Reviews (page 2 of 9)
Instrumental techno. Mostly boring. Not awful though.
Another album that would make an amazing movie soundtrack. I should make a list of these; offhand, it's this, Virgin Suicides (obviously) and that one Goldfrapp album. Really, really enjoyed this - tried to listen twice but got too busy.
pense que no me iba a gustar pero me gustó al final. me enganchó. encima en un momento de volumen de trabajo. me parece que es ideal para eso. hasta me hace acordar al soundtrack de fight club pero mejorado. dicho eso, no se si lo escucharía en el día a día. pero ej. para correr? me gustó mas de lo que esperaba. no me agotó en lo absoluto.
I think you would need to be dancing in a field at 4am, off your face on E to really appreciate this...
this is what a gpu listens to while training claude on brainrot
I liked the other Prodigy album a bit more than this one, but not bad.
Music for the Jilted Generation is one of those albums where you just had to be there at the time. In the US, electronic music was slowly gaining traction, primarily through industrial acts like NIN. Dance music was mostly found at raves or in underground clothing stores selling DJ mix tapes, which weren’t accessible to everyone. Discovering this album was a real eye-opener. It had its own unique sound, distinct from industrial. Driven by breakbeats and underground dance elements, it also featured heavy guitars that added a fresh dimension. The song structures were another standout feature. They didn’t follow the traditional patterns of commercial music or the repetitive patterns of underground dance tracks meant for DJ mixes. This album took you on a journey from beginning to end. Although I’ve listened to it enough that it feels like old news, it still evokes a strong sense of nostalgia when I reflect on its past influence and uniqueness.
This album!!! It landed when I was almost old enough to appreciate it but young enough to find it all a little scary. My dad’s one raver friend introduced us to The Prodigy before they released anything, one afternoon in his flat in Feltham and I knew I was hearing something I shouldn’t, too dark. And it is dark. Even now. It’s such a brilliant throwback to a time when music like this was totally edgy and the idea of it hitting the mainstream - impossible. But it did and when they did, they kept on delivering. Shocking us for a decade or more, each time something dropped. Rebellious and infectious.
I feel way more jilted after listening to this album than I did before. If a fire alarm, burglar alarm and an air raid klaxon took acid and fucked, this would be their cursed offspring.
Music from a forgotten generation that can stay that way
Nope
90s rave darlings transition into a heavier slightly industrial dance sound that would see them not only invented to download ( the heavy metal festival ) but headline it Kind of like the transformation of Superman into his evil twin in Superman 3 As if they where contaminated with tar
Top tier perfect production, long but continually inciting and dopamine enveloping (?)
I'm unsure of what to give this because it really isn't my thing but I'm also not at a rave and that definitely bears some impact on my score
I turned it off. By 4th track it had given me a banging headache. Just a racket unfortunately, I had hoped for better
This was okay to drive to. I pretended to be in some 90s video game. Unfortunately the real world journey to work has traffic lights, so I need to try on an A road or M road next time. This isn't just your day-to-day listening though, it needs something. A dingy club, lots of booze, substances... They're exceptionally good at what they do though, even though it's not what I was in the mood for.
Some good fun tracks on here but some of it has dated somewhat. Never was a big fan but 'Their Law' (fuk em and their law - exactly), 'Poison' and '3 Kilos' are still worth the effort. Enough variation to keep you listening to the end and the context in which the album dropped, i.e. the Criminal Justice and Public Order Act 1994 that criminalised raves in the UK, helps you appreciate it more.
Solid…?
Oh boy more prodigy. What fun. I listened, fought off boredom, didn't wish for death but wondered why it was here. I didn't really enjoy Fat of the Land but this album makes that one sound brilliant. It's just kinda lame to me.
Actually liked this more than a lot of 90s electronic music. Not what I would actively listen to on Spotify. This would probably be more fun live with a bunch of lasers and an overpriced vodka Red Bull in hand
Electronica, techno or whatever genre you want to call it, its not something I enjoy listening to an album of it
This is decent, has the occasional banger -- I am part of a jilted generation, but not /the/ jilted generation the album title is referring to, so I may not be the target audience.
The Prodigy is 0/2 for me and I’m glad it’s over!
Not bad but not my taste
Loved, kept thinking about trainspotting
Rad album, The Prodigy really is just such a good time. Another 9/10.
The cover art made me think I was about to listen to a metal album and I got excited. Then I read the Wikipedia description and was very disappointed. That being said, I think this is my favorite electronic album I've heard on this list so far. It was good background music. But there's definitely nothing on here that I find worth returning to. It's gonna take something really special to make me like this genre.
It's no Fat of the Land, but it's still pretty great. It sounds exactly like you'd expect a transitional album between early 90s dance music and their hard, industrial follow up to sound. A bit long, but that's difficult to avoid in the genre, and each track does transition throughout it's length, so it rarely feels overly repetitive.
This could be good music for a scene in a movie, but when it comes to having to listen to this thing as an album, it’s miserable. The songs are so long and the album itself is so drawn out. The songs aren't even bad. If this was a 30 minute album it would be great. But it’s an hour and 18 minutes long…
Another one enjoyed waiting on flight home meaning a boring environment where my attention is captive. This is a nice sounding album on the APMs it sounded absolutely fantastic. Unfortunately it’s a bit repetitive in spots (poison-remedy come on already) and it’s also about 20 minutes too long, both making it hard to want to reach for. Maybe someday if I’m in the mood but unlikely otherwise. 3/5
Raro raro, es tipo rock, pero para fiestas electrónicas. Especialmente “No good” buen tema, pero los otros son muy repetitivos y no me terminaron de gustar la verdad.
Rave, breakbeat hardcore, and techno built from pounding breakbeats, abrasive synths, distorted samples, and shouted vocals feels like walking into a rave where sometimes the rhythm grabs me and pulls me into the crowd, while at other moments I find myself standing at the edge, wondering what I'm supposed to be getting from it. The album's relentless energy can be genuinely absorbing, but its repetition and sonic aggression can also push me back into the role of an observer. That tension between being consumed by the music and remaining outside it makes the experience compelling in places, but inconsistent for me.
If you’d asked me if I like The Prodigy, I would have said yes. But that was before I listened to an hour and eighteen minutes of it.
