Reviews (page 5 of 13)
Some songs were really catchy but I do feel like if you’ve heard one Elvis Costello song, you’ve heard them all, so…
Awesome. Vibrant, grooving, catchy. And most of all, fun.
Respectfully, I hate this, this isn't for me. I don't like his voice.
There's some bops in here, if you asked me what songs they were, I couldn't tell ya
Maybe my least favorite Elvis Costello. Like him best when he’s hitting more emotional notes. Too fast and jangly, no payoff melodically or lyrically for me.
grew on me as i got through it fun album probably wont come back to it
melodiöser 70er-rock mit attitüde und kantiger note. gefällt!
Ist mir zu British.
Costello is REALLY not my cup of tea. I didn't HATE it but by god i didn't like it.
This is one of those albums that has one good song and the rest of the album is garbage. I say this fully knowing I hate Elvis Costello.
I don't know - I can see how he influenced others, but I just don't really like this. (3/5).
Overall pretty good! I think it ended stronger than it started. Would maybe need to listen again to really like it but also a chance it’s just not my vibe.
It's fine. I'm not a fan of Elvis Costello's voice, but this album wasn't bad. The songs are generally good.
Did not like this guy's voice. Pump it Up was the only one I really enjoyed.
misogynistic british new wave slop by a man with an incredibly whiny voice. properly exhausting to listen to, start to finish. that costello maintains to this day that his songs are not misogynistic and that it's the listeners who are the problem? buddy. oh Buddy. his lyrics are so uninspiring and unfunny so it baffles me that he's an artist that people talk about as having good wordplay. it's nothing but whining. even the band itself sounds corny as can be with little in here that sounds better than a half hour of white noise. i'd choose the bear.
This list has a whole lot of British New wave so I guess we've got to settle in for that. The band throughout this album is pretty good but, by god, Elvis Costello... I think after this album I hate this guy. He reminds me of other singers I like far more then him. It made me really want to listen to a Clash album or even The Boomtown Rats. I do not like this snide nice-guy core. You Belong to me and Hand in Hand was about the point I realized this would be a long listen. The band itself being so good makes the fact that I've got to hear Elvis Costello whine over this entire album even worse. Songs like Lip Service have a great sound to it completely destroyed by Costello's "ranting about another woman" hour. I wish this album was an instrumental. THIS GUY IS ON THIS LIST 4 TIMES? God damn it.
Can’t complain. I haven’t had an Elvis Costello record in two days. Out of the four (five?) I’ve had, there are only two that I guess I agree with. Which ones are they? I don’t know, I can’t keep track. Anyway, this is not one of them.
4.1/5 A-
Good songwriter. The Clash, Red Hot Chili Peppers and so many others can be heard here before they even existed. The bass player, Bruce Thomas, must be mentioned.
There's something about Elvis Costello that I still can't connect with, but I did enjoy this album.
This is my favourite EC album. Clever punk(?) with great lyrics and melodies. I think every song is great on this one - can't say the same for later ones. I saw Elvis a year or two ago and it was among the worst gigs I'd seen - as a result (maybe unfairly) this may have been a 5 star album. Its a 4 now.
I didn't really care for the first Elvis Costello album I got on here, but this time I had a much better listening experience. As I wrote for the other album, Brutal Youth, it was too much Costello for too much time. This one was a lot shorter and thus more manageable, since he didn't have as long to grate. There were still a few moments that started to go down that path. Little Triggers was probably the worst of them. But, I actually really enjoyed this album for the most part. It was peppy and catchy, with a bit of a punk feel--sort of like a more modern pop-punk record in parts. At the same time, it still had at least a little 50s/60s rock coming through. It didn't do too much, which I think was a strength here. Brevity kept this one good for me. I never got as tired of Costello as I did on the last record and instead had a pretty enjoyable listen. I wouldn't call it great, but I did think it was a decent album. Overall: 3.4/5
I feel like I owe this one another listen. The first and last tracks (No Action, Radio Radio) I thought were great, but it just dragged in the middle for me, at least on first listening. Still, I can recognize some real creative ingenuity here (can't believe it is a 1978 album, seems well ahead of its time).
my favorite
This album was played over and over again when I was younger and I have not listened to it in a while. It was so refreshing listening to it again. So many great songs and there are very few bad ones. Chelsea is always a standout song. I would like to own this album. It is very close to a 5 star album. 4.5 at least
I'm not sure I could listen to a whole album of Elvis Costello. I like his music but somehow his voice seems to be one that annoys after prolonged listening.
I was 7 years old when Elvis Presley died. At that point I was vaguely aware of Elvis Costello. Like, I had heard his name but that's it. But to my underdeveloped brain I just heard Elvis. So when the King died, I thought "well there's still that other Elvis. He can take over" as if it really was a title. Maybe they chose another Elvis like choosing a new Pope. But I think I heard a little Elvis Costello at the time and thought "that's not Blue Suede Shoes!" I wish I had had more exposure to rock like this in the late 70s. But that would have been an uphill battle. I come from the Midwest, classic rock country! And country. Elvis Costello wore glasses , dressed like a nerd and there were no guitar solos. I get nostalgic for the 70s often however this was way off my radar. This gives me nostalgia for a part of the 1970s that I never knew. I've only explored Costello's catalog in the last 10 years or so. The front to back listen was really rewarding. This guy has the catchiest writing, especially for the late 70s. I can understand its heavy influence on alt rock. Y'know I wrote all of that just to say that this was a fucking great album.
This could be a greatest hits collection. Elvis is an English national treasure. Maybe his best work.
The thing I heard more than anything before starting this challenge was that there are too many Elvis Costello albums. Here I am with my first - thoughts and prayers. Before listening, I knew who the lad was, with his Mark Lamar 1950's bin man knock-off look. I can't recall ever hearing a single song by him, though I almost certainly have. Obviously the guy behind the book has some 'special feelings' for him. I think that I'd give this a four with more listens. Everything is good, aside from some jangly guitar tones that I've never been a fan of. Drums good, keyboard hit and miss, lyrics good. What is preventing an instant four stars is the vocals. If we had a singer who could belt out these choruses, it would be a four. They feel anthemic and deserve a bit of oomph, but Costello ain't that guy.
Great album of Power Pop gems. Songwriting is off the charts, great vocals, band is tight and tons of energy.
One can probably trace new wave’s popularity back to this record, among others. It’s quirky, concise, and doesn’t overstay its welcome too much. I recognized a few of the catchy singles and slightly enjoyed a few other tracks. I see that there is a strong Elvis Costello presence on this list so I have a ways to go on that front, but I wouldn’t be surprised if this was as good as it gets in terms of his discography featured here.
Elvis Costello is my new favorite artist. Amazing all through, verbally yelled with excitement when I don’t want to go to Chelsea started. He’s so good. How did I ignore him for this long. I listened a couple times today, I think Elvis is just in rotation forever now.
