatrical psychedelia and planting themselves in the blues, and the result is their most musically grounded record and arguably their most human one. Ray Manzarek’s organ is the consistent highlight — blues-influenced and in service of the songs rather than creating atmosphere for Morrison to inhabit. It’s Ray at his most musical rather than his most theatrical, and given the Hammond development happening in parallel to this listening project, hearing him work in that blues-soul idiom hits with a specific and welcome resonance. The addition of Jerry Scheff on bass guitar gives several tracks a physical low-end weight that the earlier records, where Manzarek covered bass duty with his left hand, couldn’t quite match. “Riders on the Storm” closes the record with one of the great atmospheric statements in rock history — that rain sound, the electric piano, Morrison’s voice floating over everything like a ghost already halfway out the door. It earns every bit of its reputation. The limitation is that the blues foundation occasionally becomes a blues exercise. Some mid-album tracks feel derivative rather than transcendent, working closer to genre template than singular statement. The highs are very high. The distance between them and the surrounding material is real. A strong four — warmer and more musical than the debut, and slightly less irreplaceable for exactly that reason.
This album feels so smooth.
Bluesy side A better than most of trippy side B
Great stuff, I do enjoy The Doors.
Can't go too wrong with playing with your organ for extended periods of time
L.A. Woman and Riders on the Storm are two masterpieces that instantly bump this record to classic status. In the end, there's some filler ones and the album relies a bit too much on the two diamond songs, but it still is a very good one.
The Doors LA Woman is obviously a classic. I've heard half of this album just listening to the radio throughout the years. LA Woman, Love Her Madly, The WASP, and Riders on the Storm all got very frequent rotation on WDVE. The musicianship is generally pretty excellent, I am especially a fan of Ray Manzarak's keys work. Jim Morrison is kind of the weak point of the band, in my opinion. He's supposed to be the charismatic lead singer, but often times, his growl makes him sound like a Muppet as he whiskey-slurs some of the vocals. Riders on the Storm gets a special shoutout for me, because it delivers a whole mood.
Riders on the Storm... One of those songs I *have* to play to test new speakers!
Started 04/05/2026 Liked it
My rating 3.6. Bluesy. Fun. Think most of the Doirs music is under appreciated.
Bluesy Letztes Doors Album Love her madly, hyacinth house Riders on the storm
Yrp
I’ve never really viewed LA Woman as one of my top doors albums, but that’s not to say it isn’t a great record. For me, I guess I just prefer the more driving/darker/harder records of theirs. This one still has some of my favorites by the band though. (Hyacinth House, Crawling King Snake, Been down so long)
Dope
Muy hot
this is fun
This album leans strongly into a blues-driven sound, which I found much more appealing than the band’s earlier, more psychedelic work. The raw, stripped-down approach gives the music a grounded, groove-heavy feel. Been Down So Long and Crawling King Snake stood out in particular, both driven by gritty, bluesy guitar work that I really enjoyed.
Better than you remember.
preferred morrison hotel but still banged
Definitely one for repeated listening.
4.6
If you’d have asked me yesterday if I liked The Doors, I’d have said, “no, not really.” But I liked this a lot. I think it’s one of those times where maybe I didn’t care for them much when I was younger, but appreciate more now.
Enjoyed this as much as the last doors album!
Banger! Makes you want to jump into a VW Polo II with 4 friends and drive to the beach with the sunroof open.
Nice
4.5
Solid album, if a bit on the slower side than I expected. An all time song may just be doing the heavy lifting, but I wouldn't hold that against it.
Whatever happened to the use of organs in rock music? It was such a fun and funky instrument used so prominently in the 60s/70s, then just went out of style. Either way, the Police used it to great effect. Their style, heavily balanced in rock and blues, still holds up. The lyrics telling the story of a broken hearted man desperate for love; completely lost and depressingly optimistic. A very strong album with a long lasting impact in the progression of music that stands out today as something unique.