I don't think I recognize any of the tracks on this album by title. I'm aware of The Prodigy's hits, so I suppose I have _some_ idea of what I'm getting into here. But I'm not really looking forward to this. Yeah, this is mostly as I anticipated. I'm not into this. Sweet Jesus, this is repetitive. And it's to such an extent that if you had told me this was a parody of how boring and repetitive this music can be, I would have thought this was hilarious.
This was such a great CD to put on at the teenage party. I hated going to clubs but this record was a great way of experiencing the club in the safety of your home
I liked 3 kilos. Otherwise, The Prodigy still not my thing. And I can't tell if it's actually bad, or if I just don't like it, because I'm not that knowledgeable about electronica. So I'm being generous and going with a three rating. 3
I enjoy more of this 90s-2000s era techno/etc than I realized
I was first introduced to The Prodigy through the singles from The Fat of the Land in the ’90s, but going backwards to Music for the Jilted Generation completely blew my mind. As a kid who loved alternative rock and rap, it felt like this strange collision of everything I was already drawn to, just put together in a way I’d never heard before. Listening to it again today brought back that same feeling. It was packed with great beats, samples and sounds coming from every direction, but somehow never felt like too much. Even at nearly 80 minutes, it never dragged. There was an energy and creativity running through the whole thing that made it easy to understand why it hit me so hard back then and why it still holds up today. I knew why I loved The Prodigy when I first heard The Fat of the Land. Music for the Jilted Generation showed me just how much more there was to them.
Jilted or tilted? Either way, this was much easier to listen to than expected. I basically listened to it straight through and surprisingly never got bored.
Starts off really fun, but you could probably trim a lot of the songs in the middle and make this a tighter 50-minutes. It’s saved at the end by the Narcotic Suite enough to round up from 2.5 stars.
The samples were too much. When those mellowed out, it was listenable but otherwise was just annoying. The flute song kilo was good.
Super interesting riffs. Rave with subwoof!
This was far funkier than I imagined it was going to be.
This was good to work out to.
Gen X?
Muy intenso para escucharlo un día cualquiera, literal es solo para un rave
Not too sure how to rate this one because as much as a lot of it is quite repetitive and the album definitely drags on a bit too long, it still contains a few really good tracks. If I didn't listen to this while driving on the motorway at 9pm, I'd probably find it a bit more annoying but it's great driving music so gets a 3 from me.
This album was fine, I live edm kinda stuff but this was trying a little hard for me, nothing really stood out - except for '3 kilos' i liked that one
I will also never understand the prodigy. I love electronic music and a lot of edm and I love the experimentation and where they go it’s just too damn long and too loopy and too meandering for me.
excellent soundtrack for a drive out to the suburbs. at one point, dork on a crotch rocket pulled up behind me at a long light and proceeded to start dramatically dancing to the presumably EDM he was blasting in his ear buds under his helmet, and i pretended he was dancing along to The Prodigy with me
I really enjoyed this except it was a bit of an accelerationist vibe for the part where I was trying to navigate city street shutdowns where there are at-grade trains and also light rail and someone was straight up on the tracks near me...had to pause while we all got sorted.
Theiir next album iis better. Lots of drums and guitars dropped at random. Pretty mediocre.
música para mis oídos
I’ve only ever known the commercial releases for Prodigy but liked them. The album uses some creative sounds within the music and brings the energy on every track. This whole album will get a regular place on my running playlist.
I could write a chapter on this album. It is amazing, and I still play it today, either the record or just on my phone/in the car when I need to get hyped up. Love it, their best album and that is saying something.
banger
NICE THROW BACK, but doesn't hit as hard as it did when it came out originally.
Sometimes I think I should be concerned by how much of these I remember from my childhood
I understand, Mr. The Prodigy, did your intention was that I take drugs, dance, and fuck this music. But I gotta tell you? This soundtrack me through some of the most intense whole house vacuuming I’ve ever done because that’s where I am in my life. I wasn’t excited to listen to this, but it would be great for working out… We’re vacuuming. It was a surprising amount of diversity throughout. I’m gonna go three but it’s more like a low 3 1/2.
Best Track - "No Good (Start The Dance)"
Au vu de la pochette, je m’attendais à détester mais au final j’ai plutôt apprécié. Cependant, je doute de le réécouter comme ça pour le plaisir.
First song: ok this is ok Last song: why was this 73 minutes long oh my God. It all ended up droning together (like most techno/house does to me). Fine to drive to but nothing else discernable
Amazing record, love the samples and overall production of each song. It set the way for future album by paving the way of their style. Energetic, raw and non-stop music for a little more than an hour. Incredible feel and always recommended
Fire to the juggalos
Had a great time listening to this one. Each track had fresh beats that made a lengthy album not feel like its dragging on endlessly. Plays with sound so well that its truly some of the best early EDM.
Pretty astonishing formula for song creation, get a 909 or a breakbeat sample. Get the tb303 going off on some generic acid and then just have the most annoying 0.75 second sample of someone yelling and pitch it up. Then walk away for 7 minutes.
haven’t started listening but LOVE the album cover i like albums that have like an intro/outro because you can tell they’ve really thought about how the whole album should fit together these kinda ones i feel especially bad about listening to in the wrong order but oh well. if i like it i’ll get the cd maybe. 3 kilos uhhh i zoned out break & enter very fun percussion/breaking sounds and things it’s slightly giving the garageband beat sequencer oo doors opening muffled underwater vibe breathing you ok bro? this is very fun and vibes and feels like aliens are landing the smashing is a little jarring not sure if i like it being constant oo we have vocals that didn’t last long this is a LONG song i like how they’re not afraid of themselves still on this one oo i like the sound at c 7:10 idk what you call it no good (start the dance) different vibe but you can tell this is the same people idk what genre you’d call this i like the speed on the drum/percussion part 0:57 i like what’s going on here fun build yes good we went somewhere with it well done that sounded nice we could have a little rave to this Their law liking the build at the start very atmospheric poison good but repetitive
Love a weird album! This is A Vibe. not My Vibe, but one I appreciate nonetheless. This one's a busy day of things that you're not excited about doing, exactly, but that you're excited about having done because the end product/goal is something you really want. 3.1/5
icnoic shi on that
Dope
For a creepy album cover my first impression was that this was another metal album... that's not the case here. Unlike the last few dance/electronic albums, this one is beat-heavy with a sprinkle of some random side effects. And for 78 minutes it goes on far too long. I’m more partial to recent dance music like Underscores and Ninajirachi since they condense it into less than 5 minutes per track (2.5-3).