Costello strikes again. He must've been a songwriting machine in these early years. This is another great record to listen to in it's whole or you can cherry pick a single or two. I'm feeling a soft 5/5, I was a little more into My Aim is True, but I have a feeling that's just because it's more familiar than a lot of these songs. Also who is playing bass on this record, that dude is really good. soft 5/5
This album has me bouncing between three and four stars pretty constantly for a number of reasons. Is it a pretty fun, upbeat listen that I ultimately can't really say has any issues? Sure, but for an album that released in 1978 I just don't personally (PERSONALLY) find the sound interesting enough to justify any sort of admiration. While there is ultimately no flaw, and I definitely can't claim there's no style, there's just not enough of it. Some of the songs bring the bass forward and it sounds fantastic, other songs let the guitar place wonderful full stops of every chorus with eccentric riffs... but some songs do neither. For me it also struggles with direct comparison, I like the New Wave genre a lot and instead of that playing into this album's strengths the whole I'm just thinking "if I were alive in 1978, I'd be listening to Talking Heads and The Police", two bands who pushed new wave forward by being brave and ultimately sort of weird, while this album just feels a touch too safe. Hell, even if I thought the aforementioned bands were too out there, I'd still be listening to The Cars before this (their self titled is amazing). This will be an interesting album to revisit, as I think this take could totally flip either way and I either double down on how little it interests me or I could truly grow to love the sound. I do note this is the second album by Costello, while literally all three of the above mentioned bands/albums originated in 77/78 so my opinion on this album could change based on the first album and it's influence on the genre. Best songs: No Action/Little Triggers/Radio, Radio Worst song: N/A Rank compared to everything else so far: 10/12 (above Private Dancer below Daydream Nation)
Topnotch lyricism, prolific multi genre album. Elvis Costello and The Attraction is so diverse. Love it
- ihan hauskoja koukkuja biiseissä - mulla ei oo mitään "erikoisesti" laulavia laulajia vastaan mutta tää kaveri kuulostaa välillä vähän ärsyttävältä - jaksoin kuunnella puolet, ei tää ny ihampaska ollu mut ei silti jaksanu enempää
“Perfectly balancing the raw energy of My Aim Is True with the more elegant pop songwriting that would come to characterize much of his later work, This Year's Model is not only Costello's best work, but one of the most distinctively brilliant albums ever to be released.” —-Matt Lemay, Pitchfork https://pitchfork.com/reviews/albums/1615-this-years-model/
Dosta kul album, pustim si neke stvari s njega svako malo, baš mi paše nekako. Zanimljiv je, plesni, iako možda kvalitetom nije najbolje šta si mogu pustiti. Nagradit ću ga jednom finom 4/5, 7/10
Sitting very in the middle on this one. Didn’t like it, also didn’t hate it. Hard to pay attention to the music tbh, I wound up paying attention to anything but the music. Objectively it’s good, personally I could listen to silence equally as interesting.
Strong 3,5
Noooo 2/5
Very distinctive voice and that makes the songs quite samey..some good but the music feels seperate to his voice, some good songs but nah.
The most 70s/80s prom night bate ever. So good if you're trying to fall in love at maybe 16 year's old with a man that used way too much hair gel
Highlights: No Action, (I Don't Want Go To) Chelsea, Lipstick Vogue, Pump It Up, Lip Service. In a nutshell: this year's new wave model. All Elvis needed to level up in the 70s was change bands. Clover was serviceable for Elvis at the time. The Attractions were a better fit. It gave the songs that punk rock bite. Pete Thomas is a fantastic drummer and I am appalled that his name is not regularly mentioned in music critics "best drummers of all time" lists. What needs to be said is this: criticism about Costello's lyrics wil be a sticking point for his whole career. What some listeners interpret as offensive, others will see as satirical observations. Case in point on this album: This Year's Girl. If you pulled any of the later albums from Costello's discography first, the generator did you dirty. Any of the first three albums are the better introduction to his work. Overall: 7/10
Pretty advanced sounding for the time period. Sounds like an album that could’ve been produced in the 90s.
Good rock album, I’m sure it was influential but I’m not educated enough to see how.
2.77
somehow this is also a 5 it's a bit on the pop side but upbeat enough compared to what i was expecting that i like it lol
Ne razumijem njega očito. Ako se ima šta razumjeti. Meni zvuči vrlo površno i nespektakularno, evo već drugi put. S prvog albuma se ništa nije promijenilo ni uznapredovalo. Unutar pjesme se nikad ništa ne promijeni ni uznapreduje.
REVIEW: imagine this, girl from 1950/1960. it's prom, he's there, across the gymnasium that is a repurposed church building (this is normal, america) and you can smell the reek of his gasoline-inspired hair gel. he's wearing a jacket and he'll only rarely beat you. you love him. ALBUM FOR THIS FEEL
eh
Maybe the most palatable EC album I’ve heard, mostly due to the bass, but I still don’t understand the cult of Costello. His voice feels restrained or something. It hurts my throat when I listen to it.
Not much memorable here
Probably one of the better Elvis Costello albums we’ve had so far, since there seems to be so many of them. This one at least held my attention until the end. Seems like it was a bit ahead of its time, I hear a lot of 80’s tropes in this late 70’s project. So points for that. However, this man doesn’t need to occupy so many spots on the list here. Plain and simple. My picks are “Pump it Up” and Lipstick Vogue”. Mid 3/5
Not my style, but pretty cool
I just prefer My Aim is True
I do enjoy a bit of Costello, I like his high energy and there again seems to be 1 song that I especially enjoy. The only issue is that all the other songs meld into one and I don’t really want to go back to listen to the entirety of the album.
2,1/5
Again, not a fan of Elvis Costello, but this might be the best I’ve heard from him so far. It was okay.
Really good album. No wonder he had so many hits.
The bass player on this album was coooookin. Good old pop rock n roll. Not listened to much Elvis Costello before, maybe I should! 4.0/5.0 Best Song: Pump It Up
I like the music, but i really can’t get on board with his voice. He’s a great songwriter and the songs are fun, but I find him grating. Nick Lowe Produced it and he’s the GOAT though. Pump it up is a great tune though.
Looks and sounds 20 years more modern
I find his voice very nasal
There's something about Elvis Costello that I have never enjoyed. I don't know what it is - it could be that my mum said that he's no Buddy Holly - but that's a conversstion for the therapist. It's not bad, this album, but I also don't love it.
Dude should add more fibre to his diet
Very fun record, I hadn't listened to Elvis Costello before, it was a good surprise. Catchy, dynamic and flows very well, I was impressed by the bass lines, the emotions of each song. It was very good.
Cool album. It's feels like a faster, edgier pop album. Not what I expected honestly
Once again, I can see the appeal of Costello crossing over with other greats from his time like Bowie and Petty, or Joe Jackson. Not bad.
Not my jam.
I suppose I can appreciate the music, but it’s not really my speed.
apparently I'm gonna have to listen to 5 more of this guy's records, and I don't really care for it
This is my fourth Elvis Costello album on thus list. Despite never loving one of those previous albums they've all gained a 3. I feel like this was the best of the set. It's going to have to get a 4 on the basis of being superior to his others alone!
Gracias Elvis Costello porque sin ti no habría muchos de los grupos post hardcore de hoy en día
Elvis Costello is another artist that is just plain fun. He doesn't have the biggest hits, he isn't the most influential artist, but he is a great time. Perfect artist for this list and the perfect album of Elvis's to include. Influence 3. Hits 4. Intangibles 4. Quality 4. I can dig it 3.