Classic Doors- lots of hits mixed in with songs that ramble on. Always a mixed bag but generally good overall. I feel like I've soured a little bit on the doors over the years but still no denying the impact of the album and the talent that went into it. Overall- very good. Probably a 3.5 to 4.0
Really good Doors album, I think it's one of my favourites. Very raw, great lyrics, the band just smashes the sound. A must!
Full Album Thoughts: Album Rating: 4.45 (A+) I am liking pretty much all of the first half of the album but for different reasons. The back half started to lose me a bit, either by retreading ground or my being a bit too experimental. If it was just for Riders on the Storm though, it's worth it. Track Thoughts: "The Changeling" B- Oough. Olive All Around. While this is fairly easy to mock, its because its ICONIC. Nothing sounds like the Doors but the Doors. That being said, this is a miss of an opener for me. Buckwild vocal delivery choice. Love me a good wah pedal and organ grove though. "Love Her Madly" A- Effortlessly cool. And somehow manages to almost get a surf-rock sound fitted in here? This is a wild ride of a song, if a little repetitive. "Been Down So Long" A Standard blues, which makes it hard to grade. Its generic, using the structure exactly as intended, but it does so with pitch perfect delivery. I hear a lot of Jack White in this, especially in the layering of the guitars and their tones. I cant hate it, its just well done. "Cars Hiss by My Window" A Another generic blues beat done pitch perfect. When calling this laid back and easy to listen to, I dont want to make it sound like I think this is a simple thing to do. Again, when you cant find anything to fault, I think I gotta give it at least an A. "L.A. Woman" A Way more experimental in its structure compared to the more restrained first half of the album. Its also got some get up and go to the song! I enjoy the call and response of the main singer and guitar. The piano helps keep the sound bright, not afraid to be drown out by the edgier guitar or mellow organ. This is the one I'd have expected to escape containment, but I cant say I've heard it elsewhere. Oh well, they knew what they had on their hands to name the album after it. Its long in the tooth but I dont mind it. "L'America" C A different kind of soundscape, trying to be more creepy/spooky, but I'm not sure that works as a SONG rather then a mood setter. Funny implied F-bomb. Not much else to say... this is just strange for strangeness sake. I get the joke, I am in on the joke, I just dont know if I ever need to hear it told again. "Hyacinth House" B+ Woah this is such a psychedelic groove I was not prepared. Angelic organ actually causes this to get a bit overcrowded. This is such a strange song structurally, lyrically, sonically... it works but I dont know if it works for me? I'm glad to have listened to it though. "Crawling King Snake" B- We already had this exact grove already on the record. I dont wanna be your hog, I dont wanna be your crawling King Snake. They are trying something at least with the staccato noodling on the guitar. "The WASP (Texas Radio and the Big Beat)" B A strange story strangely told. Its funky, I can sit back and enjoy it, but idk if its something to casually flip on. "Riders on the Storm" S I've listened to longer songs I've liked a lot less. This is a mood piece. This is a vibe. This is immaculate. The whispers echoing in the background, the rain sounds, the edge to the playing while still being firmly a groove... all this and not even mentioning the evocative imagery in the lyrics.
Superb album. Varied sound, I like Jim Morrisons voice and a few absolute bangers with the only thing stopping it being 5 stars is some tracks outstaying their welcome.
While I don’t love all of this, the parts that are great, are super great.
Legendary psych rock album from Jim and the Doors. Arguably their best/most influential record however I prefer their self titled. This does have some memorable highlights like Love Her Madly and The Changeling though.
I’m here for it. The gritty synth, driving beats, blues riffs, and wacky Morrison vocals. 4.2
It was like I was being thrown back to a time of punkish teenage angst and divorce dad come ups, a simple mix of ima go smoke a cigarette but also talk to you about how much I miss my past life and the joys that came with it
Old time favourite!!❤️
Un álbum para los rockeros de tomo y lomo. Psicodélico y con una combinación de instrumentos totalmente adoc
I really do love this album, minus a few stinkers. The way the album kicks off with The Changeling, an underrated Doors track IMO, to Love Her Madly is a hot, groovy start that the Doors could pull off so well. Outside of the giants like LA Woman and Riders on the Storm, there's enough solid tracks making up the remainder of the track list for me. Top Tracks: The Changeling, Love Her Madly, LA Woman, Hyacinth House, Riders on the Storm
Remember songs from this always on the radio the summer after it came out.