So many great tracks
My teenage years were the nineties and The Prodigy played a big part in my youth. Musically. As The Fat of The Land before, I found this album a bit underwhelming. Poison and Voodoo People took me back. And No Good is a decade defining song. But most of the rest isn’t very memorable. Speedway goes on my playlist. The album still gets four stars for vibe, nostalgia, influence and the absolute bangers.
Aw yeah this is badass. Any album that can make me feel like I'm flying down the freeway is an automatic 5 in my book.
I really don’t like the prodigy
This was fine electronica but it didn’t really grab ahold of me.
27/07/2026 An album and band that pioneered the dance scene and set the bench mark for bands to follow. Spotify listeners: 5 million
Gen X slop
Decent background music
Next time I wanted to listen to the same song for over an hour I know which album to pick
Music for the Jilted Generation is one of those albums where you just had to be there at the time. In the US, electronic music was slowly gaining traction, primarily through industrial acts like NIN. Dance music was mostly found at raves or in underground clothing stores selling DJ mix tapes, which weren’t accessible to everyone. Discovering this album was a real eye-opener. It had its own unique sound, distinct from industrial. Driven by breakbeats and underground dance elements, it also featured heavy guitars that added a fresh dimension. The song structures were another standout feature. They didn’t follow the traditional patterns of commercial music or the repetitive patterns of underground dance tracks meant for DJ mixes. This album took you on a journey from beginning to end. Although I’ve listened to it enough that it feels like old news, it still evokes a strong sense of nostalgia when I reflect on its past influence and uniqueness.
Well the album cover is awesome. Not at all what I expected from Break & Enter. The album art lowk made me think it’d be like death metal type. Interesting for sure, gives real Bassnectar vibes. Is this what the kids consider rave music? It was alright overall though.
Pretty good! It wasn’t for me but I appreciate it, still a 4/5
Jag. Älskar. Detta. Album. Så. Mycket. No Good (Start the Dance) är en av de bästa låtarna jag vet och det har jag tyckt sedan jag hörde den första gången. Poison och Voodoo people är skitbra. Break & Enter och Their Law likaså. Resten är bra också förstås. Jag är så otroligt glad över att jag var ung när Prodigy slog igenom, som jag har dansat till detta band. Så fruktansvärt kul jag har haft till detta band och de var grymma live också. Självklar 5a förstås!
I dig the anti authority and the response to some shit laws but this just doesn’t hit with me. The three track suite is pretty cool though. That saved it for me.
The fucking start of this album sounds like so many shit 1990s video game soundtracks oh my god. It’s got a little more bite than some of the other electronic schlock on here
Ugh 1
Are they trying to scare me into dancing? It's working! Very fun and scary. I miss the vocals though. Nobody is doing domestic violence on this album missed opportunity.
7/10. Habiendolo escuchado 1 sola vez puedo decir que es un gran disco de electro. Es de 1994, como muchos discos del estilo, pero realmente parece muy actual, debido a que es un estilo de electronica muy parecida al Rave actual. Ritmos muy pegadizos, que te hacen mover 100%, pero con buena creatividad en la adición de melodías, letras e instrumentos que provocan que la música nunca sea aburrida. Gran descubrimiento, me hace pensar que me gusta más el Rave de lo que creí.
This album was built for the dancefloor, but it's more than just a bunch of big obvious beats. There's a lot of range here, from songs with big jagged guitars to bouncier, funkier tracks. The drum programming is infectious, and vocal samples and clips are used well throughout. The highlight is the Narcotic Suite at the end; "3 Kilos" makes good use of a flute and "Claustrophobic Sting" lives up to its name with its anxiety-inducing screams. No individual song outstays its welcome, but the album's CD-limit-pushing length does feel a bit long, as there's nothing here that's truly breathtaking. I actually find myself wishing it had more energy or took bigger swings in places. This is a step above much of the other popular dance music from the early 90s, and it hasn't aged poorly, but its too short on unforgettable moments for an album this long.
Yikes! Too repetitive, strange and eerie. But I can maybe see some of the genius.
Heads up, if you look for this on YouTube, the first album that comes up is the 30th anniversary remix album. So that’s what I listened to all the way through before realizing my mistake. Checked out a few tracks from the original and they sound dated in comparison. The remix album is pretty good though, I liked a few songs, most were just ok.
This album will not be for everybody. If you like techno, it bangs, but I can see people who don't turning it off quickly
Rave music's got a lot of problems, but "not angry or aggressive enough" is not one of them. I generally enjoyed listening to this, but there is a tough guy silliness to it all that makes me roll my eyes.
mostly monotony to me, pretty fun :-)
"too long, clanky, too long!" but seriously, hearing these songs, most of which i liked, in the context of an album rather than a rave was weird, and not always in a good way. that being said, i can't really say i didn't like anything except tracks 6 and 7, and the final track. dance music isn't my thing in an album context most times, and this doesn't really serve as an exception. 3.5 if they allowed half grades, alas they don't, so a 3
This is not my favorite
Heard before?:❌️/✔️(not entirely) Will listen again?:✔️ 3.5 Bing bong quack hahaha clack woosh ding Prefer other prodigy albums and was a little bit too long but it still had power! I can just imagine how hard this would go in a club or rave. Fomo((
Ok warning...warning Will Robinson, warning warning. Aged badly? Was completely fucked to begin with? How and why did this happen? Oh yes and there's more. The open with the sound collage intro...NO! Really! Did they! Yes indeedy Bob they did and followed it with an 8 minute instrumental. Come back Rush, all is forgiven. What an unmitigated load of nonsense.
Voodoo People, Poison and No Good (Start the Dance) are catchy bangers. But the album as a whole seems under-baked. As a generally 'rock' person, I approve of the crunchy, dirty sound they get from a combination of noisy samples and crappy equipment, which gives it a more industrial sound than most 90s UK dance (which tends towards a clean digital sheen). 2.5 stars, rounding up for energy and the only appearance of Pop Will Eat Itself on this list (which seems like an oversight, IMHO)
Horrendous lol I really hated this.
Disappointing really after almost giving Fat of the Land a 5. This was exciting for a track or two, then seemed like it was the same pass on repeat for the next 45 minutes.
This is GREAT study music This was fun, will revisit Don't quite understand what the story was, but it made for great focus noise
early prodigy, before fat of the land but not the earliest, after charly/jericho/out of space lots of good stuff, trails off near the end tho 💥their law 💥full throttle 💥voodoo people 💥poison 💥no good (start the dance) 💥one love
The kind of thing for those who like that sort of thing.