Did not really click for me
little funky, but nothing else really to it. Can't fully appreciate his voice either to be honest. It's ok, but would never listen to this myself.
Loved this pop punk treat. I have other Elvis Costello records--later ones. This was great to discover.
Solid, not my type of music. ,
The tracks on this album are catchier than on other Costello records and there's a good pop sensibility about it which ties everything together. My old band used to cover "Pump It Up", too, so there's something extra enjoyable about this for me.
I never gave this entire album a listen before, but it starts off with a bang with No Action. Pump it up and Little triggers are also highlights. This album hits from the first song and just keeps rolling, most songs are 3 min or less and the pace just gives you a down hill feeling from the jump, there's an excitement and an energy to this whole album, it's a lot of fun. The pop punk vibe is really apparent and I for one really enjoy it.
I love some tracks on this one and have loved EC for years. Pump It Up is groovy and punky. I don't love Costello's singing voice and some of the tracks you feel like you're waiting for t hem to be over. I do find the lyrics super catchy, and often find myself saying "I don't want to go to Chelsea!" to myself.
Love me some EC....4/5
It’s been a little while since I’ve had one of those albums that I can hear the influence on so many other artists or bands. I don’t know that this is a perfect album, but it really does some interesting experimenting with songwriting in terms of length, instrumentation, and lyrics. I don’t think I would seek this album out again, but I’d certainly listen again, and I’d recommend it to others just to round out their musical understanding.
Fine. It was fine.
war ok, nicht exotisch. Viele Lieder nach einem ähnlichen Schema aufgebaut.
It was an interesting experience...w
not my thing
Fun album.
Not my favorite. It has it's moments but I think it's just okay.
It was fine
The attractions provided a great backup to vocals that unfortunately did not do it for me. I found the album fun but ultimately lackluster. Radio, radio was my favorite song and I am not sure if that is because it was the best or the final song before I got to listen to something else.
I want to give this album a 4 mostly for Pump it Up but it’s not a 4 for me. Not after 1-2 listens. Not a huge Elvis Costello appreciator, but this album helped. Radio, Radio is good too. But just mid overall for me.
It's a long album, but after a brief listening I give it 3 stars. It might go higher or lower after a longer listen.
Vraiment cool. Meilleur que l'autre qu'on avait écouté. Musicalement très bon bien que ça se répète un peu entre les sons.
Très cool
Encore lui... C'était mieux que la dernière fois mais rien de bien marquant, au début je me voyais un peu dans un lycée américain. Je me suis imaginé Stuart, le quaterback célèbre que toutes les filles adorent, bg et bully, mais ça a pas duré longtemps. En relisant mon commentaire du dernier Elvis Costello j'avais déjà dit rien de bien marquant, s'il y a encore un album de lui je vais finir par sévir.
Elvis costelllo has a timeless sound. Listening to this I had to check to see if the album was 2004 and not 1968
Just not really my jam maybe like one play song on the whole thing
70s new wave. Sounds like more current alt rock, timeless.
I think the better of the Elvises deserves a better writeup than this but I'm beat. The music deserves to be here, it's good, I like some of it.
most tolerable album thus far (my third) but still, no tracks i'd choose to listen to again. this one just fades into the background for me...not bad OR good enough to catch my attention
Eh, it was ok. Didn't really tickle me, but didn't irritate me either. I remember enjoying Radio, Radio but nothing else really stood out.
Rockin’ good tunes. Will be listening to again
It sounds very modern, like last year's release from a new indie rock band. You can dance to it, or just listen to it in the car. You can even play it for a regular girl, and she won't think you're crazy. 4 out of 5
Unique sound and voice
ok Mr. Costello, I'll give it up. this was pretty good..... youre still annoying tho 3.75- 4.00/5
Dude is the real thing. This was a fantastic LP
Very nice i like this typemof Music and his blive is nice and there re lol 5 good songs
Feeds on its own nervous energy, it’s angry but fun, teetering on the edge of control. Basically, a riot, in more ways than one.
Why is that some of the best songwriters can't sing worth a damn? I enjoyed this as much as I could. "Pump It Up" and "Chelsea" were the standouts for me. The rest would have been better served by somebody who sang with Elvis' edge, but who could actually sing.
Better than I expected
Album No. 0059 on my list. Nice album! I didn’t know any of the tracks before, but I liked many of them. Cool lyrics, cool vibe, cool songs. “No Action”, “Pump it Up”, and “(I Don’t Wanna Go To) Chelsea” are my favorites. Solid album, will definitely listen to it again. 4/5 stars!
I was bored listening to this one and skipped through a lot of songs. Favorite Song(s): Pump it Up
Fuck Elvis Costello
Meh. Was probably great in 1978 but not so much now. A few good tracks, good lyrics.
Good album, sounds ahead enough of its time. Maybe I'm not giving it a proper shot since this list is full of early new wave-y stuff (crazy how pop-punky this feels for an album from the 70s) but it wasn't really that fun or interesting to listen to. Hard to hate, but it's a 2 from me. fav tracks: Lipstick Vogue
I'm not sure I get the Elvis Costello hype, spoilt by the last 50 years of pop so this doesn't really sound as groundbreaking after growing up with lyrical genius tswift
There's only one Elvis. I can listen to (almost) anything by Elvis Costello at any time of the day or night. I love his voice, his songwriting and wordplay, those tunes - the whole lot. And I love his work with the Attractions even more - that distinctive keyboard sound and, more than anything else, Bruce Thomas' extraordinary bass playing... Yep, this album's a belter. Released at the tail-end of punk's peak, it bursts with an urgent, melodic, punchy energy that I just don't think anyone else came close to. What a great record.
Off the cuff remark: I don't honestly know why but Elvis Costello has, almost passed me by. When I listened to This Year's Model this time (possibly first time all the way through?) I kind of regret that. It is fantastic guitar pop, just as it should be. I also had to listen again. Standout track: I'm going to ignore the big ones, though Pump It Up and Chlesea are gems. I was less famliar with Hand in Hand, for example, and I love it. Revisit?: Definitely, I feel I have under appreciated this album in particular. Sorry, Elvis has come back into the building...
These early Elvis Costello albums produced by Nick Lowe are magical. The raw "Basher" production suits these songs. This is the scrappy, street-smart Elvis singing pub rock power pop. Lots of musical hooks and searing, sarcastic, yet poetic lyrics. The album seems to get better with each listen. Bruce Thomas' bass playing is absoutely killer. A great sophomore record that reinforced Elvis as a great songwriter. Favorite song: Lipstick Vogue. It's a tour de force!
This album stands out because, unlike artists who just lift riffs and call them their own, Costello and The Attractions are open about the sources that inspired them - they use them as a foundation and build something new. Some of the comparisons in reviews feel like a stretch; people try to label it as everything from new wave to punk to even heavy metal. But really, it’s just a sharp, energetic pop-rock record. It’s catchy, focused, and confident - the sound of a band that knows exactly what it’s doing without needing to fit into any trend.
A solid 4/5 from me.