Pretty good
Good Doors album, some songs were kinda samey
Хватило времени, чтобы послушать только первую песню. Неплохо, но не зацепило
Nice and blusey
Good listen
Pretty good classic album, great bangers, love the opening track and it's quite groovy
The original unique voice in rock. Some killer tracks here but some I find the vocals are really distracting from awesome instrumentals. Needs repeated listens but the music is good enough that you want to listen repeatedly.
It’s a nice psychedelic blues album. Key word is blues very heavy blues in this album. They do some interesting things with the vocals. Overall solid blues rock. Favorite song: L.A. Woman
Songs are melodious but kinda slow ngl. I love hyacinth house and LA woman
v good
Solid album.
8/10
Quite bluesy and good fun. I think a 3.5 from me but if I had to chose I would up it (which I did)
Good album, just not as good as other rock music from the same era.
Nothing wrong with the Doors. It's an interesting album and I'll surely revisit. Nothing crazy is going on here, just some great songs.
Pretty special record, very unique in terms of lyrical content and instrumentation. A tad blues-y for my taste, but a well constructed work with a timeless quality.
Not as good as self titled and without the high points of people are strange, but a consistently strong album that I frequently return to and with a killer outro track. 4.5 rounded down to separate from self titled
Oui
The Changeling Love Her Madly Been down so long L.A. Woman L’America Riders on the Storm.
1971. Sixth studio album and final major-label album. The last to feature lead singer Jim Morrison during his lifetime (died of heart failure in 1971). Heavily influenced by blues.
Yeah fucking lizard kings
Have I listened to this album before? No How familiar am I with this album? I know about half the songs How do I feel about this artist? I like The Doors Favorite song(s)? Love Her Madly, Crawling King Snake, Riders On the Storm Overall Thoughts: This was a typical Doors album, I enjoyed it because I like The Doors. A lot of fun organ riffs in this one.
It’s ok
4/5 https://rateyourmusic.com/release/album/the-doors/l_a-woman/ Not my favorite album by The Doors (tad too bluesy for my taste), but still cannot point out a single bad song. L.A. Woman and Riders on the Storm obviously tower above the rest, but if 'the rest' is this of this level of quality, that says more about those two songs than about the rest.
Gran album, para escucharlo tirado al sol y unos brutos mateanisman. Buena versatilidad, y los hits son los hits papa, riders on the storm todavia te rompe. Sólido 8.5/10
Para mí, L.A. Woman de The Doors es un disco más simple que sus anteriores, pero eso lo hace mejor. Suena más directo, más blues y menos psicodélico, como si la banda estuviera tocando sin complicarse tanto. “Love Her Madly” me gustó porque es pegajosa y fácil de escuchar, mientras que “L.A. Woman” se siente más intensa y como un viaje largo, con un ritmo que te atrapa. No es su álbum más complejo, pero sí uno de los más honestos. Se siente más real.
A potent mix of blues, psychedelia and mystic poetry. I was drawn to this album in my 20's and now, much later am somewhat repulsed by the frat boy feel of some of it that I somehow overlooked in my youth.
It features my favourite Doors song Riders in the Storm which was the first song I ever played in a band. Most of my other favourite Doors songs are on other albums however this works great as an album. I had the privilege to work with the Doors catalogue for 10 years and had dinner with the late Ray Manzarek and his brother. I also met Robbie when they toured with The Doors of the 21st century when they toured with Ian Astbury which was actually a great show.
Really good
An album of any contradictions, from outright blues to more expansive long tracks. 4 for now but may revisit after listening again.
Really enjoyed this, great bluesy feel to the earlier tracks and Riders in the Storm is an excellent outro
Bluesy classic rock. Love it.
Never a big fan of Lover Her Madly but most of the rest of the album is pure Doors gold with the exception of Hyacinth House. Overall an 8 / 10.