Pleasant
Rate: 9/10.
I guess I just don't understand techno music
Schon teilweise ganz fetzig und coole sounds aber iwie auch anstrengend
Not bad
They sound like stand up guys and I’m sure it’s a great example of this sort of music but fuck me I hated every single second of it
I enjoyed this more than I thought I would! The prodigy are usually too harsh for my tastes, though this album had a good beat that I fell into quite easily.
I winced at the cover image but wanted to give this a fair shot. Ultimately, it's just not for me (I don't really do EDM or electronica though so not exactly a surprise).
- the longer i listen it itches - some of those songs are kinda like tolerable - im not sure its not for me
Meh, just beats icl
Not for me, all I can think about is the Matrix reloaded video game.
Claustrophobic Sting is something really special. Pretty different and still actual in 2026
Honestly really cool techno music. I see why it's on here if it really influenced this genre. Solid album if you like this type of music.
Well, i did not like this neeearly as much as the Crab boi album. But it was still pretty fire. Strong 3
It’s electronica. I understand why people like it. Just not my cup of tea.
Interesting. Need to listen a few times more.
Impossible de créer qch de pareil
cool!
1994. Combines a variety of genres, including electronic and breakbeat, with heavy basslines and energetic, aggressive beats.
I hope I might like this more but just too low energy for me. Maybe another listen would help though.
*I went into this hating EDM and ready to rate it low, but it won me over with some of its infectious beats *I still don't get listening to EDM in a similar way to other genres, but this stuff is danceable in the club for sure
💪🏻💪🏻💪🏻💪🏻💪🏻💪🏻💪🏻💪🏻
super dope. sounds like the inspiration for a lot of house these days
Haven’t heard any Prodigy music. Good cover. No real instruments. Minimal vocals. I guess it is music you can dance to. Songs sound the same. Not that good. Two stars
Shit, this was really good. I can see why people went crazy for this back in the day.
I'm so close to quitting with yet another 90s dance or whatever album. I don't spend my time in warehouses, clubs, or open fields dancing. There is some music that is so tied to a specific time and place that for most people it's unlistenable.
This record bangs. Favourite Track(s): Full Throttle, No Good (Start the Dance) Least Favourite Track(s): Claustrophobic String
My first review of this didn’t seem to post, and I’m not re-listening. So I don’t remember much, but I think it mostly sucked?
No thanks. I’ll pass.
What a great experience this was, The Prodigy definitely follow the Big Beat Manifesto. Loved this so much; it manages to be dark and gritty whilst maintaining this relentless energy all throughout. This is the kind of dance music I can get behind, it immediately transports me to a sweaty warehouse. Great stuff Favourites: Break & Enter Voodoo People No Good (Start The Dance) 3 Kilos
Seems like many of the other 90s electronic albums. Not enough changes
I loved this and there really is no band quite like The Prodigy. I recently saw a drum and bass show live and this album brought me back to that show at times. I liked this a lot.
I feel jilted.
Great working music. A bit overlong and less hooks than their later stuff, But I had fun.
Not my vibe
Not for me.
Dit is zo goed, lekker gemaakt, rammende nummers
Omg mais quelle horreur ! Plus sérieusement, dès la première musique j’ai une migraine qui s’est déclenchée. C’est un grand non
Musique de fous furieux
trash
We've had a lot of electronica and dance albums come up lately and I enjoyed this one more than the others by Daft Punk and The Shamen. It has variation, harder edges, and is overall more interesting. Some of the more manic, club-oriented songs toward the end did nothing for me. But I especially liked the three song "Narcotic Suite" that closes the album. This is not a genre I like much at all but these guys are/were better than most.
Surprised how little this did for me, considering I really enjoyed The Fat of the Land from these guys. I tried using this as background for work, like I would with stuff by Aphex Twin or Boards of Canada, but its too annoying for that. Very little positive to say, I didnt absolutely hate it but a struggle to sit through
I loved Fat of the Land, but this album did not age well.
I had a lot of fun at the rave we went to with Shane and Emily! Only problem is that right now it’s 11:00 on a Tuesday morning
Full Throttle and Voodoo Music are absolutely in my wheelhouse, I would have had a great time listening to that at Movement. The whole thing is just all over the place in a way that, Poison and the Howard Dean screaming aside, gets more enjoyable as the album progresses. The Narcotic Suite coming out of the bullpen to shut it down is great fun.
I get the appeal in theory of high energy industrial rave but this does nothing for me. I like other rave music, but I did not want to rip molly and tear up the dance floor with this on. I just wanted to turn it off. (1.5)
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeehhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
Found this more interesting - and that it has aged a bit better - than The Fat of the Land. But given the blind spots and omissions, two Prodigy albums on the list is insanely generous. Neither are essential.
The Prodigy's best and one of the greatest albums of all time A game changer for me when it was released and (along with Experience) part of my musical awakening. Back then was when I first realised how incredible music could be
Para seguir corriendo, después de Underworld, hasta encontrar una rave o un camello de confianza.
Very rave-centric. Too hyper for my taste, you can feel the passing of years, definitely a product of its time, but there were some bangers in there.
I’m shocked at how boring this album was
Needs to be listened to at maximum volume in a dirty ass warehouse for the full and complete experience.
Just not my cup of tea
Compared to the album with the crab, this one already sounds dated, as if it has aged poorly. The tracks are too long and dragged out. 'Voodoo People' and 'No Good' save the situation, but not by much. For its time, it was an okay album — now, not so much
Gosto do estilo
There’s a lot to enjoy here. I almost cut it at the baby samples though.
Wasn’t on enough drugs to really enjoy this
This was difficult because I wanted to like it but I did not. Soft neutral because definitely unique but not for me.
A couple good songs on here. But this electronica rave music is really boring. The Brits are innovative rhough.
Sorry, I don't do drugs
I'm in a minority that that this is my favorite Prodigy album. Like many of the dance music albums on this list it is too long and cannot sustain energy across the whole album. There are some absolute bangers tho - in particular No Good (Start the Dance), Voodoo People and Poison. I saw them play this album in Glasto 95 and I remember it (30 plus years ago!) as being awesome and best band of the weekend so scores a 5 for that memory alone.