Raw and emotionally gut wrenching. Grunge classic for a reason. Would? Might be one of my favorite songs of all time. That, and the Alice In Chains Unplugged performance of some of these songs (notably Down in a Hole) are some of the most poignant moments in rock history with the lead singer visibly succumbing to addiction as he performed live for one last time.
Not a perfect album but album has a lot of meaning to me and I think all but one or two tracks are absolutely top shelf.
4/5
Absolutely unmatched in the charisma and catchiness department - his best.
Don’t tell high school me but I love Elvis Costello.
My god his voice is annoying
A lot more pop than punk. Even Pump It Up wasn’t as frantic as I remembered it. Album rattles along at a good pace though with tight arrangements. I like his voice. 3.5
I like a bit of Elvis. Although peak Elvis is always when he is his most vitriolic in my opinion (Blood And Chocolate one of my fav albums ever) A little too poppy in places here but Pump It Up is class.
I wasn't overly excited about the number of Costello albums on here but Spotify did tell me Pump It Up was my most played song of '23 so this was the one I was most looking forward to..and...it's good...especially.enjoyed the keyboards. It looks as though he recently released a Spanish language version of this too, so will be checking this out too.
Being of the knowledge that there are multiple Elvis Costello albums on this list and that it is seen as a pretty divisive and unjustified selection, I was a little bit skeptical diving into this as I’m not that familiar with his work. I had no need to be, it’s a banger of an album, I’d be happy to listen to it again, and again.
Yeah, that was good.
Didn't like it at all, pretty boring
3.5 to be reviewed - tired today
Already got it
3 von 5 kein Banger
I was dreading listening to this album since I just got another Costello album 2 days before but this one was okay? Not as good as Armed Forces but still tolerable. Though I enjoyed it more than Blood and Chocolate, I had similar issues with this album.
Threatens to excite but never manages it
Not bad - Pump it Up is a classic. Would listen again
It was a good album, maybe if I spend more time with it it'll turn out to be a great album, but I don't know if I want to do that.
Maybe 3.9 some good songs just dk if I’d actively listen
I really like this album, I think it is a fun one. I really think I will listen to it when I want something chill and joyful 3/5
4/5
Listened to this before as a dive into a previous EC album; loved it just as much 2nd go-round.
Very surprising. Not at all what I expected it to sound like. But it's not for me. I can see how this influenced music.
it's not bad. last one by Elvis I think
It’s a fun listen that won’t change anyones life. I probably won’t return to it anytime soon but it was pretty cool. My three highlight tracks were Little Triggers, Hand In Hand, and Lip Service.
The good-ish times roll with the Pump it Up king. I’m already pretty familiar with this record through the singles and The Deuce, but it all coalesces nicely in album format. And it seems oddly parallel to our terrible reboot of the Reagan years. Highlights are This Year’s Girl, Lipstick Vogue and I Don’t Want to go to Chelsea.
For me 1978's "This Year's Model" is unequivocally a five-star album. Elvis Costello's vocals may not be to everyone's taste but they are very distinctive. "This Year's Model" immediately showcases this, kicking off with the wonderful a cappella opening of "No Action" before The Attractions join the fray. This album marks The Attractions' first outing with Costello, and they are simply a superb band, musically tight and extremely talented. The rhythm section of Pete Thomas (drums) and Bruce Thomas (bass), coupled with the musicality of Steve Nieve (keyboards), adds a crucial, dynamic "certain something" to the overall sound. This synergy is a clear step up from the band (Clover) that backed Costello on his excellent debut, "My Aim Is True". The improved vocal harmonies also significantly enhance the album's quality and overall experience. Producer Nick Lowe delivers a mix that is crystal clear and holds up perfectly all these years later. "This Year's Model" is a quite wonderful album, one that has been a constant in my life, in one form or another, since its initial 1978 release. The original track listing flows effortlessly. While the casually acquainted might point to the hit single "(I Don't Want to Go to) Chelsea" as a highlight, there are many gems here. The absence of "Radio, Radio" from the original UK release is a minor footnote, as its inclusion on later versions only makes an outstanding album even better. If forced to pick a single track, the urgent, punky "Pump It Up" has long been my favourite Elvis Costello song. For reviewers and new listeners wondering why Elvis Costello belongs on any '1001 Albums' list, the answer lies in his excellent run of consecutive classics from 1977 to 1980: "My Aim Is True", "This Year's Model", "Armed Forces", and "Get Happy!!". This foundation was followed by essential works like "Imperial Bedroom", "King of America", and "Blood & Chocolate". Beyond the sheer quality of his work, Costello has been a huge influence on the music scene for approaching 50 years. He now commands a large and varied body of music, but for newcomers, I would suggest starting with those initial four albums. Side one 1. "No Action" (5/5) 2. "This Year's Girl" (5/5) 3. "The Beat" (5/5) 4. "Pump It Up" (5/5) 5. "Little Triggers" (5/5) 6. "You Belong to Me" (5/5) Side two 1. "Hand in Hand" (5/5) 2. "(I Don't Want to Go to) Chelsea" (5/5) 3. "Lip Service" (5/5) 4. "Living in Paradise" (5/5) 5. "Lipstick Vogue" (5/5) 6. "Night Rally" (5/5) 7. "Radio, Radio" (5/5) Total - 65 Average - 5.00 142/1001 72/142 albums reviewed were new to me.
Classic album cover in my living room growing up. This album pumps. No pun intended on pump.
Cover 7 Proto-alternative rock. If you like 90s alt rock, then Costello should be a must listen, especially as a solo artist (in general, not just this album). This album in particular has some good songs. Favorites: 1. No Action, 2. Pump It Up and 3. Living in Paradise. Their album Accidents Will Happen is probably better but this is still a decent album.
Beguiling pop punk/art pop from a master. These little gems are growing on my after a second listen. I saw him in concert this year, for the first time, and sadly his voice is so shot it was a painful listening experience, tho he was quite witty in banter with the audience. I appreciate diving into his catalog to hear peak Costello.
5.5
Enjoyed this, not super memorable but was a fun listen
I didn't know costello sounded like this i don't think. it was enjoyable, nothing ground breaking but nice.
Recognisable hits on here
Hmmm, I kinda couldn’t be bothered but it was really good, as ever with Elvis Costello I guess
Fun album, good pop rock.
I bought this a long time ago, haven't really relistened a lot. Punchy poppy smart. 4 Heard before? Yes Owned: Yes: 22/1001, 22/88 (25%) Will I get? Already have
This one is not for me.. His voice bothers me and there's nothing about it that I like 🤷🏻♀️
Sounds like a drunk guy singing karaoke
Bien meilleur que son premier, et de loin. Il la sort du stade, c’est un fait. Le nouveau band qui enregistre avec lui (The Attractions) est plus proche de son esthétique. Un album réussi, malgré que toujours pas pour moi.
Frankly I love this album.
This Year's Model est le premier album que j'ai connu de Elvis Costello. Je l'aime beaucoup et ça reste celui que j'aime le plus. De My Aim is True à Imperial Bedroom ça vole haut.