There are under- and overrated records out there, but I think this one is where it deserves to be.
Curto muito a vibe deles. Já começou animado, dá vontade de dar um rolê urbano noturno. Já tinha 2 músicas na playlist. Essa chuvinha e clima da Riders on the Storm sempre me impressionam quando toca. Os caras conseguiram criar uma ambientação muito foda. Álbum deu uma decaída as vezes, mas mesmo assim ficou bom do início ao fim. Quase foi épico. Vou dar 4 estrelas por que curti demais e me fez adicionar músicas novas.
4.7/5 Favorite songs: Love Her Madly LA Woman Riders on the Storm
i mean the doors are classics. good bones. and organs. and songs about people who would probably take your organs. 4/5.
Here on the Doors' final outing while Morrison was alive, they go into swampy, blues territory. Morrison's voice is ravaged and the tunes are raw. Probably their best album. Best Tracks: Love Her Madly; L.A. Woman; Riders on the Storm
It's still a really nice listen.
A classic and the best doors album for me
I really like the sound of The Doors, this album also has Riders on the Storm. What else not to love? (Except for the fact that any time that I listen to the Doors the I EAT MORE CHICKEN THAN ANY MAN EVER meme flashes in front of my eyes)
Listened to this a while back. It was aleight
Me encantaaaaa
80/100. This one has a much more raw, live energy compared to some of their earlier studio work, and it really works in its favor. The whole album feels more authentic and immediate, like the band is just locked in and letting it flow. Every track brings its own groove, and it never loses that dark, mysterious atmosphere that made them stand out in the first place. It’s a top-tier classic that still sounds incredibly fresh all these years later.
Man. Some of this album is really great. Like nearly life-changing great. The focus on jazz... influence from americana and country... throw in the appropriate and fitting use of really good synthesizers and the unmatched vocal energy of Mr. Morrison and it's just solid. The few where the effort or the experimentation just didn't fly are the only things holding it back for me. 4+
Classic album. Not much else to it. Favorite track: Riders on the Storm
8.5/10
I enjoyed listening to this - more of a high three rounded up to 4
god i love the doors
Pretty good. Unfortunately none of the doors albums are quite as consistent as their debut
4.5
I don't even like The Doors. Hard to deny the greatness of the album. Some of the songs I think are probably (?) misogynist and insipid, the keyboard can be droning. But there's a LOT here. Feels iconic and complete.
Прикольный альбом, вторая половина понравилась больше, особенно L'America, Hyacinth House и Riders on the storm
Have really never listened to The Doors. Did not realize how blues-influenced they were!
Liked this one way more than I thought I would. Gotta give it a four
Nice! Not a sound I expected from The Doors. It was a little gritty, rock-heavy and bluesy.
Like A Dog Without A Bone 1001 Albums Generator 243 (3/9/2026) L.A. Woman is the sixth album by The Doors, the final album released before Jim Morrison's untimely passing, and, besides their debut self-titled, is widely considered their best work. Compared to that album, we have a bit less psychedelic rock and a bit more straight blues rock. There's also more filler here, like the boring 12-bar blues on songs like Cars Hiss By My Window and Crawling King Snake, and the spoken word on The WASP. However, the highs here are as high as they ever got for this band, with both the title track and Riders on the Storm representing some of the best psych rock ever, with the latter having one of my favorite organ solos.. Love Her Madly is another pretty good track with interesting organ parts. L'America is a trip. Not sure if it's good or bad, but it's definitely there. Overall, L.A. Woman is a high quality effort, but not as consistent as The Doors' self-titled. 4/5. Favs: The Changeling L.A. Woman Riders on the Storm Least Fav: Cars Hiss By My Window
Overall Rating - 4.00/5 (8.00/10). From beginning to end, a great album.
Offbeat yet captivating. Spacious, Atmospheric, Unhinged. Grimy yet Human. 8/10
probably one of the more drunken albums i can think of 4/5
Great to hear the Doors again!
Love the Doors generally and a great album but I get a little bored with the blues centred tracks.