Music for the Jilted Generation I was never into this as much as Fat of the Land, although I probably didn’t hear this until well after Fat of the Land. It definitely doesn’t feel like a whole, considered album like FOTL does, and it reminds me of Exit Planet Dust a little in that regard. But as a collection containing some excellent techno-rave-breakbeat electro it's a great listen. Their Law, Voodoo People, Poison, No Good and One Love of course stand out as absolute bangers, but there some other great tracks, Break and Enter synths are great, Full Throttle feels all sweaty like a dank nightclub, Speedway has a video game manicness to it, it makes me think of Gamesmaster, 2 Kilos’ flutes are great and Claustrophobic Sting is excellent, a bit of a banger. It’s not as satisfying as FOTL, and it is a bit long at nearly 80 minutes, but it’s easily good enough to get into the low 4s. 🕺🕺🕺🕺 Playlist submission: No Good (Start the Dance)
The singles are all massive, and resonate hard even to this day - albeit indelibly linked to the 90s (and even though I was nothing to do with that culture because it was too bloody noisy). This is of the underground rave culture with a touch of commercial edge; without losing any of its dark undertones or credibility. In amongst the (barely) commercial touches, the beats are industrial, with a rock influence - a guitar riff sound on 'Voodoo People' for example. Hence why they often played live with Gizz Butt. There's no attempt to make the drums sound like Chemical Brothers dance, it's all very clipped, stark, dark (with '3 Kilos' a more soulful outlier'). As an album it works brilliantly, but there is a case of bloat (the 6 minute 'Speedway' and 'Claustrophobic Sting' both expendable). Just a moderate trim - a short back and sides, would've elevated this into a 100% focused work. Nonetheless - solid 4.
Not my favorite type of music and certainly having MetalWerks already in the mix I am not sure that this band does anything new or cutting edge enough to be included in the list of albums one must experience.
The 90s top trance metal dance
I was already expecting to love Music For The Jilted Generation and i was completely right. It definitely feels a little different from their later effort, The Fat Of The Land, being that it definitely feels like they put way more stuff into this album instead of just focusing on being a simple dance club banger. A lot is going on in this album with each song having so many elements and the way some of the songs introduce the ideas in the songs that have a lot of those feels very seamless and natural. It also helps that the songs here are all bangers and even at 78 minutes, the album never felt like it was dragging. I still lean a bit more towards The Fat Of The Land being my favorite album by these guys but i still love this one nonetheless. Best Song: Voodoo People Worst Song: 3 Kilos
75
Geen grote hits, maar toch genoten
I’m today years old to learn the prodigy is not for me
1. intro - 1 2. break - 2 3. lauu - 2 4. throtle - 2 5. vodoo - 1 6. poizon - 1 7. good - 1 8. love - 2 9. kiloz - 1 10. zky - 2 11. zting - 2
Хорошая группа, талантливые музыканты, но даже их хиты мне трудно дослушать до конца из-за длительности и однообразия в рамках одной композиции.
This wasn't bad. It is upbeat and fun. I do wish there were lyrics at times. Sometimes the songs drone on and on and I wish something different would happen Liked Songs: "Break & Enter" , "Full Throttle" , "Voodoo People" , "No Good (Start the Dance)" , "One Love" , "Speedway (Theme from Fastlane)"
I used to go to every show at that venue, because I knew she was there. She was the first person to ever come over to my apartment. She kisses were like fire. She put butterflies in my stomach every time I saw her. Then things dwindled, and she told me she would slow down. She was a bit of a relationship anarchist. That was okay! We would still kiss sometimes, we would still have conversations that ran deep into the night. She was a really good friend. Then one night, in the middle of a conversation, she said "I'm sorry." and I asked why, and she said "Because I'm not as into you as you are into me." I had already known that and put it in the back of my mind, but it was still a gut-punch to hear her say that outright. Things weren't the same after that. We didn't pay each other as much attention. She started bringing someone else to the venue. I saw her there tonight. She willfully admitted that she had been leading me on. Admitted she was a bad partner. I know there's nothing else she can do to make up for the pain she had caused, but still, I'm ashamed to admit that it still doesn't feel like enough. She's still there at every show, with her new gal pal. I used to go to those shows just to see her. Now I can't go at all. Because I'll see her. I found this record really boring, and it didn't entertain me enough to drown out how I've been feeling today.
Makes me want to down a can of SURGE!!!
My gate drug was this to Big Beat electronic music.
Oh boy, more Prodigy. I wonder if it will be a repetitive collection of sounds, beats and occasional spoken words that blend from one track to the next in an indistinct assemblage of noises. Totally different from the other Prodigy album on this list and thus necessary to listen to both. Give me a break.
EDM isn't my thing. This album is well-written, well-performed, and well-produced, with clever samples and interesting sound choices...but it's still not something I'm going to listen to by choice.
No me gustó. Muy experimental y sin letras.
not as good as their follow up, but still a banger 3.5/5
Found myself bopping a few times, but man...not a big prodigy guy.
I liked this more than I expected (as I’m not the biggest techno fan), and many of these tracks were pretty good head boppers, but this is just way too long. It started off really strong, but already before the bonus tracks started I was pretty done with this album.
Overall: 3.33 (rounded to 3) Consistency: 3.33 Originality: 3.5 Enjoyment: 3.5 Virtuosity: 3
Not for me.
The vibe was surprising based on the album art, but I suppose I shouldn't judge a book by its cover. 7/10
I bet this would be fun to dance to but it is a very specific type of record. It's not bad but there are really just a few circumstances where it would be good.
yeah alright
like I mean yeah
Ça sonne vieux, mais pas dans le mauvais sens. C’est intéressant. Y’a pleins de trucs qui se passent, des samples de partout, des 909, des 303, tout ce que j’aime. Voodoo people c’est quand même un super son. L’intro de Speed Way quand même… hyper moderne je trouve. Très bon album considérant l’époque. On sent que bcp de mecs qui font de la tek aujourd’hui ont pu écouter ça pendant leur jeunesse
I’m not a fan of electronic music but I can understand the appeal
I enjoyed more than i remembered. Obviously Poison, Voodoo People and No Good are the standout tracks, but all the tracks up to No Good are fairly strong. Unfortunately i think the quality drops thereafter.
Should I want to stand in a field off my tits on ecstasy, this album would be perfect. As it turns out, I don’t. Thank God for “No Good (Start the Dance)”, my favourite song by The Prodigy. Also to “Break & Enter” and “3 Kilos” for making this bearable in a sea of too long, headache-inducing noise.