Sa voix me fait penser à Eliott Smith. Dans le style Iggy Pop (Lust for Life). Je réalise que j'adore l'ethos du pop punk, j'écoutais Dookie hier et je me disais que ça peut paraître pas sérieux comme musique, c'est pas revendicateur comme du hardcore punk. Mais je pense que j'aime quand ma musique a un côté poético-ludique justement.
I liked it! I haven't listened to a lot of Elvis Costello but I enjoyed this, particularly 'Living in Paradise'
Pretty fun, upbeat album. It sounded fresh and kind of reminded of some of the easy-going 90s / early 2000s music, just with a little less noise. That said, probably not rushing back to go listen.
Excellent album for an introduction to Costello's music.
Meh
Glad this is over. There is obviously an audience for this dude. But it ain't me. The vocals are the same feeling I get when I listen to Bruce Springsteen. They're just so fucking wretched, that they end up doing a parody of themselves. The music is decent, some standard ole rock n roll. But the vocals ruin it for me. Hope I don't have to listen to too many of his albums.
Ganz gmüetlichi und losbari wuchenendmusig. Han s album ei mal ohni ufwand dureglost, denn schön süüberlich id akte gleit und det wirds jetzt für alli ziit verstaube. 3 Staubchörnli
I don't know if i love his voice. but it was cool
Gives the same type of feeling as watching mid Woody Allen movies. Extremely neurotic in both lyrics and sound. Midway from punk and new wave lies whatever the heck this is. Favorite Tracks: This Year’s Girl, Pump It Up, Radio Radio
Silver lake
Don't like it. Hate this guy.
3.5/5
I could not get onto the overall sounds and grove of this today. Turns out I maybe like the raw sound of the first album a lot more than I like the attractions. It feels tighter and more produced, but I think that works against the material a bit for me. I found that organ sound quite grating in parts. Still seems like some good songwriting at the heart of it though
Costello's most diverse and somehow best album
What an absolute delight to listen to! My prior experience with Elvis Costello was with some of his more popular hits - Alison off his debut album, and Pump It Up from this follow-up. Thought those are excellent songs in their own right, two songs simply can't give a complete picture of what an artist as varied as Costello has to offer. Listening through this album started to fill in that picture. I loved how Costello blended influences and ideas so seamlessly. He incorporates punk, blues and reggae, along with vocal stylings that seem to be drawn from Springsteen and Dylan, all while cohering wonderfully into a greater whole. Somehow, especially given the lyrical content of many of the songs, Costello is able to blend the punk sensibility with music that sounds almost infectiously happy at certain points. There are certain points of outright experimentation with production, but these moments are tasteful and don't distract from the larger picture of music that does not rely too heavily on studio effects. The Attractions - particularly the bass and drums - take center stage on many of the tracks, creating a driving energy that propels the listener through the album. While Costello's guitar feels relatively muted in the mix on most tracks, his vocals and clever lyrics shine throughout. Costello addresses the personal, societal and political with biting sarcasm throughout the album, but these messages were leavened by wordplay and double entendres laced in. It seemed that Costello's vocals were quite influenced by Dylan, but he came off more snarky than sneering. This album is eclectic, clearly influential, and above all entertaining. I'll likely have it in heavy rotation for the next few weeks and I look forward to exploring more of Costello's work.
Heavy on the pop/punk rock themes, good rockabilly sounds. Okay, just not my thing.
This is when Elvis started to intermix the strife of intrapersonal relationships and political themes.
This music seems so urgent and yearning, someone who doesn't have the social skills to express the strong emotions they are feeling. I kinda feel bad for it but I also like the music it created.
Elvis Costello has always been intriguing to me...I don't know why.
This is why I’m doing this challenge - to discover albums like this I’d never heard! This is a BRILLIANT album and I’ll be listening again to it for sure. I can’t even describe it’s genre, it kind of defies it. The less said the better, the more played the better! 4.5
Like the Beatles and the Arctic monkeys
perfect for eating men pussy one of the better examples of ‘1001 albums you must hear before you die core’ 4.5
More 70s artsy fartsy pop rock by a nasally white guy. This was my first time listening to Elvis Costello, though, I understand he has many more albums on this list so I guess I’ll get more acquainted with him. My biggest complaint is his voice. Otherwise, it’s decent pop rock. Catchy and tight music with clear and visual lyrics mainly about relationships, women, growing up and angst in general. The album’s good enough but not exactly memorable and I probably won’t return to it much. But yes, I understand this is near the apex of songwriting for many listeners.
I have never been able to get into Elvis Costello and that streak remains unbroken.
Superb
I don't get it. Song writer sure, but not much else good
I think this is my first time listening to Elvis Costello. Unfortunately due to other things going on I was only able to listen to the album in short bursts and only made it through the entirety once. That being said, I liked what I heard. I added This Years Girl to my library. I’m sure I would have added more if I had more time to listen to the album. I look forward to exploring Elvis Costellos discography more.
Pretty good. I appreciate good bass playing and Bruce Thomas of The Attractions was great. The bass playing is definitely a highlight of this record for me. Standout songs: No Action, Pump It Up, Lip Service. I wish I could give half-stars, because I'd rate it 3.5 stars, but I'll round up to a 4 because of the bass.
Feels like dad music, for better or worse. With so many albums to get through, it managed to hold my attention for a good 20 minutes or so. No, I am not listening to the 40-song deluxe edition.
This is good stuff
2 Elvis Costello’s in one week. This one a year earlier than the last. Similar sounds but a little more punk and a little less pop. I really liked this one, too, and actually recognized the Pump It Up song. Another 4 stars for me, but I vote we move on the Counting Crows. 😉
You can shine a turd all day long, but at the end of the day it’s still just a piece of sh*t. This album is more of the same from Elvis Costello; musically interesting yet vocally insulting. If they gave out an award for saying the title of your song as many times as possible within your lyrics, the podium would be Elvis Costello and then everyone else. I’m not sure if I’m being punk’d or if I lost a bet, but being served Elvis Costello twice in one week when there are 1001 albums in this project just seems cruel.
Rob: Hey man, let’s put this album in the book. Tony: Another Elvis Costello album? C’mon mate. That makes 5 now. Have you ever even listened to this one? Rob: No, but the publisher says we will never sell a book called 278 Albums You Must Hear Before You Die! So we need a thousand. Just put it in and quit bitchin’. Tony: Why a thousand? Why not 500? Rob: More albums means more pages and more pages means we can charge more money. Stop arguing or we’ll never finish this list. This will take forever if we think about every album we put on it. Just add that Elvis record. Tony: Ok, but what if someone actually listens to it? Won’t they know we just put it on the list to reach a thousand? Rob: You’re a full-on wanker, then, huh? Are you daft? Who the hell would ever listen to all these albums? We’re writing a book, Tony, a book. You read books, Tony, you don’t listen to them. Tony: Yeah, I guess you’re right. Rob: Plus, they don’t read the book before they buy it. By the time they read this, we’ll already have their money. Tony: Yeah, you’re right, mate. I’ll put all those Nico albums back on the list then. Rob: Plus, if anybody asks, we can say it had Pump it Up on it. That’s a great song. People will believe that. Tony: Yeah, I guess, and I sort of liked Radio, Radio, too … and maybe even I Don’t Want to Go Back to Chelsea. Rob: Whatever, brov, we just need to reach a thousand. So put this on the list and keep thinking… what comes after Costello? Tony: Um … Counting Crows. Rob: Nope, no one would believe that one! [They laugh as the lights fade]
I'm definately not mad we got another Elvis Costello. I liked this album MUCH better than Armed Forces, and I liked Armes Forces alot. This album is bit edgier and Elvis's voice feels like it's got bit extra punch and snark. Radio Radio of course is the highlight of the album, great song and iconic SNL moment. Love the vibe of this album, I'll be digging through the racks for a copy.