I loved this one! It's a total blues rock jam, and The Doors sound super confident and tight. They ditch the psychedelic stuff and go for that smoky, dive bar vibe, and Jim Morrison's voice is amazing, just the right amount of whiskey soaked and perfect for this sound. From the killer "L.A. Woman" to "Riders On The Storm," it feels like a journey. The band is amazing, Ray Manzarek's organ is awesome, it cuts through the darker guitars. Some songs are a bit experimental, but they just add to the cool, somber vibe. It's a bittersweet but perfect end to the band, a soulful album that's meant to be blasted with a drink.
If they stuck to their original songs and didn't go off on blues odysseys, this'd be a perfect album.
good old school Rock Album
Découverte (sauf Riders of the Storm). J'adore le côté psychédélique de l'album. Les passages instrumentaux et les paroles sont très envoûtants. J'écouterai de nouveau avec plaisir. Belle découverte du morceau LA Woman
Good music, fairly consistently good songs, Love her May will always be a vibe
Great album
Vibes
Very blues driven album. Been Down so Long and Cars Hissing by my Windows nice bluesy feel to it Love her madly, Riders on the Storm are classics. Hyacith house good.
Old classic
Jaaaaa bring back memoriekes
The Changeling - 4/5 Love Her Madly - 4/5 Been Down So Long - 3.5/5 Cars Hiss by My Window - 3/5 L.A. Woman - 5/5 L'America - 3.5/5 Hyacinth House - 4/5 Crawling King Snake - 3.5/5 The WASP (Texas Radio and the Big Beat) - 3.5/5 Riders on the Storm - 5/5 Some really good blues rock tunes mixed in within a couple of middling blues rock tunes. I would love to be there when this stuff came out but the middle tracks seem a bit derivative. The highs, however, are incredibly high and pretty much carry this album to its good score. Overall: 4/5 Favorites: L.A. Woman, Riders on the Storm
Riders on the storm is a classic. The rest is pretty good too 😎
Super Bluesy, hope to listen again.
Great album, fun doors. Almost every song is a banger
The voice is fading a bit at this point but the songs and Melodie’s are still strong, a very good album hovers between a 3 and a 4.
Highlights: The Changeling, Love Her Madly, Been Down So Long, L.A. Woman, L'America, Crawling King Snake, Riders on the Storm I already knew that I would like this in general and that the Doors loved using organs, which I also like. But I was still somehow surprised by how much I liked it and how good the new tracks were (because I haven't heard the majority of the material). It was dope, but there were some skippable tracks on the second half. Not bad, but they feel a bit backgroundy. Again, the highlight for me was the instrumentals where I have to note the organs and the southern-ish sound. This is nicely paired with Morisson's macho rough vocal style, so I just love the sound. I didn't really follow the lyrics but they didn't feel that important to the overall mix.
Very cool rock
Good one. A classic
Jam bandy -like the organ, morrison yelling is a little overheard just from greatest hits. Also real bluesy... feels like a warm grimy summer night hanging out late and drinking and playing cards. Sometimes creepy... growing on me. Listening to the 50th anniversary remaster kinda infuriating what was the original album? certainly not 29 songs and demos, etc.
Riders on the Storm is one of my all time favorite songs, let alone Doors songs. Love Her Madly is also a banger. The whole album reeks of fast love on the rocks in the late '60's and early '70's California psychedelic rock scene, and it makes for great music.
This was The Doors last real album and Jim Morrison's last album before he died, and the album that proceeded the infamous "Miami Incident". So the Miami Incident, subject to much debate, was basically The Doors intentionally riling up the crowd by provoking them and eventually Jim yells "Do you wanna see my cock!?" and that was it. There is no consensus on whether he actually exposed himself, and the band members all said he never did. Still, it somehow went to court, and he was somehow found guilty of indecent exposure after a trail that somehow lasted 16 days, and he was somehow sentenced to 6 months in jail that he never served. The entire thing seems completely idiotic. The result is that The Doors were effectively #cancelled. Concerts cancelled and radio ban. Good lord, so if we think people today are sensitive snowflakes, please remember people have always been this way. You can find some of them in the reviews of these albums, looking for something to feign outrage about. Anyway, they made this album, assuming it would be their last. The album is incredibly bluesy. It's just straight blues and they did a great job of it. The weird guitar solo in Crawling King Snake, the really cool engine rev sound with the guitar at the beginning of LA Woman. There is some cool stuff happening and I think the context of "the last ride" really allowed them to enjoy this album. And of course, Jim Morrison famously died 3 months after the albums release. Another member of the 27 club. The big one on the album is Riders on the Storm, which is a legendary song, but you have to go through the entire album to get there. The album is good, I can't really find any reason to dislike it. Blues isn't my thing, but I can't deny that they did an exceptional job.