We got Fat of the Land less than 10 albums earlier, and much as I quite enjoyed it, I would have preferred a bit of a longer break before being handed Prodigy album number 2. This is too long and also feels like being an extra on a 90s sci-fi/computer hacking movie set in a dark basement. I like No Good (Start The Dance), Poison and bits of Voodoo People. Everything else, except 3 Kilos which I really enjoyed, was very, very trying. It's getting a 2 and should feel lucky I've been so generous. 2/5
1.5 stars It really just kept going on and on. Maybe with some drugs, strobes, flashing lights this would be amazing. But on a Tuesday morning getting ready for work, fuck you.
Tko kmal spet The Prodigy! Ta album pa nč ne poznam. Očitno je en pred The Fat of the Land. Drugi, "Break & Enter" mi je skoz svojih 8 minut in 24 sekund prirasel k srcu. "Their Law" je en teh komadov, k že od začetka dojameš, da bo a banger. Je pa prvi, k me spomni na zvok naslednjega albuma. "Full Throttle" je kar naslov obljublja. Nevermind, "Voodoo People" mi je poznan. Umirjenost "The Heat (The Energy)" prou paše po prejšnjem intenzivnem formula 1 komadu ( "Speedway (Theme From Fastlane)"). Ha, gre že ritem up to 11. "No Good (Start the Dance)" je hud. "One Love" mi je skor preveč intense. Ta zadnji trije so isto hudi. Ej, kul. Ni mi tok všeč k sledeči, ampak je bil nad mojimi pričakovanji.
Boring, repetitious, monotonous, need I say more?
I learned that the iconic front man Keith Flint wasn't actually on this or the previoud album, except possibly as a dancer. It's not my genre at all, and I hated most of what they did when they were big around The Fat Of The Land, even though I gave that album a fairly solid 3/5. This one is a bit more raw even, and doesn't have much structure, which becomes a bit tedious after a while (unless you're high, maybe, which I'm not).
This felt like a lot but not in a bad way but hard to match the energy at a desk at work. Favorite Song: The Heat
A lot more drum and bass/techno heavy than fat of the land I'd say where the tracks are more structured, could see more of this being in clubs. It's still very good but not quite as much my thing. Voodoo people and their law are a cut above the rest. Would happily listen to again in the right mood but the other tracks don't demand as much attention.
I only wish Voodoo People got going earlier - far too much intro. Actually, I think that's the theme of this album: really great ideas hidden after a minute of dull build-up. 02:25 is when the main "riff" of Voodoo People starts, and my excitement and anticipation had already disappeared after 00:30. They definitely tightened their stuff for the later albums - Smack My Bitch Up and Firestarter are relatively brief at around 5 mins each. Perhaps this list is exposing my low attention span, and unwillingness to wait. A very solid 3.
Prodigy are a weird one for me, I think I enjoy them, but every time a track from fat of the land comes on my playlist, I skip it. I've not heard this one before, but again, I enjoyed it. Overall less jarring and aggressive than fat of the land. I know voodoo people, poison, and no good. Enjoyed 3 kilos too, more chilled. Not really my thing but it's good, 3.5
Fun album just like the crab album!
I didn’t discover this album until after *The Fat of the Land*. And with that one, it took me a while to become completely hooked. With this album, it happened much faster. It sounds different, sure, but it’s got plenty of energy and really blows you away. I would have loved to have been in London’s clubs back then when The Prodigy started playing their music. It must have been incredibly electrifying. 5/5
It sounded good at first and there are a few highlights, but 78 minutes is too much. I struggled to finish the album. I gave three stars to "The Fat of the Land" and "Music for the Jilted Generation" is slightly better, so
Once again surprised how boring EDM music is, and why there's so much of it in this project. At least the songs don't drone on for too long like they can on other albums in the genre, but it's so repetitive for such a long runtime. Some decent moments early on but drags by the 5th track
When Techno, dann so!
Enjoyed this more than I thought I would. Has a lot of the early 90s House repetition, but still fun. Extra points for the PWEI collab.
I like how there's a mix of genres like rock + electronic or hiphop + electronic. It's fun but not something I'd want to listen to. And most of the time it sounds like a hot mess. Also, I didn't know that that tiktok sound came from this album 😭😭
Dieser Lieder müssen im Club so geknallt haben
boom boom boom
Probably an unpopular opinion but listening to this album made me want to punch a child. Or grind my teeth. Or both.
Gloomy EDM. Hair not purple enough for this.
This was great, if a little long. I don't quite think it's at the level of Fat of The Land, but it's still very Prodigy sounding and has that trademark mix of hard break/big beat style and danceable 90's rave music. The sample work is still incredible and I read that a few live guitars are used in this as well, which is neat. I've listened to this album before so none of it was really new to me. The trilogy at the end makes a big shift to that rave style, long track music that's a bit of a shift from the rest, but there are tracks like that on all Prodigy albums I've heard. I realize the sound is a bit dated but it's still so unique. Great listen.
Music For the Jilted Generation is the second full-length album from the Prodigy, the British electronic music group. The Prodigy makes breakbeat, hardcore techno that is aggressive, driven dance music. In part, the album was a response to Britain's anti-rave laws, which may have helped propel the success of the album and the band. The Prodigy creates energetic dance music with great hooks. While Music for the Jilted Generation does not include any of the band's biggest singles, it is filled with infectious tracks with an impressive range of sounds. This was the breakthrough release for the band, who were on their way to becoming one of the most successful international electronic bands.
This is a great fucking album. I like the trippier aspects of it, as well as the straight hardcore techno. I might not like it quite as much as The Fat of the Land, but it still ranks high on the electronic-techno continuum.
I liked it to start, but liked it less and less as it went.
Got monotonous quickly
2/5 - A few tracks like Speedway are fun, but after awhile, my brain is numb to what's going on here.
The voice of a culture. Dirty, angry, raw and crackling with energy
I felt burned out at the end. Fat of the Land did a much better job. 5/10
I had moments where I was vibing with it, but mostly not.
Okay, you might choose to rate this low and that's your prerogative. Your low rating is actually on the 1001 challenge for not mailing its users ecstasy and glow sticks to go along with the album.
I did not expect this
Die erfreuen sich in der Metal-Szene ja durchaus großer Beliebtheit. Bin dem Hype nie auferlegen, verstehe aber den Reiz. Mehr Industrial, weniger Techno, dann wär ich voll dabei.
Starkes Stück Nostalgie.