Really don't get the appeal of this one. It's just totally not for me
Another Elvis Costello album generated and another Elvis Costello album I'll never think about again
Honestly not bad
-2/5 just because out of spite. Nobody gives a fuck about or wants to listen to a whole album revolving around models. Would've been good for this if Costello became one himself and not a singer... This way he wouldn't be allowed to sing.
Great post punk pop album by Elvis. No standout songs, just strong throughout
Never actually listened to Elvis Costello before. Was a little wary going in, since there seems to be a lot of hate for this guy on the subreddit. But it was pretty fun, I had a god time. Best song: Pump It Up
I'd heard of him before but hadn't ever listened. Pretty good.
Music is great, lyrics about women are super shitty
I appreciate him as a songwriter, and mostly enjoyed this album. But, in all honesty, his songs never really grab me in a way that make me want to listen to more. Highlights: "The Beat" and "Radio, Radio"
I enjoyed it. I have heard of Elvis Costello many times but did not recognize any of his music. It was rocking!
Classic album. Acerbic songwriting and unlike the previous album My Aim Is True, now backed by the Attractions. A highlight apart from the songs themselves is Bruce Thomas’ bass playing.
I like it for what it was. Its not exactly groundbreaking anymore but at the time it was.
A very good album produced by Nick Lowe. Such a well produced album but certainly with a Nick Lowe influence. Not my favorite Elvis and the Attractions album but a very good one.
Enjoyed this more than I thought! Catchy hooks, voice was a little annoying but I got over it by the middle of the album. 3.5 rounded to 4
Generic white people music.
No good notes. Likes the songs.
An angry, eloquent punk-pop tunesmith with a hell of a band to drive the bangers. Favorite track: Radio, Radio (which also contains the best lyric: "And the radio is in the hands of such a lot of fools trying to anesthetize the way that you feel"). Honorable mention: Lipstick Vogue (madman drummer), Pump It Up.
74/100. This Year's Model by Elvis Costello & The Attractions is a good new wave record that’s sharp, punchy, and effortlessly listenable. With its tight songwriting and clean production, it’s easy on the ears and flows smoothly from track to track. A solid and accessible album that holds up well.
So elvis is literally one of the best songwriters of our time.The problem with him is that he basically wrote too many songs.And they all just kind of sound, not the same, but they just get mushed together.This, however, is this magnimopus?And it came early enough to where nobody was sick of him.And it's got all of his greatest hits.Basically, sands may be five or six other songs
En ole koskaan kuunnellut Elvis Costelloa, vaikka tiedänkin miehen. Tämä levy oli kohtuullisen tylsä, kappaleet aika tasapaksuja, mutta kuuntelin sen kokonaan. Parasta oli Elviksen ääni, ei jäänyt muuta mieleen, en osaa edes sanoa mikä biisi oli paras…
original emo, perpetually horny and angry at some woman he hates. what in the misogyny is this? wild how all the 2000 boy bands sound like him, time really is a flat circle. I love the music but it’s hard to listen to the lyrics. Pump it up!!! Olivia Rodrigo ey?
Heared about Elvis Costello but never heared his music before The way his voice sounds like 90s alternative, but back in 70s gave me some kind of uncanney valley effect Nothing groundbreaking for me, but enjoyable and engaging power pop, I had fun listening to this album
I actually just listened to this album last week after getting Armed Forces, one of my other favorite Costello albums. Loved this album for years!
Barf. I don’t like Elvis Costello apparently.
𝘛𝘩𝘪𝘴 𝘠𝘦𝘢𝘳’𝘴 𝘔𝘰𝘥𝘦𝘭 is sharp, nervy, and full of Elvis Costello’s characteristic bite, but for me it doesn’t feel especially distinctive. The Attractions are tight and the songs bristle with energy, yet nothing here really stands out as exceptional. A solid record, but not one that left a lasting impression.
Probably Elvis Costello's best album. It contains one of the greatest singles ever released (Pump it Up), the production work by Nick Lowe (who should be on this bloody 1001 list) is flawless resulting in an album that will forever sound in all ways relevant with one foot in the past and one in the future- to busy observing to bother with the present. This Year's Model is one of those albums that you play again as soon as it ends because you are left in a state of disbelief at just how one album can be this life changing great. One of those albums that gets better with each listen- a mind-blowing thing considering that it sounded absolutely essential from first listen. OF NOTE: This review is for the UK edition of 'This Year's Model' ALL other versions are inferior and should be destroyed.
This Year's Model: an angry, eloquent punk-pop tunesmith with a hell of a band to drive the bangers. Favorite track: Radio, Radio (which also contains the best lyric: "And the radio is in the hands of such a lot of fools trying to anesthetize the way that you feel"). Honorable mention: Lipstick Vogue (madman drummer), Pump It Up.
Need to go back and relisten to this one!!
i think i like the album, it has a pretty interesting combination of different sorts of instrumentals like ska in "(i don't want to go to) chelsea" and kind of a rockabillish theme in other songs. Not going to lie, don't really understand much of the lyrics. What does "they call her natasha when she looks like elsie mean?" Also the opening lines of the "lip service" confusing as well. I think this album works best as just a decent bop. I don't know if he's playing a character of some voyeruristic observer or something in "living in paradise". Quite enjoyable and would see myself listening to it again. Would give 3.5 stars but since cant will give 4 stars. Also "lipstick vogue" slaps-those driving bass and drums are great. The political notes for the most part in "Night Rally" hit as well.
Did not get on well with this one. Not one song was added to my library. Will not be revisiting.
Blows chunks. 0/10
Well well didn’t expect to enjoy this as much as I did - listened whilst running and it was a real mood booster! Thanks Elvis
Listens: 2 Standout Tracks: This Year's Girl, (I Don't Want To Go To) Chelsea This was surprisingly modern sounding for having been released in 1978. You could have told me it came out in 1995, 2005 or 2015 and I would have believed you. The production value is crisp and clean. I hear elements of ska, post-punk, new wave, more traditional rock. It's not something I will be adding to my rotation or go out of my way to listen to in the future, but I was glad to have heard it.
It's okay. By no means bad but does not stand out either. Inoffensive.
I didnt enjoy his voice, the album isn't for me.
not what i thought elvis sounded like
Not huge on his voice but very nice songwriting Fav song: I Dont Want To Go To Chelsea
This one was just OK for me. No real issues with the production or playing but the songs just didn’t grab me so I was a little bored by the end.
There’s way too many Elvis Costello albums on this list, and this one only has 1 good song.