Great band. Great music.
A fantastic album and my favourite Doors album. Riders on the storm 🔥🔥
The best of the Doors. Heavy, psychedelic blues. I would say the only really good album the Doors have.
Favorites: L.A Woman, Hyacinth House Least favorites: Riders On The Storm, Cars Hiss By My Window Rating (out of 10): 8/10
This album has three 5/5 hits and several songs illustrating that Jim Morrison was not the “poet” he claimed to be. Nevertheless, he had one of the greatest voices in Rock & Roll history and those hits are pure nostalgia to me. Reminds me of being in L.A. headshops at the time.
Great album. The Doors aren't really one of 'my bands' but this is a fun groovy, sexy, psychedelic fuckwagon of a record.
groovy
For me, this album comes in next to last in the Doors catalog. It’s also pretty damn good, though.
Classic album
Great blend between early rock and blues. Sets a precedent for future artists like John Mayer that blend blues with rock. No overarching theme that I heard, but solid album.
Riders on the Storm certainly is the standout track here, almost as good as their debut and definitely one of their strongest albums. Also love how its recorded, almost sounds live sometimes. Also my favorite key/organ work on a doors album so far. Fav Song: Riders on the Storm
Great album! I can't choose a favorite song.
I feel like I turned up at this event at least 35 years too late! I was in university then, Val Kilmer was playing Jim Morrison in The Doors movie and Morrison himself was probably as popular on students walls as Che Guavara. Back then, I couldn't really see the attraction. Even now, the bluesier elements of the album don't interest me too much, but there's a versatility to the bands, and indeed Morrison's voice, that suits the blues but then changes to suit songs like Love Her Madly, LA Woman and Hyacinth House. And the classic Riders On The Storm rounds off the album, unlike anything that has come before it. A really interesting album, floating from genre to genre, with more hits than misses. 4 stars earned - I'm sure I'll come across them again later.
new music is always fun.
I was prepared to indulge a predefined opinion about The Doors in this particular album review from that band. Eventually I found myself surprised of how much blues this album is. Which I appreciated alot.
loved
kind of loved...
Ok... I was an avowed Doors agnostic, but I've got nothing but good things to say about this and the last album we spun, so maybe I was just not ready for them. I guess, there's something about the final product that just doesn't speak to me, but they've got serious musical chops and write interesting compositions — there were numerous instances where the band just took a sharp turn in the middle of a tune and reset the feel of the song, and you would have missed it if you blinked (with your ears). And, just as soon as I was a little tired of Morrison being Jim-to-the-max, he'd put down the bombast and sing a pretty song. And man, he really did set the mold for rock star frontman. Well, he and a few others from his era. But he's on the list.
Those Doors were grooving! Such a sleezy vibe but I kinda loved it.
classic. i’ve listen to this album before. love her madly and riders on the storm. great album.
Big blues songs, some really weird experimental tracks, and of course the Big Hits. Feels like the record label gave them a little room for themselves in amongst the massive radio hits, and I enjoyed hearing the band honor their traditional blues inspirations.