Fand die immer gut, aber zu lang. Hat sich nach diesem Durchlauf nicht geändert. Knappe 3 Sterne, kurz vor 4.
Raving in a warehouse kind of music. I've listened to some Prodigy before, but not this album. Maybe it's beep boop music, but it was alright. 4*
mostly garbage
These songs are really long
Not for me, too long too repetitive and boring. This is coming from a fan of Krautrock. Why is this thing an hour and 18 minutes and every song is 6+ minutes? One of the very few albums that has me questioning my decision to listen to every one all the way through. Maybe full of drugs in a warehouse with strobing lights would this be okay, otherwise no reason I would ever play this again.
All over the place electric... Saved
Quite long but some good songs. Latter Hal better imo
Really enjoyed that. Huge album in the electronic scene 4/5
Tik VIENA visai nieko daina
Anarchy and chaos but kept interesting. High energy music to get you into the zone and fired up. 4/5
More interesting than other entries. It is somewhat repetitive and drags on at times. However, I found this to be a good representation of its genre. 7/10 [KEEP]
Nothing as memorable as the next album, but you can see the genesis.
I don't underestimate the importance of this record. I knew it when it was released, but it wasn’t huge here. It wasn’t culture here. Raves weren’t culture here. I think I missed out on something massively important. I’ll never really get the “fuck you” that this record was, even though I know that intellectually.
Liked it. Electronic music is underrepresented in this list. More please
My chronically online gen-Z ass brain was shocked when the main riff of Voodoo People came on. Jokes aside, a genuinely good 90's rave record. It hits and keeps going all the way through. The hooks and drops are solid.
An aggressive 90s album, which embodies that 90s EDM. It was fun but not super special
I got The Fat of the Land early on in this project and probably overrated it. 80 minutes of hardcore electronica might be too intense for me. One song in and I'm pretty sure I'm not going to like at much as The Fat of the Land. I would not be able to listen to any section of the three songs I just listened to and place them with the correct title. Voodoo People is the highlight so far. That was the thing music was missing...car alarm noise. Speedway (Theme from Fastlane) could also be called Speedway (Theme from Matrix II: Highway Fight Scene). This album sucks and it goes on forever. Every techno album sounds like it is an audition for a spin class mix. I have to pay more attention to this album because at any moment it could be over and I've have no idea I was listening to a different album or different band entirely. 3 Kilos is the best song on the album. It's like techno-Shaft. Skylined is good too. The album ended on a high note, but it's too long, sounds too much the same and doesn't have any really memorable songs.
As a fearsome fuck you to the Government over restrictive legislation brought in as a hurried response to the moral panic over the 90s Rave scene this is pretty much without peer. But 30 years later, when the political message is long forgotten, does it stand up? It's incredibly fierce stuff, with big driving beats and thumping bass. These guys aren't here to put socks on centipedes. They're here to party and party hard. To be honest, Fat of the Land is probably the one to get, but this is a pretty worthy runner up.
I appreciate I’m going to lose a lot of my already sparse credibility but I just don’t enjoy this sort of shit
Definitely feels like going to a club, which of in the right headspace, the vibe's awesome, but when you're head's not in it, the club then becomes an annoying fly. Could use some editing though.
Tried to be hard rock and electronic at the same time, but didn’t do either stellarly
Their second album. Techno / Electronica. My fellow Essex Boys ! Aggressive, Industrial and brooding. The album builds and builds on raw energy. Real warehouse Rave music. I can't really single out any particular track, this needs to be consumed as a whole. Fantastic dance album.
I'm sure this is a 5* album in a club and off your head on crack. Not that I would know. As an album and as music (to listen, not rave, to) it's not for me. I can see it quite well made and The Prodigy was/is very influential. So, it deserves a place on the list and for me it's a 3.
289/1089 some fun clubby electronic music, gives me such nostalgic vibes and this sound will always be what i hear in my head when i think of “the future” faves: 3 kilos, The heat, Their law, Break & enter 70/100
It is undeniably well made and ahead of its time but man I can think of few contexts where I would enjoy listening to this. Simply not my thing
Enjoyed this even more than the first prodigy album! Cool beats, engaging and well structured, and interesting “storyline” in a way. Good stuff! High 3 aka 3.5 for me! (Maybe I’m being overly critical maybe it’s rly a 4 but the songs def don’t have much staying power cuz of the genre…)
I rather loved this! :) I slightly preferred Fat of the Land, but this was also excellent!
Fuck yes, I can go til 6 in the morning with this!
I really think you have to be into repetitive dance music to even remotely care about this other than it being possibly optioned for Video Game background music.
Listened to it while cranking out some miles on a bike trip and was good. Probably would get tired of it if I was just sitting around listening to music though.
Finally this ordeal is over. The thing about this album is just 3 seconds from Voodoo people and the rest is repetetive slur
Perfectly solid electronic album. Puts me right into a warehouse rave in the 90s. 3/5
Good quality high energy dance music.
Ouch! This started off excruciatingly monotonous and boring and continued non stop for a painful 78 minutes. I do not like it. But, I can understand its appeal for anyone into the electronic music dance club scene.
Some good songs, and plenty of mediocre songs. I think The Prodigy could make a 4 star album, but they seem more focused on making any album here.
An electronic record that tells a story is as rare as a prog album that won't get on your nerves, but somehow The Prodigy's second release is just this, even or especially if that story is up to our own imaginations. It's actually impossible not to be distracted while listening to this thing, so one doesn't exactly take in the story as one continuous stream, but distraction is a part of this album's design: if you've gone somewhere else, that's the point, is it not? There's also something to be said about music this corporeal, this somatic - I literally couldn't get my leg to stop its reactive momentum - that is also cognitively supportive. Eno's ambient releases are good for writing, but this is good for dancing as well as thinking. I mean it. Get work done.
Started this whole thing off with the prodigy. Still Some of the most inventive techno ive heard
Not my cup of tea
Time locked. Repetitive. Tiringly dizzy and plodding, simultaneously. Loud and irritating. Mids.
Not my taste at all.
First half - pretty much all bangers that hold up now. Second half - boring jungle inspired big beats. Iconic for its time, I prefer Fat of the Land and even Experience, but judging this on its own, and taking away the bias that it does sound dated, it's 3 with an extra point.
I’d rate a 3.5 but went on for a little too long. Lost me towards the end.