"This Year's Model" is the second studio album by English singer-songwriter and guitarist Elvis Costello. New wave, power pop, punk rock, pop rock and garage rock are the Wiki-listed genres. Yeah, they're all there. Costello's debut album was backed by California country rock band Clover. For this album, he formed the Attractions which would become his permanent band and included Steve Nieve (keyboards), Bruce Thomas (bass) and Pete Thomas (drums). The songs are drawn from the Rolling Stones, Beatles and Kinks with the lyrics addressing but not limited to mass control and failing relationships. Commercially, the album reached #4 in the UK and #30 in the US and was critically very well-received with praise of strong songwriting and considered one of his best. "No Action" opens the album. Drums and a swirling guitar. A chorus of "No Action" with the backing vocals in a song about the regret of a failed relationship. I'm always a sucker for a song that threatens to break out and never quite does. In "This Year's Model," the girl may be in style this year but probably not next year...a comp for men's thoughts on women. Idiosyncratic beats and bass. More swirling instrument sounds: this time, keyboards. A pumping keyboard melody anchors "The Beat." A great bass line. Costello going on about manhood when the song explodes with a chorus and then slows down. Repeat. Always the airy keys. New wave indeed! The drum beat, bass and guitar slashes open "Pump It Up." A bouncy beat and melody. Forceful vocals as Costello describes the all important night club members and their actions at their highfalutin night club. A ska beat begins "(I Don't Want to Go to) Chelsea." That quick guitar riff. The scooting bass. A droning organ. Another attack on fashionable society and comments on last year's model. Costello doesn't hold back on the closer "Night Rally" as he compares corporations hypnotizing their employees to nationalistic movements in his country....and 47 years later. An appropriate marching band-type sound. The song just ends abruptly. Obviously, not an optimistic outlook by Costello. The first thing that grabs your attention on this album is that the band just rocks. There's something to be said for constantly playing live and coming into the studio with fully realized songs. Add great mixing, production and top-notch musicianship and you have a great album. The songs may take a base Stones, Beatles or Kinks sound and add a ska reggae or punk style but in the end, it is their original sound. The keyboard sound (along with Blondie at the time) defines the keyboard-led 80's new wave. There's glass-half-filled lyrics and then there's glass-never-existed-Elvis Costello lyrics. He makes the negative side of life and observations an art form. This is an album that hasn't aged a bit, a must listen and my favorite Elvis Costello album.
This is fun. At times I find his music to be a bit pretentious (takes one to know one) and inaccessible. But this is fun.
The tension is high; he’s angry, but not mad and the band just lets it rip when compared to other more polished records. One loves the menacingly bleeping organs and sharp, almost aggressive guitar riffs (e.g., on “Chelsea”). "Living in Paradise" and "Lipstick Vogue" are seriously underrated entries in a most impressive catalog. Just solid from top to bottom, with universally high quality throughout. Another commenter nailed it: “Perfect balance of pub and punk.”
Good album, songs are clearly well written and performed but they're all of a sameness. Good but not great.
A couple decent songs; backing bass player is solid. Wanted this album to end almost immediately.
It's... fine. Not my thing. It's not so terrible that I'd give it a 1/5, but it's just barely above that.
Low 4? I liked the first costello record that popped up for me more but this one is fun
5-star songs (except Lip Service and Night Rally which is thematically brilliant) that I can sing along with even the ones that aren't 5-stars...incredible album... Costello is such a snark and he's even aged well... "...You think they're so dumb, you think they're so funny Wait until they've got you running to the Night rally, night rally, night rally..." America, wake up!
6/10
Elvis? I thought he was dead! Oh no, it’s the other one. I have heard this dude’s name for my entire life, and never once heard an Elvis Costello song. I mean one may have slipped through the cracks, but if you gave me a billion dollars, firstly I’d say “how did you get this and why are you offering it to me?” And then I would be unable to conjure one descriptor of this man’s musical output. Not a one. It’s time to break that streak. Hey, if you still want to offer me the billion after this, make it a cool 900 million as billionaires are unethical. No Action - Look at this cover and tell me you’re surprised by the words “No Action” being associated with this fella. This singing is comically obnoxious. This is how I would sing if I was trying to make fun of this song. This Year’s Girl - What a player. From no action, to a new girl every year. Elvis, you sly dog. You old scallywag. You rapacious rapscallion. The Beat - Alright. I relent. This is pretty infectious. I’ve acquired the taste. Goes hard, silly and fun. Pump It Up - LESS fun. Too repetitive here fellas. I don’t know which one of “The Attractions” suggested repeating that refrain so many times, but it can’t be my sweet Elvis. Little Triggers - On the tiniest little guns. They’re too small to do any damage, so when I try to end it all during this song I just get a little raised welt on my temple. Blast. You Belong to Me - Hoping this about an object and not a person. Either way, the song sucks. Hand in Hand - This reminds me of the intro to White Hen Decapitator by Macabre. What a song. Anyway. Now I’m just mad I’m not listening to Sinister Slaughter. Whatever. Song is fine here. And that’s a big uogradr from the last few. (I Don’t Want To Go To) Chelsea - Well then don’t go. Man. I should be a psychologist. Or some sort of crisis mediator. Sometimes I’d just start yelling. Separates the men from the boys. By that I mean I would break up families with my newfound power. Lip Service - This was a nice little power pop sort of thing. Liked it more than some of the other tracks. Living in Paradise - East Chezzetcook? Lipstick Vogue - As opposed to a regular vogue sesh. I routinely break out into some pretty fucking rad hand dancing. I wouldn’t call it voguing but it certainly has the same heart. Night Rally - Man I’m just finally coming around to making a Randy Newman reference. Is this Randy Newman? I never said it would be good. Radio, Radio - Decent closer. To paraphrase The Go-Go’s “At least we’ve got “The Beat.” Nah I mean this was a very interesting record. It sounds light years ahead of 1978 and with the borderline comical vocals, there is a punk-ish tinge to this that held my interest. This isn’t a classic for me by any means but Elvis Costello isn’t as bad as I expected when I saw the artistic camera model shot on the front cover here. Another week in the books. Only like 2 and a half years and 12 Nick Cave albums to go. 2-2.5 HIGHLIGHTS: The Beat
Phew! Finished the gauntlet of six Elvis Costello albums! And the last two (this and My Aim Is True) were the best. Pump It Up is probably my favorite Elvis Costello song.
Aged like milk. Sexists and boring
I literally just saw Elvis Costello play live last night, so GREAT timing. This album is an absolute classic. His early era stuff is pretty unassailable. It's an easy 9.5/10. Banger after banger.
This is heeeeat. Better than the other Elvis Costello I listened to on here, a lot I’ll come back to
I had avoided this Elvis my entire life, I think because I thought his look and vibe were corny. Well, maybe they are, but I shouldn’t have closed my ears to his music. This album is great. Makes me want to research Vampire Weekend’s influences.