There's a lot more blues rock (and just plain blues) here than in their earlier albums. Too bad a lot of it is just boring. LA Women is great. Riders on the Storm is even better, it pretty much makes the album worth it by itself. 3.5
believe it or not, the Doors have nine studio albums. L.A. Woman, their sixth, is usually treated as the end of the band proper, what with Jim Morrison's untimely demise at the age of 27 (and shut the hell up about that Club, won't you? dying young is tragic, not some statistical phenomenon). it's funny that the most recent Doors album I got thrown for this was the debut, and now here I am talking about their last one with contributions from one of rock music's most iconic frontmen (unless we count the posthumous patch job An American Prayer). the previous Doors album, Morrison Hotel, shifted their focus back towards the blues after several albums marked by a heavy psychedelic influence; L.A. Woman doubles the hell down on that front. the band itself is playing at a really high level, but of course Morrison always pulls the most focus. his vocal performances are huskier and more declamatory than ever, and the range of dynamics he carries this album through are pretty darn wide! numbers like the title track, "The Changeling" or "Been Down So Long" feature him at pretty high points of energy that are contrasted beautifully by slow, quiet tracks like "Cars Hiss By My Window", "Hyacinth House" or "Riders on the Storm", a brilliant closing track that sends the Doors off on an eerie, ambiguous note. strong 8/10.
I like track one of this album. The Doors are one of those bands I hear about all the time in passing but have never really taken the time to listen to. This album has been pretty good so far honestly. This album has been pretty good. I would give it five stars, but occasionally it felt boring, dragged on, and uninteresting. However, these moments were pretty rare so I will give it four.
Highlights: Love Her Madly, L.A. Woman, L'America, Hyacinth House, Riders on the Storm Lowlights: --------------------------------------------------------------- This is my first time listening to The Doors outside of an occasional single listen and it was different than I expected it would be. Nothing negative really, about half the album I enjoyed a lot and the other half was fine. Sometimes it felt a little too stripped down for me, but not too much to be a problem.
An album that sounds like it has been written for the band itself, not for the listener - and that's the beauty of it.
I love Jim Morrison
Great Doors
Favorite: been so long
Classic
Još jedan vrlo dobar Doors album, malo ispod debija i malo iznad drugog koji sam slušala. Gotovo na listi s njima.
The only band I know of whose final album together is its best album.
Great vibes straight off the bat. I would definitely get stoned while listening to this. The Doors are incredible. The only reason it’s not a five-star album is because it isn’t quite heavy enough my tastes. Otherwise, perfect. 4/5
Riders on the storm
Reminds me of drives to college
4 stars Album with a handful of great tracks, the ones you’re thinking of. And then there are album tracks that are mostly pretty good. Nothing excruciating on here. Bluesy, bouncy, a different direction from where they started. It won’t change anyone’s mind who doesn’t like the Doors, but it’s definitely one of their best.
How on Earth is Morrison's voice this powerful and soulful. He sings like a 50 year old! Album is great, really a treasure! Lots of great tracks here, from the more well known to the lesser. I enjoyed it top to bottom. Can't give it TOP marks, but I will happily listen to it again. Might even seek it out on vinyl!
Not my favorite Doors album but a good one nonetheless. It's a more low key and grooving affair than what I like most about the Doors. The title track is great but I think my favorite track is Love Her Madly.
j’ai toujours entendu parlé de ce groupe et ENFIN j’écoute (et j’en suis très contente)
- need to scoop some songs from this
Relisten needed but prolly a 4
Reference point is "The White Album" essay by Joan Didion. "Been down so long" feels appropriative. Rangers on the Storm is an epic album closer. Feels very correct to drive around LA to this album
banger
The Doors are an interesting blind spot for me. Aware of the “hits” but haven’t dove deep. I enjoyed this album. Probably need to do a deep intentional listen to their catalog.
Good album with a few really classic songs. Favourites: Riders on the Storm, Love Her Madly and L.A. Woman.
Almost earns an extra half star for being Jim Morrison's last studio album, however would definitely get a full extra star if the rumour that "Riders on the storm" was recorded whilst actually "on the toilet" rather than just "in the bathroom" Reminder to self : when you read this - again watch the Ray Manzarac Youtube vid on how the masterpiece that is "Riders" was written & structured.
Lots of soul, very bluesy, very listenable album.