Electronic
cool
This was so close to getting a 1 from me. I’m sure it was good for its time…
Ayyy, two The Prodigy albums this week. Doesn't have the huge hits that The Fat of the Land would go on to have, but this is still pretty great. Break & Enter and Poison are probably my two standouts, but honestly you could put almost any track on here on and enjoy it. It's nearly 80 minutes of just kick-ass beats.
Not my thing but it's so synonymous with myreenage years it gets 3.
I want to scream
No fue de mi agrado
Ну это прямо шедевр электронной танцевальной музыки. Мощнейший толчок для кучи стилей.
Hot damn do I LOVE this album. No good (start the dance) just rocked my world when it dropped.
this is a bonkers album to listen to w/ headphones on while you go about your day. honestly i’m a fan
Have loved this album since it came out. Voodoo People is one of the greatest electronic songs of all time. On this listen, I did find it to get a bit samey and almost exhausting by the time it was over. Really made me appreciate the addition of Keith Flint's vocals on future albums even more.
2/5
This is less a music project and more of a test of patience for me. Here's the thing with music like this. Its one or two musical ideas taken to just about every single way possible. And if thats your thing thats great and im happy you got stuff like this. But im very much a vareity is king type. This is not remotely close to what I need. Its 4 beeps with slight variations over the course of 10 minutes. It drives me up a wall. This is music that works great in the background of stuff. In some video game or the rrave scene blade. Where im doing something else and only partially listening to the music. Sitting down for an hour and focusing on this is torture for me. That being said its still a better form or torture than alot of other shit in this lane. And I do have to give it props for what it is. Im sure musicians I like now were very into the prodigy when they were young. And I have the influence to thank for things I actually like. Tons of people my age like this and I get it. Just couldnt be me. I'll still give it the middling 3 but if im just going by me alone id bump it down 1. Just cant stand stuff like this and maybe thats a me problem but it still stands
Full album of great songs. Will be playing it again
I'm a huge Prodigy fan, but when I say that I really mean I'm a huge "Fat of the Land" fan. Everything that comes before (this and "Experience") has always struck me as unformed, though this one has a few glimpses of what would later make FOTL so great. Later releases, by contrast, also have moments of brilliance but never quite capture the cohesive vibe that is FOTL. If I had to pick a second favorite Prodigy album, this is it. But it's far behind. "Break and Enter," "Their Law," "Voodoo People," "Poison," and "3 Kilos" are great. Love love love when the bass drops on "Poison." The rest I could take or leave. Every so often I revisit this album. It has a special place in my heart. Just not that special. I do like the intro track. Yesterday I had a Sinatra record, and I think I would have liked it better if it had had "So, I've decided to take my work back underground. To stop it from falling into the wrong hands." Smash cut to "You Make me Feel so Young."
Astonishing we’re still getting these. The length puts this one at a 2.
I didn't mind the first song or even the second, but then it was just monotonous, high speed banging in my head. Couldn't finish it.
The thought of someone buying this CD in 1994 and sitting down to listen to it is extremely funny to me. I did finish this whole thing though.
Second and final Prodigy album. I'm surprised these guys had another list album in 'em, though in all fairness their sound is a pretty good represenation of where popular music was at during the time and there isn't another band on the list with a sound quite like this. I don't remember much from "The Fat of the Land", truth be told. The blown out, electronically distorted vocals are still ringing in the back of my ears and the album has that distinctive crunchiness which was common with a lot of music from the time, though I don't remember much about the electronic flourishes which were present on the album, which I'm pretty sure was its most defining feature. Maybe this album will help me to remember. Here goes. Yeah, this is alright. This kind of aggressive, ambient 90s techno/rave music is moderately up my alley. I particularly enjoyed those signature, aggressive synths. They contribute nicely to the rave atmosphere of this album, and I enjoy the novelty value they have as something uniquely 90s. The drum breaks are good, too. They pair nicely with the synths to create a frenetic feel. Some decent effects as well. I generally favoured the reverberating, spaced-out songs over the more focused offerings of this album because of how well this style lends itself to an ambient sound. This album was almost entirely instrumental, which is much appreciated as well. My only major gripe with this album is relatively obvious - it's much too long on both the individual track length and total runtime front. As a result my attention kind of dipped in and out while listening to this album, though it fortunately never fully dropped off. A decent album overall. Book time. "...a true band of the people." A pivot within the band's style towards a more hip-hop and rock sound. The slowburn, psychological, A24-kinopiece known as "The Lawnmower Man" was sampled on the intro track, which is how I know that this album will always be a gem. "...regarded at the time as a protest against governmental attempts to clamp down on raves". "...paved the way for Leftfield, Underworld, and Goldie [...] and still sounds like the best head rush you will ever have." Wikipedia says this album "...[exemplifies] a sound which helped define the 90s electronic music scene." It was also an innovative and acclaimed release with widespread chart success across Europe and the West. The album also made it onto the year-end charts for a few countries in '94, '95 and '97. Yep, these are all solid qualifiers. I cosign this inclusion.
Like do I actually enjoy listening to this? Not particularly. But it is incredibly interesting and I was locked into it for the hour long run time and that for me is quite impressive.
Mind numbingly repetitive. Every song is about 75% too long. I really don't understand who is supposed to enjoy this but I presume some form of drugs are supposed to be involved. Damn you 1001.
I often find it hard to rate electronic music albums due to their lack of traditional pop songcraft and emphasis on beats. This is apparently one of the most influential and popular techno albums of its era, so it gets marks for that. The actual music is brisk and fast-paced, with a general mood that it has something to prove. It's mostly just bleeps and bloops, and yet I feel as if there is palpable emotion here. It feels like the lovechild of dance music and thrash metal, almost. The songs run on pretty long, probably longer than they need to, and they are pretty repetitive, but all of that is baked in to this genre. It's no masterpiece of an album, but it is actually very enjoyable techno music with definite emotion. It's not a 5 for me, but it's sure as hell a 4.
You know what? Im not mad at this! This was great hype music for my commute to work, helped me lock tf in!
A great representative of the electronic genre. 20 seconds of good music stretched out to absurdity, typically 7 minutes per song. An overlong album in general. Perhaps psychosis inducing for somebody like me? It made me feel bad to listen to this for over an hour today. I can see how somebody would like this, but I am NOT that somebody.
Great. Couple or bangers in here....as the kids would say!!
So much raw power and energy. I think I prefer Fat of the Land overall, but this is so, so good.
I got a little sleepy. But this also feels like🛸
Shattering plates as percussion lol