Feeling entirely neutral about it
I'm very much conflicted with this one. When the album settles into less assuming, contemplative pockets ("The Beat", "Hand in Hand", and a couple of other points within its second third), it ventures closer towards being within my wheelhouse, but I can only describe measurable portions of this album as "bad American sitcom theme tune music". It captures an angsty, rebellious mood of sorts, but channeled through a sticky-sweet sonic template with a nasty aftertaste. It's a kind of over-exerted new wave album which crosses the threshold in which I'm willing to tolerate in large parts. Vocally, Costello is not my cup of coffee at all here, whereas I can't remember this being a significant issue that I took with My Aim is True (though, it is an album that I already have barely any recollections of, so I'd have to revisit it to compare fairly). I guess I understand his energetic, kind of sarcastic appeal, and can hear the influence sought from later alt-rock vocalists, but I'm not keen on a great many of them either. Crop me out of your film, ta mate.
Good might listen again
More Elvis Costello! I love the backing band on this one. It just feels so much fuller than the last album I listened to by him. Makes me want to dance and drink a can of pop and not care about anything happening in my life. As any good pop/rock album should. I am discovering that I am simply an Elvis Costello fan. Sounds like the default music that exists in my brain. I think we'd be friends.
One of those artists whose reputation seems rather disproportionate when contrasting the musical critics and music consumers' views on him. Great pop songs in a "punkish" packaging, but the overall album listening experience gets a bit exhausting after a handful of songs. Great album closer, though.
Costello is a weird one for me. There's occasional songs that I absolutely love, but I don't care about the vast majority of his work. It's not bad, but there's little there for me to really get into. His lyrics are his strong suit, but I need to like the music, too. This album didn't have any musical moments that I really liked. He's a bit punk, a bit retro, a bit pop, a bit garage. It's an odd blend that I can't really compare to anyone else. It's a fine listen, but I don't see myself revisiting this, and that's after giving it a second pass (though I'm sure I listened to this album yeeeeaaaaars ago when I really dug into Elvis Costello's work). PS, after writing this I wanted to check for similar artists to Costello, so I checked Music-Map.com. The closest artists were Nick Cave, Leonard Cohen, and Tom Waits. That's an odd collection, since I don't think any of them sound like each other. But they are all great at telling stories through song, and have an eclectic mix of influences that they've fused together into a distinct sound. So I guess they are their closest comparisons.
Not my vibe
Already loved the hits but had never listened to the full album. Even better than expected.
This is the best Elvis Costello album I've listened to yet. Still a 3
I liked only one song. Otherwise did not enjoy it. 1/5
Good stuff.
Just an annoying album that I have no desire to revisit ever again.
77/1001 :: Elvis Costello & the Atrractions - This Year’s Model Heard before? ❌ Would I revisit? ✅ Rating: 7 Listen before you die: Yes Fav Songs: Pump It Up, You Belong to Me They said it couldn’t be done… but I found an Elvis Costello album I actually liked. I love this project for that reason. The songs on This Years Model and cool but also catchy. Still having a tough time with the voice but thought the way he was using his voice on this album added a fun element to the songs. Not sure how much I’ll revisit this but I might so I’ll give it the nod. Lastly, great cover art.
I can’t believe this came out in the 70s. It sounds timeless, simultaneously like so much that came before and so much that came after. I hear the 50s influence that contemporaries like Blondie also took after. I hear pop punk, I hear Weezer, I hear new wave, it’s crazy! The lyrics are sneering, playful, and inventive. Overall this sound isn’t really my thing, consistent with how I’ve felt about the snippets of Elvis Costello I’ve heard in the past. But I can appreciate what it accomplished!
bad as usual
It's good
Meh
would be really enjoyable album if anyone else but Costello sung on it.
I like the vibes!
Not really a fan of his vocals. Don't like the new wave vibes. 2.5/5
Strong production and decent songs, but it's not my favourite of his
Costello once said you spend 17 or 18 years writing your first album, which is why it can be so personal and powerful. This was his first album, and the one I most appreciate.
Well made album, nothing super catchy but definitely can tell lots of thought was put into the composition and lyrics
I just don’t care for Elvis Costello. I find his music annoying
Pretty fun, then it ends with Radio, Radio. That bumps it from a 3 to a 3.5.
Fantastic album. Love Elvis Costello
I expected to like this album more than I did. It was pretty fun at times, but just didn't rise to the level of being great for me. Probably worth further investigation. Still a high three.
Bah, I just don't like Elivs Costello.
2.75
Elvis Costello sucks so much…
not for me at all
The Beat est pas si pire J’aime pas sa voix
Hacía tiempo que quería dedicarme a escuchar a Elvis Costello y este aha sido el momento. Para esa música de ese tiempo siempre he sido más de Joe Jackson, con el que encuentro muchos paralelismos. El disco se escucha fácil, pero no consigo que me enganche más allá de esa facilidad. “Chelsea” y “Pump It Up” como favoritas y “Night Rally”, la cual me imagino en la voz de Bruce Springsteen sin desentonar para nada.
Dude needs a box of tissues and a nap. Spins: 1 Playlist Additions: - Pump It Up - (I Don't Want To Go To) Chelsea - Radio, Radio
Good punky pop, and very clear the influence both EC and The Attractions had on new wave and indie acts that followed.
The second Elvis Costello I've had as part of this project and such a big step up from his debut. Whilst not every track is a killer, there's a lot of really great stuff on this. Costello's band has a real energy that makes the more upbeat tracks really infectious.
Like, don’t love
Wow, i enjoyed this much more than i thought i would! There is some pop here for sure but far less than i expected, and the garage adjacent sound is just enough garage to push this to 3.5 stars for me but then i hear his quirky vocal style and we're back down to 3. All in all a pleasant surprise.
This is a great album! I love the nervy/nerdy energy of early Costello. Such tight playing, too. I kind of backed myself in a corner giving Electric Warrior 5 stars, so here we go.
A more tolerable Costello record. "The Beat" is kind of a bop... no other keepers for me though.
Similar to my first Elvis review. I like this one better than the one we did last week
Respect the man, but not my thing.
If My Aim is True was Elvis Costello looking up at the world with a scowl, then This Year's Model is Elvis obtaining a new perspective on it, while maintaining his now trademark acerbic nature. Grabbing whatever sonic diversions available and rendering it in their image, the Attractions remain the backbone to Elvis' call-it-as-he-sees-it viewpoint on the characters and settings that paint his songs and This Year's Model benefits from that scenery. A real one-two punch that Elvis' has never bettered since. Favorites: No Action, This Year's Girl, Pump It Up, Little Triggers, Hand in Hand, (I Don't Want to Go to) Chelsea, Lip Service, Lipstick Vogue, Radio Radio.
Meh
Costello's singing style just bothers me sometimes. Its probably a bit of an aquired taste. That said, there are some good little jams on this record. That tinny little organ/synth/whatever gets on my nerves sometimes too, but that's like one of Costellos signature sounds. Standouts: "The Beat" "Pump It Up" and "Living In Paradise" Overall, not great but not bad. Didn't move me one way or the other. There are aspects of this album that just set me off, but then there are others that I really like. I think if I gave this a couple more listens though I'd come to like it much more, but the vibe was just off on this one. 3/5
One of the best from Costello. Great blend of genres, interesting lyrics and fun songs. Some hits, plenty of reissues that makes it difficult to see what the original album was. There even is a Spanish version of the album released a few years ago! While I have listened to some Elvis Costello over the last few years, not sure if I am a big fan.