The first, second and second to last and last doors albums are all pretty enjoyable. Just a little too much blues on it, but it sounds kind of ragged and Jim’s voice is loud and almost distorting the mic, which is cool better than I remembered it.
As an album, this is SO good. Cohesive and elevates the individual songs
Jim, why was I supposed to put on this concert? Because you had to learn that it doesn't matter what you do, Cassandra loves you for who you are and that, being an adult means facing resposibility yet still taking the time to have fun. Right, it’s like coming home on Friday night and doing your homework right away so that your Saturday night is free to just party. No I like the way I said it better. OK.
Aliright
Immediately excited about such a high profile album, I suppose I have bias cuz I already know and love a few of these songs. Opening song nice n groovy. Authentic evolution in blues that I think they nailed and is unique to them? Would love to hear adjacent styles of blues to the doors. 3.7
Meh
Ok je ovo ali ovo je zapravo samo blues album
Fuck I should really listen to The Doors more
Coldplay left me well, cold
Favorite track: Riders On The Storm
every song is very calming
I've never been a fan of the doors, but i got to admit i see the likelihood of this album growing on me, so I'm adding it to the replay list
Phenomenal vibes
Otäckt ålderstecken att jag verkligen diggar bluesigheten här. Mycket bekväm lyssning och Riders on the storm är en otrolig albumavslutare vilket gör att jag lämnar det här albumet nöjd.
Ett jäkla sätt att avsluta sin karriär på för Jimpa, hela albumet men specifikt Riders on the Storm som sista låt att spela in, ouff. Gillar enkelheten i det bluesiga och de deppiga texterna blir ännu tyngre när man vet hur det gick sen. Vill ju nog egentligen ha Doors mer psykiga... Fan står verkligen och väger mellan 3 och 4 men känner mig generös!
Ett band jag aldrig fördjupat mig i utöver hitsen. Sympatiserar med den experimentella proggigheten och jim Morrisson har en röst man inte skojar bort. Urstark 3a eller rak 4a.
Man hör verkligen hur alkad Morrison är
svängigt och mörkt! i love
Aldrig lyssnat så mycket på Doors så detta var ju kul. Otrolig röst ändå. Gillar orgelplinket. Riders on the storm!
4/5 + I love The Doors, but I tend to like their earlier work better + But still, Riders on the Storm is my absolute favorite by them + you feel really cool listening to this - im just not a blues fan
Nicht alles geil, Aber vieles dafür sehr
Doos halt
Kawał dobrego grania. Jedna z trzech moich ulubionych płyt The Doors (na moment pisania). Świetne kompozycje, różnorodne, brak ewidentnych wypełniaczy. Ostry głos Morrison. Chyba też najbardziej "heavy" album Drzwi.
Love Her Madly, LA Woman, & Riders on the Storm crush it. Now I wish I’d bought it back in the day. Loved The Doors first album
A couple of great tracks on this one.
Felt like I needed to be wearing leather and tobacco perfume, had to roll the windows down
Good, liked a few off this album
Good blues based acid rock. Morrison gets a little self indulgent with the poetry bull shit, and the 1 straight blues song is pretty boiler plate, but everything else is great.
Strangely this one tune of the album went well
Forgot how much I like the Doors. ‘Love Her Madly’ is a great tune. The rest is solid.
4.3/5 Stars Top Songs: The Changeling, LA. Woman, Crawling King Snake
Some great songs on this album
Solid album. Nice finish with "Riders on the Storm".
i really liked this! i need to listen to the doors more, but i already knew three of the songs before i listened to the full album
Great album, no skips again. Obvious singles, and some great and obvious inspiration to modern songs. An album to smoke to for sure.
Restarting the 1001albums after a few years away so good to come back to something familiar
Very cool. Didn't love every song but I loved the style of the whole album. Blue-sy but not tired and worn out.
Enjoyable listen very bluesy bit no Doors album has been a 5* yet
didn’t realize the doors were funky like that i liked it!
Given my interest for changelings I got very excited when I read the name of the starting track. The Doors have a really characteristic sound to their music and I always find it particularly engaging. Favourite song: L’America